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Trion 8000 Multi

The Trion 8000 is a multi-pattern condenser microphone featuring a large diaphragm and selectable cardioid, figure-eight, and omnidirectional polar patterns. It is designed to capture a transparent, rich sound and includes a dedicated power supply, shock mount, and metal travel case. Applications include studio vocals, voiceovers, and acoustic instruments. Specifications include a frequency response of 20Hz to 20KHz and maximum SPL of 143dB.

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Rajiv Selvaraj
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186 views7 pages

Trion 8000 Multi

The Trion 8000 is a multi-pattern condenser microphone featuring a large diaphragm and selectable cardioid, figure-eight, and omnidirectional polar patterns. It is designed to capture a transparent, rich sound and includes a dedicated power supply, shock mount, and metal travel case. Applications include studio vocals, voiceovers, and acoustic instruments. Specifications include a frequency response of 20Hz to 20KHz and maximum SPL of 143dB.

Uploaded by

Rajiv Selvaraj
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOC, PDF, TXT or read online on Scribd
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Trion 8000 Multi-pattern Condeser Tube Microphone

Transparent, airy, rich and silky. Travel back in time with the extra large diaphragm, RF pentode, iron core, and 120 volts of drive. CAD brings back the look, sound and feel of early condensers. Use all three polar patterns to define space and tone. Elastic shock mount, durable metal travel case, dedicated cable, and 120V power supply are included. 115/230 VAC power required.

Applications
Studio Vocals, Voice-over, Acoustic Instrument, Guitar Cabinets, Strings, Piano.

Trion 8000 Specifications


Operating Principle: Polar Pattern: Frequency Response: Sensitivity: Impedance: Max SPL: Self Noise: Power Requirements: Externally-biased condenser Cardioid, figure-of-eight, omnidirectional 20Hz to 20KHz -37dBV (14mV) @ 1 Pa 250 ohms 143dB, 1% THD 21dBA PS120 power supply, included

Specifications are subject to change without notice.

Cardioid

Figure-of-eight

Omnidirectional

http://www.cadaudio.com/Trion8000.php http://www.bluemic.com/kiwi/#/desc/ http://www.karmamics.com/shop/Trinity-Multi-Pattern-Large-Diaphragm-CondenserMicrophone.html

Featuring Blues world renowned B6 capsule, the Kiwi delivers the detail of its sonic signature all at once with lots of top end (without being too in your face!), along with lots of mids and bottom end, without being too forward. Designed to set the standard for solid state microphones, the Kiwi yields lush vocals, stunning acoustic guitar and gorgeous piano sounds from nine different polar patterns (Omni, Cardioid, Figure of eight and everything in between). This is the Blue microphone.

Wood box S3 Shock

Trinity Multi-Pattern Large Diaphragm Condenser Microphone

In stock, ship now The Karma Trinity microphone is the multi-pattern version of the Karma Unity Microphone. It delivers crystal clear sound, tight bottom end that keeps it from getting muddy. Three selectable polar patterns - cardioid, omnidirectional or figure 8 - allow a wide range of stereo miking techniques and ambient recording. A switchable 10 dB pad and Low-cut filter to be used close to sound sources in sound fields as high as 140 dB. One Trinity for all your applications need within a budget price. Package includes: Karma Trinity Microphone, Shock Mount, and Flight Case Large, 6- Micron, Gold Sputtered Dual Diaphragm Capsule Polar Pattern: Cardioid, figure 8, Omnidirectional Selectors Frequency Response: 20Hz to 20kHz Equivalent Noise 18 dB SPL -10dB pad and low-cut filter LF Filter 100HZ

Sensitivity -35+-2dBV Max SPL 130/140 dB Typical load impedance > 500 ohms Output Source Impedance 200 ohms Power: 48 v Phantom Power

Click the graph to see the detail image User Manual - Product Review Dennis Stone, Producer/Engineer Vybetribe Productions

"I recently had the opportunity to try out Karma's new "Unity" and "Trinity" microphones in my studio, and I must say, I was pleasantly surprised by their performance. Gone was the overly hyped top-end that characterizes so many of the LDC mics in this price range, and in it's place, a nice clear and detailed presence, perfect for vocal tracking. I was particularly impressed with the Trinity, as it's multipattern feature adds valuable versatility for a only few dollars more, but both mics displayed a nicely balanced overall performance with tight defined low-end and solid midrange punch. Their build quality is clean, modern and impressive (these mics have some serious weight to them!) and the shock mounts have a solid feel. It seems, with each new generation of Karma products, the performance-to-cost ratio improves. I look forward to putting the Trinity through it's paces in future vocal sessions, and I'm very comfortable recommending both of these microphones in their perspective price categories. Nicely done, Karma!"

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1. I bet you all that None of you all have ever Heard your Guru Gs Real Voice without These Mics 2. 2. I bet No Consultant in India Ever told you all How Professional these Mics are And How Pro Shure, Neuman and Senheiser ARE NOT

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