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Martin Parr

From Wikipedia, the free encyclopedia
For the British actor, see Martin Parr (actor). For the British colonial governor, see Martin Willoughby Parr.

Martin Parr
CBE
Parr at the V&A in 2024
Born (1952-05-23) 23 May 1952 (age 72)
Epsom, Surrey, England
EducationManchester Polytechnic
Known forPhotography
AwardsHonorary Fellow of the Royal Photographic Society (HonFRPS) in 2005[1]
Centenary Medal from the Royal Photographic Society in 2008[2]
Websitemartinparr.com

Martin Parr CBE (born 23 May 1952) is a British documentary photographer,[3] photojournalist and photobook collector. He is known for his photographic projects that take an intimate, satirical and anthropological[4] look at aspects of modern life, in particular documenting the social classes of England, and more broadly the wealth of the Western world.

His major projects have been rural communities (1975–1982), The Last Resort (1983–1985), The Cost of Living (1987–1989), Small World (1987–1994) and Common Sense (1995–1999).

Since 1994, Parr has been a member of Magnum Photos.[4] He has had around 40 solo photobooks published, and has featured in around 80 exhibitions worldwide – including the international touring exhibition ParrWorld,[5] and a retrospective at the Barbican Arts Centre, London, in 2002.[6]

The Martin Parr Foundation, founded in 2014, and registered as a charity in 2015[7] opened premises in his hometown of Bristol in 2017. It houses his own archive, his collection of British and Irish photography by other photographers, and a gallery.[8]

Life and career

[edit]
Parr in 2014

Personal life

[edit]

Born in Epsom, Surrey,[9] Parr wanted to become a documentary photographer from the age of fourteen. He cites his grandfather, George Parr, an amateur photographer[9] and fellow of the Royal Photographic Society, as an early influence.[4][10]: 13, 14  He married Susan Mitchell and they have one child, Ellen Parr (born 1986). Parr was diagnosed with cancer in May 2021.[11]

Photographer

[edit]

Parr has said of his photography:

The fundamental thing I'm exploring constantly is the difference between the mythology of the place and the reality of it.[10]: 57  ... Remember I make serious photographs disguised as entertainment. That's part of my mantra. I make the pictures acceptable to find the audience but deep down there is actually a lot going on that's not sharply written in your face. If you want to read it you can read it.[10]: 69, 70 

Parr's aesthetic is close-up, through use of a macro lens, and employing saturated[12] colour, a result of either the type of film and/or use of a ring flash. This allows him to put his subjects "under the microscope" in their own environment, giving them space to expose their lives and values in ways that often involve inadvertent humour.[4] His technique, as seen in his book Signs of the Times: A Portrait of the Nation's Tastes (1992), has been said to leave viewers with ambiguous emotional reactions, unsure whether to laugh or cry.[13]

Manchester Polytechnic, 1970–1973

[edit]

Parr studied photography at Manchester Polytechnic from 1970 to 1972 with contemporaries Daniel Meadows and Brian Griffin.[14]: 24  Parr and Meadows collaborated on various projects,[15]: 14  including working at Butlin's as roving photographers.[16] They were part of a new wave of documentary photographers, "a loose British grouping, which, though it never gave itself a title have become variously known as 'the Young British Photographers', 'Independent Photographers' and the 'New British Photography'."[10]: 49, 50 [14]: 17 

Rural communities, West Yorkshire, Greater Manchester and Ireland, 1975–1982

[edit]

In 1975 Parr moved to Hebden Bridge in West Yorkshire[10]: 23 [17] where he would complete his first mature work.[18] He was involved with the Albert Street Workshop, a hub for artistic activity which included a darkroom and exhibition space. Parr spent five years photographing rural life in the area, focusing on the Methodist (and some Baptist) non-conformist chapels, a focal point for isolated farming communities that in the early 1970s were closing down. He photographed in black-and-white, for its nostalgic nature and for it being appropriate to his celebratory look at this past activity.[17] Also, photographers at that time were obliged to work in black-and-white to be taken seriously, colour being associated with commercial and snapshot photography.[17] His series The Non-Conformists was widely exhibited at the time and published as a book in 2013.[19][20] Critic Sean O'Hagan, writing in The Guardian, said "It's easy to forget how quietly observational Parr was as a black-and-white photographer."[20]

In 1980 Parr married Susan Mitchell and, for her work, they moved to the west coast of Ireland. He set up a darkroom in Boyle, County Roscommon.

Parr's first publications, Bad Weather, published in 1982 by Zwemmer with an Arts Council subsidy, Calderdale Photographs (1984) and A Fair Day: Photographs from the West Coast of Ireland (1984), all featured photographs from mostly northern England, and Ireland, in black-and-white. He used a Leica M3 with a 35 mm lens;[17][21] although for Bad Weather he quickly switched to an underwater camera with a flashgun.[22]

The working class, The Last Resort, 1982–1985

[edit]

In 1982 Parr and his wife moved to Wallasey, England, and he switched permanently to colour photography, inspired by the work of US colour photographers, mostly Joel Meyerowitz, but also William Eggleston and Stephen Shore, and also the British Peter Fraser and Peter Mitchell.[10]: 31  Parr has written that "I had also encountered the post cards of John Hinde when I worked at Butlin's in the early 70s and the bright saturated colour of these had a big impact on me."[23] During the summers of 1983, 1984 and 1985[10]: 35–36  he photographed working-class people at the seaside in nearby New Brighton. This work was published in the book The Last Resort: Photographs of New Brighton (1986) and exhibited in Liverpool and London.

Although John Bulmer had pioneered colour documentary photography of Britain, from 1965,[24] Gerry Badger has said of The Last Resort:[25]

It is difficult from a perspective of almost a quarter of a century to underestimate [sic] the significance of The Last Resort, either in British photography or Martin Parr's career. For both, it represented a seismic change in the basic mode of photographic expression, from monochrome to colour, a fundamental technical change that heralded the development of a new tone in documentary photography.

Karen Wright, writing in The Independent, has said "He was attacked by some critics for his scrutiny of the working classes, but looking at these works, one merely sees Parr's unflinching eye capturing the truth of a social class embracing leisure in whatever form available."[26]

The middle class, The Cost of Living (1987–1989)

[edit]

In 1985 Parr completed a commission for the Documentary Photography Archive in Manchester to photograph people at supermarkets in Salford, Retailing in the Borough of Salford, which is now held at the archive.[27]

He and his wife moved to Bristol in 1987,[28] where they still live. During 1987 and 1988 he completed his next major project, on the middle class, who were at that time becoming increasingly affluent under Thatcherism. He photographed middle-class activities such as shopping, dinner parties and school open days,[29] predominantly around Bristol and Bath[10]: 42  in the southwest of England. It was published as his next book The Cost of Living (1989) and exhibited in Bath, London, Oxford and Paris.

His book One Day Trip (1989) featured photographs taken when he accompanied people on a booze cruise to France, a commission from Mission Photographique Transmanche.

Mass tourism, Small World (1987–1994)

[edit]

Between 1987 and 1994 Parr travelled internationally to make his next major series, a critique of mass tourism,[30][31][32][n 1] published as Small World in 1995. A revised edition with additional photographs was published in 2007. It was exhibited in 1995–1996 in London, Paris, Edinburgh, and Palma in Spain and has continued to be shown in various locations since.

He was visiting professor of photography at the University of Art and Design in Helsinki between 1990 and 1992.[33]

Global consumerism, Common Sense (1995–1999)

[edit]

Between 1995 and 1999 Parr made the series Common Sense about global consumerism. Common Sense was an exhibition of 350 prints, and a book published in 1999 with 158 images. The exhibition was first shown in 1999 and was staged simultaneously in forty-one venues in seventeen countries.[34] The pictures depict the minutiae of consumer culture, and are intended to show the ways in which people entertain themselves. The photographs were taken with 35 mm ultra-saturated film for its vivid, heightened colours.[34]

Magnum Photos

[edit]

Parr joined Magnum Photos as an associate member in 1988. The vote on his inclusion as a full member in 1994 was divisive, with Philip Jones Griffiths circulating a plea to other members not to admit him.[35] Parr achieved the necessary two-thirds majority by one vote. Magnum membership helped him work on editorial photography,[9] and on editorial fashion photography for Paul Smith, Louis Vuitton, Galerie du jour Agnès B. and Madame Figaro.[9][10]: 60–61 [36]

In 2014 Parr was voted in as president of Magnum Photos International,[37] a post he held for 3.5 years until 2017.[38]

Collector

[edit]

Photobooks

[edit]

Parr is a collector and critic of photobooks.[39][40][41] His collaboration with the critic Gerry Badger, The Photobook: A History (in three volumes) covers more than 1,000 examples of photobooks from the 19th century through to the present day. The first two volumes took eight years to complete.[4] Tate Modern's retrospective exhibition of Daidō Moriyama in London included many Moriyama books loaned from Parr displayed in vitrines.

Other items

[edit]

Parr also collects postcards, photographs and various other items of vernacular and popular culture[39] such as wallpaper, Saddam Hussein watches and prostitute advertising cards from phoneboxes (items with a photograph on them).[40][42] Here too, items from his collections have been used as the basis for publications and exhibitions. Since the 1970s, Parr has collected and publicised the garish postcards made between the 1950s and 1970s by John Hinde and his team of photographers.[16]

Curator

[edit]

Parr was guest artistic director for the 2004 Rencontres d'Arles festival of photography,[43] guest curator of the New Typologies exhibition at the 2008 New York Photo Festival,[44] and guest curator of Brighton Photo Biennial in 2010, which he called New Documents.[43][45] Critic Sean O'Hagan, writing in The Guardian, said "Back in 2004, he was invited by the organisers of the annual Rencontres D'Arles to be guest curator. That year's Arles festival, in its range and ambition, remains the standard by which all subsequent Rencontres have been judged."[43]

Parr was artistic director of the newly established Bristol Photo Festival, scheduled to open in 2021. However in July 2020 he quit, due to his involvement with a 2018 reissue of the photobook London by Gian Butturini, after a campaign by an anthropology student at University College London, who called a pairing of photographs in it racist.[46][47][48][49]

Film and television

[edit]

Parr has been involved in making television, and documentary and other films.

From 1990 to 1992 Parr collaborated with Nick Barker, taking photographs to accompany Barker's film Signs of the Times.

In 1997, Parr began producing his own television documentaries with Mosaic Film.

In 2003 Parr was the subject of and appeared extensively in the Imagine BBC One TV series episode The World According to Parr, directed and produced by Rebecca Frayn, and hosted and executive produced by Alan Yentob.[42]

He was cameraman on the film It's Nice Up North (2006) with comedian Graham Fellows (as his character John Shuttleworth). The film is a comic documentary filmed over several years in Shetland.[50]

In 2007 Parr took part in BBC Four's The Genius of Photography, a six-part documentary series exploring the history of photography.[9] In 2008 he was one of three judges on the Channel 4 series Picture This.[9]

In 2014 Parr created "Turkey and Tinsel", a 60-minute deadpan and often hilarious observational video documentary about faux Christmas in small town England.

Teaching

[edit]

Parr was a visiting lecturer at West Surrey College of Art & Design (now University for the Creative Arts) in Farnham, Surrey.[51] In 2004 he was appointed professor of photography at the University of Wales, Newport.[9] In 2013 he was appointed professor of photography at Ulster University in Belfast.[52]

Martin Parr Foundation

[edit]

The Martin Parr Foundation was founded in 2014. It opened premises in Bristol in October 2017.[8][53] The Foundation houses Parr's own archive, and his collection of prints and book dummies made by other photographers—mainly British and Irish photography, and work by several photographers from abroad who have photographed in the UK.[8] There is a gallery open to the public—its first exhibition was Parr's Black Country Stories[53]—and it is a hub for talks, screenings and events.[54] The Foundation is located in Paintworks in south East Bristol. Parr is the Foundation's main source of income.[8]

Reception

[edit]

The German photographic curator Thomas Weski has said:[9]

Martin Parr is a chronicler of our age... Leisure, consumption and communication are the concepts that this British photographer has been researching for several decades now on his worldwide travels... Parr enables us to see things that have seemed familiar to us in a completely new way.

Dan Rule, writing in The Age, has said:[55]

Parr's signature is his ability not only to isolate the most evocative of human details, but to elevate such visual fragments to that of the wider societal signpost or glyph.

Honours and awards

[edit]

Parr was appointed Commander of the Order of the British Empire (CBE) in the 2021 Birthday Honours for services to photography.[67][68][69]

Publications

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Monographs

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  • Bad Weather.
    • London: Zwemmer, 1982. ISBN 0-302-99996-5. With 54 numbered but uncaptioned black and white plates, and texts by Michael Fish and Peter Turner, and an afterword, "Thoughts on Bad Weather", based on a conversation of Parr with Turner and Heather Forbes.
    • Books on Books 17. New York, NY: Errata Editions, 2014. ISBN 978-1-935004-33-2. Essays by Thomas Weski, "Even the Queen gets wet"; Peter Turner; and Jeffrey Ladd.
  • Calderdale Photographs. [Leeds, Yorkshire]: Calderdale Museums Services, 1984. OCLC 441700642. A 12-page catalogue, carrying the explanation "Prepared as a record of Martin Parr's work in the Calder Valley between 1974 and 1980, and to link with the exhibition of his photographs held at Piece Hall Art Gallery, Halifax from 14 January to 19 February 1984."
  • A Fair Day: Photographs from the West Coast of Ireland. Wallasey: Promenade, 1984. ISBN 0-907797-10-5. Published to accompany a touring exhibition, text by Fintan O'Toole.
  • Prescot: Now and Then. Prescot, Merseyside: Metropolitan Borough of Knowsley Leisure Services Department, 1984. ISBN 0947739009. Catalogue created by the Prescot Museum.
  • The Last Resort: Photographs of New Brighton.
  • The Cost of Living. Manchester: Cornerhouse, 1989. ISBN 0-948797-55-X. New York: Aperture, 1991. ISBN 0-89381-439-3. Text by Robert Chesshyre.
  • One Day Trip = Voyage d'un jour. Mission photographique transmanche, cahier 5. Paris: Editions de la Différence; Pas-de-Calais: Centre régional de la photographie Nord-Pas-de-Calais, 1989. ISBN 2-904538-19-4. Bilingual (French and English); text by Robert Chesshyre.
  • Signs of the Times: A Portrait of the Nation's Tastes. Manchester: Cornerhouse, 1992. ISBN 0948797916. Text by Nicholas Barker, from a BBC television series.
    • Signes des temps. Paris: Textuel, 2006. ISBN 2845972032. French-language version.
  • L'Ennui à deux = Bored Couples. Paris: Galerie du jour Agnès B., 1993. OCLC 864184535. Catalogue of an exhibition held at Galerie du jour Agnès B.; text in French and English.
  • Home and Abroad.
  • From A to B: Tales of Modern Motoring. London: BBC Books, 1994. ISBN 0-563-36984-1.
  • Small World.
    • Small World: A global photographic project 1987–1994. Stockport, Cheshire: Dewi Lewis, 1995. ISBN 1-899235-05-1. Introduction by Simon Winchester.
    • Small World: Photographie-Projekt, 1987–1994. Heidelberg: Braus, 1995. ISBN 3894661364. German-language version. Introduction by Simon Winchester.
    • Quel monde! Paris: Marval, 1995. OCLC 40327904. French-language version. Introduction by Roland Topor.
    • Les Itinéraires culturels. L'Europe en bref. Geneva: Centre européen de la culture; [Arles]: Actes sud, 1997. ISBN 2742715894. Extracts from Small World, French text by Michel Thomas-Penette.
    • Small World. Rome: Peliti Associati, 2005. ISBN 8885121330. Italian-language version.
    • Small World: A global photographic project 1987–1994. Stockport, Cheshire: Dewi Lewis, 2007. Revised edition. ISBN 978-1-904587-40-8. Introduction by Geoff Dyer.
    • Petite planète. Paris: Hoëbeke, 2008. ISBN 2842303199. French-language version.
    • Small World. Stockport, Cheshire: Dewi Lewis, 2018. ISBN 978-1-911306-35-1. Introduction by Geoff Dyer.
  • [Food] / Martin Parr.[n 2] Catalogue.
  • West Bay. Abingdon, Oxfordshire: Rocket Press, 1997. OCLC 698589004. About West Bay, Dorset, with poems by eight poets, edited by Lottie Hoare. Edition of 250 copies.
  • Japonais endormis = Nemuru Nihonjin (眠る日本人). Paris: Galerie du jour Agnès B., 1998. ISBN 2-906496-29-4.
  • Common Sense. Stockport, Cheshire: Dewi Lewis, 1999. ISBN 1-899235-07-8. No text.
  • Benidorm. Über die Welt. = About the World. Hannover: Sprengel Museum Hannover, 1999. ISBN 3-89169-145-9. Catalogue of an exhibition held at the Sprengel Museum. With text by Gerry Badger and Thomas Weski in German and English.
  • Autoportrait. Stockport, Cheshire: Dewi Lewis, 2000. ISBN 1-899235-72-8. A small-format collection of photographs by commercial portrait photographers and others around the world of the unsmiling Parr. Introduction by Marvin Heiferman.
  • Think of England. London: Phaidon.
  • The Phone Book: 1998–2002. Edition of 2,002 copies. London: Rocket and Essen: Galerie 20.21, 2002. ISBN 0-946676-53-4. ISBN 3-9806647-2-4.
  • 7 Communist Still Lifes. One Picture Book 17. Portland, OR: Nazraeli Press, 2003. ISBN 1590050517. Edition of 500 copies.
  • Fashion Magazine. Paris: Magnum Photos, 2005. ISBN 978-2-9524102-0-5. Text in French and English.
  • 7 Colonial Still Lifes. One Picture Book 28. Portland, OR: Nazraeli Press, 2005. ISBN 1590051335. Edition of 500 copies.
  • Mexico. With text by Rogelio Villarreal.
  • Parrjektif: İstanbulʼda stil peşinde = Parrjective: Style hunting in Istanbul. Istanbul: Mavi Jeans, 2006. ISBN 9759671751.
  • Tutta Roma. Rome: Contrasto, 2006. ISBN 88-6965-016-2. Main text by Ivana della Portella, introduction by Barringer Fifield.
  • Parking Spaces. London: Chris Boot, 2007. OCLC 222585004. According to the colophon, "The last parking space photographed by Martin Parr in 41 countries between 2002 and 2007".
  • Everybody Dance Now. New York: editions2wice, 2009. ISBN 0972388621.
  • Playas. London: Chris Boot and Mexico: Editorial RM, 2009.
  • Luxury. London: Chris Boot, 2009. ISBN 1-905712-13-8. With an introduction by Paul Smith.
  • Martin Parr in India. [New Delhi]: Photoink, 2010. ISBN 8190391178. "Clubs, hotels & tearooms", "The sea", "Darjeeling", "Indian cakes", "Wedding parties"; text in Hindi, Urdu, and English.
  • Japan. Kamakura: Super Labo, 2011. ISBN 4-905052-13-0. Edition of 500 copies.
  • 7 Cups of Tea. One Picture Book 74. Portland, OR: Nazraeli Press, 2012. ISBN 978-1-58005-357-0. Edition of 500 copies.
  • No Worries. Sydney: T & G, 2012. ISBN 978-0-987079-08-4. Produced for the City of Fremantle Festival of Photography and accompanied an exhibition held at the Western Maritime Museum, Victoria Quay, Fremantle; text by Robert Cook.
  • Up and Down Peachtree: Photographs of Atlanta. Rome: Contrasto, 2012. ISBN 88-6965-332-3.
  • Souvenir: Martin Parr, fotografia i col·leccionisme. Barcelona: Centre de Cultura Contemporània de Barcelona, 2012. ISBN 8498034914. Catalogue of an exhibition held at Centre de Cultura Contemporània de Barcelona; text in Catalan, English and Spanish.
  • 100 photos de Martin Parr. Pour la liberté de la presse. Paris: Reporters sans frontières, 2012. ISBN 2362200108.
  • Life's a Beach.
  • The Non-Conformists. New York: Aperture, 2013. ISBN 1-597112-45-3.
    • Les non-conformistes. Paris: Textuel, 2013. ISBN 2845974744. French-language version.
    • Los Inconformistas. Madrid: La Fábrica, 2013. ISBN 8415691343. Spanish-language version.
  • Grand Paris. Paris: Xavier Barral, 2014. ISBN 978-2-36511-047-1.
  • Voewood Festival. High Kelling, Norfolk: Voewood Publications, 2014. ISBN 978-0992947200. Photographs of the Voewood Festival commissioned by Simon Finch. Introduction by DBC Pierre.
  • Hong Kong Parr. London: GOST and Hong Kong: Blindspot Gallery, 2014. ISBN 978-1910401002. Photographs of Hong Kong in 2013 commissioned by Blindspot Gallery, accompanied by an exhibition at the gallery.
  • Black Country Stories. Stockport, Cheshire: Dewi Lewis, 2014. ISBN 978-1907893636. Photographs of the Black Country region of England, commissioned by Multistory, accompanied by an exhibition at The New Art Gallery Walsall and Wolverhampton Art Gallery.
  • We Love Britain!. Munich: Schirmer/Mosel, 2014. ISBN 978-3829606875. Edited by Inka Schube and with text by Inka Schube in German and English. Photographs of traces of Britishness in and around Hanover, Germany.
  • Real Food. London: Phaidon, 2016. With an introductory essay by Fergus Henderson. Photographs of food taken throughout Parr's career.
  • The Rhubarb Triangle. Wakefield: The Hepworth Wakefield, 2016. OCLC 985914298. With an essay by Susie Parr. Published to accompany the exhibition The Rhubarb Triangle & Other Stories: Photographs by Martin Parr at The Hepworth Wakefield, Wakefield from a two year commission for the gallery to photograph the Rhubarb Triangle.[70]
  • Oxford. Oxford: Oxford University, 2017. ISBN 978-0198724414.
  • Think of Scotland. Bologna: Damiani, 2017. ISBN 978-8862085496. Published to coincide with the exhibition Think of Scotland at Aberdeen Art Gallery.[71]
  • Remote Scottish Postboxes. Bristol: RRB, 2017. ISBN 978-0993232350. Edition of 500 copies. With a short text by Susie Parr.
  • World (The Price of Love). London: Idea, 2018. Edition of 1000 copies
  • Return to Manchester. Manchester: Manchester Art Gallery, 2018. Edited by Natasha Howes. ISBN 9780901673978. With a foreword by Alistair Hudson. Published on the occasion of an exhibition at Manchester Art Gallery.
  • Early Works. Bristol: RRB, 2019.
    • Paris: Maison CF, 2019. French-language version.
  • Match point: Tennis. London: Phaidon, 2021. ISBN 9781838663162.
  • A Year in the Life of Chew Stoke Village. Photographs by Martin Parr Bristol: RRB PhotoBooks, 2022.

Retrospectives, private publications, and very limited publications

[edit]
  • Boring Photographs. 2000. Photographs of Boring, Oregon. Edition of 12 copies.
  • Flowers. Munkedals: Munken & Trebruk, 1999. Paris: Galerie du jour Agnès B., 2001. OCLC 82231759. Edition of 2500.
  • Stern Portfolio. Stern Spezial Fotografie 36. Hamburg: Stern, 2004. ISBN 978-3-570194-45-4. Retrospective; texts in German and English.
  • Fotografier 1971–2000. Stockholm: Kulturhuset, 2007. OCLC 474779301.
  • Martin Parr Retrospective 1971–2000. Seoul Arts Centre, 2007. "This is the catalogue produced for Parr's retrospective show at the Seoul Arts Centre in 2007."[70][n 3]
  • Urban Outfitters. Urban Outfitters, 2011. A "preview catalogue" of photographs taken in Marrakesh for the clothing retailer Urban Outfitters.[70]
  • Assorted Cocktail. Luxembourg: Coordination Générale; New York: Magnum Photos, 2006. OCLC 190847363. Exhibition catalogue.
    • [Palma de Mallorca] Ajuntament de Palma; [Alicante] Caja Mediterraneo, [2009]. Catalogue of an exhibition held at Casal Solleric, Palma de Mallorca, Spain, June–September 2009; in Catalan, English, Spanish and French.
    • Prague: DOX, Centre for Contemporary Art, 2011. ISBN 8087446062. Text by Thomas Weski and Irena Šorfová.
  • Only Human: Photographs by Martin Parr. London and New York: Phaidon, 2019. ISBN 978-0714878577. Published to coincide with an exhibition.

Papers and zines

[edit]
  • Basler Magazin. Basel, Switzerland: Basler, 1997. "A special edition of Basler Magazin, featuring images by Martin from the Basel Art Fair. Published by Basler Magazin, 1997".[72]
  • The Big Issue: On the Ring Road. The Big Issue 451, 20–26 August 2001. OCLC 500941730. "Martin Parr explores the strange rituals of suburban Britain".[73]
  • A8 Glasgow. London: John McAslan + Partners, 2005.OCLC 75968602. Special issue of JMP Journal. "A commission for John McAslan the architect, who invited Parr to photograph the surroundings of his childhood haunts between Dunoon and Port Glasgow. [. . .] 28 colour photographs."[72]
  • Rebirth. Stiletto, 2007. "A Stiletto fashion supplement. Published by Stiletto, 2007".[72]
  • Luxembourg. Luxembourg et Grande Region, 2007. "This 32-page newspaper was published in Luxembourg to coincide with its year as the European Capital of Culture 2007. [. . .] 36 colour photographs."[72]
  • Fashion Newspaper. London: Magnum Photos, 2007. OCLC 778631195. In English and Japanese. Accompanying a 2007 exhibition at the Tokyo Metropolitan Museum of Photography.[74] "In 2007 Parr's fashion exhibition, initiated by Bon Marche in Paris, went to Tokyo. This special newspaper was published to accompany the show. It features the Paul Smith's winter 2007 collection as well as a folio of images taken in the UK. [. . .] 57 colour photographs."[72]
  • Dubai. Dubai: The Third Line, 2008. "In 2007 Parr photographed the races and polo in Dubai. A year later these images were shown at the Third Line Gallery in Dubai."[72]
  • Guardian Cities Project. London: The Guardian, 2008. OCLC 778916872. A set of newspaper supplements – on Manchester, Brighton, Liverpool, Bristol, Cardiff, Edinburgh, Belfast, Newcastle, Cambridge, Leeds – in a box.
  • The Art Newspaper, 16 October 2008. London: Umberto Allemandi, 2008. "A special edition of The Art Newspaper published and given out during Frieze Art Fair in London. Includes exclusive photographs shot by Martin at the event."[72]
  • The Art Newspaper, 18–19 October 2008. London: Umberto Allemandi, 2008. "A special edition of The Art Newspaper published and given out during Frieze Art Fair in London. Includes exclusive photographs shot by Martin at the event."[72]
  • St Mary Redcliffe & Temple School. Bristol City Council, 2011. About St Mary Redcliffe and Temple School: "Parr was appointed artist in residence at this large comprehensive school in Bristol for the 2010/2011 academic year. The resulting images were presented in an installation in the school and in a newspaper that was given to every pupil."[72]
  • The Goutte d'Or. Paris: L’Institut des Cultures d’Islam, 2011. "This newspaper accompanies an exhibition commission by the Islamam [sic] Cultural Centre based in this Paris suburb."[72]
  • Bristol and West. Bristol: M Shed, 2011. "Published to accompany Parr's show at the newly opened M Shed in Bristol. Parr showed the many images taken in his long career in the West of England."[72]
  • Think of Switzerland. Switzerland: Du, 2013. "A special edition of [the Swiss magazine Du] which contains both Parr's new photos of the country, and some of the classic ones he shot in previous decades."[72]
  • Black Country Women. West Bromwich, England: Multistory, 2013. ISBN 978-0-956345-77-6.[75] A magazine made for and about Black Country women, with photographs by Parr and text by Margaret Drabble.[72]
  • The Rhubarb Triangle. Wakefield: The Hepworth Wakefield, 2016. With an essay by Susie Parr. 24-page newspaper published to accompany the exhibition The Rhubarb Triangle & Other Stories: Photographs by Martin Parr at The Hepworth Wakefield, Wakefield.[76]
  • Chinatown 1984. Southport: Café Royal, 2015. Edition of 250 copies.
  • Yates's. Southport: Café Royal, 2016. Edition of 500 copies.
  • Abandoned Morris Minors of the West of Ireland. Southport: Café Royal, 2017. Edition of 500 copies.
  • Prestwich Mental Hospital 1972. Southport: Café Royal, 2018. Edition of 500 copies.
  • The British Seaside. Southport: Café Royal, 2020. Edition of 500 copies.

Postcards

[edit]
  • Home and Abroad. London: British Council, 1994. OCLC 51048056. A set of postcards, as the catalogue of a travelling exhibition. Text by Brett Rogers. Not to be confused with the book of the same title.
  • Love Cube. [Stockholm]: Gun Gallery, 2007. ISBN 9197492507. Twenty-seven cards in a box, with a booklet. Photographs by Parr, text by Johan Croneman.
  • Royal Wedding. Paris: Verlhac, 2011. ISBN 2916954791. Set of 10 postcards inside small album. Text (in French) by Stéphane Bern.
  • Royal Jubilee. Set of 10 postcards inside small album.

Books with others

[edit]
  • Sobre Santiago: tres de Magnum. Santiago de Compostela: Universidade de Santiago de Compostela, Servicio de Publicacións e Intercambio Científico, 1993. ISBN 8481210595. With Carl De Keyzer and Miguel Rio Branco. Catalogue of an exhibition held at the University of Santiago de Compostela; text in Galician and English.
  • John Davies, Martin Parr. Sguardi Gardesani 2. Milan: Charta, 1999. ISBN 8881582236. Photographs by Parr and John Davies, text by Franco Rella. Catalogue of an exhibition held at Museo Civico, Riva del Garda; text in Italian and English.
  • CPictures. Rome: Contrasto Due, 2003. ISBN 9788886982788. Photographs by Parr, Gianni Berengo Gardin, Gueorgui Pinkhassov and Sandro Sodano; text in Italian and English by Renata Molho [Wikidata] and Denis Curti.
  • Venedig. Frankfurt am Main: Büchergilde Gutenberg, 2005. ISBN 3936543984. ISBN 3763256563. By Parr, Zora Del Buono, Nikolaus Gelpke, Paolo Pellegrin, Gueorgui Pinkhassov, Mark Power and Robert Voit.
  • Road Trip, Martin Parr and Friends. Sony Ericsson, 2005. OCLC 693324651. With others. A promotional book for the Sony Ericsson K750 camera phone.
  • America 2006. London: Stephen Daiter Gallery/Schaden.com/Rocket Gallery, 2007. OCLC 778868246. By Parr and John Gossage, "as the artists' choice of aliases, Obvious or Ordinary".
  • Witness Number Three. New York: Joy of Giving Something, 2007. ISBN 1590052145. Photographs by Parr ("Art World"), and by Keizō Kitajima, Kohei Yoshiyuki and Osamu Kanemura ("The lost generation"), and texts by Parr ("Three ways to make a book"), Susie Parr ("Little England"), and a transcript of Parr in conversation with Gerry Badger.
  • How We Are: Photographing Britain, from the 1840s to the Present. London: Tate, 2007. ISBN 1854377140. Book by Val Williams and Susan Bright accompanying an exhibition; Parr and Gerry Badger contribute the chapter "We are all photographers now".
  • Correspondencia: Marcelo Brodsky + Martin Parr. AFA nécessaire. [Santiago, Chile]: Galería AFA, 2008. ISBN 9568627022. Catalogue of an exhibition of Parr and Marcelo Brodsky's work. In Spanish and English.
  • Joachim Schmid Is Martin Parr · Martin Parr Is Joachim Schmid. Self-published, Joachim Schmid / Blurb, 2009.
  • Parr by Parr – Quentin Bajac Meets Martin Parr – Discussions with a Promiscuous Photographer. Amsterdam: Schilt, 2010. ISBN 978-9-053307-37-3. With Quentin Bajac.
    • Le Mélange des genres. Paris: Textuel, 2010. ISBN 2845973918. French-language version.
    • Martin Parr por Martin Parr: Un diálogo con Quentin Bajac: discusiones con un fotográfo promiscuo. BlowUp. Libros únicos. Madrid: La Fábrica D.L., 2010. ISBN 8492841702. Spanish-language version.
    • Intervista a un fotografo promiscuo. Lezioni di fotografia. Rome: Contrasto, 2012. ISBN 8869653927. Italian-language version.
    • Мартин Парр: В своем жанре. Интервью с Квентинм Бажаком. Treemedia, 2012. ISBN 978-5-903788-17-0. Russian-language version.
  • A Book of King's: Views of a Cambridge College. Third Millennium Information, 2010. ISBN 1906507368. About King's College, Cambridge, edited by Karl Sabbagh.
  • Machu Picchu. Nazraeli Press Six by Six, set 1 v. 4. Portland, OR: Nazraeli, 2010. ISBN 1590052978. Edition of 100 copies. The other volumes are by Anthony Hernandez, Todd Hido, Raymond Meeks, Toshio Shibata and Mark Steinmetz.
  • The Real World = Tikras Pasaulis. Kaunas: Kaunas Photography Gallery, [2010]. ISBN 978-609-95146-1-1. A two-volume set: one volume by Parr and the other by Rimaldas Vikšraitis.
  • One Day: 10 Photographers. Heidelberg: Kehrer Verlag, 2011. ISBN 978-3-86828-173-6. A boxed set, edited by Harvey Benge, of ten slim books of photographs taken on 21 June 2010, each book by one of Parr, Jessica Backhaus, Gerry Badger, Benge, John Gossage, Todd Hido, Rob Hornstra, Rinko Kawauchi, Eva Maria Ocherbauer and Alec Soth. On this day Parr was at home in Bristol, and (according to the preface) "I decided to photograph the small rituals of my daily life".
  • Made in Italy. Rimini: Pazzini Editore, 2012. Booklet. "A commission for the Savignano Immagini Photo Festival in Italy resulted in this work exploring the Italian fashion industry in the area. Parr’s images make up one of eight booklets by different photographers [. . .] collectively called Sin_Tesis . Terrority | Now."[70]

Books edited or with contributions by Parr

[edit]
  • The Actual Boot: The photographic post card boom, 1900–1920. Bradford: National Museum of Photography, Film, and Television, 1986. ISBN 0948308036. With Jack Stasiak. Catalogue of an exhibition that opened at the National Museum of Photography, Film, and Television and then toured.
  • smart. Reduce to the Max. Biel, Switzerland: Micro Compact Car AG, 1997. OCLC 175165701. About the Smart car. Concept by Reinhold Weber, Parr is the primary photographer.
  • Boring Postcards. London: Phaidon, 1999. Hardback ISBN 0-7148-3895-0. Paperback ISBN 0-7148-4390-3. Reproductions of boring postcards of Britain.
  • London 1958–59. Stockport: Dewi Lewis, 1998. ISBN 189923571X. Photographs by Sergio Larrain, introduction by Mike Seaborne.
  • Boring Postcards USA. London: Phaidon, 2000. Hardback ISBN 0-7148-4000-9. Paperback ISBN 0-7148-4391-1. Reproductions of boring postcards of the US.
  • Langweilige Postkarten. London: Phaidon, 2001. ISBN 0-7148-4062-9. Reproductions of boring postcards of Germany.
  • From Our House to Your House: Celebrating the American Christmas. Stockport, Cheshire: Dewi Lewis, 2002. ISBN 1-899235-34-5
  • Our True Intent Is All for Your Delight: The John Hinde Butlin's Photographs. London: Chris Boot, 2002. ISBN 0-9542813-0-6. London: Chris Boot, 2011. ISBN 1905712200.
    • Notre sincère désir est votre plaisir. Paris: Textuel, 2002. ISBN 2845970641. French-language version.
  • Bliss: Postcards of Couples and Families. London: Chris Boot, 2003. ISBN 0-9542813-3-0. Reproductions of postcards.
    • Bonheur! garanti pour le couple, idéal pour la famille. Textuel, 2003. ISBN 9782845970977. French-language version.
  • Saddam Hussein Watches. [London: Chris Boot], 2004. OCLC 58732043.
  • Lodz Ghetto Album. London: Chris Boot, 2004. ISBN 0-9542813-7-3. Photographs by Henryk Ross of the Łódź Ghetto under the Nazis; selected by Parr and Timothy Prus.
    • Łódź Getto. Łódź: Fundacja Edukacji Wizualnej, 2005. OCLC 751110164.
  • Arles, rencontres de la photographie: 2004. Arles: Actes Sud, 2004. ISBN 2742752218. Parr was curator.
  • The Photobook: A History. London: Phaidon. With Gerry Badger.
  • Le livre de photographies: une histoire. Paris: Phaidon.
  • My Amsterdam. Amsterdam: De Verbeelding, 2005. ISBN 9074159788. Photographs by Ed van der Elsken. Accompanying an exhibition at Amsterdam Fotomuseum/FOAM; edited and introduced by Parr.
  • Photographs. Rome: Contrasto, 2006. ISBN 88-6965-015-4. Photographs by David Goldblatt. Parr contributes a short introduction to this book, published to accompany an exhibition described as curated by Parr.
    • David Goldblatt. Südafrikanische Fotografien 1952–2006. Winterthur: Fotomuseum, 2007. ISBN 3856162941.
  • Darkroom. Portland, OR: Nazraeli, 2007. ISBN 9781590051924. Photographs by Michel Campeau. First book in the "Parr/Nazraeli Edition of Ten".
  • Half Awake and Half Asleep in the Water. Portland, OR: 2007. ISBN 9781590052150. Photographs by Asako Narahashi. Second book in the "Parr/Nazraeli Edition of Ten".
  • Parr World. Postcards. London: Chris Boot, 2008. ISBN 978-1-905712-10-6. Reproductions of postcards.
    • Cartes postales. Monde de Martin Parr. Paris: Textuel, 2008. ISBN 2845972873.
  • Parr World. Objects. London: Chris Boot, 2008. ISBN 978-1-905712-08-3.
  • NYPH 08: New York Photo Festival 14–18 May: The Future of Contemporary Photography: DUMBO, Brooklyn. New York: Powerhouse, 2008. ISBN 1576874796. Book of an exhibition curated by Parr.
  • Bureaucratics. Portland, OR: Nazraeli, 2008. ISBN 978-1-59005-232-7. Photographs by Jan Banning. Third book in the "Parr/Nazraeli Edition of Ten".
  • Portfolio: Click to Add Subtitle. Blurb, 2009. OCLC 680083358. About the Photography. Book. Now 2010 competition; with text by Parr, WassinkLundgren (Thijs groot Wassink and Ruben Lundgren), Blurb, Hewlett-Packard.
  • School. Portland, OR: Nazraeli, 2009. ISBN 1-59005-241-2. Photographs by Raimond Wouda. Fourth book in the "Parr/Nazraeli Edition of Ten".
  • Visual correspondences = Correspondencias visuales. Buenos Aires: La Marca Editora, 2009. OCLC 429143026. Artwork by Parr, Marcelo Brodsky, Manuel Esclusa, Cassio Vasconcellos, Pablo Ortiz Monasterio and Horst Hoheisel; texts by Valeria González, Eduardo Cadava and Paola Cortes-Rocca. In Spanish and English.
  • Archivo. Amsterdam, 2009. ISBN 907253204X. Work by Parr, Harold Strak, Eva-Fiore Kovakovsky, Johannes Schwartz, Daya Cahen, Paul Kooiker, Qiu Yang, Kyungwoo Chun, Lee To Sang, Erik van der Weijde, Sara Blokland, Willem van Zoetendaal, Anuschka Blommers & Niels Schumm, and Miroslav Tichý. Catalogue of an exhibition curated by Paul Kooiker and Willem van Zoetendaal.
  • Retratos Pintados. Portland, OR: Nazraeli Press 2010. Painted photographs collected by Titus Riedl. Fifth book in the "Parr/Nazraeli Edition of Ten".
  • Grimaces of the Weary Village by Rimaldas Vikšraitis. London: White Space Gallery, 2010. ISBN 0955739462.
  • Brighton Photo Biennial 2010: New Documents. Brighton: Brighton Photo Biennial, 2010. ISBN 190379644X. Catalogue of an exhibition curated by Parr, edited by Parr and Helen Cadwallader.
  • Geografía postal: Las postales de las familias García Lorca y De los Ríos. Madrid: This Side Up; Fundación Federico García Lorca; Obra Social Caja Madrid, 2010. ISBN 8493491624. Selected by Parr, text by Enrique Vila-Matas. In Spanish.
    • Postal Geography: Postcards of the García Lorca and De los Ríos Families. Madrid: Instituto Cervantes, Fundación Federico García Lorca, Obra Social Caja Madrid, 2012. OCLC 847873266. English-language version, to accompany an exhibition held at Instituto Cervantes, Dublin.
  • Magnum Contact Sheets. Edited by Kristen Lubben.
    • Magnum Contact Sheets. London: Thames & Hudson, 2011. ISBN 9780500544129.
    • Magnum Contact Sheets. London: Thames & Hudson, 2014. ISBN 978-0500544310. Compact edition.
    • Magnum Contact Sheets: The Collector's Edition: Martin Parr, Last Resort, 1985. London: Thames & Hudson, 2011. ISBN 978-0500544129. Includes a print of a contact sheet. Edition of 50 copies.
  • Martin Parr's Best Books of the Decade. PhotoIreland, 2011. OCLC 756036166. Edited by Moritz Neumüller and Ángel Luis González. With texts by Parr and 30 photographers.
  • La Creciente. Portland, OR: Nazraeli, 2011. ISBN 9781590053218. Photographs by Alejandro Chaskielberg. Sixth book in the "Parr/Nazraeli Edition of Ten".
  • The Protest Box. Göttingen: Steidl, 2011. ISBN 9783869301242. Contains Protest on Paper (ISBN 3869301422); Enrique Bostelmann, América: un Viaje a traves de la injustica (1970); Paolo Gasparini, Para verte major, América Latina (1972); Dirk Alvermann, Algeria (1961); Kazuo Kitai, Sanrizuka (1971); Paolo Mattioli and Anna Candiani, Immagini del No (1974). Co-edited with Gerry Badger.
  • El fotolibro latinoamericano. Mexico City: Fundación Televisa, 2011. OCLC 777865333. Co-edited with Horacio Fernández, Marcelo Brodsky, Iatã Cannabrava, Pablo Ortiz Monasterio, and others. English-language version.
    • The Latin American Photobook. Aperture Foundation and Fundación Televisa, 2011. ISBN 978-1-59711-189-8. English-language version.
    • Les Livres de photographie d'Amérique latine. Marseille: Images en manoeuvres, 2011. ISBN 2849952168. French-language version.
  • From Here On. Arles: Les Rencontres d'Arles-photographie, 2011. ISBN 2953916814. Catalogue of an exhibition curated by Parr, Clément Chéreux, Joan Fontcuberta, Erik Kessels and Joachim Schmid; text in French and English.
    • From here on: D'ara endavant: La postfotografia en l'era d'internet I la telefonia mòbil = From here on: a partir de ahora: la postfotografía en la era de internet y la telefonía móvil = From here on: Postphotography in the age of the Internet and the mobile phone. Mexico City: Editorial RM; Barcelona: Arts Santa Monica: Generalitat de Catalunya, Department de Cultura, 2013. ISBN 8439389949; ISBN 8415118457.
  • New Latin Look = Nueva mirada latina. Madrid: Ivorypress, 2012. ISBN 8493949841. Edited by Parr and Elena Ochoa Foster. In Spanish and English.
  • Strangely Familiar. Portland, OR: Nazraeli, 2013. ISBN 1-59005-353-2. Photographs by Peter Mitchell. Seventh book in the "Parr/Nazraeli Edition of Ten".
  • Watford Gap: The First Motorway Service Station. Ipswich: Diesel Books, 2013. ISBN 978-0-9566928-2-5. Photographs by Sam Mellish, introduction by David Harsent, and "archival imagery" by Parr.
  • Only in England: Photographs by Tony Ray-Jones. Bradford: National Media Museum, 2013. ISBN 978-1-900747-67-7. OCLC 870756771. Published to accompany an exhibition described as having a portion of its images selected from the Ray-Jones archive by Parr and Greg Hobson. Parr contributes an essay. Introductions by Hannah Redler and Greg Hobson, and essays also by David Alan Mellor and Ian Walker.
  • The Waiting Game. Mexico City, Mexico: Editorial RM, 2014. ISBN 978-8415118572. Photographs by Txema Salvans. Parr and John Carlin each contribute a short introduction.
  • Hidden Islam. Bolzano/Bozen, Italy: Rorhof, 2014. ISBN 978-88-909817-0-8. Photographs by Nicolò Degiorgis. Edited and introduced by Parr.
  • The Chinese Photobook. With WassinkLundgren. New York: Aperture, 2015. ISBN 978-1-59711-228-4; Mid-Sized Edition, 2016, ISBN 978-1-59711-375-5. With texts by Gu Zheng, Raymond Lum, Ruben Lundgren, Stephanie H. Tung, and Gerry Badger.[77]
  • ABC Photography. Berlin: Tarzipan, 2017. Photographs by Parr, Nan Goldin, Sarah Illenberger, Peter Lindbergh, Christoph Niemann, Bene Ochs, Sebastião Salgado, Alec Soth, Wolfgang Tillmans, and others. Text by Monte Packham.
  • Photobook Phenomenon. Munich: Prestel; CCCB/RM/Fundació Foto Colectania, 2017. A box set of eight booklets of writing, one each by Moritz Neumüller and Lesley Martin, Markus Schaden and Frederic Lezmi, Parr ("The Collector's Vision"), Horacio Fernández, Ryuichi Kaneko, Gerry Badger, Erik Kessels, and Irene de Mendoza and Neumüller. ISBN 978-8417047054.
  • Tony Ray-Jones. Paris: Maison CF, 2019. ISBN 979-10-96575-11-4. Photographs by Tony Ray-Jones. Edited and introduced by Martin Parr.[78]

    • Books about Parr

    [edit]

    These also include photographs by Parr.

    • Martin Parr by Val Williams.
    • Martin Parr vu par.... Bonsecours, France: Édition Point de vues, 2005. By children; in French.
    • Martin Parr by Sandra S. Phillips.
    • Martin Parr, text by Alessandra Mauro.
      • I Grandi Fotografi: Magnum Photos. Testimonianze e visioni del nostro tempo. Milan: Hachette Fascicoli, 2005. OCLC 799576457. In Italian.
      • Grandes fotográfos Magnum Photos 20. [Barcelona]: Salvat [2007]. ISBN 844710558X. In Spanish.

    Exhibitions

    [edit]
    Queue for the exhibition ParrWorld at Galerie nationale du Jeu de Paume, Paris, 2009.

    Films

    [edit]

    Collections

    [edit]

    Parr's work is held in the following permanent collections:

    See also

    [edit]

    Notes

    [edit]
    1. ^ The book Small World is reproduced at the Magnum Photos website.
    2. ^ Librarians seem to disagree over whether this catalogue even has a title; and if so, what it is.
    3. ^ The exhibition was held at the Hangaram Design Museum at Seoul Arts Center. Seo Dong-shin, "Documentary photos create fiction", The Korea Times, undated. Retrieved 13 April 2014.

    References

    [edit]
    1. ^ a b "Honorary Fellowships". Royal Photographic Society. Archived from the original on 20 November 2015. Retrieved 20 September 2015.
    2. ^ a b "Centenary Medal". Royal Photographic Society. Archived from the original on 18 May 2015. Retrieved 20 September 2015.
    3. ^ Coomes, Phil (29 February 2012). "England Uncensored by Peter Dench". BBC. Retrieved 20 March 2012.
    4. ^ a b c d e Robert Ayers (15 November 2006), "Martin Parr", Art+Auction, retrieved 23 April 2008
    5. ^ a b Cadwalladr, Carole (25 October 2009). "Martin Parr: Parrworld". The Guardian. Retrieved 23 March 2014.
    6. ^ a b Cribbin, Joe (7 February 2002). "Martin Parr: Photographic Works at the Barbican". Culture24. Retrieved 31 March 2014.
    7. ^ Martin Parr Foundation https://register-of-charities.charitycommission.gov.uk/charity-search/-/charity-details/5050353/charity-overview Accessed 30 September 2022
    8. ^ a b c d Padley, Gemma (18 September 2017). "Martin Parr's Foundation opens to the public". British Journal of Photography. Retrieved 22 October 2017.
    9. ^ a b c d e f g h i Byrne, Ciar (7 January 2008). "Martin Parr: How to put photography in the frame". The Daily Telegraph. Retrieved 31 March 2014. Channel 4 series, Picture This ... Martin Parr ... is one of the three judges on the show ... BBC4's The Genius of Photography, which also featured Parr ... Parr, who was born in Epsom, Surrey, in 1952, was introduced to the camera by his grandfather, a keen amateur photographer who lived on the outskirts of Bradford, West Yorkshire. He went on to study photography at school ... In the early part of his career, teaching provided the bulk of his income ... In 2004, he was appointed Professor of Photography at the University of Wales, Newport ... Magnum paved the way for Parr to do more commercial work, including fashion shoots for the likes of Paul Smith and Louis Vuitton, and magazine features ... his pictures already use "the language of advertising", making them more accessible ... In 2004, Parr was the guest artistic director for Rencontre D'Arles
    10. ^ a b c d e f g h i j k l Parr, Martin; Bajac, Quentin (2010). Parr by Parr. Amsterdam: Schilt. ISBN 978-9-053307-37-3. QB: It is in Hebden Bridge, where you settled for several years ... MP: I moved there in 1975 and left in 1980.
    11. ^ "'I didn't really watch any tennis': How Martin Parr captured the Grand Slam's real champions". TheGuardian.com. 5 October 2021.
    12. ^ Dye, Erica (15 May 2013). "America in Color". The New Yorker. Retrieved 3 April 2014. retrospective of Martin Parr's photographs of life in the U.S., taken over the past twenty years ... Parr's saturated photographs
    13. ^ Williams, Val (2002). Martin Parr. London: Phaidon. ISBN 0-7148-3990-6.
    14. ^ a b Williams, Val (2011). Daniel Meadows: Edited Photographs From the 70s and 80s. Brighton: Photoworks. ISBN 978-1903796467.
    15. ^ Meadows, Daniel (1975). Living Like This. London: Arrow. ISBN 0-09-911400-3. I was, at this time, working closely with a fellow photography student, Martin Parr, and in March we set about documenting the residents of a street in Salford.
    16. ^ a b O'Hagan, Sean (8 November 2013). "The height of camp: kitsch, colour and casualwear at Butlins". The Guardian. Retrieved 29 March 2014. Parr worked briefly at Butlins in Filey, Yorkshire, as a "walkie" – roving photographer – and was later instrumental in the revival of Hinde's work in the 1980s.
    17. ^ a b c d Reznik, Eugene (21 October 2013). "The Non-Conformists: Martin Parr's Early Work in Black-and-White". Time. Archived from the original on 21 October 2013. Retrieved 20 April 2014.
    18. ^ "Ordinary lives, extraordinary photographs". The Daily Telegraph. 17 April 2004. Retrieved 10 April 2014.
    19. ^ Pickering, Rachel (30 September 2013). "Martin Parr captured a simpler Hebden Bridge. And he lived in my house". The Guardian. Retrieved 28 March 2014.
    20. ^ a b O'Hagan, Sean (20 September 2013). "Tony Ray-Jones and Martin Parr: English rituals of the 60s". The Guardian. Retrieved 28 March 2014.
    21. ^ Parr, Martin. "What cameras do you use?". Retrieved 20 April 2014. For the early black and white work it was a Leica M3 with a 35mm lens.
    22. ^ Martin Parr (in conversation with Heather Forbes and Peter Turner) (1982). "Thoughts on Bad Weather". In Parr, Martin (ed.). Bad Weather. London: Zwemmer. ISBN 0-302-99996-5. At first I used my Leica which kept getting full of water, then a friend suggested I use an underwater camera. Buying that, and an underwater flashgun, set the tone for the whole project. 'Where will you going,' said the salesman, 'off to the Med?' 'No, no,' I told him, 'I can't swim.'
    23. ^ Parr, Martin. "When and why did you change from black and white to colour?". Retrieved 28 March 2014.
    24. ^ Hamilton, Peter (2013). "Northern Exposures". British Journal of Photography. 160 (7808). Incisive Financial Publishing Limited: 64. many of the images are in colour – a medium in which Bulmer was the British pioneer, and way ahead of photographers now considered scions of the metier, such as William Eggleston, who only started to dabble with it a decade later, and Martin Parr, post-1970.
    25. ^ Parr, Martin (2009). The Last Resort. Stockport: Dewi Lewis Publishing. p. 5. ISBN 978-1-904587-79-8.
    26. ^ "In The Studio: Martin Parr, photographer", The Independent.
    27. ^ Staunton, Eithne (5 April 2009). "Snap happy – photography archives". The Guardian. London. Retrieved 24 May 2015.
    28. ^ "Last chance to see: Martin Parr Exhibition at M Shed". Bristol City Council. 15 November 2011. Archived from the original on 6 January 2014. Retrieved 5 January 2014.
    29. ^ a b "Martin Parr, 'New Brighton'". Victoria and Albert Museum. Retrieved 10 April 2014. This photograph can be found in Print Room Box 14a.
    30. ^ "Portfolio: Martin Parr", The Independent.
    31. ^ O'Connor, Joanne (9 September 2007). "Is this what you really look like on holiday?". The Guardian. Retrieved 10 April 2014.
    32. ^ Romig, Rollo (8 April 2010). "Off the Shelf: Martin Parr's "Small World"". The New Yorker. Retrieved 10 April 2014.
    33. ^ Bartlett, Karen (15 March 2012). "Think of Finland". Nokia. Archived from the original on 13 April 2014. Retrieved 9 April 2014. Parr tried to photograph the essence of a country that's captivated him since the early 1990s when he was a professor at the University of Art and Design in Helsinki
    34. ^ a b c "Martin Parr Common Sense 1995-9". Tate Etc. February 2004. Retrieved 10 April 2014.
    35. ^ Russell Miller, Magnum: Fifty Years at the Front Line of History (London: Pimlico, 1997; ISBN 9781409002642). Here at Google Books. Retrieved 10 April 2014.
    36. ^ "On the Beach with Martin Parr", The New Yorker.
    37. ^ Bainbridge, Simon (27 June 2016). "Magnum Photos announces two new nominee members following its 69th AGM". British Journal of Photography. Apptitude Media Ltd. Retrieved 27 June 2016.
    38. ^ "Annual General Meeting (AGM) – Magnum Photos". Magnum Photos. Retrieved 20 July 2018.
    39. ^ a b Jobey, Liz (14 March 2014). "Collecting with the FT: Martin Parr". Financial Times. Retrieved 15 March 2014. We are here to talk about his books but Parr collects pretty much everything, from Chinese Mao-era tea caddies to miniature televisions, commemorative plates to cigarette cases decorated with Soviet space-dogs ... his most enduring legacy is likely to be the 12,000 photography books he has collected over the past 35 years. What began as a hobby has developed into a mission to change the way the history of photography is defined and understood. As a collector, he has discovered, documented and promoted previously unknown areas of photographic bookmaking.
    40. ^ a b Imagine (TV series), Season 2, Episode 4, The World According to Parr, 3 December 2003
    41. ^ Walker, David (13 August 2013). "Why Gerhard Steidl Is a Book Publishing Master". Photo District News. Retrieved 30 July 2014. photographer Martin Parr, who is also an authority on photography books.
    42. ^ a b Banks-Smith, Nancy (4 December 2003). "No more Mr nice guy". The Guardian. Retrieved 2 April 2014. Imagine... The World According to Parr (BBC1) ... He is a passionate collector of things that are going, going, gone. Everything must have a photograph on it. "I have been collecting wallpaper for 30 years. Concorde wallpaper, ET wallpaper, the Beatles. Once you start it's hard to give up. Ah!" he pounced on a cardboard box, "The Spice Girls ephemera!" He spread his collection of tin trays on the floor and his watches with Saddam Hussein on the face. When he is in London he adds to his collection of prostitutes' cards from phone boxes.
    43. ^ a b c O'Hagan, Sean (1 October 2010). "Can Martin Parr work his magic on the Brighton Photo Biennial?". The Guardian. Retrieved 3 April 2014.
    44. ^ Johnson, Ken (16 May 2008). "New York Photo Festival". The New York Times. Retrieved 3 April 2014.
    45. ^ Davies, Lucy (22 September 2010). "Brighton Photo Biennial". The Daily Telegraph. Retrieved 3 April 2014.
    46. ^ Morris, Steven (21 July 2020). "Martin Parr quits as director of Bristol Photo Festival over racism row". The Guardian. ISSN 0261-3077. Retrieved 22 July 2020 – via www.theguardian.com.
    47. ^ "'Right decision' for festival director to quit". BBC News. 24 July 2020. Retrieved 24 July 2020.
    48. ^ "Martin Parr steps down as artistic director of Bristol Photo Festival after student's anti-racism campaign". The Art Newspaper. 21 July 2020. Retrieved 22 July 2020.
    49. ^ "Renowned Photographer Martin Parr Has Resigned as Artistic Director of the Bristol Photo Festival After Being Accused of Racial Insensitivity". artnet News. 22 July 2020. Retrieved 24 July 2020.
    50. ^ a b "'The further north you go, the nicer it gets'". The Guardian. 20 April 2006. Retrieved 22 July 2022.
    51. ^ "Martin Parr - Pictures, Photography, Photo Art Online at LUMAS". Archived from the original on 21 March 2017. Retrieved 20 March 2017.
    52. ^ Seawright, Paul (24 May 2013). "Professor Martin Parr in Belfast". Ulster University. Retrieved 24 August 2016.
    53. ^ a b Niall Flynn, "Martin Parr: we don't appreciate British photography enough". Dazed, 19 September 2017. Retrieved 22 October 2017
    54. ^ "The best UK photography galleries chosen by Sean O'Hagan". The Guardian. 14 October 2018. Retrieved 22 April 2021.
    55. ^ Rule, Dane (31 March 2012). "Your weekend: In the galleries". The Age. Retrieved 3 April 2014. Parr's signature is his ability not only to isolate the most evocative of human details, but to elevate such visual fragments to that of the wider societal signpost or glyph. His celebrated British Food series
    56. ^ a b "Lecture by Martin Parr". California College of the Arts. 12 March 2013. Archived from the original on 6 January 2014. Retrieved 5 January 2014.
    57. ^ "Prizes and Awards | Martin Parr".
    58. ^ "The Dr. Erich Salomon Award of the German Society for Photography (DGPh)", Deutsche Gesellschaft für Photographie. Retrieved 19 October 2017.
    59. ^ "Honorary Graduates 2008". Manchester Metropolitan University. Retrieved 5 January 2014.
    60. ^ "Photographic Society of Japan Awards". Photographic Society of Japan. Retrieved 5 March 2015.
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