Above the Battle

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ABOVE THE BATTLE

ROMAN ROLLAND

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ABOVE THE BATTLE

George Allen and Unwin Ltd Publisher Mark, 1915

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"The fire smouldering in the forest of Europe was beginning to burst into flames. In vain did they try to put it out in one place: it only broke out in another. With gusts of smoke and a shower of sparks it swept from one point to another, burning the dry brushwood. Already in the East there were skirmishes as the prelude to the great war of the nations. All Europe, Europe that only yesterday was sceptical and apathetic, like a dead wood, was swept by the flames. All men were possessed by the desire for battle. War was ever on the point of breaking out. It was stamped out, but it sprang to life again. The world felt that it was at the mercy of an accident that might let loose the dogs of war. The world lay in wait. The feeling of inevitability weighed heavily even upon the most pacifically minded. And ideologues, sheltered beneath the massive shadows of the cyclops, Proudhon, hymned in war man's fairest title of nobility.…"

"This, then, was to be the end of the physical and moral resurrection of the races of the West! To such butchery they were to be borne along by the currents of action and Passionate faith! Only a Napoleonic genius could have marked out a chosen, deliberate aim for this blind, onward rush. But nowhere in Europe was there any genius for action. It was as though the world had chosen the most mediocre to be its governors. The force of the human mind was in other things—so there was nothing to be done but to trust to the declivity down which they were moving. This both governors and governed were doing. Europe looked like a vast armed vigil."

Jean-Christophe, vol. X (1912).

[English translation by Gilbert Cannan, vol. iv, p. 504.]

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ABOVE THE BATTLE

BY

ROMAIN ROLLAND

TRANSLATED BY

C. K. OGDEN, M.A.

(Editor of The Cambridge Magazine)

LONDON: GEORGE ALLEN & UNWIN LTD

RUSKIN HOUSE 40 MUSEUM ST, W.C.

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First published on Feb. 28, 1916.

Second Edition, April, 1916.

(All rights reserved.)

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CONTENTS

		page
Introduction by the Translator		7
Preface		15
I.	An Open Letter to Gerhart Hauptmann	19
II.	Pro Aris	23
III.	Above the Battle	37
IV.	The Lesser of Two Evils	56
V.	Inter Arma Caritas	75
VI.	To the People That is Suffering for Justice	92
VII.	Letter to My Critics	96
VIII.	The Idols	106
IX.	For Europe (Spain)	121
X.	For Europe (Holland)	126
XI.	Letter to Frederik Van Eeden	135
XII.	Our Neighbour the Enemy	141
XIII.	Letter to the “Svenska Dagbladet”	150
XIV.	War Literature	152
XV.	The Murder of the Élite	167
XVI.	Jaurès	180

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It is my pleasant duty to thank the brave friends who have defended me during the past year, in the Parisian press:—at the end of October 1914, Amédée Dunois, in l'Humanité, and Henri Guilbeaux, in the Bataille syndicaliste; in the same paper, Fernand Deprès; Georges Pioch, in the Hommes du Jour; J. M. Renaitour, in the Bonnet Rouge; Rouanet, in l'Humanité; Jacques Mesnil, in the Mercure de France, and Gaston Thiesson, in the Guerre Sociale. To these faithful comrades in the struggle I express my affectionate gratitude.

R. R.

October 1915.

 This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.

Original:

This work is in the public domain in the United States because it was published before January 1, 1929. The longest-living author of this work died in 1944, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 79 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

Translation:

This work is in the public domain in the United States because it was published before January 1, 1929. The longest-living author of this work died in 1957, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 66 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.