Tags: photography

Frostapalooza in photos and videos | Brad Frost

These are great!!!

Openly Licensed Images, Audio and More | Openverse

A library of CC-licensed photos.

Next time you’re tempted to use a generative “AI” tool to make an image for a slide deck, use this instead.

Will Browar | Photographing Frostapalooza

Wow! The photos that Will took at Frostapalooza (and in the run-up) are absolutely fantastic!

He also shares the technical details for all you camera nerds.

AI Art is The New Stock Image

While some executives in Davos may get excited about its infinite possibilities this week, to a younger consumer AI Art is already ‘a bit cringe’.

border:none 2023 – florian.photo

I love these black and white photos from the border:none event that just wrapped up in Nuremberg!

Openly Licensed Images, Audio and More | Openverse

A search engine for images and audio that’s either under a Creative Commons license or is in the public domain.

Chronophoto - The Photographical History Game

This is a fun game—with the same kind of appeal as that Wiki History Game I linked to—where you have to locate photographs in time.

Aegir.org | Five Moons

In a way, I find these pictures—taken by someone from the ground with regular equipment—just as awe-inspiring as the images from the James Webb Space Telescope.

Awesome astrophotography from the South Downs | Science | The Guardian

To mark the start of the Dark Skies Festival today, here are some fantastic photographics taken not that far from Brighton.

Earth Restored — Toby Ord

Beautifully restored high-resolution photographs of the Earth taken by Apollo astronauts.

Cameras and Lenses – Bartosz Ciechanowski

This is a truly wonderful web page! It’s an explanation from first principles of how cameras and lenses work.

At its most basic, it uses words which you can read in any browser. It also uses images so if your browser supports images, you get that enhancement. And it uses interactive JavaScript widgets so that you get that layer of richness if your browser supports the technology.

Then you realise that every post ever published on this personal site is equally in-depth and uses the same content-first progressive enhancement approach.

Episode three of the Clearleft podcast is here!

This one is a bit different. Whereas previous episodes focused on specific topics—design systems, service design—this one is a case study. And, wow, what a case study! The whole time I was putting the episode together, I kept thinking “The team really did some excellent work here.”

I’m not sure what makes more sense: listen to the podcast episode first and then visit the site in question …or the other way around? Maybe the other way around. In which case, be sure to visit the website for Wildlife Photographer Of The Year.

That’s right—Clearleft got to work with London’s Natural History Museum! A real treat.

This episode of the podcast ended up being half an hour long. It should probably be shorter but I just couldn’t bring myself to cut any of the insights that Helen, James, Chris, and Trys were sharing. I’m probably too close to the subject matter to be objective about it. I’m hoping that others will find it equally fascinating to hear about the process of the project. Research! Design! Dev! This has got it all.

I had a lot of fun with the opening of the episode. I wanted to create a montage effect like the scene-setting opening of a film that has overlapping news reports. I probably spent far too long doing it but I’m really happy with the final result.

And with this episode, we’re halfway through the first season of the podcast already! I figured a nice short run of six episodes is enough to cover a fair bit of ground and give a taste of what the podcast is aiming for, without it turning into an overwhelming number of episodes in a backlog for you to catch up with. Three down and three to go. Seems manageable, right?

Anyway, enough of the backstory. If you haven’t already subscribed to the Clearleft podcast, you should do that. Then do these three things in whichever order you think works best:

• Visit the website for Wildlife Photographer Of The Year.
• Read the case study on the Clearleft website.
• Listen to episode three of the Clearleft podcast

Coldwater.Science

The World Ocean is as close as you can get to outer space without leaving Earth. It’s an entirely different universe, nothing like the life we have on land.

A Rare Smile Captured in a 19th Century Photograph | Open Culture

I wrote a while back about one of my favourite photographs but this might just give it a run for its money.

It was only near the end of the 19th century that shutter speeds improved, as did emulsions, meaning that spontaneous moments could be captured. Still, smiling was not part of many cultures. It could be seen as unseemly or undignified, and many people rarely sat for photos anyway.

Do you have a favourite non-personal photograph?

By non-personal, I mean one that isn’t directly related to your life; photographs of family members, friends, travel (remember travel?).

Even discounting those photographs, there’s still a vast pool of candidates. There are all the amazing pictures taken by photojournalists like Lee Miller. There’s all the awe-inspiring wildlife photography out there. Then there are the kind of posters that end up on bedroom walls, like Robert Doisneau’s The Kiss.

One of my favourite photographs of all time has music as its subject matter. No, not Johnny Cash flipping the bird, although I believe this picture to be just as rock’n’roll.

This is a photograph of Séamus Ennis and Jean Ritchie. It was probably taken around 1952 or 1953 by Ritchie’s husband, George Pickow, when Jean Ritchie and Alan Lomax were in Ireland to do field recordings.

I love everything about it.

Séamus Ennis looks genuinely larger than life (which, by all accounts, he was). And just look at the length of those fingers! Meanwhile Jean Ritchie is equally indominatable, just as much as part of the story as the musician she’s there to record.

Both of them have expressions that convey how intent they are on their machines—Ennis’s uilleann pipes and Ritchie’s tape recorder. It’s positively steampunk!

What a perfect snapshot of tradition and technology meeting slap bang in the middle of the twentieth century.

Maybe that’s why I love it so much. One single photograph is filled with so much that’s dear to me—traditional Irish music meets long-term archival preservation.

2019-11-17 – florian.photo

These are great photos of the speakers at Beyond Tellerrand—great captures of Sharon, Cassie, and Charlotte.

The Department of Useless Images - Gerry McGovern

The Web is smothering in useless images. These clichéd, stock images communicate absolutely nothing of value, interest or use. They are one of the worst forms of digital pollution because they take up space on the page, forcing more useful content out of sight. They also slow down the site’s ability to download quickly.

NASA’s Visual Universe

An interesting way of navigating through a massive amount of archival imagery from NASA.

1969 & 70 - Bell Labs

PIctures of computers (of the human and machine varieties).

Oh Hello Ana - Colours of 2018

I love this idea of comparing human colour choices to those of a computer:

I decided to do two things: the top three most used colours of the photo decided by “a computer” and my hand picked choices. This method ended up revealing a couple of things about me.

I also love that this was the biggest obstacle to finding representative imagery:

I wanted this to be an exciting task but instead I only found repeated photos of my cat.