[go: up one dir, main page]

0% found this document useful (0 votes)
81 views49 pages

Basic Chess Endings Benko PDF Download

The document is a promotional PDF for downloading the book 'Basic Chess Endings' by Pal Benko, along with links to various other chess-related ebooks. It includes information about the book's authors, ISBN, file details, and publication year. The document encourages visitors to explore more options on the ebookultra.com website.

Uploaded by

vwbdunxvao792
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
81 views49 pages

Basic Chess Endings Benko PDF Download

The document is a promotional PDF for downloading the book 'Basic Chess Endings' by Pal Benko, along with links to various other chess-related ebooks. It includes information about the book's authors, ISBN, file details, and publication year. The document encourages visitors to explore more options on the ebookultra.com website.

Uploaded by

vwbdunxvao792
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 49

Basic chess endings Benko - PDF Download (2025)

https://ebookultra.com/download/basic-chess-endings-benko/

Visit ebookultra.com today to download the complete set of


ebooks or textbooks
We have selected some products that you may be interested in
Click the link to download now or visit ebookultra.com
for more options!.

Encyclopedia Of Chess Endings Ece II Rook Endings Part 1


Arsovi■

https://ebookultra.com/download/encyclopedia-of-chess-endings-ece-ii-
rook-endings-part-1-arsovic/

Fundamental Chess Endings First Edition Karsten Muller

https://ebookultra.com/download/fundamental-chess-endings-first-
edition-karsten-muller/

Theory and Practice of Chess Endings Volume 1 1st Edition


Alexander Panchenko

https://ebookultra.com/download/theory-and-practice-of-chess-endings-
volume-1-1st-edition-alexander-panchenko/

Pal Benko My Life Games and Compositions 1st Edition Pal


Benko & Jeremy Silman & John L. Watson

https://ebookultra.com/download/pal-benko-my-life-games-and-
compositions-1st-edition-pal-benko-jeremy-silman-john-l-watson/
Key Chess Puzzles Sacrificial Chess Robert J. Richey

https://ebookultra.com/download/key-chess-puzzles-sacrificial-chess-
robert-j-richey/

Practical Rook Endings 1, Corrected edition Edition Edmar


Mednis (Grandmaster)

https://ebookultra.com/download/practical-rook-endings-1-corrected-
edition-edition-edmar-mednis-grandmaster/

Squeezing the Gambits The Benko Budapest Albin and


Blumenfeld 1ST Edition Kiril Georgiev

https://ebookultra.com/download/squeezing-the-gambits-the-benko-
budapest-albin-and-blumenfeld-1st-edition-kiril-georgiev/

Dangerous Weapons The Benoni and Benko Dazzle your


opponents 1st Edition Richard Palliser

https://ebookultra.com/download/dangerous-weapons-the-benoni-and-
benko-dazzle-your-opponents-1st-edition-richard-palliser/

Chess strategy Edward Lasker

https://ebookultra.com/download/chess-strategy-edward-lasker/
Basic chess endings Benko Digital Instant Download
Author(s): Benko, Pal Charles; Fine, Reuben
ISBN(s): 9780812934939, 0812934938
Edition: Rev. ed
File Details: PDF, 12.63 MB
Year: 2004
Language: english
        
ɬɭ DŽDzƩCVɭ ƗȓE§§ɭ ǂȢ‰ɇCɈVɭ


 
 

 $ $

ǎEɗɏǾǹɭ ‰Vɭ NjCȷɭ ƕEɀɁɭ

Ǐ‡ȿǺ)Ÿɭƛ£¨QŒɭ
nj¨¯¯ȸǿQɭ € ƚ‡ŸŒQɭ
‡©¨½§¢Õ©¨ç

ÕÏç Õ¶©ç–©ÊÐÑÙçЬç

‡Ñdç‰Ê¢ÍשÅ畢ÓÄ©Ñç
).9). A

>ɭ ă  ă ă ă &ă    ă  ă  ă   Hă ă ă
ă ă ;ă ă T ă (ă )5ă ă ă ă ([ă Fă ă
ă ă  5ă &(ă ă Pă ă ă &ă & Lă F8ă 8ă
ăă &ă ă ĺĺ#Fĺ  ăă ->4-æ ă \ăK;ă
ăăăpHă ă eă
yă 5ăă ă ă5ãă ă ăă?ă ăă  ă
5ă ă ă  ăăwă#1ă(ă?   8ă P ă
ă  ă Q•ă  ăă bă  THă  ă ă 8ă & }
T 2㠑ăă  ă ă ăăwă#ăăă ă ă8ă?  ăăă
ăă Ãăăăă ă(Că&ă   ăăă P Hă
ăă ăăă Lăhăă(ăăœăă
ă8ă & ă\CăKbă(2ă
\ăKă ->.4.>>2 æ ă ă ăă ă ă ăă  ă  ăăă
 82ă t  ă  ă  ă ă Cðă  ă  ă .>26æ ă
->2<æ hă ă  ă  ă T ă &ă ă ă ă  Hă œā
½ă h Ýă .>2628 æ Î( ă .>28 æ vă ->28æ F (ă ->28æ
Y –ă ->2: æ vă ->2; æ ă j ă .>2;æ >ɭ ă  ă ù¢
ă8ă ăăă ;ăFÍ\vă ->2< æă ă ă &ăăw5ăi 2ă
Kăăă ăăăTQCă   [ăBă ->2;æ ăăăC ăăă
ă ă ă ÌYY\ă Wj ă5Pă É R1ă  ;ă ?& ă  ă # H;ă ă
ăăYă  ă  [ăYă ăă ăăăăC 8ăă
(ă  ă 5 2ă
Fă ă 5 ;ă Kă ă ă ă ă ă  (ă (ă ă C ¢
ăă ă5ăăă  &( ăăă(2ăBă ăă? Hă
ă5ăă ĺĺ#Uĺăăz ăH&ăoăăă ă
ă ă 2ă Kă &ă (P 8ă Hă ă 5 ă  ă ă ă (ă
&5ăă)Că ă ă 5&&ă 2ă
‘ă ă ;ă ă ză ă  ă  1ă ă ă •Öă ă ă ă   ă
5  ă 1ă ă Hþă  ă ? ;ă ă ă ă  Q÷ă ă
 ăăăă ăăăă[ăBăă ă &&ă ă  ăă
ĺĺ#ĺ  ă ăăă  ăă  ;ă8ă ă ă
ă ă tp ă C 2ă jă #1ă  ă ? 1ă }
 ă K€ă  ăă ă mă ă ă à&2ăjăă  ăă ă ă
ă ăăKbă2ă
Fâø“ăñăăûă:ă ă ă“:ì(äăҝă C–T&ăK€ă ăă
8GJ5QGJ4

W?p?c} 9@:[U?} [9f[P@h?} Ih} c?bmIc?<} =@?_} c@pIfI[W } -4P} !?WO[} :[cc@:h?=} [c}
c?_P4:@<} f[U@}?t4U_P?f} sIhG} U[c?} hw_I:4P} [c} U[c@} IZfkdn:kIp?} [W?f}(h}s4f}
XA:Agg4cx} h\} 4==} XBs} Au4UaQAg} hH4h} h\\O} JXh\} 4::\mWh} hHA} Q4hBgh} 4:HJCqAy
U?Whf} LZ} :G?ff} hG?[cw}4W=}_c4:hI:? }
/IW:?}hG@}[cIEIW4P}_m9SI:4hI[W}[D}0TweY2d`uw5j\ejcw :G?ff}hG?[cw}4W<}_c4:z
hI:?} IW:Pm=LWE} hG?} ?W<E5U?} G4p?} U4=?} EIE4Wl:} _c]Ec?ff} 0G[nf4W<f} [D}
IWh@c?fhIWE} 4W>} IWfkdn:kIp?} @W<IWEf} G4p?} 9@?W} _P4w?< } } WmU9?c} [D} U[Wm{
U@Wh4P}s[cOf}G4p?} 4__@4c?=}IW}=IDD?c?Wh}P4WEn4E?f}IW:Pn=IWE} %WESNfG}:[Wz
:?cWIWE} 9[hG} hG?} ?W=E4U?} [W} hG?} sG[P?} 6W=} f[U?} _4chI:nP4c} hw_?f} ,@s}
I<@4f}G4p?}4_`?4c?<}4W<} W?s}s4wf} [D}_P4wIWE} G4p?}9??W} <?f:dI9?<}
!mh} :G?ff} _c[Ed4Uf} mfIZE} :[U`nh?cf} V4<@} 4} E?WmIW?} c?p[PnkI[W} &[c}
IWfh4W:?}<?f`Ih?}hG?}[_IWI[W}[D}hG?[c?kI;I4Wf}Ih}s4f}?fh49SIfG@=}sLhG}hG?}G?P_}
[D}4} :[U_mh?c} iG5h} hs[}9IfG[_f} sIW} 4E4IZfh}OYLFh}W[}_4sZf} /]U?}5W4Pw|
f?f} [D} ?W<LZEf} sIhG} bn??W} 4W<} _4sW} r?cfmf} bn??W} s?c?} <?DIW?<} U[c?} ac?{
:If?Pw }4W<}f[} ]W}
(W} }sG?W}hG?}U4h:G}1/ 1//.} s4f}G?R=}LW},?s}2[cO}(}G4=}kG?}_Q?5f|
nc?} [D}U4OLWE} hG?} 4:bn4IZh4W:?}[D}.?m9?W}&IW?} ,4hmd4SPw} [nc} h4T} h[n:G?<}
m`[W} 0TweY 2d_ww 5j\ejcw  '?}h[P=}U?}hG4h} G?} D[mZ=} hG?}s[cO}f[} D4f:IZ4hIWE}
hG4h} G?} :[U_P@h?=} Ih}IW} D[nc} U[WhGf fnc?Px} 4}c?:[c<} s[chGw} [D} IZ:PmfI[W}IW}
hG?} 9zejj`ww 0ongp;AQnth\J`Ynt\w &c]U} Uw}[sW} ?v`?dI@W:?}(} OW[s}hG7h}h[}
scIh?}fn:G}4}9^[O}s[mP<}h4O?}~_Ttw 
%4cPw} IZ} hG?} f} (} E4p?} 4W} ?vGI9IkI[W} KW} hG?} +4WG4hh4W} "G?ff} "Pn9} IW}
,?s}3[cO}"Ihw}0G?c?}UřU@h}.?m9?W}&IW?}D[c}hG?}Q4fj}hLU?}'If}G4Mc}G4<}kne?=}
Ec4w} G?} G4=} Ed[sW} [P=}0cm?} s?} G4=} W[h}f??W} ?4:G} [hG?c} D[c} 49[nh} G8PD} 4}
:?Wkncw} $mcIWE}[nc}h4PO}(}4fO?=}GIU}ÍG?} IYh?W=?<}h[}_c?_4c?}4} W?s}?=IhI[W}
[D} 0TweY 2d_ww5j\fjcw 
3?f} Ih} If} Uw} <c?4U} G@} 4Wfs?c?< } 9mh} (} <[Wh} OW[s} ID} (} G4p?} ?W[mEG}
hIU?}
)A s[nP<} PIO@} h[} :[WEc4knR4h?} hG?} +:)4w} #G?ff} *I9c4cw} D[c} U4OLWE} &IW?f}
<c?5U} :[U?} hco? }

9tSj\iTwx_tRzte-|_tUTgd
   

\ÅÞ ÃÞ ±º·Ã×r¤yÞ Å·Þ ·Îz½z±º‹nÍ×zÞ Å‹yÞ —±º·½Ån³vyÞ ·€ÞŋzÞ z³wˆn±yÞ j‹ÃÞ ÃÞ
yúyvn¤¤ÕÞ Å½ËyÞ µÞ Å·wnÕ ÃÞ v·±ºzōōÎyÞ v‹yÃÃÞ ÐÅ‹Þ ÅÄÞ €nÃÅy½Þ Ŝ±zÞ v·µÅÁ¤Ä#Þ X¿
º¤nÕy½ÞЋ·ÞÃÞµ·ÅÞÐz¤¤Þy¼ËœººzwÞЍŋÞrnÜvÞy³wˆn±zÞ¡³·Ð¤zwˆyލÃÞ®›nr¤zÞÅ·Þ
¤·ÃyÞŋyÞ œÅÞ ·€ÞyÏzµÞ nÞÐz¤¤º¤nÕywވn±y1Þ
Z½nµw±nÃÅz½ÞfzËry³ÞYµy ÃÞv¤nÃÍvÞr··¡Þ·³ÞŋzÞyµwˆn±yÞÐnÃÞ±ÕÞv·±ºnÃÃÞ
Ћz³Þ 5ĽÃÅn½ÅywÞŹ޺¤nÕÞv‹yÃÃÞnµwÞv·µÅµËywÞ Å·ÞˆËwzÞ±zÞnÅy½ÞWÏsyvn±zÞnÞ±nÃÛ
Åy½"Þ \³wzywÞy³Å™¿yÞ ˆz³y½nō·³ÃÞ ·€Þv‹zÃÃÞ º¤nÕz½ÃÞ ˆ½yÐÞËºÞ ·³Þ ŋ›ÃÞ ˆ½ynÅÞr··¡"Þ
b·Þ зµwy½Þ ÅދnÃÞ rzy³Þvn¤¤ywÞ Å‹zÞrr¤yÞ ·€ÞŋzÞy³wˆn±z"Þ j‹›ÃÞ Îy½ÕÞ º½nvōvn¤Þ
n³wÞ ËÃyˤ޷³yη¤Ë±yÞÅyÔÅr··¡ÞМŋލÅÃވ½ynÅÞ±nµÕÞyÔn±º¤yÃÞ yÔº¤n³ÃÞ Å‹yÞ
±ÕÃÅy½œyÃÞ ·€Þ ŋyÞ œ³n¤Þ º‹nÃyÞ ·€ÞŋyÞ ˆn±yÞ ³Þ º¤n³Þ ¤n³ˆËnˆyÞ Å‹nÅÞvn³ÞryÞ ½ynwÞ
n³wÞ y³ ·ÕywÞЍŋ޺½·œÅÞrÕÞn±nÅy˽ÃÞn³wÞ±nÃÅy½ÃÞn¤¡z!Þ
5Ľ ÐnÃÞ ‹·³·½ywÞ Å·Þ ryÞ náywÞ Å·Þ ½y΍ÃyÞ Y³y ÃÞ Å½y±y³w·ËÃÞ Ð¹½¡Þ Ћ›v‹Þ ‹nwÞ
ryy³Þ€½ÃÅÞºËr®œÃ‹ywލ³Þ ’¡Ø’dz n³wÞ ‹nwÞ³yÎy½Þryy³Þ½y΍Ãyw#Þ Y·½ÞŋyÞ ±·ÃÅÞºn½ÅÞ\Þ
‹nÎyÞ¤y€ÅÞŋÃÞ ˆ½ynÅÞr¹wÕÞ ·€Þ ¡³·Ð¤ywˆyÞ Ë³Å·Ëv‹ywÞ yÔvyºÅÞ Å·Þ v·½½yvÅÞ y½½¹½ÃÞ
˳nηwnr¤yÞ µÞ ÃËv‹Þ n³Þ y³·½±·ËÃÞ Ð·½¡Þ nµwÞ Å·Þ wy¤yÅyÞ ½yw˳wn³ÅÞ nµwÞ ·ËÅÝ
wnÅywÞ±nÅy½n¤ Þ \Þ ‹nÎyÞ r½·Ëˆ‹ÅÞŋyÞ r··¡Þ ËºÞ Å·Þ wnÅyÞ nÃÞ ½yˆn½wÃÞy³wˆn±yÞŋzÝ
·½ÕÞ n³wÞ nwwywÞ ³yÐÞ yÔn±º¤yÄÞ Y·½Å˵nÅy¤ÕÞ rnÍvÞ y³wˆn±yÞ Å‹y·½ÕÞ Ë³¤™¡yÞ
·ºy¶›³ˆÞ ŋy¹½ÕÞ ‹nÃÞ ³·ÅÞv‹n³ˆywÞ±Ëv‹Þ³Þ ŋyÞ¤nÃÅދn¤€Þvy³Å˽ÕÞ yÔvyºÅޝ³Þvy½Ý
Ån³ÞÅyv‹³œvn¤Þn½znÃ2Þ
W·µÎz½ÅµˆÞ ŋyÞ ·½œˆœµn¤Þv‹yÃÃÞ³·Ånō·³Þ„·±Þ wyÃv½ºÅœÎyÞÅ¹Þ n¤ˆyr½nvÞ µ·ÐÞ
ŋyÞ˳›Îy½Ãn¤¤ÕÞnvvyºÅywÞÃÕÃÅy±ދnÄÞy³nr¤ywÞnÞ±Ëv‹Þv¤yn½y½Þn³wÞ±·½yÞ v·±Û
ºnvÅÞº½yÃy³Ånō·µÞ·€Þ ŋzÞÅyÔÅÞЋ¤yÞº½yÃy½Î³ˆÞÅÃÞnËŋy³ÅœvÅÕ3Þj‹yÞv·µÎy½Ã·³Þ
ÐnÃÞ º½·yÃÍ·³n®¯ÕÞnvv·±º¤Ã‹zwÞrÕÞ`nÃØ¤·Þ`·ÎnÃÃÞ·€Þ[˳ˆn½Õ"Þ
j‹nµ¡ÃÞ Å·Þ T˽ÅÞ [·v‹ry½ˆÞ Ћ·Þ ™³ÅnÅywÞ n³wÞ Ã˺y¿Î—ÃywÞ Å‹œÃÞ º½·ŸyvÅÞ n³wÞ
ywÅywÞŋyÞ±n³ËÃv½ºÅ Þ
\Þ ‹¹ºyÞ n¤¤Þ ³yÐÞ ½ynwy½ÃÞ Ð¤¤Þ ¤yn½³Þ „·±Þ n³wÞ yµ ·ÕÞ Å‹ÃÞ r··¡Þ nÃÞ ±Ëv‹Þ nÃÞ \Þ
‹nÎy Þ

SdF]S>bMVS>Pm]>SDR>abF]m1>QmFSNTm
)Fim<V]Nm(>]AKm#!!$Z
 4).1A +. A

Hæz¸Ý~°æ¸ÃæÈ¸æÜiÃÈæi‰¸擰æËŒæ Àøìi°s渃æ¬ÜæzÐ˕ÈæiÈæsŒÈÈæizԓÈÃæÊ¸æ
Oiԓzæ ZsXiÜæ L¸¬Ài°Üæ B㠍izæ ˌæ sŒÐÊÝÀiŒæ ˸æ ÈЉ‰ÈÊæ ʌiËæ ˎÜæ ÀÐp¤“ÈŒæ iæ
ÃՓÈzæ z“Ë“¸°æ ¸ƒæ _Ðp~°æ R“±Èæ ¬iÈȓÔæ ¬iÈËÃØ¸Ã¡æ 7ĺUĺ #Sĺ
[¸Ëæ ÈÓÃÁÓȓ±‰¤Ü æ ‰“Ô°æ ʌæ ÀøžsËÈæ ÀøŸsÊzæs¸ÈÊÈæ“±æË“¬æi°zæ ¬¸°Ü æ ʌæ
ÀøÀ¸Èi¤æØiÈæÊÓÆ°zæz¸Ø°æ
cŒæÀÃÈ°Ëæ‰°Ãi˓¸°æ¸ƒæZsXiÜæz“˸ÃÈæÊ¸æØŒ¸¬ æzÈÁ“Ëæ¬ÜæjzÔi°s“°‰æ
ÜiÃÈæ i°zæzsÃÀ“ÊÐz æ Bă ¸±sæ i‰i“°æ ÁøÁ¸Èzæiæ ÃՓȓ¸°æ¸ƒæ JMPʌ“Èæ ʓ¬æ
ؓʌæ s¸°ÔÃȓ¸°æ ¸ƒæ ˌæ ¸¤zƒiȌ“¸°zæ zÈsÓÀ˓Ôæ °¸Êiʓ¸°æ ˸æ ˌæ ¬¸z­æ
i¤‰pÃi“sæ ÈÜÈʬ¤iÀËæ ¸±æ ˌæ “ziæ Ø“ËŒæ i¤iy“ËÜæ cŒÜæ ØÃæ ÈÀs“i§¤Üæ
°s¸ÓÃi‰zæ ØŒ°æ Bă ˸¤zæ ʎ¬æ ʌiÊæ ¸°æ ¸ƒæ ˌæ Ø¸Ã¤zÈæ ¤iz“°‰æ °z‰i¬æ
~ÙÁÃÊÈæTÃi°z¬iÈÊÃæ^i¤æI°¡¸æØiÈæiÔi“¤ip¤æË¸æz¸æËŒæÃԓȓ¸°æ
TÃi°z¬iÈÊÃæI~°¡¸æi°zæK·¬Êæ iæƒØæÊ“¬Èæ“°æ[Øæh¸Ã¢æ ˸æz“ÈsÑÈÈæËsŒ°•â
si¤æiÈÀsÊÈæ¸ƒæËŒæÀøžsËæi°zæÊŒ°æŒæØiÈæ¸ƒƒæË¸æIÐziÁÈÊ æŒ“Èæ¸Ã“Š•°i¤æŒ¸Çæ
ʸذ æØŒÃæŒ椓ÔÈæÀiÃÊæ¸„æÊŒæÜiÃæ`•Ù欸°ÊŒÈæ¤iÊÃæŒæÃ¬Éz擱æ[Øæ
h¸Ã¡æiìzæØ“ËŒæËŒæ°Øæ ¬i°ÐÈsÓÁËæ¤sËø°“si¤–Üæ°s¸zz渰ækæs¸¬ÀÐËÃæ
z“ÈsæS¸Ãæ¬ÜæÐÈæiÈæpis¡ÐÀ æŒæ‰iÔæ¬æ•ɭ z°È¤Üæi°°¸ÎËzæi°zæØ¨¨æØ¸Ã°æ
¸Ã“‰“°i¤æ ŒiÃzs¸ÔÃæ s¸ÀÜæ ¸ƒæ 7ĺ ĺ #5ĺ Œ“Èæ s¸°ÈÊi°Ëæ s¸¬Ài°•¸°æ
ˌøЉŒ¸ÐËæŒ“ÈæsŒÈÈæxÃÃæÈÀi°°“±‰æ¬¸ÃæËŒi°æŒi¤ƒæiæs°ÊÐÃÜæ
Qz“Ë“°‰æÈÒsŒæiæØ¸Ã¡æØiÈæiæ ziбʓ°‰æsŒi¤¨°‰ æ°¸Ëæ¸°¤ÜæpsiÐÈ渃æ“ÊÈæÈ“Ýæ
i°zæ s¸¬À¤ٓËÜæ ˌæ ¸Ã“‰“°i¤æ p¸¸¡æ Ãi°æ ʸæ 6:2æ i¬Àis¢zæ Ài‰È æ pÐËæ i¤È¸æ
psiÐÈ渃æ“ËÈæÈÊiÊÐÃæiÈæ¸°渃æÊŒ惸аzi˓¸°È˸°È渃æsŒÈÈæ§—ÊÃjËÓÃægŒ¸æ
ظФzæ ziÃæÊ¸æ z“Ëæ I~ʌ¸Ô°Èæ [“°ËŒæ`ܬÀŒ¸°ÜFæ[ÔÃˌ¤ÈÈ æiÈæÃizÃÈæ
ƒi¬•¤“iÃæ ؓˌæ ʌæ ¸Ã“‰“°i¤æ z“Ë“¸°æ iÃæ ب¤æ iØià æ S“°Èæ p¸¸¢æ ØiÈæ pÜæ °¸æ
¬i°ÈæÃøÃƒÃæHȓzæƒÃ¸¬æÔiÓ¸ÐÈæÊsŒ°“si¤æ¬•ÈÊi¢ÈæŒiÃz¤ÜæÈÐÃÀÓȓ°‰æ•±æ
iæ ÈÐsŒæ i°æ i¬p“Ë“¸ÐÈæ аzÄÊi¡“°‰æ i°zæ s¸°È“z~Ó°‰æ ʌiÊæ S“°æ z“{æ °¸Ëæ ŒiÔæ
istÈÈæË¸æ ˌ~欸z®ætŒÈÈæØÆ“Ë~ÃÈæ pÈËæƒÃ“°zæËŒæ s¸¬ÀÐÊà æËŒæÊÜÁ¸‰Ãiâ
ÁŒÜæ i°zæÊŒæ¤iܸÐËæ ¸ƒæËŒæ Àj‰Èæzȓ‰°zæË¸æ ¡Àæ ˌæp¸¸¡æË¸æ iæÅ~iȸ°ip¤æ
ȓÞæ¬jzæ‰ÃiËæz~¬j°zÈæ¹ ° æËŒæÃjzÃæcŒætŒÈÈæ¬¸ÔÈæØÃ~æÃ°zÃ~z擰æ
i°æ¸¤z iȌ“¸°z惸ì渃æzÈsÓÁ˓Ôæ°¸Ëi˓¸°æ‰ æXËI2æÐȓ²‰æXËæ“°ÈËizæ
¸ƒæ [æ ƒ¸Ãæ ¡±”‰ŒÊæ i°zæ i°æ ¬ziÈŒæ “°ÈËizæ ¸ƒæ iæ ŒÜÀŒ° æ i°zæ “±æ ÈÖÃj¤æ ƒ¸°ÊÈæ
“°s¤Òz“°‰æ qº¥|†juæ V5ĺ i°zæ GjbL \tCbXJs i¤¤æ ÈÇÐȌzæ ˸‰ˌÃæ “±æ “°ËÃâ
¬“°ip¤æ ÀiÃi‰ÅiÀŒÈæ ¤iszæ Ø“ÊŒæ ÀiÀ°ËŒÈÈ æ pÃis¡ËÈæ ؓˌ“°æ ÀlðˌÈÈ æ
i°zæÀiðˌÈÈæØ“ËŒ“°æpÃit¡ÊÈæ O“i‰Åi¬ÈæØÃæÃ¤i˓Ô¤ÜæƒØæi±zæÜ¸ÐæŒizæ
ʸ椸¸¡æŒiÃzæË¸æ ƒ“°zæ ˌæ äÔj°Ëæ i°i¤ÜȓÈæØŒ“sŒæ ØiÈæÈ¸¬˓¬Èæ¹°æ i°¸ËŒÃæ
ŶƊ

ÁjŠæ³Ë”Á¦Üæ
 53>NGJK HJ58-25

>Œœvç5¿a«sªaÅËv¿ç +v«œ¶ç a«tç ª¶ÅËçt¶l˶¿Å ç(} aØwç Ë¿Œvtç }Œ¿ÅËç ¶}çaŸŸçË·ç t¶ç
¬¶ç a¿ªçR a¬œÅçË¶ç ŒÅçšÒtŒlŒ¶ÒÅ线ҫŽ«ƒ ç(} aØvç ivv¬çaiŸvç˶çºa¿a„¿bº çË vç
ËwÞËç ª¶¿vç Åv­ÅŒi á ç aضŒtŒ«„ç Ë vç «vvtç }¶Àç ˶¶ç ªa«áç }¶«ËÅç a«tç ºa¿v«Ë vÅvÅç
Û ŒŸvç ªaŒ«Ëa«Œ«„ç aç¿vaŶ«aiŸvç ºa„vçl¶Ò®Ëç(} aØvçaŸÅ¶çºŸalwtçval çtŒa„¿aªç
Û v¿wç ŒËçjvŸ¶«„Å&ç Ë aËç ŒÅ ç atšalw«Ëç ˶ç Ë vç ËxÞËç ŒËç Œ ŸÒÅË¿aËvÅç 3¶¿ç Ë v窶ÅËç ºa¿Ë ç
j¶Ÿt}alvçËáºxçŒÅç ÒÅwtç }¶¿çË vç ªaŒ«ç ŸŒ«vç¶}ça¬ça«aŸáŌÅç¶¿çË vç alËÒaŸçª¶ØyÅç¶}çaç
„aªvç
R vçvtŒË¶¿ÅçaËç/a،tç?l<aâ çÛ Œl ç aÅçºÒiŸŒÅ vt窶ÅËç¶}çË vçªaš¶¿çl vÅÅç
Û¶¿œÅç Œ«ç Ë Æç l¶Ò«ÌÀáç }¶¿ç aç lv«ËÒÀá ç tvÅw¿Ùvç Ë vç ƒÀǎËÒtvç ¶}ç l vÅÅç ºŸaáw¿Åç
vØv¿áÛ w¿vç}·¿çtvlŒtŒ«„ç˶çºÒiŸŒÅ çË ŽÅç¿vڌŌ¶«ç¶}çaçªa›¶¿çlŸaÅŌlç UřË a«œ 猫ç
»a¿ËŒlҟa¿ ç O vÀáŸçOËviiŒ¬Å ç +vË ç>wÚá ç;v«açHŒ¬l¶ËË ça«tçOa«táç3vŒ«ç}¶Áç ºÒËå
ˌ«„ç Òºç ÛŽË ç tvŸaâÅç a«tç ¶Ë w¿ç ¶iÅËal¢vÅç Œ«ç Ë vŒ¿ç ÅËvat}aÅËç tvËv¿ªŽ¬aˌ¶¬ç ˶ç
„vËç Ë vç ›¶iç t¸«vç6Àa«sªaÅËv¿ç(¿Ë Ò¿ç +ŒÅ„ÓŒv¿Åç vŸ»ç Œ«çl wlœŒ¬„ç }¶¿çx¿¿¶¿Åç
ÛaÅç Œ«ØaŸÒakŸvç ?Œœvç <ŸvŒ«ç l¹ºávtŒËvtç Ë ŽÅç v«¶¿ª¶ÒÅç ªb«ÒÅl¿ŒºËç ÛŒË ç
v«Ë ÒŌaŪç a«tç tvtŒla̍¹«ç a«tç ÛŒË ç }ӟ¡ç aÛa¿v«vÅÅç ¶}ç Ë vç i¶¹œÅç Œªº¶¿æ
Ëa«lvç
R¶ç á¶Ò çtva¿ç¿vatv¿$ç?aáça¡¢çá¶Ò¿ç „aªvÆçv«tçÛw Ÿç

0{ty;nZdV_tc
CaRntgATtZdW
%4.) 6 4)%A
H!*ĹpĹ.>4- æ

g Ĺ  Ĺ3 ĹĹ iĹ 3Ĺ Ĺ Ĺ *Ĺ ġÅKĹ 3+Ĺ3Ĺ


 Ĺ+ Ĺý ĹĹ i Ĺ Ĺ Ĺ Ĺ Ĺ  3b+Ĺ + Ĺ Ĺ
* Ĺs Ĺ*!Ĺ [Ĺ  Ĺ  Ĺ*Ĺ Ĺ*ĢĹ  Ĺ
ĹĹ ;Ĺ 3  KřŠĹ*KĹ Ĺ
";ĹĹ Ĺ&ĹĹ3bĹ  KĹ.Ĺ Ĺ Ĺ ĹĹ Ĺ ¸Ĺ3Ĺ Ĺ
ij &0Ĺ.Ĺ Ĺ ĹĹ Ĺ b Ĺ  3Ĺ  ĹĹ!Ĺ 3ĹĹĹ
Ĺ*ĹĹ Ĺ  Ĺ 0Ĺ< +Ĺs Ĺ+ Ĺ3+Ĺ; Ĺc Ĺ
„æĹ +Ĺ  Ĺ Ĺ 3*Ĺ Ĺ !  Ĺ  +Ĺ 3Ĺ Ĺ 3Ĺ Ĺ Ĺ
Ĝ ĹĹ ĹĹĹ BĹ Ĺ ĹĹĹ+ +ĹĹ;KĹ Ĺ Ĺ
  +ĹĹ Ĺ * Ĺ Ĺ ďĹ ĹĹ0Ĺ.Ĺ ĹĹĹ.Ĺ Ĺ Ĺ
„Ĺ Ĺ ĘĹ Ĺ Ĺ cĹ Ĺ Ĺ ;q;Ĺ *cĹ Ĺ  ; Ĺ  Ĺ Ĺ  Ĺ
Ĺ ĹĹ Ĺ™3Ĺ/ Ĺ Ĺ Ĺ Ĺ.Ĺ ĹĹ Ĺr Ĺ;{
* ĹĹ ÃŠĹ  Ĺ Ĺ Ĺ 3Ĺ3  Ĺ ĹĹ  +Ĺ  bĹ ĹĹ
ı kĹ*; Ĺ  Ĺ Ĺ  ;Ĺ*+ĹĹ ĹbĹ Ĺ Ĺ Ĺ   Ĺ   3Ĺ
İ;Ĺ
g Ĺ 3 ĹĹ  Ĺ ™3;Ĺ  Ĺ Ĺ*;&ĹĹ Ĺ*&5Ĺ 8Ĺ   Ĺ
ĹĹ  Ĺ ĹB; 3Ĺ Ĺ*Ĺ3 Ĺ3Ĺ*Ĺ Ĺ+KĹ !Ĺ
Ĺ Ĺ ¶Ĺ  Ĺ Ĺ i Ĺ Ĺ Ĺ s Ĺ <sĹĹ L; Ĺ  Ĺ
bŸĹ  Ĺ  Ĺ LĹ *Ĺ Ĺ b;Ĺ  q+Ĺ Ĺ Ĺ  ! Ĺ ¾Ĺ  Ĺ Ĺ
  Ĺ Ĺ& ĹĹģ+Ĺ*  ĹĹ Ĺ5Ĺ
/ 3Ĺ Ĺ Ĺ bL+Ĺ*Ĺ Ĺ  Ĺ  Ĺ Ĺ ĹĹ 3ĹĹ
ĹĹ [3 ĹĹ!Ĺ Ĺ  Ĺ+KĹ.Ĺ Ĺ Ĺ Ĺ iĹ Ĺ *Ķ
Ĺ*+Ĺ Ĺ!ĹĹ ćĐ .ĺ Ď %Qĺ.; Ĺ &Ĺ Ĺ  ĹĹ Ĺ
*Ĺ ĹL+Ĺ*;Ĺ +Ĺ Ĺ    3ĹĹ  Ĺ;*i Ĺ ĹĐ{
bŸĹĹ
@j;L+KĹ Ĺ;Ĺ Ĺ   ĹĹ  Ĺ3Ĺ ĹzĹĹ +Ĺ 3Æ
ÛbĹ KĹ Ĺ; Ĺ  Ĺ sĹ  ĹĹ Ĺ Ĺ  Ĺ   +Ĺ Ĺ Ĺ
· Ĺ  Ĺ Ĺ Ĺ  Ĺ  Ĺ  Ĺ Ĺ   Ĺ  3Ĺ  Ĺ G 5Ĺ 8 Ĺ
3Ĺ Ĺ*Ĺ qiĹ ·  Ĺ  Ĺ Ĺ Ĺ &Ĺ Ĺ   ĹĹ Ĺ
*b KĹ Ĺ  Ĺ Ĺ Ĺ; KĹ Ĺ+Ĺ Ĺ Ĺ iĹ ! ĹĹ
„Ĺ ĹG 0ĹO   KĹ3Ĺ3Ĺ  Ĺ Ĺ Ĺ Ĺ ĹĹ Ĺ
kĹ Ĺ ! Ĺ Ĺ   Ĺ Ĺ ;;+Ĺ  › Ĺ Ĺ Ĺ Ĺ *iĹ Õ

; $$  $ $ $  ! $" #$$ $  $]€  $ $
 $
ߌŒç =CNJG3P1N?GC

vÂvtç S ÔÅ ç ̸ç }Œ«tç a«ç v«t«„ç ے̆ç N¶¶œç c«tç ÌÛ¶ç IaÛ«Åç ØÅç N¶¶œç a«tç ¶«vç
IaÛ« ç ¶«vç ªÔÅÌç m¶«ÅÒ Ìç ̆vç aººÂ¶ºÂŒaÌvç ºaÂÌç ¶}ç ̆vç m†aºÌvÂç ¶«ç N¶¶œç a«tç
IaÛ«ç v«t«„Å ç ۆvÂvç maÅvÅç ی̆ç vßamÌ áç ̆vç Åaªvç «ÔªivÂç ¶}ç IaÛ«Åç aÂvç
„ŒØv«ç+ÔÌ獫çc«çv«t«„çی̆çN¶¶œça«tçÅvØv«çIaÛ«ÅçØÅçN¶¶œça«tçŐßçIdÛ«Å ç
¶«vçªÒÅÌç ̶ç ̆vç ºaÂÌç ¶«çªaÌvŒa çatØd«Ìa„v獫ç N¶¶œça¬tçIaÛ«ç v«t«„Å ç
a«tç ̆v«ç ̶ç ̇vç Åvm̌¶«ç ۆvÂvç ̆aÌç ºaÂÑlÕ aÂç Ìáºvç ¶}ç IaÛ«ç º¶ÅŒÌ’¶«ç ŒÇç tŒÅæ
mÔÅÅvtç ]†Œ vç źamvç ¤‘ªŒÌǎ¶«Åç †aØvç Ò«¶ÂÌÒ«aÌv áç ªatvç ŒÌç Œªº¶ÅŌi vç ̶ç
ºÂvÅv«Ìç ª¶Âvç m¶ªº ŒmaÌvtç maÅvÅç ۆvÂvç i¶Ì†ç ŌtvÅç †aØvç ªa«áç ºŒvmvÅ ç ̆vç
ºÂ«mŒº vÅç a«tçÂÔ vÅ焌Øv«çaÂvçv¾Òa¤ áçaºº£Œmai vç̶ça çv«t«„Åç
E¯ áç ÌÛ¶ç źvmŒa ç Åáªi¶ Åç †aØvç ivv«ç ÒÅvtç ] ŒÌvç a«tç + amœ ç ۆvÂvç
Ì váç t¶ç «¶Ìç Ãv}vÂç ̶ç a«áç źvmŒ}Œmç º aávÂÅ ç tv«¶Ìvç ̆vç ÅÒºvŒ¶Âç a«tç Œ«~vŒ¶Âç
ŌtvÅ ç Âvźvm̏Øv áç 1„ ç Œ«ç v«tŒ«„Åç ی̆ç Nç ØÅç <Ì ç ̆vçŌtvçی̆ç Ì vç N¶¶œç ŒÅç
a ÛaáÅç ]†ŒÍv ç Ì vç Ōtvç ی̆ç ̆vç <«Œ„ˆÌç a ÛaáÅç + amœç S ŒÅç }amŒ£ÌaÌvÅç
„v«vÂa çtŒÅmÒÅŌ¶«çS†vç   Ō„¬ç†aÅç ivv«ç ÔÅvtç̶ç tv«¶ÌvçaçtÂaÛ«ç º¶ÅŒÌŒ¶« ç
ÂaÌ vÂç Ì a«çªvÂvç„v«vÂa çv¾Ôa Ìáç
4 A )A )%4%41A

  ĺ Eĺ
,9E}9qĺ-9/9ĺ Eĺ
 qĺ-9/9ĺ 87;

*  ĺ ɠɭ

  & ‚ç & %& & mç


\0Ĺ — O < ĹIm<<,Ĺ \Ĺ
0 æ — O < ĹH##Ĺ 0æ
2 æ 8/#Ĺ".'O#'Ĺ 3æ
4æ ".'O#Ĺ:,CĹ,.QO8Ĺ 4æ
0Ĺ 8/#Ĺ,.QO8'Ĺ 8æ

 !&‘ç &  & $& & {ç


. Ĺ l,Q:,C :/,v'Žl,QĹ :æ
..0Ĺ l,QĹ:,CĹ:/,Ĺv '0Ĺñ,QĹ:,CĹ:/,Ĺ \UĹ
\Ĺ/n6ĹI!Ĺp6Ĺ \UĹ
0æ/n6ĹI;Ĺ/6nĹ @cĹ \\Ĺ
3æ"GĹ'6ĹI;êĹ/6ĹRĹGĹ/6ĹnĹI;Ĺ .0æ
4!æ/n6Ĺ@$;ĹnĹ  Ĺ .3æ
ƟƠŔɭ l,QĹ:,CĹ8/#Ĺ:/,'Ĺ_'0Ĺ.,QĹ \Ĺ
fɭ l,QĹ:,CĹ8/#Ĺ:/,'Ĺ_ '  Ĺ ò,QĹ:,CĹ:/,Ĺ \4Ĺ
@Ĺ\ŽĹ8 GĹ@GĹĹ Ĺ .:æ
@Ĺ 0æ8 GĹmGĹĹ Ĺ .<æ
@Ĺ2 æ#ĹĹ Ĺ .?æ
:ŽĹ Ĺ:Ĺ'Ĺ \FĹ
"Ĺ  Ĺ:Ĺm6Ĺ ɭ
@0Ĺ/n6‹Ĺ Ĺ:ĹCG!*Ĺ 1:æ
@Ĺ4!æ /ĹOĹ,Ĺ Ĺ Ĺ 0:æ
fæ l,QĹ:,CĹ8/#Ĺ:/,'Ĺ_'Ĺl,QĹ:,Cŗ/#Ĺ:/,'Ĺ 3<æ
\Ĺ/n6ĹOĹ8 GĹ@BĹĹ Ĺ 3<æ
0æ/6ĹOĹ#ĹĹ Ĺ 4.æ
3 æ,Ĺ'6ĹOĹĹ Ĺ Ĺ 43æ
Œɭ l,Q :,C 8OH<< :/,'_' l,Q :,C 8/# :/,úĹ 4<æ
ގØç O-0@5G8 2GEO5EOK

[88ç <8B5ç(B/çS7N22çI(]BPç [Pç<:5ç(B/ç S7N22çI(]BOç —


 — MÔwy°ç iáç3¶Âlwç —
 —EÔËȓtxçJeÅÅxtçJeÛ«ç —
 — I¶ËylËwtçIaÅÅwtçIaÛ«ç —
 —MÔa¡ŽËǎØvçIaÛ°çPÔºwŽ¶ÂŽÌáç "—
 —IaÅÅytçIaÛ°Åç¶Âç OwËç ¶}çIaÅÅwtçIaÛ°Åç8ÅçMÔa¡’ËaˎØw¡áçPÒºw޶Âç "—
 —<Œ°ƒç8Åç-¡¶ÅwÂç˶ç ˆwçIaÛ°Åç %—
" — ] ŽËwç7aÅçË wçEºº¶ÅŽË޶«ç —
[888ç 3EXNçENç?EN2çI(]BPçEBç 28S72NçP8/2ç —
(çE«wç OŽtwç8ÅçaçIaÛ«ç( watç —
 —+¡¶lœwtçIaÛ°Åç —
 —PËa¡wªaËwç )—
+ç ?aËwŽaŸŸáç2Øw°çI¶ÅŽÌŒ¶«Åç "—
8`ç ?)B2X[2N8B5ç3ENç(çS2AEç %%—
`ç S72ç EJJEP8S8EBç &)—

&/)5*+A "/5"5 3"5""-5 A


8ç S72ç<B857SPç(>EB2ç[PçI(]BPç )—
88ç <B857SPç )B/çI(]BPç [Pç I(]BOç —
888ç EB2ç <B857Sç(B/çI(]BOç[OçEB2ç<B857Sç)B/ç I(]BPç —
(çI¶ÅŽË޶«Åç ]ŽË ç?aËwŽaŸç(tØa°Ëaƒwç —
+ç I¶ÅŽË޶«Åç ]ŽË ç2Øw«ç?aËwŽa¥ç —
 — +yËËwÂçIaÛ°çI¶ÅŽÌŒ¶«ç —
 —+yËËwÂç<Œ«ƒçI¶ÅŽË޶°ç —
 — +xËËwÂç <«Žƒ ËçI¶ÅŽË޶°ç "—
8\ç S]Eç <B857SOç(B/ç I(]BPç %—

&/)5,A -%&5"5 3"5""-5 A


8ç +8P7EIç[PçI(]BPç )—
W +8P7EIç)B/ç I(]BOç [Pç <8B5 ç]8S7ç)B/ç
]8S7FYTçI(]BPç —
(ç +ŽÅ ¶ºça«tçIaÛ«çØÅçSÛ¶çIaÛ«Åç )—
 —(tØa°lwtçIaÛ°Åç/ÂaÛç —
 —(tØa«lwtçIaÛ°Åç ]’«ç —
 —IcÛ°ç 2Þl a«ƒwçW«aضŽtai¡wç —
+ç +ŽÅ ¶ºça°tçºaÛ°çØÅçS†Âwwç¶Âç?·ÂwçIaÛ«Åç —
 —(tØa«lwtçIaÛ°Åç/ÂaÛç —
 —(tØa°lwtç IaÛ«Åç ]ްç —
 — JcÛ«ç 2Þl a«ƒwçW°aضŽtaiŸwç —
9:W +8P7EKç)B/ç I(]BOç [Pç+8O7EIçE3çS72ç O)?2ç -E>ENç
]8S7ç)B/ç ]8S7EYTçI(]BPç —
(ç I¶ÅŽÌŒ¶°Åç]ŽË ç?aËwŽaŸç(tØa°Ëaƒwç —
 — +ŽÅ ¶ºç a°tçIaÛ°çØÅç +ŽÅ ¶ºç —
 — +ŽÅ ¶ºça°tçSÛ¶çIaÛ°Åç ØÅç+ŽÅ†¶ºç %—
3B v#ĺWĺW3#3ĺ sĹ

)0Ĺ"GĹĹ8 ĹP ĹĹ" ĹĹ Ĺ A-UĹ


%Ĺ8 GĹ =ĹR=Ĺ ĹĹ<9 Ĺ'Ĺ A-)Ĺ
"Ĺ <ĹR=rĹ AwAĹ
A0Ĺ"=ĹP ĹP Ĺ AwAĹ
Ĺ" =Ĺ" Ĺ AwFĹ
)0Ĺ" =ĹĹPĹ A )Ĺ
fɭ ".'O#'Ĺ#pĹ#PP#'ó8<Ĺ@#–#H'Ĺ A %Ĺ
A0Ĺ" ĹĹ ĹĹ" Ĺ A %Ĺ
Ĺ" ĹĹ8 ĹP ĹĹ"nGĹ A %Ĺ
EĹ C;?L Ĺ Ĺ A %Ĺ
?EĹ @9ŁŠŠA Ĺ
9EĹ m99ĹP± Ĺ Ĺ AFAĹ
)Ĺ" Ĺ'ĹOĹ Ĺ AFĹ
EĹ 8 Ĺ Cq=ĹC= ĹCĹR=Ĺ=Ĺ PLĹ
.==+Ĺ AF)Ĺ
?EĹR=LĹG=ĹG GrĹ:Ĺ.ĹC9Ĺ AFĹ
VAEĹ" =ĹĹP Ĺ AF-Ĺ
VEĹ"=ĹP9ĹPĹ Ĺ AFwĹ
V)EĹ #Ĺ Ĺ  ĹV:9;rĹ=ĹP EĹĹP+Ĺ
Ĺ Ĺ# =Ĺ/Ĺ UAĹ
V%EĹ"=r9Ĺ Ĺ UAĹ
V-EĹ'9rĹ@ĀĹ U)Ĺ

 !& ›~ç & &  & ogxç


.Ĺ ".'O#PĹ_'ŕ.QO 8 Ĺ UĹ
:  Ĺ] Ĺ"9ĹPĩĹ U-Ĺ
A0Ĺ" ĹĹ ĹĹ Ĺ U-Ĺ
Ĺ ĹĹP ĹĹ" Ĺ UFĹ
)0Ĺ" ĹĹ8 GĹ =ĹR=ĹP ĹĹ Ĺ AĹ
eĹ ĹĹ8 Ĺ ĹĹ" Ĺ A%Ĺ
0Ĺ" ĹĹ8 Ĺ Ĺŝ ĹĹ Ĺ A4Ĺ
-0Ĺ ĹĹ8 Ĺ ĹĹ" ĹĹ  Ĺ A Ĺ
"Ĺ R=Ĺ@G9Ĺ<Ĺ AĹ
A0ĹR=rĹ:Ĺ AĹ
ĹPrĹ: Ĺ )Ĺ
EĹ8 Ĺ" GĹ.TĹ';==Ĺ )Ĺ
?EĹ8 Ĺ Ĺ.ÁĹ';==Ĺ %Ĺ
?MEĹ/cĹ@=Ĺ@LsĹ %Ĺ
?EĹ8 Ĺ"Ĺ" Ĺ % Ĺ
?)EĹ/cĹPÄĹ )Ĺ
9EĹ "=ĹP ĹP Ĺ %Ĺ
EĹ"=ĹĹGĹ  Ĺ
..Ĺ ".'O#kŕ.QO8kĹ:,CĹ:/,'Ĺ_'Ĺ".'O#PkĹ,.QēĠkĹ
:,C P:/,'Ĺ  Ĺ
:  Ĺ" ĹqĹ#īĹ@=Ĺ  Ĺ
"Ĺ " GĹqĹĹ'Ĺ@=Ĺ -UĹ
àØŒç O-0@5 G4ç 2GEO5EOK

!W S71çS^Gç+8O7GI!ç —


(çS vçIfÛ«çOË¿ÔlËÒ¿vç8ÅçW«if¦f«lvtç —
+ç S vçLfÛ«çOÌ¿ÒlÎÒ¿vç9Åç +f¦f«lvtç —
8\ç S^GçI81-1Oç [OçEDç )—
(çB¶çIdÛ«Åç )—
+ç ]’Ì çKfÛ«Åç "—
ç ] ŒÌvç7fÅçG«vç IfÛ«ç "—
 — ] ŒÌvç7fÅç SÛ¶ç¶¿ç @¶Àvç IfÛ«Åç "—

&0*58(A %% 5#5 3#5##-5 A


8ç NGG<ç[OçI(]BOç "—
(ç N¶¶œçØÅçE«vçIfÛ«ç "—
+ç N¶¶œçØÅçSÛ¶ç IfÛ«Åç %—
-ç N¶¶œçÙÅçS ¿vvçIfÛ«Åç %%—
 ( çIgÛ±Éç(Àzç-¶°±zoÌztç %%—
 — G«§âç SÛ¶ç IfÛ«Åç(¿vç-¶««vlÌvuç )—
 — 8Ŷ¦fÌvtçIaÛ«Åç )—
0ç N¶¶œçØÅç3¶Ò¿ç¶¿ç@¶ÀvçIfÛ«Åç )—
1çN¶¶œçf«tçIfÛ«Åç ØÅç IfÛ«Åç )—
88ç NGG<ç(B0çI(]Bç[Oç NEE<ç )—
(çS vç+¦flœç <Œ«„ç ¶«çÌ vçMÒvv«Œ«„çO¾Òa¿vç )—
 — 8ªª¶i’§’ä’«„ç Ì vçN¶¶œç )—
 —(¥¦¹Û’«„çÌ vç<’«„ç̶ç+vç0¿ŒØv«ç‚¶ªçÌ vçMÒvv«Œ«„çO¾ÒfÀvç )—
 — I¦f㒫„çÌ vç<Œ«„ç̶çÌ vç ]À¶«„çO”tvç )"—
+ç S vç <’«„ç8Åç -ÒÌçG}}炶ªç Ì vçMÒvv«Œ«„ç3Œ¦vç )"—
 — S vç>Òlv«fçI¶Å’ÌŒ¶«ç )"—
 — ] v«ç Ì vç>Ôlv«fçI¶ÅŒÌŒ¶«ç-f«ç+vçNvfl vtç )%—
 — 1àn{»ÌŒ¶°Êç —
+çS vç+¥flœç <Œ«„ç 8ÅçB¶Ìç¶«çÌ vçMÔvv«Œ«„ç 3Œ¦vçiÒÌç8ÅçB¶Ìç
0’¿vl̦âç -ÒÌçE}}ç —
-ç S vç+§flœç<Œ«„ç8Åç -ÒÌçE}}ç¶«ç fçNf­œç —
-¨çS vç+¦flœç <Œ«„ç8Åç+v Œ«tçÌ vçIaÛ«ç iÒÌçB¶Ìç0Œ¿vlÌ¥âç
-ÒÌçG€€ç "—
0çS vç ] •Ìvç N¶¶œç8Åç Œ«ç 3¿¶«Ìç ¶}ç Ì vçIfÛ«ç —
1ç S vç ]‰ŒÌvçN¶¶œç8Åç+v Œ«tç Ì vç IaÛ«ç —
888ç NEE<ç(B0çS^EçI(]BOç[OçNEE<ç —
(ç -¶««vlÌvtç IfÛ«Åç —
+ç W«l¶­«vlÌvtçIaÛ«Åç )—
-ç 0¶Òi§vtç IaÛ«Åç —
" W NEG<ç(B0ç S^EçI(]BOç[Oç NEE<ç(B0çI(]Bç —
(ç ] ŒÌvç7aÅçUÛ¶çIaÅÅvtçIfÛ«Åç —
+ç ] ’Ìvç7aÅç E«vçIfÅÅvtçIaÛ«ç —
-ç B¶ç IaÅÅvtçIaÛ«ç —
[ç @*S1N8(>ç(0[(BS(61ç W61B1N(>ç —
(ç EÒÌŒtvçIaÅÅvtçIfÛ«ç —
3 v#ĺ f®Ĺ W3#3ĺ 77Ĺ

"5Ĺ $$3(XĹ#;$27Ĺ(22Ĺ( Ĺ )tMĹ


@Ĺ ]Ĺ< $ (Ĺ( Ĺ.2Ĺ¹Ĺ$Ĺ@$ Ĺ )twĹ
C†Ĺ WXXĹ$Ĺ( 2ĹĹfĹ'7Ĺ |4tĹ
M5Ĺ H&Ĺ(Ĺ ] Ĺ¯( 2Ĺ2ĹH&Ĺ(Ĺ] Ĺ ( 2Ĺ )4tĹ
5Ĺ H&Ĺ ĹpG! Ĺ( 2Ĺ2Ĺ H&Ĺ(Ĺ] Ĺ 2Ĺ )wFĹ
<Ĺ '7(XĹC¶7;X$72Ĺ 7Ĺ@ $»^Ĺ(ĹR($ 7(XĹW$(^Ĺ
.$ĹĹ/7Ĺ ))Ĺ
M5Ĺ /(&Ĺ 2Ĺ ))Ĺ
Ĺ'$=^Ĺ(22Ĺ Ĺ )Ĺ
|Ĺ'$=^ĹHG&Ĺ2º$7Ĺ )FUĹ
_.5Ĺ #'.]Ç#, W– WC_WY]WQ<Ĺ )FĹ
WĹ "$$ ĹH&Ĺ27$3Ĺ )FĹ
M5Ĺ]ĹH&ĹĹ$Ĺ'$ĹŅÛƀ )FĹ
Ĺ 8[Ĺ#Ĺp7XĹ |FtĹ
|Ĺ /7$‹2ĹH&Ĺ.2ĹW$$(&3^Ĺ(Ĺ( Ĺ Ĺ( 2ĹCĹ
*+Ĺ"X&‹2ĹH&Ĺ )F4Ĺ
%0Ĺ HG&Ĺ "‰Ĺ(Ĺ(22Ĺ( ÒĹ#2‰^ĹH&ʼnĹp $ĹBqĹ.$Ĺ %UĹ
dĹ ]ĹRG Ĺ W$7ĹH&Ĺ %UĹ
"Ĺ "$$ Ĺ( Ĺ2$7BĹ %UĹ
M5Ĺ"$$ Ĺ(22Ĺ 2Ĺ %UĹ
Ĺ<sĥ2Ĺ( 2Ĺ eMMĹ
)0Ĺ C;*XĹ( 2Ĺ %MĹ
%Ĺ WĹ $$Ĺ(22Ĺ( Ĺ e)Ĺ
0ĹI;(Lº$($7Ĺ( ĹRę 7$+Ĺ %%Ĺ
@Ĺ "$$ Ĺ3^Ĺ27$7Ĺ %FĹ
M5Ĺ @$=(X3Å($7Ĺ %)UĹ
Ĺ#ʼn^Ĺ.2Ĺ@X2 Ĺ$Ĺ$Ĺ_7$(XĹ( 2Ĺ %|MĹ
_..5Ĺ 8 /#H##Ĺ <YC”Q'Ĺ %))Ĺ

 "& ›ç &  && & uumç


.Ĺ H##Ĺ W,Cŕ.QO ]Ĺ_'ĹH##Ĺ W,CĹ,.QO]Ĺ
V#HĹ ".'O#ŒĹ %%MĹ
ƞŌɭ ".'O#'Ĺ#pĹ##'ô]<Ĺ @#–#H'Ĺ %%Ĺ
W5ĹR($ 7(XĹW($(^Ĺ %%Ĺ
MĹ#;$27Ĺ(22Ĺ( Ĺ %%Ĺ
Ĺ$$3(XĹ#;$27Ĺ22Ĺ( Ĺ %%Ĺ
)0Ĺ8[Ĺ< $=Ĺ( Ĺ7Ĺ$Ĺ@$ Ĺ %%tĹ
"0Ĺ 23$3(XĹ W($^Ĺ %%4Ĺ
MĹ/(&Ĺ( 2Ĺ %%4Ĺ
ĹR($»^Ĺ@*$72Ĺ %%Ĺ
.ĝĞ5Ĺ H##Ĺ_'Ĺ8 / # Ĺø#HĹ.<@<'Ĺ %%FĹ
W5Ĺ<Ĺ( 2Ĺ %UĹ
"Ĺ ]ĹXz Ĺ/7$Ĺ$[Ĺ] Ĺ32Ĺ.2Ĺ#ĹG ĹR Ĺ( 2Ĺ W(Ĺ %%Ĺ
@Ĺ ]ĹX(z Ĺ /7$Ĺ$đĹH&Ĺ.2Ĺ#Ĺ ĹR Ĺ( 2Ĺ WĹ %Ĺ
džŋɭ ûðH­­Ĺ.<@<'Ĺ_'aĹ8 / # ĹH##'Ĺ %Ĺ
ߨ———ç N-0@5G81GEN5ENL

[ç R71ç)/[(51çE3ç R71ç1`-7)B51ç )—


(ç N¶¶çØÅç ,ŒÅ†¶ºç B¶çIaܫŠç )—
,ç N¶¶ça«tçLbÜ«çØÅç ,–ņ¶ºç —
-ç N¶·çØÅç,ŒÅ†¶ºça«tçIbÜ«Åç "—
 — N¶¶çØÅç ,ŒÅ†¶¼ça«tçIaÜ«ç "—
 — N¶¶çØÅç ,ŒÅ†¶ºça«tçRܶçIaÝ«Åç "—
 — N¶¶çØÅç ,ŒÅ†¶ºç a«tçR Âvvç¶Âç?¶Âv çIaÜ«Åç "'—
/çN¶¶ça«tçIaÜ«ÅçØÅç ,—ņ¶ºça«tç IaÜ«Åç #'—
 — B¶çIbÜ«Åç }¶Âç̆vç1ßl†a«ƒvç "'—
 — E«vçIaÜ«ç}¶Âç̆vç1Þl†a«ƒvç '—
 — RܶçIaÜ«Åç}¶Âç ̆vç1ßl†a«ƒvç '—
 — R†ÂvvçIaÜ«Åç ¶Âç?¶Âv ç}¶Âç̆vç1ßl†a«ƒvç ''—
2ç N¶¶çØÅç <¬Œƒ†ÌçB¶çIaܬŠç ')—
W N¶¶ça«tçIbÜ«çØÅç <¬Œƒ†Ìç )—
5ç N¶¶çØÅç <«Œƒ†Ìça«tçIaÜ«Åç )—
 — N¶¶çØÅç <«Œƒ†Ìç a«tçE«vçIaÝ«ç )—
 — N¶¶çØÅç <«Œƒ†Ìça«tçRܶç¶Âç?¶Âv çIaÜ«Åç )—
7çN¶¶ça«tçIaÜ«Åç ØÅç <«Œƒ†Ìça«tçIaÜ«Åç )—
 — B¶çIaÜ«Åç}¶Âç ̆vç1ßl†a«ƒvç )—
 —E«vçIbÜ«ç}¶Âç ̆vç 2ßl†b«ƒvç —
 — Rܶç¶Âç?¶Âv çIaܬÅç}¶Âç̆vç1ßl†a«ƒvç —
[8ç NEE<ç(B/ç,8O7EIç[OçNEE<ç )—
[88ç NEE<çW=857Rç [OçNEE<ç "—
[888ç [ç)N©EçZOç -E?,8B(R8EBOç E3çNEE<Oç W?8BENçI81-2Qç
]8R7EZRç I(]BOç —
(ç R†vç/¶Òj¢vç1ßl†a«ƒvç —
,ç N¶¶ça«tç?—«¶ÂçIŒvlvÅçØÅçRܶç?Œ«¶Âç IŒvlvÅç —
.ç N¶¹çØÅçR Âxvç?–«¶ÂçL—vlvÅç —

&/)58(((A 2"5""-5 A


8ç MW 21Bç[Oç I(]BOç —
(çMÖvv«çØÅçE«vçIaÜ«ç —
+ç MÖvv«çØÅçRܶçIaÜ«Åç —
-ç M×vv«çØÅçR†Âvvç¶Âç?¶Âv çIaÜ«Åç —
/çM×vv«ça«tçIaÜ«Åç ØÅç IaÜ«Åç #—
88ç MZ11Bç)B/çI(]Bç1B/8B5Oç '—
(ç M×vv«ç a«tçIaÜ«çØÅçMÖvv«ç '—
+ç M×vv«ç a«tçRܶçIbÜ«Åç ØÅçMÒvv«ç —
 — -¶««vlÌvtçIaÜ«Åç —
 — W²l¶²²|lÌ|tçIeÜ«Åç —
 — /¶ÖjŸvtçIbÜ«Åç —
-ç ?cÌvŒaŸç(tØa«Ìaƒvç —
 — R†vç/v}v«tŒ«ƒç <Œ¬ƒç8ÅçB¶ÌçCvaÂç̆vçEºº¶ÅŒ«ƒçIbÜ«ç
?bš¶ÂŒÌáçEÒÌŌtvça«tçI¶Ìv«ÌŒbŸçEÖÌŌtvçIaÅÅvtçIaܫŠç W
3 v#ĺ f®Ĺ W3#3ĺ ɡɭ

Ĺ8 1ĹC1q1ĹĹ.Ĺ,1 Ĺ 1Ĺ#DDĹ ĹRĚ +Ĺ


V ĹĹ"$ Ĺ/EĹ % Ĺ
)Ĺ:œœĹ 1Ĺ Ĺ:Ħ1ĹĹ#1Ĺ/Ĺ )Ĺ
CĹ $›Ĺ:Ĺ Ĺ
>aĹ"1 Ĺ žĹ¸$Ĺ Ĺ
0Ĺ "11 ĹI!ĹÂ$Ĺ  Ĺ
)Ĺ" ĹĹĹ -oĹ
ơƢɭ Im<<,Ĺ:,CĹR”fZĹ.<@<Ĺv 'ĹIm<<,Ĺ -oĹ
œɭ Im<<,Ĺv' ĹZf#'Ĺ:,CĹ.<@<'Ĺ -Ĺ
: 0 ĹI!1ĹĹ8 ĹZB&ĹĹ#½1Ĺ1Ĺ -Ĺ
"Ĺ I!11ĹĹZ&Ĺ ½Ĺ8 ĹR Ĺ11Ĺ -Ĺ
@Ĺ I!11ĹĹ Z&Ĺ Ĺf1ĹR Ĺ1Ĺ -)Ĺ
Ǥɭ Im<<,Ĺv 'ĹZffĹV#ZĹZf#'EĹ --Ĺ
:  ĹI!1ĹaĹ8 Ĺ ZB&Ĺ --Ĺ
"Ĺ I!11ĹĹ Z&Ĺ 4oĹ
>0Ĺ / !Ĺ Ĺ 4oĹ
Ĺ I!11ĹĹZ&ĹĹ Ĺ 4)Ĺ
)ĹI!11ĹĹZ&ĹĹ8 Ĺ  ĹR 1Ĺ žĹ 44Ĺ
%Ĺ I!11ĹĹ žĹĹZ&ĹĹ Ĺ 4 Ĺ
v.Ĺ Im<<,Ĺv'ĹR”fZĹ¯.<@<'Ĺ 4FĹ
:ĹI!ĹĹ#1Ĺ1Ĺ 4FĹ
"†Ĺ I!11ĹĹ8 Ĺ 1Ă1Ĺ  >Ĺ
>Ĺ8 Ĺ" DĹ  >Ĺ
Ĺ8 Ĺ Ĺ  >Ĺ
)0Ĺ" DĹĹĹ  Ĺ
îĹ I!1ĹĹ8 ħ11ĹĔ1ăĹ  Ĺ
CĹ I!11ĹĹ ï! Ĺ11Ĺ  )Ĺ
<Ĺ I!11ĹĹZ&ņĹI!11ĹĹZ&Ĺ  )Ĺ
ƙɭ I!ĹĹ 11Ĺ Ĺ8 Ĺ ZcĹ  %Ĺ

  &  €ç  #&  &# %& x|xç

  & €ç $ %&#&& &  & x|yç


 $Žç

3A "$3-;A" 30A

V°æÊ“Éæ sŒiÀÊ~ÃæØ~æÉŒi¨¨æs¹°É“z~ÃæÀ“~s~ÉæsŒ~s¡¬i̓°‰æi樹°~桙¶‰æ
dŒ~æ Ⱦɕɭ ¬iÊ~Ói¨æ Ã~ÂГÃ~zæ “°æ ‰~°~Ãi¨æ“Éæ ~“ʏ~Ãæ i æ ¹°~æ ÂÐ~°Cæp æ ¹°~æ
ù¹¡Dæs æÊعæp“ÉŒ¹ÀÉEæz ær“ɏ¹Àæi°zæ¡°“‰ŒÊæg“ʏæÌع桰“‰ŒÊÉæiæ¬iʓ°‰æÀ¹É“ã
ʓ¹°æ “Éæ À¸Éɓp¤~æ pÐÊæ si°°¹Êæ p~æ ƒ¹Ãs~zæH‰i“°ÉÊæ ¹°~æ ¡°“‰Êæ ¹Ãæ ¹°~æ r˜ÉŒ¹Àæ ʌ~æ
z~ƒ~°z~Ãæ si°°¹Ê樹É~æ~Ô~°æ ] Œ~æÊÓ~Éæ
V°æ ¬¹ÉÊæ siÉ~É æ Œ¹Ø~Ô~Ãæ ÊØ¹æ ¡°“‰ŒÊÉæ si°æ ƒ¹Ãs~æ sŒ~s¡¬iÊ~æ ØŒ~°æ ʌ~æ
z~ƒ~°z~Ãæ iÉæ¹°~æ ¹Ãæ ¬¹Ã~æ ÀkØ°ÉæÉ~~æNiÀÊ~ÃæVVW æ`“¬“¤iÃ¨Ü æ“°æs~ÃÊi“°æÉÀ~ä
s“i¤æ À¹É“Ê“¹°Éæp“ɏ¹Àæ¹Ãæ¡°“‰ÊæÔÉ"æÀiذæ¹ÃæÀiØ°Éæsi°æ¬iÊ~æ
d¹æsŒ~s¡¬iÊ~ ægŒ“Ê~æ¬ÐÉÊæ zÓÔ~æÊŒ~æI¨is¡æ¡™¶‰æÊ¹æÊ~æ~z‰~湃æ ʌ~æp¹iÃzæHæ
ÂÐ~~°æ¹ÃæÃ¹¹¡æsi°æÊŒ~°æiz¬“¶“ÉÊ~ÃæÊŒ~æs¹ÐÀæz~æ‰Ãis~æi°Ü،~Ã~æi©¹´‰æÊŒ~æ¤iÉÊæ
Ãi°¡æ¹Ã惓¤~ æpÐÊæØ“ÊŒæp“ÉŒ¹Àæ i°zæ ¡°“‰ŒÊæ¹Ãæ ÊØ¹æ p“ÉŒ¹ÀÉæ¹ÃæÊŒÃ~~æ¡°“‰ŒÊÉ æÊŒ~æ
¡“°‰æ ¬ÐÉÊæ p~æsŒiÉzæ “°Ê¹æ ʌ~æ s¹Ã°~Ãæ

lcç /7)1"7
K~ƒ¹Ã~æÀùs~z“°‰æØ“ÊŒæÊŒ~æ~ÚisÊæ¬¹Ô~Éæ“°æÊ“Éæi°zæÊŒ~æ¹ÊŒ~ÃæsiÉÉ æØ~æØ“¤¨æ
“z~°Ê“‡Üæ ʌ~惓°i¤æ ¬i̓°‰æÀ¹É“Ì“¹°ÉæØ~æ iÃ~æ ÊÃܓ°‰æÊ¹æ¹pÊi“°"æg“ÊŒæ ʐ~æ ÂÐ~~° æ
ʌ~Ã~æiÃ~æ piɓsi¨¨ÜæÌعæ ÊÜÀ~Éæ¹ƒæ¬iÊ~@æ W'%ɘ £˜µ‹æ %ɘ 8Àɘ(M ɘ £˜µ‹æ %ɘ -)ɘ ÿɘ
)ɘ 1Ġɘ -ɘ –\ð 1-)ɘ 3=Cɘ ‹-V \Þð -Ġɘ dŒ~æ ¬iÊ~æ si°æ p~æ ƒ¹Ãs~zæ “°æ iÊæ ¬¹ÉÊæ Ê~°æ
¬¹Ô~ÉæƒÃ¹¬æ i°ÜæÀ¹É“Ê“¹° æpÐÊæ“ÊæÐÉÐi¤¤ÜæÃ~ÂКÃ~Éæƒ~Ø~Ãæ
— 0-K>22;5KK5E4>E:K

 

?X\‚K—‚o—xh@‘— j@‚K€—[m—)—

6m— k¬Í 6Í m\mK— joŒK€— @{K— mKKJKJ— 6Í g|8Í g‡oÍ 83Íg;Í gŠoÍ o{— — — 8K— —
8J— 8R— — ;K— ®ř — 8K— 8U"— —8R— ®ř"—;D"—8K%— %—8K—8R%—  W ;R"—
j@‚K— ;Ín’FÍg¼<Í o{—— —8J——;K%—8J!——8F—8F"——8F—8E"—" —;J$—8@—
% —;K"—8@— W ;@"—j@‚K—Dˆ‚—WK{K—mo‚—% —;F"11—€‚AiKj@‚K—<Íg‡<Íg‘;ÍCÍn’oÍ
g‘8Í o{— — —8K— —;U— EÍ n’<Í gŠ6ÍIÍ g;Íg‘6ÍNÍ nU IÍ @U@[m—mo‚— %— ;U22—
€‚@iKj@‚K— NÍ3ÍgŠ6ÍYÂř n’6Í Ío{—YÂř nz6Í Í j@‚K—
=WK{K—@{K—‚Žo— ‚‘xK€— oR—€‚@hKj@‚K—‚o—Ž@‚FW—Rp{— 3i@Ff—‚o—xi@‘— ;WDp‚W—F@€K€+—
ç4h@Ff—g]mU—@‚—@<—?X\‚K—f[mU—@‚—@—zˆKKm—@‚—F"—o{—D—@mJ—€\j\iA{i‘—Ro{—‚WK—
o‚WK{—‚Y|KK—Go{mK{€0—
 —4h@Ff—f`mU—@‚—@—?X\‚K—g\mU—@‚—F—z‰KKm—@‚—F" —

 A5$"A200-A
>XK{K— [€— omi‘— omK— ‚‘xK— oS— j@‚[mU— xp€\‚[qm— Ž_‚W— ‚WK— {oof— @h‚WoˆUW— ^‚— j@‘—
oFFˆ{— om— @m‘— €zˆ@{K— om—‚XK— KJUK— oS—‚WK—Eo@{J—=WK— j@‚K—xo€_‚[om—\€,—t“—³ŠÍ
ž—¤’Í z³Í|Eͯ¬¬žÍ z³Í“NÍ ¬®Í’N͑N͊NÍ ‡N \Í b zžÍž–ª’Í @ƒ—|NÍ >WK— j@‚K— {Lzˆ\{K€—
mo— jo{K— ‚WAm— — joK€— @h‚WoˆUW— <W jp€‚— F@€K€— \‚— F@m— DK—JomK— jˆFY— jo{K—
zˆ\Ffh‘—
Other documents randomly have
different content
INDEX OF AUTHORS

INDEX OF AUTHORS INDEX OF AUTHORS, WITH BIOGRAPHICAL


AND BIBLIOGRAPHICAL NOTES
Allen, J. Mord.—Born, Montgomery, Ala., March 26, 1875.
Schooling ceased in the middle of high-school. Since seventeen
years of age a boiler-maker. Home, St. Louis, Mo. Authorship:
Rhymes, Tales and Rhymed Tales, Crane and Company, Topeka,
Kas., 1906. 48-50, 223-226.
Allen, Winston.—230.
Bailey, William Edgar.—Born, Salisbury, Mo. Educated in the
Salisbury public schools. Authorship: The Firstling, 1914. 65-67,
213-214.
Bell, James Madison.—Born, Gallipolis, Ohio, 1826. Educated in
night schools after reaching manhood. Prominent anti-slavery
orator, friend of John Browne. Poetical Works, with biography by
Bishop B. W. Arnett, 1901. 32-37.
Braithwaite, William Stanley.—Born, Boston, Mass., 1878. Mainly
self-educated. His three books of original verse are: Lyrics of Life
and Love, 1904; The House of Falling Leaves, 1908; Sandy Star
and Willie Gee, 1922. In Who’s Who. 105-109, 263.
Burrell, Benjamin Ebenezer.—Born, Manchester Mountains,
Jamaica, 1892. Descended from Mandingo kings on his father’s
side, and on his mother’s from Cromantees and Scotch.
Contributor to The Crusader and other magazines. 249-250.
Carmichael, Waverley Turner.—Born, Snow Hill, Ala. Educated in
the Snow Hill Institute and Harvard Summer School. Authorship:
From the Heart of a Folk, The Cornhill Company, Boston, 1918.
53 219-220.
Clifford, Carrie W.—Born, Chillicothe, Ohio. Educated at
Columbus, O. Has done much editorial and club work.
Authorship: The Widening Light, Walter Reid Co., Boston, 1922.
240.
Conner, Charles H.—Born, Grafton, N. Y., 1864. Father, a slave who
found freedom by way of the underground railway. Mainly self-
educated. Worker in the ship-yards, Philadelphia. Authorship: The
Enchanted Valley, published by himself, 1016 S. Cleveland Ave.,
Philadelphia, 1917; contributor to magazines. 209-213.
Corbett, Maurice Nathaniel.—Born, Yanceyville, N. C., 1859.
Educated in the common schools and Shaw University. Served in
North Carolina Legislature. Delegate to numerous political
conventions. Clerk in Census Bureau, then in the Government
Printing Office, Washington, D. C., until stricken with paralysis in
1919. Authorship: The Harp of Ethiopia, Nashville, 1914. This is
an epic poem of about 7,500 rhymed lines, narrating the entire
history of the Negro in America. It is a noteworthy undertaking.
Corrothers, James David.—Born, Michigan, 1869. Educated at
Northwestern University, Evanston, Ill., and at Bennett College,
Greensboro, N. C., Minister of the Zion Methodist Episcopal
Church. Died, 1919. Books: Selected Poems, 1907; The Dream
and the Song, 1914. 37, 85-89.
Cotter, Joseph Seamon, Jr.—Born, Louisville, Ky., 1895. Died,
1919. Books: The Band of Gideon, Cornhill Company, 1918;
another volume of poems now in press. 67-68, 70, 80-84.
Cotter, Joseph Seamon, Sr.—Born, Bardstown, Ky., 1861. Educated
in Louisville night school (10 months). Now school principal in
Louisville, member of many societies, author of several books: A
Rhyming, 1895; Links of Friendship, 1898; Caleb, the
Degenerate, 1903; A White Song and a Black One, 1909; Negro
Tales, 1912. In Who’s Who. 52, 70-80, 220-221, 248-249.
Dandridge, Raymond Garfield.—Born, Cincinnati, Ohio, 1882.
Educated in Cincinnati grammar and high schools. First devoted
to drawing and painting until paralytic stroke, 1911. Authorship:
The Poet and Other Poems, Cincinnati, 1920. 54, 169-173, 221-
223.
Dett, R. Nathaniel.—Born of Virginia parents at Drummondsville,
Ontario, Canada, October 11, 1882; studied in various colleges
and conservatories in Canada and the United States. Director of
music at Lane College, Mississippi, Lincoln Institute, Missouri,
and at Hampton Institute, Virginia, his present position. 214-217.
DuBois, W. E. Burghardt.—Born, Great Barrington, Mass., 1868.
Education: Fisk University, A. B.; Harvard, A. B., A. M., and Ph.
D.; Berlin. Professor of economics and history in Atlanta
University, 1896-1910. Now editor of The Crisis, New York,
Books: The Souls of Black Folk, 1903; Darkwater, 1919, and
numerous others. In Who’s Who. 201-205.
Dunbar, Paul Laurence.—1872-1906. 37, 38-48.
Dunbar-Nelson, Alice Ruth Moore (née).—Born, New Orleans,
1875. Education: in New Orleans public schools and Straight
University, and later in several northern universities. Taught in
New Orleans, Washington, and Brooklyn, and other cities.
Married Paul Laurence Dunbar, 1898. At present Managing
Editor of Philadelphia and Wilmington Advocate. Books: Violets
and Other Tales, New Orleans, 1894; The Goodness of St.
Rocque, Dodd, Mead & Co., 1899; Masterpieces of Negro
Eloquence, 1913; The Dunbar Speaker and Entertainer, 1920.
Contributor to numerous magazines. 144-148.
Dungee, Roscoe Riley.—58.
Este, Charles H.—57.
Fauset, Miss Jessie.—Born, Philadelphia. Education: A. B., Cornell,
Phi Beta Kappa; A. M., University of Pennsylvania; student of the
Guilde Internationale, Paris. Interpreter of the Second Pan-
African Congress. Literary Editor of The Crisis. 160-162.
Fenner, John J., Jr.—245.
Fisher, Leland Milton.—Born, Humboldt, Tenn., 1875. Died, under
thirty years of age, at Evansville, Ind., where he edited a
newspaper. Left behind an unpublished volume of poems. 189-
190.
Fleming, Mrs. Sarah Lee Brown.—Clouds and Sunshine, The
Cornhill Company, Boston, 1920.
French, James Edgar.—Born in Kentucky, studied for the ministry,
died young. 253-254.
Grimké, Miss Angelina Weld.—Born, Boston, Mass., 1880.
Educated in various schools of several states, including the Girls’
Latin School of Boston and the Boston Normal School of
Gymnastics. Now teacher of English in the Dunbar High School,
Washington, D. C. Authorship: Rachel, a prose drama, Cornhill
Co., Boston, 1921; poems and short stories uncollected. 152-156.
Grimké, Mrs. Charlotte Forten.—Born, Philadelphia, 1837 (née
Forten). Educated in the Normal School at Salem, Mass. She was
a contributor to various magazines, including The Atlantic
Monthly and The New England Magazine. Poems uncollected.
155-156.
Hammon, Jupiter.—Born, c. 1720. “The first member of the Negro
race to write and publish poetry in this country.” Extant poems:
An Evening Thought, 1760; An Address to Miss Phillis Wheatley,
1778; A Poem for Children with Thoughts on Death, 1782; The
Kind Master and the Dutiful Servant (date unknown.) These are
included in Oscar Wegelin’s Jupiter Hammon, American Negro
Poet, New York, 1915. 20-21, 23.
Hammond, Mrs. J. W.—Home, Omaha, Neb. Occupation: Trained
nurse. 142-144.
Harper, Mrs. Frances Ellen Watkins (née).—Born, Baltimore, Md.,
of free parents, 1825. Died, Philadelphia, 1911. Educated in a
school in Baltimore for free colored children, and by her uncle,
William Watkins. Married Fenton Harper, 1860. From about 1851
devoted herself to the cause of freedom for the slaves.
Authorship: Poems on Miscellaneous Subjects, Philadelphia,
1857; Poems, Philadelphia, 1900. 26-32.
Harris, Leon R.—Born, Cambridge, Ohio, 1886. First years spent in
an orphanage, where he got the rudiments of education. Then was
farmed out in Kentucky. Running off, he made his way to Berea
College and later to Tuskegee, getting two or three terms at each.
Now editor of the Richmond (Indiana) Blade. Authorship:
numerous short stories in magazines; The Steel Makers and Other
War Poems (pamphlet), 1918. 63-64, 180-184.
Hawkins, Walter Everette.—Born, Warrenton, N. C., 1886.
Educated in public schools. Since 1913 in the city post-office of
Washington D. C. Authorship: Chords and Discords, Richard G.
Badger, Boston, 1920. 62, 119, 126, 234-235, 240.
Hill, Leslie Pinckney.—Born, Lynchburg, Va., 1880. B. A. and M. A.
of Harvard. Teacher at Tuskegee; formerly principal of Manassas
(Va.) Industrial School; now principal of Cheyney (Pa.) State
Normal School. Authorship: The Wings of Oppression, The
Stratford Company, Boston, 1921. 52, 131-138.
Horton, George M.—Born, North Carolina. Authorship: Poems by a
Slave, 1829. Poetical Works, 1845. Several volumes from 1829 to
1865. 25.
Hughes, James C.—187-189.
Hughes, Langston.—Born, Joplin, Mo., February 1, 1902. Ancestry,
Negro and Indian; grand-nephew of Congressman John M.
Langston. Education: High School, Cleveland, O., one year at
Columbia University; traveled in Mexico and Central America.
Contributor to magazines. Home, Jones’s Point, N. Y. Contributor
to The Crisis. 199-201.
Jamison, Roscoe C.—Born, Winchester, Tenn., 1886; died at Phœnix,
Ariz., 1918. Educated at Fisk University. Authorship: Negro
Soldiers and Other Poems, William F. McNeil, South St. Joseph,
Mo., 1918. 191-195.
Jessye, Miss Eva Alberta.—Born, Coffeyville, Kan., 1897. Educated
in the public schools of several western states; graduated from
Western University, 1914. Director of music in Morgan College,
Baltimore, 1919. Now teacher of piano, Muskogee, Okla. 68-69,
139-142.
Johnson, Adolphus.—The Silver Chord, Philadelphia, 1915. 104-
105.
Johnson, Charles Bertram.—Born, Callao, Mo., 1880. Educated at
Western College, Macon, Mo.; two summers at Lincoln Institute;
correspondence courses, and a term in the University of Chicago.
Educator and preacher. Authorship: Wind Whisperings (a
pamphlet), 1900; The Mantle of Dunbar and Other Poems (a
pamphlet), 1918; Songs of My People, 1918. Home, Moberly, Mo.
52, 63, 95-99.
Johnson, Fenton.—Born, Chicago, 1888. Educated in the public
schools and University of Chicago. Authorship: A Little
Dreaming, Chicago, 1914; Visions of the Dusk, New York, 1915.
Songs of the Soil, New York, 1916. Editor of The Favorite
Magazine, Chicago. 64-65, 99-103.
Johnson, Mrs. Georgia Douglas.—Born, Atlanta, Ga. Educated at
Atlanta University, and in music at Oberlin. Home, Washington,
D. C. Books: The Heart of a Woman, the Cornhill Co., Boston,
1918; Bronze, B. J. Brimmer Co., Boston, 1922. 61, 148-152,
232-233, 249.
Johnson, James Weldon.—Born, Jacksonville, Fla., 1871. Educated
at Atlanta and Columbia Universities. United States consul in
Venezuela and Nicaragua. Author of numerous works. Original
verse: Fifty Years and Other Poems, the Cornhill Company,
Boston, 1917. In Who’s Who. 54, 90-95, 226-227, 235-236.
Johnson, Mrs. Mae Smith (née).—Born, Alexandria, Va., 1890. Now
Secretary at the Good Samaritan Orphanage, Newark, N. J.
Contributor of verse to papers and magazines. The grandmother
of the poet escaped from slavery in Virginia. She lived to be
ninety-two years old. 57, 251-252.
Jones, Edward Smythe.—Authorship: The Sylvan Cabin and Other
Verse, Sherman, French & Co., Boston, 1911. 163-169.
Jones, Joshua Henry, Jr.—Born, Orangeburg, S. C., 1876. Educated
Central High School, Columbus, O., Ohio State University, Yale,
and Brown. Has served on the editorial staffs of the Providence
News, The Worcester Evening Post, Boston Daily Advertiser and
Boston Post. At present he is on the staff of the Boston Telegram.
Authorship: The Heart of the World, the Stratford Company,
Boston, 1919; Poems of the Four Seas, the Cornhill Company,
Boston, 1921. 113-119, 234, 256-257.
Jones, Tilford.—231-232.
Jordan, W. Clarence.—190-191.
Jordan, Winifred Virginia.—Contributor to The Crisis. 56.
Lee, Mary Effie.—Contributor to The Crisis. 56.
Lewis, Corinne E.—Student in the Dunbar High School, Washington,
D. C. 255.
Lewis, Ethyl.—60-61.
McClellan, George Marion.—Born, Belfast, Tenn., 1860. Educated
at Fisk University, Nashville, Tenn., of which he became financial
agent. Later, principal of the Paul Dunbar School, Louisville, Ky.
Authorship: The Path of Dreams, John P. Morton, Louisville, Ky.,
1916. 55, 173-179, 246-247.
McKay, Claude.—Born, Jamaica, 1889. Has resided in the United
States ten or eleven years. Till lately on the editorial staff of the
Liberator. Books: Constab Ballads, London, 1912; Spring in New
Hampshire, London, 1920. 126-131, 241-242, 244.
Margetson, George Reginald.—Born, 1877, at St. Kitts, B. W. I.
109-111.
Means, Sterling M.—Authorship: The Deserted Cabin and Other
Poems, A. B. Caldwell, publisher, Atlanta, 1915. 222-223.
Miller, Kelly.—Born, Winsboro, S. C., 1863. Educated at Howard
and Johns Hopkins Universities. Degrees: A. M. and LL. D.
Professor and dean in Howard University. Books: Race
Adjustment, 1904; Out of the House of Bondage, Neale Publishing
Co., New York, 1914. In Who’s Who. 206-209.
Moore, William.—Contributor to The Favorite Magazine. 111-112.
Ray, H. Cordelia.—Authorship: Poems, The Grafton Press, New
York, 1910. 257-260.
Razafkeriefo, Andrea.—Born, Washington, D. C., 1895, of Afro-
American mother and Madagascaran father. Educated only in
public elementary school. Regular verse contributor to The
Crusader and The Negro World. 197-198, 247-248, 263-264.
Reason, Charles L.—Born in New York in 1818. Professor at New
York Central College in New York and head of the Institute for
Colored Youth in Philadelphia. Authorship: Freedom, New York,
1847. 23-24.
Riley, Edwin Garnett.—Contributor to many newspapers and
magazines. 262.
Sexton, Will.—Contributor to magazines. 197, 233-234.
Shackelford, Otis.—Educated at Lincoln Institute, Jefferson City,
Mo. Authorship: Seeking the Best (prose and verse). The verse
part of this volume contains a poem of some 500 lines entitled
“Bits of History in Verse, or A Dream of Freedom Realized,”
modeled on Hiawatha.
Shackelford, Theodore Henry.—Born, Windsor Canada, 1888.
Grandparents were slaves in southern states. At twelve years of
age had had only three terms of school. At twenty-one entered the
Industrial Training School, Downington, Pa., and graduated four
years later. Studied a while at the Philadelphia Art Museum.
Authorship: My Country and Other Poems, Philadelphia, 1918.
Died, Jamaica, N. Y., February 5, 1923. 228.
Spencer, Mrs. Anne.—Born, Bramwell, W. Va., 1882. Educated at
the Virginia Seminary, Lynchburg, Va. Contributor to The Crisis.
156-159.
Underhill, Irvin W.—Born, Port Clinton, Pa., May 1, 1868. In
boyhood, with irregular schooling, assisted his father, who was
captain of a canal boat. At the age of 37 suddenly lost his sight.
Author of Daddy’s Love and Other Poems, Philadelphia. Home,
Philadelphia. 184-187.
Watkins, Lucian B.—Born, Chesterfield, Virginia, 1879. Educated in
public schools of Chesterfield, and at the Virginia Normal and
Industrial Institute, Petersburg. First teacher, then soldier. Books:
Voices of Solitude, 1907, Donohue & Co., Chicago; Whispering
Winds, in manuscript. Died, 1921. 59, 236-239, 252-253.
Watson, Adeline Carter.—232.
Wheatley, Phillis.—Born in Africa, 1753. Brought as a slave to
Boston, where she died in 1784. Many editions of her poems in
her lifetime. Poems and Letters, New York, 1916. 23-24.
Wiggins, Lida Keck.—Authorship: The Life and Works of Paul
Laurence Dunbar, J. L. Nichols & Company, Naperville, Ill. 41.
Whitman, Albery A.—Born in Kentucky in 1857. Began life as a
Methodist minister. Authorship: The Rape of Florida, Not a Man
and Yet a Man, and Twasnita’s Seminoles. 32, 35-36.
Williamson, D. T.—260-261.
Wilson, Charles P.—Born in Iowa of Kentucky parents, 1885.
Printer and theatrical performer. 179-180.
INDEX OF TITLES
A, B, C, D, E, F, G, H, I, J, L, M, N, O, P, R, S, T, V, W, Y.
PAGE

Apology for Wayward Jim.—James C. Hughes, 188


Ask Me Why I Love You.—W. E. Hawkins, 125
A Song.—Roscoe C. Jamison, 193
As the Old Year Passed.—William Moore, 112
At the Closed Gate of Justice.—J. D. Corrothers, 88
At the Carnival.—Mrs. Anne Spencer, 158
At Niagara.—R. Nathaniel Dett, 216
At the Spring Dawn.—Miss Angelina W. Grimké, 154
Autumn Sadness.—W. S. Braithwaite, 108

Band of Gideon, The.—Joseph S. Cotter, Jr., 83


Black Mammy, The.—J. W. Johnson, 236
Black Violinist, The.—Winston Allen, 230
Bomb Thrower, The.—Will Sexton, 197
Boy and the Ideal, The.—Joseph S. Cotter, Sr., 74
Brothers.—J. H. Jones, Jr., 118

Castles in the Air.—Roscoe C. Jamison, 193


Christmas Cheer.—Miss Corinne E. Lewis, 255
Chicken in the Bread Tray.—Folk Song, 15
Compensation.—Joseph S. Cotter, Jr., 82
Counting Out.—J. Mord Allen, 48
Credo.—W. E. Hawkins, 119

Dawn.—Miss Angelina W. Grimké, 153


Daybreak.—G. M. McClellan, 246
Death of Justice, The.—W. E. Hawkins, 123
De Innah Part.—R. G. Dandridge, 221
Don’t-Care Negro, The.—Joseph S. Cotter, Sr., 220
Dream and the Song, The.—J. D. Corrothers, 85
Dreams of the Dreamer, The.—Mrs. Georgia Douglas Johnson, 148
Dunbar.—J. D. Corrothers, 37
Dunbar and Cotter.—J. E. French, 253

Easter Message, An.—Mrs. Carrie W. Clifford, 240


Ebon Maid.—L. B. Watkins, 252
Edict, The.—Roscoe C. Jamison, 194
El Beso.—Miss Angelina W. Grimké, 154
Ere Sleep Comes Down to Soothe the Weary Eyes.—Paul Laurence
Dunbar, 41
Eternity.—R. G. Dandridge, 172
Expectancy.—William Moore, 112

Facts.—R. G. Dandridge, 172


Fattening Frogs for Snakes.—Folk Song, 117
Feet of Judas, The.—G. M. McClellan, 177
Flag of the Free.—E. W. Jones, 167
For You Sweetheart.—L. M. Fisher, 189
Foscati.—W. S. Braithwaite, 108

Goodbye, Old Year.—J. H. Jones, Jr., 256

Harlem Dancer, The.—Claude McKay, 128


Heart of the World, The.—J. H. Jones, Jr., 117
Hero of the Road.—W. E. Hawkins, 122
Hills of Sewanee, The.—G. M. McClellan, 176
Hopelessness.—Roscoe C. Jamison, 195

If We Must Die.—Claude McKay, 241


In Bondage.—Claude McKay, 129
In Memory of Katie Reynolds.—G. M. McClellan, 178
In Spite of Death.—W. E. Hawkins, 62
In the Heart of a Rose.—G. M. McClellan, 54
I Played on David’s Harp.—Fenton Johnson, 65
I See and Am Satisfied.—Kelly Miller, 207
I Sit and Sew.—Mrs. Alice Dunbar-Nelson, 145
It’s All Through Life.—W. T. Carmichael, 53
It’s a Long Way.—W. S. Braithwaite, 106
I’ve Loved and Lost.—L. B. Watkins, 237

Juba.—Folk Song, 16

Life.—Paul Laurence Dunbar, 43


Life of the Spirit, The.—Charles H. Conner, 210
Light of Victory.—George Reginald Margetson, 110
Lights at Carney’s Point, The.—Mrs. Alice Dunbar-Nelson, 146
Litany of Atlanta, A.—W. E. B. DuBois, 202
Loneliness.—Miss Winifred Virginia Jordan, 56
Lynching, The.—Claude McKay, 128

Mammy’s Baby Scared.—W. T. Carmichael, 219


Mater Dolorosa.—L. P. Hill, 134
Message to the Modern Pharaohs.—L. B. Watkins, 239
Months, The.—Miss H. Cordelia Ray, 257
Mother, The.—Mrs. Georgia Douglas Johnson, 249
My Lady’s Lips.—J. W. Johnson, 226
My People.—C. B. Johnson, 95
Mulatto’s Song, The.—Fenton Johnson, 101
Mulatto to His Critics, The.—Joseph S. Cotter, Jr., 67

Nation’s Greatness, A.—Edwin G. Riley, 262


Negro, The.—Langston Hughes, 200
Negro, The.—Claude McKay, 244
Negro Child, The.—Joseph S. Cotter, Sr., 248
Negro Church, The.—Andrea Razafkeriefo, 198
Negro Woman, The.—Andrea Razafkeriefo, 247
Negro Singer, The.—J. D. Corrothers, 89
New Day, The.—Fenton Johnson, 102
New Negro, The.—Will Sexton, 197
New Negro, The.—L. B. Watkins, 236

Octoroon, The.—Mrs. Georgia Douglas Johnson, 151


Ode to Ethiopia.—Paul Laurence Dunbar, 44
Oh, My Way and Thy Way.—Joseph S. Cotter, Sr., 81
Old Plantation Grave, The.—S. M. Means, 222
Ole Deserted Cabin, De.—S. M. Means, 223
Old Friends.—C. B. Johnson, 97
Old Jim Crow.—Anonymous, 231
Optimist, The.—Mrs. J. W. Hammond, 143
Oriflamme.—Miss Jessie Fauset, 162
O Southland.—J. W. Johnson, 92

Peace.—Mrs. Georgia Douglas Johnson, 61


Plaint of the Factory Child, The.—Fenton Johnson, 101
Poet, The.—R. G. Dandridge, 170
Prayer of the Race That God Made Black, A.—L. B. Watkins, 59
Psalm of the Uplift, The.—J. Mord Allen, 50
Puppet-Player, The.—Miss Angelina W. Grimké, 153

Rain Song, A.—C. B. Johnson, 99


Rainy Days.—Andrea Razafkeriefo, 263
Rain Music.—Joseph S. Cotter, Jr., 81
Rise! Young Negro—Rise!—John J. Fenner, Jr., 245

Sandy Star.—W. S. Braithwaite, 106


Self-Determination.—L. P. Hill, 137
She Hugged Me.—Folk Song, 17
Singer, The.—Miss Eva A. Jessye, 69
Slump, The.—W. E. Bailey, 65
Smothered Fires.—Mrs. Georgia Douglas Johnson, 150
Somebody’s Child.—Charles P. Wilson, 179
So Much.—C. B. Johnson, 98
Soul and Star.—C. B. Johnson, 96
Southern Love Song, A.—J. H. Jones, Jr., 115
Spring in New Hampshire.—Claude McKay, 127
Spring with the Teacher.—Miss Eva A. Jessye, 139
Steel Makers, The.—Leon R. Harris, 182
Sunset.—Miss Mary Effie Lee, 56

Thanking God.—W. S. Braithwaite, 109


Thanksgiving.—W. S. Braithwaite, 262
The Flowers Take the Tears.—Joseph S. Cotter, Sr., 76
The Glory of the Day Was in Her Face.—J. W. Johnson, 226
These Are My People.—Fenton Johnson, 100
Threshing Floor, The.—Joseph S. Cotter, Sr., 75
Time to Die.—R. G. Dandridge, 171
To——.—R. G. Dandridge, 171
To a Negro Mother.—Ben E. Burrell, 249
To America.—J. W. Johnson, 53
To a Caged Canary....—L. P. Hill, 136
To a Nobly-Gifted Singer.—L. P. Hill, 137
To a Rosebud.—Miss Eva A. Jessye, 141
To a Wild Rose.—W. E. Bailey, 213
To Hollyhocks.—G. M. McClellan, 176
To My Grandmother.—Mrs. Mae Smith Johnson, 251
To My Lost Child.—Will Sexton, 233
To My Neighbor Boy.—Mrs. J. W. Hammond, 143
To My Son.—Mrs. Georgia Douglas Johnson, 232
To Keep the Memory of Charlotte Forten Grimké.—Miss Angelina W.
Grimké, 155
To Our Boys.—Irvin W. Underhill, 185
Truth.—Mrs. Frances E. W. Harper, 28
Turn Out the Light.—J. H. Jones, Jr., 114

Vashti.—Mrs. Frances E. W. Harper, 30


Victim of Microbes, A.—J. Mord Allen, 224
Violets.—Mrs. Alice Dunbar-Nelson, 55
Want of You, The.—Miss Angelina W. Grimké, 154
We Wear the Mask.—Paul Laurence Dunbar, 47
What Is the Negro Doing?—W. Clarence Jordan, 190
What Need Have I for Memory?—Mrs. Georgia Douglas Johnson, 149
While April Breezes Blow.—D. T. Williamson, 260
Winter Twilight, A.—Miss Angelina W. Grimké, 153
With the Lark.—Paul Laurence Dunbar, 46

Young Warrior, The.—J. W. Johnson, 94

Zalka Peetruza.—R. G. Dandridge, 180


FOOTNOTES:
[1] Happily a great number of these, about three hundred and fifty, accompanied
by an essay setting forth their nature, origin, and elements, are now made accessible
in Negro Folk Rhymes, by Thomas W. Talley, of Fisk University; the Macmillan
Company, publishers, 1922.
[2] We are enabled to give the following poems by the kind permission of Dodd,
Mead and Company, the publishers of Dunbar’s works.
[3] The Dunbar Speaker and Entertainer, containing the best prose and poetic
selections by and about the Negro Race, with programs arranged for special
entertainments. Edited by Alice Moore Dunbar-Nelson. J. L. Nichols & Co.,
Naperville, Ill.
[4] Bronze has now been published. See Index of Authors.
[5] A Short History of the American Negro. By Benjamin Brawley. The Macmillan
Company.
[6] Published by Harcourt, Brace & Company, by whose kind permission I use this
selection.
*** END OF THE PROJECT GUTENBERG EBOOK NEGRO POETS AND
THEIR POEMS ***

Updated editions will replace the previous one—the old editions


will be renamed.

Creating the works from print editions not protected by U.S.


copyright law means that no one owns a United States
copyright in these works, so the Foundation (and you!) can copy
and distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth in the
General Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if
you charge for an eBook, except by following the terms of the
trademark license, including paying royalties for use of the
Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such
as creation of derivative works, reports, performances and
research. Project Gutenberg eBooks may be modified and
printed and given away—you may do practically ANYTHING in
the United States with eBooks not protected by U.S. copyright
law. Redistribution is subject to the trademark license, especially
commercial redistribution.

START: FULL LICENSE


THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the


free distribution of electronic works, by using or distributing this
work (or any other work associated in any way with the phrase
“Project Gutenberg”), you agree to comply with all the terms of
the Full Project Gutenberg™ License available with this file or
online at www.gutenberg.org/license.

Section 1. General Terms of Use and


Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand,
agree to and accept all the terms of this license and intellectual
property (trademark/copyright) agreement. If you do not agree
to abide by all the terms of this agreement, you must cease
using and return or destroy all copies of Project Gutenberg™
electronic works in your possession. If you paid a fee for
obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms
of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only


be used on or associated in any way with an electronic work by
people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project
Gutenberg™ electronic works even without complying with the
full terms of this agreement. See paragraph 1.C below. There
are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and
help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright
law in the United States and you are located in the United
States, we do not claim a right to prevent you from copying,
distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will
support the Project Gutenberg™ mission of promoting free
access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for
keeping the Project Gutenberg™ name associated with the
work. You can easily comply with the terms of this agreement
by keeping this work in the same format with its attached full
Project Gutenberg™ License when you share it without charge
with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project


Gutenberg:

1.E.1. The following sentence, with active links to, or other


immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project
Gutenberg™ work (any work on which the phrase “Project
Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United


States and most other parts of the world at no cost and
with almost no restrictions whatsoever. You may copy it,
give it away or re-use it under the terms of the Project
Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United
States, you will have to check the laws of the country
where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is


derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of
the copyright holder), the work can be copied and distributed to
anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the
phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of
paragraphs 1.E.1 through 1.E.7 or obtain permission for the use
of the work and the Project Gutenberg™ trademark as set forth
in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is


posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through
1.E.7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg™
License for all works posted with the permission of the copyright
holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project


Gutenberg™ License terms from this work, or any files
containing a part of this work or any other work associated with
Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute


this electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the
Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must,
at no additional cost, fee or expense to the user, provide a copy,
a means of exporting a copy, or a means of obtaining a copy
upon request, of the work in its original “Plain Vanilla ASCII” or
other form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™
works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or


providing access to or distributing Project Gutenberg™
electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
Welcome to our website – the ideal destination for book lovers and
knowledge seekers. With a mission to inspire endlessly, we offer a
vast collection of books, ranging from classic literary works to
specialized publications, self-development books, and children's
literature. Each book is a new journey of discovery, expanding
knowledge and enriching the soul of the reade

Our website is not just a platform for buying books, but a bridge
connecting readers to the timeless values of culture and wisdom. With
an elegant, user-friendly interface and an intelligent search system,
we are committed to providing a quick and convenient shopping
experience. Additionally, our special promotions and home delivery
services ensure that you save time and fully enjoy the joy of reading.

Let us accompany you on the journey of exploring knowledge and


personal growth!

ebookultra.com

You might also like