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Salmo 142

The document is a musical arrangement of Psalm 142 by Daniel Santos, featuring various instruments such as flutes, saxophones, trumpets, and strings. It includes detailed notations for each instrument, indicating how they should be played, including dynamics and specific instructions for performance. The arrangement is designed for accompaniment with a choir and emphasizes a soft playing style.

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Daniel Francisco
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0% found this document useful (0 votes)
31 views8 pages

Salmo 142

The document is a musical arrangement of Psalm 142 by Daniel Santos, featuring various instruments such as flutes, saxophones, trumpets, and strings. It includes detailed notations for each instrument, indicating how they should be played, including dynamics and specific instructions for performance. The arrangement is designed for accompaniment with a choir and emphasizes a soft playing style.

Uploaded by

Daniel Francisco
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Salmo 142

Adaptação Daniel Santos


 = 90
     
Voz  
       
 Atenção ! Arranjo para acompanhamento com coral.....tocar pianíssimo
  
      
Flauta Transversal      

                  
Saxofone Soprano      
              


Saxofone Alto  
       
Saxofone Tenor     
    
 
Saxofone Barítono
 

         
Trompete em B♭     

   
  
Trombone
 

             
Violino   
  

        

  
Viola

      
Violoncelo
  

D/F♯ A/E D A 
 
              


Piano


         
Bateria



danielfranciscosax@gmail.com
2
A
5
 
Vo.          
   
  


      
Fl.    

      
     
Sax. Sop.

      
     
A. Sax


       
    
Sax. Tn.

        
Bar. Sax
    


       
Tpt. em B♭  


       
Tbn.
 


       
Vln.  


Vla        


       
Vc.
 

D A/C♯ Bm  Bm / A G
 
                


Pno
     
         
           
Bat.
  
    

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3


10

Vo.                 
   
      
Fl. 
       
Sax. Sop.   
      
A. Sax       
   

       
Sax. Tn.   
       
 
Bar. Sax
 
          
Tpt. em B♭     

         
Tbn.


Vln.
 
         
   
Vla      

         
Vc.

E/G♯ D/A A D A/C♯ Bm

            


Pno

     
                 
Bat.                   
     

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4


16

 
Vo.
       

          
Fl. 

         
Sax. Sop. 
 
A. Sax         

      
Sax. Tn. 
     
Bar. Sax
 
     
Tpt. em B♭   

      
Tbn.

Vln.
 
          

Vla            

      
Vc.

Bm / A G A D D
               


Pno

    
              
Bat.            
    

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5
B
  
21

          

Vo.
   

  
     
Fl.  

    
Sax. Sop.     

   
   
A. Sax   

     
Sax. Tn.   

      

Bar. Sax
 


        


Tpt. em B♭   

 
        
Tbn.


  
     
Vln.  

  
Vla       
  
      
Vc.


G F♯m Bm  Em  A
               


Pno
     
         
Bat.             
    

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6


           
26

      


Vo.

     
    
Fl. 
   
Sax. Sop.      
       
   
A. Sax     

Sax. Tn.         

         
Bar. Sax
 
 
      
   
Tpt. em B♭
  
 
       
Tbn.

         
Vln. 
   
Vla      

      
  
Vc.

A/C♯ D D G F♯m Bm 
            


Pno

     
                 
Bat.                   
     

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7
1.

32

 
Vo.      
 
      
Fl. 
     
Sax. Sop.   
  
A. Sax       

     
Sax. Tn.   
       
Bar. Sax
 
     
Tpt. em B♭    

        
Tbn.

 
      
Vln. 
 
Vla       

   
    
Vc.

Em  A A/C♯ D A

               


Pno

    
             
Bat.             
    

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8
3X 2.
37
     
 
Vo.

  
          
     
Fl. 
  
Sax. Sop.             

           


 
 
A. Sax   
 
     
   
Sax. Tn.         

              
Bar. Sax
  
    
           
Tpt. em B♭             
          
     
Tbn.
 
  
            
Vln.  
   
     
Vla        
          
     
Vc.
 
D A D D/F♯ G D/F♯ Em D
 
                


Pno

    
               
               
Bat.

    

danielfranciscosax@gmail.com

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