Masayuki Suo (周防 正行, Suo Masayuki, born October 29, 1956[1]) is a Japanese film director. He is best known for his two Japan Academy Prize-winning films, 1992's Sumo Do, Sumo Don't and 1996's Shall We Dance?.
Masayuki Suo | |
|---|---|
 Suo in 2019 | |
| Born | October 29, 1956 |
| Occupation(s) | Film director, screenwriter |
| Years active | 1983–present |
| Spouse | Tamiyo Kusakari |
Life and career
editIn 1982, along with filmmakers Yoshiho Fukuoka, Itsumichi Isomura, Toshiyuki Mizutani and Akira Yoneda, Suo founded a production company called Unit 5.[2] Suo worked as an assistant director and appeared in the cast of Kiyoshi Kurosawa's directorial debut, the pink film Kandagawa Pervert Wars (1983).[3] At this early stage in his career, Suo also wrote scripts for the pink film genre, such as Scanty Panty Doll: Pungent Aroma (1983).[4] Suo first film as director was also in the pink film genre: Abnormal Family: Older Brother's Bride (1984), a film designed as a tribute and satire of Yasujirō Ozu's Tokyo Story.[5] In his book on the pink film, Behind the Pink Curtain (2008), Jasper Sharp calls Abnormal Family: Older Brother's Bride an early masterpiece, and one of the wittiest films ever made in the genre. Suo not only pokes gentle fun at Ozu's story, but also mimics many of his stylistic techniques, such as shooting his actors from a low, tatami-mat angle, stiff and static characters speaking to each other with mis-matched eye-angles, and a simple, sentimental melody which accompanies the film.[6] In the years since its release, the film has amused film students with the activity of locating and identifying Suo's many nods to Ozu and his oeuvre.[4] Abnormal Family was Suo's only directorial work in the pink film genre.
He next worked for Juzo Itami, to film "making of" pieces for that director's A Taxing Woman (1987) and A Taxing Woman 2 (1988).[6] He made his regular feature film debut with Fancy Dance in 1989, and won the Directors Guild of Japan New Directors Award for his next feature, Sumo Do, Sumo Don't, in 1991.[7]
Suo's 1996 Shall We Dance? won fourteen awards at the Japanese Academy Awards including Best Actor, Best Actress, Best Director and Best Film[8] and performed strongly in U.S. theaters.[9] In 2006, Suo directed I Just Didn't Do It, a legal film starring Ryo Kase.[10] It was followed by the 2012 medical-themed film A Terminal Trust.[11] His musical film, Lady Maiko, screened at the 2014 Shanghai International Film Festival.[12][13]
Style and influences
editIn a 1997 interview with IndieWire, Suo talked about his filmmaking style:
"The most important thing for me in movie making is to love the characters of the movie, so even though you only have a few seconds with a character, that person has to have his own life. Therefore, I want to respect it, I want to make movies where each character has his own individuality."[14]
Filmography
editFiction
edit- Abnormal Family: Older Brother's Bride (1984)[5] also known as Spring Bride, Daughter-in-Law,[14] or My Brother's Wife
- Fancy Dance (1989) also known as Manic Zen[14]
- Sumo Do, Sumo Don't (1992)
- Shall We Dance? (1996)
- I Just Didn't Do It (2006)
- A Terminal Trust (2012)
- Lady Maiko (2014), also known as Maiko a Lady or My Fairy Lady. It is considered as the first Geisha musical movie.[15]
- Talking the Pictures (2019)
Documentary
edit- Making of A Taxing Woman (1987)
- Making of A Taxing Woman 2 (1988)
- Dancing Chaplin (2010)
Writings
edit"Naze Ozu Dattanoka" in Ozu Yasujiro Taizen (The Complete Book of Ozu Yasujiro) by Matsuura Kanji and Miyamoto Akiko (Asahi Shimbun Publications Inc. 2019) ISBN 9784022515995
Awards and honors
edit- 1993 Japan Academy Prize for Director of the Year – Sumo Do, Sumo Don't
- 1997 Japan Academy Prize for Director of the Year – Shall We Dance?
- 2016 Medal with Purple Ribbon[16]
References
edit- ^ a b 周防正行監督インタビュー 何でも言える現場と映像化への強烈な思い [Masayuki Suo Interview]. Sports Hochi (in Japanese). September 21, 2014. Archived from the original on July 4, 2015.
- ^ Weisser, Thomas; Yuko Mihara Weisser (1998). Japanese Cinema Encyclopedia: The Sex Films. Miami: Vital Books : Asian Cult Cinema Publications. p. 117. ISBN 1-889288-52-7.
- ^ Weisser, p.217.
- ^ a b Weisser, p. 308-309.
- ^ a b Midnight Eye review: Abnormal Family (Hentai Kazoku: Aniki No Yomesan, 1983, director: Masayuki SUO)
- ^ a b Sharp, Jasper (2008). Behind the Pink Curtain: The Complete History of Japanese Sex Cinema. Guildford: FAB Press. p. 239. ISBN 978-1-903254-54-7.
- ^ "Nihon Eiga Kantoku Kyōkai Shinjinshō" (in Japanese). Directors Guild of Japan. Archived from the original on 22 November 2010. Retrieved 11 December 2010.
- ^ "Awards for Shall We Dansu?". Internet Movie Database. Retrieved 2008-08-11.
- ^ "Box office / business for Shall we dansu?". Internet Movie Database. 11 July 1997. Retrieved 2008-08-11.
- ^ Frater, Patrick (November 1, 2006). "Suo pic hits dance card". Variety.
- ^ Schilling, Mark (October 19, 2012). "Understand Japanese cinema". The Japan Times.
- ^ Kerr, Elizabeth (June 18, 2014). "'Lady Maiko': Shanghai Review". The Hollywood Reporter.
- ^ Lee, Maggie (September 19, 2014). "Film Review: 'Lady Maiko'". Variety.
- ^ a b c Kaufman, Anthony (July 11, 1997). "Eight Questions for Masayuki Suo, The Director of "Shall We Dance?"". Indiewire.
- ^ Schilling, Mark (17 September 2014). "'My Fair Lady' wrapped in a geisha's kimono". The Japan Times. Retrieved 5 December 2017.
- ^ "State honors list names 704 people". The Japan Times. 28 April 2016. Retrieved 5 December 2017.
External links
edit- Masayuki Suo at IMDb
- Masayuki Suo at the Japanese Movie Database (in Japanese)