- Violates User Expectations
- Causes Motion Sickness
- Reduces Accessibility for Disabled Users
- Inconsistent Performance Across Devices
- Impairs Usability for Power Users
- Increases Page Load Times
- Breaks Native Browser Features
- Makes Scroll Position Unclear
- Adds Maintenance Overhead
- Disrespects the User’s Control
UX London isn’t the only event from Clearleft coming your way in 2025. There’s a brand new spin-off event dedicated to user research happening in February. It’s called Research By The Sea.
I’m not curating this one, though I will be hosting it. The curation is being carried out most excellently by Benjamin, who has written more about how he’s doing it:
We’ve invited some of the best thinkers and doers from from in the research space to explore how researchers might respond to today’s most gnarly and pressing problems. They’ll challenge current perspectives, tools, practices and thinking styles, and provide practical steps for getting started today to shape a better tomorrow.
If that sounds like your cup of tea, you should put February 27th 2025 in your calendar and grab yourself a ticket.
Although I’m not involved in curating the line-up for the event, I offered Benjamin my swor… my web dev skillz. I made the website for Research By The Sea and I really enjoyed doing it!
These one-day events are a great chance to have a bit of fun with the website. I wrote about how enjoyable it was making the website for this year’s Patterns Day:
I felt like I was truly designing in the browser. Adjusting spacing, playing around with layout, and all that squishy stuff. Some of the best results came from happy accidents—the way that certain elements behaved at certain screen sizes would lead me into little experiments that yielded interesting results.
I took the same approach with Research By The Sea. I had a design language to work with, based on UX London, but with more of a playful, brighter feel. The idea was that the website (and the event) should feel connected to UX London, while also being its own thing.
I kept the typography of the UX London site more or less intact. The page structure is also very similar. That was my foundation. From there I was free to explore some other directions.
I took the opportunity to explore some new features of CSS. But before I talk about the newer stuff, I want to mention the bits of CSS that I don’t consider new. These are the things that are just the way things are done ‘round here.
Custom properties. They’ve been around for years now, and they’re such a life-saver, especially on a project like this where I’m messing around with type, colour, and spacing. Even on a small site like this, it’s still worth having a section at the start where you define your custom properties.
Logical properties. Again, they’ve been around for years. At this point I’ve trained my brain to use them by default. Now when I see a left, right, width or height in a style sheet, it looks like a bug to me.
Fluid type. It’s kind of a natural extension of responsive design to me. If a website’s typography doesn’t adjust to my viewport, it feels slightly broken. On this project I used Utopia because I wanted different type scales as the viewport increased. On other projects I’ve just used on clamp declaration on the body element, which can also get the job done.
Okay, so those are the things that feel standard to me. So what could I play around with that was new?
View transitions. So easy! Just point to an element on two different pages and say “Hey, do a magic move!” You can see this in action with the logo as you move from the homepage to, say, the venue page. I’ve also added view transitions to the speaker headshots on the homepage so that when you click through to their full page, you get a nice swoosh.
Unless, like me, you’re using Firefox. In that case, you won’t see any view transitions. That’s okay. They are very much an enhancement. Speaking of which…
Scroll-driven animations. You’ll only get these in Chromium browsers right now, but again, they’re an enhancement. I’ve got multiple background images—a bunch of cute SVG shapes. I’m using scroll-driven animations to change the background positions and sizes as you scroll. It’s a bit silly, but hopefully kind of cute.
You might be wondering how I calculated the movements of each background image. Good question. I basically just messed around with the values. I had fun! But imagine what an actually-skilled interaction designer could do.
That brings up an interesting observation about both view transitions and scroll-driven animations: Figma will not help you here. You need to be in a web browser with dev tools popped open. You’ve got to roll up your sleeves get your hands into the machine. I know that sounds intimidating, but it’s also surprisingly enjoyable and empowering.
Oh, and I made sure to wrap both the view transitions and the scroll-driven animations in a prefers-reduced-motion: no-preference @media query.
I’m pleased with how the website turned out. It feels fun. More importantly, it feels fast. There is zero JavaScript. That’s the main reason why it’s very, very performant (and accessible).
Smooth transitions across pages; smooth animations as you scroll: it’s great what you can do with just HTML and CSS.
Such a clever minimalist use of CSS!
I’ve found that there’s way more good people than bad. There’s way more people willing to help than willing to hurt. Some things are really scary but there’s way more people out there willing to guide us through the darkness than we think. The cynic in me wants to say that the “powers that be” want us to be endlessly doomscrolling and losing hope and snuffing out optimism. We shouldn’t give them what they want. There’s a lot of beauty in the world still within our grasp. We’re better when we’re poets, when we’re learners and listeners, when we’re builders and not breakers.
This is such a great clear explanation from Lynn on how to add some tasteful parallax depth to scrolling pages.
This is a useful technique that future me is almost certainly going to need at some point.
Cassie’s enthusiasm for fun and interesting SVG animation shines through in her writing!
Progressive disclosure interface patterns categorised and evaluated:
I really like the hypertext history invoked in this article.
The piece finishes with a great note on the MacNamara fallacy:
Everyone thinks metrics let us measure results. But, actually, they don’t. They measure only what they are measuring. Engagement, for example, is not something that can be measured, so we use an analogue for it. Time on page. Or clicks.
We often end up measuring what is quick, cheap, and easy to measure. Therefore, few organizations regularly conduct usability testing or customer-satisfaction surveys, but lots use analytics.
Even today, organizations often use clicks as a measure of engagement. So, all too often, they design user interfaces to generate clicks, so the system can measure them.
I didn’t know about scroll-margin-top! I wonder if you could apply a universal rule …like, say you’ve got a fixed header that’s 2em in height, couldn’t you declare:
:target {
scroll-margin-top: 2em;
}
It looks (a more complex version of) fragmention might be coming to Chrome.
The title is somewhat misleading—currently it’s about native lazy-loading for Chrome, which is not (yet) the web.
I’ve just been adding loading="lazy" to most of the iframes and many of the images on adactio.com, and it’s working a treat …in Chrome.
Another take on the scrolling navigation pattern. However you feel about the implementation details, it’s got to better than the “teenage tidying” method of shoving everything behind a hamburger icon.
This is a fascinating insight into what it’s like to use the web if you’ve got vertigo (which is way more common than you might think):
Really, there are no words to describe just how bad a simple parallax effect, scrolljacking, or even
background-attachment: fixedwould make me feel. I would rather jump on one of those 20-G centrifuges astronauts use than look at a website with parallax scrolling.Every time I encountered it, I would put the bucket beside me to good use and be forced to lie in bed for hours as I felt the room spinning around me, and no meds could get me out of it. It was THAT bad.
It’s our job as designers to bring clarity back to the digital canvas by crafting reading experiences that put readers first.
A walkthrough of the process of creating a futuristic interface with CSS (grid and animation).
While this is just one interpretation of what’s possible, I’m sure there are countless other innovative ideas that could be realized using the tools we have today.
Jeremy Wagner offers a deep dive into lazy loading images (and video) with some advice for considering the no-JavaScript situation too.
Don’t let the title fool you—this isn’t just for parallax scrolling (thank goodness!)—it’s for triggering any CSS updates based on scroll position. Using CSS custom properties makes a lot of sense. The JavaScript/CSS bridge enabled by custom properties is kind of their superpower. (That’s one of the reasons why I don’t like calling them “CSS variables” which makes them sound like Sass variables—they’re so much more than that!)
Browsers have had consistent scrolling behavior for years, even across vendors and platforms. There’s an established set of physics, and if you muck with the physics, you can assume you’re making some people sick.
Guidelines to consider before adding swooshy parallax effects:
- Respect the Physics
- Remember that We Call Them “Readers”
- Ask for Consent
Given all the work that goes into a powerful piece of journalism—research, interviews, writing, fact-checking, editing, design, coding, testing—is it really in our best interests to end up with a finished product that some people literally can’t bear to scroll through?
This looks like a handy JavaScript library for scroll-based events. But “scrollytelling?” No. Just …no.
One more reason not to use sticky headers on mobile.