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The artcasting project will develop, test and assess a new digital and mobile form of evaluation of arts-based engagement, in the context of ARTIST ROOMS On Tour exhibition. The goals of the project are to understand how mobilities... more
The artcasting project will develop, test and assess a new digital and mobile form of evaluation of arts-based engagement, in the context of ARTIST ROOMS On Tour exhibition. The goals of the project are to understand how mobilities approaches can enrich arts evaluation; to design, develop and pilot the artcasting platform; to generate a new approach to evaluation that can be built upon in the future; and to influence ARTIST ROOMS evaluation practice. This paper introduces artcasting, describes the conceptual foundations of the project, and outlines its contribution to the development of new conversations and innovative approaches to evaluating cultural heritage engagement.
The annual report of the Centre for Research in Digital Education, based with the College of Arts, Humanities and Social Sciences at the University of Edinburgh
The artcasting project will develop, test and assess a new digital and mobile form of evaluation of arts-based engagement, in the context of ARTIST ROOMS On Tour exhibition. The goals of the project are to understand how mobilities... more
The artcasting project will develop, test and assess a new digital and mobile form of evaluation of arts-based engagement, in the context of ARTIST ROOMS On Tour exhibition. The goals of the project are to understand how mobilities approaches can enrich arts evaluation; to design, develop and pilot the artcasting platform; to generate a new approach to evaluation that can be built upon in the future; and to influence ARTIST ROOMS evaluation practice. This paper introduces artcasting, describes the conceptual foundations of the project, and outlines its contribution to the development of new conversations and innovative approaches to evaluating cultural heritage engagement.
This article offers insights into how digital methods in cultural heritage settings can help evoke and illuminate the richness of visitor engagement and interpretation, especially in relation to expressions of ownership. Drawing on the... more
This article offers insights into how digital methods in cultural heritage settings can help evoke and illuminate the richness of visitor engagement and interpretation, especially in relation to expressions of ownership. Drawing on the Artcasting research project, which examined how galleries can inventively evaluate visitors’ engagement with art, we propose that, in addition to looking for commonalities and stability in visitors’ articulation of engagement, it is beneficial to look for ways to make sense of difference. The project drew on theories of mobility to explore visitor engagement with cultural heritage, creating an artcasting platform that invited visitors to ‘cast’ artworks to another place or time. We analyse artcasting data through two ‘movements’. The first uses thematic analysis of artcasts to show how visitors to two ARTIST ROOMS exhibitions expressed ownership in relation to their engagement with artworks. The second demonstrates how individual responses can be put into relationship and understood as an articulation of engagement that moves beyond the interpretive authority of the gallery or any one visitor. The article contributes new perspectives to understandings of articulation and engagement and their relationship to the production of heritage, and reflects on implications for moving digital practice towards more complexity and diversity.
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