Attila Kreiter
Hungarian National Museum, Archaeometry Laboratory, Department Member
- Social and Cultural Anthropology, Archaeological Method & Theory, Social Anthropology, Cultural Anthropology, Experimental Archaeology, Neolithic Archaeology, and 38 moreArchaeological Science, Archaeometry, Archaeological Theory, Ceramic Analysis (Archaeology), Bronze Age Europe (Archaeology), Ceramics (Archaeology), Pottery (Archaeology), Bronze Age (Archaeology), Ceramic Technology, Ceramics (Ceramics), Neolithic Europe, Anthropology of Technology, Medieval Pottery, Ancient Glass, Pottery technology and function, Ceramic Petrography, Medieval ceramics (Archaeology), Ancient Pottery Analysis, Mechanical Properties of Ceramics, Early Neolithic pottery technology, Pottery studies, High Temperature Ceramics, Pottery consumption, 3) Petrography and Manufacturing Technology of Ancient Ceramics, Ancient Technical Ceramics, Bruno Latour, Anthropomorphic Figurines, Early Bronze Age (Archaeology), Middle Bronze Age, Late neolithic pottery technology, Late neolithic ceramic technology, Prehistoric Figurines, Grog Temper, Archaeology, Social Sciences, Prehistoric Archaeology, Prehistory, and Archaeobotanyedit
- Attila Kreiter Hungarian National Museum Public Collection Centre Archaeometry Laboratory H-1113 Budapest Daróci út 3... moreAttila Kreiter
Hungarian National Museum Public Collection Centre
Archaeometry Laboratory
H-1113 Budapest
Daróci út 3.
I'm head of laboratory and ceramic specialist. I received my PhD from Southampton University, UK, in 2006. My research interests include utilization of interdisciplinary analysis in archaeological interpretation and the combination of interdisciplinary research with archaeological theory, the origins and transmission of ceramic technologies, continuity and change in ceramic technologies and the social meaning/application of these processes. Apart from ceramic petrography I employ a broad range of analytical techniques to gather data including X-ray Diffraction (XRD), X-Ray Fluorescence (XRF), Instrumental Neutron Activation Analysis (INAA), Scanning Electron Microscopy (SEM) and Laser Ablation (LA-ICP-MS, LA-ICP-AES). I conduct research in Hungary analysing ceramics from the Neolithic to the Middle Ages.edit
The previous volumes of Archaeological Investigations in Hungary are also available here: https://archeodatabase.hnm.hu/en/rkm
Research Interests: Archaeology, Prehistoric Archaeology, Palaeolithic Archaeology, Mesolithic Archaeology, Medieval Archaeology, and 8 moreNeolithic Archaeology, Bronze Age (Archaeology), Iron Age (Archaeology), Roman Provincial Archaeology, Middle Ages, Copper age, Archaeology Of The Migration Period And The Early Middle Ages, and Roman Archaeology
The previous volumes of Archaeological Investigations in Hungary are also available here: https://archeodatabase.hnm.hu/en/rkm
Research Interests: Archaeology, Prehistoric Archaeology, Mesolithic Archaeology, Medieval Archaeology, Neolithic Archaeology, and 8 moreBronze Age (Archaeology), Iron Age (Archaeology), Roman Provincial Archaeology, Middle Ages, Copper age, Palaolithic archaeology, Archaeology Of The Migration Period And The Early Middle Ages, and Roman Archaeology
The previous volumes of Archaeological Investigations in Hungary are also available here: https://archeodatabase.hnm.hu/en/rkm
Research Interests: Archaeology, Prehistoric Archaeology, Palaeolithic Archaeology, Mesolithic Archaeology, Medieval Archaeology, and 8 moreNeolithic Archaeology, Bronze Age (Archaeology), Iron Age, Roman Provincial Archaeology, Middle Ages, Copper age, Archaeology Of The Migration Period And The Early Middle Ages, and Roman Archaeology
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Research Interests: Geography and Archaeology
In this study a petrographic analysis was carried out on the ceramic material uncovered from two late Sarmatian settlements in the southern part of the Great Hungarian Plain, Sándorfalva-Eperjes and Nagymágocs-Paptanya. The aim of the... more
In this study a petrographic analysis was carried out on the ceramic material uncovered from two late Sarmatian settlements in the southern part of the Great Hungarian Plain, Sándorfalva-Eperjes and Nagymágocs-Paptanya. The aim of the study is to confirm the working hypothesis that the micaceous-pebbly vessels of the settlements are made from locally available raw materials and the micaceous rock needed for their tempering was imported to the settlements. For this purpose, we analysed thin sections of grey fast-wheeled vessels (fine wares), which were dominant in the finds of the Nagymágocs site, then we compared the obtained data with earlier results on micaceous-pebbly vessels (Walter & Szilágyi 2022). In addition, the results are compared with the petrographic analysis of micaceous-pebbly ceramics from the Late Sarmatian settlement of Sándorfalva-Eperjes.
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ABSTRACT In the southern part of the Danube-Tisza interfluve (Hungary), a dense Early Neolithic, Körös culture settlement was identified during the excavation of Szakmár-Kisülés. Among several unregistered finds was a unique, mostly... more
ABSTRACT In the southern part of the Danube-Tisza interfluve (Hungary), a dense Early Neolithic, Körös culture settlement was identified during the excavation of Szakmár-Kisülés. Among several unregistered finds was a unique, mostly intact, clay horned figurine often referred to as a clay horn, bull representation. However, female genitalia is represented on the figurine, indicating that the objects is a female symbol. The practice of cattle keeping and secondary products are important economic topics in the Early Neolithic of the Carpathian Basin. The broken base of the figurine suggests that at one time the object was attached to a four-legged altar. Importantly, its base reveals that the figurine was created with multiple layers of clay. The various techniques for characterizing the figurine open new avenues of interpretation concerning how the object was made. A broken section of the figurine shows three distinct layers of manufacture and in order to better understand its construction computed tomography (CT), ceramic petrography, geochemical analyses (LA-ICP-MS and XRD), and phytolith analysis were applied. The results indicate that the figurine was made from three clearly identifiable layers, created during three distinct manufacturing episodes. The results suggest that after each manufacturing episode the figurine was fired again, implying that it also was utilized after each building phase. The raw materials from the different manufacturing episodes are similar petrographically and geochemically, indicating that the figurine was made from similar raw materials. Nevertheless, the raw materials of the different manufacturing episodes show differences in organic temper supporting our contention that the figurine had three distinct manufacturing episodes. The utilization of multiple interdisciplinary methods highlights the complex biography of the figurine.
Research Interests: Archaeology, Geology, Geochemistry, Computed Tomography, Ceramic Technology, and 15 moreArchaeological Science, Gender, Archaeometry, Anthropomorphism, Neolithic, Ceramic Petrography, Early Neolithic pottery technology, Anthropomorphic Figurines, Early Neolithic, Ct, Chaîne Opératoire, Körös Culture, Figurine, Ceramic Analysis Archaeology, and Geochemical Analyses
Research Interests: Archaeology, Geology, Geochemistry, Materials Science, Ceramic Technology, and 13 moreArchaeological Science, Scanning Electron Microscopy, Neolithic Archaeology, Digital Image Processing, Ceramic Petrography, Early Neolithic pottery technology, Early Neolithic, Pottery technology and function, Fragmentation, Iberian Neolithic, Ceramic Analysis Archaeology, Pottery Archaeology, and Ceramic Refitting
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Studia Universitatis Babeş-Bolyai, Geologia, 2009, Special Issue, MAEGS – 16 89-90 Izabella HAVANCSÁK, Bernadett BAJNÓCZI, Mária TÓTH, Attila KREITER & Szilvia SZÖLLŐSI Provenance analysis of Celtic graphitic pottery from... more
Studia Universitatis Babeş-Bolyai, Geologia, 2009, Special Issue, MAEGS – 16 89-90 Izabella HAVANCSÁK, Bernadett BAJNÓCZI, Mária TÓTH, Attila KREITER & Szilvia SZÖLLŐSI Provenance analysis of Celtic graphitic pottery from Dunaszentgyörgy (South-Hungary) Keywords: ceramic, Celtic, graphitic ware, Bohemian Massif, graphite The Celtic “graphitic ware” is a distinctive type of pottery, known from most parts of the Central European Celtic world. Celtic “graphitic ware” includes graphite-tempered pottery as well as vessels with graphitic coating. Also the pottery forms of “graphitic ware” are variable, but the situla-like pot with decorations of vertically incised bundles of lines is the most common (Kappel, 1969). In the territory of Hungary graphitic situla-like pots were produced in great numbers from the middle La Tène period (Szabó et al., 1999) until the decline of the Celtic dominion (middle of the 1st cent. A.D.). The graphite-bearing ceramics can be found widespread, not only around the graphite occurrences, which suggests extended trade. There is evidence for distribution of raw graphite, graphitic clay as well as finished graphitic vessels, however, the trade of raw graphite is considered to be the most common. Graphite or graphitic raw material is thought to be useful for objects which are constantly exposed to high temperature (Kappel, 1969; Martinón-Torres and Rehren, 2009), but numerous questions are still open regarding its function in the vessels. This study was performed on Celtic graphitic (graphite-bearing) and non-graphitic ceramics from Dunaszentgyörgy archaeological site, which is located in South-Hungary on the flood plain of the Danube river. The main aim of this work is to investigate similarities and differences between raw materials of the graphitic and non-graphitic ceramics and to provide a preliminary outline about the possible provenance of graphite using petrographic and geochemical analyses. The studied non-graphitic sherds mostly belong to cooking pots, bowls, pots, while graphitic ceramic are usually situla-like pots. Graphitic ceramics are usually grey-black, while half of the non-graphitic vessels show sandwich structure (light rim and black core). Graphitic sherds are mostly coarse ceramics, and non-graphitic sherds are semi-fine and fine ceramics (according to the classification of Wentworth, 1922, modified by Ionescu and Ghergari, 2002). Both graphitic and non-graphitic ceramics contain very fine (< 0.1 mm) and fine (0.1–0.25 mm), rarely middle (0.25-1 mm) non-plastic components, mostly quartz, feldspar (K-feldspar and plagioclase), muscovite and calcareous fragments. Numerous apatite and zircon inclusions occur in quartz and feldspar grains in both types of ware. The graphitic ceramics show great variability in the amount (rare to very common) and size (0.25 to 3 mm) of graphite, which appears as opaque, individual fresh flakes in the matrix and also occur in coarse-grained metamorphic lithoclasts consisting of quartz, K-feldspar, sillimanite, kyanite, muscovite, tourmaline and graphite. In comparison with PAAS (Post-Archaean Australian Shale, Taylor and McLennan, 1985), which represents the average fine-grained (clayey-sandy) siliciclastic sediment, the chemical composition of graphitic and non-graphitic ceramics measured by X-ray fluorescence spectrometry was similar, e.g. CaO+MgO – Al2O3 – SiO2 relative ratio is identical in both types. Small enrichment of MnO and FeO concentration compared to non-graphitic ceramics can be identified in the sherds containing abundant graphite, possibly due to biophile character of these elements. Based on the petrographic and chemical data, the raw material of graphitic and non-graphitic wares seems to be very similar. Graphite was intentionally added to the raw material to produce a special type of ware. Mineralogical composition suggest that graphitic lithoclasts are derived from medium to high grade metamorphic rock (paragneiss), which cannot be found in outcrops in the territory of Hungary, therefore graphite had to be imported. The nearest occurrence of graphitic paragneiss can be found in the Moldanubicum zone of the Bohemian Massif (Finger et al., 2007). Compared with the geology of the tectonic subunits and the mineralogical composition of graphite-bearing rocks in the Moldanubicum, the potential source for graphite is presumably located in the Variegated Series, in the area of the Czech Republic. Earlier archaeological evidences also support the long distance (even for several 100 km) trade of graphite in Celtic times (e.g. Michálek, 1993, Gebhard et al., 2004). In addition, recent archaeological ideas prefer transportation of raw graphite instead of finished graphitic ware over long distances (e.g. Meduna, 1998, Sievers, 2006). Since at Dunaszentgyörgy no pottery kiln was found, the production of graphitic and non-graphitic ware possibly occurred in the surroundings of the archaeological site. The raw material could…
In Hungary, certain site documents, such as the Preliminary Archaeological Documentation (PAD), 30-day report and 1-year report, have to be submitted to centralised institutions. The content and format of these documents are regulated,... more
In Hungary, certain site documents, such as the Preliminary Archaeological Documentation (PAD), 30-day report and 1-year report, have to be submitted to centralised institutions. The content and format of these documents are regulated, facilitating their digital archiving and accessibility. However, further documents (inventories, databases, scientific assessments, interdisciplinary analysis, photos, drawings, etc.), mainly created by the museum that carried out the excavation, may not end up in the designated repositories. Instead, these documents are stored in the local museums that carried out the excavations and/or where the finds are kept.
It is a major problem that there is no officially-appointed, centralised hard copy and/or digital repository in Hungary where all site documents are stored and made accessible. In this respect, there are millions of files stored in museums all over the country that are neither used nor reused and are not accessible, and without the archaeological community, or even central institutions, being aware of them. Another problem is that digital archiving of archaeological documents is not regulated either on a national or local level.
The only repository that includes both metadata and documents in Hungary is the Archaeology Database of the National Museum. This database provides a solution for depositing digital documents, and it could serve as a national repository where documents can be stored and accessed online in one place (through access levels). However, submitting digital documents to the archaeology database is unregulated and it is completely voluntary. The archaeology database has the potential to assist archiving on a national level should it become compulsory to submit documents to it, as its structure was designed in accordance with the protocols and it hosts documents.
It is a major problem that there is no officially-appointed, centralised hard copy and/or digital repository in Hungary where all site documents are stored and made accessible. In this respect, there are millions of files stored in museums all over the country that are neither used nor reused and are not accessible, and without the archaeological community, or even central institutions, being aware of them. Another problem is that digital archiving of archaeological documents is not regulated either on a national or local level.
The only repository that includes both metadata and documents in Hungary is the Archaeology Database of the National Museum. This database provides a solution for depositing digital documents, and it could serve as a national repository where documents can be stored and accessed online in one place (through access levels). However, submitting digital documents to the archaeology database is unregulated and it is completely voluntary. The archaeology database has the potential to assist archiving on a national level should it become compulsory to submit documents to it, as its structure was designed in accordance with the protocols and it hosts documents.
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Influences of Lengyel origin in the Late Neolithic of the Great Hungarian Plain. First results from the excavations at Pusztataskony-Ledence 1. Appendix: Petrographic analysis of ceramics from a grave and the settlement of the Tisza... more
Influences of Lengyel origin in the Late Neolithic of the Great Hungarian Plain. First results from the excavations at Pusztataskony-Ledence 1. Appendix: Petrographic analysis of ceramics from a grave and the settlement of the Tisza culture at Pusztataskony-Ledence 1
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Due to copyright issues unfortunately it is not possible to make the complete article accessible here. If you are interested in a copy please contact me.
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A régészeti feltárások során összegyűlt anyagok bekerülnek a múzeumok raktáraiba, a legszebb, szerencsésebb darabok esetleg egy kiállításban végzik. De mi van a többi leletanyaggal és azzal a sok dokumentációval, ami a lelőhelyekről... more
A régészeti feltárások során összegyűlt anyagok bekerülnek a múzeumok raktáraiba, a legszebb, szerencsésebb darabok esetleg egy kiállításban végzik. De mi van a többi leletanyaggal és azzal a sok dokumentációval, ami a lelőhelyekről készült? Hogyan hasznosulnak ezek a régészeten belül, vagy hogyan válnak ismertté az érdeklődők számára? Gondoljunk csak bele! Ez olyan, mintha a Google megírta volna az indexelő algoritmusát, de közben elfelejtette volna a keresőt hozzáfejleszteni...
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From the site at Vác Piac utca, twenty-two ceramic samples were chosen for petrographic analysis. The aim of the analysis was to assess possible changes in the raw materials and tempering of ceramics in the 13th- and 14th centuries, in... more
From the site at Vác Piac utca, twenty-two ceramic samples were chosen for petrographic analysis. The aim of the analysis was to assess possible changes in the raw materials and tempering of ceramics in the 13th- and 14th centuries, in the 15th- and 16th centuries, then in the 6th- and 17th centuries. We also analysed whether the ceramics, which on
the basis of typology could be considered to be imported, could indeed have been imported. In the analysed assemblage 15th-century red pots represent a characteristic group. In the case of this ceramic group we analysed whether they represent a homogeneous group in terms of their raw materials, or they represent a technologically different group from the rest of the analysed ceramics.
the basis of typology could be considered to be imported, could indeed have been imported. In the analysed assemblage 15th-century red pots represent a characteristic group. In the case of this ceramic group we analysed whether they represent a homogeneous group in terms of their raw materials, or they represent a technologically different group from the rest of the analysed ceramics.
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The Hungarian National Museum developed an online Archaeology Database for researchers, field archaeologists, museum curators and members of the public. The database is part of ARIADNE. ARIADNE brings together and integrates existing... more
The Hungarian National Museum developed an online Archaeology Database for researchers, field archaeologists, museum curators and members of the public.
The database is part of ARIADNE. ARIADNE brings together and integrates existing archaeological research data infrastructures so that researchers can use the various distributed datasets and new and powerful technologies as an integral component of the archaeological research methodology.
The database is part of ARIADNE. ARIADNE brings together and integrates existing archaeological research data infrastructures so that researchers can use the various distributed datasets and new and powerful technologies as an integral component of the archaeological research methodology.
Research Interests: Archaeology, Classical Archaeology, Prehistoric Archaeology, Anthropology, Historical Archaeology, and 15 moreLandscape Archaeology, Archaeozoology, Archaeological Method & Theory, Medieval Archaeology, Funerary Archaeology, Archaeological GIS, Neolithic Archaeology, Bronze Age Europe (Archaeology), Archaeometry, Remote sensing and GIS applications in Landscape Research, Iron Age, Copper age, Archaemetallurgy, Stone, and Roman Archaeology
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Bodnár, Cs., Kreiter, A., May, Z., Pánczél, P., Tóth, M. Mészbetétes kerámia az Alföldön – helyi vagy idegen? A tószeg-laposhalmi tell-település kerámiaanyagának összehasonlító archeometriai vizsgálata - Encrusted pottery in eastern... more
Bodnár, Cs., Kreiter, A., May, Z., Pánczél, P., Tóth, M. Mészbetétes kerámia az Alföldön – helyi vagy idegen? A tószeg-laposhalmi tell-település kerámiaanyagának összehasonlító archeometriai vizsgálata - Encrusted pottery in eastern contexts: "foreign" or local? A case study of the pottery from Tószeg-Laposhalom tell settlement – a comparative archeometrical approach. "A bronzkor kutatásának helyzete Magyarországon" MTA BTK Régészeti Intézet és ELTE BTK Régészettudományi Intézet, Budapest 2014. december 17-18.
In this paper we are going to focus on the issues of origin, function and meaning of encrusted pottery found and distributed in Early Bronze Age and Middle Bronze Age archaeological contexts on the Great Hungarian Plain. It has been recognised for a long time that vessels with encrusted decorational techniques and motives of Kisapostag and Transdanubian Encrusted Pottery style had also appeared in the eastern Carpathian Basin in the remains of various contemporaneous sites, where they seem to be rare and "foreign". In connection with this phenomenon many explanations have been developed. The most frequent interpretations consider these vessels as imports which originated from the western Carpathian Basin, either as the material remains of groups of people moving from Transdanubia to the east, or as a special kind of trade ware which was exchanged for its own aesthetic value, or for its content.
The central issue of the presentation aims to examine the meaning of the term "foreign" in the case of this pottery group. We will address the following questions: 1) Were these encrusted vessels found in eastern contexts real imports and had been produced in Transdanubia? 2) How these rare, and in the local eastern contexts mostly unusual, practices (encrusted techniques and associated motives/forms) could have been transmitted through long distances? 3) How these "foreign" practices were appropriated and integrated in new, local contexts?
In order to reach these aims, after surveying the spatial distribution, the various archaeological contexts and the qualitative and quantitative attributes of vessels found with this decorational type east of the Danube, we are going to focus in more detail on the material of an EBA-MBA tell settlement, Tószeg-Laposhalom. With the help of macroscopic, petrographic, XRF and LA-ICP-AES analyses we will compare the various (formal, decorational and technological) attributes of the encrusted ("foreign") and the non-encrusted ("local") pottery found at the site.
Előadásunkban a Dunától keletre, kora bronzkor végi és középső bronzkori lelőhelyeken felbukkanó mészbetétes díszű kerámia kérdését járjuk körül, főként ezen edények eredetére, funkciójára és jelentésére fókuszálva.
A kutatás már régóta rámutatott, hogy a dunántúli régészeti anyagban általános, mészbetétes technikával díszített Kisapostag-, ill. ún. dunántúli mészbetétes kerámia stílusában készült edények a Kárpát-medence keleti felének számos, egykorú lelőhelyén is előkerülnek, noha ezen lelőhelyek régészeti anyagában meglehetősen ritka és szokatlan, „idegen" elemnek tekinthetők. A jelenség magyarázatára több elképzelés is született. Általános felfogás szerint ezek az edények tényleges importtárgyak voltak, melyek a Dunántúlról származnak, és elvándorló népcsoportok anyagi nyomaival, vagy az edények esztétikai értékén, esetleg tartalmán alapuló kereskedelmi tevékenységgel hozhatók összefüggésbe.
Előadásunkban ezen tárgycsoport „idegen" voltát vizsgáljuk meg részletesebben. A következő kérdésekre keressük a választ: 1) a Kárpát-medence keleti felében előkerült mészbetétes technikával díszített edények tényleges dunántúli importok voltak-e? 2) hogyan, milyen közvetítéssel terjedtek el a helyi, alföldi kontextusokban e ritka és szokatlan technikák (inkrusztáció) (ill. a hozzájuk kapcsolódó dunántúli formák és motívumok)? 3) a helyi fazekasok (ill. közösségek) hogyan vették át és integrálták ezen új, „idegen" technikai és stíluselemeket saját hagyományaikba? A fenti kérdéseket szem előtt tartva elsőként általános áttekintést adunk a Dunán innen talált mészbetétes edények térbeli elterjedéséről, változatos leletkörülményeiről, ill. mennyiségi és minőségi tulajdonságairól, majd egy korabeli Tisza menti teli-település, Tószeg-Laposhalom kerámianyagára fókuszálva bemutatjuk az itt előkerült mészbetétes („idegen/import") és nem mészbetétes („helyi") edények makroszkopikus, petrográfiai, XRF és LA-ICP-AES módszerekkel történt részletes összehason¬lításának eredményeit.
In this paper we are going to focus on the issues of origin, function and meaning of encrusted pottery found and distributed in Early Bronze Age and Middle Bronze Age archaeological contexts on the Great Hungarian Plain. It has been recognised for a long time that vessels with encrusted decorational techniques and motives of Kisapostag and Transdanubian Encrusted Pottery style had also appeared in the eastern Carpathian Basin in the remains of various contemporaneous sites, where they seem to be rare and "foreign". In connection with this phenomenon many explanations have been developed. The most frequent interpretations consider these vessels as imports which originated from the western Carpathian Basin, either as the material remains of groups of people moving from Transdanubia to the east, or as a special kind of trade ware which was exchanged for its own aesthetic value, or for its content.
The central issue of the presentation aims to examine the meaning of the term "foreign" in the case of this pottery group. We will address the following questions: 1) Were these encrusted vessels found in eastern contexts real imports and had been produced in Transdanubia? 2) How these rare, and in the local eastern contexts mostly unusual, practices (encrusted techniques and associated motives/forms) could have been transmitted through long distances? 3) How these "foreign" practices were appropriated and integrated in new, local contexts?
In order to reach these aims, after surveying the spatial distribution, the various archaeological contexts and the qualitative and quantitative attributes of vessels found with this decorational type east of the Danube, we are going to focus in more detail on the material of an EBA-MBA tell settlement, Tószeg-Laposhalom. With the help of macroscopic, petrographic, XRF and LA-ICP-AES analyses we will compare the various (formal, decorational and technological) attributes of the encrusted ("foreign") and the non-encrusted ("local") pottery found at the site.
Előadásunkban a Dunától keletre, kora bronzkor végi és középső bronzkori lelőhelyeken felbukkanó mészbetétes díszű kerámia kérdését járjuk körül, főként ezen edények eredetére, funkciójára és jelentésére fókuszálva.
A kutatás már régóta rámutatott, hogy a dunántúli régészeti anyagban általános, mészbetétes technikával díszített Kisapostag-, ill. ún. dunántúli mészbetétes kerámia stílusában készült edények a Kárpát-medence keleti felének számos, egykorú lelőhelyén is előkerülnek, noha ezen lelőhelyek régészeti anyagában meglehetősen ritka és szokatlan, „idegen" elemnek tekinthetők. A jelenség magyarázatára több elképzelés is született. Általános felfogás szerint ezek az edények tényleges importtárgyak voltak, melyek a Dunántúlról származnak, és elvándorló népcsoportok anyagi nyomaival, vagy az edények esztétikai értékén, esetleg tartalmán alapuló kereskedelmi tevékenységgel hozhatók összefüggésbe.
Előadásunkban ezen tárgycsoport „idegen" voltát vizsgáljuk meg részletesebben. A következő kérdésekre keressük a választ: 1) a Kárpát-medence keleti felében előkerült mészbetétes technikával díszített edények tényleges dunántúli importok voltak-e? 2) hogyan, milyen közvetítéssel terjedtek el a helyi, alföldi kontextusokban e ritka és szokatlan technikák (inkrusztáció) (ill. a hozzájuk kapcsolódó dunántúli formák és motívumok)? 3) a helyi fazekasok (ill. közösségek) hogyan vették át és integrálták ezen új, „idegen" technikai és stíluselemeket saját hagyományaikba? A fenti kérdéseket szem előtt tartva elsőként általános áttekintést adunk a Dunán innen talált mészbetétes edények térbeli elterjedéséről, változatos leletkörülményeiről, ill. mennyiségi és minőségi tulajdonságairól, majd egy korabeli Tisza menti teli-település, Tószeg-Laposhalom kerámianyagára fókuszálva bemutatjuk az itt előkerült mészbetétes („idegen/import") és nem mészbetétes („helyi") edények makroszkopikus, petrográfiai, XRF és LA-ICP-AES módszerekkel történt részletes összehason¬lításának eredményeit.
Research Interests: Pottery (Archaeology), Ceramic Technology, Hybridization, Bronze Age Europe (Archaeology), Archaeometry, and 9 moreCeramic Analysis (Archaeology), X-Ray Fluorescence (XRF) Spectroscopy, Middle Bronze Age, Provenance studies of archaeological material, Ceramic Petrography, portable XRF (PXRF) in Archaeology and Museum Science, Transdanubian Encrusted Pottery, Prehistoric Trade and Exchange, and LA-ICP-AES
Research Interests: Pottery (Archaeology), Ceramic Technology, Ceramic Analysis (Archaeology), X-Ray Fluorescence (XRF) Spectroscopy, Ceramics (Archaeology), and 19 moreArchaeology of the Avars, Ceramic Petrography, Petrographic Analysis of Ceramics, Craft Specialization, 3) Petrography and Manufacturing Technology of Ancient Ceramics, Potters, XRD, Archaeology Of The Migration Period And The Early Middle Ages, Avar Age, Migration Period Archaeology, Avar age cemetery, Avars, Pottery Firing Techniques, Ceramic Provenance, Firing Temperatures, Ceramic Variability and Craft Specialization, Potters Wheel, Grog Tempering, and Craft Standardisation
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Research Interests:
The Benta Valley Project is part of the Százhalombatta Archaeological Expedition (SAX). Launched in 1998, the Hungarian-Swedish-American and, later, Hungarian-Swedish-English collaborative research project focused on the excavation of the... more
The Benta Valley Project is part of the Százhalombatta Archaeological Expedition (SAX). Launched in 1998, the Hungarian-Swedish-American and, later, Hungarian-Swedish-English collaborative research project focused on the excavation of the tell settlement at Százhalombatta–Földvár, one of the key sites in the Central Danube Valley.
While still working on the tell settlement, it was decided that to broaden our knowledge on the central settlement, it would be equally important to study the Bronze Age settlement patterns in surrounding environs in order to gain new insights into the period’s social, economic and political dimensions. The complexity and stratification of Bronze Age societies can be correlated with the settlement hierarchy therefore one direction of social archaeology focuses on settlements, with a scope ranging from individual households to entire micro-regions.
• One of the key questions of the project is whether there were prominent, central settlements.
• Another goal is to identify possible divergences in the layout of the central settlements and the adjacent horizontal settlements, as well as in the layout of the broader area’s larger and smaller open villages, and to examine the houses and the number and size of storage pits uncovered on various settlement types.
• Another important issue is whether the hierarchy between the settlements reflected institutionalised social differences and political integration, or whether the settlement patterns reflect heterarchy, a settlement network made up of communities of equal in rank.
While still working on the tell settlement, it was decided that to broaden our knowledge on the central settlement, it would be equally important to study the Bronze Age settlement patterns in surrounding environs in order to gain new insights into the period’s social, economic and political dimensions. The complexity and stratification of Bronze Age societies can be correlated with the settlement hierarchy therefore one direction of social archaeology focuses on settlements, with a scope ranging from individual households to entire micro-regions.
• One of the key questions of the project is whether there were prominent, central settlements.
• Another goal is to identify possible divergences in the layout of the central settlements and the adjacent horizontal settlements, as well as in the layout of the broader area’s larger and smaller open villages, and to examine the houses and the number and size of storage pits uncovered on various settlement types.
• Another important issue is whether the hierarchy between the settlements reflected institutionalised social differences and political integration, or whether the settlement patterns reflect heterarchy, a settlement network made up of communities of equal in rank.
Research Interests: Ceramic Technology, Settlement Patterns, Archaeological Method & Theory, Bronze Age Europe (Archaeology), Archaeometry, and 8 moreCeramic Analysis (Archaeology), Ceramics (Archaeology), Middle Bronze Age, Settlement archaeology, Ceramic Petrography, Social Hierarchy In the Bronze Age, Bronze Age Economy, and Settlement Hierarchy
Előadásunk kiindulópontja Nyírparasznya – III. forduló szkíta kori településének ,,import” kerámiáinak régészeti-ásványtani vizsgálata, ugyanakkor a hasonló korú Nagytarcsa – urasági-dűlői lelőhely anyagát is közzé tesszük. Munkánk a... more
Előadásunk kiindulópontja Nyírparasznya – III. forduló szkíta kori településének ,,import” kerámiáinak régészeti-ásványtani vizsgálata, ugyanakkor a hasonló korú Nagytarcsa – urasági-dűlői lelőhely anyagát is közzé tesszük. Munkánk a lelőhelyek komplex feldolgozásába illeszkedik, és noha a vizsgálatok elsődleges célja a régészeti értelmezés megerősítése, illetve finomítása volt, mára önálló kutatási programmá kezdi kinőni magát. Ennek súlyponti kérdései a szkíta kori fazekasság alaprétegeinek szétbontása, a technológiai innovációk (korongolás) beépülésének vizsgálata és az import kerámiák széleskörű elemzése. Vizsgálataink során igyekeztünk a lehető legteljesebb mértékben megjeleníteni a szkíta kori Alföld-csoport kerámiájának alapformáit és technológiai változatosságát, emellett különösen nagy gondot fordítottunk az ,,import” árukra. A kerámiák szövetének makroszkópos megfigyelése után 55 (Nyírparasznya) mintából készítettünk vékonycsiszolatot, ezen túlmenően pedig a nagytarcsai kerámiákon lehetőségünk volt röntgen-pordiffrakciós (XRD) és lézerablációs induktív csatolású plazma-tömegspektrometriai (LA-ICP-MS) mérések elvégzésére.
Research Interests: Archaeology, Experimental Archaeology, Ceramic Technology, Archaeological Method & Theory, Archaeometry, and 11 moreCeramic Analysis (Archaeology), Scythian archaeology, Ancient Trade & Commerce (Archaeology), Provenance studies of archaeological material, Iron Age, Ceramic Petrography, LA-ICP-MS, Hallstatt, Graphite, XRD, and Vekerzug Culture
Research Interests:
This thesis examines the relationship between technology and social organisation. The primary research site is the Nagyrév and Vatya tell settlement of Százhalombatta, Hungary. In order to gain the widest possible picture about... more
This thesis examines the relationship between technology and social organisation. The primary research site is the Nagyrév and Vatya tell settlement of Százhalombatta, Hungary. In order to
gain the widest possible picture about technological change and continuity the results of the investigation of Százhalombatta are compared with the ceramic technologies of other equally important Early and Middle Bronze Age communities. The chronological position of these sites makes it possible to investigate change and continuity in ceramic technology through time and to examine possible similarities or differences representative of a particular settlement, group of people or a particular period.
In pottery studies understandings of technology are often seen as limited as a result of functional and environmental constraints. There is little space for explanations of technology as stylistic expression. Through the concept of technological style, this thesis aims to break boundaries between the functional and social nature of technology and argues that the two are inseparable and that together they form a culturally accepted product. The concept of technological style
incorporates material selection, preparation and manufacturing and highlights the relationship between technology, manufacturing sequences and social production. Technological tradition and
change are investigated through macroscopic and ceramic petrological analyses. It is considered that in the process of material culture production technological choices are not only constitutive
towards an end product but complex, dynamic constructions that involve social strategies.
It is argued that Bronze Age social relations were maintained through material culture production. Ceramic technology and shared technological choices can be viewed as a process that
binds people together. Potters, and consumers, are seen to have a shared understanding of ceramic technological practices and how a culturally accepted vessel should be made. This approach calls into question the spatial boundedness of archaeological cultures and major historical processes such as migration, diffusion and acculturation, traditional to Hungarian approaches.
gain the widest possible picture about technological change and continuity the results of the investigation of Százhalombatta are compared with the ceramic technologies of other equally important Early and Middle Bronze Age communities. The chronological position of these sites makes it possible to investigate change and continuity in ceramic technology through time and to examine possible similarities or differences representative of a particular settlement, group of people or a particular period.
In pottery studies understandings of technology are often seen as limited as a result of functional and environmental constraints. There is little space for explanations of technology as stylistic expression. Through the concept of technological style, this thesis aims to break boundaries between the functional and social nature of technology and argues that the two are inseparable and that together they form a culturally accepted product. The concept of technological style
incorporates material selection, preparation and manufacturing and highlights the relationship between technology, manufacturing sequences and social production. Technological tradition and
change are investigated through macroscopic and ceramic petrological analyses. It is considered that in the process of material culture production technological choices are not only constitutive
towards an end product but complex, dynamic constructions that involve social strategies.
It is argued that Bronze Age social relations were maintained through material culture production. Ceramic technology and shared technological choices can be viewed as a process that
binds people together. Potters, and consumers, are seen to have a shared understanding of ceramic technological practices and how a culturally accepted vessel should be made. This approach calls into question the spatial boundedness of archaeological cultures and major historical processes such as migration, diffusion and acculturation, traditional to Hungarian approaches.