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Nathan Cardon
  • nathan.cardon@gmail.com
  • I am an Associate Professor of US History in the Department of History and the American and Canadian Studies Centre a... moreedit
At the end of the nineteenth century, the modern safety bicycle and the cultures that surrounded it were global in scale. In tracing the use and adoption of the bicycle in the South, this article reveals the ways in which the everyday... more
At the end of the nineteenth century, the modern safety bicycle and the cultures that surrounded it were global in scale. In tracing the use and adoption of the bicycle in the South, this article reveals the ways in which the everyday experiences of local culture intersected with the world. It argues that the subjectivity of riding a bicycle transformed the ways in which white southerners experienced, thought of, and imagined their region. The article contributes to two shifts in southern studies and the historiography of the New South. It brings recent discussions of the South in the world to the level of the everyday by tracing the experiences of a new technological mobility and its social and cultural worlds. In demonstrating the ways white southerners took up cycling culture, it also integrates the region into the global trends of mass culture that move beyond histories of popular culture in the New South focussed mostly on the region's relationship to the nation.
The safety bicycle arrived in the U.S. South at the beginning of a transition from relative African American freedom following the Civil War to a reassertion of white hegemony. This article examines how southerners interpreted the... more
The safety bicycle arrived in the U.S. South at the beginning of a transition from relative African American freedom following the Civil War to a reassertion of white hegemony. This article examines how southerners interpreted the meanings and practices of the safety bicycle through a contingent spatial and mobility politics found at the intersection of race and technology. For African Americans, the bicycle was both a symbolic and real opportunity to express modern freedoms at the moment those freedoms were being curtailed. Black cyclists whether they used the bicycle for leisure or utilitarian purposes contested the meanings and limits of mobility in the early Jim Crow period. The South, however, was not the only region of the world where the politics of race shaped bicycle mobilities and this article points to the ways the African American experience of bicycle technology mirrors but does not necessarily replicate places beyond the United States. Ultimately, this article traces how technological innovations such as the safety bicycle can be both disrupt but also uphold structures of power.
An essay on a wooden bicycle held in the collection of the Birmingham Museum Trust, its connection to the British Empire in Malawi, and cycling's role in resistance to empire in Central-East Africa.... more
An essay on a wooden bicycle held in the collection of the Birmingham Museum Trust, its connection to the British Empire in Malawi, and cycling's role in resistance to empire in Central-East Africa. https://www.birmingham.ac.uk/schools/lcahm/departments/historyofart/research/projects/map/issue5/objects-in-focus-nyasaland-bicycle.aspx
Public-facing version of my Technology and Culture article, "Cycling on the Color Line" (2021).
Everyday Empires Conference Summary, University of Birmingham, May 2017
Origins, Inspirations, Ways Forward. Opening essay for the Everyday Empires conference held at the University of Birmingham, May 2017.
A Dream of the Future examines how southerners at the end of the nineteenth century worked through the major questions facing a nation undergoing profound change. In an age of empire and industry, southerners grappled with what it meant... more
A Dream of the Future examines how southerners at the end of the nineteenth century worked through the major questions facing a nation undergoing profound change. In an age of empire and industry, southerners grappled with what it meant to be modern. At Atlanta’s 1895 Cotton States and International Exposition and Nashville’s 1897 Tennessee Centennial Exposition, white and black southerners endeavored to understand how their region could be industrial and imperial on its own terms. On a local, national, and global stage, African Americans, New South boosters, New Women, and Civil War veterans presented their own dreams of the future. White southerners at the fairs exhibited a way of life that embraced racial segregation and industrial capitalism, while African Americans accommodated, engaged, and contested this vision. The Atlanta and Nashville expositions are representative of a developing Jim Crow modernity through which white and black southerners constructed themselves as the ob...