Publications by Burcu Baykan
(Article in Edited Volume) in P. de Assis and P. Giudici (Eds.), Machinic Assemblages of Desire: Deleuze and Artistic Research 3. Leuven: Leuven University Press, March, 2021.
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(Article in Edited Volume) in S. Oppermann and S. Akıllı (Eds.), Turkish Ecocriticism: From Neolithic to Contemporary Timescapes. Lanham, MD: Lexington Books (Rowman & Littlefield), December, 2020.
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(Article in Edited Volume) in S.E. Wilmer and R. Przedpełski (Eds.), Deleuze, Guattari and the Art of Multiplicity. Edinburgh: Edinburgh University Press, October, 2020
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Cinej Cinema Journal ISSN 21-58 (online) ISSN 2158-8724 (online), 2020
This article performs a narrative and aesthetic analysis of Reha Erdem's movie, Kosmos (2009), th... more This article performs a narrative and aesthetic analysis of Reha Erdem's movie, Kosmos (2009), through an engagement with Gilles Deleuze and Félix Guattari's philosophical concept of becoming-animal. Erdem narrativizes the story of an odd traveller dervish named Kosmos, who has supernatural abilities and an expanded capability of communication-one that displays liminal features between human and animal. Through his distinctive editing technique, particularly by juxtaposing human and animal faces, the director further deconstructs the conceptual boundaries between humanity and animality, revealing the inherent connectedness of the two. Hence, this article discloses the consistency between the narrative and the form of Kosmos through a close reading based upon the notion of becoming-animal and its conceptual constituents.
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(Article in Edited Volume) in A. Kobus and Ł. Muniowski (Eds.), Sex, Death and Resurrection in Altered Carbon: Essays on the Netflix Series. Jefferson, NC: McFarland & Co., January, 2020
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(Article in Edited Volume) in Nycole Prowse (ed.), Intervening Spaces: Respatialisation and the Body. Leiden, Boston: Brill | Rodopi, May 2018
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(Article in Edited Volume) in Leslie Malland and Rafael F. Narváez (eds.), Time, Space and the Human Body: An Interdisciplinary Look. Leiden, Netherlands: Brill, Apr 2016
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(Article in Edited Volume) in M. Causey, E. Meehan and N. O’Dwyer (eds.), The Performing Subject in the Space of Technology: Through the Virtual, Towards the Real. Basingstoke, UK: Palgrave Macmillan, May 2015
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International E-Journal of Advances in Social Sciences, Apr 2015
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Proceedings from Socio-Int'14: International Conference on Social Sciences and Humanities (In Conference Proceedings Citation Index [CPCI] by Thomson Reuters), Sep 2014
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DAKAM LIT CRI '14/ III. Literary Criticism Conference: World Literature and LIterary Criticism Proceedings Book, Oct 2014
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DAKAM LIT CRI '14/ III. Literary Criticism Conference: World Literature and LIterary Criticism Proceedings Book, Oct 2014
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Conference Presentations by Burcu Baykan
DARE 2019: Machinic Assemblages of Desire - International Conference on Deleuze and Artistic Research. Orpheus Institute, Ghent, Belgium, 2019.
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International Conference on Art in the Anthropocene, The School of Creative Arts, Trinity College Dublin, Ireland, 2019
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3rd International Symposium on Art and Aesthetics, Gaziantep University, Turkey, 2019
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Deleuze+Art: Multiplicities | Thresholds | Potentialities Conference, Trinity Long Room Hub Arts & Humanities Research Institute, Trinity College Dublin, Ireland, 2016
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DARE 2015: The Dark Precursor: International Conference on Deleuze and Artistic Research. Orpheus Institute, Ghent, Belgium, 2015
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Gilles Deleuze and Felix Guattari: Refrains of Freedom International Conference, University of Athens and Panteion University, Athens, Greece, 2015
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7th International Deleuze Studies Conference: Models, Machines and Memories. Istanbul Technical University, Turkey, 2014
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Reflecting on Transformations: Digital Arts and Humanities Symposium, University College Cork, Ireland, September , 2014
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Publications by Burcu Baykan
Conference Presentations by Burcu Baykan
Provides a series of philosophical encounters with the concept of multiplicity
Points to the potentialities circulating in various media for social change
Decolonialises our thinking about art by bypassing the mediation of the traditional western-centred art history
Contributors include Mieke Bal, James Williams, Laura Marks, Gary Genosko and Eugene Holland
This collection of essays from a range of philosophers and art practitioners offers tools through which we can action change across art and philosophy, across a range of media and across the theory/practice divide.
Including insights from digital apps to Indigenous ritual art and from feminist and queer art to refugee performances and talismanic magic associated with Islamic Neoplatonism, this collection will decolonise your thinking about art – subverting the traditional Western-centred art history.
The first section includes theoretical essays on the concept of multiplicities, on affect and politics as well as the thought of Raymond Ruyer and Gilbert Simondon – 2 key influences on Deleuze and Guattari.
The second section includes applied essays on specific art practices including the plastic arts, theatre, architecture, music and folk performances.
Przedpełski and Wilmer have brought together a remarkably wide-ranging collection of essays by top-notch scholars that explore both the philosophical trajectory of Deleuze’s concept of multiplicity as well as its ramifications in domains such as art and politics The volume will become a standard reference work for anyone interested in the complexities and implications of Deleuze’s philosophical concepts.
– Daniel W. Smith, Purdue University
Pulsating, vibrating and intensive, this collection does not just discuss the concept of multiplicity but also enacts it through the rich array of its multidisciplinary contributions. With topics ranging from film, theatre and sculpture through to Indigenous ritual, talismanic magic and Eastern European neo-avant-garde, it offers a significant contribution to the philosophy of creativity, while itself becoming a work of art.
– Joanna Zylinska, Goldsmiths, University of London
Notes on Contributors
Mieke Bal, cultural theorist, critic, video artist and occasional curator.
Burcu Baykan, Bilkent University, Turkey.
Gary Genosko, University of Ontario, Institute of Technology in Toronto, Canada.
Barbara Glowczewski, National Scientific Research Center, Collège de France, EHESS, France.
Eugene W. Holland, Ohio State University, USA.
Adi Louria Hayon, Tel Aviv University, Israel.
Laura U. Marks, Simon Fraser University, Canada.
Radek Przedpełski, Trinity College, Dublin, Ireland.
Daniela Voss, University of Hildesheim, Germany.
James Williams, Deakin University, Australia.
S. E. Wilmer, Trinity College, Dublin, Ireland.
Audronė Žukauskaitė, Lithuanian Culture Research Institute, Lithuania.
– Daniel W. Smith, Purdue University
"Pulsating, vibrating and intensive, this collection does not just discuss the concept of multiplicity but also enacts it through the rich array of its multidisciplinary contributions. With topics ranging from film, theatre and sculpture through to Indigenous ritual, talismanic magic and Eastern European neo-avant-garde, it offers a significant contribution to the philosophy of creativity, while itself becoming a work of art."
– Joanna Zylinska, Goldsmiths, University of London
The book explores the concept of multiplicity in Deleuze and Guattari’s work and its relevance to artistic practice
Provides a series of philosophical encounters with the concept of multiplicity
Points to the potentialities circulating in various media for social change
Decolonialises our thinking about art by bypassing the mediation of the traditional western-centred art history
Contributors include Mieke Bal, James Williams, Laura Marks, Gary Genosko and Eugene Holland
This collection of essays from a range of philosophers and art practitioners offers tools through which we can action change across art and philosophy, across a range of media and across the theory/practice divide.
Including insights from digital apps to Indigenous ritual art and from feminist and queer art to refugee performances and talismanic magic associated with Islamic Neoplatonism, this collection will decolonise your thinking about art – subverting the traditional Western-centred art history.
The first section includes theoretical essays on the concept of multiplicities, on affect and politics as well as the thought of Raymond Ruyer and Gilbert Simondon – 2 key influences on Deleuze and Guattari.
The second section includes applied essays on specific art practices including the plastic arts, theatre, architecture, music and folk performances.