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mochipanko

A new edition of OOTDs!

These are from 2020-2024 which is why I´ve had all these different hairstyles and colors lol

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Thursday, September 19.

S.S. Daley & Gluck.

Sublime meets sublime. S.S. Daley (@ssdaley) meets the iconic British artist Gluck for the 2225 Womenswear collection—their first full collection, which debuted with a show at the London Fashion Week.

It's a meeting of two aesthetic icons: tailored and utilitarian, femme and elegance. As with all of Daley’s work, it’s about queering traditions, charm, individuality, detail, and the pleasure of wearing clothes. The results are, well, sublime. 

You can find the S.S.DALEY SS25 Womenswear playlist right here. These are songs that reflect the mood of the show, the mood of the studio working towards the show, team favorites, and songs that feel somehow connected to the research narrative. Enjoy.

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ssdaley

The making of S.S.Daley SS25 Womenswear beaded skirts. Spry floral arrangements are abstracted by hand painted and applied wooden beads. Aligned in a 1 by 1 grid, the image motif appears pixelated.

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ssdaley

S.S.Daley SS25 Womenswear collection "No suffix, prefix or quotes" was inspired by the life, lovers, work and uniform of the British artist Gluck.

Gluck’s own tailored uniform is echoed in a black wool day coat, worn over a high collar shirt and Daley’s signature roomy pants. A silk twill scarf print of a cross-stitched dalmatian appears on a shirt and matching pleat skirt, slit at the front. Meanwhile, florals on a ripstop trench appear blurred, due to the weaving process: it’s trimmed in ecru leather.

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ssdaley

S.S.Daley SS25 Womenswear collection "No suffix, prefix or quotes" was inspired by the life, lovers, work and uniform of the British artist Gluck.

Knee-length shorts are covered with a crochet that echoes the Lyon’s tea rooms, the Gluck family business from which they ostracised themselves.

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ssdaley

S.S.Daley SS25 Womenswear collection "No suffix, prefix or quotes" was inspired by the life, lovers, work and uniform of the British artist Gluck.

A draped dress, originally constructed on the stand using Daley’s oversized shirts, has large florals, and modernist pleats that come horizontal across the chest, before angling straight down the body.

The print design was inspired by one of Gluck's paintings,The Pine Cone, 1919.

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