[go: up one dir, main page]

Skip to main content

ArtDoc - An Experimental Archive and a Tool for Artistic Research

  • Conference paper
  • First Online:
Music Technology with Swing (CMMR 2017)

Part of the book series: Lecture Notes in Computer Science ((LNISA,volume 11265))

Included in the following conference series:

  • 1046 Accesses

Abstract

ArtDoc is an experimental archive primarily for documenting artistic practice. One of the ambitions is to address the question of how artistic practice may be documented in a manner that makes visible the processes in action. ArtDoc has its roots in research and artistic practice that began over ten years ago and preliminary tests shows it to be a useful complement to other means to document musical works and artistic processes. The particular case of open form works, works that in some respect are negotiated between the different agents involved, such as composers, musicians and members of the audience was a point of departure and has guided the development to a significant degree. The underlying structure of documentation classes is presented and some of the design choices are discussed. ArtDoc is still under construction but a working proof of concept will be released in 2018.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Subscribe and save

Springer+ Basic
$34.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or eBook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Similar content being viewed by others

Notes

  1. 1.

    This discussion could be expanded significantly and it may well be argued that also traditional music is molded by the listener as well as the originator. See [15] for an introduction.

References

  1. About the research catalogue web resource (2017). https://www.researchcatalogue.net/portal/about. Accessed 15 May 2017

  2. Bachimont, B., et al.: Preserving interactive digital music: a report on the MUSTICA research initiative. In: Proceedings of Third International Conference on Web Delivering of Music. Web Delivering of Music. WEDELMUSIC (2003)

    Google Scholar 

  3. Biggs, M., Karlsson, H., (eds).: The Routledge Companion to Research in the Arts. Routledge, London (2010)

    Google Scholar 

  4. Bullock, J., Coccioli, C.: Modernising musical works involving yamaha DX-based synthesis: a case study. Organised Sound 11(3), 221–227 (2006)

    Article  Google Scholar 

  5. Bullock, J., Frisk, H.: libIntegra: a system for software-independent multimedia module description and storage. In: Proceedings of the International Computer Music Conference 2007, Copenhagen, Denmark (2007)

    Google Scholar 

  6. Bullock, J., Frisk, H.: An object oriented model for the representation of temporal data in the integra framework. In: Proceedings of the International Computer Music Conference 2009. ICMA (2009)

    Google Scholar 

  7. Bullock, J., Frisk, H., Coccioli, L.: Sustainability of ‘live electronic’ music in the integra project. In: The 14th IEEE Mediterranean Electrotechnical Conference Proceedings, Ajaccio, Corsica (2008)

    Google Scholar 

  8. Cuervo, A.P.: Preserving the electroacoustic music legacy: a case study of the sal-mar construction at the university of illinois. Notes 68(1), 33–47 (2011)

    Article  Google Scholar 

  9. Douglas, J.: General Study 03 Final Report : Preserving Interactive Digital Music. Technical report, The MUSTICA Initiative (2007)

    Google Scholar 

  10. Eco, U.: The Open Work. Hutchinson Radius, London (1968). (English translation published in 1989)

    Google Scholar 

  11. Folkestad, G., Lindström, B., Hargreaves, D.J.: Young people’s music in the digital age: a study of computer based creative music making. Res. Stud. Music Educ. 9(1), 1–12 (1997)

    Article  Google Scholar 

  12. Frisk, H.: Improvisation, Computers and Interaction: Rethinking Human-Computer Interaction Through Music. Ph.D. thesis, Faculty of Fine and Performing Arts, Lund University (2008)

    Google Scholar 

  13. Frisk, H.: The Archive that Writes Itself. SMC (2018, in print)

    Google Scholar 

  14. Frisk, H., Östersjö, S.: Negotiating the musical work. an empirical study. In: Proceedings of the International Computer Music Conference 2006, pp. 242–249. ICMA, San Francisco, California. Computer Music Association (2006)

    Google Scholar 

  15. Frisk, H., Östersjö, S.: Negotiating the musical work. an empirical study on the inter-relation between composition, interpretation and performance. In: Proceedings of EMS -06, Beijing. Terminology and Translation. Electroacoustic Music Studies, EMS (2006)

    Google Scholar 

  16. Frisk, H., Coessens, C., Östersjö, S.: Repetition, resonance and discernment. In: Crispin, D., Gilmore, B. (Eds.) Artistic Experimentation in Music: Orpheus Institute Series, Gent (2014)

    Google Scholar 

  17. Östersjö, S.: SHUT UP ‘N’ PLAY! Negotiating the Musical Work. Ph.D. thesis, Malmö Academy of Music, Lund University (2008)

    Google Scholar 

  18. Roeder, J.: Authenticity of Digital Music: Key Insights from Interviews in the MUSTICA Project. Technical report, The MUSTICA Initiative (2006)

    Google Scholar 

  19. IntegraLab. http://integra.io/

  20. eXist db. http://exist-db.org

Download references

Acknowledgments

With acknowledgments to my colleague Jamie Bullock and the other contributors of the Integra project.

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Henrik Frisk .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2018 Springer Nature Switzerland AG

About this paper

Check for updates. Verify currency and authenticity via CrossMark

Cite this paper

Frisk, H. (2018). ArtDoc - An Experimental Archive and a Tool for Artistic Research. In: Aramaki, M., Davies , M., Kronland-Martinet, R., Ystad, S. (eds) Music Technology with Swing. CMMR 2017. Lecture Notes in Computer Science(), vol 11265. Springer, Cham. https://doi.org/10.1007/978-3-030-01692-0_44

Download citation

  • DOI: https://doi.org/10.1007/978-3-030-01692-0_44

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-030-01691-3

  • Online ISBN: 978-3-030-01692-0

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics