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The Cartoon Portal
A cartoon shows a bearded man with a red bow tie holding the hat from Dr. Seuss's "The Cat in the Hat".
Example of a modern cartoon. The text was excerpted by cartoonist Greg Williams from the Wikipedia article on Dr. Seuss.

A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a cartoonist, and in the second sense they are usually called an animator.

The concept originated in the Middle Ages, and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, beginning in Punch magazine in 1843, cartoon came to refer – ironically at first – to humorous artworks in magazines and newspapers. Then it also was used for political cartoons and comic strips. When the medium developed, in the early 20th century, it began to refer to animated films that resembled print cartoons. (Full article...)

This section is an excerpt from Cartoon § Mass media.[edit]
John Leech, Substance and Shadow (1843), published as Cartoon, No. 1 in Punch, the first use of the word cartoon to refer to a satirical drawing

In print media, a cartoon is a drawing or series of drawings, usually humorous in intent. This usage dates from 1843, when Punch magazine applied the term to satirical drawings in its pages,[1] particularly sketches by John Leech.[2] The first of these parodied the preparatory cartoons for grand historical frescoes in the then-new Palace of Westminster in London.[3]

Davy Jones' Locker, 1892 Punch cartoon by Sir John Tenniel

Sir John Tenniel—illustrator of Alice's Adventures in Wonderland—joined Punch in 1850, and over 50 years contributed over two thousand cartoons.[4]

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A Rugrats on the Hollywood Walk of Fame.

"A Rugrats Passover" is the 23rd episode of the third season of the American animated television series Rugrats, and its 62nd episode overall. It was broadcast originally on April 13, 1995, on the cable network Nickelodeon. The plot follows series regulars Grandpa Boris and the babies as they become trapped in the attic on Passover; to pass the time, Boris tells the Jewish story of the Exodus. During the episode the babies themselves reenact the story, with young Tommy portraying Moses, while his cousin Angelica represents the Pharaoh of Egypt. "A Rugrats Passover" was directed by Jim Duffy, Steve Socki, and Jeff McGrath from the script by Peter Gaffney, Paul Germain, Rachel Lipman, and Jonathon Greenberg. The episode was conceived in 1992 when Germain responded to a Nickelodeon request for a Rugrats Hanukkah special by creating a Passover episode instead. The episode scored a 3.1 Nielsen rating, making it "the highest-rated show in Nickelodeon's history", and received overwhelmingly positive reviews, including from Jewish community publications. It was nominated for a Primetime Emmy Award, an Annie Award, and a CableACE Award. The episode also, however, attracted controversy, when the Anti-Defamation League compared the artistic design of the older characters to anti-Semitic drawings from a 1930s Nazi newspaper. The episode made Rugrats one of the first animated series to focus on a Jewish holiday; its success precipitated the creation of another special, "A Rugrats Chanukah", which also attracted critical acclaim. A novelization of the episode was in 2007 exhibited at the Sherwin Miller Museum of Jewish Art in Tulsa, Oklahoma.

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The Mickey Mouse star at the Hollywood Walk of Fame

Mickey Mouse is a cartoon character who has become an icon for The Walt Disney Company. Mickey Mouse was created in 1928 by Walt Disney and Ub Iwerks and voiced by Walt Disney. The Walt Disney Company celebrates his birth as November 18, 1928, upon the release of Steamboat Willie, (Steamboat Willie being the first Mickey Mouse Cartoon with sound). The anthropomorphic mouse has evolved from being simply a character in animated cartoons and comic strips to become one of the most recognizable symbols in the world. Mickey is currently the main character in the Disney Channel's Disney Junior series "Mickey Mouse Clubhouse". Mickey is the leader of The Mickey Mouse Club. In late 2009, The Walt Disney Company announced that they will begin to re-brand the Mickey Mouse character by putting a little less emphasis on his pleasant, cheerful side and reintroducing the more mischievous and adventurous sides of his personality, starting with the newly released Epic Mickey.

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The Primetime Emmy Award for Outstanding Voice-Over Performance is a creative arts Emmy Award given out by the Academy of Television Arts and Sciences. It is awarded to a performer for an outstanding "continuing or single voice-over performance in a series or a special." Prior to 1992, voice-actors could be nominated for their performance in the live action acting categories. The award was first given in 1992 when six voice actors from The Simpsons shared the award. From 1992 to 2008, it was a juried award, so there were no nominations and there would be multiple or no recipients in one year. In 2009, the rules were changed to a category award, with five nominees. No winner was named in 1996 or 2007. Nine voice actors from The Simpsons have won a combined 14 Emmys. Of those, Dan Castellaneta has won four and Hank Azaria has won three. Ja'net Dubois won two for The PJs and Keith David won two for his narration of various documentaries. Voice actors from shows on Fox have won 17 of 27 awards.

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Alfonso "Al" Williamson (March 21, 1931 – June 12, 2010) was an American cartoonist, comic book artist and illustrator specializing in adventure, Western and science-fiction/fantasy. Born in New York City, he spent much of his early childhood in Bogotá, Colombia before moving back to the United States at the age of 12. In his youth, Williamson developed an interest in comic strips, particularly Alex Raymond's Flash Gordon. He took art classes at Burne Hogarth's Cartoonists and Illustrators School, there befriending future cartoonists Wally Wood and Roy Krenkel, who introduced him to the work of illustrators who had influenced adventure strips. Before long, he was working professionally in the comics industry. His most notable works include his science-fiction/heroic fantasy art for EC Comics in the 1950s, on titles including Weird Science and Weird Fantasy. In the 1960s, he gained recognition for continuing Raymond's illustrative tradition with his work on the Flash Gordon comic-book series, and was a seminal contributor to the Warren Publishing's black-and-white horror comics magazines Creepy and Eerie. Williamson spent most of the 1970s working on his own credited strip, another Raymond creation, Secret Agent X-9. The following decade, he became known for his work adapting Star Wars films to comic books and newspaper strips. From the mid-1980s to 2003, he was primarily active as an inker, mainly on Marvel Comics superhero titles starring such characters as Daredevil, Spider-Man, and Spider-Girl.

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Kricfalusi at the Castro Theatre in July 2006
The main thing missing from cartoons is today that old cartoons were cartoony. They did things you can't do in any other medium. Today's cartoons are very conservative and are more like live action. The characters look the same in every frame of the damn cartoon. The old cartoons squashed, stretched, and did crazy expressions. They were imaginative and crazy. A lot of cartoons aren't imaginative, they just say things. It might as well be radio. There is no point in having anything to look at in modern cartoons. But you can't say that about every cartoon. Genndy Tartakovsky's cartoons are beautiful. The closest thing now to what I'm saying is SpongeBob but even that doesn't go very far. It's like a conservative version of Ren & Stimpy.
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  1. ^ Punch.co.uk. "History of the Cartoon". Archived from the original on 2007-11-11. Retrieved 2007-11-01.
  2. ^ Adler & Hill 2008, p. 30.
  3. ^ "Substance and Shadow: Original Editorial Accompanying "Cartoon, No. I"". Victorian web.org. Retrieved 29 October 2023.
  4. ^ "Sir John Tenniel". National Portrait Gallery. Retrieved 26 August 2022.

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