Using the Oscillator / Noise Generator The GL2400

includes a useful signal generator able to produce a pure 1kHz sine

wave tone, or a pink noise test source. This is invaluable in testing the
system components and setting up correct gain structure. The
generator can be routed independently to the various console outputs.
OSC/NOISE
Use the 1kHz tone to line up the connected equipment. For example,
a recorder, video camera or broadcast feed from the matrix. Route the
tone to the groups and turn up GRP1 in the matrix. Set the matrix
MIN MAX GRP1 and LEVEL controls to their 3 o’clock ‘0’ positions. Press the
1kHz matrix AFL and adjust the oscillator level until the console monitor
PINK meters read ‘0’. Next, adjust the recorder input trim so that its meters
also read ‘0’. The recorder is now correctly aligned to the operating
ON
level of the console. Similarly, you could match the console LR output
to a DSP speaker processor by sending the tone to LR, setting the
faders for output meters reading ‘0’, and then trimming the processor
SELECT input for ‘0’ on its meters. To prevent a loud tone through the
speakers it is best to do this with the amplifiers turned off.
L-R
Use the Pink Noise generator to check the signal routing and
GRP loudspeaker response. ‘Pink noise’ is a random signal that contains
1-4
all audio frequencies and is therefore a very good test source. Unlike
AUX
‘white noise’ which has equal energy per Hz and sounds like system
1-2 or inter-band tuner hiss, pink noise has equal energy per octave, a
response that matches the logarithmic way our ears perceive sound.
AUX You can hear all the frequencies clearly from deep bass, through mid
3-4
to treble. This means you can route the noise to a speaker system
AUX and quickly hear if one of the sub, mid or HF drivers is faulty. With the
5-6 noise sent to several speakers at the same time you can listen for
comb filtering effects, and the severe phasing effect which indicates
that one of the speakers may have its wires reversed. Pink noise is
also used with an RTA (real time analyser) when measuring room
frequency response. Testing a system with pink noise through the
speakers is often referred to as ‘pinking the room’.

The GL2400 signal generator is an invaluable tool for calibrating

and testing the system during setup. To prevent any unexpected
mishaps during the sound check or show, remember to disable it by
releasing the recessed ON switch once you have finished the testing.
We also advise that you always start the calibration with the
OSC/NOISE trim turned fully off so that you can bring it up gradually
without the risk of overloading the destination.

Mixing with faders or gain controls? There is a technique

used by some operators where they set all the faders to ‘0’ position
and balance the mix using the channel gain controls. We do not
advise this method as the signal to noise ratio and control resolution
can be severely degraded. In addition, it is impossible to mix monitors
0
20
30
40 from FOH in this way as changes to the gain settings affect the
GAIN
50
monitors too.

-14
60 406 The correct method is to use GAIN to match the source to the
operating level of the channel for optimum dynamic range, and then
use the FADERS to balance each source into the mix. With correct
system gain structure, prime sources such as vocals would have their
faders operated around ‘0’ while sources low in the mix such as
backing vocals and acoustically loud brass and drums would display
their true contribution with their lower fader positions. This is a much
more visual and accurate way of mixing.

24 GL2400 User Guide