Eduarda Neves
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Degree in Philosophy and PhD in Aesthetics. Independent curator. She has presented exhibition projects in national and international institutions and spaces. Her research and curatorship articulate the domains of art, philosophy and politics. She was part of the Contemporary Art Acquisition Committees for the Portuguese State Collection (2019-20), for the Porto Municipal Collection (2021) and (2023) the Appreciation Committee that selected the Official Portuguese Representation at the 60th International Art Exhibition – La Biennale di Venezia 2024. Member of the Advisory Board of The New Centre for Research & Practice. Among the works she published, the following stand out: O Auto-retrato. Fotografia e Subjectivação [Self-Portrait. Photography and Subjectivation] (Lisbon: Palimpsesto | CEAA, 2016) [shortlisted for the Pen Club award in the Essay category, 2017]; Nem-Isto-Nem-Aquilo [Neither-This-Nor-That] (2020); 35 graus Celsius. Ensaios sobre arte contemporânea [35 degrees Celsius. Essays on contemporary art] (2021), by the same editor [shortlisted for the Pen Club award in the Essay category, 2022]; and BESTIÁRIO MENOR. Tempo e Labirinto na arte contemporânea [MINOR BESTIARY. Time and Labyrinth in contemporary art] (Lisbon: Barco Bêbado, 2022), which will be published (2024) in English version by &&& Books (The New Centre, Berlin). Regular contributor to “Contemporânea” magazine. In 2021, she was the guest editor of #7 of this publication, dedicated to photography in the field of visual arts. Principal Investigator of Art and Critical Studies research group/CEAA. She is currently director of ESAP _ Porto Art School, where she teaches contemporary art. [+ info:https://eduardaneves.pt/] [https://www.cienciavitae.pt/portal/pt/5C1D-3EE2-DEF8]
Address: https://eduardaneves.pt/
Degree in Philosophy and PhD in Aesthetics. Independent curator. She has presented exhibition projects in national and international institutions and spaces. Her research and curatorship articulate the domains of art, philosophy and politics. She was part of the Contemporary Art Acquisition Committees for the Portuguese State Collection (2019-20), for the Porto Municipal Collection (2021) and (2023) the Appreciation Committee that selected the Official Portuguese Representation at the 60th International Art Exhibition – La Biennale di Venezia 2024. Member of the Advisory Board of The New Centre for Research & Practice. Among the works she published, the following stand out: O Auto-retrato. Fotografia e Subjectivação [Self-Portrait. Photography and Subjectivation] (Lisbon: Palimpsesto | CEAA, 2016) [shortlisted for the Pen Club award in the Essay category, 2017]; Nem-Isto-Nem-Aquilo [Neither-This-Nor-That] (2020); 35 graus Celsius. Ensaios sobre arte contemporânea [35 degrees Celsius. Essays on contemporary art] (2021), by the same editor [shortlisted for the Pen Club award in the Essay category, 2022]; and BESTIÁRIO MENOR. Tempo e Labirinto na arte contemporânea [MINOR BESTIARY. Time and Labyrinth in contemporary art] (Lisbon: Barco Bêbado, 2022), which will be published (2024) in English version by &&& Books (The New Centre, Berlin). Regular contributor to “Contemporânea” magazine. In 2021, she was the guest editor of #7 of this publication, dedicated to photography in the field of visual arts. Principal Investigator of Art and Critical Studies research group/CEAA. She is currently director of ESAP _ Porto Art School, where she teaches contemporary art. [+ info:https://eduardaneves.pt/] [https://www.cienciavitae.pt/portal/pt/5C1D-3EE2-DEF8]
Address: https://eduardaneves.pt/
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António Júlio Duarte; Basma Alsharif; Daniel Blaufuks; Daniel Steegmann Mangrané; Dayanita Singh; Edson Chagas; Haris Epaminonda; José Maçãs de Carvalho; Luciana Fina; Mariana Silva; Musa paradisiaca; Willie Doherty; Zineb Sedira.Visual essays:AnaMary Bilbao, Alice dos Reis, Jaime Welsh; Lúcia Prancha; João Tabarra, Tiago Madaleno.Authors:Daniela Angelucci; David Santos; Eduarda Neves; Fernando José Pereira; Guilherme Blanc; Isabel Nogueira, Isabella Lenzi; João Enxuto + Erica Love; João Oliveira Duarte; José Marmeleira; Luís Lima; Mara Montanaro; Mohammad Salemy + Rômulo Moraes; Nuno Faleiro Rodrigues; Sofia Nunes; Susana Lourenço Marques; Susana Ventura.
A publicação integra a documentação do projeto e entrevistas realizadas aos participantes por Carolina Lapa. Numa segunda parte são apresentados textos de artistas convidados posteriormente a escrever sobre os modos em que utilizam a colaboração nos seus processos de pesquisa (Andresa Soares, Nuno Lucas, Nuno M. Cardoso e Patrícia Portela), dando visibilidade a outras dimensões da prática e da experiência colaborativa.
In July, a friend of mine, Pedro Ruiz, invited us to visit a small workers' row houses area (one of the so called islands) in ruins, located in Porto, behind K11 Paiol Azul gallery (in front of Palacete Pinto Leite). The simple crossing of a street separates the grandeur of a palace from the trail of misery and survival of an island. It was inhabited in the past by two poor old women who, meanwhile, have died. Surrounding one of the houses there was an extensive tomato garden full of fruits, almost all small green tomatoes. However, in one of them, larger and already mature, a large fissure was visible, identical to those that crossed the walls of these abandoned houses or to the ones drawn in some bodies in the form of scars. It pointed to the possibility that, from one fruit, the language of pleasure or guilt, poverty and inequality - the language of survival - could be enunciated.The tomato has been frozen and will leave that state on the opening day, in May 2021. A tomato as subject-object, a possible ethos of speech.
EXHIBITION _ CURATING _ Eduarda Neves | Artists _ Amarante Abramovici | Covadonga Barreiro | João Vssco Paiva | Sérgio Leitão | Tânia Dinis
CONFERENCE _ TEXTS - Alberto Samaniego - Eduarda Neves _ Fernando José Pereira _ Monica Coralli
Ernesto Neto - ARU KUXIPA - project presentation