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2020 – today
- 2023
[j18]Simin Yang
, Mathieu Barthet, Courtney N. Reed, Elaine Chew:
Do You Hear What I Hear? Computer 56(12): 4-6 (2023)- [j17]Simin Yang, Courtney N. Reed, Elaine Chew, Mathieu Barthet:
Examining Emotion Perception Agreement in Live Music Performance. IEEE Trans. Affect. Comput. 14(2): 1442-1460 (2023) - [c55]Mateusz Solinski, Courtney N. Reed, Elaine Chew:
Time Delay Stability Analysis of Pairwise Interactions Amongst Ensemble-Listener RR Intervals and Expressive Music Features. CinC 2023: 1-4 - [c54]Mateusz Solinski, Courtney N. Reed, Elaine Chew:
Triangle Simplex Plots for Representing and Classifying Heart Rate Variability. CinC 2023: 1-4 - 2022
- [j16]Changhong Wang, Emmanouil Benetos, Vincent Lostanlen, Elaine Chew:
Adaptive Scattering Transforms for Playing Technique Recognition. IEEE ACM Trans. Audio Speech Lang. Process. 30: 1407-1421 (2022) - [c53]Gonzalo Romero-García, Paul Lascabettes, Elaine Chew:
Automated Musical Rhythm Transcription of ECG RR Interval Time Series as a Tool for Representing Rhythm Variations and Annotation Anomalies in Arrhythmia Heartbeat Classifications. CinC 2022: 1-4 - [c52]Emily Graber, Charles Picasso, Elaine Chew:
Viva Contemporary! Mobile Music Laboratory. ACM Multimedia 2022: 7248-7249 - 2020
- [c51]Changhong Wang, Vincent Lostanlen, Emmanouil Benetos, Elaine Chew:
Playing Technique Recognition by Joint Time-Frequency Scattering. ICASSP 2020: 881-885 - [d3]Changhong Wang, Emmanouil Benetos, Elaine Chew:
CBFdataset: A Dataset of Chinese Bamboo Flute Performances. Zenodo, 2020
- [d2]Changhong Wang, Emmanouil Benetos, Elaine Chew:
CBFdataset: A Dataset of Chinese Bamboo Flute Performances. Zenodo, 2020
2010 – 2019
- 2019
- [j15]Dorien Herremans, Elaine Chew:
MorpheuS: Generating Structured Music with Constrained Patterns and Tension. IEEE Trans. Affect. Comput. 10(4): 510-523 (2019) - [c50]Elaine Chew, Peter Taggart, Pier Lambiase:
Cardiac Response to Live Music Performance: Computing Techniques for Feature Extraction and Analysis. CinC 2019: 1-4 - [c49]Thomas Kaplan, Elaine Chew:
Detecting Low Frequency Oscillations in Cardiovascular Signals Using Gradient Frequency Neural Networks. CinC 2019: 1-4 - [c48]Saumitra Mishra, Sreehari Rammohan, Khalid Z. Rajab, Gurpreet Dhillon, Pier Lambiase, Ross Hunter, Elaine Chew:
Atrial Fibrillation Stratification Via Super-Resolution Analysis of Fibrillatory Waves. CinC 2019: 1-4 - [c47]Dorien Herremans, Elaine Chew:
Towards emotion based music generation: A tonal tension model based on the spiral array. CogSci 2019: 52-53 - [c46]Changhong Wang, Emmanouil Benetos, Vincent Lostanlen, Elaine Chew:
Adaptive Time-Frequency Scattering for Periodic Modulation Recognition in Music Signals. ISMIR 2019: 809-815 - [d1]Changhong Wang, Emmanouil Benetos, Elaine Chew:
CBFdataset: A Dataset of Chinese Bamboo Flute Performances. Zenodo, 2019 - 2018
- [i4]Dorien Herremans, Ching-Hua Chuan, Elaine Chew:
A Functional Taxonomy of Music Generation Systems. CoRR abs/1812.04186 (2018) - [i3]Dorien Herremans, Elaine Chew:
MorpheuS: generating structured music with constrained patterns and tension. CoRR abs/1812.04832 (2018) - 2017
- [j14]Dorien Herremans, Ching-Hua Chuan, Elaine Chew:
A Functional Taxonomy of Music Generation Systems. ACM Comput. Surv. 50(5): 69:1-69:30 (2017) - [c45]Dorien Herremans, Simin Yang, Ching-Hua Chuan, Mathieu Barthet, Elaine Chew:
IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion Annotations. Audio Mostly Conference 2017: 11:1-11:8 - [c44]Luwei Yang, Akira Maezawa, Jordan B. L. Smith, Elaine Chew:
Probabilistic transcription of sung melody using a pitch dynamic model. ICASSP 2017: 301-305 - [c43]Jordan B. L. Smith, Elaine Chew:
Automatic Interpretation of Music Structure Analyses: A Validated Technique for Post-Hoc Estimation of the Rationale for an Annotation. ISMIR 2017: 435-441 - 2016
- [c42]Luwei Yang, Khalid Z. Rajab, Elaine Chew:
AVA: A Graphical User Interface for Automatic Vibrato and Portamento Detection and Analysis. ICMC 2016 - [c41]Ching-Hua Chuan, Elaine Chew:
An Optimization-Based Approach to Key Segmentation. ISM 2016: 603-608 - [c40]Luwei Yang, Khalid Z. Rajab, Elaine Chew:
AVA: An Interactive System for Visual and Quantitative Analyses of Vibrato and Portamento Performance Styles. ISMIR 2016: 108-114 - [i2]Meinard Müller, Elaine Chew, Juan Pablo Bello:
Computational Music Structure Analysis (Dagstuhl Seminar 16092). Dagstuhl Reports 6(2): 147-190 (2016) - 2015
- [c39]Luwei Yang, Elaine Chew, Khalid Z. Rajab:
Logistic Modeling of Note Transitions. MCM 2015: 161-172 - [c38]Katerina Kosta, Oscar F. Bandtlow, Elaine Chew:
A Change-Point Approach Towards Representing Musical Dynamics. MCM 2015: 179-184 - 2014
- [b1]Elaine Chew:
Mathematical and Computational Modeling of Tonality - Theory and Applications. International Series in Operations Research and Management Science 204, Springer 2014, ISBN 978-1-4614-9474-4, pp. I-XIV, 1-305 - [j13]Jordan B. L. Smith, Ching-Hua Chuan, Elaine Chew:
Audio Properties of Perceived Boundaries in Music. IEEE Trans. Multim. 16(5): 1219-1228 (2014) - [c37]Bogdan Vera, Elaine Chew:
Towards Seamless Network Music Performance: Predicting an Ensemble's Expressive Decisions for Distributed Performance. ISMIR 2014: 489-494 - [c36]Katerina Kosta, Oscar F. Bandtlow, Elaine Chew:
Practical Implications of Dynamic Markings in the Score: Is Piano Always Piano?. Semantic Audio 2014 - [p1]Isaac Schankler, Elaine Chew, Alexandre R. J. François:
Improvising with Digital Auto-Scaffolding: How Mimi Changes and Enhances the Creative Process. Digital Da Vinci 2014: 99-125 - 2013
- [j12]Alexandre R. J. François, Isaac Schankler, Elaine Chew:
Mimi4x: an interactive audio-visual installation for high-level structural improvisation. Int. J. Arts Technol. 6(2): 138-151 (2013) - [c35]Bogdan Vera, Elaine Chew:
Intensity Shaping in Sustained Notes Encodes Metrical Cues for Synchronization in Ensemble Performance. CMMR 2013: 193-203 - [c34]Bogdan Vera, Elaine Chew, Patrick G. T. Healey:
A Study of Ensemble Synchronisation Under Restricted Line of Sight. ISMIR 2013: 293-298 - [c33]Jordan B. L. Smith, Elaine Chew:
A Meta-Analysis of the MIREX Structural Segmentation Task. ISMIR 2013: 469-474 - [c32]Elaine Chew, Clifton Callender:
Conceptual and Experiential Representations of Tempo: Effects on Expressive Performance Comparisons. MCM 2013: 76-87 - [c31]Jordan B. L. Smith, Elaine Chew:
Using quadratic programming to estimate feature relevance in structural analyses of music. ACM Multimedia 2013: 113-122 - [i1]Dan Stowell, Elaine Chew:
Maximum a posteriori estimation of piecewise arcs in tempo time-series. CoRR abs/1302.0136 (2013) - 2012
- [c30]Dan Stowell, Elaine Chew:
Maximum a Posteriori Estimation of Piecewise Arcs in Tempo Time-Series. CMMR 2012: 387-399 - [c29]Ching-Hua Chuan, Elaine Chew:
Creating Ground Truth for Audio Key Finding: When the Title Key May Not Be the Key. ISMIR 2012: 247-252 - 2011
- [j11]Alexandre R. J. François, Elaine Chew, Dennis Thurmond:
Performer-centered visual feedback for human-machine improvisation. Comput. Entertain. 9(3): 13:1-13:13 (2011) - [j10]Ching-Hua Chuan, Elaine Chew:
Generating and Evaluating Musical Harmonizations That Emulate Style. Comput. Music. J. 35(4): 64-82 (2011) - [c28]Erdem Unal, Elaine Chew, Panayiotis G. Georgiou, Shrikanth S. Narayanan:
A Preplexity Based Cover Song Matching System for Short Length Queries. ISMIR 2011: 43-48 - [c27]Jonathan Bragg, Elaine Chew, Stuart M. Shieber:
Neo-Riemannian Cycle Detection with Weighted Finite-State Transducers. ISMIR 2011: 399-404 - [c26]Isaac Schankler, Jordan B. L. Smith, Alexandre R. J. François, Elaine Chew:
Emergent Formal Structures of Factor Oracle-Driven Musical Improvisations. MCM 2011: 241-254 - 2010
- [c25]Alexandre R. J. François, Isaac Schankler, Elaine Chew:
Mimi4x: An interactive audio-visual installation for high-level structural improvisation. ICME 2010: 1618-1623 - [c24]Ching-Hua Chuan, Elaine Chew:
Quantifying the Benefits of Using an Interactive Decision Support Tool for Creating Musical Accompaniment in a Particular Style. ISMIR 2010: 471-476
2000 – 2009
- 2008
- [j9]Erdem Unal, Elaine Chew, Panayiotis G. Georgiou, Shrikanth S. Narayanan:
Challenging Uncertainty in Query by Humming Systems: A Fingerprinting Approach. IEEE Trans. Speech Audio Process. 16(2): 359-371 (2008) - [j8]Roger Zimmermann, Elaine Chew, Sakire Arslan Ay, Moses Pawar:
Distributed musical performances: Architecture and stream management. ACM Trans. Multim. Comput. Commun. Appl. 4(2): 14:1-14:23 (2008) - [c23]Reid Swanson, Elaine Chew, Andrew S. Gordon:
Supporting Musical Creativity with Unsupervised Syntactic Parsing. AAAI Spring Symposium: Creative Intelligent Systems 2008: 95-101 - [c22]Ching-Hua Chuan, Elaine Chew:
Evaluating and Visualizing Effectiveness of Style Emulation in Musical Accompaniment. ISMIR 2008: 57-62 - [e1]Juan Pablo Bello, Elaine Chew, Douglas Turnbull:
ISMIR 2008, 9th International Conference on Music Information Retrieval, Drexel University, Philadelphia, PA, USA, September 14-18, 2008. 2008, ISBN 978-0-615-24849-3 [contents] - 2007
- [j7]Rob Parke, Elaine Chew, Chris Kyriakakis:
Quantitative and visual analysis of the impact of music on perceived emotion of film. Comput. Entertain. 5(3): 5 (2007) - [j6]Ching-Hua Chuan, Elaine Chew:
Audio Key Finding: Considerations in System Design and Case Studies on Chopin's 24 Preludes. EURASIP J. Adv. Signal Process. 2007 (2007) - [c21]Arpi Mardirossian, Elaine Chew:
Visualizing Music: Tonal Progressions and Distributions. ISMIR 2007: 189-194 - [c20]Ching-Hua Chuan, Elaine Chew:
A Dynamic Programming Approach to the Extraction of Phrase Boundaries from Tempo Variations in Expressive Performances. ISMIR 2007: 305-308 - [c19]Erdem Ünal, Panayiotis G. Georgiou, Shrikanth S. Narayanan, Elaine Chew:
Statistical Modeling and Retrieval of Polyphonic Music. MMSP 2007: 405-409 - [c18]Alexandre R. J. François, Elaine Chew, Dennis Thurmond:
Visual Feedback in Performer-Machine Interaction for Musical Improvisation. NIME 2007: 277-280 - 2006
- [j5]Elaine Chew:
Slicing It All Ways: Mathematical Models for Tonal Induction, Approximation, and Segmentation Using the Spiral Array. INFORMS J. Comput. 18(3): 305-320 (2006) - [c17]Jie Liu, Elaine Chew, Alexandre R. J. François:
From driving to expressive music performance: ensuring tempo smoothness. Advances in Computer Entertainment Technology 2006: 26 - [c16]Jie Liu, Elaine Chew, Alexandre R. J. François:
From driving to expressive music performance: ensuring tempo smoothness. Advances in Computer Entertainment Technology 2006: 78 - [c15]Ching-Hua Chuan, Elaine Chew:
The Effect of Key and Tempo on Audio Onset Detection Using Machine Learning Techniques: A Sensitivity Analysis. ISM 2006: 805-810 - [c14]Arpi Mardirossian, Elaine Chew:
Music Summarization Via Key Distributions: Analyses of Similarity Assessment Across Variations. ISMIR 2006: 234-239 - [c13]Alexandre R. J. François, Elaine Chew:
An Architectural Framework for Interactive Music Systems. NIME 2006: 150-155 - 2005
- [j4]Elaine Chew:
Foreword to special issue on music visualization. Comput. Entertain. 3(4): 1-3 (2005) - [j3]Elaine Chew, Alexandre R. J. François:
Interactive multi-scale visualizations of tonal evolution in MuSA.RT Opus 2. Comput. Entertain. 3(4): 1-16 (2005) - [j2]Elaine Chew, Yun-Ching Chen:
Real-Time Pitch Spelling Using the Spiral Array. Comput. Music. J. 29(2): 61-76 (2005) - [j1]Erdem Unal, Shrikanth S. Narayanan, Hsuan-Huei Shih, Elaine Chew, C.-C. Jay Kuo:
Creating data resources for designing usercentric frontends for query-by-humming systems. Multim. Syst. 10(6): 475-483 (2005) - [c12]Ching-Hua Chuan, Elaine Chew:
Polyphonic Audio Key Finding Using the Spiral Array CEG Algorithm. ICME 2005: 21-24 - [c11]Aaron Yang, Elaine Chew, Anja Volk:
A Dynamic Programming Approach to Adaptive Tatum Assignment for Rhythm Transcription. ISM 2005: 577-584 - [c10]Arpi Mardirossian, Elaine Chew:
Key Distributions as Musical Fingerprints for Similarity Assessment. ISM 2005: 592-597 - [c9]Ching-Hua Chuan, Elaine Chew:
Fuzzy Analysis in Pitch-Class Determination for Polyphonic Audio Key Finding. ISMIR 2005: 296-303 - [c8]Elaine Chew, Alexandre R. J. François, Jie Liu, Aaron Yang:
ESP: A Driving Interface for Expression Synthesis. NIME 2005: 224-227 - 2004
- [c7]Elaine Chew, Xiaodan Wu:
Separating Voices in Polyphonic Music: A Contig Mapping Approach. CMMR 2004: 1-20 - [c6]Erdem Unal, Shrikanth S. Narayanan, Elaine Chew:
A statistical approach to retrieval under user-dependent uncertainty in query-by-humming systems. Multimedia Information Retrieval 2004: 113-118 - 2003
- [c5]Elaine Chew, Yun-Ching Chen:
Determining context-defining windows: Pitch spelling using the spiral array. ISMIR 2003 - [c4]Erdem Unal, Shrikanth S. Narayanan, Hsuan-Huei Shih, Elaine Chew, C.-C. Jay Kuo:
Creating data resources for designing user-centric frontends for query by humming systems. Multimedia Information Retrieval 2003: 116-121 - [c3]Alexander A. Sawchuk, Elaine Chew, Roger Zimmermann, Christos Papadopoulos, Chris Kyriakakis:
From remote media immersion to Distributed Immersive Performance. ETP@MM 2003: 110-120 - [c2]Elaine Chew, Alexandre R. J. François:
MuSA.RT: music on the spiral array. real-time. ACM Multimedia 2003: 448-449 - 2002
- [c1]Elaine Chew:
The Spiral Array: An Algorithm for Determining Key Boundaries. ICMAI 2002: 18-31
Coauthor Index
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