"Punctuating this abundantly illustrated book, art historians Dany Quine’s and Marie Perrault’s essays respectively trace an intimate portrait of the man, and provide an analysis of his body of work as it has been unfolding over more... more
"Punctuating this abundantly illustrated book, art historians Dany Quine’s and Marie Perrault’s essays respectively trace an intimate portrait of the man, and provide an analysis of his body of work as it has been unfolding over more than thirty years. The executive and artistic director of 1700 La Poste, Isabelle de Mevius, pens the catalogue’s preface." -- Publisher's website.
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Research Interests: Humanities and Art
Perrault explores Benoit's exploitation of the documentary qualities of the photographic medium in order to examine the "construction of history" in works produced between 1983 and 1993. Biographical notes. 20 bibl. ref.
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Published on the occasion of the seventh Mois de la Photo a Montreal (2001), this catalogue presents texts by 25 writers who address a wide range of issues from diverse perspectives (aesthetic, ideological, theoretical, sociological,... more
Published on the occasion of the seventh Mois de la Photo a Montreal (2001), this catalogue presents texts by 25 writers who address a wide range of issues from diverse perspectives (aesthetic, ideological, theoretical, sociological, etc.). Topics discussed include: the power of the gaze, globalization, alterity, genre and landscape. Includes a special feature on Scandinavian photography, film and video. Interviews with artists B. Kruger, A. Declercq and K. Lum. Artist’s pages by Ike Ude. Texts in French and English. Some texts in French, others in English. Onomastic index. Brief biographical notes. Thematic bibl. 3 p.
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This publication documents the symposium held in conjunction with the events of "Points de forces", and brings together texts (not translated) by 25 practitioners and theorists invited at the symposium. It also comprises a text... more
This publication documents the symposium held in conjunction with the events of "Points de forces", and brings together texts (not translated) by 25 practitioners and theorists invited at the symposium. It also comprises a text by Dauphinais on the history and development of artist-run centres, and an overview of the other texts and a critique of the centres' initial function and their conditions of survival by Leger. Includes a 1992 list of active Canadian artist-run centres, a list of periodicals, an annotated bibliography, and a number of projects by artists. Circa 150 bibl. ref.