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A new technique for encoding and decoding digital audio signals is presented. It offers the advantage of a graceful degradation of the audio performance when the signal is conveyed over channels with a wide range of bandwidths. The... more
A new technique for encoding and decoding digital audio signals is presented. It offers the advantage of a graceful degradation of the audio performance when the signal is conveyed over channels with a wide range of bandwidths. The flexibility of the new techniques also provides a key to the future evolution of the quality of digital audio or video systems within the same digital format. The class of systems described may well be of particular value in applications involving the storage or broadcast of digital audio signals when the exact bandwidth of the communication system is unknown.
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We examine and compare several different classes of "balanced" block codes over q-ary alphabets, namely symbol-balanced (SB) codes, charge-balanced (CB) codes, and polarity-balanced (PB) codes. Known results on the maximum size... more
We examine and compare several different classes of "balanced" block codes over q-ary alphabets, namely symbol-balanced (SB) codes, charge-balanced (CB) codes, and polarity-balanced (PB) codes. Known results on the maximum size and asymptotic minimal redundancy of SB and CB codes are reviewed. We then determine the maximum size and asymptotic minimal redundancy of PB codes and of codes which are both CB and PB. We also propose efficient Knuth-like encoders and decoders for all these types of balanced codes.
ABSTRACT
While this is a very worthwhile programme, it has to be said that Professor Haken is only partially successful in his aim. It is not clear for whom the book is really intended. In the preface, the author says that it is... more
While this is a very worthwhile programme, it has to be said that Professor Haken is only partially successful in his aim. It is not clear for whom the book is really intended. In the preface, the author says that it is for'students and professors of physics', that it'offers a ...
ABSTRACT
ABSTRACT
The modulation method employed in the Compact Disc (CD) digital audio system codeveloped by Philips N.V. (Eindhoven, The Netherlands) and Sony Corporation (Tokyo, Japan) is described. This method, called eight-to-fourteen (EFM), is an 8... more
The modulation method employed in the Compact Disc (CD) digital audio system codeveloped by Philips N.V. (Eindhoven, The Netherlands) and Sony Corporation (Tokyo, Japan) is described. This method, called eight-to-fourteen (EFM), is an 8 (data bit) ---> 14 (channel bit) conversion block code with a space of 3 channel bits for every converted 14 channel bits which is used to connect the blocks. These 3 channel bits, called merging bits, are selectable, enabling the suppression of the low-frequency contents of the frequency spectrum. First some of the major conditions are listed which are required of the modulation method used for recording/reproducing digital audio signals on an optical disk. The various parameters of EFM as a modulation method are explained in the second part, proving the suitability of EFM for optical disks. An actual example explains the method in detail; a frequency spectrum is also given to enhance understanding. EFM is well matched with the error-correction m...
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