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ORCIDChristian Dittmar
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- affiliation: International Audio Laboratories Erlangen, Germany
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2020 – today
- 2023
[c48]Kishor Kayyar Lakshminarayana
, Christian Dittmar, Nicola Pia, Emanuël A. P. Habets:
Low-Resource Text-to-Speech Using Specific Data and Noise Augmentation. EUSIPCO 2023: 61-65- [c47]Frank Zalkow, Prachi Govalkar, Meinard Müller, Emanuël A. P. Habets, Christian Dittmar:
Evaluating Speech-Phoneme Alignment and its Impact on Neural Text-To-Speech Synthesis. ICASSP 2023: 1-5 - [c46]Kishor Kayyar Lakshminarayana, Christian Dittmar, Nicola Pia, Emanuël A. P. Habets:
Subjective Evaluation of Text-to-Speech Models: Comparing Absolute Category Rating and Ranking by Elimination Tests. SSW 2023: 191-196 - [i2]Kishor Kayyar Lakshminarayana, Christian Dittmar, Nicola Pia, Emanuël A. P. Habets:
Low-Resource Text-to-Speech Using Specific Data and Noise Augmentation. CoRR abs/2306.10152 (2023) - 2021
- [c45]Prachi Govalkar, Ahmed Mustafa, Nicola Pia, Judith Bauer, Metehan Yurt, Yigitcan Özer, Christian Dittmar:
A Lightweight Neural TTS System for High-quality German Speech Synthesis. ITG Conference on Speech Communication 2021: 1-5 - 2020
- [c44]Georg Rehm, Dimitris Galanis, Penny Labropoulou, Stelios Piperidis, Martin Welß, Ricardo Usbeck, Joachim Köhler, Miltos Deligiannis, Katerina Gkirtzou, Johannes Fischer, Christian Chiarcos, Nils Feldhus, Julián Moreno Schneider, Florian Kintzel, Elena Montiel-Ponsoda, Víctor Rodríguez-Doncel, John Philip McCrae, David Laqua, Irina Patricia Theile, Christian Dittmar, Kalina Bontcheva, Ian Roberts, Andrejs Vasiljevs, Andis Lagzdins:
Towards an Interoperable Ecosystem of AI and LT Platforms: A Roadmap for the Implementation of Different Levels of Interoperability. IWLTP@LREC 2020: 96-107 - [i1]Georg Rehm, Dimitrios Galanis, Penny Labropoulou, Stelios Piperidis, Martin Welß, Ricardo Usbeck, Joachim Köhler, Miltos Deligiannis, Katerina Gkirtzou, Johannes Fischer, Christian Chiarcos, Nils Feldhus, Julián Moreno Schneider, Florian Kintzel, Elena Montiel-Ponsoda, Víctor Rodríguez-Doncel, John P. McCrae, David Laqua, Irina Patricia Theile, Christian Dittmar, Kalina Bontcheva, Ian Roberts, Andrejs Vasiljevs, Andis Lagzdins:
Towards an Interoperable Ecosystem of AI and LT Platforms: A Roadmap for the Implementation of Different Levels of Interoperability. CoRR abs/2004.08355 (2020)
2010 – 2019
- 2019
- [c43]Prachi Govalkar, Johannes Fischer, Frank Zalkow, Christian Dittmar:
A Comparison of Recent Neural Vocoders for Speech Signal Reconstruction. SSW 2019: 7-12 - 2018
- [j4]Stefan Balke, Christian Dittmar, Jakob Abeßer, Klaus Frieler, Martin Pfleiderer, Meinard Müller:
Bridging the Gap: Enriching YouTube Videos with Jazz Music Annotations. Frontiers Digit. Humanit. 5: 1 (2018) - [j3]Chih-Wei Wu, Christian Dittmar, Carl Southall, Richard Vogl, Gerhard Widmer, Jason Hockman, Meinard Müller, Alexander Lerch:
A Review of Automatic Drum Transcription. IEEE ACM Trans. Audio Speech Lang. Process. 26(9): 1457-1483 (2018) - [c42]Christian Dittmar, Patricio López-Serrano, Meinard Müller:
Unifying Local and Global Methods for Harmonic-Percussive Source Separation. ICASSP 2018: 176-180 - 2017
- [c41]Patricio López-Serrano, Christian Dittmar, Meinard Müller:
Finding Drum Breaks in Digital Music Recordings. CMMR 2017: 111-122 - [c40]Meinard Müller, Christian Dittmar:
Workshop WS01 "Musik trifft Informatik". GI-Jahrestagung 2017: 47 - [c39]Stefan Balke, Christian Dittmar, Jakob Abeßer, Meinard Müller:
Data-driven solo voice enhancement for jazz music retrieval. ICASSP 2017: 196-200 - [c38]Patricio López-Serrano, Christian Dittmar, Meinard Müller:
Mid-Level Audio Features Based on Cascaded Harmonic-Residual-Percussive Separation. Semantic Audio 2017 - [e3]Christian Dittmar, Jakob Abeßer, Meinard Müller:
AES International Conference Semantic Audio 2017, Erlangen, Germany, June 22-24, 2017. Audio Engineering Society 2017, ISBN 978-1-942220-15-2 [contents] - 2016
- [j2]Christian Dittmar, Meinard Müller:
Reverse Engineering the Amen Break - Score-Informed Separation and Restoration Applied to Drum Recordings. IEEE ACM Trans. Audio Speech Lang. Process. 24(9): 1535-1547 (2016) - [c37]Christian Dittmar, Jonathan Driedger, Meinard Müller, Jouni Paulus:
An experimental approach to generalized Wiener filtering in music source separation. EUSIPCO 2016: 1743-1747 - [c36]Stefan Balke, Jonathan Driedger, Jakob Abeßer, Christian Dittmar, Meinard Müller:
Towards Evaluating Multiple Predominant Melody Annotations in Jazz Recordings. ISMIR 2016: 246-252 - [c35]Patricio López-Serrano, Christian Dittmar, Jonathan Driedger, Meinard Müller:
Towards Modeling and Decomposing Loop-Based Electronic Music. ISMIR 2016: 502-508 - 2015
- [c34]Christian Dittmar, Martin Pfleiderer, Meinard Müller:
Automated Estimation of Ride Cymbal Swing Ratios in Jazz Recordings. ISMIR 2015: 271-277 - [c33]Christian Dittmar, Bernhard Lehner, Thomas Prätzlich, Meinard Müller, Gerhard Widmer:
Cross-Version Singing Voice Detection in Classical Opera Recordings. ISMIR 2015: 618-624 - [c32]Christian Dittmar, Jonathan Driedger, Meinard Müller:
A separate and restore approach to score-informed music decomposition. WASPAA 2015: 1-5 - 2014
- [j1]Estefanía Cano, Gerald Schuller, Christian Dittmar:
Pitch-informed solo and accompaniment separation towards its use in music education applications. EURASIP J. Adv. Signal Process. 2014: 23 (2014) - [c31]Christian Dittmar, Daniel Gärtner:
Real-Time Transcription and Separation of Drum Recordings Based on NMF Decomposition. DAFx 2014: 187-194 - [c30]Christian Kehling, Jakob Abeßer, Christian Dittmar, Gerald Schuller:
Automatic Tablature Transcription of Electric Guitar Recordings by Estimation of Score- and Instrument-Related Parameters. DAFx 2014: 219-226 - [c29]Jakob Abeßer, Johannes Hasselhorn, Sascha Grollmisch, Christian Dittmar, Andreas Lehmann:
Automatic Competency Assessment of Rhythm Performances of Ninth-grade and Tenth-grade Pupils. ICMC 2014 - [c28]Estefanía Cano, Mark D. Plumbley, Christian Dittmar:
Phase-based harmonic/percussive separation. INTERSPEECH 2014: 1628-1632 - [c27]Anna M. Kruspe, Jakob Abeßer, Christian Dittmar:
A GMM Approach to Singing Language Identification. Semantic Audio 2014 - [c26]Matthias Leimeister, Daniel Gärtner, Christian Dittmar:
Rhythmic Classification of Electronic Dance Music. Semantic Audio 2014 - [e2]Christian Dittmar, György Fazekas, Sebastian Ewert:
AES International Conference on Semantic Audio 2014, London, UK, January 27-29, 2014. Audio Engineering Society 2014, ISBN 978-0-937803-96-7 [contents] - 2013
- [c25]Anna M. Kruspe, Jakob Abeßer, Christian Dittmar:
Towards coarse-scale event detection in music. Audio Mostly Conference 2013: 19:1-19:6 - [c24]Mikus J. Grasis, Jakob Abeßer, Christian Dittmar, Hanna M. Lukashevich:
A Multiple-Expert Framework for Instrument Recognition. CMMR 2013: 619-634 - [c23]Paul Bießmann, Daniel Gärtner, Christian Dittmar, Patrick Aichroth, Gerald Schuller, Michael Schnabel, Ralf Geiger:
Estimating MP3PRO Encoder Parameters From Decoded Audio. GI-Jahrestagung 2013: 2841-2852 - [c22]Sebastian Mann, Luca Cuccovillo, Patrick Aichroth, Christian Dittmar:
Combining ENF Phase Discontinuity Checking and Temporal Pattern Matching for Audio Tampering Detection. GI-Jahrestagung 2013: 2917-2927 - [c21]Christian Dittmar, Andreas Mannchen, Jakob Abeßer:
Real-time guitar string detection for music education software. WIAMIS 2013: 1-4 - 2012
- [c20]Johannes Krasser, Jakob Abeßer, Holger Großmann, Christian Dittmar, Estefanía Cano:
Improved music similarity computation based on tone objects. Audio Mostly Conference 2012: 47-54 - [c19]Christian Dittmar, Pedro Mercado, Holger Grossmann, Estefanía Cano:
Towards lyrics spotting in the SyncGlobal project. CIP 2012: 1-6 - [c18]Estefanía Cano, Christian Dittmar, Gerald Schuller:
Efficient implementation of a system for solo and accompaniment separation in polyphonic music. EUSIPCO 2012: 285-289 - [c17]Christian Dittmar, Kay F. Hildebrand, Daniel Gärtner, Manuel Winges, Florian Müller, Patrick Aichroth:
Audio forensics meets Music Information Retrieval - A toolbox for inspection of music plagiarism. EUSIPCO 2012: 1249-1253 - [c16]Patrick Kramer, Jakob Abeßer, Christian Dittmar, Gerald Schuller:
A digitalwaveguide model of the electric bass guitar including different playing techniques. ICASSP 2012: 353-356 - [p2]Christian Dittmar, Estefanía Cano, Jakob Abeßer, Sascha Grollmisch:
Music Information Retrieval Meets Music Education. Multimodal Music Processing 2012: 95-120 - 2011
- [c15]Jakob Abeßer, Olivier Lartillot, Christian Dittmar, Tuomas Eerola, Gerald Schuller:
Modeling musical attributes to characterize ensemble recordings using rhythmic audio features. ICASSP 2011: 189-192 - [c14]Jakob Abeßer, Christian Dittmar, Gerald Schuller:
Automatic Recognition and Parametrization of Frequency Modulation Techniques in Bass Guitar Recordings. Semantic Audio 2011 - [c13]Estefanía Cano, Christian Dittmar, Gerald Schuller:
Influence of Phase, Magnitude and Location ofHarmonic Components in the Perceived Quality of Extracted Solo Signals. Semantic Audio 2011 - [c12]Anna M. Kruspe, Hanna M. Lukashevich, Jakob Abeßer, Holger Großmann, Christian Dittmar:
Automatic Classification of Musical Pieces into Global Cultural Areas. Semantic Audio 2011 - [e1]Anssi Klapuri, Christian Dittmar:
AES International Conference Semantic Audio 2011, Ilmenau, Germany, July 22-24, 2011. Audio Engineering Society 2011, ISBN 978-0-937803-81-3 [contents] - 2010
- [c11]Thomas Völkel, Jakob Abeßer, Christian Dittmar, Holger Großmann:
Automatic genre classification of Latin American music using characteristic rhythmic patterns. Audio Mostly Conference 2010: 16 - [c10]Christian Dittmar, Holger Großmann, Estefanía Cano, Sascha Grollmisch, Hanna M. Lukashevich, Jakob Abeßer:
Songs2See and GlobalMusic2One: Two Applied Research Projects in Music Information Retrieval at Fraunhofer IDMT. CMMR 2010: 259-272
2000 – 2009
- 2009
- [c9]Peter Dunker, Christian Dittmar, André Begau, Stefanie Nowak, Matthias Gruhne:
Semantic High-Level Features for Automated Cross-Modal Slideshow Generation. CBMI 2009: 144-149 - [c8]Sascha Grollmisch, Christian Dittmar, Gabriel Gatzsche:
Concept, implementation and evaluation of an improvisation based music video game. ICE-GIC 2009: 210-212 - [c7]Daniel Gärtner, Christian Dittmar:
Vocal Characteristics Classification of Audio Segments: An Investigation of the Influence of Accompaniment Music on Low-Level Features. ICMLA 2009: 583-589 - [c6]Matthias Gruhne, Christian Dittmar, Daniel Gärtner:
Improving Rhythmic Similarity Computation by Beat Histogram Transformations. ISMIR 2009: 177-182 - [c5]Jakob Abeßer, Hanna M. Lukashevich, Christian Dittmar, Gerald Schuller:
Genre Classification Using Bass-Related High-Level Features and Playing Styles. ISMIR 2009: 453-458 - [c4]Hanna M. Lukashevich, Jakob Abeßer, Christian Dittmar, Holger Großmann:
From Multi-Labeling to Multi-Domain-Labeling: A Novel Two-Dimensional Approach to Music Genre Classification. ISMIR 2009: 459-464 - [p1]Karlheinz Brandenburg, Christian Dittmar, Matthias Gruhne, Jakob Abeßer, Hanna M. Lukashevich, Peter Dunker, Daniel Gärtner, Kay Wolter, Holger Grossmann:
Music Search and Recommendation. Handbook of Multimedia for Digital Entertainment and Arts 2009: 349-384 - 2008
- [c3]Hanna M. Lukashevich, Christian Dittmar, Christoph Bastuck:
Applying Statistical Models and Parametric Distance Measures for Music Similarity Search. GfKl 2008: 409-418 - 2007
- [c2]Matthias Gruhne, Christian Dittmar, Konstantin Schmidt:
Phoneme Recognition in Popular Music. ISMIR 2007: 369-370 - 2004
- [c1]Matthias Gruhne, Christian Uhle, Christian Dittmar, Markus Cremer:
Extraction of Drum Patterns and their Description within the MPEG-7 High-Level-Framework. ISMIR 2004
Coauthor Index
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