Stuart Allan

News media coverage of biotechnology issues offers a rich source of fictional portrayals, with stories drawing strongly on popular imagery and metaphors in descriptions of the powers and dangers of biotechnology. This article examines how science fiction metaphors, imagery and motifs surface in British newspaper (broadsheet and tabloid) coverage of medical genetic issues, focusing on press reporting of two recent highly publicised news media events; namely, the Hashmi and Whitaker families' plights to use stem cells from a 'perfectly matched sibling' for the treatment of their diseased children. It is concerned in particular with the extent to which journalists' use of certain literary devices encourages preferred formulations of medical genetics, and thereby potentially shapes public deliberation about scientific developments and their consequences for society. Understanding how science fiction sustains science fact, and vice versa, and how the former is portrayed in news media, it is argued, would thus seem to be crucial in the effort to understand why people respond so strongly to biotechnologies, and what they imagine their consequences to be.

User-based research into the lived experiences associated with smartphone camera practices – in particular, the taking, storing, curating, and sharing of personal imagery in the digital media sphere – remains scarce, especially in contrast to its increasing ubiquity. Accordingly, this article’s detailed analysis of open-ended questionnaires from ‘millennial’ smartphone users elucidates the varied experiential, compositional, and technological aspects associated with smartphone imagery in everyday life. It argues that the associated changes do more than just update previous technologies but rather open space up for emergent forms of visual communication. Specifically, our close interpretive reading indicates four key factors underlying the moments privileged when using smartphone cameras, namely: they deviate from the mundane, are related to ‘positive’ emotions, evince strong social bonds, and encompass a future-oriented perspective. Relatedly, in terms of photographic composition, visual content tends to circulate around: the social presence of others, boundedness of event, perceived aesthetic value, and intended shareability. Our findings question certain formulations about the gradual disappearance of media from personal consciousness in a digital age. If ceaselessness is a defining characteristic of the current era, our analysis reveals that the use of smartphone cameras is indicative of people affectively and self-consciously deploying the technology to try to arrest the ephemerality of daily life, however fleetingly. This article thus pinpoints the theoretical and methodological value of research approaches moving beyond a narrow focus on usage patterns to uncover the spatiotemporal specificities shaping (and being shaped by) smartphone imagery and its communicative resonances.

In striving to better understand issues associated with citizen contributions to newsmaking in crisis situations, this article identifies and elaborates four specific research problematics – bearing witness, technologies of truth-telling, mediating visualities and affectivities of othering – in order to recast more familiar modes of enquiry. Specifically, it provides an alternative heuristic to theorize the journalistic mediation of citizen imagery, and the myriad ways this process of negotiation maintains, repairs and at times disrupts the interstices of professional–amateur boundaries. Rather than centring analysis on how crisis events highlight change, it discerns the basis for a critical tracing of the material configurations and contingencies shaping journalistic imperatives towards generating visually truthful reportage. In seeking to move debates about how best to enliven digital journalism's future beyond the polarities of new media advocacy and criticism alike, we emphasize the importance of developing a collaborative, co-operative ethos of connectivity between journalists as citizens and citizens as journalists. Accordingly, each proposed problematic is examined in a manner alert to pinpointing its prospective value for theory-building, and in so doing elucidating its potential utility for scholarship in the years ahead.

Citizen Journalism: Global Perspectives examines the spontaneous actions of ordinary people, caught up in extraordinary events, who felt compelled to adopt the role of a news reporter. This collection draws together 21 original, thought-provoking chapters. It investigates citizen journalism in the West, including the United States, United Kingdom, Europe, and Australia, as well as its development in a variety of other national contexts around the globe, including Brazil, China, India, Iran, Iraq, Kenya, Palestine, South Korea, Vietnam, and even Antarctica. It engages with several of the most significant topics for this important area of inquiry from fresh, challenging perspectives. Its aim is to assess the contribution of citizen journalism to crisis reporting, and to encourage new forms of dialogue and debate about how it may be improved in future.