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This article is an archaeo-musicological study of the trumpets (ḥaṣoṣrot, metal wind instruments) and shofarot (animal horns) in the War Scroll from the Dead Sea Scrolls of Qumran. The study of ancient Jewish music is largely uncharted... more
This article is an archaeo-musicological study of the trumpets (ḥaṣoṣrot, metal wind instruments) and shofarot (animal horns) in the War Scroll from the Dead Sea Scrolls of Qumran. The study of ancient Jewish music is largely uncharted territory. Many musical terms that appear in the Bible, Second Temple writings, and rabbinic literature, including the names of musical instruments, are not fully understood and there are many questions about their interpretation. For this reason, the War Scroll is one of the most important sources for archaeo-musicological scholarship of the ancient world generally, and of the Second Temple period in particular. This is not only because of the extensive description of the use of trumpets and shofarot in warfare that is found in the scroll, but especially because this rare and rich description is unmatched in any ancient work, Jewish, Hellenistic, or Roman. This uniquely extensive description includes a detailed itemization of the stages when the priests use different types of trumpets to direct the fighting forces, and describes the sounding of the shofarot by the Levites and the people as a means of instilling fear in the enemy. In addition, the scroll lists the types of sounds generated by trumpets and shofarot in battle, using technical and musical terms whose meaning is not always clear.

In this article, I re-examine the interpretations that previous scholars have suggested for the terms describing the sounds made by the trumpets and shofarot in the War Scroll, and, in some cases, I offer new interpretations. I also examine how trumpets and shofarot were used in specific stages of the eschatological war depicted in the scroll and suggest a number of ways to understand the military uses and purpose of the incorporation of these instruments. In addition to contributing to the understanding of the musical terms that appear in the War Scroll, my research opens a window to the rich musical language used by the Dead Sea sect and perhaps also by other groups in the Second Temple era.
We are pleased to announce the publication of HUCA volume 92. We are also excited to inform authors and readers that with this volume all of the HUCA archive including this most recent publication is available to institutional subscribers... more
We are pleased to announce the publication of HUCA volume 92. We are also excited to inform authors and readers that with this volume all of the HUCA archive including this most recent publication is available to institutional subscribers to the Atla serials database. Individual digital subscriptions to HUCA are no longer required as all material will be open to Atla subscribers without any firewall. We are excited to expand our availability though this partnership. Please search Atla through your respective institution's access to view the most recent and all previous HUCA articles or check the stacks for the print-edition. HUCA also continues to be accessible through the JSTOR archive with a one-year firewall.


• 1. The תורה in רות – Notes on Judean Literary Onomastics
By: Cooley, Jeffrey L. Source: Hebrew Union College Annual, 92, p 1-13.
DOI: 10.15650/hebruniocollannu.92.1

• 2.
Trumpets and Shofarot in the War Scroll (1QM): Musical and Terminological Insights
By: Piamenta, Moshe. Source: Hebrew Union College Annual, 92, p 15-45.
DOI: 10.15650/hebruniocollannu.92.2

• 3.
Reckoning the End of Days: A Study in Yefet ben ʻEli's Biblical Exegesis
By: Nadler-Akirav, Meirav. Source: Hebrew Union College Annual, 92, p 47-69.
DOI: 10.15650/hebruniocollannu.92.3

• 4.
The Two Different Endings of Sefer haMiddot
By: Kadish, Seth. Source: Hebrew Union College Annual, 92, p 71-203.
DOI: 10.15650/hebruniocollannu.92.4

• 5.
The Influence of Mendelssohn's Commentary on Qohelet on Nineteenth-Century Orthodox Jewish Commentators in Eastern and Western Europe
By: Ganzel, Tova. Source: Hebrew Union College Annual, 92, p 205-223.
DOI: 10.15650/hebruniocollannu.92.5

• 6.
On the Edge
By: Minkoff, N B; Finkin, Jordan D (Translator, "Author of introduction, etc. "). Source: Hebrew Union College Annual, 92, p 225, 227, 229-281.
DOI: 10.15650/hebruniocollannu.92.6