Joshua Abrahan

Atin Cu Pu Singsing (Improvasyon)

Agusto Espino
-s a solo piano piece from his Suite for Piano Solo Based on Philippine Folksongs
(2008). The piece reimagines the traditional Kapampangan folk song Atin Cu Pung
Singsing, which tells of a lost ring inherited from one’s mother. Symbolically, the ring
represents lost cultural identity and spirit among the Kapampangan people due to
colonization.

Xavier John O. Fuentes

Dahil Sa’yo
Mike Velarde
-is a classic Filipino kundiman with lyrics by Dominador Santiago. Originally featured in
the film Bituing Marikit, the song expresses deep devotion and love.

Ma. Cassandra L. Alag

Minuet in G Major
Johann Sebastian Bach
-is a light and elegant Baroque dance piece from the Notebook for Anna Magdalena
Bach. Known for its graceful melody and clear structure, it reflects the refined style of
the period and remains a popular work for developing musicians due to its charm,
balance, and timeless appeal.

Pauline Claire Datoy

Sonatina, Op. 36 No. 2
Muzio (mew) Clementi
- is a three-movement piano piece composed in 1797 as part of his Six Sonatinas, Op.
36. Designed as a progressive teaching tool, this collection was intended to develop
essential piano skills, with each sonatina increasing in difficulty. Op. 36 No. 2 is
particularly favored for its clear classical structure, melodic charm.

Mae Pearl Sevillano

I’d Give My Life For You
Claude Michel Schonberg
- is a poignant solo from the 1989 musical Miss Saigon, composed by Claude-Michel
Schönberg with lyrics by Alain Boublil and Richard Maltby Jr. Sung by the character
Kim, a young Vietnamese mother, the song expresses her unconditional love and
willingness to sacrifice everything for her son, Tam, fathered by an American soldier
during the Vietnam War. This heartfelt ballad captures Kim's determination to provide
her child with a better future, embodying themes of maternal devotion and selflessness.
Regina Claire Diaz
Valse, Op. 69 No.2
Frederick Chopin
-is a lyrical and melancholic piece composed in 1829 and published posthumously.
Sometimes called the “Farewell Waltz”, it blends elegance with melancholy,
showcasing Chopin’s signature romantic style. It’s a prime example of Chopin’s ability to
transform a dance form into a deeply personal musical expression.

Chena Pauleen M. Arquillano

Voi Che Sapete
Wolfgang Amdeus Mozart
-is a famous aria from Wolfgang Amadeus Mozart’s 1786 opera The Marriage of Figaro.
Sung by the character Cherubino, a young page, the aria expresses his youthful
confusion about love. Light and lyrical, it’s often performed by a mezzo-soprano in a
“trouser role” and remains one of Mozart’s most beloved arias for its charm and
emotional honesty.

Milton Louis Fabillar

Bear Dance
Bela Bartok
-is a short lively piano piece from his collection “Ten Easy Pieces”. It captures the
playful clumsy movement of a dancing bear through heavy rhthyms and simple
Folk-inspired melodies. The music reflects Bartok’s interest in Eastern European ​
Folk traditions, combining rustic charm with vivid musical imagery.

Franz Benedict B. Plimanco

Pakiusap
Francisco Santiago
-is a kundiman sonf that expresses deep devotion, longing, and a plea for the beloved’s
attention and affection. The lyrics depict a heartfelt plea from the suitor to his love,
promising undying love and protection, even until death.

Alyza Ann A. Horca

New World Symphony (Theme)
Antonin Dvorak (devorjak)
–is a famous and melancholic melody, often known as “Going Home”. It’s characterized
by its slow tempo, warm tone, and evocative feeling of sadness and longing. The theme
is often associated with Dvorak’s longing for his homeland while in America, and it is
known for its simple yet memorable nature.

Clyde Sam I. Lequin

Burn from the broadway “Hamilton” by Lin Manuel Miranda
-is a powerful expression that expresses heartbreak and betrayal. In a poignant act of
reclaiming the narrative, she burns the love letters he wrote to her, symbolizing her
decision to remove herself from his story. The song captures themes of love, loss, and
agency, highlighting Eliza’s emotional depth and strength.

Kristina Velasco
Prelude in C Major
Johann Sebastian Bach
- is the opening piece of The Well-Tempered Clavier, Book I, composed in 1722. Simple
yet elegant, the prelude features flowing broken chords that create a calm, meditative
atmosphere. It’s often one of the first Bach pieces learned by piano students and
showcases his mastery of harmony and structure.

Kirstin Shayne Rosite

Marion Antonette Barcial
Kristine Mae Avila
James Abrahan
Amazing Grace
from the acapella rendition of Pentatonix
-originally written by John Newton in the 18th Century as a reflection of his experience
in slave raiding.

Noriela Gwen Gacelos

Fantasiestucke (fantasieshtuke), Op. 12 No. 2 in F minor (Aufschwung)
Robert Schumann
-is a powerful Romantic work characterized by its sweeping arpeggios, bold dynamics,
and passionate intensity. The title meaning “Soaring” or “Impulse” reflects the pieces
urgent and fiery character, showcasing Shumann’s expressive and imaginative piano
writing.

John Robert C. Narte

Lambingan
Leon Ignacio
-is a romantic piece, emblematic of early 20th-century Filipino music, delves into themes
of love, longing, and the sweetness of affection. Its lyrics portray the joy of being with a
beloved and the sorrow of separation, capturing the essence of tender Filipino
courtship.

Leandrew Miguelle C. Advincula

Morceaux de Salon, Op. 10 No. 5
Sergei Rachmaninoff
-is a lively and whimsical, the piece contrasts Rachmaninoff’s typically darker, more
dramatic works. It features playful rhythms, bright textures, and virtuosic passages that
showcase the pianist’s agility. Despite its lighthearted title, it still carries Rachmaninoff’s
rich harmonies and expressive depth, making it a charming and technically engaging
concert piece.

Carl Anthony Arguta

Til I Hear You Sing from “Love Never Dies” by Andrew Lloyd Webber
-the 2010 sequel to the 1996 musical The Phantom of the Opera

Andreah Lorraine M. Labadia

Gitaneria
Ernesto Lecuona
-is the fourth movement of Ernesto Lecuona's Andalucia suite. It is inspired by the
expressive movements of the flamenco dancers and vibrant music of the Gypsy or
Gitanos people of Andalusia, Spain.

Juvin Dave Lemosnero

Gratitud (Valse Caprice)
Francisco Buencamino Sr.
-is a romantic and expressive piano piece that blends Western classical waltz form with
Filipino melodic sensibilities. Composed in the early 20th century, it showcases
Buencamino’s virtuosic style and emotional depth, characterized by lyrical themes, rich
harmonies, and elegant ornamentation.

Joanne Limpin
Don’t Cry For Me Argentina
Andre Lloyd Webber
-is a song that showcases Eva Peron’s charisma and emotional depth as she addresses
the Argentine people, revealing her complez personality and inner turmoil.