DATJournal Design, Art and Technology
DATJournal is a quarterly publication of the Graduate Program in Design (Master, and Doctorate), from Anhembi Morumbi University. The acronym DAT refers to Design, Art, and Technology - the program's central concern.
We are currently experiencing a time marked by rich theoretical-practical production in Design, Art, and Technology, that needs to be considered and disseminated. The DATJournal selects for publication reflections and discussions within this interface. It adopts a transdisciplinary perspective that supports a diversity of scope, objects of study and approaches in these fields of research.
The DATJournal is permanently open for submissions and does not charge for either article processing fees or article submission fees.
https://datjournal.anhembi.br/dat
We are currently experiencing a time marked by rich theoretical-practical production in Design, Art, and Technology, that needs to be considered and disseminated. The DATJournal selects for publication reflections and discussions within this interface. It adopts a transdisciplinary perspective that supports a diversity of scope, objects of study and approaches in these fields of research.
The DATJournal is permanently open for submissions and does not charge for either article processing fees or article submission fees.
https://datjournal.anhembi.br/dat
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o desenvolvimento da obra computacional emergente e auto-organizada
IP3_AMARELO, expondo os pensamentos e conceitos os quais inspiraram sua
concepção. O texto apresenta também reflexões fundamentadas no conceito
de cybernatural proposto por Mitchell Whitelaw, o qual propõe-se explicitar
a possibilidade de uma coexistência entre o maquínico e o biológico, considerando a díade natureza-artifício
genres was taken with the application of controlling spray guns and electri
-
cal brushes by David Alvaro Siqueiros 1920. The decisive break occurs again
in contemporary fashion designs and installations (Savage Beauty 2011).
Hence we have to emphasize upon the growing insularity and autonomy of
technologically rebellious art – in the reduced human intention in patterns
on dresses exhibited by the fashion maverick Alexander McQueen. We shall
be able to appreciate the fact that the form of representation is most likely
to be similar to a mechanics of accidence and autonomy, rather than control, and reflective of the independence of the machine itself, now called the machine being.
o desenvolvimento da obra computacional emergente e auto-organizada
IP3_AMARELO, expondo os pensamentos e conceitos os quais inspiraram sua
concepção. O texto apresenta também reflexões fundamentadas no conceito
de cybernatural proposto por Mitchell Whitelaw, o qual propõe-se explicitar
a possibilidade de uma coexistência entre o maquínico e o biológico, considerando a díade natureza-artifício
genres was taken with the application of controlling spray guns and electri
-
cal brushes by David Alvaro Siqueiros 1920. The decisive break occurs again
in contemporary fashion designs and installations (Savage Beauty 2011).
Hence we have to emphasize upon the growing insularity and autonomy of
technologically rebellious art – in the reduced human intention in patterns
on dresses exhibited by the fashion maverick Alexander McQueen. We shall
be able to appreciate the fact that the form of representation is most likely
to be similar to a mechanics of accidence and autonomy, rather than control, and reflective of the independence of the machine itself, now called the machine being.