Deniz Ilbi
Deniz Ilbi is a PhD Student at the Faculty of Arts and Humanities of the University of Porto as an FCT (Foundation for Science and Technology) Research Fellow in Portugal. The granted project title is; "Women Leading the Stage: A Contemporary Gendered History of Jazz in Portugal (1966-2020)". She is a collaborator at CITCEM (Transdisciplinary Research Centre «Culture, Space and Memory») in the "Tangible and Intangible Heritage" research group. She holds a master’s degree in Musicology from Istanbul University State Conservatory (2019). The topic of her master’s thesis is “Women Jazz Instrumentalists in Turkey within the Context of Gender”. She studied in Galileo Galilei Italian High School and received her bachelor’s degree in Sociology from Istanbul University Faculty of Letters. Her research interests include gender studies and jazz. In addition to her academic studies, she has worked for IKSV (Istanbul Foundation for Culture and Arts) in several freelance positions including artist assistant and hospitality assistant, contributed to Andante, Turkey’s Classical Music Magazine, and currently writes for Cazkolik, a jazz portal. She is the author of the "Martı Jon ve Mor Kedi Paçino (Jon The Seagull and Paçino The Purple Cat)" children's book.
Address: Porto, Portugal
Address: Porto, Portugal
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Thesis Chapters
Enstrüman çalan kadın caz müzisyenlerinin nicelik bakımından azınlıkta olmaları nedeniyle, konunun kapsamı “Türkiye’de enstrüman çalan kadın caz müzisyenleri” ile sınırlandırılmış ve bu bağlamda kaynak kişi olarak seçilen isimlerle derinlemesine görüşmeler yapılmıştır...
Papers
Anahtar Kelimeler: Türkiye, Kadın, Caz, Enstrüman, Toplumsal Cinsiyet.
With this research, an effort was made at forming a systematic reference about female jazz musicians, which was previously not found in a thorough academic research before in Turkey. The people selected for the examination of their status in the field of jazz were seen as a starting point for the research of the subject, and following the transcription of their interviews, an attempt was made to determine the causes and conclusions of gender inequalities within jazz music in Turkey. Using the implications and the results gathered during the research, there was an intention to place an emphasis on the recognition of women jazz instrumentalists beyond what's known. In conclusion, in this paper, in order to provide support to studies of musicology with a feminist approach, up to date observations were made with the examination of women jazz instrumentalists in Turkey within the gender context.
Books
Conference Presentations
Throughout the twentieth century, jazz music, as both a musical and social practice, experienced significant internal and external influences according to social, cultural and political circumstances in each diasporic location (Personage 2005; Johnson 2019; Ilbi 2019; Cravinho 2022). Nevertheless, preliminary research shows that these three countries' scenes have been male-dominated, with a minor presence of women jazz artists (Cravinho 2019; Paes 2019; Tunçağ 2019; Shipton 2019; Hening 2019).
Focusing on the current debates around jazz and gender, and on women in jazz ecology this paper examines the existent knowledge about the three countries' jazz scenes, and how distinct social, political and cultural factors have influenced the presence of women in jazz.
Keywords: Jazz, Gender, Portugal, Turkey, United Kingdom, Women Artists.
Keywords: jazz, gender, Portugal, Turkey, women in jazz, discourses.
Enstrüman çalan kadın caz müzisyenlerinin nicelik bakımından azınlıkta olmaları nedeniyle, konunun kapsamı “Türkiye’de enstrüman çalan kadın caz müzisyenleri” ile sınırlandırılmış ve bu bağlamda kaynak kişi olarak seçilen isimlerle derinlemesine görüşmeler yapılmıştır...
Anahtar Kelimeler: Türkiye, Kadın, Caz, Enstrüman, Toplumsal Cinsiyet.
With this research, an effort was made at forming a systematic reference about female jazz musicians, which was previously not found in a thorough academic research before in Turkey. The people selected for the examination of their status in the field of jazz were seen as a starting point for the research of the subject, and following the transcription of their interviews, an attempt was made to determine the causes and conclusions of gender inequalities within jazz music in Turkey. Using the implications and the results gathered during the research, there was an intention to place an emphasis on the recognition of women jazz instrumentalists beyond what's known. In conclusion, in this paper, in order to provide support to studies of musicology with a feminist approach, up to date observations were made with the examination of women jazz instrumentalists in Turkey within the gender context.
Throughout the twentieth century, jazz music, as both a musical and social practice, experienced significant internal and external influences according to social, cultural and political circumstances in each diasporic location (Personage 2005; Johnson 2019; Ilbi 2019; Cravinho 2022). Nevertheless, preliminary research shows that these three countries' scenes have been male-dominated, with a minor presence of women jazz artists (Cravinho 2019; Paes 2019; Tunçağ 2019; Shipton 2019; Hening 2019).
Focusing on the current debates around jazz and gender, and on women in jazz ecology this paper examines the existent knowledge about the three countries' jazz scenes, and how distinct social, political and cultural factors have influenced the presence of women in jazz.
Keywords: Jazz, Gender, Portugal, Turkey, United Kingdom, Women Artists.
Keywords: jazz, gender, Portugal, Turkey, women in jazz, discourses.