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True Love Waits (song)

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"True Love Waits"
Song by Radiohead
from the album A Moon Shaped Pool
Released8 May 2016
Genre
Length4:43
LabelXL
Songwriter(s)Radiohead
Producer(s)Nigel Godrich

"True Love Waits" is a song by the English rock band Radiohead. Radiohead worked on it for over two decades before releasing it on their ninth album, A Moon Shaped Pool (2016).

Radiohead first performed "True Love Waits" in 1995, with the singer, Thom Yorke, on acoustic guitar. Yorke performed it solo on guitar or Rhodes piano several times in the following years, and it became one of Radiohead's best-known unreleased songs. A performance was released on I Might Be Wrong: Live Recordings (2001).

Radiohead and their producer, Nigel Godrich, attempted to record "True Love Waits" several times, experimenting with different styles, but could not settle on an arrangement. Some of these versions were released on the compilations MiniDiscs [Hacked] (2019) and Kid A Mnesia (2021). One version became the foundation of another track, "Pulk/Pull Revolving Doors", on Radiohead's 2001 album Amnesiac.[1]

In 2016, Radiohead released "True Love Waits" as the closing track on A Moon Shaped Pool, rearranged as a minimal piano ballad. It received positive reviews, with critics naming it among the greatest Radiohead songs, and Pitchfork named it among the greatest songs of the decade. Several critics felt the long wait made the studio version more powerful. Though it was not released as a single, "True Love Waits" entered the French SNEP and US Billboard Hot Rock Songs singles charts.

History

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1995–1996: First performances

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Radiohead first performed "True Love Waits" in December 1995 in Brussels while touring for their second album, The Bends.[2] The songwriter, Thom Yorke, performed it on acoustic guitar accompanied by an "airy" keyboard melody played by Jonny Greenwood.[3][4] Over the years, "True Love Waits" became a fan favourite and one of Radiohead's best-known unreleased songs, and bootlegs were widely shared.[5][6][7]

1996–1997: OK Computer

[edit]
Yorke in 1998

Yorke felt Radiohead had already recorded too many songs based on voice and acoustic guitar, and that recording "True Love Waits" this way would be "too easy".[8] Their producer, Nigel Godrich, said later: "To Thom's credit, he needs to feel a song has validation, that it has a reason to exist as a recording."[9] He said they were not interested in recording a version that sounded like John Mayer.[9]

Radiohead worked on "True Love Waits" for their third album, OK Computer (1997), but discarded it.[3] Keyboard loops recorded for "True Love Waits" in this period were released on the 2017 reissue OKNOTOK 1997 2017.[10] Other work-in-progress versions were leaked in the 2019 compilation MiniDiscs [Hacked],[11] including a version featuring "spacey" synthesisers and a wah-wah effect.[12] NME described one version as "very 90s", with a strong bassline and progressive rock-style organ.[13]

1999–2001: Kid A and Amnesiac

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Radiohead worked on "True Love Waits" again during the sessions for their albums Kid A (2000) and Amnesiac (2001), which were recorded simultaneously.[3] In his online diary, the guitarist Ed O'Brien wrote in January 2000 that "True Love Waits" had "been kicking around for about four years now and each time we approached it we seemed to be going down the same old paths. It actually sounds like the start of something exciting now."[3] One month later, he wrote:

This is something like approach number 561 but it is a great song. It's simply trying to find a way of doing it which excites us. And we may have found a way, at the very least we've found a new approach … It may of course be utter crap and we have so lost the plot on this song. Please don't let that be the case.[3]

During this period, Radiohead created an electronic version of "True Love Waits" using the keyboard loops recorded in the OK Computer sessions, but discarded it.[10] Yorke said later: "We felt like 'True Love Waits' was this wholesome acoustic thing, and then suddenly putting this quite fierce thing... We weren't sure if it was the right thing, so it fell by the wayside."[1] They repurposed this version as a new track, "Pulk/Pull Revolving Doors", released on Amnesiac.[1] The original "True Love Waits" version of "Pulk/Pull Revolving Doors" was released on the 2021 reissue Kid A Mnesia.[14] Rolling Stone described it as "a full-on electro-glitch version", with "ominous" synthesisers and Rhodes piano.[15]

2001–2016: Further performances

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During Radiohead's 2001 Amnesiac tour, Yorke performed "True Love Waits" solo several times on acoustic guitar, and a performance was included on I Might Be Wrong: Live Recordings (2001).[3] The journalist Mac Randall wrote that the release demonstrated that Radiohead listened to their fans and were aware of the Radiohead bootleg trade.[4] Godrich later described the version on I Might Be Wrong as "shitty".[9]

Yorke performed "True Love Waits" on several more occasions, including his solo performances at the 2009 Latitude Festival and the Cambridge Corn Exchange in 2010.[3][16] From 2006, Radiohead began performing a slower version on Rhodes piano as an introduction to another song, "Everything in Its Right Place".[2] According to the Phoenix New Times, "This is a looser, lighter take ... without the clear chord changes and forceful desperation of the acoustic version, one that somehow emphasises the romantic quality of the lyrics rather than the loneliness."[2]

2016: A Moon Shaped Pool

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In 2016, more than 20 years after it was written, Radiohead released "True Love Waits" as the last track on their ninth album, A Moon Shaped Pool, in a minimal piano arrangement.[17] Radiohead performed this new arrangement on the Moon Shaped Pool tour, until their 2018 leg in South America, when Yorke again performed "True Love Waits" solo on acoustic guitar.[18] Yorke said in 2023: "One of my mistakes is dismissing things because they're simple ... 'True Love Waits' was a bit like that. It was one of those things where it was almost made to be at the end of a show. It wasn't even necessarily made to be recorded. It was made to say, 'OK, guys, goodnight. Thanks.'"[8]

Composition

[edit]
A clip of a work-in-progress version from the 1990s, released on MiniDiscs [Hacked]
A clip of a work-in-progress version from the joint Kid A and Amnesiac sessions, later used to create "Pulk/Pull Revolving Doors" from Amnesiac (2001)
A clip of the version released on I Might Be Wrong: Live Recordings (2001), performed on acoustic guitar

The live version of "True Love Waits" released on I Might Be Wrong has Yorke performing alone on acoustic guitar.[3] According to Pitchfork, it features unexpected chord changes and "vehement" guitar strumming.[19][20] The Phoenix New Times likened the "earnest" and "simple" arrangement to Radiohead songs from the same era, such as "Fake Plastic Trees".[2]

A clip of the studio version, released on A Moon Shaped Pool (2016), performed on piano

The studio version, released as the final track on A Moon Shaped Pool, was described as "mournful post-rock"[21] and a "deconstructed ambient piano ballad".[22] Instead of guitar, it uses a minimal, four-note piano figure, over which pianos are gradually overdubbed,[17] creating polyrhythmic loops and textures.[20] Bass enters in the second verse.[2] Chart Attack described it as "slow and melancholy" in the tradition of Radiohead album closers such as "Videotape" from In Rainbows (2007).[23]

According to Yorke, the first verse—"I'll drown my beliefs / To have your babies / I'll dress like your niece / And wash your swollen feet"—addresses the "difference between young and old", when people grow out of childish behaviour; the narrator is offering not to grow up to keep someone they love.[3] The lines "And true love lives / On lollipops and crisps" were inspired by a story Yorke read about a child left alone by his parents for a week who survived by eating snacks.[3] The song has a "pleading" refrain: "Don't leave, don't leave."[17]

Reception

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Early versions

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Reviewing I Might Be Wrong in 2001, Matt LeMay of Pitchfork wrote that Yorke's solo performance of "True Love Waits" was "absolutely gorgeous" and could "hold its own against any song on OK Computer". He felt it justified the release of the live album, alongside the performance of "Like Spinning Plates".[19] Nicholas Taylor of PopMatters described the performance as "a bittersweet victory of love" that "shows that behind all of Radiohead's modernist nightmares is a fragile, desperate desire to connect, fully and meaningfully, with just one person".[24] Ted Kessler of NME praised Yorke's vocals as "clear and true".[25]

Randall felt the rendition on Might Be Wrong was inferior to those of widely shared bootlegs, which featured synthesiser arpeggios and "less whiny" vocals. He wrote: "One gets the feeling that this was a song Radiohead knew they liked and knew audiences liked but the band never came to grips with an arrangement for it; finally they threw up their hands, putting it out as it is."[5] Pitchfork wrote that the work-in-progress versions of "True Love Waits" released on MiniDiscs [Hacked] did not work and demonstrated why Radiohead had struggled to record the song.[12] NME felt the music in one of these versions was too uplifting, and distracted from Yorke's lyrics.[13]

Studio version

[edit]

Though the Quietus critic Mike Diver was critical of A Moon Shaped Pool, he praised its version of "True Love Waits" as Radiohead's most affecting song since their 2008 single "Nude".[26] Similarly, the New Republic writer Ryan Kearney wrote that it was "no coincidence that the only moving song on the album, 'True Love Waits', was written two decades ago".[27]

Steve Jozef of the Phoenix New Times felt the piano arrangement captured the best elements of Yorke's live performances, saving it from sentimentality, and was the album's "most straightforward, unpretentious and emotionally raw composition".[2] He speculated that it was influenced by Yorke's recent separation from his partner of almost 25 years, Rachel Owen. Whereas the early guitar arrangement has a "hopeful, proud character", the Moon Shaped Pool version sounds "resigned, isolated, lost".[2] The Rolling Stone critic Andy Beta wrote that "the effect is like stumbling upon an old love letter years after a relationship has grown cold", and that whereas the "don't leave" refrain once suggested redemption, it now sounded like a goodbye.[28]

In the Guardian, Jazz Monroe wrote: "Even when they’re not facing the abyss, Radiohead songs tend to operate in its general vicinity, albeit without revealing what led there. But 'True Love Waits' ... conceals nothing: the abyss, listener, is love."[29] The NME writer Damian Jones said it was Radiohead's saddest song.[30] In Arizona Republic, Ed Masley wrote that the new arrangement "heightens the sense of desperate yearning in Yorke's vocal as he begs his lover not to leave".[31] The GQ critic Jake Woolf found the studio version disappointing, with "mushy piano that weighs the song down emotionally", and missed the brightness of the guitar version.[7] In Louder Sound, Stephen Dalton found it "weary and defeated, which may be deliberate, but less emotionally engaging".[22]

Several critics felt the long wait made the studio version more powerful. In Consequence of Sound, Nina Corcoran wrote that it "allowed Radiohead to peel [the] words when riper than ever".[32] The Vulture journalist Marc Hogan wrote that "the difference between the studio cut and its various predecessors floats over the proceedings like a ghost in the machine".[33] In Pitchfork, Jillian Mapes wrote of the "sense that an older, wiser man" was singing, and that the lyrics were more heartfelt "now that he seems resigned to haunting the afterlife".[20] Another Pitchfork critic, Nathan Reese, wrote: "'True Love Waits' is an elegiac coda to one of Radiohead's most inward-facing albums and a fitting treatment to a song that many already considered a classic. The wait was worth it."[34]

Rolling Stone and Arizona Republic named the studio version of "True Love Waits" the best song of May 2016.[28][31] Pitchfork named it the week's best new track[20] and the ninth-best song of 2016.[34] In 2017, Consequence of Sound named "True Love Waits" the 12th-greatest Radiohead song.[35] In 2019, Vulture named it the greatest Radiohead song,[33] and Pitchfork named it the 93rd-greatest song of the decade.[36] In 2020, the Guardian named it the 17th-greatest Radiohead song.[29]

Charts

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Chart performance for "True Love Waits"
Chart (2016) Peak
position
France (SNEP)[37] 181
US Hot Rock & Alternative Songs (Billboard)[38] 43

References

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Sources

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  • Letts, Marianne Tatom. Radiohead and the Resistant Concept Album: How to Disappear Completely, 2010. ISBN 978-0-253-22272-5

Footnotes

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  1. ^ a b c Vozick-Levinson, Simon (3 November 2021). "'Some sort of future, even if it's a nightmare': Thom Yorke on the visual secrets of Kid A and Amnesiac". Rolling Stone. Retrieved 3 November 2021.
  2. ^ a b c d e f g Jozef, Steve (12 May 2016). "Did A Broken Heart Lead Radiohead's Thom Yorke to Finally Record "True Love Waits"?". Phoenix New Times. Retrieved 10 September 2016.
  3. ^ a b c d e f g h i j Reilly, Dan (10 May 2016). "The 21-year history of Radiohead's 'True Love Waits', a fan favorite two decades in the making". Vulture. Retrieved 10 September 2016.
  4. ^ a b Randall, Mac (1 February 2012). Exit Music: The Radiohead Story Updated Edition. Backbeat Books. ISBN 978-1-4584-7147-5.
  5. ^ a b Randall, Mac (1 February 2012). Exit Music: The Radiohead Story Updated Edition. Backbeat Books. ISBN 978-1-4584-7147-5.
  6. ^ Letts, p.174.
  7. ^ a b Woolf, Jake (9 May 2016). "Did Radiohead Just Ruin Its Fans' Favorite Song?". GQ. Retrieved 10 September 2016.
  8. ^ a b Gordon, Jason Thomas (8 September 2023). "The songs that make Thom Yorke cry". Rolling Stone. Retrieved 8 September 2023.
  9. ^ a b c Fricke, David (26 April 2012). "Radiohead Reconnect". Rolling Stone. Archived from the original on 8 November 2020. Retrieved 22 November 2020.
  10. ^ a b Reed, Ryan (28 September 2021). "In limbo: a primer for Radiohead's unheard Kid A Mnesia Songs". Ultimate Classic Rock. Retrieved 13 January 2022.
  11. ^ Anderson, Darran (20 June 2019). "Reviews | Radiohead | MiniDiscs [Hacked]". The Quietus. Retrieved 7 September 2019.
  12. ^ a b Larson, Jeremy D; Greene, Jayson (12 June 2019). "The best, weirdest, and most revealing moments on Radiohead's OK Computer sessions leak". Pitchfork. Retrieved 12 June 2019.
  13. ^ a b Aubrey, Elizabeth (13 June 2019). "We listened to all 18 hours of the OK Computer leaks, and picked out these hidden gems". NME. Retrieved 10 August 2024.
  14. ^ Dean, Jonathan. "Kid A Mnesia shows that the future is still Radiohead". The Times. ISSN 0140-0460. Retrieved 24 October 2021.
  15. ^ Sheffield, Rob (4 November 2021). "Radiohead's finest hour sounds better than ever". Rolling Stone. Retrieved 3 August 2024.
  16. ^ Green, Toby (2 March 2010). "Thom Yorke, Corn Exchange, Cambridge". The Independent. Retrieved 10 September 2016.
  17. ^ a b c Pareles, Jon (8 May 2016). "Review: In Radiohead's A Moon Shaped Pool, patient perfectionism". The New York Times. ISSN 0362-4331. Retrieved 10 September 2016.
  18. ^ Trendell, Andrew (24 April 2018). "Thom Yorke brings back original acoustic version of Radiohead's 'True Love Waits'". NME. Retrieved 30 August 2018.
  19. ^ a b LeMay, Matt (17 December 2001). "Radiohead: I Might Be Wrong: Live Recordings". Pitchfork. Retrieved 19 March 2012.
  20. ^ a b c d Mapes, Jillian (9 May 2016). "'True Love Waits' by Radiohead review". Pitchfork. Retrieved 10 September 2016.
  21. ^ Battles, Conor (12 May 2016). "Radiohead mix ambiance, emotion on 'A Moon Shaped Pool'". Lancer Spirit Online. Retrieved 21 November 2020.
  22. ^ a b Dalton, Stephen (8 June 2016). "Radiohead - A Moon Shaped Pool album review". Louder Sound. Retrieved 21 November 2020.
  23. ^ Trapunski, Richard (9 May 2016). "The long history of Radiohead's "True Love Waits"". Chart Attack. Archived from the original on 10 May 2016. Retrieved 11 May 2016.{{cite web}}: CS1 maint: unfit URL (link)
  24. ^ Nicholas Taylor (13 November 2001). "Radiohead I Might Be Wrong: Live Recordings". PopMatters. Retrieved 29 March 2012.
  25. ^ Ted Kessler (6 November 2001). "Radiohead: I Might Be Wrong". NME. Retrieved 19 March 2012.
  26. ^ Diver, Mike (13 May 2016). "Reviews: Radiohead - A Moon Shaped Pool". The Quietus. Retrieved 14 September 2016.
  27. ^ Kearney, Ryan (31 May 2016). "The Radiohead racket". The New Republic. ISSN 0028-6583. Retrieved 4 August 2021.
  28. ^ a b Beta, Andy (8 May 2016). "Radiohead's A Moon Shaped Pool album is a haunting, stunning triumph". Rolling Stone. Archived from the original on 14 May 2016. Retrieved 11 May 2016.
  29. ^ a b Monroe, Jazz (23 January 2020). "Radiohead's 40 greatest songs – ranked!". The Guardian. ISSN 0261-3077. Retrieved 24 January 2020.
  30. ^ Jones, Damian (23 February 2017). "Radiohead's saddest song revealed". NME. Archived from the original on 11 November 2020. Retrieved 21 November 2020.
  31. ^ a b Masley, Ed (7 June 2016). "Best May singles: Radiohead, Ty Segall, Justin Timberlake, Speedy Ortiz, the Kills, Rihanna, Drake". The Arizona Republic. Retrieved 10 June 2016.
  32. ^ Corcoran, Nina (11 May 2016). "Radiohead – A Moon Shaped Pool". Consequence of Sound. Retrieved 11 May 2016.
  33. ^ a b Hogan, Marc (28 March 2019). "I might be wrong: every Radiohead song, ranked". Vulture. Retrieved 15 April 2019.
  34. ^ a b "The 100 best songs of 2016 (page 10)". Pitchfork. 12 December 2016. Retrieved 12 December 2016.
  35. ^ Gerber, Justin; Caffrey, Dan; Corcoran, Nina; Barry, Sean (28 June 2017). "Ranking: Every Radiohead Song from Worst to Best". Consequence of Sound. Retrieved 24 July 2018.
  36. ^ "The 200 Best Songs of the 2010s". Pitchfork. Retrieved 8 October 2019.
  37. ^ "Radiohead – True Love Waits" (in French). Les classement single. Retrieved 14 September 2016.
  38. ^ "Radiohead Chart History (Hot Rock & Alternative Songs)". Billboard. Retrieved 17 May 2016.
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