Papers by Bruno Bossis
Presence: Teleoperators and Virtual Environments, May 1, 2018
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Musurgia, 2011
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Revue de Musicologie, 2006
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Tools and Methodologies, 2008
... Whereas the existing approaches only enable users to draw classical musical score notations, ... more ... Whereas the existing approaches only enable users to draw classical musical score notations, our approach aims at making it possible to easily adapt the system to different ones. ... It disappears from the screen, and the user has to draw it again. ...
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uni-graz.at
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RÉSUMÉ État de l'art en pratique musicale Christian Marclay est un plasticien, performeur, im... more RÉSUMÉ État de l'art en pratique musicale Christian Marclay est un plasticien, performeur, improvisateur et compositeur né aux États-Unis en 1955. Son oeuvre se situe à la frontière de la performance et des arts plastiques. Il s'est particulièrement intéressé aux relations entre les sons et les images (Marclay, 2000). Depuis la fin des années soixante-dix, une grande partie de son travail explore le détournement des platines et des disques vinyles, qu'il transforme en instruments d'expression musicale. Sa démarche, très différente des pratiques populaires, l'a conduit à s'investir dans l'improvisation collective avec des instrumentistes d'origines diverses. Sa reconnaissance et son influence internationales n'ont cessé de se développer depuis de nombreuses années. État de l'art en musicologie La plupart des nombreux ouvrages généraux ou catalogues mentionnant ou se concentrant sur le travail artistique de Christian Marclay ont été écrits par d...
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Organised Sound, 2004
ABSTRACT Initially a result of talking heads, followed by the arrival of telephony and the gramop... more ABSTRACT Initially a result of talking heads, followed by the arrival of telephony and the gramophone, the use of artificial vocality within musical composition is becoming more and more common as different laboratories acquire devices enabling the manipulation of sound. Following Pierre Schaeffer's first experiments in Paris, many composers became interested in the expressive resources of the mechanical voice, the results of which are now present in a large corpus of electroacoustic works. By its very nature, artificial vocality establishes a new link between the vocal quality of a sound event (its vocality) and technology (its artificiality) within this type of music.
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Organised Sound, 2006
The musicologist is confronted with many situations during the analysis of electroacoustic music,... more The musicologist is confronted with many situations during the analysis of electroacoustic music, whether on support media, mixed, or real-time. Musical genres and styles vary greatly, and the collection of electronic musical instruments has also proven to be very ...
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MUSICAL STRUCTURE, 2008
Musical structures and technology as transcendence in Jonathan Harvey's music Bruno Bossis M... more Musical structures and technology as transcendence in Jonathan Harvey's music Bruno Bossis MINT/OMF ParisSorbonne University and Rennes 2 University Jonathan Harvey composer BACKGROUND IN MUSICOLOGY Jonathan Harvey's music is a very rich field of interest ...
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Conference Sessions by Bruno Bossis
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Papers by Bruno Bossis
Conference Sessions by Bruno Bossis