The 1980s (pronounced "nineteen-eighties", shortened to "the '80s" or "the Eighties") was a decade that began on January 1, 1980, and ended on December 31, 1989.
The decade saw a dominance of conservatism and free market economics, and a socioeconomic change due to advances in technology and a worldwide move away from planned economies and towards laissez-faire capitalism compared to the 1970s. As economic deconstruction increased in the developed world, multiple multinational corporations associated with the manufacturing industry relocated into Thailand, Mexico, South Korea, Taiwan, and China. Japan and West Germany saw large economic growth during this decade. The AIDS epidemic became recognized in the 1980s and has since killed an estimated 40.4 million people (as of 2022[update]). Global warming theory began to spread within the scientific and political community in the 1980s.
The final decade of the Cold War opened with the US-Soviet confrontation continuing largely without any interruption. Superpower tensions escalated rapidly as President Reagan scrapped the policy of détente and adopted a new, much more aggressive stance on the Soviet Union. The world came perilously close to nuclear war for the first time since the Cuban Missile Crisis in 1962, but the second half of the decade saw a dramatic easing of superpower tensions and ultimately the total collapse of Soviet communism.
Developing countries across the world faced economic and social difficulties as they suffered from multiple debt crises in the 1980s, requiring many of these countries to apply for financial assistance from the International Monetary Fund (IMF) and the World Bank. Ethiopia witnessed widespread famine in the mid-1980s during the corrupt rule of Mengistu Haile Mariam, resulting in the country having to depend on foreign aid to provide food to its population and worldwide efforts to address and raise money to help Ethiopians, such as the Live Aid concert in 1985.
By 1986, nationalism was making a comeback in the Eastern Bloc, and the desire for democracy in socialist states, combined with economic recession, resulted in Mikhail Gorbachev's glasnost and perestroika, which reduced Communist Party power, legalized dissent and sanctioned limited forms of capitalism such as joint ventures with companies from capitalist countries. After tension for most of the decade, by 1988 relations between the communist and capitalist blocs had improved significantly and the Soviet Union was increasingly unwilling to defend its governments in satellite states.
The 1980s was an era of tremendous population growth around the world, surpassing the 1970s and 1990s, and arguably being the largest in human history. During the 1980s, the world population grew from 4.4 to 5.3 billion people. There were approximately 1.33 billion births and 480 million deaths. Population growth was particularly rapid in a number of African, Middle Eastern, and South Asian countries during this decade, with rates of natural increase close to or exceeding 4% annually. The 1980s saw the advent of the ongoing practice of sex-selective abortion in China and India as ultrasound technology permitted parents to selectively abort baby girls.
The 1980s saw great advances in genetic and digital technology. After years of animal experimentation since 1985, the first genetic modification of 10 adult human beings took place in May 1989, a gene tagging experiment which led to the first true gene therapy implementation in September 1990. The first "designer babies", a pair of female twins, were created in a laboratory in late 1989 and born in July 1990 after being sex-selected via the controversial assisted reproductive technology procedure preimplantation genetic diagnosis. Gestational surrogacy was first performed in 1985 with the first birth in 1986, making it possible for a woman to become a biological mother without experiencing pregnancy for the first time in history.
The global internet took shape in academia by the second half of the 1980s, as well as many other computer networks of both academic and commercial use such as USENET, Fidonet, and the Bulletin Board System. By 1989, the Internet and the networks linked to it were a global system with extensive transoceanic satellite links and nodes in most developed countries. Based on earlier work, from 1980 onwards Tim Berners Lee formalized the concept of the World Wide Web by 1989. Television viewing became commonplace in the Third World, with the number of TV sets in China and India increasing by 15 and 10 times respectively.
Glasnost (/ˈɡlæznɒst/; Russian: гласность, IPA:[ˈɡlasnəsʲtʲ]) is a concept relating to openness and transparency. It has several general and specific meanings, including a policy of maximum openness in the activities of state institutions and freedom of information and the inadmissibility of hushing up problems. In Russian the word 'гласность' has long been used to mean "openness" and "transparency". In the mid-1980s, it was popularised by Mikhail Gorbachev as a political slogan for increased government transparency in the Soviet Union within the framework of perestroika, and the calque of the word entered into English in the latter meaning. (Full article...)
... that in the 1980s, New York City's St. Regis Hotel was said to have hosted every U.S. president since its opening?
... that Shanghai Trolleybus Route 20 was so popular in the 1980s that it required 65 buses to run as little as 30 seconds apart?
... that according to one reviewer, the problems that may have prompted the publication of Schooling and the Struggle for Public Life in the 1980s had "only gotten worse" by 2005?
... that in the 1980s, "Sherman Bonner, The Human Thermometer" presented the weather on an Arkansas TV station?
O'Connor achieved chart success with Am I Not Your Girl? (1992) and Universal Mother (1994), both certified gold in the UK, as well as Faith and Courage (2000), certified gold in Australia. Throw Down Your Arms (2005) achieved gold status in Ireland. Her career encompassed songs for films, collaborations with numerous artists, and appearances at charity fundraising concerts. O'Connor's memoir, Rememberings, was released in 2021 and became a bestseller. (Full article...)
Image 7The world map of military alliances in 1980: NATO & Western allies, Warsaw Pact & other Soviet allies, Non-aligned countries, China and Albania (communist countries, but not aligned with USSR), ××× Armed resistance (from Portal:1980s/General images)
Image 8The fall of the Berlin Wall in 1989 marked the beginning of German reunification (from Portal:1980s/General images)
Image 12Stage view of the Live Aid concert at Philadelphia's JFK Stadium in the United States in 1985. The concert was a major global international effort by musicians and activists to sponsor action to send aid to the people of Ethiopia who were suffering from a major famine. (from Portal:1980s/General images)
Image 19The Grateful Dead in 1980. Left to right: Jerry Garcia, Bill Kreutzmann, Bob Weir, Mickey Hart, Phil Lesh. Not pictured: Brent Mydland. (from Portal:1980s/General images)
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Fanny and Alexander (Swedish: Fanny och Alexander) is a 1982 period drama film written and directed by Ingmar Bergman. The plot focuses on two siblings and their large family in Uppsala, Sweden during the first decade of the twentieth century. Following the death of the children's father (Allan Edwall), their mother (Ewa Fröling) remarries a prominent bishop (Jan Malmsjö) who becomes abusive towards Alexander for his vivid imagination.
Bergman intended Fanny and Alexander to be his final picture before retiring, and his script is semi-autobiographical. The characters Alexander, Fanny and stepfather Edvard are based on himself, his sister Margareta and his father Erik Bergman, respectively. Many of the scenes were filmed on location in Uppsala. The documentary film The Making of Fanny and Alexander was made simultaneously with the feature and chronicles its production. (Full article...)
The Killer (Chinese: 喋血雙雄) is a 1989 Hong Kong action film written and directed by John Woo, and produced by Tsui Hark. The film stars Chow Yun-fat, Danny Lee and Sally Yeh. Chow plays Ah Jong, a professional assassin for the Triads who wants to retire, who accidentally damages the eyes of singer Jennie (Yeh) during a shootout and sets out to perform one last hit for her treatment.
After the financial backing from Hark became problematic following the release of Woo's film A Better Tomorrow 2, Woo had to find backing through Chow Yun-fat's and Danny Lee's financing companies. Woo went into filming The Killer with a rough draft whose plot was influenced by the films Le Samouraï, Mean Streets and Narazumono. Woo wanted to make a film about honour, friendship and the relationship of two seemingly opposite people. After finishing filming, Woo referred to The Killer as a tribute to directors Jean-Pierre Melville and Martin Scorsese. (Full article...)
Nausicaä of the Valley of the Wind was released in Japan on 11 March 1984. The film received critical acclaim, with praise being directed at the story, themes, characters and animation. It is the second-highest-ranked Japanese anime in a survey published by Japan's Agency for Cultural Affairs in 2007. Though it was made before Studio Ghibli was founded, it is often considered a Ghibli work, and is usually released as part of DVD and Blu-ray collections of Ghibli work. (Full article...)
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The Evil Dead is a 1981 American independentsupernatural horror film written and directed by Sam Raimi (in his feature directorial debut). The film stars Bruce Campbell, Ellen Sandweiss, Richard DeManincor, Betsy Baker, and Theresa Tilly as five college students vacationing in an isolated cabin in the woods, where they find an audio tape that, when played, releases a legion of demons and spirits. Four members of the group suffer from demonic possession, forcing the fifth member, Ash Williams (Campbell), to survive an onslaught of increasingly gory mayhem.
Raimi, Campbell, producer Robert G. Tapert, and their friends produced the 1978 short filmWithin the Woods as a proof of concept to build the interest of potential investors, which secured US$90,000 to begin work on The Evil Dead. Principal photography took place on location in a remote cabin in Morristown, Tennessee, in a filming process that proved extremely uncomfortable for the cast and crew. The film's extensive prosthetic makeup and stop-motion effects were created by artist Tom Sullivan. The completed film had its world premiere at the Redford Theatre in Detroit on October 15, 1981, and attracted the interest of producer Irvin Shapiro, who helped screen the film at the 1982 Cannes Film Festival. Horror author Stephen King gave a rave review of the film, which resulted in New Line Cinema acquiring its distribution rights and giving it a wide theatrical release on April 15, 1983. (Full article...)
Walt Disney planned to put the story in a proposed package film containing Andersen's stories, but scrapped the project. In 1985, while working on The Great Mouse Detective (1986), Clements and Musker decided to adapt the fairy tale and proposed it to Walt Disney Studios chairman Jeffrey Katzenberg, who initially declined due to its similarities to a proposed sequel to the 1984 film Splash, but ultimately approved of it. Ashman became involved and brought in Menken. With supervision from Katzenberg, they made a Broadway-style structure with musical numbers as the staff was working on Oliver & Company (1988). Katzenberg warned that the film would earn less since it appealed to female viewers, but he eventually became convinced that it would be Disney's first blockbuster hit. (Full article...)
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Roar is a 1981 American adventure comedy film written and directed by Noel Marshall. Its plot follows Hank, a naturalist who lives on a nature preserve in Africa with lions, tigers, and other big cats. When his family visits him, they are instead confronted by the group of animals. The film stars Marshall as Hank, his real-life wife Tippi Hedren as his wife Madeleine, with Hedren's daughter Melanie Griffith and Marshall's sons John and Jerry Marshall in supporting roles.
In 1969, while Hedren was filming Satan's Harvest in Mozambique, she and Marshall had occasion to observe a pride of lions move into a recently vacated house, driven by increased poaching. They decided to make a film centered around that theme, with production starting when the first script was completed in 1970. They began bringing rescued big cats into their homes in California and living with them. Filming began in 1976; it was finished after five years. The film was fully completed after 11 years in production. (Full article...)
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Nostos: The Return (Italian: Nostos: Il ritorno) is a 1989 Italian adventuredrama film directed by Franco Piavoli, starring Luigi Mezzanotte [it] and Branca De Camargo. Drawing from Homer's Odyssey, the film depicts Odysseus' homeward journey across the Mediterranean Sea following the Trojan War, and his struggles against natural obstacles and inner torments. The film relies on visual storytelling and the portrayal of nature; dialogue is minimal, without subtitles, and spoken in an imaginary Mediterranean language. Nostos: The Return explores themes of homecoming, the memory of war, time, and man's relationship with nature.
Piavoli began to make films in the 1950s, but Nostos: The Return was his first feature-length fiction film. Envisioning it as "symphonic" as opposed to "theatrical" cinema, Piavoli was in control of most of the creative process and a cast with little film experience. The processes of preparing, filming, and editing the project each took one year to complete. (Full article...)
The starting point for the script was the ensemble cast of friends and previous collaborators Jarmusch had conceived characters for, while the tripartite formal structure of the film was inspired by his study of literary forms. Cinematographer Robby Müller and musician John Lurie were among the many contributors who had been involved in earlier Jarmusch projects and returned to work on the film. Mystery Train's US$2.8 million budget (financed by Japanese conglomerate JVC) was considerable compared to what the director had enjoyed before, and allowed him the freedom to rehearse many unscripted background scenes. It was the first of Jarmusch's feature films since Permanent Vacation to depart from his trademark black-and-white photography, though the use of color was tightly controlled to conform with the director's intuitive sense of the film's aesthetic.[according to whom?] (Full article...)
Royal Space Force was produced over four years and involved many creators, including some from outside the anime industry, to construct a detailed alternate world. Its collective approach to filmmaking, rejection of anime motifs, visual complexity, and inexperienced staff were all factors in its chaotic production. Its investors changed the name The Wings of Honnêamise and created lavish but deceptive marketing, with a premiere at Mann's Chinese Theatre. (Full article...)
Payanangal Mudivathillai is Sundarrajan's directorial debut and the inaugural venture of Kovaithambi's Motherland Pictures. The film was produced by R. Elanchelian, Pollachi M. V. Rathinam and P. Muthusamy. Ilaiyaraaja composed the music and S. P. Balasubrahmanyam and S. Janaki performed the songs. Cinematography was handled by Kasthuri and the editing by R. Bhaskaran. (Full article...)
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The Fabulous Baker Boys is a 1989 American romanticcomedy-dramamusical film written and directed by Steve Kloves. The film follows a piano act consisting of two brothers, who hire an attractive female singer to help revive their waning career. After a period of success, complications ensue when the younger brother develops romantic feelings for the singer. Brothers Jeff Bridges and Beau Bridges star as the eponymous Baker Boys, while Michelle Pfeiffer plays lounge singer Susie Diamond.
The Fabulous Baker Boys was Kloves's directorial debut and second screenplay. He conceived the story based on Ferrante & Teicher, a piano duo he had grown up watching perform on The Ed Sullivan Show, which inspired him to write a film about working class musicians who are also siblings. Determined to direct the film himself, Kloves sold the script to producers Paula Weinstein and Mark Rosenberg. It was subsequently rotated among several production companies before it was ultimately obtained by 20th Century Fox in 1986. Pfeiffer underwent several months of voice training to perform all of her character's songs, which largely consist of jazz and pop standards. While both Bridges brothers play their instruments on camera, their audio was dubbed by the film's composer, Dave Grusin, and musician John F. Hammond, respectively. Although primarily set in Seattle, Washington, the film was shot mostly in Los Angeles, California, from December 1988 to March 1989. (Full article...)
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