II Contents The Digitakt Notebook : Reference & Guide

Contents
Overview 1

Architecture 7

Pattern Basics 17

Patterns Advanced 45

Tracks 67

Samples & Sounds 81

Audio & Sampling 105

Filter, Amp & LFO 121

Effects & Master Out 137

MIDI & USB 149

System 185

Other Stuff 195

The Digitakt Notebook : Reference & Guide Contents III

IV Contents The Digitakt Notebook : Reference & Guide
 1
Overview
Elektron were born in Gothenburg, Sweden, a and a sampler but the sequencing power and
place famous for its canals and west coast especially the midi sequencing makes Digitakt a
seaport. With over 20 years of experience in candidate for being the centre piece or hub of
creating unique musical instruments and any studio or live set up. With up to 8 channels of
effects modules Digitakt was released in 2017. midi output controlling external devices, oodles
While many of Elektron's instruments carry a of sample memory storage and its ability to
steep learning curve Digitakt is a more modular synthesize sounds, Digitakt is a true winner. The
and simpler device but retains the Elektron unit has 8 audio tracks plus 8 midi tracks, internal
power and contains much of its DNA including delay and reverb, 1GB of storage on the inbuilt
the sequencer, trigs, parameter locks and a lot +Drive, audio Input and Output, Midi In, Thru and
of the features that have become synonymous Out, filter and overdrive per audio track, all
with Elektron. If you’re unclear of what these contained within a small form factor. This guide
are then stay with us, all will become clear. So offers you a reference and tips on getting the
what is Digitakt? It says on the tin that it’s an 8- best from Digitakt. There are walkthroughs and
voice digital drum computer and sampler, or as instructions that will help both the newcomer and
Elektron call it, a beat making powerhouse. advanced users alike.There is designed-in space
Actually it’s much more than this. It’s title, while allocation for making your own notes and
covering several bases, does not completely personalisation when using it in PDF editors. The
tell the full story of the feature set and design is intended to bring a comprehensive set
functionality of Digitakt. A Swiss army knife for of information and content alongside your own
the music maker would have been much more notes in an e-notebook format that supplements
apt. It does of course act as a drum machine rather than replaces the official manual.

The Digitakt Notebook : Reference & Guide Contents 1

1 Overview
How to Use This Notebook NOTES

This book combines a formal reference with your own notes and comments,
collectively bringing together a comprehensive guide to Digitakt.

re
Sections are laid out to cover the full workflow with walkthroughs, step by ten here He
Can be writ
Your Notes
step guides and tips. Some pages carry a wide margin and some are
intentionally blank enabling you to make your own notes on the specific
topics covered.

(CONTROL)
Rounded parentheses represent the context sensitive, rotary DATA ENTRY
controls labelled A-H or any other rotary which is indicated by its name i.e.
(LEVEL) for the Level/Data control.

[FUNC]
Square Parentheses contain functions that are selectable by a specifically
defined button.

[FUNC] + [COPY]
Functions which require multiple button selections simultaneously are
shown with a + Symbol between each button.

Some keys are represented by a symbol on Digitakt for the specific

function, for example the Pattern, Global Settings, Sampling, Tempo, and
transport controls are marked with unique symbols. When referring to these
buttons the same square parentheses convention applies with the text
name within i.e. [PLAY], [STOP], [SETTINGS] etc

Keys / Buttons 1-16 will be indicated purely by the respective Trig / Track
number i.e. [1], [2] … [16] and will normally be preceded by the current
context i.e. Trig, Track etc

[PATTERN] Pattern Menu

[SETTINGS] Global Settings

Did you
know?
SidS
Elektron tation was
[SAMPLER] Sampler Recording Page release in ’s first synth
based on 1999 and was
th
64 home e Commodore
com
processorputers
[TEMPO] Tempo and Metronome Settings

2 Contents The Digitakt Notebook : Reference & Guide

 Overview 1

63
mm

B A

On / Off 12V DC Hi Speed 5 Pin MIDI DIN ¼ Inch Audio Out Balanced,
Switch Power USB 2.0 In, Out - Sync A, Thru - Audio In and Stereo
Input. Type B Sync B (Sync, Din 24 or 48) Headphones

215mm

176
mm

The Digitakt Notebook : Reference & Guide Contents 3

1 Overview
Master Volume Rear I/O Connections OLED Display
Adjusts the Audio Output and MIDI and Audio inputs and 128 x 64 Pixel, context
Headphone levels outputs , power connector and sensitive screen
On/Off Button
Level / Data
Adjusts the selected track level. [FUNC] +
(LEVEL/DATA) Scrolls the sound browser menu

Pattern
Opens the pattern management menu.
[FUNC] + [PATTERN] opens the Import &
Export Menu

Global Settings
Opens the global settings and project
management options. [FUNC] + [SETTINGS]
Saves current project

Sampling
Opens the sampling settings. [FUNC] + [SAMPLING]
selects the ‘Direct Sampling’ Function

Tempo
Opens the tempo menu. Use [FUNC] + [Tempo]
for setting Tap Tempo

Sequencer Transport Modes & Controls

[REC] Grid Recording Mode - On/Off

[REC] + [PLAY] Live Recording Mode
[REC] + tap [PLAY] + tap [PLAY] Live Quantize.
[REC] + [STOP] Step recording mode.

[PLAY] Starts the sequencer running.

[STOP] Stops the sequencer playback.

[FUNC] + [REC] for Copy function

[FUNC] + [STOP] Pastes the copied item
[FUNC] + [PLAY] for Clear function

Secondary Function Pattern Select

Accesses the secondary ‘orange’ function by holding Selects the respective patterns 1-16 when holding
[FUNC] plus chosen button together [PTN] + [TRIG] 1-16.
[FUNC] + [PTN] Selects Metronome Options

Track Bank Select

Hold along with the a Trig button to select the track. Selects the respective Bank A-H when holding
Secondary function [FUNC]+[TRK] accesses the [BANK] + [TRIG] 9-16.
chromatic mode - orange lit [FUNC] + [BANK] Selects Mute Mode

4 Contents The Digitakt Notebook : Reference & Guide

 Overview 1
Data Entry Controls Trig Parameters
8 Endless Rotaries A-H Adjust the parameter aligned [TRIG] Access to the trig menu.
with context specific function on the display. Press [FUNC]+[TRIG] to access quantize menu
and Turn for greater incremental changes.
Source Settings
Selects the Source for Sample playback (Audio
Tracks) and MIDI settings (MIDI Tracks). [FUNC] +
[SRC] for Sample Assignment

Filter Parameters
Opens the two filter parameters (Audio Tracks) and
Midi CC Value Parameters (MIDI Tracks). [FUNC] +
[FLTR] for Delay Parameters

Amp Settings
Opens the amplitude and effect send settings (Audio
Tracks) and Midi CC Select (MIDI Tracks). [FUNC] +
[AMP] for Reverb Parameters

LFO Settings
Access to the the low frequency oscillators for the
selected track. [FUNC] + [LFO] for Master Output
parameters

Yes
Selects the current value and menu during navigation.
[FUNC]+[YES] Temporary saves active pattern

No
Exits or Cancels or backs up from the current value or
menu during navigation.
[FUNC]+[NO] Temporary reloads active pattern

Page
Selects the active pattern page. Lit LED indicates
pattern pages, flashing LED indicates the current track
that is being played.
FUNC]+[PAGE] Scale Menu and also Fill Function

Navigation Controls
[UP] [DOWN] [LEFT] [RIGHT] Navigation.
In Chromatic mode [UP][DOWN] transpose Octave

Trig Keys 1-16

Selects Audio (1-8) and MIDI (9-16) tracks [TRK] Selects
Banks [BANK] and Patterns [PTN]

Sets the note trigs and parameter locks (with data entry In Grid Recording Mode:
control). Mutes tracks and notes and also is the chromatic Micro Timing using Trig Key + [LEFT] [RIGHT]
keyboard. Retrig Menu with Trig Key + [UP] [DOWN]

The Digitakt Notebook : Reference & Guide Contents 5

 NOTES

6 Contents The Digitakt Notebook : Reference & Guide

 2
Architecture
Elektron’s devices have a familiar feel between and midi set up. Understanding the key functions
its different instrument and effect devices. and terminology is also important in working with
Under the hood of the Digitakt is a powerful Digitakt (and in fact most of Elektron’s Devices).
memory structure enabling access to many This section gives out the definitions of the terms
sounds and samples. Digitakt contains a 1GB that are important. One final thing to point out is
+Drive, a non-volatile storage device which that the functionality of the buttons and keys are
holds up to 128 projects, saved sounds and the very sensitive. The normal working practice is to
sample bank. The RAM is where the realtime ‘quick tap’ the keys for normal selection i.e.
action occurs and Digitakt hosts 64MB of selecting the metronome settings page. However
sample memory. Each project contains up to some options need a longer key press. Setting
128 sounds. Patterns are the fundamental the metronome on and off for example requires
building block of the Digitakt and hosts its the keys [FUNC] + [PTN] to be held for 1 second.
sounds. Eight banks each contain up to 16 Therefore we advise paying attention to any
patterns with each pattern containing up to 8 specific instructions on where to ‘press’ (tap) and
Sounds, each contained within one of the eight where to press and hold. Understanding these
audio tracks. Digitakt has a built in screen guidelines, definitions and the overall structure
saver with 60 minute timer. Understanding the sets the platform for getting to know the
architecture and structure of Digitakt is foundations of Digitakt and helps in developing
important in adopting a good workflow. This your own more advanced workflows and
section describes the structure and ultimately getting the best out of this excellent
architecture of projects, audio configuration machine.

The Digitakt Notebook : Reference & Guide Contents 7

2 Architecture
2.1 Glossary of Terms
While you may think this should be hidden at the back of this book, understanding the terminology
applied in ‘Elektron World’ is a big step in understanding Digitakt power and performance. It makes
sense to become familiar with the essential terms to help embed full functionality into your workflow

+Drive: Digitakt’s main integrated memory storage Parameter: The setting of specific functions and
device containing up to 2048 sounds within the control elements that can be adjusted to affect a
1GB capacity storage available to all projects. sound or operation

Class Compliance: Refers to USB compatibility of Parameter Lock: Is where a unique parameter
devices to allow MIDI and Audio over USB. setting is applied to one or more Trigs for example
a pitch setting for note trigs in order to develop a
Conditional Locks: Applies specific rules on how melody sequence.
and if a Trig will operate. Considered pre-requisite
criteria for the step to operate Pattern: This is the backbone and core of Digitakt.
Each pattern stores the sequence of sounds and
Digitakt: The wonderful little box full of musical trigs, parameter locks, BPM and everything
magic also called an 8 Voice digital drum computer associated with each pattern.
and sampler
Project: The overall pattern container which
Elektron: The designer and manufacturer of includes general settings, all banks and pattern
Digitakt and many other great audio products. slots.

Kit: A Kit is a set of 8 Audio tracks and the level Sample: The basic raw audio sample. In Digitakt
settings of each. All assembled together, 1 Kit per this is a 16bit, 48Hz, Mono sample.
pattern.
Sound: A Sound is the sample plus all the audio
Lock Trig: Activates a defined parameter change track settings specific to that sound.
on a sequence step without triggering the note i.e.
Filter change. Sound Lock: Sets an individual sounds from the
sound pool for each step on the same track,
MIDI Track: While the audio sounds and allowing different sounds to be used on different
parameters come through the 8 Audio tracks, steps of the sequence
Digitakt can control external midi devices from 8
MIDI tracks and using the 5 Pin MIDI or USB Sound Pool: Memory set aside for each
connections. independent project which contains sounds i.e.
sample plus features.
Mute Mode: Modes in which variations can be
created by silencing the play out of tracks and Track: Digitakt contains 8 Audio tracks for
patterns for sound design and especially when triggering samples and sounds and 8 Midi tracks
playing live. This brings a lot of creative power in for controlling external devices
using Digitakt.
Trig: A term used to describe the trigger / activation
Note Trig: Triggers a specific note sound or midi of notes or parameter changes for a selected step
note on the selected track step. For example when or note in a sequence
setting sequence patterns

Overbridge: Specific Elektron software utility which

enables the communication between Elektron
hardware and its digital VST ‘twin’ operating on a
PC / Mac based DAW.

8 Contents The Digitakt Notebook : Reference & Guide

 Architecture 2
NOTES 2.2 Project Structure

1 2 3 128

Project Project Max 128 projects stored on +Drive

8 Banks each with 16 pattern slots

A B C D A B C D

Bank
E F G H E F G H

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 16 patterns per bank

12 Contains Trigs, Parameter

Pattern Locks, BPM, Length, Swing,
Time Sig and MIDI Settings
System Level
+DRIVE

Collection of 8 Audio Tracks

Kit and Level Settings

9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8

1 8

Track Audio Tracks Track

Project Level - 128 Sounds per Project
Sound Pool

Audio Sample plus track

Sound SRC,FLTR,AMP,LFO Settings

Raw Audio Sample. 127

Sample Sample slots, max 64MB - 11
Min per project

2048 Sounds, 256 per Bank

+Drive stored internally on the 1GB
+Drive

Sound Manager
Transfers between +Drive 1 128
& Sound Pool 128 Projects stored on the
Project Project +Drive

128 Sounds available in

Sound Sound Digitakt memory for each
Pool Pool individual project

Only sounds in the project sound pool can be sound locked

The Digitakt Notebook : Reference & Guide Contents 9

2 Architecture
2.3 Audio Structure

SETTINGS > AUDIO ROUTING

to manage routing set up

LFO1

Voice 1

Sample Modulation
LFO
AHD ADSR
Engine
SRC
LFO2
AMP Envelope Filter Envelope
AMP FLTR

Modulation
LFO
Base - Width Multimode
Overdrive AMP Filter Filter Pan
AMP FLTR FLTR AMP
AMP

Delay
Delay
AMP
Sends

Reverb
AMP

Effects Sends

Delay Reverb
Delay Reverb

Voice 1 Voice 2 - 3 - 4 - 5 - 6 - 7 - 8

Effects Return

MIXER
Master
(Page 2)

Compressor
Master
(Page 1)

L R Settings Page Shown in Orange

OUTPUT

10 Contents The Digitakt Notebook : Reference & Guide

 Architecture 2
NOTES 2.4 Midi Structure

1 2 3 128

Project Project

8 Banks each with 16 pattern slots Max 128 projects stored on +Drive

A B C D A B C D

Bank
E F G H E F G H

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 16 patterns per bank

12 Contains Trigs, Parameter

Pattern Locks, BPM, Length, Swing,
Time Sig and MIDI Settings

8 Midi tracks operate with

Kit Midi Tracks similar functionality to audio
tracks
12345678 9 10 11 12 13 14 15 16

10

Track

Velocity
Length Each Midi Track can control
Pitch Bend Chord / Notes chords up to 4 notes
Aftertouch
etc
1 2 3 4
CC CC CC CC 8 Midi CC assignable
5 6 7 8 parameters
CC CC CC CC

5 Pin and USB MIDI In / Out for control

and communications with external midi
compliant gear

The Digitakt Notebook : Reference & Guide Contents 11

2 Architecture
2.5 Menu & Parameter Navigation
The Digitakt display is context sensitive meaning the pages change to match whatever function is
selected to match the associated parameter set. There are however some style and layout conventions
that apply across the device.

DATA ENTRY
Adjust the relative data entry rotary control to change the
associated parameter eg Turn (F)
Press and Hold the data entry control while turning to adjust
in larger increments eg Press + Turn (F)
A B C D
Press the data entry control and the NO button to reset the
value eg Press (F) + [NO]
To reset ALL parameters on specific function page press the E F G H
Parameter Button and press Play eg [SRC]+[PLAY] also for
TRIG, FLTR, AMP & LFO
8 Data entry rotaries are relative to the context
Hold any Parameter key (TRIG, SRC, FLTR, AMP, LFO) to of the display parameter positions A-H
see the associated current parameter settings

Current Pattern Name.

Also this area displays the
parameter change during editing

Currently Selected BANK A-H Current Tempo Setting in

and Pattern Number 1-16 Beats per Minute

Track Type SMP for Audio Sample

Track or MID for Midi Track

Current Track Number

Track Level

FUNC
Pressing Func while adjusting some parameters enables ‘jump’ selection between values rather than a
seamless step through sequential values eg [FUNC] + Delay Time .
[FUNC] + Orange Titled Option selects that function almost like a Shift Option.

TRK
Pressing TRK while adjusting parameters will change the value across ALL tracks eg [TRK] + (H)
Where H = Sample Level in the SRC settings

Menu Navigation
Use the Up, Down, Left and Right Arrows to navigate in some menu structures. The Yes / No buttons
confirm or cancel.
Note: The [LEVEL/DATA] i.e. Level / Data rotary also scrolls through menu selections

12 Contents The Digitakt Notebook : Reference & Guide

 Architecture 2
2.6 Naming Menu
Some functions have the option to name or rename, for example when saving a pattern. These
menus are selected or appear when the naming or renaming of a pattern, sound etc is required.

[LEFT] & [RIGHT]

navigate between the current characters

[UP] & [DOWN] or (LEVEL/DATA)

to select character

[FUNC] + [NO]
Erase Character

[FUNC] + [YES]
Insert Space

POP UP NAMING MENU

Hold [FUNC] for Pop Up mode.

While holding, navigate to highlight

character required.

Release [FUNC] to Insert character

Maximum number of characters in the name is 16.

The Copy, Paste and Clear functions using the secondary key options [FUNC] + [REC] for Copy, [FUNC]
+ [PLAY] for Clear and [FUNC] + [STOP] for Paste are also available within the naming menu.

The Digitakt Notebook : Reference & Guide Contents 13

2 Architecture
2.7 Project Management NOTES

A project is the highest order element in the data structure hierarchy and
contains 128 patterns stored in 8 Banks of 16. Digitakt also has a
preloaded project number 001 containing presets. The active project is
always reloaded on start up.

▌ LOADING A PROJECT

1. Select the GLOBAL SETTINGS option [SETTINGS]

2. Select PROJECT and press [YES]

3. Highlight the LOAD PROJECT Option using the (LEVEL/DATA) or [UP]

[DOWN] Keys, then press [YES]

4. The Project list opens and scroll to highlight the selected project to load
and press [YES]

5. Option to save currently active project may appear. Press [YES] to

select save. Projects may be lost if not saved when loading a new
project.

▌ CREATING A NEW PROJECT

1. Select the GLOBAL SETTINGS option [SETTINGS]

2. Select PROJECT and press [YES]

3. Highlight the LOAD PROJECT Option using the (LEVEL/DATA) or [UP]

[DOWN] Keys, then press [YES]

4. The Project list opens and scroll to highlight the CREATE NEW option
in the list and press [YES]

5. New project will be loaded

▌ QUICK SAVING OF A PROJECT

1. Press [FUNC] + [SETTINGS] to Save Project. Name if this is first save

2. Select [YES] to save Patterns and Project or [NO] to cancel

14 Contents The Digitakt Notebook : Reference & Guide

 Architecture 2
NOTES

▌ SAVING A PROJECT AS

1. Press [SETTINGS] to select GLOBAL SETTINGS

2. Select PROJECT and press [YES]

3. Highlight SAVE PROJECT AS option and press [YES] to save

4. Project list opens and select an empty slot where the project will be
saved.

5. A new open slot will open the project naming function. Set the new
name and press [YES] to save

▌ MANAGING PROJECTS

1. Select the GLOBAL SETTINGS option [SETTINGS]

2. Select PROJECT and press [YES]

3. Highlight MANAGE PROJECTS using the (LEVEL/DATA) or [UP]

[DOWN] Keys and press [YES]

4. The Project list opens and select one or more projects to manage.
Projects selected are checked.

5. Press [RIGHT] to open the Project Manager options.

6. Select the option required:

• CLEAR: Clears the selected project and resets.

• DELETE: Removes and deletes projects from selected slots

• RENAME: Opens renaming screen. Only when a single project is

selected.

• LOAD FROM: Loads selected project and overwrites active project

• TOGGLE: Switches write protection on or off.

• INIT: Initialises and empty slot.

7. Press [YES] to confirm or [NO] to cancel

The Digitakt Notebook : Reference & Guide Contents 15

 NOTES

16 Contents The Digitakt Notebook : Reference & Guide

 3
Pattern Basics
Patterns are at the heart of Digitakt and these managing this functionality. Add to this the
are arranged within its powerful sequencer and power of the Digitakt’s Trig options including trig
its associated feature set. The sequencer locks, parameter locks, micro tuning and the
organises and controls patterns to form power is there for all to see. Getting to know the
rhythms and develop evolving sounds and elements that quickly get things up and running
arrangements. Pattern sequencing is a notable with patterns is the main objective of this section
function that seems to be central to most leaving the advanced features till later. As
Elektron devices. While it is important to get to always the sections offer space and
know the components within a pattern it is placeholders for your own notes and comments.
arguably better to understand the overall
sequencing concept and its practical nature
before delving deeper. This section therefore
provides the basics in building patterns and
offers a quick start to using Digitakt
sequencing before diving deeper into the
workflow and before discussing the finer
details of the sub elements and functions. It is
important to know that patterns and the
sequencer are inextricably linked. A sequence
is in fact the formation of steps into a pattern
and Digitakt’s sequencer is the tool for

The Digitakt Notebook : Reference & Guide Contents 17

3 Pattern Basics
3.1 Workflow Overview - Audio Sequence NOTES

The sequence workflow requires the creation and assembly of sounds into
a series of steps to form a melody or drum sequence. Presets can be
loaded to achieve this or sounds sampled and kits created from scratch.

BASIC S ADVANCED

1 Record / Sample Audio In

2 Edit Audio for Individual Sounds

Select Sound: [FUNC] + (LEVEL/DATA) 3 Assign Sound to a Track

4 Build Tracks Into a Kit

5 Set the Tempo: [TEMPO]

6 Select Track to Sequence: [1] - [8]

Select GRID Recording Mode: [REC]

Create Pattern by Selecting Trig Steps: [1]...[16]

Select Bank:
[BANK] + [A]...[H] i.e. Key 9-16 7
Select Pattern: [1]...[16]
Select LIVE Recording Mode: [REC] + [PLAY]

Create Pattern by Playing Tracks Live to Set Trig Steps: [1]...[16]

8 Extend length: [FUNC] + [PAGE] & [PAGE]...[PAGE]

Create Extended Pattern by Selecting Trig Steps: [17]...[64]

Listen to Playback: [PLAY] 9 Listen to Playback: [PLAY]

Select Next Track to Sequence: [TRK] + [1] - [8]

10 Add effects..............+ Parameter Locks, Trig conditions, swing etc

11 Set Master Output: [FUNC] + [LFO]

12 Temporarily Save Sequence Pattern: [FUNC] + [YES]

Save Sequence Pattern: [PATTERN]

Name / Rename Sequence Pattern: [PATTERN]

A pattern contains; settings as stated in TRIG, SRC (including sample selected), FLTR, AMP, LFO, DELAY, REVERB and
MASTER Pages, track note and lock trigs, parameter, sound and sample locks, quantize settings, time signature and length
settings of tracks. Pattern chains are not stored in Digitakt and will be lost when changing patterns.

18 Contents The Digitakt Notebook : Reference & Guide

 Pattern Basics 3
NOTES 3.2 Getting Started with Sequencing
While Sounds are fundamental building blocks these will be discussed later
in detail. Saved sounds and kits either previously created or presets will be
used in the workflow examples in this section.

▌SELECTING A PRESET / SAVED PATTERN

1. Select a Bank by pressing [BANK] then press trig key [9] - [16] to select
a bank A to H (Labelled MIDI A To MIDI B).

2. Select the desired Pattern within the chosen bank by pressing [1] To
[16]. The display prompts after selecting the bank.

3. To select a new or to change the pattern within the currently selected

bank; Press [PTN] + [1] … [16]

4. A 4 Second countdown timer to allow pattern to be selected shows on

the display after pressing [PTN] and [BANK]

WHITE UNLIT
Indicates a pattern exists Indicates no pattern exists
in this trig location in these trig location

1 2

RED
Indicates the current
selected pattern

The Digitakt Notebook : Reference & Guide Contents 19

3 Pattern Basics
▌PLAYING A PATTERN NOTES

1. Press [PLAY] - Key is lit Green

▌STOPPING A PATTERN

1. Press [STOP] to stop playback and allow fades of effects

2. Press [STOP] & [STOP] to stop playback and cut off effects.

▌PAUSING A PATTERN

1. Press [PLAY] to pause during playback. Play (green) and Stop (white)
both are lit.

2. Press [PLAY] again to continue.

▌CHANGING A PATTERN DURING PLAYBACK

1. Select a new pattern within the currently selected bank;

Press [PTN] + [1] … [16] (or select from another [BANK] and Pattern
[1]...[16] while the sequence if playing.

2. The pattern will be queued until the existing sequence is completed.

This countdown is indicated in the top left of the display by the flashing
Bank / Pattern indicator.

Bank / Pattern indicator

Flashes between current
and new (queued) pattern
pending change at the end
of the current sequence

20 Contents The Digitakt Notebook : Reference & Guide

 Pattern Basics 3
3.3 Length, Scale and Timing
Digitakt has a Maximum of 64 steps mapped over 4 Pages, each containing 16 steps. The steps are
essentially set by Trigs using the 16 Trig keys, one for each step and a pattern per audio and/or midi
track. Extending pattern lengths also copies the existing pattern to the new page.

Page 1 Page 2 Page 3 Page 4

1 16 32 48 64
Trk 1
Trk 2
Trk 3
Trk 4
Trk 5
Trk 6
Trk 7
Trk 8

Orange Lit Bright Orange Flash Dark / Unlit Dark / Unlit

page contains a pattern pattern page being played no pattern on this page no pattern on this page

1:4 2:4 3:4 4:4

[FUNC] + [PAGE] Selects the Scale [PAGE] Cycles through and

settings and [FUNC] + [YES] to + selects the active page of the
toggle between length modes. available pages

Per Pattern Per Track

All tracks share same length Tracks can be assigned individual
and time signature step lengths and scales

PATTERN TRK.1 PATTERN

LENGTH SCALE LENGTH SCALE CH.LEN M.LEN

(E) (F) (E) (F) (G) (H)

LENGTH: Use rotary (E), [UP] [DOWN] or [FUNC] + M.LEN: Rotary (H) to set the number of steps this track will play before all the tracks restarts
[UP] [DOWN] for snap changes or press trigs to adjust or starts the next in the chain. Also will loop infinitely with INF setting
the length of the pattern. Also press [PAGE] for changes CH.LEN: Rotary (G) to set the the duration of the current pattern will play before the next
in steps of 16. 1st Number is the actual number of steps. pending (cued or chained) pattern starts. Overrides M.LEN.
2nd number the total steps 16, 32, 48, 64.
LENGTH: Rotary (E), [UP] [DOWN] or [FUNC] + [UP] [DOWN] for snap changes or press trigs
to adjust the length of the pattern. Also press [PAGE] for changes in steps of 16. 1st Number
is the number of steps. 2nd number the total steps 16, 32, 48, 64.
SCALE: Rotary (F) to adjust the time signature scale. SCALE: Rotary (F) to adjust the track time signature scale. This is the multiplier to the tempo
This is the multiplier to the tempo of the pattern. of the pattern.

The Digitakt Notebook : Reference & Guide Contents 21

3 Pattern Basics
▌SETTING PER PATTERN OR PER TRACK LENGTH NOTES

1. Press [FUNC] + [PAGE] to select the Scale Page. Use [FUNC] + [YES]
if needed to toggle between ‘Per Pattern’ and ‘Per Track’ modes.

2. Turn rotary control (E) or use [UP] or [DOWN] button In either mode to
set the number of active steps. Total step number (right digit) changes
in 16 step iterations. Press while turning (E) For larger increments.

▌QUICK CHANGE OF TOTAL PATTERN OR TRACK LENGTH

1. Press [FUNC] + [PAGE] to select the Scale Page. Use [FUNC] + [YES]
if needed to toggle between ‘Per Pattern’ and ‘Per Track’ modes.

2. Press [PAGE] to cycle in full page (16 step) increments. The existing
page pattern is copied to new page.

▌QUICK CHANGE OF PATTERN OR TRACK STEPS

1. Press [FUNC] + [PAGE] to select the Scale Page. Use [FUNC] + [YES]
if needed to toggle between ‘Per Pattern’ and ‘Per Track’ modes.

2. Press Trig [1] … [16] to select up to the 16 steps of the current page.

▌SETTING TIME SIGNATURE SCALE OF THE PATTERN OR TRACK

1. Press [FUNC] + [PAGE] to select the Scale Page. Use [FUNC] + [YES]
if needed to toggle between ‘Per Pattern’ and ‘Per Track’ modes.

2. Turn rotary data control (F) to adjust the setting.

Available options are:- 1/8x 1/4x 1/2x 3/4x 1x 3/2x 2x
All as a Multiplier of the active Tempo.

▌CONTROLLING THE PATTERN LENGTH

1. Press [FUNC] + [PAGE] to select the Scale Page. Use [FUNC] + [YES]
if needed to toggle to ‘Per Pattern’ mode.

2. Turn data control (G) to adjust the CH.LEN to set how long active
pattern plays before a cued or chained pattern begins

3. Turn data control (H) to adjust M.LEN to set how many steps the active
pattern plays before all tracks restart. CH.LEN Takes precedence.

22 Contents The Digitakt Notebook : Reference & Guide

 Pattern Basics 3
NOTES 3.4 Tempo & Metronome
Digitakt has 2 Tempo modes; Pattern mode (default) which allows individual
tempo settings per pattern and Global mode which sets the overall, all
tracks, tempo setting. The tempo range is between 30-300 BPM.

▌SETTING THE TEMPO

1. Press [TEMPO] to select the tempo page.

2. Use [FUNC] + [YES] if needed to toggle between pattern and global

tempo modes.

3. Turn rotary data control (LEVEL/DATA) - Level/Data - to adjust in 1 BPM

steps or Press and turn for larger increments of +/-4

4. Use [UP] or [DOWN] button In either mode to adjust in 0.1 BPM steps

5. [TEMPO] Button flashes red in time with the selected tempo rate.

▌SETTING TAP TEMPO

1. Press [TEMPO] to select the tempo page.

2. Tap [FUNC] + [TEMPO] a minimum of 4 taps

3. Tempo will adjust to the new tap tempo average.

▌MANUALLY NUDGING TEMPO TEMPORARILY

1. In any mode, Press & Hold [LEFT] to reduce tempo by 10%

2. In any mode, Press & Hold [RIGHT] to increase tempo by 10%

3. Release [LEFT] or [RIGHT] Key to return to original tempo value

▌QUICK SELECTION OF METRONOME ON/OFF

1. Press & Hold [FUNC] + [PTN] for 1 Second to toggle ON.

2. Press & Hold [FUNC] + [PTN] for 1 Second to toggle OFF.

3. The display will temporarily show status change in the screen top title.

The Digitakt Notebook : Reference & Guide Contents 23

3 Pattern Basics
NOTES

▌SELECTING METRONOME OPTIONS

1. Press [FUNC] + [PTN] quickly.

2. The Metronome settings page appears

3. Turn Data entry controls to adjust settings:

- (E) - Switch Metronome On/Off

- (F) - Set Time Signature of Metronome

- (G) - Pre Roll length prior to start

- (H) - Metronome Click Volume

METRONOME

TIME PREROLL
ACTIVE SIG BARS VOL

(E) (F) (G) (H)

ACTIVE TIME SIGNATURE PREROLL BARS VOLUME

Use rotary (E) to set Use rotary (F) to Use rotary (G) to set Use rotary (H) to set
metronome On or OFF. control the note and the number of bars the level of the
Also hold [FUNC]+[PTN] measure of the that will play prior to metronome click
for 1 sec. metronome the sequencer start in 0-127
Live Mode only.
Off, 1-16

24 Contents The Digitakt Notebook : Reference & Guide

 Pattern Basics 3
3.5 Basic pattern creation using note trigs.
Digitakt has many powerful features that combine to create a Pattern. The basic set up will require
the arrangement of steps within grid, step or live recording mode and setting trigs to activate notes
and associated parameters. This section concentrates on the initial process of building
arrangements with Note Trigs

NOTE TRIG
TRIG
Parameters An event set at a defined step
An event can trigger either an audio
in the sequencer that triggers sample / sound or MIDI notes
Note, Velocity, Length,
Condition etc note information and that,
combined with others, is
arranged to form a pattern

4
Trig keys are used for multiple modes. In
4
this illustration they set and trigger notes
within patterns. They are also used to
select audio and midi tracks and are
used for bank and pattern selection note
Note trigs are indicated RED
on the Trig keys. Unlit keys
contain no trigs
1 16
Trk 1

RECORDING MODES
Three recording modes for creating and programming patterns are available. Grid Recording mode allows steps to be
manually selected at locations throughout the static sequence. Live recording mode enables tracks to be played live
individually or chromatically and the natural note positioning is recorded. Step recording automates adding steps into
a static sequence, advancing the position dynamically. Trig selections are at a fixed velocity of 100.

GRID RECORDING LIVE RECORDING + STEP RECORDING +

Flash Play Double Flash

• Select using [REC]. • Select by holding [REC] then • Select by pressing [REC] plus
press [PLAY]. [STOP].
• REC button illuminates red.
• REC button flashes red and • REC button double flashes red
• Manually select the desired PLAY is green. in step rec mode.
steps to set the pattern trigs at
the required location. • Play live / real time to set trig • Manually select the desired
steps. steps to set the pattern trigs at
• Ideal for fixed step patterns the required location.
such as Kick and Snare. • Notes can also be played in
chromatic mode. • Sequence position
automatically advances.
• Ideal for natural rhythms such
as hats and shakers. • Standard and Jump (LEN
determines step length)
modes.

The Digitakt Notebook : Reference & Guide Contents 25

3 Pattern Basics
3.6 Grid Recording Basics. NOTES

The basic and simplest method of recording trigs into steps of a pattern is
grid recording mode.

▌PROGRAMMING A PATTERN IN GRID RECORDING MODE

1. Select track to record by selecting trig [1] ...[8] for audio and [9] … [16]
for MIDI. Example: Select Kick, Track 1

2. Select GRID RECORDING mode by pressing [REC]. The REC Key will
turn red to indicate grid recording mode is active.

3. Select the desired Trig keys for the steps required for each selected
track. Example: Kick on the beat, steps 1,5,9,13. Active steps lit red.

4. Change pages to access steps 17 - 64 using [PAGE] button if the set

pattern length allows

5. To check the active track during grid recording hold [TRK]. The active
track is indicated in Red.

6. To change active tracks during grid recording press [TRK] + [1] … [16]

▌REMOVING TRIGS IN A PATTERN IN GRID RECORDING MODE

1. Select GRID RECORDING mode [REC]

2. Press the desired step to remove by quickly pressing Trig [1] … [16].
The red status goes off.

▌SETTING NOTE VALUE OF TRIG IN GRID RECORDING MODE

1. Select GRID RECORDING mode [REC]

2. Select [TRIG] Parameter page

3. Hold the desired step Trig [1] … [16]

4. While holding the trig key turn data control (A) to set the new note
value. Press and turn (A) for larger incremental changes.

5. The parameter on display will change to bold yellow to indicate a

Change from its default value exists and a parameter lock is in place.
Release the trig key.

26 Contents The Digitakt Notebook : Reference & Guide

 Pattern Basics 3
NOTES 3.7 Live Recording Basics.
Live recording enable the capturing of more dynamic and natural rhythms
and note melodies, operating in real time when the sequence us running..

▌RECORDING A PATTERN IN LIVE RECORDING MODE

1. Select LIVE RECORDING mode by holding [REC] + [PLAY].

2. The sequence will start and the REC Key will flash red and the PLAY
key will be lit green to indicate live recording mode is active.

3. Play live the desired track key to record steps. Example: Playing [6]
triggers and records Track 6

4. Press [STOP] to stop recording and playback. Pressing [PLAY] will stop
recording but continue to play.

▌RECORDING A QUANTIZED PATTERN IN LIVE RECORDING MODE

1. Select LIVE RECORDING, toggling quantize mode by holding [REC] +

[PLAY] + [PLAY] quickly to toggle live quantize recording On/Off. This is
indicated by a temporary message in title bar.

2. The sequence will start and the REC Key will flash red and the PLAY
key will be lit green to indicate live recording mode is active.

3. Play live the desired track key to play / trigger and which will be
quantized to the grid as per the current quantize setting. Example:
Playing [6] triggers and records Track 6

4. Press [STOP] to stop recording and playback. Pressing [PLAY] will stop
recording but continue to play.

▌SWITCHING FROM LIVE TO GRID RECORDING MODE ON THE FLY

1. In LIVE RECORDING mode press [REC]

2. The mode switches from LIVE to GRID RECORDING mode and play
continues.

The Digitakt Notebook : Reference & Guide Contents 27

3 Pattern Basics
NOTES

▌CHROMATIC RECORDING IN LIVE RECORDING MODE

1. Press [FUNC] + [TRK] to select Chromatic Mode indicated by the lit

yellow LED. Note that step recording mode also uses the chromatic
keyboard automatically when holding [FUNC].

2. Select LIVE RECORDING mode by holding [REC] + [PLAY].

3. The Trigs will now be laid out in a Piano keyboard scale. The sequence
will start indicated by the red cursor and the REC Key will flash red and
the PLAY key will be lit green to indicate live recording mode is active.

4. Play live the desired notes on the chromatic keyboard. This will record
notes on the selected track.

5. Use [UP and [DOWN] to transpose the keyboard if required.

6. Press [STOP] to stop recording and playback.

7. Pressing [PLAY] will stop recording but continue to play.

8. [FUNC] + [TRK] will exit out of chromatic mode

+ C# D# F# G# A#

C D E F G A B C

28 Contents The Digitakt Notebook : Reference & Guide

 Pattern Basics 3
NOTES 3.8 Step Recording Basics.
Step recording is similar to grid recording. Multi track recording is possible
in step recording mode. Notes can be added with the trig keys or external
MIDI controller and steps iterate automatically. Two states are available,
standard mode or jump mode which uses the LEN setting for note length
and also the sequence advancement length during recording.

The [FUNC] + [YES] Save and [FUNC] + [NO] Reload functions do not
operate the same way in step recording mode.

▌CHANGE / CHECK STEP RECORDING MODE STATE

1. Select STEP RECORDING mode by pressing [REC] + [STOP]. The

REC Key will flash double red to indicate step recording mode is active.

2. Hold [REC] + [STOP], [STOP] - i.e. stop twice while Rec is held to
switch between standard and jump mode.

3. Display indicates mode state selected.

The Digitakt Notebook : Reference & Guide Contents 29

3 Pattern Basics
NOTES

▌STEP RECORDING IN STANDARD MODE

1. Select STEP RECORDING mode by pressing [REC] + [STOP]. The

REC Key will double flash red to indicate step recording mode is active.

2. Ensure step recording mode state is set to ‘standard’ mode.

3. Press [TRK] + Trig [1] - [16] to select the track in which to record steps.
This can be changed anytime during step recording and retains the
recorded sequence on the tracks. Red trig indicates active track.

4. Select a start point trig step. The green blinking trig key will indicate the
currently selected step. If a existing trig is selected the colour pattern
may match this trig. Also use the [LEFT], [RIGHT] to relocate the step
position.

5. Recording in fixed step trigs:-

• Hold [FUNC] - Trig keyboard should be lit dull, current step green
and current track with a red trig step. If this shows the chromatic
keyboard, press [FUNC] + [TRK] to toggle.

• While holding [FUNC] press the red lit trig (the track indicating step).
Pressing any other trig step will change to the selected track.

• This will record a fixed note trig and advance the green trig step to
the next active step.

6. To record notes using the chromatic trig keyboard:

• Hold [FUNC] - Trig chromatic keyboard should be lit bright and

current step green. If this shows the buttons dull, press [FUNC] +
[TRK] to toggle.

• Hold [FUNC] and press [UP] or [DOWN] to transpose if required.

• While holding [FUNC] press lit trigs to play the chromatic keyboard.

• This will record the desired note trig and advance the green trig step
to the next active step.

7. Press [NO] to remove a note trig or add a rest into a step.

8. Press [REC] to exit step recording mode.

9. Note that the note length and velocity are found in the [TRIG] Page LEN
parameter and VEL parameter respectively.

30 Contents The Digitakt Notebook : Reference & Guide

 Pattern Basics 3
NOTES

▌STEP RECORDING IN JUMP MODE

1. Select STEP RECORDING mode by pressing [REC] + [STOP]. The

REC Key will double flash red to indicate step recording mode is active.

2. Ensure step recording mode state is set to ‘jump’ mode.

3. Press [TRK] + Trig [1] - [16] to select the track in which to record steps.
This can be changed anytime during step recording and retains the
recorded sequence on the tracks. Red trig indicates active track.

4. Select the [TRIG] Page and set the LEN Parameter - Control (C) on
audio tracks and (F) on MIDI Tracks to a length as desired. This length
will determine:

• The length of the step note i.e. 1/16th.

• The step advancement of the sequencer i.e. 1/16th.

• Set a parameter lock LEN on the step.

5. Select a start point trig step. The green blinking trig key will indicate the
currently selected step. If a existing trig is selected the colour pattern
may match this trig. Also the [LEFT], [RIGHT] will relocate the step
position.

6. Recording in fixed step trigs:-

• Hold [FUNC] - Trig keyboard should be lit dull, current step green
and current track with a red trig step. If this shows the chromatic
keyboard, press [FUNC] + [TRK] to toggle.

• While holding [FUNC] press the red lit trig (the track indicating step).
Pressing any other trig step will change to the selected track.

• This will record a fixed note trig and advance the green trig step
based on LEN to the next defined step.

The Digitakt Notebook : Reference & Guide Contents 31

3 Pattern Basics
NOTES

Continued…

7. To record notes using the chromatic trig keyboard:

• Hold [FUNC] - Trig chromatic keyboard should be lit bright and

current step green. If this shows the buttons dull, press [FUNC] +
[TRK] to toggle to the chromatic keyboard.

• Hold [FUNC] and press [UP] or [DOWN] to transpose if required.

• While holding [FUNC] press lit trigs to play the chromatic keyboard.

• This will record the desired note trig and advance the green trig step
based on the LEN setting to the next defined step.

8. Press [NO] to remove a note trig or add a rest into a step.

9. Press [REC] to exit step recording mode.

32 Contents The Digitakt Notebook : Reference & Guide

 Pattern Basics 3
NOTES

▌ADDING PARAMETER LOCKS DURING STEP RECORDING.

Parameter locks are automatically created when recording for the NOTE
and length LEN trig parameters in step recording mode.

During step recording mode.

1. To add a parameter lock, hold trig [1] … [16] + turn the control for the
parameter to adjust and lock into the trig.

2. Parameter will show inverted on the display while the trig is held.

3. While in step recording mode the button will flash green as the active
step with a parameter lock. In recording mode the trig key will flash
yellow where parameter locks trigs (no note) exist. Where note trigs
exist the trig key will flash red.

The Digitakt Notebook : Reference & Guide Contents 33

3 Pattern Basics
3.9 Additional Recording Information NOTES

Recording can be made on the Digitakt or with an external MIDI controller /

keyboard. The MIDI set up details are covered in more depth in the MIDI &
USB Section. Also note preview is useful tool when programming and
developing patterns.

▌RECORDING WITH AN EXTERNAL MIDI CONTROLLER

• Grid recording. Press [FUNC] + [LEFT], [RIGHT] to shift recorded trigs.

• Grid and Step recording. The Digitakt AUTO CHANNEL setting must be
used as the controller channel when recording in. This is detailed in the
MIDI section. FX parameters are received on the FX CONTROL
channel.

• Grid recording mode. NOTE and TRIG VELOCITY data when holding a
[TRIG] key and playing a note on the external controller will record the
parameter locks.

• Live recording mode. NOTE, TRIG VELOCITY, and TRIG LENGTH data
is recorded from the external keyboard by the sequencer.

• Grid recording mode. Four note chords can be added to every trig on
MIDI Tracks. TRIG VELOCITY is set from the first note, applied to all
notes on the trig.

• Live recording mode. Four note chords can be added to every trig on
MIDI Tracks. TRIG VELOCITY is set from the first note, applied to all
notes on the trig. The last note that is released sets the TRIG LENGTH
for all notes on the trig.

• Step recording. Velocity is recorded in from the external controller and is

assigned as a VEL parameter lock to the trigs unless [FUNC] is held
while recording in which case the VEL parameter will be retained as a
fixed value.

• Step recording. Holding [YES] on Digitakt while recording will record in

the note length played on the controller.

34 Contents The Digitakt Notebook : Reference & Guide

 Pattern Basics 3
NOTES

Summary of available functionality within recording modes.

Function Grid Live Step Comments / Notes

Select Mode [REC] [REC] + [PLAY] [REC] + [STOP]

REC button state Red Flash Red 2x Flash Red

Play Yes Yes Yes Playback by default in live mode

Note Placement Per Trig Play In Play In

Note Removal Trig - [NO]

Note Preview Yes Yes Yes Audible preview of note + locks

Shift Notes Yes No No [FUNC] + [LEFT], [RIGHT]

Track Select [TRK] + [1] - [16] [TRK] + [1] - [16] [TRK] + [1] - [16]

Chromatic No [FUNC] + [TRK] [FUNC] + [TRK] Toggle chromatic

Velocity Fixed Fixed Fixed Trig page VEL

Internal Recording
Velocity Controller Controller Controller Step Rec options available
External Controller
4 Note Chords Yes Yes Yes Velocity dependant on rec mode
MIDI Tracks

Trig Length LEN Play In Various Step rec has length options.

Auto Channel Yes Yes Yes To record into MIDI. FX MIDI CC is

External Controller received on FX Control channel.

The Digitakt Notebook : Reference & Guide Contents 35

3 Pattern Basics
3.10 Playing and Previewing Patterns NOTES

Playback is available during recording and operates slightly differently in

the recording modes. For example live recording operates while playing.
Trig preview is also a useful tool when programming and developing
patterns.

▌PLAYING THE PATTERN

1. Press [PLAY].

2. The white cursor steps through the sequence triggering the red trigs.

3. Any pattern changes during the playback will queue up and await the
current pattern to be completed before changing.

4. Press [STOP] to stop playback.

▌PREVIEWING A SINGLE STEP

This feature allows the audible previewing of individual steps including its
parameter locks and works for both Audio and MIDI Tracks. This function
operates in recording mode.

1. Ensure GRID or STEP Recording mode is selected.

2. Press and hold Trig step [1] … [16] + [YES] to audition the selected trig.

3. The trig will be audible and any settings and trig locks will also be
auditioned.

36 Contents The Digitakt Notebook : Reference & Guide

 Pattern Basics 3
NOTES 3.11 In Depth Pattern Timing and Retrig Options
Digitakt has some advanced settings for sequence timing in addition to the
standard quantization. These are retrigs, micro timing and swing settings.

▌SETTING GLOBAL QUANTIZATION

1. Press [FUNC] + [TRIG] to select the quantization options

2. Adjust Data Entry control (F) to change the quantization value between
0-127. The higher the value the more quantized the micro timed trigs of
ALL tracks are made. Pressing data entry while adjusting offers a larger
edit resolution

3. Press [NO] to exit

Note that this parameter change adjusts the quantization in real time

▌SETTING TRACK QUANTIZATION

1. Press [FUNC] + [TRIG] to select the quantization options

2. Change to the desired track number if needed by holding [TRK] + Trig

[1] … [16]. The target track is indicated in the display.

3. Adjust data entry control (E) to change the quantization value between
0-127. The higher the value the more quantized the micro timed trigs of
the selected track. Pressing data entry while adjusting adjusts at a
larger edit resolution

4. Press [NO] to exit

Note that this parameter change adjusts the quantization in real time

▌SETTING PATTERN SWING

1. Select [TEMPO] Menu

2. Select the swing setting for the current pattern using data entry (E)

3. Setting is between 50% - 80% as indicated in the display with 50%

being the default ‘no swing’ setting.

The Digitakt Notebook : Reference & Guide Contents 37

3 Pattern Basics
NOTES

▌SETTING INDIVIDUAL TRIG MICRO TIMING

1. Select GRID RECORDING mode [REC]

2. Select and hold the desired step Trig key [1] + [16] and while holding
press [LEFT] or [RIGHT]

3. The Micro Timing pop up grid display appears

4. While keeping the Trig pressed adjust the micro timing using [LEFT] or
[RIGHT]

MICRO TIMING

On GRID

Select Micro Timing. Resolution Micro Timing Adjustment

Hold Trig [1] … [16] + [LEFT] or Defined resolution steps Use [LEFT] or [RIGHT] to
[RIGHT] to open settings pop up shift the trig timing back adjust the micro timing of the
or forth in the sequence selected trig.

+/-
1/384 1/192 1/96 5/384 1/64 7/384 1/48 1/96 3/128
5/192 11/384 1/32 13/384 7/192 5/128 1/24 17/384
3/64 19/384 5/96 7/128 11/192 23/384

Setup in Grid Recording Mode

Micro Timing settings are stored with the active pattern

38 Contents The Digitakt Notebook : Reference & Guide

 Pattern Basics 3
NOTES

▌SETTING INDIVIDUAL RETRIG STEPS

1. Select GRID RECORDING mode [REC]

2. Select and hold the desired step Trig key [1] + [16] and while holding
press [UP] or [DOWN]

3. The Retrig pop up option display appears

4. While keeping the Trig pressed use turn Data Entry (A) to toggle Retrig
On / Off.

5. Release the Trig key or keep held to adjust one of the below settings.

RETRIG ON/OFF LENGTH

Trig [1] …[8] + [UP] or [DOWN] Retrig velocity curve duration setting
then use Data Control (A) for a Step. Data Control (D) to set

RETRIG O D LEn 1/4

E RATE 1/16 H VEL O

RATE VELOCITY
Retrig Rate with 1/16 meaning 1 trig Velocity curve Fade Out, -128 and
per step, 1/32 is 2 Trigs per step etc. Fade In, 127. 0 Is no fade on the
Data control (E) or [UP] [DOWN] set length. Data Control (H) to set

1/1, 1/2, 1/3, 1/4, 1/5, 1/6, 1/8, 1/10, 1/12, 1/16, 1/20, 1/24, 1/32, 1/40, 1/48, 1/64, 1/80

Setup in GRID RECORDING Mode

Only use with Audio Tracks 1-8. Not available with MIDI Tracks 9-16

Trig ON Trig OFF Trig OFF Trig OFF Trig

Step 1 Step 2 Step 3 Step 4 .............. Step 16

Original Pattern

1/16 Retrig

1/32 Retrig

1/20 Retrig

1/12 Retrig

The Digitakt Notebook : Reference & Guide Contents 39

3 Pattern Basics
3.12 Copy, Paste and Clear Trigs in Grid Recording NOTES

The Copy, Paste and Clear features are available when working in the
sequencer for Trigs and their parameter locks in GRID RECORDING mode.

EXAMPLE:
Copy from Trig Step 1 and Paste to Step 13, Clear Trig 9

GRID RECORDING MODE

COPY / PASTE
X

copies trigs including parameter locks

TRIG

Copy Paste
Hold Trig [1] + [REC] 1 13 Hold Trig [13] + [STOP]

Track 1
1 13

Clear
9 Hold Trig [9] + [PLAY]

CLEAR

▌COPYING ONE TRIG TO ANOTHER STEP LOCATION

1. Select GRID RECORDING Mode , Press [REC]

2. Select and hold the source trig [1] … [16] to copy and press [REC]. This
copies the trig and settings.

3. Hold the destination trig [1] … [16] and press [STOP]. This pastes the
previous trig into the destination.

40 Contents The Digitakt Notebook : Reference & Guide

 Pattern Basics 3
NOTES

▌COPYING MULTIPLE TRIGS TO OTHER STEP LOCATIONS

1. Select GRID RECORDING Mode , Press [REC]

2. Select and hold all of the source trigs [1] … [16] to copy and press
[REC]. This copies all the trigs that have been held with the first trig as
reference.

3. Hold a destination trig [1] … [16] and press [STOP]. This pastes the
previous trigs into the destination in the same step format referencing
the first step.

▌CLEARING ONE TRIG LOCK

1. Select GRID RECORDING Mode , Press [REC]

2. Select and hold the selected trig [1] … [16] to clear and press [PLAY].
This clears the selected trig locks

▌CLEARING MULTIPLE TRIG LOCKS

1. Select GRID RECORDING Mode , Press [REC]

2. Select and hold the selected multiple trigs [1] … [16] to clear and press
[PLAY]. This clears the selected trig locks

The Digitakt Notebook : Reference & Guide Contents 41

3 Pattern Basics
3.13 General Copy, Paste and Clear Patterns NOTES

The Copy, Paste and Clear features are available when working with
Digitakt for patterns in normal mode (not in any recording mode).

EXAMPLE:
Copy from current pattern A2 to a new pattern B4

NOT IN RECORDING MODE NOT IN RECORDING MODE

Pattern 2 Pattern 4

Bank A Bank B

Select the current Bank + Pattern Select the current Bank + Pattern

Copy Clear Paste

Press [FUNC] + [REC] Press [FUNC] + [PLAY] Press [FUNC] + [STOP]

COPY CLEAR PASTE

▌COPYING CURRENT PATTERN TO ANOTHER PATTERN SLOT

1. Select the pattern to copy as the current pattern, [BANK] + [A] … [H]
and then Pattern [1] … [16]

2. From within the pattern hold [FUNC] + [REC] to copy the current pattern

3. Select the destination pattern to copy to, [BANK] + [A] … [H] and then
Pattern [1] … [16]

4. Press [FUNC] + [STOP] to copy the previously selected pattern to the

newly selected pattern slot

42 Contents The Digitakt Notebook : Reference & Guide

 Pattern Basics 3
NOTES

▌COPYING / PASTING PATTERNS WITHOUT LEAVING THE PATTERN

1. Select the pattern to copy, hold [PTN] + press trig [1] … [16].

2. While still holding [PTN], release the trig key

3. Press [REC] to copy while still holding [PTN]

4. Press the destination trig [1] … [16] to paste to

5. Press and hold [STOP] to Paste and await the countdown to finish
before releasing all keys

▌CLEARING CURRENT PATTERN

1. Within the selected pattern, hold [FUNC] + [PLAY].

▌CLEARING ONE OR MORE PATTERNS

1. Hold [PTN] + trig or multiple trigs [1] … [16]

2. While holding [PTN], hold [PLAY] to clear selected patterns until the
timer completes then release keys.

▌UNDOING COPY, PASTE, CLEAR ACTION

1. Undertake a Copy, Paste, Clear action

2. Immediately after initiating the action in Step.1, repeat the key press to
undo the prior action e.g.

[TRIG] + [REC] To Copy .......... [TRIG] + [REC] To Undo

[TRIG] + [PLAY] To Paste ......... [TRIG] + [PLAY] To Undo

[TRIG] + [STOP] To Clear ......... [TRIG] + [STOP] To Undo

The Digitakt Notebook : Reference & Guide Contents 43

 NOTES

44 Contents The Digitakt Notebook : Reference & Guide

 4
Patterns Advanced
Having covered the basics of pattern creation, other menu’s the location in the menu structure
this section provides a deeper dive into the will remain at the previous position. This
features and parameters that unlock the full functionality can be changed in the settings to
power of sequencing within Digitakt. The key remember the last menu position. For these
page when working with patterns is the [TRIG] instructions, the assumption is that the ‘top’
page and its settings and this is therefore given menu will be the starting point. If needed, press
close attention within this section. While the [NO] from within the menu repeatedly to take the
assembly of a series of steps and trigs into an location back to the highest entry level in the
arrangement builds melodic patterns, the menu structure.
patterns are at the heart of Digitakt and these
are arranged within the its powerful sequencer
and its associated feature set. The sequencer
is enhanced by complex functions such as trig
conditions where patterns are governed by rule
sets, parameter locks where parameter
variations for each step can be created and
sound locks where unique sounds can be set
per step. Patterns can be also chained. A
temporary save and reload function opens up
some create opportunities especially when
playing live. When navigating the pattern and

The Digitakt Notebook : Reference & Guide Contents 45

4 Patterns Advanced
4.1 Adding Lock Trigs To A Pattern
While Digitakt has Note trigs assembled into a pattern to activate note events it also has a feature
called Lock Trigs which do not trigger any note or audio events but only trigger parameter changes
known as parameter locks. This enables variations and evolving progressions through the sequence.

LOCK TRIG A Parameter Lock is where a Parameter

is set to a defined value for the specific
Parameter Pages trig step. This enables one or more
These parameters are available
Events set at a defined step in parameter changes per step of the
for Parameter locks with the the sequencer that triggers sequenced pattern
exception of the TRIG page parameter changes but does
not trigger notes. When A Sound Lock is where a individual
sound is assigned from the sound pool
combined with others, is to one or more trig steps. This enables a
arranged to create variation unique sound change per step of the
within a pattern sequenced pattern

Lock Trigs are added by pressing

[FUNC] + Trig [1] ...[16]
+ 5
4 5

Lock YELLOW keys contain Lock Trigs (with no note trig).

Max 72 different parameters locked per
pattern Note Trigs are RED and Parameter Locked trigs blink.
Unlit keys contain no trigs
1 16
Trk 1

▌SETTING PARAMETER LOCK TRIGS IN GRID RECORDING MODE

1. Select GRID RECORDING mode [REC]

2. Select and hold [FUNC] and press Trig key [1] + [16]

3. A Lock Trig is set on the selected step and illuminates Yellow indicating only a Lock Trig present
and no note trig.

4. To assign a Parameter lock, hold the [TRIG] step and make an adjustment to a Parameter on the
Parameter pages. Example: [SRC] Page, bit reduction BR, Data Entry (C). The parameter will
show inverse bold yellow on the display

5. The Trig will flash yellow with a SRC, FLTR, AMP or LSO parameter lock is assigned and will
adjust the parameter to the new position as the step triggers.

46 Contents The Digitakt Notebook : Reference & Guide

 Patterns Advanced 4
NOTES

▌SETTING PARAMETER LOCK TRIGS IN LIVE RECORDING MODE

1. Select LIVE RECORDING mode [REC] + [PLAY].

2. To assign a parameter lock, make an adjustment to a parameter on the

parameter pages or play chromatic notes. Example: [SRC] Page, bit
reduction BR, Data Entry (C).

3. When showing in grid recording mode for each trig the parameter will
show inverse bold yellow on the display.

4. The trig key will be yellow with a lock trig and flash with a parameter
lock assigned and will adjust to the parameter as the step triggers.

▌REMOVING A SINGLE LOCK TRIG PARAMETER

1. Press and hold the selected step [TRIG].

2. While holding the trig key, press (DATA ENTRY) control of the
parameter to remove.

3. The lock trig will stop flashing unless other parameter locks exist on the
same step.

▌REMOVING LOCK TRIGS

1. While holding [FUNC], Press Trig [1] … [16] of the trig to remove.

▌SETTING SOUND LOCK TRIGS IN GRID RECORDING MODE

Sounds to use for sound locks MUST be located in the sound pool

1. Select GRID RECORDING mode [REC].

2. To assign a sound, press and hold the trig [1] … [16] + Turn (LEVEL/
DATA) control.

3. The sound pool list will appear and scroll to the desired selection using
the (LEVEL/DATA) control.

4. Release the trig key on the selected new sound.

5. The Trig key will flash indicating it has a Sound lock attached.

The Digitakt Notebook : Reference & Guide Contents 47

4 Patterns Advanced
NOTES

▌CHECKING SOUND LOCK TRIGS IN GRID RECORDING MODE

1. Select GRID RECORDING mode [REC].

2. Hold the sound locked trig key [1] … [16].

3. The display indicates the attached sound in the title area of the display.

▌REMOVING SOUND LOCK TRIGS IN GRID RECORDING MODE

1. Select GRID RECORDING mode [REC].

2. Hold the sound locked trig key [1] … [16].

3. The sound pool list will appear and scroll to TRACK SOUND and
release.

48 Contents The Digitakt Notebook : Reference & Guide

 Patterns Advanced 4
4.2 Trig Page
The trig page shows the fundamental settings applied to trig steps. Unlike other pages, trig
parameters are saved with the pattern (not with the sound) and may not indicate flashing parameter
locks on trigs. All parameters with the exception of COND can be set to defaults allowing trigs to be
set with the default parameters. COND can only be set as a parameter lock by holding a trig + (D).
AUDIO TRACKS 1-8

A NOTE B VEL C LEN D PROB

Sets the pitch of the selected Sets the velocity of the trig Sets the length of the selected Sets the probability of the
trig note. Overridden by live note. Trig keys are not velocity trig in snapped values. Live trigger step activating.
recording - chromatic notes. sensitive. Recording overrides LEN
parameter.

-24/+24 semitones default C3 0-127 - Default 100 0.125 -127,INF - Default 1/16 0-100% ,Default 100%

E FLT.T F LFO.T G H D COND

Filter Trigger. Sets whether the LFO Trigger. Sets whether the No Parameters Conditional trigs are available
filter env is triggered or not. LFO env is triggered or not. in record mode when holding a
trig step. Sets logical rules for
determining the step operation.
ON, OFF - Default On ON, OFF - Default On
Various - Default = OFF

The current value of each parameter is displayed when the control is adjusted or all parameter setting can be displayed by holding [TRIG] key
within the TRIG pages. Press (DATA ENTRY) + [NO] to reset parameter to default. Press [TRIG] + [PLAY] to reset all TRIG page parameters to
defaults. Copy [TRIG] + [REC] and Paste [TRIG] + [STOP] also operate within and across the TRIG pages

The Digitakt Notebook : Reference & Guide Contents 49

4 Patterns Advanced
The Trig page for midi trig is available for tracks 8-19 - MIDI A - H. A maximum of 4 Notes allowed to
make up a Chord. All parameters with the exception of COND can be set up as a new default allowing
subsequent trigs to be added with the default parameter settings. COND can only be set as a
Parameter lock by holding [TRIG] + (D).

MIDI TRACKS 9-16

PROB <> COND **

Conditional trig is available in

record mode when holding a
trig step. PROB changes to
COND. This sets logical rules
for determining the operation
and function of the trig step.
Default = OFF

A NOT1 B NOT2 C NOT3 D NOT4

Root note (C0-G10) sent by the Sets the note 2 value which is Sets the note 3 value which is Sets the note 4 value which is
midi track selected. Other notes set offset in semitones from set offset in semitones from set offset in semitones from
reference the root. root note trig. root note trig. root note trig.

0-127 semitones - default C5 -64 / +63 - Default 0 -64 / +63 - Default 0 -64/+63 - Default 0

E VEL F LEN G PROB H LFO.T

Sets the velocity of the trig note Duration of the selected trig Sets the probability of the LFO Trigger. Sets whether the
that is sent out on the MIDI followed by a NOTE OFF midi trigger step activation. Also LFO env is triggered or not.
channel. signal. COND when trig is held.**

0-127 - Default 100 0.125 -127,INF - Default 1/16 0-100% ,Default 100% ON, OFF - Default On

The current value of each parameter is displayed when the control is adjusted or all parameter setting can be displayed by holding [TRIG] key
within the TRIG pages. Press (DATA ENTRY) + [NO] to reset parameter to default. Press [TRIG] + [PLAY] to reset all TRIG page parameters to
defaults. Copy [TRIG] + [REC] and Paste [TRIG] + [STOP] also operate within and across the TRIG pages

50 Contents The Digitakt Notebook : Reference & Guide

 Patterns Advanced 4
NOTES

▌SETTING THE DEFAULT TRIG PARAMETERS

1. Select [TRIG] page

2. Use data entry rotaries to adjust parameters NOTE, VELocity, LENgth,

FLT.T Filter or LFO.

3. These default values set will be applied to the trig steps.

▌SETTING A PARAMETER LOCK

1. Select [TRIG] Page

2. Hold the trig key [1] … [16] + Adjust (A) … (H) depending on parameter
on the SRC, FLTR, AMP, LFO to set a parameter trig on. Parameters
can also be adjusted per step on TRIG page.

▌ADJUSTING SYSTEM TRACK LEVEL

1. Select any parameter page

2. Adjust the (LEVEL/DATA) rotary

3. The value of the track level (Screen bottom left) will adjust 0-127.

▌EMULATING A NATURAL VELOCITY PROFILE

The trigs have a fixed velocity when recorded in. To create a variable
velocity across a track

1. Select the audio track to adjust, example [TRK] + [1]

2. Select LIVE RECORDING mode, [REC] + [PLAY]

3. Manually adjust the (B) VEL - Velocity by small steps up/down while
recording.

4. The velocity value will be recorded in the steps recorded creating a

velocity profile that emulates natural velocity recording

The Digitakt Notebook : Reference & Guide Contents 51

4 Patterns Advanced
4.3 Conditional Trig Locks and Note Probability
Note probability is the ability to set a trigger ‘chance’ i.e. the percentage chance the trig step has of
playing in the pattern cycle. Probability is set on the Trig page using it’s rotary control. Conditional
locks are are also set on the same control, which is available when holding a trig step in record
mode. Conditional locks are set just like parameter locks and apply a set of defined rules to the
selected trig step that must be fulfilled to enable the trig step to be triggered. Conditional trigs offer a
great way to develop complex and evolving patterns especially in combination. Conditional trigs
have the priority and override the probability setting is set on the same track / trig.

TRIG Page

NOTE PROBABILITY
Default Option is Note Probability. Adjust the control
to set the % Probability of the note triggering.

TRIG
Select Trig Page Audio Tracks MIDI Tracks

+ D or G
In Grid / Step
Recording Mode

CONDITIONAL TRIGS
When in record mode, apply a trig and then hold the TRIG Key [1] … [16] and adjust (D)
for audio track conditional trigs and (G) for MIDI Tracks. PROB parameter switches to
COND when in gird or step record mode and the Trig is held.

52 Contents The Digitakt Notebook : Reference & Guide

 Patterns Advanced 4
NOTES

Probability Explained

Probability operates on the tracks set trigs every cycle of the pattern
irrespective of conditional lock states. 100% Probability means steps trigger
as normal and 0% not at all on each cycle of the pattern across the track.

Note: Any trig condition locks that have been set will take priority over the Probability %.

Examples

100%
Default probability meaning
triggers normally each cycle

Track 1 Kick

1 16

25%
Step has a 1 in 4 chance
each cycle of triggering.

Track 6 CHat

1 16

66%
Step has a 1 in 4 chance
each cycle of triggering.

Track 6 CHat

1 16

Probability
While the examples here describe in terms of an X in Y chance, the triggering does not
follow a defined or regular pattern of triggering or not on each cycle. Digitakt randomly
sets when it will trigger. This randomisation is based on the selected and set probability
defined on the specific trigger step. So for 50% the trigger will not necessarily be every
second step but generally will trigger 50% of the time for each cycle.

Probability is set in the Trig page using control D (Audio track) and G (MIDI Track)

Conditional Locks take precedence over probability so if the conditional probability is also set, then this will be
applied. Ensure conditional trigs are off if not required - trig + press (D) or (G)

The Digitakt Notebook : Reference & Guide Contents 53

4 Patterns Advanced

Conditional Locks / Trig Conditions Explained

Conditional trigs offer a great way to develop complex and evolving patterns set with parameter
locks which apply a set of rules to the trig step. These predefined rules must be fulfilled to enable
the trig step to operate. This mode is available ‘under’ the PROB parameter available while the Trig
step is held when Digitakt is in grid or step record mode.

The rules for trig conditions are set using parameter locks. A trig needs to be set first for the chosen
rule to act upon. The condition rule set will determines how the trig behaves in the pattern
sequence. Conditional locks take precedence over the probability setting.

FILL

FILL FILL

Applies a fill on the chosen trig step and A fill is applied on the chosen trig step but
fill is then triggered when the fill mode is does NOT apply the fill during the fill
activated. mode being activated.

FILL MODE

Fill mode is a function that temporarily adds fills and variations such as pitch change or retrigger.
This creates more interest in a pattern or at pattern change / cycle end. Fill mode is pre-requisite in
the use of the Fill trig conditions. Fill mode would need to also be set on the same step such as the
fill condition and would then be triggered by:-

• Manually pressing [PAGE] key during pattern playback. Not available in grid recording mode.

• A one pattern cycle during pattern playback. Set by pressing [YES] + [PAGE] Button. (Not
available in Grid Recording Mode)

• Latch fill mode ON. Set by [PAGE] + [YES] then release [PAGE] first, followed by [YES].
Press [PAGE] to unlatch.

FILL FILL
Only triggers when Triggers when FILL
FILL mode is active mode is NOT active

1 16
Track 1

As well COND being set to FILL the step would also need a fill setting such as a retrigger to generate a
drum roll and then this would only trigger when FILL is activated manually, one cycle or on latch.

54 Contents The Digitakt Notebook : Reference & Guide

 Patterns Advanced 4
NOTES

▌SETTING UP A FILL

1. Set a TRIG in a pattern where a fill is needed

2. Set the action within the Trig that would be triggered. For example, this
could be simply be a note or sample being triggered or something more
elaborate such as a retrig to create a roll.

3. Select the [TRIG] Page

4. Hold the Target Trig [1] … [16]

5. Set up COND = FILL on the target Trig by adjusting (C) Audio Track or
(G) Midi Track Trig

6. [PLAY] to play the pattern and ensure not in GRID RECORDING Mode.

7. Press [PAGE] while playing to trigger the fill condition on the selected
trig. Also Fill can be activated for one cycle using [YES] + [PAGE] or
latch fill by pressing [PAGE] + [YES] then release [PAGE] first. [PAGE]
to unlatch.

The Digitakt Notebook : Reference & Guide Contents 55

4 Patterns Advanced
NOTES

PRE

PRE

Applies the trigger on the chosen step when a

previous, most recent trig event condition on the same
track is triggered. Will not trigger if the prior condition is
‘false’ i.e. inactive.

PRE

Does NOT apply a trigger on the chosen step when a

previous, most recent trig condition event on same track
is triggered. Equally this trig will operate if the previous,
most recent trig condition prior is not ‘true’ i.e. active.

PRE
Triggers when a previous trig
condition, same track has
been triggered.

Track 2

PRE
Does NOT trigger when a
previous trig condition, same
track has been triggered.

PRE Conditions are dependant on the most recent trig conditions on the same track prior
to the trig on which it is placed.

56 Contents The Digitakt Notebook : Reference & Guide

 Patterns Advanced 4
NOTES

NEI

NEI

Applies the trigger on the chosen step when a previous

trig condition on the neighbouring (one prior) track is
triggered. Will not trigger if the prior track condition is
‘false’ i.e. inactive.

NEI

Does NOT apply a trigger on the chosen step when a

trig condition on the neighbouring (one prior) track is
triggered. Equally this trig will operate if the previous,
most recent trig condition prior track is not ‘true’ i.e.
active.

1 16
Track 1

Track 2

NEI
Triggers when a previous trig
condition, neighbouring track is
active / has been triggered

NEI
Triggers when a previous trig
condition, neighbouring track is
not triggered / inactive.

NEI Conditions are dependant on the most recent trig conditions on the previous
neighbouring track prior to the trig on which it is placed.

The Digitakt Notebook : Reference & Guide Contents 57

4 Patterns Advanced
NOTES

1ST

1ST

Applies the trigger on the chosen step when the

pattern plays its first loop. Will not trigger on
subsequent pattern cycles.

1ST

Applies the trigger on the chosen step when the

pattern plays on any loop cycle except the first loop.
Will not trigger on the first loop of a pattern cycle.

Track 2

1ST
Will trigger on the 1st pass
only of the loop cycle

PATTERN LOOP 1

1ST
PATTERN LOOP 2 Will trigger on the all loop
cycles except the first loop.
Count Reset

PATTERN LOOP 3

PATTERN LOOP 4

1ST Conditions are dependant on the loop cycles.

58 Contents The Digitakt Notebook : Reference & Guide

 Patterns Advanced 4
NOTES

A:B

A:B

Sets the cycles looped before triggering and the total

cycles played before the cycle counter resets.

Track 2

2:4
Will trigger on the 2nd cycle
of a 4 cycle loop count and
reset at the end of 4th cycle.

PATTERN LOOP 1

A
Is the number of loop within the
PATTERN LOOP 2
cycles before the trigger is active. In
this example 2.
Count Reset

PATTERN LOOP 3

B
PATTERN LOOP 4 Is the number of loop cycles before
the count resets. In this example 4.

1:2 2:4 3:4

Trigger is active on first loop, Trigger is active on second loop, Trigger is active on third loop,
then third, fifth of new cycles etc. then fourth, sixth on next cycle then seventh, eleventh of new
The loop count is every second etc. Loop count is end of fourth cycles etc. The loop count is
loop. loop. every fourth loop.

1ST Conditions are dependant on the loop cycles and the condition initiates a trigger and
also a reset of the counter.

The Digitakt Notebook : Reference & Guide Contents 59

4 Patterns Advanced

X%

X%

Applies the trigger on the chosen step at the frequency

determined by the probability %. This will be perceived
as a random like trigger.

Track 2

X%
Operates the rigger based on chance. The Chance
% is called probability and can be set 0% (Never
trigger) to 100% (always Trigger). Anything in
between provides the probability level.

X% Conditions are dependant on the ‘chance’ of a trig activating. This is similar to a

random (within the % constraints) setting. While the functionality is similar to the
dedicated probability function, the condition trig can operate and interact within the other
conditional trig functions. Conditional trigs take precedence over the dedicated
probability setting.

60 Contents The Digitakt Notebook : Reference & Guide

 Patterns Advanced 4
NOTES 4.4 Managing Patterns
Patterns are mainly managed from within the [PATTERN] menu, although
some functions are also available outside of the pattern menu.

[PATTERN]

Key selects the pattern management menu for the currently selected working pattern. Use [UP] -
[DOWN] keys to navigate and [YES] to select and [NO] to cancel. Note the previous state menu
may be present when moving in and out of a menu. Use [NO] to move back through the menu.

RENAME

Opens the renaming screen

and allows editing of the
pattern name.

CLEAR
Clears from working memory.
No data lost until the project is WHOLE PATTERN
saved. Both sequence and kit data is
saved, reloaded or cleared.

SAVE TO PROJ KIT DATA ACCEPT

Saves the pattern to the The patterns kit data (sounds and
Project in the +Drive. Project levels) only, sequence data
must have been saved first. unchanged. CANCEL / BACK

SEQUENCE
The patterns sequence data only
RELOAD FROM PROJ (trigs, params, locks), kit data is
The pattern is reloaded from unchanged.
the project +Drive to working
memory. The pattern must IMPORT SOUND
have been saved first. from the +Drive to the active
+ TRACK
pattern. [UP] [DOWN] or (LEVEL/ Import to [1] … [8]
DATA) to choose sound.
IMPORT / EXPORT
This feature enables EXPORT SOUND
SOUNDS to be imported and from the pattern to the +Drive. [UP]
exported from +Drive to the [DOWN] or (LEVEL/DATA) to
active pattern. choose memory slot.

CANCEL
MANAGE SOUNDS
Sound manager options menu.

The Digitakt Notebook : Reference & Guide Contents 61

4 Patterns Advanced
NOTES

▌SAVING A PATTERN - TEMPORARY

1. Press [FUNC] + [YES] to create a temporary save point for the current
pattern

2. Pattern is saved temporarily and not in the permanent memory storage.

▌RESTORING A TEMPORARY PATTERN

1. Press [FUNC] + [NO] to restore the pattern from the previous save point

2. If no previous save has been made the permanently stored pattern will
reload.

▌SAVING A PATTERN PERMANENTLY

1. Select the pattern menu, press [PATTERN].

2. Navigate to SAVE TO PROJ using [UP] [DOWN] or using (LEVEL/

DATA) control.

3. Press [YES] to select and choose whether to save WHOLE PATTERN,

KIT or SEQUENCE DATA with [UP], [DOWN] or (LEVEL/DATA).

4. Press [YES] again to save and [YES] to confirm.

▌OPENING / RELOADING A STORED PATTERN

1. Select the pattern menu, press [PATTERN].

2. Navigate to RELOAD FROM PROJ using [UP] [DOWN] or using

(LEVEL/DATA) control.

3. Press [YES] to select and choose whether to save WHOLE PATTERN,

KIT or SEQUENCE. with [UP], [DOWN] or (LEVEL/DATA).

4. Press [YES] to load and [YES] again to confirm.

62 Contents The Digitakt Notebook : Reference & Guide

 Patterns Advanced 4
NOTES

▌CLEARING A PATTERN FROM WORKING MEMORY

1. Select the pattern menu, press [PATTERN].

2. Navigate to CLEAR using [UP] [DOWN] or using (LEVEL/DATA) control.

3. Press [YES] to select and choose whether to clear WHOLE PATTERN,

KIT or SEQUENCE DATA with [UP], [DOWN] or (LEVEL/DATA).

4. Press [YES] to clear and [YES] again to confirm.

▌IMPORTING A SOUND TO THE PATTERN / TRACK

1. Select the pattern menu, press [PATTERN].

2. Navigate to IMPORT/EXPORT using [UP] [DOWN] or using (LEVEL/

DATA) control and press [YES].

3. Navigate to IMPORT SOUND with [UP], [DOWN] or (LEVEL/DATA).

4. Press [YES] to open the sound browser list.

5. Use (LEVEL/DATA) or [UP] [DOWN] to navigate to the desired sound

and press [YES] to select.

6. Select track to which the sound will be placed. [1] … [8] and the sound
will be added to the selected track.

▌EXPORTING A SOUND

1. Select the track containing the sound to export.

2. Select the pattern menu, press [PATTERN]

3. Navigate to IMPORT/EXPORT using [UP] [DOWN] or using (LEVEL/

DATA) and press [YES] to select.

4. Navigate to EXPORT SOUND with [UP], [DOWN] or (LEVEL/DATA).

5. Press [YES] to open the sound browser at the first free slot or select a
new slot using (LEVEL/DATA) or [UP] [DOWN].

6. Press [YES] to select, create a name for the sound in the naming menu.

7. Press [YES] and select meta data tags to add to the sound browser and
/ or select <SAVE> to save the sound then press [YES] or [NO] to abort.

The Digitakt Notebook : Reference & Guide Contents 63

4 Patterns Advanced
4.5 Chains NOTES

A chain is a sequence of patterns linked to play together in a linear

sequence one after the other and configured in the order desired. Chains
cannot be saved and Digitakt chaining functionality can be limited and
somewhat quirky

A03 B02 C04 A05 B10

1 Chain Maximum : Up to 64 Patterns from Banks A-H

Chains can be created with the sequencer stopped or running

When creating chains it is important to follow the technique described

precisely. This involves holding the prior key before pressing the next. This
means at least 1 key (either a Trig key or PTN key) will be held throughout
the chaining process.

▌CREATING A PATTERN CHAIN - EXAMPLE 1

Allows only 1 copy of the first pattern

1. Select the first the pattern bank, hold [BANK] + [A] … [H]

2. Press [PTN] and HOLD [1] … [16] for the FIRST pattern in the chain

3. Keep the trig in step 2 held and release the [PTN] key.

4. With the Trig still held, select subsequent patterns to the first within the
chain by pressing [1] … [16]

• Select individual pattern trigs [1] … [16] whilst always holding the
prior Trig

• Add multiple pattern trigs [1] … [16] to repeat instances in

succession whilst holding the prior trig

• Press [BANK] then [A] … [H] to change bank and choose trig
patterns [1] … [16] from the new bank to add to the chain

5. Continue to build the chain length and assemble the pattern sequence.
The chain is complete when the pattern trig is released

64 Contents The Digitakt Notebook : Reference & Guide

 Patterns Advanced 4
NOTES

▌CREATING A PATTERN CHAIN - EXAMPLE 2

Allows the first pattern to be repeated

1. Select the first the pattern bank, hold [BANK] + [A] … [H]

2. Press [PTN] and HOLD [1] … [16] which is NOT the required FIRST
pattern in the chain. i.e. if you want pattern 01 to be the first in the
chain, then hold Pattern 02.

3. Keep the trig in step 2 held and release the [PTN] key.

4. Press and hold [PTN] key again whilst still holding the trig.

5. Press the trig key [1] … [16] required as the first pattern multiple times
and HOLD the trig when on the last selection.

6. Release the [PTN] and the original trig, but retain holding the last trig
selected (chaining is based in the last trig being held until the next trig is
pressed and held).

• Select individual pattern trigs [1] … [16] whilst always holding the
prior trig

• Repeat selection of pattern trigs [1] … [16] to repeat multiple

instances in succession whilst holding the prior trig

• Press [BANK] then [A] … [H] to change bank and choose trig
patterns [1] … [16] from the new bank to add to the chain.

7. To complete chain release the trig.

▌PLAYING A PATTERN CHAIN

1. Press [PLAY]. The chain will play and each pattern chained will be
played following completion of the previous pattern.

2. The chain will restart and loop once the sequence is completed.

▌CLEARING A PATTERN CHAIN

1. Select a new [BANK] and or [PATTERN] or create a new chain and the
chain previously created will be lost

The Digitakt Notebook : Reference & Guide Contents 65

 NOTES

66 Contents The Digitakt Notebook : Reference & Guide

 5
Tracks
The dive straight into the patterns in earlier imported and when parameter configurations,
sections is intentionally designed to get things modulation and effects are used to alter the
started with creating music straight away. The sample it becomes a sound. Digitakt contains 8
underlying elements in forming a pattern and voices, one for each of the 8 audio tracks. Each
developing a sequence are of course also track contains one sample and the associated
important whether using stock preset sounds, parameter settings that accompany the sample
developing unique custom sounds or and convert it to a sound and all associated track
controlling external MIDI. All of these (and settings. All parameter pages TRIG, SRC, FLTR,
more) are all central features and building AMP, LFO therefore operate in the context of
blocks in developing patterns. Digitakt contains each specific track. MIDI Tracks control external
8 Audio tracks (1-8) where samples can be equipment and up to 4 note chords can be
placed or recorded in and then developed programmed to operate external gear along with
further with parameter adjustments and then by various parameters such as velocity, pitch bend
adding effects to create Sounds. Also 8 MIDI etc. MIDI tracks also operate with MIDI Control
tracks are available (9-16) to control and Change settings and with parameter lock
interact with external gear. In addition a number functionality, LFO, micro timing etc. The basic
of track features such as mute conditions bring principle is that a track would contain the source
additional creativity when playing live or simply sound settings and configurations which is then
jamming. It’s worth remembering the difference programmed into a sequence using trig steps to
between a sound and sample at this point. A develop the melody, beat or tune.
sample is the raw audio file as recorded or

The Digitakt Notebook : Reference & Guide Contents 67

5 Tracks
5.1 Basic Track Navigation NOTES

Navigating the 16 tracks is a simple process but has variations depending

on the selected mode of operation.

▌SELECTING A TRACK

1. Press Track key [TRK] + [1] ... [8] to select one of the audio tracks or
press [TRK] + [9] … [16] for a MIDI track selection.

2. The display indicates the selected track and whether the track is an
audio : SMP or a MIDI : MID track. Also the display temporarily shows
the audio sample name selected in the title area.

Selected track illuminates RED when not in a record mode

+ 5

Unselected tracks illuminate WHITE when the [TRK] Key is held.

SMP MID
Sample MIDI Example: Audio track 5 is the
Audio Track Selected MIDI Track selected current selected track

TRACK
Indicates track number 1-8 for
audio tracks and for track 9-16
indicates MIDI A-H.

Note that when not in the sequencer mode, tracks can be selected by pressing just the track [1] … [16]
key. Using [TRK] + Key selects the track silently and is a good habit to adopt to avoid confusion and errors
when in sequence recording mode where 1-16 are used to set trigs.

68 Contents The Digitakt Notebook : Reference & Guide

 Tracks 5
NOTES

▌CHANGING A TRACK PARAMETER

1. Press track key [TRK] + [1] ... [8] to select one of the audio tracks or
press [9] … [16] for a MIDI track selection.

2. Select the parameter page for the desired parameter set i.e. [TRIG].

3. Hold the parameter key to view the parameter setting currently in place.

4. Adjust the DATA ENTRY control (A) ... (H) to change its parameter.
Note : Using [FUNC] + certain parameters will ‘jump’ through options.

▌CONTROL ALL - AUDIO TRACK PARAMETER CHANGES

To change the parameter across ALL audio tracks at the same time for mass
editing and creative effect changes:-

1. Hold Track key [TRK] + change one or more parameters using (A) …
(H) data entry controls

2. The edited parameter will change on every audio track.

3. Pressing [NO] before releasing [TRK] will revert to the original setting.

▌QUICK ASSIGNMENT OF AUDIO SAMPLE TO A TRACK

1. Select the desired audio track [TRK] + [1] … [8].

2. Press [SRC] to select the source page.

3. Adjust the SAMP Sample selection, data entry (D).

4. The sample list will open for sample selection, press [YES] or the press
data entry control (D) to select the highlighted sample. [NO] to exit.

or

4. Press [FUNC] + [SRC] to open the SAMPLES MENU.

5. Navigate to highlight the desired sample using (LEVEL/DATA) and

press [YES]. The sample will load directly into the selected track.

Note: Pressing the selected Track [1] … [8] key while in the samples menu and
highlighting a sample will play a preview (Max 10 sec).

The Digitakt Notebook : Reference & Guide Contents 69

5 Tracks
5.2 Audio Tracks - Parameter Menu Structure
The Digitakt has 5 parameter setting pages per track, each with secondary functionality accessible
with [FUNC] + Option. Holding the parameter key will display current settings. The 8 audio track
options are as below. Some audio track parameters for SRC, FLTR, AMP and LFO can be randomised
as explained in the Effects & Master Out section.
MAIN PAGE 1

A Trig note value A Tune Pitch -24 to +24 A Filter Env Attack 0-127 A Amp Env Attack 0-127 A LFO Speed -64 to +63
B Velocity 0-127 B Play Mode of Sample B Filter Env Decay 0-127 B Amp Env Hold 0-126,Note B LFO Multiplier (x SPD)
C Trig Length 0-127,Inf C Bit Reduction 0-127 C Filter Sustain 0-127 C Amp Env Decay 0-126,Inf C Fade In -64 / Out +63
D Trig condition D Sample Select D Filter Release 0-126,Inf D Overdrive 0-127 D Destination of LFO Mod
E Filter Trig On/Off E Sample Start Pos 0-120 E Cut Off Freq 0-127 E Delay Send Off -127 E LFO Waveform
F LFO Trig On/Off F Sample Length 0-120 F Resonance 0-127 F Reverb Send Off -127 F Phase Start 0-127
G G Loop Start 0-120 G Filter Type G Pan Left 64 Right 63 G Trigger Mode
H H Sample Level 0-127 H Env Depth -64 to +63 H Sound Level 0-127 H Mod Depth -64 to +63
MAIN PAGE 2

Second [SRC] page

shows sample waveform
display as opposed to
main page but with same
parameters

+
FUNC PAGE 1

A [FUNC]+[SRC] A Delay Time 1-128 A Pre-Delay Time 0-127 A Threshold 0-127

B opens up the 127 project B Ping Pong On/Off B Decay Time 0-126,inf B Attack 0-127
samples for quick
C assignment of the source C Stereo Width -64+63 C Shelf Frequency 0-127 C Release 0-127
D sample D Feedback 0-198 D Shelf Gain 0-127 D Make Up Gain 0-24
E Current Track Timing E HiPass Cut Off Flt 0-127 E HiPass Cut Off Flt 0-127 E Comp Ratio 1.5-20
F All Tracks Micro Timing F LoPass Cut Off Flt 0-127 F LoPass Cut Off Flt 0 -127 F Sidechain Source
G G Del Send to Rev 0-127 G Pre or Post Compressor G Sidechain Filter -64+63
H H Delay Output Mix 0-127 H Rev Output Mix 0-127 H Dry / Wet Mix 0-127

Master Page 1 - Compressor

Master Page 2 - Audio Mixer
FUNC PAGE 2

A Track 1 Level 0-127

B Track 2 Level 0-127
C Track 3 Level 0-127
D Track 4 Level 0-127
E Track 5 Level 0-127
F Track 6 Level 0-127
G Track 7 Level 0-127
H Track 8 Level 0-127

70 Contents The Digitakt Notebook : Reference & Guide

 Tracks 5
5.3 MIDI Tracks - Parameter Menu Structure
The Digitakt has 5 parameter setting pages per track, each with secondary functionality accessible
with [FUNC] + Option. Holding the parameter key will display the current settings. The 8 MIDI
Options are:
MAIN PAGE 1

A Root note 1 C0-G10 A Channel Send 0-16, Off A CC Value 1 0-127, Off A Param to Change for Val1 A LFO Speed -64 to +63
B Note2 offset -64/+64 B Bank Change 1-128, Off B CC Value 2 0-127, Off B Param to Change for Val2 B LFO Multiplier (x SPD)
C Note3 offset -64/+64 C Prog Change 1-128, Off C CC Value 3 0-127, Off C Param to Change for Val3 C Fade In -64 / Out +63
D Note4 offset -64/+64 D D CC Value 4 0-127, Off D Param to Change for Val4 D Destination of LFO Mod
E Velocity 1-127 E Pitch Bend -/+128, Off E CC Value 5 0-127, Off E Param to Change for Val5 E LFO Waveform
F Length 0.125-128, Inf F Aftertouch 0-127, Off F CC Value 6 0-127, Off F Param to Change for Val6 F Phase Start 0-127
G Trig Condition G Mod wheel 0-127, Off G CC Value 7 0-127, Off G Param to Change for Val7 G Trigger Mode
H LFO Trigger On/Off H Breath Control 0-127, Off H CC Value 8 0-127, Off H Param to Change for Val8 H Mod Depth -64 to +63
Notes 2-4 are in semitones [FUNC] + (DATA ENTRY) to [FUNC] + (DATA ENTRY) to Standard MIDI Control Interacts with SRC & FLTR
from root or 0 for no offset. Toggle function ON / OFF Toggle function ON / OFF Change Messages 0-119 Page parameters
MAIN PAGE 2

+
FUNC PAGE 1

A [FUNC]+[SRC] A Delay Time 1-128 A Pre-Delay Time 0-127 A Threshold 0-127

B opens up the 127 project B Ping Pong On/Off B Decay Time 0-126,inf B Attack 0-127
samples for quick
C assignment of the source C Stereo Width -64+63 C Shelf Frequency 0-127 C Release 0-127
D sample D Feedback 0-198 D Shelf Gain 0-127 D Make Up Gain 0-24
E Current Track Timing E HiPass Cut Off Flt 0-127 E HiPass Cut Off Flt 0-127 E Comp Ratio 1.5-20
F All Tracks Micro Timing F LoPass Cut Off Flt 0-127 F LoPass Cut Off Flt 0 -127 F Sidechain Source
G G Del Send to Rev 0-127 G Pre or Post Compressor G Sidechain Filter -64+63
H H Delay Output Mix 0-127 H Rev Output Mix 0-127 H Dry / Wet Mix 0-127

Master Page 1 - Compressor

Master Page 2 - Audio Mixer
FUNC PAGE 2

A Track 1 Level 0-127

B Track 2 Level 0-127
C Track 3 Level 0-127
D Track 4 Level 0-127
E Track 5 Level 0-127
F Track 6 Level 0-127
G Track 7 Level 0-127
H Track 8 Level 0-127

The Digitakt Notebook : Reference & Guide Contents 71

5 Tracks
5.4 Chromatic Track Mode NOTES

Two special modes exist when working with tracks. One of these is
chromatic mode to record piano-like chromatic scales within live recording
mode

+ C# D# F# G# A#

C D E F G A B C

1 2 3 4
1 Octave

▌SELECTING CHROMATIC MODE

1. Select the desired track [TRK] + [1] … [8] or [9] … [16] for MIDI A - H.

2. Press [FUNC] + [TRK] to select chromatic mode ON or OFF.

3. The chromatic LED illuminates when ON.

4. Trig keys switch to chromatic keyboard layout, with available notes lit.

▌CHANGING OCTAVE OF TRIG KEYBOARD IN CHROMATIC MODE

1. In chromatic mode, press [UP] to move up, [DOWN] to move down in

range.

2. The range is 2 octaves down (-24) and 1 octave up (+12) from the
default middle position i.e. 4 octaves total range for audio tracks and 11
octaves (-60, +60) for MIDI.

72 Contents The Digitakt Notebook : Reference & Guide

 Tracks 5
NOTES

▌RECORDING CHROMATIC NOTES

1. Select the desired track and chromatic mode

2. Press [REC] + [PLAY] for LIVE RECORDING MODE

3. Play the keyboard notes to record the melody.

4. The TRIG page NOTE (A) Parameter is overridden by the notes being
played.

▌EXITING CHROMATIC MODE

1. In chromatic mode, press [FUNC] + [TRK] to deselect chromatic mode

2. The chromatic LED turns off

3. Trig keys switch to the normal layout,

The Digitakt Notebook : Reference & Guide Contents 73

5 Tracks
5.5 Mute Track Mode
Two special modes exist when working with tracks. One of these is mute mode which allows on the
fly muting of tracks while the sequence is playing or stopped.

▌BASIC SELECTION OF MUTE MODE

1. Play the sequencer pattern [PLAY]

2. Press [FUNC] + [BANK] to select MUTE mode

3. Press the Trig [1] … [16] to select the track to mute

4. The muted track will be unlit while other active tracks will be lit

5. Press the Trig [1] … [16] to UNMUTE a muted track and continue playback

MUTE MODES

Mute mode operates in one of two states, GLOBAL mode enables muting of all patterns while PATTERN mute mode
mutes only the currently active pattern. Pressing [FUNC] when playing or stopped shows muted tracks.

GLOBAL MUTE MODE PATTERN MUTE MODE

• Mutes ALL Patterns • Mutes currently ACTIVE Pattern

• Hold [FUNC] + [BANK] to toggle in and • Hold [FUNC]+[BANK] [BANK] - quick

out of Global Mute mode double press to select Pattern Mute
Mode
• Trig Keys GREEN
• Trig Keys PURPLE
• Muted tracks FLASH GREEN during
normal playback • Muted tracks FLASH PURPLE during
playback
• Saved with project
• Press [FUNC] + [BANK] to exit
• The last mute mode used is recalled Pattern mute mode
automatically on start up
• Saved with pattern

74 Contents The Digitakt Notebook : Reference & Guide

 Tracks 5
NOTES

▌MUTE CURRENT PATTERN TRACKS (PATTERN MUTE MODE)

1. Play the sequencer pattern, [PLAY].

2. Press [FUNC] + [BANK] and quickly [BANK] again to enter PATTERN

mute mode. Keys display purple.

3. Press the TRIG [1] … [16] to select the track to mute.

4. The key for the muted track will flash purple / off when silently triggered
while the other unmuted tracks show up in white / purple.

5. Press other TRIG [1] … [16] to MUTE and UNMUTE

6. Press [FUNC] + [BANK] to exit pattern mute mode.

▌MUTE ALL PATTERN TRACKS (GLOBAL MUTE MODE)

1. Play the sequencer pattern, [PLAY].

2. Press [FUNC] + [BANK] to enter GLOBAL mute mode. Keys lit green.

3. Press the TRIG [1] … [16] to select the track to mute

4. The key for the muted track will flash green / off while the other
unmuted tracks show up in white / purple.

5. Press other TRIG [1] … [16] to MUTE and UNMUTE.

6. Press [FUNC] + [BANK] to exit global mute mode.

▌QUICKLY MUTE TRACKS

1. Play the sequencer pattern [PLAY]

2. During playback, hold [FUNC] + [1] … [16] to mute / unmute tracks in

the mode selected previously and shown purple or green.

Note: Colours indicate mute states. There maybe mutes in one mode when viewing another. This can be
seen with the colours on the keys and where green and purple may be seen on the same key.

The Digitakt Notebook : Reference & Guide Contents 75

5 Tracks
5.6 Track Levels NOTES

There are multiple places that can be accessed to set and check the track
levels.

LEVEL
for each track is available
with the Level / Data control
as displayed on the screen

SAMPLE LEVEL
Specifically the level 0-127 on the Trig page
for the sample, not to be confused with the
Track level

▌ADJUSTING INDIVIDUAL TRACK LEVEL

1. Select the desired track [TRK] + [1] … [8]

2. Adjust the (LEVEL/DATA) control to adjust the selected tracks level.

3. Level LEV status shows on the display bottom left.

76 Contents The Digitakt Notebook : Reference & Guide

 Tracks 5
NOTES

▌ADJUSTING COLLECTIVE TRACK LEVELS

1. Select the MIXER page, press [FUNC] + [LFO] + [LFO] to get to page 2.

2. Use the data entry controls (A) - (H) relevant to each of the 8 audio
tracks.

3. Levels are relevant to the track numbers.

Digitakt Defaults

TRACK 1 TRACK 2 TRACK 3 TRACK 4

Kick Snare Tom Clap

TRACK 5 TRACK 6 TRACK 7 TRACK 8

CB Closed Hat Open Hat Cymbal

+ +

The Digitakt Notebook : Reference & Guide Contents 77

5 Tracks
5.7 Reloading Tracks NOTES

Tracks can be reloaded to restore the saved sound functionality after

adjustments.

▌RELOADING A SINGLE TRACK TO PREVIOUSLY STORED STATE

1. Press [TRK] + Trig [1] … [8] + [NO].

2. The track selected by the trig will be restored to the original settings.

▌RELOADING MULTIPLE TRACKS TO PREVIOUSLY STORED STATE

1. Press [TRK] + Multiple trigs [1] … [8] + [NO].

2. The tracks selected by the trigs will be restored to the original settings.

78 Contents The Digitakt Notebook : Reference & Guide

 Tracks 5
5.8 Track Status - Quick Reference
The track status of Digitakt is indicated by various colours. Active means a track with trigs set and is
not empty . Here is a quick reference summary.

Key Colour Key Status Mode Mode Selection Comments / Notes

[BANK]
None Unlit Pattern Selection Shows No Pattern available in the slot
[PTN]

[BANK]
White Lit Pattern Selection Shows Patterns available - lit white keys
[PTN]

[PLAY]
White Flash Track Live Record Flashes each active track when triggered
[PLAY]+[REC]

White Lit Track Selection [TRK] Tracks illuminate when [TRK] is pressed

[REC]
White Cursor Play in Grid Rec Trig cursor steps through the pattern
[PLAY]

Red Lit Dull Track Stopped [STOP] Current track - lit dull with no key press

Red Lit Pattern Selection [PTN] Current Pattern Selected

[PLAY]
Red Lit Grid Record Active Trig Steps illuminate bright red
[REC]

[PLAY]
Red Flash Grid Record Trigs with parameter locks, slow flash
[REC]

[PLAY]
Red Cursor Play / Live Record Step cursor of active step in sequence
[PLAY]+[REC]

Yellow Lit Record [REC] Trigs with lock trigs assigned (no sound)

Yellow Flash Record [REC] Lock Trigs with Param Locks (no sound)

[FUNC] Track Active in Global Mute mode (ALL

Green Lit Play / Global Mute
[FUNC]+[BANK] Patterns)

Track for this Trig is muted in Global Mute

Green Flash Play [PLAY]
Mode and is being silently triggered

[FUNC]
None Unlit Mute Modes Track is muted and is not being triggered
Plus both mute modes

[FUNC] Track Active in Pattern Mute mode (ONLY

Purple Lit Play / Pattern Mute
[FUNC]+[BANK]+[BANK] current pattern)

Track for this Trig is muted in Pattern Mute

Purple Flash Play [PLAY]
Mode and is being silently triggered

The Digitakt Notebook : Reference & Guide Contents 79

 NOTES

80 Contents The Digitakt Notebook : Reference & Guide

 6
Samples & Sounds
If a track is a house then a sound is the bricks this section. The SRC page allows editing of
and mortar. Samples are the bricks and many sound parameters including the pitch
parameter settings the mortar. Digitakt has the tuning range of 7 octaves (-60 to +24
ability to store, manipulate and record samples semitones). Management of sounds is also
as part of the entire creative process. The something to get to know well to ensure a good
understanding of the difference between a workflow and recognise where in the Digitakt
sample and a sound is an important starting structure you are working and how to bring
point. A sample is the raw unaffected audio and sounds into the device from a PC/MAC. Other
a sound takes the sample assigns parameter effects and functions also effect how a sound is
values and edits and transforms it through created but these will be explored further in this
effects and modulation into a unique sound. Of notebook.
course every sound contains a sample of some-
sort. Given that Digitakt is described as a drum
computer and sampler it’s expected that the
sound set will be drum and percussion based
but the power of Digitakt offers much more.
Samples being the oscillators in synthesised
sound creation with crazy (and fast)
modulations configurations for example. The
key page in focus for sounds and samples is the
[SRC] Page and this is covered in depth within

The Digitakt Notebook : Reference & Guide Contents 81

6 Sounds & Samples
6.1 Sounds v Samples

SOUND

Mono Audio
16bit, 48kHz
Digitakt Native Format

SAMPLE
SRC

AHD ADSR Modulation

AMP Envelope Filter Envelope LFO

SOUNDS & SAMPLES

Sounds and Samples are not mutually exclusive and a sound contains a sample. There are complimentary features that
integrate and combine a sample within a sound to develop and shape it using effects, filtering and modulation.

SAMPLES SOUNDS

• +Drive (1GB): Sample Bank • +Drive (1GB): 2048 Sounds (256 per
Bank A-H)
• Project RAM: Max 64Mb, 11 Minutes
contained in 127 sample slots • Project RAM: Contains 128 sound slots
within the SOUND POOL
• Samples can be transferred to/from
Digitakt or sampled directly • Sounds are created using samples and
the settings of associated parameters.
• Samples must be in the project pool to be
sample locked. • Sounds can be managed with the
SOUND BROWSER & SOUND
• Samples can be managed within the MANAGER
SAMPLE BROWSER & SETTINGS
menu, samples function.

82 Contents The Digitakt Notebook : Reference & Guide

 Sounds & Samples 6
NOTES 6.2 Loading Samples to Tracks
Loading a sample to a track can be from the +Drive or from the 127
samples loading into project RAM.

▌LOADING A SAMPLE TO A TRACK FROM THE PROJECT SAMPLES

1. Select the desired audio track [TRK] + [1] … [8].

2. Select [SRC] page.

3. Adjust the data entry control (D).

4. The quick select SAMPLE BROWSER opens and displays the sound
slots 1-127, 0 means the sample slot is switched off.

5. Scroll to the desired sample using (D) rotary or [UP] & [DOWN] while
the quick select screen is visible. Preview by pressing the track key.

6. Press data entry (D) or [YES] to load the track with the selected sample
or press [NO] to cancel selection.

▌QUICK LOADING A SAMPLE TO A TRACK FROM PROJECT SAMPLES

1. Select the desired audio track [TRK] + [1] … [8].

2. Select [FUNC] + [SRC] to jump straight to the sample browser list.

3. Adjust the data entry control (D).

4. Scroll to the desired sample using (D) rotary or [UP] & [DOWN] while
the quick select screen is visible. Preview by pressing the track key.

5. Press data entry (D) or [YES] to load the track with the selected sample
or press [NO] to cancel selection.

The Digitakt Notebook : Reference & Guide Contents 83

6 Sounds & Samples
NOTES

▌QUICK LOADING SAMPLE TO TRACK FROM THE +DRIVE

1. Select the desired audio track [TRK] + [1] … [8].

2. Select [SRC] page.

3. Adjust the data entry control (D).

4. The quick select SAMPLE BROWSER opens.

5. Press [FUNC] + [YES] while the browser is open to open the +Drive
samples folder ( location in the file directory will be the last folder
selected), This doesn't select +Drive if the SRC SAMP is set to OFF.

OR

5. Highlight an open, unassigned slot in the sample list and press [YES] to
open the +Drive at the location of the last folder selection.

6. Scroll using (LEVEL/DATA) or [UP] [DOWN] to the desired sample.

7. Press [YES] to load the highlighted sample into the active track and into
the project RAM.

8. Press [NO] to cancel and back up.

84 Contents The Digitakt Notebook : Reference & Guide

 Sounds & Samples 6
6.3 Managing Samples via Global Settings
More comprehensive management of samples is available within the GLOBAL SETTINGS menu in
the SAMPLES section. Note that menus may retain the previous state from the last access.
Illustrations below are the default status.

TOP DIRECTORIES NAVIGATING THE DIRECTORIES

Factory: Default Elektron preloaded samples. [UP] [DOWN] to Navigate, [YES] to select directory
Incoming: Transferred in from PC/Mac C6 utility. folder, file or the ‘..’ directory up selector. [NO]
Recorded: Sampled into the Digitakt. returns to main menu. The (D) flag Indicates a
Also directories are created using Transfer utility directory as opposed to a sample file

*
.. (D)
Drums (D)
Synths (D)
Toolbox (D)

Navigate down the directory folders or select

‘..’ to go back up through the directory folder
structure and to the kits audio samples

Location Structure
D, Directory Indicator
Samples Show Sample Size
Previous Directory
Highlight Cursor
Navigate Left Menu Navigate Right Menu
Write Protected
Files Selected List Scroll Position

RAM Slot location Indicator

+DRIVE MEMORY

PROJECT RAM
* SELECT UNUSED
The option to select all unused samples in RAM / Sound
Pool is available in the sample manager right menu when
viewing the sound pool RAM for the active project. This
enables the unused samples to be selected and purged /
cleared from the project. This removes from Project RAM
only and does not affect the +Drive.

This functionality is also available from the PURGE ALL

menu option in the project menu under manage projects.

The Digitakt Notebook : Reference & Guide Contents 85

6 Sounds & Samples
NOTES

▌LOADING SAMPLES FROM THE +DRIVE TO PROJECT RAM

1. Select [SETTINGS] for GLOBAL SETTINGS.

2. Highlight SAMPLES using [UP] [DOWN] or (LEVEL/DATA) to navigate

and press [YES] to select the samples menu option.

3. Navigate to the desired +Drive directory folder i.e. Factory and press
[YES]. Use [LEFT] menu to switch between RAM /+Drive views.

4. Continue to navigate folders until the desired files (indicated by the file
size indicator as opposed to a D for Directory) are located.

5. Scroll through the audio files and press [FUNC] + [YES] to preview.

6. Check to select each file by pressing [YES]. Continue through selecting

all files needed and press [YES] again to deselect any files not needed.

7. Select the hidden ‘right menu’ by pressing [RIGHT] key. The arrows
indicates whether a hidden right / left menu exists.

8. Select LOAD TO PROJ by navigating with [UP] [DOWN] or (LEVEL/

DATA) and press [YES].

9. Press [YES] to confirm or [NO] to cancel.

10. Sample will be copied to the current project next available sample slot.

Note: The +Drive shows an arrow and number indicator representing the 127 RAM Sample
slots that the sample has been loaded into. Navigating using the ‘..’ Symbols moves back up
one directory folder position.

86 Contents The Digitakt Notebook : Reference & Guide

 Sounds & Samples 6
NOTES

▌VIEWING SAMPLES IN PROJECT RAM USING GLOBAL SETTINGS

1. Select [SETTINGS] for GLOBAL SETTINGS.

2. Highlight SAMPLES using [UP] [DOWN] or (LEVEL/DATA) to navigate

and press [YES] to select the samples menu option. The page may
show where it was last left and not be at the root directory.

3. Navigate to the ‘left menu’ using [LEFT]. If the ‘right menu’ is displayed
then press [LEFT] [LEFT] to move to the left menu.

4. Highlight VIEW RAM option with [UP] [DOWN] or (LEVEL/DATA) and

press [YES] to select.

5. The display switches to show the project RAM sample slots. Navigate
with [UP] [DOWN] or (LEVEL/DATA) and press [FUNC] + [YES] to
preview a sample.

▌REPLACING SAMPLES IN PROJECT RAM

1. Select [SETTINGS] for GLOBAL SETTINGS

2. Highlight SAMPLES using [UP] [DOWN] or (LEVEL/DATA) to navigate

and press [YES] to select the samples menu option.

3. Ensure the view is Project RAM or navigate to VIEW RAM within the
‘Left Menu’ option if in the +Drive view then [RIGHT] to the main list

4. In the sample list, Scroll through the audio files to highlight the audio file
to replace using [UP] [DOWN] or (LEVEL/DATA)

5. Select the ‘Right Menu’ by pressing [RIGHT]

6. Highlight and select REPLACE by navigating with [UP] [DOWN] or

(LEVEL/DATA) and press [YES]

7. The display switches automatically to the +Drive to allow selection of a

new sample. Navigate through the directories using [UP] [DOWN] or
(LEVEL/DATA) and [YES] to select the directory or ‘..’ for back up.

8. Highlight the new sample to select and Press [YES]

9. Sample will replace the previous sample in the selected slot.

The Digitakt Notebook : Reference & Guide Contents 87

6 Sounds & Samples
NOTES

▌ REMOVE (UNLOAD) INDIVIDUAL SAMPLES FROM PROJECT RAM

1. Select [SETTINGS] - GLOBAL SETTINGS

2. Highlight SAMPLES using [UP] [DOWN] or (LEVEL/DATA) to navigate

and press [YES] to select the samples menu option.

3. Ensure the view is Project RAM or navigate to VIEW RAM within the
‘Left Menu’ option if in the +Drive view, then [RIGHT] to the main list

4. In the sample list, Scroll through the audio files to highlight the audio file
to unload using [UP] [DOWN] or (LEVEL/DATA).

5. Press [YES] to toggle selection. Pressing [YES] again will deselect.

Select 1 or more samples.

6. Select the ‘Right Menu’ by pressing [RIGHT]

7. Highlight and select UNLOAD by navigating with [UP] [DOWN] or

(LEVEL/DATA) and press [YES]

8. In the popup, press [YES] again to confirm or [NO] to cancel

▌REMOVE (UNLOAD) ALL UNUSED SAMPLES FROM PROJECT RAM

1. Select [SETTINGS] - GLOBAL SETTINGS

2. Highlight SAMPLES using [UP] [DOWN] or (LEVEL/DATA) to navigate

and press [YES] to select the samples menu option.

3. Ensure the view is Project RAM or navigate to VIEW RAM within the
‘Left Menu’ option if in the +Drive view, then [RIGHT] to the main list

4. In the ‘right’ menu select SELECT UNUSED from the options and then
press [YES] to select the option.

5. A popup will show how many samples have been selected.

6. Select the UNLOAD Option in the ‘right’ menu/

7. A confirmation pop up window will indicate the number of samples to

remove from the currently active project RAM (+Drive is unaffected).

8. Press [YES] to remove / unload the unused samples from RAM. Press
[NO] to cancel.

88 Contents The Digitakt Notebook : Reference & Guide

 Sounds & Samples 6
NOTES

▌PURGE ALL UNUSED SOUNDS & SAMPLES FROM PROJECT

1. Select [SETTINGS] - GLOBAL SETTINGS

2. Highlight PROJECT using [UP] [DOWN] or (LEVEL/DATA) to navigate

and press [YES] to select the project menu option.

3. Highlight MANAGE PROJECTS using [UP] [DOWN] or (LEVEL/DATA)

to navigate and press [YES] to select the project menu option.

4. Highlight the current project using [UP] [DOWN] or (LEVEL/DATA) to

navigate.

5. Select the ‘right’ menu to view project options.

6. Select PURGE ALL from the options and then press [YES] to select.
This option is only available for the currently active project.

7. Press [YES] to confirm remove / unload the unused samples from RAM
and sounds from sound pool. +Drive is unaffected. Press [NO] to
cancel.

The Digitakt Notebook : Reference & Guide Contents 89

6 Sounds & Samples
NOTES

▌RENAMING SAMPLES ON THE +DRIVE

1. Select [SETTINGS] for GLOBAL SETTINGS

2. Highlight SAMPLES using [UP] [DOWN] or (LEVEL/DATA) to navigate

and press [YES] to select the samples menu option.

3. Ensure the view is +Drive navigate to VIEW +DRIVE within the ‘Left
Menu’ option if already in the RAM view, then [RIGHT] to the main list

4. Navigate to the desired directory folder i.e. ‘Recorded’ and press [YES].

5. Continue to navigate folders until the desired samples (indicated by the

file size indicator as opposed to a D for Directory) are located.

6. Scroll through the audio file and press [FUNC] + [YES] to preview.

7. Check a file to select it by pressing [YES].

8. Select the hidden ‘Right Menu’ by pressing [RIGHT] key. The arrows
indicates whether a hidden right / left menu exists.

9. Select RENAME by navigating with [UP] [DOWN] or (LEVEL/DATA) and

press [YES]. Sample must not be write protected (factory files are write
protected)

10. The naming screen will open and enable editing of the filename.

11. Press [YES] when naming is complete to save.

90 Contents The Digitakt Notebook : Reference & Guide

 Sounds & Samples 6
NOTES

▌DELETING SAMPLES FROM THE +DRIVE

1. Select [SETTINGS] for GLOBAL SETTINGS

2. Highlight SAMPLES using [UP] [DOWN] or (LEVEL/DATA) to navigate

and press [YES] to select the samples menu option.

3. Ensure the view is +Drive or navigate to VIEW +DRIVE within the ‘Left
Menu’ option. If already in the +Drive view then [RIGHT] to the main list

4. Scroll to select the samples to delete using [UP] [DOWN] or (LEVEL/

DATA) and press [YES]. Select one or multiple samples.

5. Select the ‘Right Menu’ by pressing [RIGHT]

6. Highlight and select DELETE by navigating with [UP] [DOWN] or

(LEVEL/DATA) and press [YES]

7. Press [YES] to confirm and to delete the sample from the +Drive.

▌CREATING NEW +DRIVE DIRECTORY FOLDERS

1. Select [SETTINGS] for GLOBAL SETTINGS

2. Highlight SAMPLES using [UP] [DOWN] or (LEVEL/DATA) to navigate

and press [YES] to select the samples menu option.

3. Ensure the view is +Drive navigate to VIEW +DRIVE within the ‘Left
Menu’ option if already in the +Drive view then [RIGHT] to the main list

4. Scroll through directories to select the location to create a new directory

using [UP] [DOWN] or (LEVEL/DATA).

5. Select the ‘Right Menu’ by pressing [RIGHT]. Highlight and select

CREATE DIR by navigating with [UP] [DOWN] or (LEVEL/DATA) and
press [YES]

6. The naming screen appears to create a new directory name.

7. Press [YES] when complete to save and exit naming

The Digitakt Notebook : Reference & Guide Contents 91

6 Sounds & Samples
NOTES

▌MOVING SAMPLES IN THE +DRIVE

1. Select [SETTINGS] for GLOBAL SETTINGS

2. Highlight SAMPLES using [UP] [DOWN] or (LEVEL/DATA) to navigate

and press [YES] to select the samples menu option.

3. Ensure the view is +Drive navigate to VIEW +DRIVE within the ‘Left
Menu’ option if already in the RAM view then [RIGHT] to the main list

4. In the sample list, Scroll through the audio samples to highlight the
audio samples to move using [UP] [DOWN] or (LEVEL/DATA) then
press [YES] to check the selection.

5. [RIGHT] to Open ‘Right’ Menu. Highlight and select SEL FOR MOVE by
navigating with [UP] [DOWN] or (LEVEL/DATA) and press [YES]

6. Navigate through the directories using [UP] [DOWN] or (LEVEL/DATA)

and [YES] to select the destination directory.

7. Select the ‘Left Menu’ by pressing [LEFT]. Highlight and select MOVE
HERE by navigating [UP] [DOWN] or (LEVEL/DATA) and press [YES].

8. If required, select ABORT MOVE to cancel

9. Sample(s) will be moved to the new destination on the +Drive.

92 Contents The Digitakt Notebook : Reference & Guide

 Sounds & Samples 6
6.4 Overview of Transfer Tool
Transfer is a tool from Elektron used for USB file and data management between devices and a PC
or Mac. Transfer superseded C6, a legacy tool used for sysex activities. Transfer can be downloaded
from Elektron’s site.

Connections Page
Enables connecting Transfer ports to
the physically connected devices.

Select input and output ports.

Ensure device and OS compatibility

of device, PC / Mac and Transfer.

Transfer utility version number.

Drop Page
Destination device and folders Used to transfer by dropping files
are selectable. into the device folders. OS Updates
are also possible by dropping the
new OS to Digitakt.

Filed can be dragged into the

drop box and transferred to a
‘transfers’ folder on the device.

File transfer progress displayed.

Explore Page
Devices and folders are selectable. Used to manage, transfer and
backup files between the PC / MAC
and Digitakt. Folder / File visibility is
Folders and structures per device. available here.

Preview of files possible.

File transfer progress displayed

when backing up or transferring
multiple files and folders.

The Digitakt Notebook : Reference & Guide Contents 93

6 Sounds & Samples
6.5 Transferring Samples to / from PC/MAC
Transfer of sample loading is available within the GLOBAL SETTINGS menu.

TRANSFER UTILITY

Use the Elektron Transfer Software to move

samples between the Digitakt and the PC or
Mac across USB. The Utility is available
from the Elektron website

TRANSFER FROM DIGITAKT TRANSFER TO DIGITAKT

Samples are dragged in the ‘Explore’ page from the Samples are dragged to the TRANSFER utility
orange Digitakt ‘window to the chosen blue PC/MAC ‘Drop’ window and are automatically transferred to
directory and are automatically transferred Digitakt into a ‘transfers-YYMMDD’ directory

94 Contents The Digitakt Notebook : Reference & Guide

 Sounds & Samples 6
NOTES

▌TRANSFERRING SAMPLES TO THE DIGITAKT FROM PC/MAC

1. Connect the USB cable between the Digitakt and the PC/MAC

2. Open the Elektron TRANSFER utility on the PC/MAC

3. Ensure the devices are connected and selected on the TRANSFER

‘Connections’ page and MIDI In/Out are set correctly

4. Open the ‘Drop’ page and drag the audio files from your PC/MAC to the
Drop window

5. TRANSFER utility will convert the file and transfer it to Digitakt +Drive. A
directory on the +Drive called ‘transfers-yyddmm’ which contains the
current date is created if it doesn't already exist.

▌TRANSFERRING SAMPLES FROM THE DIGITAKT TO PC/MAC

1. Connect the USB cable between the Digitakt and the PC/MAC

2. Open the Elektron TRANSFER utility on the PC/MAC

3. Ensure the devices are connected and selected on the TRANSFER

‘Connections’ page and MIDI In/Out are set correctly

4. Open the ‘Explore’ page

5. Select the destination directory to store the samples in the left / blue text
/ my computer window within your PC/MAC.

6. Select the Digitakt directory for the source samples to copy in the right /
orange text / Digitakt window.

7. Drag the audio files from your Digitakt (right window) to the PC/MAC
directory (left window)

8. TRANSFER utility will copy the file and transfer it to the connected PC/
MAC and selected directory.

The Digitakt Notebook : Reference & Guide Contents 95

6 Sounds & Samples
6.6 SRC Page Parameters
The main page to focus when working with samples in Digitakt is the SRC page. While samples can
be selected and assigned here, the settings and adjustments for the sample also are contained on the
[SRC] page.

SRC Page 1

A TUNE B PLAY C BR D SAMP

Tunes the pitch of the sample. Controls the mode of how the Bit reduction. The higher the Selects one of the 127
Low range is extended. [FUNC] sample is played. number the lower the Samples or Off. Use [FUNC] +
+ (A) in semitones, Press + resolution. [SRC] gives quick access.
Turn (A) for octaves.
Forward, Forward Loop,
-60 / +24 Reverse, Reverse Loop 0 - 127 1 - 127, Off

E STRT F LEN G LOOP H LEV

Starting position of the initial Length of sample playback and Sets the loop position start, i.e. Level of the sample only (not
sample playback. effectively sets the end position where the sample play re-starts the track or master level).
with respect to STRT. after 1 cycle on loop.

0 - 120 0-120 0 - 120 0 - 127

The current value of each parameter is displayed when the control is adjusted or all parameter settings can be
displayed by holding [SRC] key within the SRC pages. Press (DATA ENTRY) + [NO] to reset parameter to default. Press
[SRC] + [PLAY] to reset all SRC page parameters to defaults. Copy [SRC] + [REC] and Paste [SRC] + [STOP] also
operate within and across the SRC pages.

96 Contents The Digitakt Notebook : Reference & Guide

 Sounds & Samples 6

Parameters on Page 2 are the same as Page 1 but are displayed in a dynamic sample format rather than showing the
discrete parameter settings. The settings can then be seen graphically with respect the the actual sample.

SRC Page 2

STRT E F LEN
Starting position of the Length of the sample playback
sample playback. reference the STRT Position

LOOP
G Sets where the sample
play re-starts after 1
B cycle on loop.
PLAY
Controls the mode of how the sample is played.

Forward
When triggered sample is played through once
Forward Loop
When triggered sample is played through once
and then loops from the Loop start
Reverse
When triggered sample is played in reverse
Reverse Loop
When triggered sample is played in reverse
looping from the Loop start and Len. [AMP] & [TRIG] Pages
HLD & DEC on the AMP page and the LEN Parameter
on the TRIG Page also affect the loop playback

The Digitakt Notebook : Reference & Guide Contents 97

6 Sounds & Samples
6.7 Managing Sounds NOTES

Sounds are samples plus the associated SRC Settings, Filter, LFO and
AMP configurations. While samples can be imported, exported, loaded to
tracks and adjusted, also fully defined sounds can also be managed within
projects in the sound pool and in the +Drive using the SOUND MANAGER
and SOUND BROWSER functions.

2048 Sounds stored internally

+Drive on the 1GB +Drive

1 128
Sound Manager
Transfers between +Drive Project Project 128 Projects stored on the
& Sound Pool
A B C D A B C D +Drive, within 8 Banks each
containing 256 Sounds.
+ E F G H E F G H

128 Sounds available in the

Sound Digitakt RAM Sound Pool for
Pool each individual project

Only sounds in the project sound pool can be sound locked

▌ADDING SOUNDS TO THE SOUND POOL

1. Select [FUNC] + [PATTERN] to open the IMPORT / EXPORT Menu.

This import / export menu is also an option available within the
PATTERN menu.

2. Highlight the MANAGE SOUNDS option and press [YES] to select

3. The SOUND MANAGER opens, the list of +Drive sounds is displayed

and the bank keys [A] … [H] are red and available to switch between
banks.

4. Select the sounds to add to the project SOUND POOL by pressing

[YES] to check the selection. Navigate using [UP] [DOWN] or (LEVEL/
DATA) to highlight and then select more sounds if needed.

5. Press [RIGHT] to open the sound manager’s ‘right menu’ - sound

operations menu’.

6. Highlight the COPY TO option by navigating with [UP] [DOWN],

(LEVEL/DATA) and press [YES].

7. Highlight and select SOUND POOL and press [YES].

98 Contents The Digitakt Notebook : Reference & Guide

 Sounds & Samples 6
NOTES

▌ADDING A SOUND DIRECTLY FROM +DRIVE TO A TRACK

1. Select [FUNC] + [PATTERN] to open the IMPORT / EXPORT Menu.

This import / export menu is also an option available within the
PATTERN menu.

2. Highlight the IMPORT option and press [YES] to select.

3. Navigate using [UP] [DOWN] or (LEVEL/DATA) to highlight a desired

sound and press [YES] to select. To change banks press key [A] … [H].

4. Select destination track by pressing [1] … [8] and the sound is loaded to
the chosen track (not to the sound pool).

▌SAVING A SOUND FROM A TRACK TO THE +DRIVE / SOUND POOL

1. Select the track with the sound to save by pressing [1] … [8]

2. Select [FUNC] + [PATTERN] to open the IMPORT / EXPORT Menu.

This import / export Menu is also an option available within the
PATTERN menu.

3. Highlight the EXPORT option and press [YES] to select.

4. Navigate using [UP] [DOWN] or (LEVEL/DATA) to highlight a free sound

slot on the +Drive and press [YES] to select. To change banks press
key [A] … [H].

5. The naming screen opens and the name can be edited. Press [YES]
when completed.

6. Select the tags to help identify the sound and then highlight <SAVE>
and press [YES]

The Digitakt Notebook : Reference & Guide Contents 99

6 Sounds & Samples
SOUND MANAGER

This utility is used for advanced sound selection,

management, tagging and importing and exporting
+

MANAGE SOUNDS

Sorting Menu Operations Menu

TAGS

TOGGLE
SEND SYSEX
Selected Bank Number Sound Name Search Tags

SORT ABC IMPORT TO TRACK

Sorts Sounds in alphabetical order Available when single sound is selected. imports directly to the track and pattern

SORT 123 COPY TO ...

Sorts Sounds in numerical order Copies selected sounds to either sound pool, first free slots of +Drive or first free
slots of bank A-H

SEARCH EXPORT TO HERE

Opens naming screen to select search Exports and saves the currently selected track sound to the active slots
words

FILTER RENAME
Filters Sounds by tags. Tag browser opens Available when single sound is selected. Opens the naming screen to rename
to select tags to filter by pressing [YES] the active sound

VIEW +DRIVE EDIT TAGS

Switches to +Drive view if in Sound Pool Opens the tag editor where tags identifying the active sound can be added or
view deleted. [YES], <SAVE> when complete.

VIEW POOL DELETE

Switches to project sound pool if in +Drive Deletes active sound
view.
SELECT ALL
Selects all available sounds from the list

SELECT UNUSED
Selects all sounds that are unused in the project. Allows purging of unused
sounds

DESELECT ALL
Deselects all selected sounds from the list

TOGGLE
Selects or deselects the write protect flag and prevents the sound being edited

SEND SYSEX
Menu options visible and available will vary Sends the selected sounds using Sysex.
depending on the context of the menu selected.

100 Contents The Digitakt Notebook : Reference & Guide

 Sounds & Samples 6
SOUND BROWSER

This utility is used for quick sound selection,

previewing and loading.
+ Press
Level

Sorting Menu

SORT ABC Sound Browser

Sorts Sounds in alphabetical order
This utility is used
used mainly
mainly for
for loading
loadingand
andpreviewing
previewingsounds
soundsboth
bothininthe
thesound
soundpool
and
pool on
and the
on+Drive
the +Drive.
SORT 123
Sorts Sounds in numerical order Select
Select the
the Sound Browser using
sound browser using[FUNC]
[FUNC]++press
Press(LEVEL/DATA).
(LEVEL)

Scroll
Scroll list
list of
of sounds
sounds using
using (LEVEL) [UP] [DOWN]
(LEVEL/DATA) [UP] [DOWN].
SEARCH
Pressing
Pressing [YES]
[YES] on
on a
a specific
specific Sound to load
sound to load itit to
to the
the active
active track.
track
Opens naming screen to select search
words
Press any Trig
Press any Trig Key
Key [1]
[1] …
… [8]
[8] or
or press
press [FUNC]
[FUNC] +
+ [YES]
[YES] while
while in
in the
the sound
sound browser
browser
to
to preview
preview the
the highlighted
highlighted sound
sound.
FILTER
Filters Sounds by tags. Tag browser opens
to select tags to filter by pressing [YES] Sounds are linked from the +Drive so if the original sample is deleted it will no
longer be available in projects and patterns.

VIEW +DRIVE
Switches to +Drive view if in Sound Pool
view

VIEW POOL
Switches to project sound pool if in +Drive
view.

The Digitakt Notebook : Reference & Guide Contents 101

6 Sounds & Samples
6.8 Creating and Editing Sounds NOTES

Typical workflow when creating and editing sounds

Sound Creation Workflow

1 Select Track to work on

2 Load a Sample to the track [SRC] & (D)

First SAVE and Name at export 3

4 Set the initial Sample and Track levels [SRC]

Tweak and fine tune

5 Adjust the sample settings, pitch, playback etc [SRC]

6 Set filter cutoff, envelope etc [FLTR]

7 Adjust and fine tune [AMP] settings

Save Sound 8

9 Add modulation if required [LFO]

Save Sound 10

+ Continue to other Tracks / Sounds

Sounds can be saved and also assembled into a Kit, however Kits cannot be saved as a complete collection.
Sounds can be loaded to the track from the +Drive or into a Sound Pool and then into the track. It is
recommended to use the sound pool to manage project sounds as this adds more versatility, features and
speeds up workflow.

102 Contents The Digitakt Notebook : Reference & Guide

 Sounds & Samples 6
NOTES

▌EDITING A SOUND

1. Select the desired audio track [TRK] + [1] … [8].

2. Select desired parameter in the [SRC] [FLTR] [AMP [LFO] pages and
use the data entry controls to adjust the respective setting.

3. Adjust the overall track level (LEVEL/DATA) Note: Sample level is in the
[SRC] page.

4. Save sound [FUNC] + [PATTERN] and select EXPORT SOUND to a

free slot. Optionally save project using [FUNC] + [SETTINGS] function.

▌COPYING A SOUND TO ANOTHER TRACK

1. Select the source audio track [TRK] + [1] … [8].

2. Hold [TRK] + [REC] to copy the current track sound. Display indicates
copy.

3. Select destination track pressing [TRK] + [1] … [8].

4. Hold [TRK] + [STOP] to paste the copied track sound into the current
track. Display indicates paste is in progress. Undo option is available.

▌CLEARING A SOUND FROM A TRACK

1. Select the target audio track [TRK] + [1] … [8] to clear.

2. Hold [TRK] + [PLAY] to clear the current track sound. Display indicates
clear. Note that there is no confirmation message so this will be cleared
on key press. Undo feature is available.

3. Track is cleared and the SRC Sample (D) will revert to off.

▌UNDO A COPY / PASTE AND CLEAR OF A SOUND

1. Immediately after the Copy, Paste or Clear action repeat and hold the
previous key press until the screen displays ‘Undo’

Example: [TRK] + [PLAY] to clear and immediately repeat hold [TRK]

[PLAY] until screen displays Undo to undo the previous action.

The Digitakt Notebook : Reference & Guide Contents 103

 NOTES

104 Contents The Digitakt Notebook : Reference & Guide

 7
Audio & Sampling
While the use and organisation of samples and also sample internally from all or individual
their integration into sounds has been covered, tracks. Sampling via USB is a feature that also
Digitakt also has some powerful features in needs Overbridge. Digitakt is limited to a
capturing unique samples. Audio routing can maximum sample time of approx 33 seconds.
be configured within Digitakt not only for This is available irrespective of the available
sampling but when working with external gear space in the projects 64MB of RAM. Digitakt can
and audio in and out. Sampling first started in sample from an external device using the ¼” L/R
the 1940’s with the physical manipulation of audio input pair, but also from the main L/R, USB
tape. Fast forward to the 80’s and sampling and internal tracks. The main Digitakt pages of
became popular and an integral part of interest for sampling are the two SRC Pages and
‘modern’ music culture both creatively and also the SAMPLING function which is where
controversially. Today we can see many small recording of samples is performed. An external
footprint devices capable of powerful sampling mixer is provided in the master pages to assist in
and manipulating audio. Elektron are an managing the external audio configuration as
established player in this area with their dual mono or stereo and any FX processing.
Octatrack sampler setting the bar with
advanced and high performance sampling
features. Digitakt is a simpler device but still
carries a performance packed feature set when
it comes to sampling. Digitakt has the ability to
sample external audio from its audio inputs and

The Digitakt Notebook : Reference & Guide Contents 105

7 Audio & Sampling
7.1 Audio Routing NOTES

Digitakt is a 2 in, 2 out audio device. Used with overbridge or class

compliant USB devices it can act as an audio interface. Audio routing can
be configured globally in the settings > audio routing and per pattern under
pattern > audio routing. Examples of routing are covered in the MIDI & USB
Section.

Sample
Sample Engine
Sample Engine
Recording
Sample Engine ‘Internal’ from
Digitakt can be routed out or not
Effects using INT TO MAIN setting.

Compressor

Main Out

External Audio
Routed Out also
to output

Digitakt
2 Audio Inputs, 2 Audio Outputs +
Headphone out.

USB
USB Audio can be received and
transmitted when connected to a
class compliant device. Audio is
sent straight out (not via sample
engine and effects). Routing sets
the options.

External Device
Audio can be received and is routed
through sampler. Can be monitored out.

106 Contents The Digitakt Notebook : Reference & Guide

 Audio & Sampling 7
NOTES

Global Routing: Global SETTINGS menu, under the AUDIO ROUTING sub menu.

Audio Routing Description

Determines which of the 8 audio tracks (1-8) and the 2 fx, delay
ROUTE TO MAIN (9) and reverb (10) send audio to through the compressor to
master out. Audio to TRACK OUTPUTS unaffected.

Determines which of the 8 audio tracks (1-8) and the delay (9)
SEND TO FX
send audio to the delay and reverb effects.

When used as a USB audio devices or with overbridge selects

how the internal Digitakt audio is routed to the main out /
headphones.
ON - Sound is always sent from Digitakt out.
INT TO MAIN
OFF - audio from Digitakt is not routed to the main out / phones.
AUTO - Audio is not sent to main out when Overbridge is
available and/or streaming audio otherwise audio is sent to
main out / phones.

Sets the gain boost of incoming USB or Overbridge audio at the

USB TO MAIN (0dB)
main out / phones. Options 0db, +6db, +12db, +18db

Sets whether the USB audio is taken before (pre) or after (post)
PRE / POST FADER
the track level setting / fader.

Pattern Routing: Set in the PATTERN menu, under the AUDIO ROUTING sub menu.

Audio Routing Description

Toggles whether the active pattern uses these settings - off /

USE GLOBAL SETTINGS
unchecked or uses the global settings - on / checked.

Determines which of the 8 audio tracks (1-8) and the 2 fx, delay
ROUTE TO MAIN (9) and reverb (10) send audio to through the compressor to
master out. Audio to TRACK OUTPUTS unaffected.

Determines which of the 8 audio tracks (1-8) and the delay (9)
SEND TO FX
send audio to the delay and reverb effects.

The audio through TRACK OUTPUTS is dry and has no effects applied. Route to main tracks that are
switched off still send audio through USB and to overbridge. External audio from the audio inputs or USB is
routed directly out.

The Digitakt Notebook : Reference & Guide Contents 107

7 Audio & Sampling
NOTES

▌ROUTING INTERNAL TRACKS TO MAIN OUT - GLOBAL

1. Press [SETTINGS] to change the global routing.

2. Select AUDIO ROUTING option in the menu.

3. Select by highlighting ROUTE TO MAIN option.

4. Press the Trig [1] … [8] to select which tracks to route. Green buttons
indicate the track is routed to main. Red buttons indicate the track is not
routed to main. Trig buttons select / deselect options.

5. Press the [FLTR] to select delay to routing on and off. Green button
indicate the delay is routed to main. Red buttons indicate the delay is
not routed to main.

6. Press the [AMP] to select reverb to routing on and off. Green button
indicates the reverb is routed to main. Red buttons indicate the reverb is
not routed to main.

7. Ensure INT TO MAIN is set to ON or AUTO with no overbridge / audio

streaming.

▌ROUTING INTERNAL TRACKS TO EFFECTS - GLOBAL

1. Press [SETTINGS] to change the global routing.

2. Select AUDIO ROUTING option in the menu.

3. Select by highlighting ROUTE TO FX option.

4. Press the Trig [1] … [8] to select which tracks to route. Green buttons
indicate the track is routed to effects. Red buttons indicate the track is
not routed to effects. Trig buttons select / deselect options.

5. Press the [FLTR] to select delay to routing on and off. Green button
indicates the delay is routed to effects. Red buttons indicate the delay is
not routed to effects.

108 Contents The Digitakt Notebook : Reference & Guide

 Audio & Sampling 7
NOTES

▌ROUTING INTERNAL TRACKS TO MAIN OUT FOR PATTERN

1. Press [PATTERN] to change the global routing.

2. Select AUDIO ROUTING option in the menu.

3. Select by highlighting USE GLOBAL SETTINGS. Use [YES] to toggle

ON or OFF. Set to OFF / Unchecked to use active pattern settings.
When off the track options are not available as these are in global.

4. Select by highlighting ROUTE TO MAIN option.

5. Press the Trig [1] … [8] to select which tracks to route. Green buttons
indicate the track is routed to main. Red buttons indicate the track is not
routed to main. Trig buttons select / deselect options.

6. Press the [FLTR] to select delay to routing on and off. Green button
indicate the delay is routed to main. Red buttons indicate the delay is
not routed to main.

7. Press the [AMP] to select reverb to routing on and off. Green button
indicate the reverb is routed to main. Red buttons indicate the reverb is
not routed to main.

8. Ensure INT TO MAIN is set to ON or AUTO with no overbridge / audio

streaming.

▌ROUTING INTERNAL TRACKS TO EFFECTS FOR PATTERN

1. Press [PATTERN] to change the global routing.

2. Select AUDIO ROUTING option in the menu.

3. Select by highlighting USE GLOBAL SETTINGS. Use [YES] to toggle

ON or OFF. Set to OFF / Unchecked to use active pattern settings.
When off the track options are not available as these are in global.

4. Select by highlighting ROUTE TO FX option.

5. Press the Trig [1] … [8] to select which tracks to route. Green buttons
indicate the track is routed to effects. Red buttons indicate the track is
not routed to effects. Trig buttons select / deselect options.

6. Press the [FLTR] to select delay to routing on and off. Green button
indicate the delay is routed to effects. Red buttons indicate the delay is
not routed to effects.

The Digitakt Notebook : Reference & Guide Contents 109

7 Audio & Sampling
7.2 Audio Mixer Overview NOTES

Digitakt has two mixer functions found in the master section by pressing
[FUNC] + [LFO] to cycle through pages. The first is an audio track master
mixer and the second is an external audio mixer. The compressor page is
also found in the master section.

Compressor
Page 1 of 3

External Mixer Internal Mixer

Page 2 of 3 Page 2 of 3
External Audio Audio Tracks

The external mixer is disabled when MON Monitoring is on by selecting YES in the sampling
function. A message will be displayed in the external mixer page when this condition exists.

110 Contents The Digitakt Notebook : Reference & Guide

 Audio & Sampling 7
7.3 Internal Audio Track Mixer
The internal mixer presents each audio track level. This allows a adjustment in one location.

Master Page 2 - Internal Track Mixer

A TRK1 B TRK2 C TRK3 D TRK4

Audio track 1 level. Normally Audio track 2 level. Normally Audio track 3 level. Normally Audio track 4 level. Normally
labelled as kick. labelled as snare. labelled as tom. labelled as clap.

0 - 127 0 - 127 0 - 127 1 - 127

E TRK5 F TRK6 G TRK7 H TRK8

Audio track 5 level. Normally Audio track 6 level. Normally Audio track 7 level. Normally Audio track 8 level. Normally
labelled as cowbell. labelled as closed hat. labelled as open hat. labelled as cymbal.

0 - 127 0 - 127 0 - 127 0 - 127

The Digitakt Notebook : Reference & Guide Contents 111

7 Audio & Sampling
NOTES

Internal Audio Mixer - Master Page 2

The internal audio mixer sums all track levels and is the penultimate
function in the Digitakt chain with the compressor being the last. All track
audio LEV levels can be set in this single page.

▌SELECTING THE MIXER PAGES

1. Press [FUNC] + [LFO] this will open the master pages.

2. Press [FUNC] + [LFO] to cycle through the compressor, internal mixer

and external mixer page options.

▌MIXING ALL INTERNAL AUDIO TRACK LEVELS

1. Select the MASTER output page 2, toggle [FUNC] + [LFO] to the

internal mixer.

2. Adjust the relative data entry control (A) - (H) representing tracks [1] -
[8] levels.

3. Press and adjust the data entry controls for larger changes in level each
with a range of 0-127.

All 8 Audio Track Levels are available for mixing on one

page. The Levels are the same as the parameter shown
bottom of each track page titled level LEV.

112 Contents The Digitakt Notebook : Reference & Guide

 Audio & Sampling 7
7.4 External Audio Track Mixer
The external mixer enables the management and processing of the two external ‘Input L/R’ audio
inputs, for example routing through the effects. Dual mono mode switched on processes two mono
signals or when off processes a single stereo signal. This mixer is disabled if MON is set to On i.e.
YES in the SAMPLING function page.

Master Page 3 - External Track Mixer

DUAL

Turn (LEVEL/DATA) to toggle On or Off

dual mono mode. When ON, as shown
diagram, audio is handled as two
separate mono signals. When set to
OFF processing as a single stereo
signal. Parameters will change
accordingly i.e. pan to balance

A IN L B IN R C LPAN D RPAN

Level control of the external Level control of the external The left external audio input The right external audio input
audio connected to the audio audio connected to the audio panning control. If Dual mono is panning control. Not available if
input left channel. If Dual mono input right channel. Not off, this controls stereo balance dual mono is off.
is off, this controls stereo in and available if dual mono is off. indicated as BAL.
is indicated as INLR.
L64 - R63 L64 - R63

E LDEL F RDEL G LREV H RREV

The left external audio input The right external audio input The left external audio input The right external audio input
send to the delay effect. If Dual send to the delay effect. Not send to the reverb effect. If send to the reverb effect. Not
mono is off, this controls stereo available if dual mono is off. Dual mono is off, this controls available if dual mono is off.
send indicated as DEL. stereo send indicated as REV.

0 - 127 0 - 127 0 - 127 0 - 127

The current value of each parameter is displayed when the control is adjusted or all parameter setting will be displayed when adjusting its
parameter. Press [FUNC] + [LFO] + [NO] to reset parameter page to last saved state. The effect sends require a trig or play applied to an audio
track to be active i.e. after changing project or after stop, stop.

The Digitakt Notebook : Reference & Guide Contents 113

7 Audio & Sampling
NOTES
Dual Mono Mode

Dual mono mode setting is in the external mixer page and allows the
external audio inputs to be processed as two individual mono signals or
alternatively as a single stereo signal. Use the (LEVEL/DATA) rotary from
this page to set dual mode to, On - audio input is handled as independent
mono signals or Off audio handled as stereo.

Dual ON - Dual Mono

L Audio In R External audio shown as dual mono

with separate mono audio path.

Level Level
Master Master
INL INR

Pan Pan
Master Master
LPAN RPAN
Delay
Master
LDEL
delay

Delay
Master
RDEL

Reverb
Master
Reverb

LREV

Reverb
Master
RREV

Dual OFF - Stereo

L Audio In R External audio shown as stereo with

a single stereo path.

Level
Master
INLR

Pan
Master
BAL

Delay
delay

Master

DEL

Reverb
Reverb

Master

REV

The external mixer is disabled when MON Monitoring is on by selecting YES in the sampling function. A
message will be displayed in the external mixer page when this condition exists.

114 Contents The Digitakt Notebook : Reference & Guide

 Audio & Sampling 7
NOTES 7.5 Sampling Audio
Digitakt can sample audio from one or both of the external Left / Right ¼ inch
inputs, USB from class compliant devices and also from within the Digitakt
internal audio tracks and main output. Sampling is performed using the quick
‘direct sampling’ option or from within the ‘sampling’ setup page.

Sampling Menu
Sampling set up and options page

+ Direct Sampling
Quick Sampling, bypasses visual
menu. Uses previous settings.

S S S S S

Direct sampling is a quick and easy way to sample using the last set values
in the sampler.

The sampling function is a more detailed function which presents the

sampling page and activity as well as the sampling options.

The Digitakt Notebook : Reference & Guide Contents 115

7 Audio & Sampling
7.6 Sample Recording - Recording Page
When operating in the recorder page of the Sampler, instructions are given at each step of the
sampling process.

Threshold Setting

Sampling source
selection

Threshold Audio Monitoring

Setting On/Off
Timer counts up
when recording to a
maximum of 33
seconds

Live Audio Incoming

to recorder
+
Audio Recording
or [YES] to ARM ready for
automatic recording when
threshold is exceeded

Recording is
complete options to
trim, preview, save

Trim Start Pos Trim End Pos

A C

B D
Zoom Start Zoom End

Confirm Trim....... Save Name Assign to Track

116 Contents The Digitakt Notebook : Reference & Guide

 Audio & Sampling 7
NOTES

▌SAMPLE RECORDING - RECORDER PAGE

1. Press [SAMPLER] to access the sampling menu

2. Select SRC recorder option (not page) and set using Data Entry (G)
Sampling Source Description
External device connected via the Audio Input Inputs In
In L, In R, In L+R
L, In R, In L+R - summed to mono.
Internal sampling, all tracks as per the audio output.
Main L, Main R, Main L+R
L + R is summed to mono.
Sampling from class compliant device USB input ie DAW
USB L, USB R, USB L+R
or via Overbridge. L + R is summed to mono.
TRK1, TRK2, TRK3, TRK4,
Samples audio (not any effects) from selected track.
TRK5, TRK6, TRK7, TRK8

3. Select MON to YES using Data Entry (H) to Monitor the audio input
signal if required. This checks the incoming signal is high enough
without distortion and is available for sources set to In R, In L or In L+R.
When MON = YES the external mixer function is disabled.

4. Adjust threshold THR just above any signal noise level using Data Entry
(F). Ensure the audio signal exceeds the threshold level without being
triggered by erroneous sound.

5. Press [YES] to ARM the sampler.

6. Play the external audio and when the signal exceeds the threshold,
sample recording will start.

7. Press [YES] to finish sampling. The sample is automatically normalised.

8. Use the data entry (A) & (C) controls to adjust the sample trim position
start and end. (B) and (D) zooms the view of the start / end respectively

9. Press [YES] to TRIM the sample to the Start / End settings.

10. Press [YES] to save the sample or [NO] to undo / un-trim.

11. Name the sample and Press [YES] when complete.

12. Select a destination track [1] … [8] for the sample.

13. [FUNC] + [YES] will preview the sample within the edit screen while
[FUNC] + [NO] will discard the recorded sample.

Note: Saving the sample will store it in the +Drive Samples folder under the /recorded
directory, even if the sample is not stored to a track at the time of recording.

The Digitakt Notebook : Reference & Guide Contents 117

7 Audio & Sampling
7.7 Direct Sampling NOTES

Direct sampling will utilise a combination of buttons to start and stop

sampling. The settings will be based on the currently set sample page
settings. The direct sample buttons will illuminate in colour to show the
sampling status but will only be visible when the sampling page is not being
accessed or on show.

SAMPLING BUTTON STATUS

Off Yellow Red Dark Red Green

Sampling is not active Sample Sample Sample is Sampling is
recording is recording is in being complete and
On armed progress normalised sample ready
Sample recording page
is active and on show Key status colours only displayed when showing a parameter page i.e. in TRIG page.
The button colours are not displayed when operating and displaying the sampling page.

118 Contents The Digitakt Notebook : Reference & Guide

 Audio & Sampling 7
NOTES

▌DIRECT SAMPLING - MANUAL

1. Press [FUNC] + [SAMPLER], key illuminates red and sampling starts.

2. Press [FUNC] + [SAMPLER] to stop sampling.

3. The SAMPLER key turns dark red while normalising and then green to
signal completion.

4. Pressing [SAMPLER] + [NO] to cancel at anytime.

▌DIRECT SAMPLING - AUTOMATIC

1. Press [SAMPLER] + [YES] to arm the sampler. Key illuminates yellow.

2. When the input signal exceeds the threshold sampling will start. Key
illuminates red.

3. Press [FUNC] + [SAMPLER] to stop sampling

4. The SAMPLER key turns dark red while normalising and then green to
signal completion.

5. Pressing [SAMPLER] + [NO] to cancel at anytime.

The Digitakt Notebook : Reference & Guide Contents 119

 NOTES

120 Contents The Digitakt Notebook : Reference & Guide

 8
Filter, Amp & LFO
The 3 final functions that are fundamental to are also located here. Finally two LFO’s are
sound design are the Filter [FLTR], Amp [AMP] available. Each LFO page provides access to the
and the Low Frequency Oscillator [LFO] the Low Frequency Oscillator parameters which
parameters of which are hosted within these controls modulation to the SRC, AMP and FLTR
respective pages. These pages are arguably as well as LFO2 only having the option to control
the most important pages in developing and LFO1 parameters. The LFO’s offer a range of
shaping sounds both in a live and studio modulation destinations and also has a wide
environment. The parameters of these speed range unlocking a whole new world of
functions can also be copied to other track / sound design options. Most parameters
voice page too. The multimode filter page contained can be set with parameter locks to
contains the typical filter parameters such as expand the options of creativity even further. As
cut off and resonance as well as an ADSR with all the pages the parameters are adjusted
Envelope which drives the filter cut off and using the data entry rotary controls (A) - (H)
which operates in both positive and negative within the context of each page parameter.
configurations. A second filter of the type ‘base-
width’ is also provided. Amplitude controls,
available in the AMP page, cover the general
audio output settings such as volume and pan
and also contains a less familiar AHD (Attack,
Hold, Decay) envelope. An overdrive function
controls plus the delay and reverb send effects

The Digitakt Notebook : Reference & Guide Contents 121

8 Filter, Amp, LFO
8.1 Filter Page & Parameters
The filter parameters including the envelope are available in the [FLTR] Pages. Press [FLTR] to cycle
between the two filter pages. Also consider the Trig page LEN setting and alignment of sample length
when using envelope times.

Filter Page 1

A ATK B DEC C SUS D REL

Attack time of the filter Decay time of the filter Sustain level of the filter Release time of the envelope
envelope. Envelope drives the envelope. Envelope drives the envelope. Envelope drives the and includes an option for
filter cutoff filter cutoff filter cutoff infinite.

0 - 127 0 - 127 0 - 127 1 - 126, Inf

E FREQ F RESO G TYPE H ENV

Cut off frequency of the filter. Amount of resonance which is Sets the multimode filter type to Amount of positive or negative
Point at which signal introduced at the cutoff point. 2P Low Pass, 2P High Pass, envelope applied to the filter.
attenuates. Shows dotted line if Shows dotted line if type is set Parametric or off
type is set to off. to off.
Off, LP, HP, EQ1, EQ2, EQ3,
0.0 - 127.0 0.0 - 127.0 EQ4, EQ5 -64, +63

The current value of each parameter is displayed when the control is adjusted or all parameter settings can be displayed by holding [FLTR] key
within the FLTR pages. Press (DATA ENTRY) + [NO] to reset parameter to default. Press [FLTR] + [PLAY] to reset all FLTR page parameters to
defaults. Copy [FLTR] + [REC] and Paste [FLTR] + [STOP] also operate within and across the FLTR pages

122 Contents The Digitakt Notebook : Reference & Guide

 Filter, Amp, LFO 8

The filter parameters including the envelope are available in the [FLTR] Page. Press [FLTR] to cycle
between the two filter pages. Also consider the Trig page LEN setting and alignment of sample length
when using envelope times.

Filter Page 2

A DELAY B C D
Sets the delay time from the
trigger to the start of the filter
envelope attack phase. Also
quick access from Filter page 1
using [FUNC] + (A)

0-127

E BASE F WIDTH G H
Sets the ‘base’ lower cutoff Sets the ‘width’ upper cutoff
frequency for the filter. frequency determining the
range for the filter.

0-127 0-127

The current value of each parameter is displayed when the control is adjusted or all parameter setting can be displayed by holding its [FLTR]
key. Press [FLTR] + [NO] to reset parameter page to last saved state. Press [FLTR] + [YES] to randomise the parameters. [FLTR] + [REC] to
copy, [FLTR] + [STOP] to paste and [FLTR] + [PLAY] to clear page.

The Digitakt Notebook : Reference & Guide Contents 123

8 Filter, Amp, LFO
8.2 Digitakt Filters NOTES

Digitakt has 2 filters. The primary filter found on page 1 is a multimode filter
types. A lowpass 2-Pole filter, a highpass 2-Pole filter and five parametric
EQ types are available. Note this filter can also be set to OFF.

Filter 1 Types - Page 1

HIGH PASS FILTER

ATTENUATION

Allows higher frequencies to pass through the

filter and reduces (attenuates) lower
frequencies from the cutoff point.

FREQUENCY

LOW PASS FILTER

ATTENUATION

Allows lower frequencies to pass through the

filter and reduces (attenuates) higher
frequencies above the cutoff frequency.

FREQUENCY

EQ_1 PARAMETRIC
ATTENUATION

Allows frequencies to be cut or boosted at

specific points in the frequency spectrum. The
specific bandwidth range is set for each of the
available five EQ models and cuts a narrower
or wider frequency range.
FREQUENCY

EQ_2 EQ_3

EQ_4 EQ_5

124 Contents The Digitakt Notebook : Reference & Guide

 Filter, Amp, LFO 8
NOTES

Digitakt’s second filter is a base - width filter and is found of page 2 of the
filter function. The base - width filter is the first filter in the signal chain
before the multi-mode filter.

Filter 2 Type - Page 2

Base
0 127 BASE - WIDTH FILTER
ATTENUATION

Gentle roll off of back-to-back low pass and

high pass filters. The base (0-127) and the
width (0-127) parameters set its frequency
0 Width 127
range. The base-width filter is the first in line
of the two filters found on FLTR Page 2.

FREQUENCY

Example filter settings:-

Base = 0 and Width = 127 : No filter applied. Also turn off the multi-mode filter on filter page 1
to remove all filtering from the audio signal completely.
Base = 0 and Width < 127 : Low Pass Filter
Base > 0 and Width = 127 : High Pass Filter
Base > 0 and Width < 127 : Base-Width Filter

This is an ideal filter for live performance and used as a quicker more
accessible filter. Some quick tips in using the Base-width filter:-

• Try global control to adjust ALL tracks simultaneously by holding

[TRK] and making a change to the filter base as a cut off sweep to
create drops and build up tension and anticipation during a live
performance.

• Make filter cut off sweeps on individual tracks such as drums and
percussion to create variations in live performances.

• Randomise parameters using the parameter page [FLTR] + [YES].

Reset parameters with [FLTR] + [NO].

• Temporary save a pattern using [FUNC] + [YES] at the outset. Make

filter variations then [FUNC] + [RELOAD] to return to the original
pre-save settings.

The Digitakt Notebook : Reference & Guide Contents 125

8 Filter, Amp, LFO
NOTES

Digitakt’s filter set up can be appear unique but are formed from classical
filter techniques and models. A summary of some common filter basics and
terminology are provided here.

FILTER POLES
ATTENUATION

2 Pole 12dB/Octave Digitakt's lowpass and highpass filters are

configured as 2-Pole. Poles refer to how ‘steep’
or aggressive the cutoff curve is. This is
4 Pole 24dB/Octave measured in dB per Octave. A 2-Pole filter is a
more moderate, less aggressive filter.
FREQUENCY

Cut Off Frequency

CUTOFF & RESONANCE
Stop Transition
ATTENUATION

Band Band
Resonance Digitakt provides control over the cutoff
frequency (labeled FREQ). This is the frequency
point from where attenuation of the frequency
Pass Band
range is applied. Resonance is the emphasis of
signal applied / reduced at the cutoff point
labelled RESO.
FREQUENCY

PARAMETRIC EQ
Frequency
ATTENUATION

A parametric EQ allows specific targeting of

Gain
frequencies, in some cases multi-band. The
Bandwidth
bandwidth, also called ‘Q’ is the range of
frequencies effected. The principle is to focus in on
specific frequencies to boost or attenuate areas of
the spectrum labelled FREQ in Digitakt. Digitakt
FREQUENCY has 5 single band EQ models each with different
bandwidth settings and a GAIN parameter to boost
/ reduce the frequency. Also called a band pass,
notch or band stop / band reject filter.

The normal frequency range of human hearing is around 20Hz to 20KHz and hence most EQ
and filter functions operate in this frequency range. Areas to consider in sound ‘correction’ are;
below 200Hz in the bass/sub bass region can carry rumble and often is an area to cut, 150-
250Hz can thicken vocals with a slight boost, 350Hz area may benefit from narrow cut if
muddiness or boxiness is present, add presence by boosting around the 4-6KHz region and
more air and sparkle around 6-8KHz.

126 Contents The Digitakt Notebook : Reference & Guide

 Filter, Amp, LFO 8
NOTES 8.3 Filter and Amp Envelopes
Envelopes are used by both the Filter and Amp, both are different types. The
Filter uses a traditional ADSR (Attack, Decay, Sustain, Release) envelope
with a pre-attack delay, while a less conventional AHD (Attack, Hold and
Decay) is used in the Amp.
ADSR Envelope (FILTER)

Note ON Note OFF

+63

0 ENV
ATTACK DECAY SUSTAIN RELEASE
DELAY (time) (time) (level) (time)
(time)

-64

Filter envelope ADSR parameters are found on Filter Page 1 with the exception of the delay which is on Filter
Page 2. For quick access to the delay function when viewing Filter page 1, press [FUNC] + turn (A) Data Entry

AHD Envelope (AMP)

Note ON Note OFF

ATTACK HOLD DECAY

(time) (time) (time)

Hold Function = 0 -126

Hold is a time orientated function set by the value 0-126. All Note Off events are ignored

Note OFF Note OFF Note OFF

ON ON ON

Hold Function = NOTE

Hold time is set from Note On, through Attack until the Note Off Trig events.

Note OFF Note OFF Note OFF

ON ON ON

The Digitakt Notebook : Reference & Guide Contents 127

8 Filter, Amp, LFO
8.4 Amp Page & Parameters
The amplitude parameters including the envelope are available in the [AMP] Page. When considering
envelope times also consider sample length and setting LEN on the Trig page.

A ATK B HOLD C DEC D OVER

Attack time of the amp Hold time of the amp envelope Decay time of the amp Sets the overdrive amount of
envelope. which overrides note off or envelope after the hold period the signal that enters the filter
NOTE mode governed by ends, or infinite decay. introducing distortion at the
On/Off events. filter stage.

0 - 127 0 - 126, Note 0 - 126, Inf 0.0 - 127.0

E DEL F REV G PAN H VOL

Delay Send. Sets amount sent Reverb Send. Sets amount Sends all the output signal Left Amount of amp stage sound
into the delay effect accessed sent into the reverb effect or Right or a balance in- level. This is not the same as
by [FUNC] +[FLTR]. accessed by [FUNC] +[AMP]. between. Centre is 0. the track level.

0.01 - 127.0, Off 0.01 - 127.0, Off L64 - R63 0 - 127

The current value of each parameter is displayed when the control is adjusted or all parameter settings can be displayed by holding [AMP] key
within the AMP pages. Press (DATA ENTRY) + [NO] to reset parameter to default. Press [AMP] + [PLAY] to reset all AMP page parameters to
defaults. Copy [AMP] + [REC] and Paste [AMP] + [STOP] also operate within and across the AMP pages

128 Contents The Digitakt Notebook : Reference & Guide

 Filter, Amp, LFO 8
NOTES

Digitakt’s AMP page effects provide the ability to control the track effect
amount. The delay and reverb are send effects meaning they are common
to all tracks and are not dedicated to each track. The AMP track setting
therefore provides the amount of the track signal that is sent to each of the
delay and reverb effects.

AMP Page

Delay
Delay
AMP

Track
Sends

Reverb
AMP

Effects Sends

Delay Reverb
Delay Reverb

Effects Return

MIXER
Master
(Page 2)

The Digitakt Notebook : Reference & Guide Contents 129

8 Filter, Amp, LFO
8.5 LFO Page & Parameters
The low frequency oscillator parameters are available in the [LFO] Pages and are identical for each
LFO. Having two LFO’s brings the added benefit of being able to modulate LFO1 with LFO2 control
which hugely expands the creative options as well as it’s general modulation possibilities. Toggle
between the LFO’s by pressing [LFO]. Page number indicated in headline of the current display.

A SPD B MULT C FADE D DEST

Speed of the LFO forward or Multiples the SPD parameter Fades the LFO modulation In Sets the modulation destination
reverse. Setting can be synced based on BPM Tempo or a (negative value) or fade out with various parameter targets.
by selecting fixed steps with fixed Tempo of 120BPM. (positive value). Press [YES] to confirm
[FUNC]+(A).

-64.0, +63.0 Multiple Options -64, +63

E WAVE F PHAS G MODE H DEP

Selects one of the 7 waveforms Start point within the phase of Sets how the LFO will react Sets up the depth amount and
available for the LFO the LFO cycle. 0 is start of the when its triggered by a note the polarity of the LFO
modulation. cycle, 64 starts centre. from one of 5 modes. modulation. 0 means none.

Tri, Sin, Squ, Saw, Exp, Ramp, 0 - 127 Fre, Trg, Hld, One, Hlf -64.0, +63.0
Rand

The current value of each parameter is displayed when the control is adjusted or all parameter settings can be displayed by holding [LFO] key
within the LFO pages. Press (DATA ENTRY) + [NO] to reset parameter to default. Press [LFO] + [PLAY] to reset all LFO page parameters to
defaults. Copy [LFO] + [REC] and Paste [LFO] + [STOP] also operate within and across the LFO pages

130 Contents The Digitakt Notebook : Reference & Guide

 Filter, Amp, LFO 8
NOTES 8.6 LFO Parameters In Depth
The Wave options, PHAS Start Point, Mode and Destination are covered in
a little more depth
Wave Options (E)
AMPLITUDE

AMPLITUDE
TIME TIME

SINE WAVE (SIN) SQUARE WAVE (SQU)

AMPLITUDE

AMPLITUDE

TIME TIME

TRIANGLE WAVE (TRI) EXPONENTIAL (EXP)

AMPLITUDE

AMPLITUDE

TIME TIME

SAW TOOTH WAVE (SAW) RAMP (RMP)

0 127
AMPLITUDE

TIME PHAS adjusts the start position of the

wave. 0 is start of cycle, 64 centre. The
RANDOM (RND) square at the start indicates a zero
crossing start position
Note: Random runs significantly faster
than other LFO’s (x16)

The Digitakt Notebook : Reference & Guide Contents 131

8 Filter, Amp, LFO
NOTES
Mode Options (G)

Trigger Trigger
FREE RUNNING (FRE)
AMPLITUDE

LFO runs freely and continuously and

ignores any trig start / stop events

TIME

Trigger Trigger
TRIGGERED (TRG)
The LFO restarts from its start position
AMPLITUDE

when a note event is triggered

TIME

HOLD (HLD)
Trigger Trigger Trigger

LFO runs freely in the background. The

AMPLITUDE

current value in the cycle is held when a

note is triggered until the next note is
triggered where it will switch to hold the
cycle position at the new trigger

TIME

ONE CYCLE (ONE)

Trigger
AMPLITUDE

LFO runs from the start when triggered

and runs for one cycle only

TIME

HALF CYCLE (HLF)

Trigger
AMPLITUDE

LFO runs from the start when triggered

and runs for only half of one cycle

TIME

132 Contents The Digitakt Notebook : Reference & Guide

 Filter, Amp, LFO 8
NOTES 8.7 LFO Destinations

LFO1 - Page 1 - Audio Destination Options (D)

Page Parameter LFO Destination (Audio Tracks)

Meta None Off
SRC TUNE Tune
SRC PLAY Play Mode
SRC BR Bit Reduction
SRC SAMP Sample Slot
SRC START Sample Start
SRC LEN Sample Length
SRC LOOP Loop Start Position
SRC LEV Sample Level
FLTR FREQ Cut off Frequency
FLTR RESO Filter Resonance
FLTR ENV Envelope Depth
FLTR ATK Attack Time - Envelope
FLTR DEC Decay Time - Envelope
FLTR SUS Sustain Level - Envelope
FLTR REL Release Time - Envelope
FLTR BASE Base frequency
FLTR WIDTH Width Frequency
FLTR DELAY Delay time for ADSR envelope.
AMP ATK Attack Time - Envelope
AMP HOLD Hold Time - Envelope
AMP DEC Decay Time - Envelope
AMP OVER Overdrive Amount
AMP DEL Delay Send
AMP REV Reverb Send
AMP PAN Pan Value
AMP VOL Volume Level

Confirm by pressing [YES] when scrolling to the selected destination using the data entry (D).

The Digitakt Notebook : Reference & Guide Contents 133

8 Filter, Amp, LFO
NOTES
LFO2 - LFO Page 2 - Audio Destination Options (D)

Page Parameter LFO Destination (Audio Tracks)

Meta None Off
LFO SPD LFO1 Speed
LFO MULT LFO1 Multiplier
LFO FADE LFO1 Fade In/Out
LFO WAVE LFO1 Waveform
LFO PHAS LFO1 Start Phase
LFO MODE LFO1 Trig Mode
LFO DEP LFO1 Depth
SRC TUNE Tune
SRC PLAY Play Mode
SRC BR Bit Reduction
SRC SAMP Sample Slot
SRC START Sample Start
SRC LEN Sample Length
SRC LOOP Loop Start Position
SRC LEV Sample Level
FLTR FREQ Cut off Frequency
FLTR RESO Filter Resonance
FLTR ENV Envelope Depth
FLTR ATK Attack Time - Envelope
FLTR DEC Decay Time - Envelope
FLTR SUS Sustain Level - Envelope
FLTR REL Release Time - Envelope
FLTR BASE Base frequency
FLTR WIDTH Width Frequency
FLTR DELAY Delay time for ADSR envelope.
AMP ATK Attack Time - Envelope
AMP HOLD Hold Time - Envelope
AMP DEC Decay Time - Envelope
AMP OVER Overdrive Amount
AMP DEL Delay Send
AMP REV Reverb Send
AMP PAN Pan Value
AMP VOL Volume Level

Confirm by pressing [YES] when scrolling to the selected destination using the data entry (D).

134 Contents The Digitakt Notebook : Reference & Guide

 Filter, Amp, LFO 8
NOTES
LFO1&2 - MIDI Destination Options (D)

Page Parameter LFO Destination (MIDI Tracks)

Meta None Off
SRC PB Pitch Bend
SRC AT Aftertouch
SRC MW Mod Wheel
SRC BC Breath Control
FLTR VAL1 CC1 Value
FLTR VAL2 CC2 Value
FLTR VAL3 CC3 Value
FLTR VAL4 CC4 Value
FLTR VAL5 CC5 Value
FLTR VAL6 CC6 Value
FLTR VAL7 CC7 Value
FLTR VAL8 CC8 Value

Confirm by pressing [YES] when scrolling to the selected destination using the data entry (D).

The Digitakt Notebook : Reference & Guide Contents 135

 NOTES

136 Contents The Digitakt Notebook : Reference & Guide

 9
Effects & Master Out
Digitakt has two send effects which are delay found in these pages which the send levels fed
and reverb. These are set at pattern level to the Delay and Reverb are found on the main
meaning that the effects are common for all AMP page. While speaking of effects its worth
sounds across that pattern, saved with the pointing out that a bit reduction function exists
pattern but have individual send levels for each which creates a more lo-fi effect and is found
track out to the effects. In addition the master within the SRC page and a pre-filter distortion
output contains a master compressor with overdrive is found in the AMP page. A creative
sidechain functionality and a dry/wet control randomisation feature which enables parameter
which offers parallel compression features. An randomisation of the parameter page settings
8 track mixer is also found in the master output also exists.
which sums all of the levels of the audio output
tracks. There are various summing stage levels
across the Digitakt structure but the track levels
shown bottom left of most parameters pages is
the track levels summed. Three main pages
are of interest when working with effects, these
are accessible via pages REVERB accessed
by [FUNC] + [AMP], DELAY page, accessed by
[FUNC] + [FLTR] and the Master compressor
and mixer pages accessed by [FUNC] +
[LFO].The settings of the Delay and Reverb are

The Digitakt Notebook : Reference & Guide Contents 137

9 Effects & Master Out
9.1 Using The Delay Effect NOTES

Delay operates as send / return with the send amount set in the AMP Page.
The delay parameter settings are in the DELAY section [FUNC] + [FLTR].

▌SETTING A TRACK SEND LEVEL - DELAY

1. Select the desired audio track [TRK] + [1] … [8].

2. Select [AMP] page.

3. Adjust the data entry control (E) to set the send level of the current track
from OFF to a desired value where 0.01 is the min and a max is 127.

4. The delay return feeds the effected sound to the output via the delay
function accessed by [FUNC] + [FLTR].

▌ACCESSING THE DELAY EFFECT

1. The effect is a common effect meaning settings are common but send
value adjustable per track.

2. Select [FUNC] + [FLTR] to open the DELAY effect page. The key
illuminates yellow instead of red for the filter page.

3. Adjust the data entry controls (A) … (D) to set the delay parameters.

▌SENDING THE DELAY EFFECT INTO THE REVERB

1. The DELAY effect has the facility to feed also into the REVERB effect
as well as return purely to the main output.

2. Select [FUNC] + [FLTR] to open the DELAY effect page. The key
illuminates yellow instead of red.

3. Adjust the REV data entry control (G) to adjust the amount to feed into
the reverb 0-127.

Delay Chart
Delay Divide Delay Divide Delay Divide
Time (A) Time (A) Time (A)
Ratio Ratio Ratio
1 1/128 8 1/16 42.67 1/3 (1/2 T)
2 1/64 10.67 1/2 (1/8 T) 48 1/4 D
2.67 1/48 (1/32 T) 12 1/16 D 64 1/2
3 1/64 D 16 1/8 48 1/4 D
4 1/32 21.33 1/6 (1/4 T) 96 1/2 D
5.33 1/24 (1/16 T) 24 1/8 D 128 1
6 1/32 D 32 1/4

138 Contents The Digitakt Notebook : Reference & Guide

 Effects & Master Out 9
9.2 Delay Page & Parameters
The delay parameters are available in the [FUNC] + [FLTR] Page.

Delay
Delay
AMP
Send

Delay Reverb
Delay Reverb

Effects Return

A TIME B X C WID D FDBK

Sets the delay time measured Ping Pong (alternates across Sets the delay pan / width Sets the amount of feedback
in 128th notes and is relative to the stereo L-R field). Delay ON across the stereo field Left and that is fed back into the delay
BPM. (WID controls pan) or OFF Right. signal to offer more interest in
(WID controls stereo spread). the sound design.

1 - 128 On Off -64, +63 0 - 198

E HPF F LPF G REV H VOL

Sets the delay high pass cut off Sets the delay low pass cut off Sets how much delay output is Volume of the delay output, not
frequency of the filter. frequency of the filter. sent to the reverb. the track level.

0.0 - 127 0.0 - 127 0.0 - 127 0.0 - 127

The Digitakt Notebook : Reference & Guide Contents 139

9 Effects & Master Out
9.3 Reverb Page & Parameters
The delay parameters are available in the [FUNC] + [AMP] Page.

Reverb
AMP

Send

Delay Reverb
Delay Reverb

Effects Return

A PRE B DEC C FREQ D GAIN

Pre-delay time i.e. the time of Decay of the reverberations Sets the shelving frequency Sets the high shelf above freq
the first reflections after the and emulates the size of the which along with gain can gain to emphasis the treble or
initial sound of the reverb. acoustic space. emphasis or dampen reverb. dampen the high end
characteristics.

0.0 - 127 1-127, Inf 0.0 - 127 0.0 - 127

E HPF F LPF G REV H VOL

Sets the reverb high pass cut Sets the reverb low pass cut off Sets if the reverb is fed PRE or Volume of the reverb output,
off frequency of the filter. frequency of the filter. POST Compressor into the not the track level.
signal chain.

0.0 - 127 0.0 - 127 Pre, Post 0.0 - 127

140 Contents The Digitakt Notebook : Reference & Guide

 Effects & Master Out 9
NOTES 9.4 Using The Reverb Effect
Reverb operates on a send / return arrangement. The send amount is set in
the AMP section with the parameter settings in the REVERB effect section
[FUNC] + [AMP].

▌SETTING A TRACK SEND LEVEL - REVERB

1. Select the desired audio track [TRK] + [1] … [8].

2. Select [AMP] page.

3. Adjust the data entry control (F) to set the send level of the current track
from OFF to a desired value where 0.01 is minimum, 127 is maximum.

4. The reverb return feeds the effected sound to the output via the reverb
function accessed by [FUNC] + [AMP].

▌ACCESSING THE REVERB EFFECT

1. The effect is a common effect meaning settings are common but send
value adjustable per track.

2. Select [FUNC] + [AMP] to open the REVERB effect page. Key

illuminates yellow instead of the red.

3. Adjust the data entry controls (A) … (D) to set the reverb parameters.

The Digitakt Notebook : Reference & Guide Contents 141

9 Effects & Master Out
9.5 Master Compressor Page & Parameters
The compressor parameters are found in the [FUNC] + [LFO] Page 1. The compressor reduces
dynamic range by lowering louder elements with respect to lower elements. The overall output gain
therefore can increased
Mixer Out

Envelope

L/R Output, L/R Sidechain Sidechain Compressor Dry / Wet

Inputs or T1-8 Source Filter Master

Make Up Gain

A THR B ATK C REL D MUP

Threshold of when the Envelope attack of the Envelope release for the Make up gain increases the
compression is triggered. compressor and sets how fast compressor setting how long to overall signal output in dB after
Signals exceeding this value the compression acts. recover after compression. the compressor has reduced
will be compressed. the peaks.

0 - 127 0 - 127 0 - 127 0.0 - 24.0

E RAT F SCS G SCF H MIX

Sets the compression ratio. Sidechain audio source as an Sidechain filter enables the Dry / Wet mix balance of the
Higher number the more alternative compressor trigger. sidechain source input to be uncompressed signal and
compression takes place. Default is the main signal. filtered pre compression. - Is compressed signal sent to the
Low Pass, + High Pass. output.
Main L+R Output, In L, In R,
1.5, 2, 3, 4, 6, 8,16, 20 Track 1,2,3,4,5,6,7, or 8 -64, +63 0 - 127

142 Contents The Digitakt Notebook : Reference & Guide

 Effects & Master Out 9
9.6 Master Compressor - Set Up and Workflow
The compressor parameters are available in the [FUNC] + [LFO] on Page 1.

How it Works Digitakt Workflow

A compressor is a device that reduces the peaks in

a audio sound automatically as they exceed a
specified threshold level and it reduces the
dynamic range allowing the overall audio to then
S
be increased using make up gain.

Set all compressor parameters to THR 127 ATK 20 REL 20 MUP 0dB
1 a recommended starting position RAT 2 SCS LR SCF 0 MIX 127
Signal is attenuated when crossing the threshold

2 Select ‘Play’ to output sound from all tracks

AMPLITUDE

Adjust: (A) Threshold until compression starts. Typically

3 around 40. Compression is shown on right side display bar

Adjust: (E) Ratio if more compression is needed.

4 Compression will show an increase on right display bar

TIME Adjust: (B) Attack and (C) Release. Settings will depend on material
5 being compressed and are particularly important on high transient
sounds like percussion.

Adjust: (D) Make Up Gain once compression settings are ok. This should
Ratio attenuates signal above 6 balance the gain reduction from compression and increase the output (level
threshold by an amount based on will appear lower during peak reduction steps 3-5).
AMPLITUDE

the ratio setting.

Adjust: (H) If desired to mix in some of the original
7 signal (parallel compression)
2:1 ratio (gentle) attenuates the
signal to 1dB above the threshold
Iteratively A/B check through steps
for 2dB that exceeds the threshold 3,4,5,6,7 with and without compression by
switching Mix (H) from 0 or 127.

Example: 4:1 ratio (medium), signal exceeds

threshold by 8dB then reduction will be to 2dB
above the threshold. End or Introduce SIDECHAIN
20:1 ratio (strong) would be considered limiting/ +

Don't use make up gain purely as a volume / level

control, but use to balance i.e. make up difference
from compression
Adjust: (F) Sidechain Source to select a track to trigger the
8 compressor i.e. Track 1 Kick Audio Track or alternatively use audio
from a connected external input L or R

If needed filter the input from the sidechain so only high or low
9 frequencies trigger the compressor (G) Sidechain Filter.

Attack is the time to reach Release is the time to return

full compression after back to normal after the
exceeding the threshold. compressor is released. E A sidechain provides an alternative audio signal to trigger the
compressor. This can be used to create pumping or ducking
effects or to add to the mix dynamics for example using a kick
The Attack and Release are important at keeping the punch to drop the bass signal and make space for the kick.
and transients on percussion during compression

Remember any ducking and pumping created will affect the whole mix as this is a master compressor and not dedicated to
individual tracks. The compressor is that last effect in the chain following the track mixer.

The Digitakt Notebook : Reference & Guide Contents 143

9 Effects & Master Out
9.7 Setting the Master Mix NOTES

The output mixer sums all track levels and is the penultimate function in the
Digitakt chain with the compressor being the last. All track audio LEV levels
can be set in this single page accessed as Page 2 - Master Page [FUNC] +
[LFO] + [LFO].

▌MIXING ALL AUDIO TRACK LEVELS

1. Select the MASTER output page 2, toggle [FUNC] + [LFO] to the mixer.

2. Adjust the relative data entry control (A) - (H) representing tracks [1] -
[8] levels.

3. Press and adjust the data entry controls for larger changes in level each
with a range of 0-127.

All 8 Audio Track Levels are available for mixing on one page. The
Levels are the same as shown bottom level LEV on each Track page

144 Contents The Digitakt Notebook : Reference & Guide

 Effects & Master Out 9
NOTES 9.8 Global FX Mix Option
FX and Mix parameters are, by default, setup so that any editing or
changes to parameters change the currently selected pattern. It is also
possible to set the operating mode to global instead of at a pattern level.
Global mode will change the edited parameter in all patterns at the same
time, ensuring the parameter changes are consistent across all patterns.

Functions which can be set to global are:

• Delay [FUNC] + [FLTR]

• Reverb [FUNC] + [AMP]

• Compressor [FUNC] + [LFO]

• Internal Mixer [FUNC] + [LFO], [LFO]

• External Mixer [FUNC] + [LFO], [LFO], [LFO]

▌SETTING FX/MIX TO GLOBAL MODE ON OR OFF.

1. Press [SETTINGS] to open the global settings menu

2. Press [UP] or [DOWN] to scroll and highlight GLOBAL FX/MIX

3. Press [YES] to select and open the GLOBAL FX/MIX Option.

4. Press [UP] or [DOWN] to scroll and highlight the desired function option.

5. Press [YES] to toggle and check the global option for the highlighted
function on. This means all parameter changes will be reflected across
all patterns. Alternatively set to off / unchecked for a per pattern
parameter change mode.

6. The page for the function set to global will show its parameter titles with
a highlighted text to indicate that the parameters are set to global.

The Digitakt Notebook : Reference & Guide Contents 145

9 Effects & Master Out
NOTES

GLOBAL FX/MIX MODE

Access with [SETTINGS] then [GLOBAL FX/MIX]

Delay page with parameters highlighted to show this page is in

GLOBAL FX/MIX mode and changes applied across all patterns.

Delay page showing default setting where GLOBAL FX/MIX mode is

off / unchecked. Changes will be applied only to the selected pattern.

146 Contents The Digitakt Notebook : Reference & Guide

 Effects & Master Out 9
NOTES 9.9 Randomising Parameter Pages
The parameter page settings can be randomised for creative experimental
and accidental sound design.

▌RANDOMISING PARAMETER PAGE SETTINGS

1. Select the desired parameter page to randomise e.g. FLTR.

2. Press [FLTR] + [YES] to shuffle / randomise the settings of the page.

3. Try various iterations to find a satisfactory setting or use to randomise

during live play.

▌RESETTING THE RANDOMISED SETTINGS OF A PARAMETER PAGE

1. After randomising a parameter page settings, e.g. filter page [FLTR].

2. Press the parameter page eg [FLTR] + [NO] to restore the page to its
previous saved state.

Page Parameter Page Settings Randomised

SRC Play, Bit Reduction, Start, Length, Loop, Sample
Attack, Decay, Sustain, Release, Frequency, Resonance, Type,
FLTR
Envelope
Attack, Decay, Sustain, Release, Overdrive, Delay Send, Reverb
AMP
Send
Speed, Multiplier, Fade, Destination, Wave, Phase Start Point,
LFO
Mode, Depth
Time, X, Width, Feedback, High Pass Filter, Low Pass Filter,
Delay
Reverb Send, Volume
Pre-Delay, Decay, Frequency Shelf, Gain, High Pass Filter, Low
Reverb
Pass Filter, Reverb Post/Pre Compressor, Volume
Threshold, Attack, Release, Make Up Gain, Ratio, Sidechain
Master Compressor
source, Sidechain Filter, Mix

At the time of writing, randomisation does not affect the mixer and trig page parameters

The Digitakt Notebook : Reference & Guide Contents 147

 NOTES

148 Contents The Digitakt Notebook : Reference & Guide

 10
MIDI & USB
Digitakt not only has the power and feature set midi CC, chords, and general control of external
to support 8 Audio tracks but also has the ability MIDI equipment is possible. MIDI Tracks also
to sequence 8 MIDI tracks to control external operate with parameter locks and modulation.
equipment in sync with the Digitakt sequencer. The set up of most equivalent parameters on
An external midi keyboard controller can also be MIDI tracks are the same as for audio tracks.
connected. Digitakt has MIDI IN, MIDI OUT and The parameter pages of interest other than
also a MIDI Thru connector which transfers the setting pages are SRC, FLTR and AMP. TRIG
MIDI IN through Digitakt. MIDI Out (Sync A) and also has specific MIDI settings for MIDI tracks.
MIDI Thru (Sync B) doubles up as DIN Sync to MIDI communications also has a turbo speed
enable connection to legacy equipment. All 3 function which can be set when communicating
use 5 Pin midi cables. A USB 2.0 connector also with other compatible Elektron gear. Digitakt
enables external connection to a PC / MAC and also has Sysex functionally for transferring data
has the ability to also control MIDI. Digitakt can between devices and PC/MAC. Transfer is a
operate as a USB class compliant host including bespoke utility for communicating with Digitakt.
audio over USB. MIDI and USB can be Overbridge also offers access to Digitakt as a
configured in the GLOBAL Settings menu, plugin or stand alone control interface. These
within the System, Audio Routing and MIDI utilities may be touched upon in this guide
Config sub-menus respectively. Output to USB where they are important to note but are not
is recommended instead of both MIDI+USB if covered specifically in depth in this book.
only USB is required as this avoids speed
limitations of the MIDI+USB output. Control of

The Digitakt Notebook : Reference & Guide Contents 149

10 MIDI & USB
10.1 MIDI Definitions NOTES

To clarify some of the terminology and technology around MIDI with respect
to Digitakt a summary of definitions is provided.

5 PIN MIDI

MIDI DIN 24 MIDI DIN 48 MIDI

This is available from MIDI This is available from MIDI If the output settings are set
Out and Thru and enables Out and Thru and enables to MIDI, the connector will
syncing of classic devices. syncing of classic devices. transmit MIDI data but no
This uses 0v & 5v messages This uses 0v & 5v messages pulse signals. Never connect
as sync signals at 24 pulses as sync signals at 48 pulses MIDI gear to incompatible
per quarter note (PPQN). per quarter note (PPQN). DIN signals.
When set to DIN 24 in the When set to DIN 48 in the
settings midi sync pulses are settings midi sync pulses are
available but no midi data is available but no midi data is
transmitted transmitted

MIDI CC MSB & LSB MIDI STANDARDS

MIDI Control and Note Most Significant Byte and While there are MIDI
change messages are used Least Significant Byte. MSB standards defined, many
to communicate with provides the 128 data synth developers interpret
messages across midi values resolution which is ok for this in slightly different ways.
of 0-127. most midi applications. More Its always worth reviewing
advanced devices use MSB the documentation with each
and LSB values increasing to fully understand each
resolution to 16,384 steps. device level implementation.

NRPN SYSEX SDS

Non-Registered Parameter System Exclusive. This is an Sample Dump Standard. This

Number is part of the MIDI expansion of the normal MIDI is an older transfer protocol
standard. CC and NRPN are communications set up and is used for transferring data to
technically very similar but typically used for transferring and from devices. Elektron
NRPN is less well defined in data such as back ups, use C6 Software for this
the standards. NRPN uses patches, presets and facility and is still usable,
more data and can give firmware updates to and from however elektron Transfer
better control. devices. software is more up to date.

150 Contents The Digitakt Notebook : Reference & Guide

 MIDI & USB 10
NOTES 10.2 Using An External MIDI Keyboard
An external MIDI controller can be connected to Digitakt and used to play
chromatically. The illustration below is shown as an example only and
configuration will be dependant also on the type of device connected.

Middle C (Shown on Digitakt Chromatic Keyboard) and Arturia Keystep are

designated on the Digitakt as MIDI In Note 60 to play at default tuning

B A

MIDI IN MIDI IN

Both 5 Pin MIDI or USB MIDI

connections can be used with Digitakt.

MIDI OUT

MIDI Program Change

0 - 127

1 - 128

Digitakt Pattern

Example: Arturia KeyStep

(usesTRS to 5 Pin Dongle)

Actual configuration and key mapping to the Digitakt would be dependant on the MIDI controller
being connected. While many follow the same conventions there can be differences between
MIDI controller devices. Check with the manufacturers MIDI implementation guide.

The Digitakt Notebook : Reference & Guide Contents 151

10 MIDI & USB
NOTES
MIDI Thru & Out

MIDI Thru passes the incoming messages to the

thru port. This device would react to the keyboard
the same way as the Digitakt in this example.
MIDI Config is in the GLOBAL SETTINGS Menu.

MIDI Out will transmit MIDI messages to another

device, i.e. Digitone. This would allow sequencing
and clock control from one device over another.
MIDI Config is in the GLOBAL SETTINGS Menu.

MIDI IN

MIDI OUT

B A

MIDI IN

MIDI OUT

Example: Arturia KeyStep

(usesTRS to 5 Pin Dongle)

152 Contents The Digitakt Notebook : Reference & Guide

 MIDI & USB 10
NOTES 10.3 MIDI Configuration
The MIDI set up configuration is found in the GLOBAL SETTINGS menu
and has sub menus for the respective parameter sets. See the MIDI
Configuration Settings table for details of each available option.

▌ACCESSING THE MIDI CONFIG SETTINGS

1. Press [SETTINGS] - GLOBAL SETTINGS.

2. Highlight [MIDI CONFIG]. Scroll with (LEVEL/DATA) or [UP] [DOWN].

3. Press [YES] to select MIDI CONFIG and reach the sub menu’s.

4. There are 3 submenu’s available, Sync, Port Config and Channels.

5. Highlight the selected option using (LEVEL/DATA) or [UP] [DOWN] and

[YES] to select.

6. Press [NO] to step back to through the menu.

When working with external devices and connecting to a PC / Mac Digitakt will be recognised by the
USB MIDI port name ‘Elektron Digitakt’.

The Digitakt Notebook : Reference & Guide Contents 153

10 MIDI & USB
10.4 MIDI Configuration Setting Options
Sub Menu Option Name Description
Sync Clock Receive MIDI Clock sent by external devices
Sync Clock Send MIDI Clock controlled and sent by Digitakt
Sync Transport Receive MIDI Transport - Enables Play, Stop to be received
Sync Transport Send MIDI Transport - Enables Play, Stop to be sent to control external devices
Sync Prog Ch Receive Allows pattern changes msg from an external device
Sync Prog Ch Send Sends program change msg to external device from pattern changes
Port Config Turbo Speed Turbo speed mode for fast communication with compatible devices
Port Config Out Port Func Type of signal for MIDI output - MIDI : DIN24 : DIN48
Port Config Thru Port Func Type of signal for MIDI thru - MIDI : DIN24 : DIN48
Port Config Input From Selects source for midi data - DISABLED : MIDI : USB : MIDI+USB
Port Config Output To Selects destination for midi data - DISABLED : MIDI : USB : MIDI+USB
Port Config Output Ch Selects channel output for DATA ENTRY knobs - AUTO CH : TRK CH
Port Config Param Output Selects message type for DATA ENTRY controls - CC : NRPN
Port Config Encoder Dest Sends LEVEL+DATA ENTRY internal - INT or internal & external INT+EXT
Port Config Trig Key Dest Sends Trig Keys internal - INT or internal & external INT+EXT or external EXT
Port Config Mute Dest Sends Mutes internal - INT or internal & external INT+EXT or external EXT
Port Config Receive Notes Accepts control from an external keyboard when on
Port Config Receive CC/NPN Accepts CC/NRPN to control Digitakt parameters from an external device
Channels Track 1 Channel Dedicated channel used to send / receive parameter data for the track. 1-16 or off
Channels Track 2 Channel Dedicated channel used to send / receive parameter data for the track. 1-16 or off
Channels Track 3 Channel Dedicated channel used to send / receive parameter data for the track. 1-16 or off
Channels Track 4 Channel Dedicated channel used to send / receive parameter data for the track. 1-16 or off
Channels Track 5 Channel Dedicated channel used to send / receive parameter data for the track. 1-16 or off
Channels Track 6 Channel Dedicated channel used to send / receive parameter data for the track. 1-16 or off
Channels Track 7 Channel Dedicated channel used to send / receive parameter data for the track. 1-16 or off
Channels Track 8 Channel Dedicated channel used to send / receive parameter data for the track. 1-16 or off
Channels Track A Channel* Dedicated channel used to send / receive parameter data for the track. 1-16 or off
Channels Track B Channel* Dedicated channel used to send / receive parameter data for the track. 1-16 or off
Channels Track C Channel* Dedicated channel used to send / receive parameter data for the track. 1-16 or off
Channels Track D Channel* Dedicated channel used to send / receive parameter data for the track. 1-16 or off
Channels Track E Channel* Dedicated channel used to send / receive parameter data for the track. 1-16 or off
Channels Track F Channel* Dedicated channel used to send / receive parameter data for the track. 1-16 or off
Channels Track G Channel* Dedicated channel used to send / receive parameter data for the track. 1-16 or off
Channels Track H Channel* Dedicated channel used to send / receive parameter data for the track. 1-16 or off
Channels FX Control Ch Dedicated channel to send / receive MIDI data for del/rev fx params 1-16, off
Channels Auto Channel Dedicated channel to send / receive MIDI data for the active track 1-16, off
Channels Prog Chg In Ch MIDI chan listens to incoming program change msg 1-16, Auto (auto chan)
Channels Prog Chg Out Ch MIDI chan sends program change msg at pattern change 1-16, Auto (auto chan)

All Settings available in the GLOBAL * Controls TRIG & LFO MIDI Page Parameters only
SETTINGS under MIDI CONFIG and the
associated Sub Menu.
Sequencer data is always on MIDI Channel stated on SRC Page CHAN Param

154 Contents The Digitakt Notebook : Reference & Guide

 MIDI & USB 10
10.5 MIDI Tracks - SRC Page
The SRC page when using MIDI Tracks covers channel, bank and program change settings and also
pitch bend, mod wheel, aftertouch and breath control.

Press [FUNC] + (DATA ENTRY)

control to turn the function On / Off

A CHAN B BANK C PROG D

Select the MIDI channel that The message that will be sent Sends out the program change Not Assigned
this track will to send signals to. out for a bank change. message.

Off, 1 - 16 Off, 1 - 128 Off, 1 - 128

E PB F AT G MW H BC

Controls pitch bend value sent Controls the after touch value Controls the mod wheel value Controls the breath control
out on the track MIDI. sent out on the track MIDI. sent out on the track MIDI. value sent out on the track
MIDI.

Off, -128, +128 Off, 0 - 127 Off, 0 - 127 Off, 0 - 127

The current value of each parameter is displayed when the control is adjusted or all parameter settings can be displayed by holding [SRC] key
within the SRC pages. Press (DATA ENTRY) + [NO] to reset parameter to default. Press [SRC] + [PLAY] to reset all SRC page parameters to
defaults. Copy [SRC] + [REC] and Paste [SRC] + [STOP] also operate within and across the SRC pages

The Digitakt Notebook : Reference & Guide Contents 155

10 MIDI & USB
10.6 MIDI Tracks - FLTR - CC Value
The FLTR page when using MIDI Tracks allows the values to be assigned to the CC commands set
in the AMP page

Press [FUNC] + (DATA ENTRY)

control to turn the function On / Off

A VAL1 B VAL2 C VAL3 D VAL4

Value 1 is sent as the CC Value 2 is sent as the CC Value 3 is sent as the CC Value 4 is sent as the CC
output value and also based on output value and also based on output value and also based on output value and also based
the AMP page CC Sel 1. the AMP page CC Sel 2. the AMP page CC Sel 3. on the AMP page CC Sel 4.

Off, 1 - 127 Off, 1 - 127 Off, 1 - 127 Off, 1 - 127

E VAL5 F VAL6 G VAL7 H VAL8

Value 5 is sent as the CC Value 6 is sent as the CC Value 7 is sent as the CC Value 8 is sent as the CC
output value and also based on output value and also based on output value and also based on output value and also based on
the AMP page CC Sel 5. the AMP page CC Sel 6. the AMP page CC Sel 7. the AMP page CC Sel 8.

Off, 1 - 127 Off, 1 - 127 Off, 1 - 127 Off, 1 - 127

The current value of each parameter is displayed when the control is adjusted or all parameter settings can be displayed by holding [FLTR]
key within the FLTR pages. Press (DATA ENTRY) + [NO] to reset parameter to default. Press [FLTR] + [PLAY] to reset all FLTR page
parameters to defaults. Copy [FLTR] + [REC] and Paste [FLTR] + [STOP] also operate within and across the FLTR pages

156 Contents The Digitakt Notebook : Reference & Guide

 MIDI & USB 10
10.7 MIDI Tracks - AMP Page CC Select
The AMP page sets the actual CC Select Commands that drive the values contained in the FLTR
Page.

A SEL1 B SEL2 C SEL3 D SEL4

Selects a standard MIDI CC Selects a standard MIDI CC Selects a standard MIDI CC Selects a standard MIDI CC
message to control value 1 on message to control value 2 on message to control value 3 on message to control value 4 on
the FLTR Page the FLTR Page the FLTR Page the FLTR Page

E SEL5 F SEL6 G SEL7 H SEL8

Selects a standard MIDI CC Selects a standard MIDI CC Selects a standard MIDI CC Selects a standard MIDI CC
message to control value 5 on message to control value 6 on message to control value 7 on message to control value 8 on
the FLTR Page the FLTR Page the FLTR Page the FLTR Page

The current value of each parameter is displayed when the control is adjusted or all parameter settings can be displayed by holding [AMP] key
within the AMP pages. Press (DATA ENTRY) + [NO] to reset parameter to default. Press [AMP] + [PLAY] to reset all AMP page parameters to
defaults. Copy [AMP] + [REC] and Paste [AMP] + [STOP] also operate within and across the AMP pages

The Digitakt Notebook : Reference & Guide Contents 157

10 MIDI & USB
10.8 MIDI Tracks CC Output NOTES

An example of the configuration for CC output is shown below.

MIDI IN

NOVATION BASS STATION II

Midi Channel = 5
Volume CC = 7

The Midi Control Change parameter value

assigned to the Novation Bass Station II
master volume level. Others are available
in the device documentation

0 - 127

Volume 100

Take care to match the resolution and the

parameter settings. For example Bass
Station II Filter Cut Off has a 0-255 scale
and operates over a LSB and MSB value
which would need assigning at Digitakt

A 100

MIDI OUT
5 Pin MIDI 0 - 127

CC
5 #07

CHAN VAL1 SEL1

SRC Page FLTR Page AMP Page

ELEKTRON DIGITAKT
Midi Channel = 5

Set up the Midi configuration in the Global

Settings and the Channel in SRC and
global settings (Midi Config - Port Config)

OUT PORT FUNC = MIDI OUTPUT TO = MIDI

USB MIDI is also an available option as

well as the 5 Pin MIDI interface.

158 Contents The Digitakt Notebook : Reference & Guide

 MIDI & USB 10
10.9 Digitakt MIDI CC Assignments

Function Parameter CC MSB CC LSB NRPN MSB NRPN LSB

Track Mute 94 1 101
Track Level 95 1 100
Trig Note 3 3 0
Trig Velocity 4 3 1
Trig Length 5 3 2
Trig Filter Trig 13
Trig LFO Trig 14
Source SRC Tune 16 1 0
Source SRC Play Mode 17 1 1
Source SRC Bit Reduction 18 1 2
Source SRC Sample Slot 19 1 3
Source SRC Start 20 1 4
Source SRC Length 21 1 5
Source SRC Loop Position 22 1 6
Source SRC Sample Level 23 1 7
Filter FLTR Filter Frequency 74 1 20
Filter FLTR Resonance 75 1 21
Filter FLTR Filter Type 76 1 22
Filter FLTR Attack Time 70 1 16
Filter FLTR Decay Time 71 1 17
Filter FLTR Sustain Level 72 1 18
Filter FLTR Release Time 73 1 19
Filter FLTR Envelope Depth 77 1 23
Filter FLTR Envelope Delay 86 1 50
Filter FLTR Base 84 1 51
Filter FLTR Width 85 1 52
Amp Attack Time 78 1 24
Amp Hold Time 79 1 25
Amp Decay Time 80 1 26
Amp Overdrive 81 1 27
Amp Delay Send 82 1 28
Amp Reverb Send 83 1 29
Amp Pan 10 1 30
Amp Volume 7 1 31

The Digitakt Notebook : Reference & Guide Contents 159

10 MIDI & USB
10.9 Digitakt MIDI CC Assignments (cont)

Function Parameter CC MSB CC LSB NRPN MSB NRPN LSB

LFO 1 Speed 102 1 32
LFO 1 Multiplier 103 1 33
LFO 1 Filter In/Out 104 1 34
LFO 1 Destination 105 1 35
LFO 1 Waveform 106 1 36
LFO 1 Start Phase 107 1 37
LFO 1 Trig Mode 108 1 38
LFO 1 Depth 109 61 1 39
LFO 2 Speed 112 1 40
LFO 2 Multiplier 113 1 41
LFO 2 Filter In/Out 114 1 42
LFO 2 Destination 115 1 43
LFO 2 Waveform 116 1 44
LFO 2 Start Phase 117 1 45
LFO 2 Trig Mode 118 1 46
LFO 2 Depth 119 63 1 47
FX Delay Delay Time 85 2 0
FX Delay Ping Pong 86 2 1
FX Delay Stereo Width 87 2 2
FX Delay Feedback 88 2 3
FX Delay High Pass Filter 89 2 4
FX Delay Low Pass Filter 90 2 5
FX Delay Reverb Send 91 2 6
FX Delay Mix Volume 92 2 7
FX Reverb Pre-delay 24 2 8
FX Reverb Decay Time 25 2 9
FX Reverb Shelving Frequency 26 2 10
FX Reverb Shelving Gain 27 2 11
FX Reverb High Pass Filter 28 2 12
FX Reverb Low Pass Filter 29 2 13
FX Reverb Rev Pre / Post Comp 30 2 14
FX Reverb Mix Volume 31 2 15

160 Contents The Digitakt Notebook : Reference & Guide

 MIDI & USB 10
10.9 Digitakt MIDI CC Assignments (cont)

Function Parameter CC MSB CC LSB NRPN MSB NRPN LSB

FX Compressor Threshold 111 2 16
FX Compressor Attack Time 112 2 17
FX Compressor Release Time 113 2 18
FX Compressor Make Up Gain 114 2 19
FX Compressor Pattern Volume 119 2 24
FX Compressor Ratio 115 2 20
FX Compressor Sidechain Source 116 2 21
FX Compressor Sidechain Filter 117 2 22
FX Compressor Dry / Wet Mix 118 2 23
External Mixer Input L Level 102 2 30
External Mixer Input L Pan 103 2 31
External Mixer Input R Level 104 2 32
External Mixer Input R Pan 105 2 33
External Mixer Input L Delay Send 106 2 34
External Mixer Input R Delay Send 107 2 35
External Mixer Input L Reverb Send 108 2 36
External Mixer Input R Reverb Send 109 2 37
External Mixer Stereo Input 84 2 38
External Mixer Input L+R Level 102 2 30
External Mixer Input L+R Balance 103 2 31
External Mixer Input L+R Delay Send 106 2 34
External Mixer Input L+R Reverb Send 108 2 36
CC Value FLTR Value 1 70
CC Value FLTR Value 2 71
CC Value FLTR Value 3 72
CC Value FLTR Value 4 73
CC Value FLTR Value 5 74
CC Value FLTR Value 6 75
CC Value FLTR Value 7 76
CC Value FLTR Value 8 77
Misc Pattern Mute 110 1 104

The Digitakt Notebook : Reference & Guide Contents 161

10 MIDI & USB
10.10 USB MIDI & AUDIO NOTES

Digitakt can operate as USB class compliant host meaning tight integration
across the USB connection to other compliant devices. Complaint devices
operate with built in compatibility without the need for additional drivers.

▌CONFIGURING USB TO CONNECT TO OTHER GEAR

Digitakt should be set to operate with USB MIDI or USB Audio / MIDI unless
communicating with Overbridge. USB Audio / MIDI is used when streaming
audio across USB. Only one of the three options can be selected.

1. Press [SETTINGS] - GLOBAL SETTINGS.

2. Highlight ‘SYSTEM’ by scrolling with (LEVEL/DATA) or [UP] [DOWN].

3. Press [YES] to select SYSTEM and to reach the sub menu.

4. Highlight USB CONFIG and press [YES] to select the sub menu.

5. Highlight the desired option. Move the selection using [LEFT] [RIGHT] &
[YES] to select the desired option.

• OVERBRIDGE. This selects overbridge functionality ON and toggles

USB MIDI and USB AUDIO / MIDI to OFF. This enables Digitakt to
operate with the Overbridge plug in / stand alone on a PC / Mac.

• USB MIDI set ON toggles overbridge and USB AUDIO / MIDI mode
OFF and only uses USB for MIDI.

• USB AUDIO / MIDI set ON allows Digitakt to send and receive Audio
and MIDI over the USB connection. This is used when connecting to
other class compliant devices. Other two modes are switched off.

6. Exit from SYSTEM sub menu using [NO].

7. Highlight ‘MIDI CONFIG’ by scrolling with (LEVEL/DATA) or [UP]

[DOWN] and press [YES] to select and to reach its sub menu.

8. Highlight PORT CONFIG and press [YES] to select the sub menu.

9. Move the selection using [LEFT] [RIGHT] & [YES] to highlight the
desired option.

• INPUT FROM selects the USB, MIDI or both options. Use

MIDI+USB or USB.

• INPUT FROM selects the USB, MIDI or both options. Use

MIDI+USB or USB.

162 Contents The Digitakt Notebook : Reference & Guide

 MIDI & USB 10
NOTES

▌ROUTING EXTERNAL USB AUDIO TO THROUGH DIGITAKT OUTPUT

Digitakt can be set to operate with USB Audio and MIDI together. This is
setup with parameters in the USB Config settings and the audio routing
settings. The routing to the main output and headphones can be
configured.

1. Ensure the USB CONFIG is set to USB AUDIO / MIDI in the SYSTEM
Settings.

2. Press [SETTINGS] - GLOBAL SETTINGS

3. Highlight [AUDIO ROUTING] by scrolling with (LEVEL/DATA) or [UP]

[DOWN]

4. Press [YES] to select AUDIO ROUTING and to reach it’s sub menu

5. Highlight the desired option. Move the selection using [LEFT] [RIGHT] &
[YES] to select the desired option.

• INT TO MAIN Set to ON.

• OFF. Set if only the USB Audio is to be routed to the Digitakt

output turning off internal Digitakt audio.

• ON. This will route internal Digitakt audio to it’s output.

• AUTO. No audio is sent to Digitakt output when overbridge is

available and /or streaming audio.

• USB TO MAIN (dB) Start at 0dB.

• Can be adjusted between 0dB - 6dB - 18dB. This refers to the

USB audio which is routed to the Digitakt output. The connected
device input level will also determine the output level.

Using [STOP], [STOP] i.e. Stop twice when working with MIDI and especially when linking external devices
can prevent MIDI feedback problems. This acts as a panic stop if MIDI loop issues occur.

The Digitakt Notebook : Reference & Guide Contents 163

10 MIDI & USB
10.11 USB WITH LOGIC PRO X: EXAMPLES NOTES

Logic examples are shown to illustrate the range of options USB MIDI and
Audio provides. These are for example and illustration purposes only and
other methods may be applied. Hardware and software versions may vary
and evolve and the exact functionality may change.

Logic Pro X 10.5.1 to Digitakt 1.30

Connectivity

A Logic audio track can be set up to receive the Digitakt audio in via USB. Individual ‘External MIDI
Instrument’ tracks can be set, for example one logic track to each Digitakt track. Individual control of
Digitakt drum or sounds is then possible. Audio from the Digitakt USB will be available in the Logic
MIDI Instrument plug in or audio track as a stereo 1-2 pair or 1 or 2 inputs in the audio track.

Mac / Macbook’s typically have either a USB Type A or Type C connection. A compatible cable is
needed for connection to the Digitakt USB - Type B connector. Digitakt is supplied with a Type A to
Type B Cable.

SETTINGS

Digitakt Config Parameter Setting Description

System > USB Config USB Audio / MIDI ON Enable MIDI and Audio over USB to Logic.
If the Digitakt sequencer and tempo is to be
MIDI Config > Sync Clock Receive ON
synchronised from Logic
If the sequencer and tempo is to be
MIDI Config > Sync Clock Send ON
synchronised in Logic from Digitakt
MIDI Config > Sync Transport Receive ON Stop, Start control of Digitakt from Logic
MIDI Config > Sync Transport Send ON Stop, Start control of Logic from Digitakt
Internal Digitakt audio not routed to main
System > Audio Routing Int to Main OFF output. Set ON if the internal audio is
required to be output.
Sets the gain of any USB audio coming in
System > Audio Routing USB to Main (dB) 0
to Digitakt at the main output

Other settings are suggested to remain at the defaults.

164 Contents The Digitakt Notebook : Reference & Guide

 MIDI & USB 10
NOTES

▌AUDIO INTO LOGIC PRO X FROM DIGITAKT USB.

1. Connect the Digitakt to the Mac hosting Logic Pro X DAW.

2. Ensure Digitakt SETTINGS are configured for USB MIDI and Audio.

3. In Logic, setup the audio preferences. Menu: Logic Pro X > Preferences
> Audio. This opens the audio set up window. Set ‘Elektron Digitakt’ as
the input device (option also for output device). This may also be
automatically set when connecting the device.

4. In Logic, add a new track. Select ‘+’ in the track window and the track
selection window opens. Ensure the ‘detail’ drop down is open.

5. Select the ‘Audio’ track option.

6. Ensure ‘Elektron Digitakt’ is shown in the window as the selected

device. Use the > option to select the audio preference window to
change if necessary.

7. Select the Audio Input - Typically ‘Input 1 + 2’ for the stereo output from
the Digitakt. Audio output is the DAW output channels.

8. Digitakt audio can be monitored on the audio track created.

9. The audio track can be record enabled and audio recorded in from
Logic when playing Digitakt.

▌TRANSPORT CONTROL FROM LOGIC PRO X TO DIGITAKT VIA USB.

1. Connect the Digitakt to the Mac hosting Logic Pro X DAW.

2. Ensure Digitakt SETTINGS are configured for MIDI Config > Sync to:
Transport Receive = ON / Checked. Clock Receive and Send and
Transport Send can also be checked as options if needed.

3. In Logic, setup the MIDI preferences. Menu: Logic Pro X > Preferences
> MIDI then ‘Sync’ Tab. This opens the MIDI set up window.

4. In the ‘Sync’ window, Open the ‘MIDI Sync Project Settings...’ Option.

5. Select the destination ‘All’ or select ‘Elektron Digitakt’ as the destination.

Check the ‘Clock’ option. Close the windows.

6. The transport in Logic will control Digitakt transport Play and Stop.

The Digitakt Notebook : Reference & Guide Contents 165

10 MIDI & USB
NOTES

▌EXTERNAL MIDI CONTROL FROM LOGIC WITH DIGITAKT USB.

1. Connect the Digitakt to the Mac hosting Logic Pro X DAW.

2. Ensure Digitakt SETTINGS are configured for USB MIDI and Audio.

3. In Logic, setup the audio preferences. Menu: Logic Pro X > Preferences
> Audio. This opens the audio set up window. Set ‘Elektron Digitakt’ as
the input device (option also for output device). This may also be
automatically set when connecting the device.

4. In Logic, add a new track. Select ‘+’ in the track window and the track
selection window opens. Ensure the ‘detail’ drop down is open.

5. Select the ‘Use External MIDI Instrument Plug-In’ checkbox.

6. Ensure ‘Elektron Digitakt’ is shown in the window as the selected

device. Use the > option to select the audio preference window to
change if necessary.

7. Select the Audio Input - Typically ‘Input 1 + 2’ for the stereo output from
the Digitakt. Audio Output is the DAW output channels.

8. Select MIDI Destination. This will be the track controlled by MIDI from
Logic. By default, Logic Channel 1 = Track 1 in Digitakt - Kick, Channel
2 = Track 2 - Snare etc. It is useful to configure Logic to control the 8
drum tracks in Digitakt (or 16 including MIDI tracks).

9. Audio will be picked up in each Logic track which of course will be the
Digitakt output 1-2 and not individual audio per Digitakt track. Digitakt
sends on the two audio 1 and 2 channels. Therefore it is recommended
to create a separate Logic audio track to record the stereo or mono
inputs.

Digitakt Audio
1 M S R I L R

DG Kick Ch1
2 M S R L R

DG Snare Ch2
3 M S R L R

166 Contents The Digitakt Notebook : Reference & Guide

 MIDI & USB 10
NOTES 10.12 USB WITH ABLETON LIVE: EXAMPLES
Ableton Live examples illustrate the options USB MIDI and Audio provides.
These are for example and illustration purposes only and other methods
may be applied. Hardware and software versions may vary and evolve and
the exact functionality may change.

Live 9 to Digitakt 1.30

Connectivity

A Live audio track can be set up to receive the Digitakt audio in via USB. Individual MIDI tracks can
be set, for example one Live track to each Digitakt track. Individual control of Digitakt drum or
sounds is then possible. Audio from the Digitakt USB will be available in the Live audio tracks as a
stereo 1-2 pair or 1 or 2 inputs in the audio track.

Mac or Windows PC’s normally have a USB Type A or Type C. A compatible cable is needed for
connection to the Digitakt USB - Type B connection. Digitakt is supplied with a Type A to Type B
Cable.

SETTINGS

Digitakt Config Parameter Setting Description

System > USB Config USB Audio / MIDI ON Enable MIDI and Audio over USB to Live.
If the sequencer and tempo is to be
MIDI Config > Sync Clock Receive ON
synchronised in the Digitakt from Live
If the sequencer and tempo is to be
MIDI Config > Sync Clock Send ON
synchronised in the Live from Digitakt
MIDI Config > Sync Transport Receive ON Stop, Start control of Digitakt from Live

MIDI Config > Sync Transport Send ON Stop, Start control of Live from Digitakt
Internal Digitakt audio not routed to main
System > Audio Routing Int to Main OFF output. Set ON if the internal audio is
required.
Sets the gain of any USB audio to the
System > Audio Routing USB to Main (dB) 0
Digitakt main output

Other settings are suggested to remain at the defaults.

The Digitakt Notebook : Reference & Guide Contents 167

10 MIDI & USB
NOTES

▌AUDIO INTO LIVE FROM DIGITAKT USB.

1. Connect the Digitakt to the Mac hosting Live DAW.

2. Ensure Digitakt SETTINGS are configured for USB MIDI and Audio.

3. In Live, setup the audio preferences. Menu: Live > Preferences > Audio.
This opens the audio set up window. Set ‘Elektron Digitakt (2 in, 2 out)’
as the analogue input device (option also for output device).

4. In Live, insert a new audio track or select an existing free audio track.

5. Ensure the audio track ‘Audio From’ is set to Ext In and to the input
channels required. This is typically 1/2 for the Digitakt stereo output but
can also be 1 or 2 for each individual channel.

6. Select ‘In’ on the audio track to monitor the Digitakt audio signal.

7. The audio track can be record enabled and audio recorded into a clip
within Live when Digitakt is playing.

▌TRANSPORT CONTROL FROM LIVE TO DIGITAKT VIA USB.

1. Connect the Digitakt to the Mac hosting Live DAW.

2. Ensure Digitakt SETTINGS are configured for MIDI Config > Sync to:
Transport Receive = ON / Checked. Clock Receive and Send and
Transport Send can also be checked as options if needed.

3. In Live, setup the link MIDI preferences. Menu: Live > Preferences then
‘Link MIDI’ Tab. This opens the Link MIDI set up window.

4. In the ‘MIDI Ports’ Section, Set the ‘Output: Elektron Digitakt’, Sync
setting to ON.

5. The transport for Digitakt is controlled by Live’s play and stop. Tempo is
also synchronised if Digitakt Clock Receive is on in the MIDI Config >
Sync options.

168 Contents The Digitakt Notebook : Reference & Guide

 MIDI & USB 10
NOTES

▌SETTING UP A LIVE MIDI TRACK TO CONTROL DIGITAKT

1. Connect the Digitakt to the Mac hosting Live

2. Ensure Digitakt SETTINGS are configured for MIDI Config > Sync to:
Transport Receive = ON / Checked. Clock Receive and Send and
Transport Send also be checked.

3. In Live, setup the Link MIDI preferences. Menu: Live > Preferences then
‘Link MIDI’ Tab. This opens the Link MIDI set up window.

4. In the ‘MIDI Ports’ Section, Set the ‘Output: Elektron Digitakt’, Sync
setting to ON and also Track setting to ON.

5. Create a MIDI Track in Live.

6. Set the MIDI track ‘MIDI To’ to ‘Elektron Digitakt’ and also to the desired
Channel, i.e. Channel 1 to control Kick - Track 1 on Digitakt (with default
settings).

7. This will send the data from clips and devices in the MIDI track to the
defined channel. Additional tracks can be configured for Digitakt Snare -
Track 2, Tom - Track 3 etc.

1 MIDI DG Kick 2 Digitakt Audio

MIDI From Audio From

All Ins Ext. In
All Channels 1/2

Monitor Monitor
In Auto Off In Auto Off

MIDI To Audio To
Elektron Digitakt Master
Ch. 1

Sends
A
B

-4.30
0

12

24
1 2
36
s s 48
60

The Digitakt Notebook : Reference & Guide Contents 169

10 MIDI & USB
10.13 USB WITH OP-Z SYNTH: EXAMPLES NOTES

Teenage Engineering OP-Z is a synth, sequencer and sampler. This

example illustrates the interconnection of both devices over USB. This is
one way but other methods may be applied. Hardware and software
versions may vary and evolve and the exact functionality may change.

OP-Z 1.2.28 to Digitakt 1.30

Sequence

OP-Z has, by default each of its tracks

allocated to a MIDI Channel. Digitakt also has
the tracks allocated by MIDI Channel. So
Track 1 - Kick on Digitakt can be sequenced
by the Kick Track 1 on OP-Z. These can be
reconfigured using the OP-Z app and also in
the Digitakt MIDI Config > Channels menu.

Connectivity

OP-Z and Digitakt can work in sync with either acting as the master. Sync and Transport governs
the control. Given that the OP-Z does not support Audio over USB, the USB Config USB MIDI
setting can be selected instead of the USB AUDIO / MIDI.

OP-Z has a USB Type C. A compatible cable or USB hub or Interface would be needed to ensure
connection to the Digitakt USB - Type B connection.

SETTINGS

Digitakt Config Parameter Setting Description

Enable MIDI over USB. OP-Z is not USB
System > USB Config USB MIDI ON
Audio compatible.
If the sequencer and tempo is to be
MIDI Config > Sync Clock Receive ON
synchronised in the Digitakt from the OP-Z
If the sequencer and tempo is to be
MIDI Config > Sync Clock Send ON
synchronised in the OP-Z from Digitakt
MIDI Config > Sync Transport Receive ON Stop, Start control of Digitakt from OP-Z
MIDI Config > Sync Transport Send ON Stop, Start control of OP-Z from Digitakt
System > Audio Routing Audio over USB not supported by OP-Z

Other settings are suggested to remain at the defaults.

170 Contents The Digitakt Notebook : Reference & Guide

 MIDI & USB 10
NOTES 10.14 USB WITH DELUGE SYNTH: EXAMPLES
Synthstrom Deluge is a synth, sequencer and sampler. This example
illustrates the interconnection of both devices over USB. This is one way
but other methods may be applied. Hardware and software versions may
vary and evolve and the exact the functionality may change.

Deluge 3.1 to Digitakt 1.30

If Digitakt does not match to Deluge tempo,

adjust Deluge tempo magnitude.

Connectivity

Connect the USB to Deluge and Digitakt before powering on. Deluge and Digitakt can work in sync
with either acting as the master. Sync and Transport governs the control and both would need to be
set on in Digitakt for Deluge to control. Tempo magnitude matching may need adjusting using Learn
/ Input + turn Tempo on Deluge is tempo out of sync. Given that the Deluge does not support USB
over MIDI, the USB Config setting can be selected instead of the USB AUDIO / MIDI.

Deluge has a USB TypeB. A compatible cable or USB hub or Interface would be needed to ensure
connection to the Digitakt USB - Type B connection.

SETTINGS

Digitakt Config Parameter Setting Description

Enable MIDI over USB. Deluge is not USB
System > USB Config USB MIDI ON
Audio compatible.
If the sequencer and tempo is to be
MIDI Config > Sync Clock Receive ON synchronised in the Digitakt from the
Deluge. Ensure transport is also ON.
Deluge does not automatically respond to
MIDI Config > Sync Clock Send ON
Play / Stop commands.
MIDI Config > Sync Transport Receive ON Stop, Start control of Digitakt from Deluge
Deluge does not automatically respond to
MIDI Config > Sync Transport Send OFF
Play / Stop commands.
System > Audio Routing Audio over USB not supported by Deluge.

Other settings are suggested to remain at the defaults.

The Digitakt Notebook : Reference & Guide Contents 171

10 MIDI & USB
NOTES
Deluge 3.1 to Digitakt 1.30

Digitakt as a Drum Synth sequenced from Deluge

Deluge tracks set to MIDI Track. Each

Deluge MIDI track channel will trigger
the relevant Digitakt track

Tracks triggered using the specified

channel. Transport is off to ensure
drums / sounds are triggered statically
by Deluge sequencer.

Deluge Master

Deluge should be configured with MIDI Tracks. Each track would trigger an equivalent Digitakt
track. So if channel 1 is set on Deluge this will trigger the kick track 1 on Digitakt by default.
Channels can be reconfigured on Digitakt using MIDI Config > Channels.

Deluge uses MIDI Learn features to be operated by other devices. Tempo magnitude may need
adjusting to sync temp on the Deluge.

SETTINGS

Digitakt Config Parameter Setting Description

Enable MIDI over USB. Deluge is not USB
System > USB Config USB MIDI ON
Audio compatible.
Sequencer and tempo is to be
MIDI Config > Sync Clock Receive ON synchronised in the Digitakt from the
Deluge.
MIDI Config > Sync Clock Send OFF Digitakt triggered by Deluge
MIDI Config > Sync Transport Receive OFF
MIDI Config > Sync Transport Send OFF
System > Audio Routing Audio over USB not supported by Deluge.

Other settings are suggested to remain at the defaults.

172 Contents The Digitakt Notebook : Reference & Guide

 MIDI & USB 10
NOTES 10.15 USB WITH IPAD APPS: EXAMPLES
iPad apps are great ways to add effects and other app instruments into the
workflow. Audiobus and Kymatica AUM enables audio and MIDI to be
managed inside the iPad with interconnection of instruments and effects.

Apple iPad to Digitakt 1.30.

AUM and MSXII Sound Design Fly Tape as an insert effect

USB

USB

1: Elektron Digitakt L+R

AUM Configuration and Connectivity

AUM is an app that hosts plug ins and connects internal and external MIDI and Audio. MSXII
Sound Design’s Fly Tape is a AUv3 Plug In (iOS app) that is a tape emulation effect. Channeling
Digitakt audio is possible across USB into the iPad and into the AUM audio track input, through Fly
Tape (Hosted in AUM App environment as an audio effect) and back across USB to the Digitakt
output. This uses the Fly Tape as an insert effect for the Digitakt L+R audio.

A camera connection kit or equivalent iPad adapter is required to transfer from the USB Type A
connection to the iPad connector.

SETTINGS

Digitakt Config Parameter Setting Description

Enable MIDI and Audio over USB into iPad
System > USB Config USB Audio / MIDI ON
and then back out to Digitakt.
MIDI Config > Sync Clock Receive OFF Example routes Audio. No MIDI.
MIDI Config > Sync Clock Send OFF Example routes Audio. No MIDI.
MIDI Config > Sync Transport Receive OFF Example routes Audio. No MIDI.
MIDI Config > Sync Transport Send OFF Example routes Audio. No MIDI.
Internal Digitakt audio not routed to main
System > Audio Routing Int to Main OFF output. A fully wet mix through the iPad FX
will be heard on Digitakt Output.
Sets the gain of any USB audio to the
System > Audio Routing USB to Main (dB) 0
Digitakt main output

Other settings are suggested to remain at the defaults.

The Digitakt Notebook : Reference & Guide Contents 173

10 MIDI & USB
NOTES

Apple iPad to Digitakt 1.30.

AUM and MSXII Sound Design Fly Tape as an insert effect

MSXII Fly Tape Digitakt AUM

As the plug in effect in the Audio Input from Digitakt As the host Audio / MIDI
audio chain Mixer and hub.

USB

Audio Channel

USB

1: Elektron Digitakt L+R

Compatible device i.e.

iPad / iPhone

Digitakt
Audio Output to Digitakt Out.

Fly Tape
Insert effect can manipulate,
control and affect the audio from
Digitakt as an insert effect.

174 Contents The Digitakt Notebook : Reference & Guide

 MIDI & USB 10
NOTES

Apple iPad to Digitakt 1.30.

AUM and MSXII Sound Design Chomplr MIDI Controlled from Digitakt

USB

USB

1: Elektron Digitakt L+R

AUM Configuration and Connectivity

AUM is an app that hosts plug ins and interfaces internal and external MIDI and Audio. MSXII
Sound Design’s Chomplr is a AUv3 Plug In (iOS app) instrument reminiscent of classic romplers
and allows playback of slices samples. MIDI from Digitakt across USB into the iPad can control the
AUM hosted instrument. This can offer creative opportunities when sequencing MIDI Tracks. The
Output audio can also be routed back to Digitakt over USB. Set Digitakt MIDI sequencing as
normal and AUM channel to match.

A camera connection kit or equivalent connector adapter is required to transfer from the USB Type
A connection to the iPad connector.

SETTINGS

Digitakt Config Parameter Setting Description

Enable MIDI and Audio over USB to
System > USB Config USB Audio / MIDI ON
transfer out to iPad and back to Digitakt.
MIDI Config > Sync Clock Receive OFF Control over Digitakt not required.

MIDI Config > Sync Clock Send ON Digitakt controls iPad AUM + Chomplr

MIDI Config > Sync Transport Receive OFF Control over Digitakt not required.

MIDI Config > Sync Transport Send ON Digitakt controls iPad AUM + Chomplr
Send MIDI Trigs from Digitakt to iPad.
MIDI Config > Port Config Output To USB
USB is faster than MIDI + USB.
Sends MIDI from selected track as
MIDI Config > Port Config Output Ch TRK CH
opposed to Auto Channel
Internal Digitakt audio not routed to main
output. This means a fully wet mix from
System > Audio Routing Int to Main OFF
the iPad FX and AUM will be heard on
Digitakt Output.
Sets the gain of any USB audio to the
System > Audio Routing USB to Main (dB) 0
Digitakt main output

Other settings are suggested to remain at the defaults.

The Digitakt Notebook : Reference & Guide Contents 175

10 MIDI & USB
NOTES

Apple iPad to Digitakt 1.30.

AUM and MSXII Sound Design Chomplr MIDI Controlled from Digitakt.
Audio returned back to Digitakt over USB

MSXII Chomplr AUM

As the plug in instrument As the host Audio / MIDI
Mixer and hub.

MIDI IN from Digitakt

routed to control Chomplr

Audio Channel

USB

1: Elektron Digitakt L+R

Compatible device i.e.

iPad / iPhone

Digitakt
Audio Output to Digitakt Out.

Chomplr
Notes are programmed in Digitakt MIDI Channel
sequencer and matched to the MIDI channel on AUM +
Chomplr. Chomplr sample slices are triggered from the
Digitakt sequence.

176 Contents The Digitakt Notebook : Reference & Guide

 MIDI & USB 10
NOTES

Apple iPad to Digitakt 1.30.

Audiobus and MSXII Sound Design Minimoog Model D MIDI Controlled
from Digitakt, audio also through MSXII Lo Fly Dirt.

Audiobus Configuration and Connectivity

Audiobus is an app that hosts plug ins and interfaces internal and external MIDI and Audio. Moog
Model D synth is an app instrument. MIDI from Digitakt across USB into the iPad can control the
Audiobus hosted instrument. MSXII Sound Design Lo-Fly Dirt can also be inserted into the
Audiobus audio chain. This can offer creative opportunities when sequencing MIDI Tracks. The
Output audio can also be routed back to Digitakt over USB. Set Digitakt MIDI sequencing as normal
and Audiobus channel to match when creating the MIDI channel as Digitakt input.

A camera connection kit or equivalent connector adapter is required to transfer from the USB Type
A connection to the iPad connector.

SETTINGS

Digitakt Config Parameter Setting Description

Enable MIDI and Audio over USB to
System > USB Config USB Audio / MIDI ON
transfer out to iPad and back to Digitakt.
MIDI Config > Sync Clock Receive OFF Control over Digitakt not required.
MIDI Config > Sync Clock Send ON Digitakt controls iPad AUM + Chomplr
MIDI Config > Sync Transport Receive OFF Control over Digitakt not required.
MIDI Config > Sync Transport Send ON Digitakt controls iPad AUM + Chomplr
Send MIDI Trigs from Digitakt to iPad.
MIDI Config > Port Config Output To USB
USB is faster than using MIDI+USB
Sends MIDI from selected track as
MIDI Config > Port Config Output Ch TRK CH
opposed to Auto Channel
Internal Digitakt audio not routed to main
output. This means a fully wet mix
System > Audio Routing Int to Main OFF
through the iPad FX from AUM will be
heard on Digitakt Output.
Sets the gain of any USB audio to the
System > Audio Routing USB to Main (dB) 0
Digitakt main output
Other settings are suggested to remain at the defaults.

The Digitakt Notebook : Reference & Guide Contents 177

10 MIDI & USB
NOTES

Apple iPad to Digitakt 1.30.

AUM and MSXII Sound Design Chomplr MIDI Controlled from Digitakt.
Audio returned back to Digitakt over USB

Audiobus
Hosting environment routing MIDI and Audio through app
plugins and back out to Digitakt.

A A ON

Audiobus Mixer

WET

MUTE

MUTE SOLO BYPASS

ELE DIG

MIDI AUDIO MIXER 100

Moog Model D
App synth controlled by Digitakt
MIDI. Audio routed through effects
and out back to Digitakt

Digitakt Lo-Fly Dirt

MIDI Input from Digitakt MSXII Audio Insert plug in
across USB effect.

Audiobus
Set the MIDI input in Audiobus to the same channel that
transmits MIDI from Digitakt. Sync options can be set in
Digitakt and BPM / Tempo controlled.

178 Contents The Digitakt Notebook : Reference & Guide

 MIDI & USB 10
NOTES 10.16 USB WITH IPAD APPS: EXAMPLES
iPhone apps and other smart phones have a number of recording apps
available. Examples such as Izotope’s Spire, Yamaha Cloud Audio
Recorder to name a few. Also device apps such as GarageBand provide
recording options.

Apple iPhone to Digitakt 1.30.

Recording audio over USB into a smart device i.e. Izotope Spire.

Spire Project
Notes Record Mix
0.09

Audiobus Configuration and Connectivity

Spire is an app from Izotope inc which is designed to work with the Spire audio interface. However it
functions also as a stand-alone recording app using the iPhone mic or USB in. Audio can be
recorded through the USB from Digitakt. Many other recording apps offer the same functionality in
capturing audio.

A camera connection kit or equivalent connector adapter is required to transfer from the USB Type
A connection to the iPad connector.

SETTINGS

Digitakt Config Parameter Setting Description

Enable MIDI and Audio over USB to
System > USB Config USB Audio / MIDI ON
transfer out to iPhone . Audio needed.
Other settings are suggested to remain at the defaults.

The Digitakt Notebook : Reference & Guide Contents 179

10 MIDI & USB
10.17 Transfer NOTES

An Elektron software utility called Transfer uses the MIDI protocol for
transferring samples between Digitakt and a Mac / PC. A summary of
transferring samples is shown elsewhere in this manual.

Transfer can also be used with its drag and drop interface to transfer Sysex
files on compatible transfer devices. Be careful using Transfer utility for
sysex as this may overwrite Digitakt data without any user control.

Sysex files should be dragged and dropped to the interface following the
same process as transferring samples. This is recommended for OS
Upgrade.

DIGITAKT PC / MAC
Ensure MIDI CONFIG in the settings Use Transfer for transferring samples.
menu is set correctly as per your physical Sysex files also can be dropped to
connection i.e. USB. Files will be Transfer but C6 is the recommended
transferred across fro PC/MAC application for Sysex management.

180 Contents The Digitakt Notebook : Reference & Guide

 MIDI & USB 10
NOTES 10.18 Legacy support for Sysex with C6.
Sysex functions have now been integrated into the Transfer too. Legacy
systems used a utility called C6 which is now discontinued. For
completeness this section covers C6 functions for Sysex. MIDI
communication is used over the 5 Pin Midi Out or USB ports in order to
Send / Receive data (not audio samples) and manage back ups using
Sysex protocols. The PC / Mac would need to be connected to Digitakt to
operate the following walkthroughs.

DIGITAKT PC / MAC

Ensure MIDI CONFIG in the settings Use a Sysex Tool for transferring data.
menu is set correctly as per your physical Elektron recommend the free C6 utility
connection i.e. USB. available from the Elektron site.

PROJECT ACTIVE PROJECT

PATTERN

SYSEX DUMP C6

Project will transfer patterns, settings and C6 utility shows transferred files. The larger
sound pool sound data but not audio one is entire project and smaller is an
samples. Pattern will allow individual pattern individual pattern. Files can be saved to the
selection to transfer. PC / MAC from here.

When transferring from PC/MAC the SYSEX Pattern and Sound data can be sent from C6
RECEIVE Option is selected and the data to when Digitakt is restoring backups and
transfer Patterns and Sounds to the Digitakt transferring across previously saved data.
is selected on the transfer process

LEGACY SUPPORT REFERENCE ONLY - USE TRANSFER ON CURRENT SYSTEMS AND OS

The Digitakt Notebook : Reference & Guide Contents 181

10 MIDI & USB
NOTES

▌SEND PATTERN & PROJECT DATA FROM DIGITAKT TO MAC / PC

1. Press [SETTINGS] - GLOBAL SETTINGS

2. Highlight [SYSEX DUMP] page, scroll with (LEVEL/DATA) or [UP]

[DOWN]

3. Press [YES] to select SYSEX DUMP and reach the sub menu.

4. Scroll to and highlight SYSEX SEND and press [YES] to select.

5. Open C6 on the Mac or PC. Select RECEIVE in the Top Menu.

6. Navigate in Digitakt using [LEFT] key and select from the top level
menu i.e. PATTERN and then the sub menu [RIGHT] for the specific
data to back up i.e. Pattern Name.

7. Press [YES] to select and sending starts.

8. C6 will indicate the bytes transferred. Digitakt will indicate COMPLETE

when data transfer has finished.

9. Press stop on C6 menu and the data will be shown in the files window.

10. Select the transferred files in C6 and SAVE. This will allow the data to
be saved and named on the PC / MAC Drive.

▌RECEIVE PATTERN & PROJECT DATA TO DIGITAKT FROM MAC / PC

1. Press [SETTINGS] - GLOBAL SETTINGS

2. Highlight [SYSEX DUMP] page, scroll with (LEVEL/DATA) or [UP]

[DOWN].

3. Press [YES] to select SYSEX DUMP and reach the sub menu.

4. Scroll to and highlight SYSEX RECEIVE. Press [YES] to select

5. Navigate on Digitakt using [LEFT] key and select from the top level
menu i.e. PATTERN and then the sub menu [RIGHT] for location.

6. Open C6 on the Mac / PC and select the Pattern file to send. Select
SEND in the top menu.

7. C6 will indicate the bytes transferred. Digitakt will indicate COMPLETE

when data transfer has finished.

182 Contents The Digitakt Notebook : Reference & Guide

 MIDI & USB 10
NOTES

▌SEND SOUND DATA FROM DIGITAKT TO EXTERNAL MAC / PC

1. Press [PATTERN] key.

2. Highlight IMPORT/EXPORT page . Scroll with (LEVEL/DATA) or [UP]

[DOWN]. Press [YES] to select and reach the sub menu.

3. Scroll to and Highlight MANAGE SOUNDS. Press [YES] to select.

4. Select one or more SOUNDS to transfer via Sysex to the PC/Mac by

highlighting and pressing [YES] to check the sound.

5. Press [RIGHT] to open the sound management side menu.

6. Open C6 on the Mac or PC. Select RECEIVE in the top menu.

7. On Digitakt Scroll to the SEND SYSEX Menu option within the right
menu and Press [YES] to select and sending starts.

8. C6 will indicate the bytes transferred. Digitakt will indicate COMPLETE

when data transfer has finished.

9. Press stop on the C6 menu. Data will be shown in the files window.

10. Select the transferred files in C6 and SAVE. This will allow the data to
be saved and named on the PC / MAC Drive.

▌RECEIVE SOUND DATA TO DIGITAKT FROM EXTERNAL MAC / PC

1. Press [SETTINGS] - GLOBAL SETTINGS

2. Highlight SYSEX DUMP scrolling with (LEVEL/DATA) or [UP] [DOWN].

3. Press [YES] to select and reach the sub menu.

4. Scroll to and Highlight SYSEX RECEIVE. Press [YES] to select.

5. Select SOUNDS and any desired slot. Press [YES] to receive.

6. Open C6 on the Mac or PC. Select the SOUND file to send and press
SEND in the top menu.

7. C6 will indicate the bytes transferred. Digitakt will indicate COMPLETE

when data transfer has finished.

The Digitakt Notebook : Reference & Guide Contents 183

 NOTES

184 Contents The Digitakt Notebook : Reference & Guide

 11
System
This section covers the less creative side of formatting are a destructive processes and may
Digitakt and captures some housekeeping mean important files and data will be deleted
functions and system orientated features. during the process. It is always recommended to
These include actions such as OS updates. As back up Digitakt periodically but certainly prior to
such the global settings SYSTEM menu is a undertaking any of the functions laid out in this
key focus area for this section along with the section.
boot menu start up function which also
provides some system options. The guides
given in this section are not everyday or
frequently used features. It is therefore good to
have a reference and access to a guide on
these less familiar areas of Digitakt. The
functions covered here are very important and
it is always advised to check the original
manufacturers current documentation,
manuals, release notes that are compatible
instructions for the OS and device and the task
in hand. The Elektron website is the place to
start for the latest updates for Digitakt where all
support documentation can be found. Also
remember that some functions such as +Drive

The Digitakt Notebook : Reference & Guide Contents 185

11 System

11.1 System Menu

The SYSTEM sub-menu is found in the [SETTINGS] GLOBAL SETTINGS menu.

USB CONFIG LED INTENSITY REMEMBER SUBPAGE

Switches between the USB Sets the brightness of the screen and When set to ON the last sub page
Overbridge mode and the normal buttons to a user preference. The accessed will be presented when
USB-MIDI Only mode. Ensure setting can be changed to 1 of 3 returning to the function as opposed
options - Low, Mid, Max. Setting is to OFF which will always show the
Overbridge setting is only set when
shown in the menu name. main page each time.
interfacing to overbridge

OS UPGRADE FORMAT +DRIVE STORAGE

Switches to listening for a Sysex Erases and formats the non volatile This is an information screen and
transfer of the new OS. Transfer utility storage drive contained within shows the memory usage both on the
can be used to drag/drop the new OS Digitakt. Enables selection of projects +Drives and also in RAM and also
across from PC/Mac to Digitakt. & sounds and/or samples. shows sample time remaining

Some features within the SYSTEM sub-menu can be destructive and care must be taken to not lose data and audio. Back up the Digitakt
device before undertaking the steps in these processes

186 Contents The Digitakt Notebook : Reference & Guide

 System 11
NOTES 11.2 OS Upgrade
Occasionally The Digitakt may need an operating system update to either
fix bugs on prior OS versions or to add new or enhanced features. The
process requires the transfer of the new OS Sysex file which will then run
an update script within the Digitakt automatically.

▌UPGRADING DIGITAKT OS FROM SYSTEM MENU

It is recommended to connect Digitakt by USB (although MIDI IN is also

possible) to a PC/ MAC which hosts TRANSFER.

1. Press [SETTINGS] - GLOBAL SETTINGS.

2. Highlight SYSTEM page by scrolling with (LEVEL/DATA) or [UP],

[DOWN].

3. Press [YES] to select SYSTEM and reach the sub menu.

4. Highlight OS UPGRADE and press [YES] to select.

5. This will switch to Sysex listening mode and await transfer from the PC/
MAC. Press [NO] to cancel and backup to submenu.

6. Ensure TRANSFER utility is open on the PC / MAC and indicates the

communicates to Digitakt is set for MIDI Input and Output.

7. Drag and drop the new OS Sysex file to the transfer ‘Drop’ window in
TRANSFER.

8. Digitakt will indicate transfer status, then install and reboot the new OS.

TRANSFER

New OS Sysex file is dragged to the

TRANSFER utility ‘Drop’ window and is
automatically transferred to and updated

DO NOT POWER OFF DIGITAKT DURING THE UPDATE UNTIL DIGITAKT NOTIFIES THAT THE REBOOT IS COMPLETE

The Digitakt Notebook : Reference & Guide Contents 187

11 System

NOTES

▌UPGRADING DIGITAKT OS FROM STARTUP MENU

1. Connect the Digitakt ideally with the USB to a PC/ Mac with the
TRANSFER app installed.

2. Hold [FUNC] and power ON Digitakt.

3. Digitakt will start up in the BOOT MENU.

4. Press TRIG [4] key for OS UPGRADE.

5. Open the transfer app on the connected PC/Mac and select ‘Legacy OS
Upgrade’ from the CONNECTION page.

6. Navigate on the OS Legacy page to select the location of the OS

update file.

7. Ensure the MIDI interface is selected for communication to Digitakt and

press UPGRADE.

8. With Digitakt in ‘ready to receive’ Sysex listening mode, transfer from

the PC/MAC using TRANSFER or C6 Utility.

9. Digitakt will install and reboot the new OS.

Do not power off Digitakt during the transfer or reboot process until the
update reboot process is completed.

Elektron recommend the TM-1 MIDI Interface when using MIDI transfers to a PC/MAC

▌CHECKING DIGITAKT CURRENT OS

1. Power ON Digitakt.

2. During the boot screen graphic the currently installed OS is displayed

for a short period bottom right on the start up screen.

188 Contents The Digitakt Notebook : Reference & Guide

 System 11
NOTES 11.3 Formatting and checking the +Drive storage
Digitakt’s non-volatile +Drive can be erased using the format utility. This is a
destructive process and backups should be made prior to proceeding.

▌FORMATTING & ERASING DIGITAKT +DRIVE

1. Press [SETTINGS] - GLOBAL SETTINGS.

2. Highlight [SYSTEM] page by scrolling with (LEVEL/DATA) or [UP]

[DOWN].

3. Press [YES] to select SYSTEM and reach the sub menu.

4. Highlight FORMAT +DRIVE and press [YES] to select the sub menu.

5. Check the PATTERNS+SOUNDS and/or SAMPLES selections to erase

using [RIGHT] [LEFT] to check the selection and [UP] [DOWN] to scroll
the options.

6. Once selections have been made press [YES] to proceed to format and
erase or [NO] to cancel and step back in the menu.

7. Press [YES] again to confirm erasure.

▌CHECKING STORAGE ON THE DIGITAKT +DRIVE & RAM

1. Press [SETTINGS] - GLOBAL SETTINGS.

2. Highlight [SYSTEM] page by scrolling with (LEVEL/DATA) or [UP]

[DOWN].

3. Press [YES] to select SYSTEM and reach the sub menu.

4. Highlight STORAGE and press [YES] to select the sub menu. Press
[NO] to cancel and step back in the menu.

Projects and Sounds in

the Digitakt +Drive Memory % used in
RAM (Total 64MB) and
Samples in the current +Drive (Total 1GB)
Digitakt Project

Sample time used / Free Memory available

total in RAM in RAM (Total 64MB)
and +Drive (Total 1GB)

The Digitakt Notebook : Reference & Guide Contents 189

11 System

11.4 Start Up Boot Menu

Hidden functions which operate in the Digitakt Boot system prior to start up of the main Digitakt OS
are available at power up. Hold [FUNC] while powering up Digitakt to access the startup boot menu.
Select the menu options using the respective red lit Trig [1], [2], [3], [4] or [5] key for the selected
menu option.

STARTUP MENU
1 … TEST MODE
2 … EMPTY RESET
3 … FACTORY RESET
4 … OS UPGRADE
5 … EXIT

TEST MODE EMPTY RESET FACTORY RESET OS UPGRADE

Delivers an audio signal to all Erases all patterns and sounds Will initialise Digitakt RAM to its This option allows OS upgrades
outputs and runs a diagnostic from Digitakt but retains all original state by overwriting using Sysex transfer using MIDI
test. When complete a test +Drive data. pattern and settings data and IN.
report is issued and should by restoring the original preset
read 0 ERRORS if all is ok. sounds, patterns and settings
Contact Elektron is there are to +Drive project slot 1 and
system problems indicated. Key Sound Bank A. Active project
Tests will test all the manual stored on the +Drive in slots 2+
operation of key and encoder will be retained.
actions and show the status on
the display.

Press TRIG [5] to EXIT the Boot menu and continue through the startup boot
process and start up the Digitakt OS normally

190 Contents The Digitakt Notebook : Reference & Guide

 System 11
NOTES 11.5 Overbridge
Overbridge 2.0 is a free utility to the Digitakt armoury. Overbridge is a
software interface that enables Digitakt and other Elektron devices to
operate within a DAW environment, with multiple outputs and also control
Digitakt from within the PC/MAC software environment and vice versa.

DIGITAKT PC / MAC

Can be controlled by the Overbridge Overbridge 2.0 operates as a

App / VST. Digitakt can be controlled stand alone or a DAW VST
from the DAW and Stand Alone integrated device within the PC /
Overbridge Interface. Mac environment.

Features include:-

Total Recall: Syncs the DAW saved project and parameter

settings in the PC/MAC to the Digitakt device.

Stream multi tracks of audio into the PC/MAC environment via

USB and can be recorded individually or collectively in the DAW.

Digitakt also acts as a 2 In/2 Out Sound card.

Manage presets, samples, kits and projects.

The Digitakt Notebook : Reference & Guide Contents 191

11 System

11.6 User Experience Options. NOTES

Several functions are available that can adjust settings and help improve
the user experience. These include the adjustment of the screen and button
LED brightness. This can be useful in situations such as playing live in
dark clubs, when videoing the unit or general desktop use. Also the
remember sub-page option can be on to memorise the last page accessed
in the parameter sub pages and if set to presents this page when returning
to the function

▌ADJUST THE DIGITAKT LED BRIGHTNESS

1. Press [SETTINGS] - GLOBAL SETTINGS.

2. Highlight SYSTEM page by scrolling with (LEVEL/DATA) or [UP],

[DOWN].

3. Press [YES] to select SYSTEM and reach the sub menu.

4. Highlight the LED BRIGHTNESS option and press [LEFT] or [RIGHT] to

select the desired option.

5. The title will also show the current setting which can be one of either
LOW, MID or MAX.

Intensity set to LOW, MID, or MAX.

This will change the button LED’s
and the Screen

192 Contents The Digitakt Notebook : Reference & Guide

 System 11
NOTES

▌SETTING PAGES TO RECALL PREVIOUSLY SELECTED SUBPAGE

1. Press [SETTINGS] - GLOBAL SETTINGS.

2. Highlight SYSTEM page by scrolling with (LEVEL/DATA) or [UP],

[DOWN].

3. Press [YES] to select SYSTEM and reach the sub menu.

4. Highlight the REMEMBER SUBPAGE option and press [YES] to toggle

this option ON, box checked, or OFF.

5. When ON the last sub page in the parameter pages will be recalled
when revisiting the parameter. When OFF the top level menu will
always be accessed.

The Digitakt Notebook : Reference & Guide Contents 193

 NOTES

194 Contents The Digitakt Notebook : Reference & Guide

 12
Other Stuff
The final section of The Digitakt Notebook
brings a number of things together and
captures a collection of stuff that doesn't quite
fit into any specific section. Find some tips and
tricks which help to get the best out of Digitakt
and help develop some new ideas, new
thinking and which may offer a workaround for
some of the limitations of the device.
Templates and cheat sheets of key commands
provide a quick reference for both newcomers
and advanced users alike. For those that are of
an inquisitive mind there is also a quick insight
into the inner workings. It is not recommended
to open up the device and this may in some
circumstances invalidate the manufacturers
warranty.

The Digitakt Notebook : Reference & Guide Contents 195

12 Other Stuff
12.1 Digitakt Key Combo Quick Reference
Function / Mode Action Key Combo Description
General Copy [FUNC] + [REC] Copies depending on the page in context
General Clear [FUNC] + [PLAY] Clears depending on the page in context
General Paste [FUNC] + [STOP] Pastes depending on the page in context
General Parameter Reset (DATA ENTRY) + [NO] Push Data Entry & NO to reset its parameter
General Param Page Reset [PARAM PAGE] + [PLAY] Resets all selected param page data to default
General Param Randomise [PARAM PAGE] + [YES] Randomises selected parameter page settings
General Reset Randomise [PARAM PAGE] + [NO] Resets parameters to last saved state
Navigation Step / Scroll Up [UP] Moves through various menu options
Navigation Step / Scroll Down [DOWN] Moves through various menu options
Navigation Step / Scroll Left [LEFT] Moves through sub menus or toggles a selection
Navigation Step / Scroll Right [RIGHT] Moves through sub menus or toggles a selection
Navigation Scroll (LEVEL / DATA) Scrolls when in a menu the options
Navigation Backup [NO] Cancels and / or backs out of sub menu’s
Navigation Confirm [YES] Activates selected menu option
Naming Select Letter [FUNC] + [ARROW] Left, Right, Up, Down, selects letter
Naming Erases Letter [FUNC] + [NO] Deletes Letter
Naming Inserts a Letter [FUNC] + [YES] Inserts a letter or space
Naming Selects Character [RIGHT] [LEFT] Navigates back and forth through name
Naming Change Character [UP] [DOWN] Increments, decrements selected character
Transport Play [PLAY] Plays the sequence pattern
Transport Stop [STOP] Stops the sequencer Pattern playback
Sequencer Tap Tempo [FUNC] + [TEMPO] Tap x4 or more to select a tap tempo
Sequencer Nudge Tempo [LEFT] [RIGHT] Temporary Nudge tempo playback +/-10%
Sequencer Nudge Trigs [FUNC] + [LEFT][RIGHT] Nudge trigs whole step back or forth (GRID REC)
Sequencer Retrig Menu [TRIG] +[UP][DOWN] Open Retrig menu & sets on/off/rate (GRID REC)
Sequencer Micro-timing Menu [TRIG] +[LEFT][RIGHT] Open Micro Timing menu & sets (GRID REC)
Sequencer Grid Recording [REC] Selects Grid Recording Mode
Sequencer Note Preview Trig + [YES] Preview note / parameter lock in grid rec
Sequencer Live Recording [REC] + [PLAY] Starts Live Recording Mode
Sequencer Live Recording [REC] + [PLAY] + [PLAY] Starts Live Recording Mode - Quantized On/Off
Sequencer Step Recording [REC] + [STOP] Step recording mode on
Sequencer Step Rec Mode [REC] + [STOP] [STOP] Step recording toggle standard or jump mode
Sequencer Clears Live Rec [NO] + [TRIG] Clears Trigs during Live Recording
Sequencer Metronome [FUNC] + [PTN] Long press. Sets Metronome On/Off

196 Contents The Digitakt Notebook : Reference & Guide

 Other Stuff 12
12.1 Digitakt Key Combo Quick Reference (cont)
Function / Mode Action Key Combo Description
Tracks / Patterns Select Audio Track [TRK] + [1] … [8] Silently Selects Audio Track 1-8
Tracks / Patterns Reload Sound [TRK] + [1] … [8] + [NO] Reload an audio track / multiple track sounds
Tracks / Patterns Select Midi Track [TRK] + [9] … [16] Selects Midi Track A-H
Tracks / Patterns Select Bank [BANK] + [9] … [16] Selects Bank A-H
Tracks / Patterns Select Pattern [PTN] + [1] … [16] Selects a Pattern 1-16
Tracks / Patterns Clear Track [FUNC] + [PLAY] Clears Active Track (GRID REC)
Tracks / Patterns Clear Pattern [FUNC] + [PLAY] Clears Active Ptn (LIVE REC or No Mode Sel)
Tracks / Patterns Mute Mode Global [FUNC] + [BANK] Enters GLOBAL MUTE Mode
Tracks / Patterns Mute Mode Ptn [FUNC] +[BANK]+[BANK] Enters PATTERN MUTE Mode
Tracks / Patterns Chromatic Mode [FUNC] + [TRK] Enters Keyboard into chromatic mode
Tracks / Patterns Fill 1 Cycle [YES] + [PAGE] Creates a Fill for one pattern cycle
Tracks / Patterns Fill [PAGE] Creates a Fill for duration of key press
Tracks / Patterns Fill Latch [PAGE] + [YES] Hold and release PAGE first. Latches Fill mode
Tracks / Patterns Fill Unlatch [PAGE] Latched Fill mode is unlatched
Tracks / Patterns MIDI Feedback [STOP] [STOP] Panic stop MIDI feedback issues
Samples Sample Select [FUNC] + [SRC] Opens quick sample select list for SAMP (D)
Samples Samples +Drive [FUNC] + [YES] Opens +Drive when in the Project Sample list
Samples Arm Sampler [SAMPLER] + [YES] Arms sampler ready to record DIRECT Sampling
Samples Record [FUNC] + [SAMPLING] Starts DIRECT sampling record
Samples Stop Record [FUNC] + [SAMPLING] Stops the sampler when DIRECT recording
Samples Cancel Sampling [SAMPLING] + [NO] Cancels DIRECT Sampling at any time.
Menus Import / Export [FUNC] + [PATTERN] Opens Import / export menu for sounds.
Menus Quantize [FUNC] + [TRIG] Opens the quantize settings options
Menus Delay FX [FUNC] + [FLTR] Opens the Delay settings page
Menus Reverb FX [FUNC] + [AMP] Opens the Reverb settings page
Menus Master Mixer [FUNC] + [LFO] Opens the Master settings - Page 1 - Mixer
Menus Compressor [FUNC] + [LFO] + [LFO] Opens the Master Compressor - Page 2 - Comp
Menus Metronome [FUNC] + [PTN] Opens Metronome Menu, quick press
Menus Scale [FUNC] + [PAGE] Opens the Scale Menu and page settings
Save / Reload Save Project [FUNC] + [SETTINGS] Func + Global Setting saves active project.
Save / Reload Save Pattern [FUNC] + [YES] Temporarily Saves active pattern
Save / Reload Save Project [FUNC] + [NO] Temporarily Reloads active pattern

The Digitakt Notebook : Reference & Guide Contents 197

12 Other Stuff
12.2 Digitakt Tear Down
It is not recommended to take your Digitakt apart which may invalidate warranty. For those that may
be curious or have a need to repair here is an insight into the inner device components.

128 x 64 Pixel
OLED Display

6 screws for removal of top

case. Keyboard PCB is
attached to the underside of
the top internally

‘Top’ Keypad
PCB Underside

@2017 Elektron Music Machines MAV AB @2017 Elektron Music Machines MAV AB
UI4102D UI4102D

MCF5441 CPU
Processor

1GB DDR2
SDRAM
(RAM)

CPU4101E @2017 Elektron Music Machines MAV AB

4GB NAND Flash
Memory Storage
‘Bottom’ PCB
(+Drive)
Inner Case

AK4621AF ADC / DAC

Audio Codec

198 Contents The Digitakt Notebook : Reference & Guide

 Other Stuff 12
12.3 Digitakt Connection Template

DIGITAKT ROUTING CHART DATE REVISION

AUDIO

Audio In From Description

Left

Right

Audio Out To Description

Left

Right

MIDI

MIDI In From Midi Channel Midi Sync Description / Type

5 Pin In

MIDI Out To Midi Channel Midi Sync Description / Type

5 Pin Out

MIDI Thru To Midi Channel Midi Sync Description / Type

5 Pin Out

USB To/From Midi Channel Midi Sync Description / Type

USB

STUDIO
TEMPLATE B A
Digitakt Routing

The Digitakt Notebook : Reference & Guide Contents 199

12 Other Stuff
12.3 Tips and Workarounds NOTES

1. USING DIGITAKT AS A SUBTRACTIVE SYNTH

Digitakt is a drum computer and sampler but also it is possible to set up

Digitakt as a synth by using the ‘one cycle’ waveform samples that are
provided in the factory sample library. Each track therefore could host a
sample which operates as an oscillator source and simulates up to an 8
voice synth. One track is used in this example.

1. Select a track to host the sample i.e. track 1. [TRK] + [1].

2. Press [FUNC] + [SRC] to jump straight to the sample selection list.

3. Press [FUNC] + [YES] to move navigation from the current sample

selected to the +Drive library and navigate to the following directory;-

/Factory/Toolbox/Oscillators....... Single cycle samples exist here

4. Select a single cycle sample. There are many waveform samples in this
folder including sine, saw, tri and many more interesting samples. For
this example select / check ‘Saw’.

5. Press [YES] to select and to confirm. The sample will show the sound
slot in RAM it is loaded into.

6. Back out of the menu with [NO] and ensure [SRC] page is open. The
wave can be seen in the second SRC page.

7. In the [SRC] page set PLAY mode (B) to FWD.L to continuously loop
the sample playback when it is triggered.

8. SRC Page now acts as the synth oscillator where the wave can be
tuned and sample settings adjusted. Playing the trig gives the traditional
saw like sound.

9. Follow standard subtractive sound design process of carving out and

shaping the sound using the FLTR, AMP and associated envelopes.
Finally adding effects where required.

For a Bass foundation Try:

Page Parameter Value

TRIG Note C2

FLTR Envelope ADSR Attack =21, Decay = 19, Sustain = 68, Release = 52

AMP Envelope AHD Attack = 19, Hold = 49, Decay = 26

200 Contents The Digitakt Notebook : Reference & Guide

 Other Stuff 12
NOTES

2. SIMULATING NATURAL VELOCITY

Digitakt does not host a conventional keyboard and therefore does not
capture velocity levels from input of trigs. A set default velocity is attached
automatically to each trig of 100 within the 1-127 range available. This will
be ok to get exact repeats and mechanistic rhythms but to get a more
human feel, velocity and timing can add natural feel. Hi Hat runs are good
examples of applying this technique. We will use the closed hat = Track 6
from the default kit to demonstrate.

1. Select Track 6, [TRK] + [6].

2. Create a Hi Hat run across 16 steps of Page 1 by setting trigs on each

step in GRID RECORDING mode. The timing of each trig will be
perfectly on step and velocity 100 of each.

3. [PLAY] to hear the ‘fixed’ hat sequence play out.

4. Switch to unquantized LIVE RECORDING by pressing [REC] + [PLAY].

5. Select the [TRIG] page.

6. While the track is playing in LIVE RECORDING mode adjust VEL (B) to
record a variation of the velocity setting across each of the 16 steps. An
LFO can also be used to modulate the velocity VEL parameter.

7. Switch to GRID RECORDING mode [REC] to see and check the trig
velocities and continue to steps 8-10.

8. To add timing variety hold a trig i.e. [2] and press [RIGHT] or [LEFT] to
adjust the micro timing of the step eg 1/192. Slight variations are usually
a good approach.

9. Repeat step 7 for 4-8 individual steps.

10. For even more variation add some pattern swing using [TEMPO] and
adjusting (E) by a small amount, i.e. to 52% for example.

The Digitakt Notebook : Reference & Guide Contents 201

12 Other Stuff
NOTES

3. CREATING POLYRHYTHMS

Polyrhythms are variations between 2 or more tracks and patterns which

when played together can create more interest progressions and provide an
intentional detachment from each track in its sequence. For example a fixed
pattern for 16 steps may play alongside a pattern running 14 steps. The
restart of each pattern will ensure variation through each cycle.

1. Create 16 step percussion patterns across a number of tracks for

example hats, toms, clap, kick, snare across 5 tracks - 1 Page, 16
steps, default settings.

2. Select first tracks to create length variations. For example, select the
tom track, [TRK] + [3].

3. Select [FUNC] + [PAGE] to access the pattern lengths and scales.

4. Press [FUNC] + [YES] to select LENGTH PER TRACK if not already in

this view. The length for this track 3 is now shown default 16/16.

5. Adjust the LENGTH using (E) to create a new length eg 10/16 for this
track only.

6. Repeat steps 2 - 5 for a second track, example CLAP [4], 9/16 length.

7. In the PAGE menu [FUNC] + [PAGE] in the LENGTH PER TRACK page
set the pattern MLEN to INF using (F).

8. Try experimenting with the number of tracks with length variations, but
as a tip keep the majority of tracks following a set pattern to keep some
order. But music is also about experimentation - right? So why not also
look at adjusting :-

Page Parameter Value

Pattern scale menu SCALE Experiment with settings

Tempo Menu SWING Experiment with settings

Scale - track CH.LEN Experiment with chain length settings

Trig page COND Secondary parameter when holding trig

202 Contents The Digitakt Notebook : Reference & Guide

 Other Stuff 12
NOTES

4. STORING AND RECALLING CUSTOM KITS

Kits consist of 8 audio tracks and their sounds. While the saving of project,
patterns and sounds is an integral part of Digitakt workflow, Kits cannot be
saved in the conventional file managed way. A workaround it to use a bank
location and to save a pattern which as standard includes the kits and then
copy / paste the pattern (and kit) into where its needed.

1. Select a free BANK to be the location to store the patterns and custom
kits. It can be any bank, but makes logical sense for this to be the last
Bank H - [BANK] + [16].

2. Select a PATTERN to host the custom kit eg [1] or [PTN] + [1]. The
pattern will currently contain the default ‘DIGIT’ kit .

3. Rebuild the pattern by selecting your selected, imported or sampled

audio samples into the SAMP parameter for each track [TRK] + [1] …
[8]. This builds your custom kit into the selected pattern i.e. PTN 1.

4. Rename the pattern by selecting [PATTERN] key and RENAME option.

5. Repeat Step 2 - 4 to create a selection of kits hosted in patterns in the

bank.

6. Save the patterns and project settings [FUNC] + [SETTINGS] then

press [YES] to confirm.

To use a kit from the stored bank:-

1. Select the stored pattern kits i.e. [BANK] + [H] and select the desired
pattern which contains the custom kit previously saved. i.e. [1].

2. Press [FUNC] + [REC] to copy the PATTERN. Ensure the Digitakt is in

normal mode and not in a recording mode.

3. Select the destination bank and pattern location to which you require to
work and hence where you want the kit to be placed. i.e. [BANK] + [A]
and press [2] to select A02.

4. Press [FUNC] + [STOP] to paste the previously copied pattern from H01
to A02 slot.

5. The kit will now be loaded with the pattern into the new location.

The Digitakt Notebook : Reference & Guide Contents 203

12 Other Stuff
NOTES

5. EXTENDING PITCH RANGE FOR SAMPLES

Samples containing in the SAMP parameter of SRC page can be tuned up

and down by -60/+24 semitones giving a maximum range of 7 octaves.
There is also a workaround that can squeeze more from this by resampling.
This may be useful from older OS versions where -24/+24 was the limits at
the sample level. The principle being, pitch up/down the sample and
resample it at its new pitch. Then reload the sample and use Pitch to adjust
it further up/down. This example pitches a sample up 3 octaves.

1. Select a Track [TRK] + [1] and ensure the desired sample is loaded into
the SRC page SAMP parameter.

2. Adjust TUNE (A) to increase the tuning by 2 Octaves i.e. +24.

3. Select [SAMPLING] and set the source (G) to INT L+R.

4. Press [FUNC] + [YES] to record from the Digitakt and press TRIG [1] to
record the sample in step.1

5. Press [YES] when recording is complete.

6. Adjust the trim settings and save the sample, name and then load it into
the same track as step 1 i.e. Track 1.

7. Select [SRC] and readjust the TUNE parameter (A) to +12.

The original sample pitch was 0. The sample was then resampled +24
(maximum range) and the new sample now at the higher pitch was retuned
by +12, meaning +36 semitones or 3 octaves up from the original sample.

204 Contents The Digitakt Notebook : Reference & Guide

 Other Stuff 12
NOTES

6. CREATING GLITCHY VOCAL SOUNDS

Using the LFO can offer some creative options when linking it to the sample
playback options. This is particularly interesting on a vocal or dynamic
sample which lends itself to glitchy and ‘sample and hold’ like
characteristics.

1. Select a track and load or sample a vocal (or other evolving audio) take.

2. Ensure the start, end settings cover the entire sample and play mode is
FWD as a starting point.

3. Select [LFO] and set DEST (D) to SAMP STRT.

4. As a start set the SPD to 25 and MULT to 2K. WAVE to SAW and DEP
to 20.

5. Set multiple TRIG steps across the track for the vocal sample. When
playing without an LFO the sample will retrigger at the start. With the
LFO on it will retrigger at a new start point relevant to the wave cycle of
the LFO.

This will create glitchy sounds and also experiment with:-

• LFO adjusting the Pitch instead of Sample Start.

• Shorten the Sample length on the fly to limit the range

• Change LFO speeds and multipliers

• Try different LFO Waveforms

• Add delay on short glitchy samples to ‘stretch’ them

The Digitakt Notebook : Reference & Guide Contents 205

12 Other Stuff
NOTES

7. A QUICK RISER TRICK

When sampling external audio with no audio inputs connected the Digitakt
will record a noise floor. This can be taken advantage of by using this noise
to simulate hats and percussion but also to create a quick riser. Track 1 is
used to demonstrate.

1. Select [SAMPLER] and the Source as EXT L+R (G). Ensure nothing is
connected to the inputs.

2. Press [FUNC] + [YES] to start recording and record several seconds of

noise before stopping by pressing [YES].

3. Adjust the trim settings and save the sample, name and then load it into
the same track as step 1 i.e. Track 1.

4. Select [AMP] and increase the ATK to maximum 127 (A). Also add a
slight amount of REV reverb (F) to soften the noise harshness.

5. Ensure sample LEN (F) on the [SRC] page is max.

6. Select [FLTR] page and increase ATK (A) to maximum 127 and with a
LP Filter reduce the cut off (E) to approx 73 and resonance (F) to
around 28.

Triggering the track sample will now simulate a riser. Adjustments will
enable sound to be tweaked as desired:-

• AMP and FLTR Attack and Release for duration of the riser and SRC
Tune to change the ramp effect.

• Adjust the FLTR Cut off to affect the sound

• Add some delay to enhance the riser further

206 Contents The Digitakt Notebook : Reference & Guide

 Other Stuff 12
NOTES

8. HUMANISE A CRASH CYMBAL

An earlier example showed that the LFO can offer some creative options
when linking it to the sample playback options. This is also a useful function
for adding some variation to percussion instruments such as a crash
cymbal.

1. Select track [8], Cymbal in the default kit.

2. Select the [LFO] and DEST is set to SAMP STRT and a WAVE as TRI.
SPD 48 and MULT BPM 16. Set DEP to approx 10.

3. The cymbal will trigger now slightly off from the immediate transient and
provide slight variations and give an human feel.

The Digitakt Notebook : Reference & Guide Contents 207

12 Other Stuff
NOTES

9. DESIGNING KICKS

A process used typically in electronic music is to layer kicks to develop a

sound that both balances the initial transient click, the tail and sub bass.
This can be done using two tracks in Digitakt which of course can then be
resampled to generate the new kick sample.

1. Select [TRK] [1] and load a kick sample with a sharp attack with
emphasis on the initial click. Samples can be previewed using [FUNC] +
[YES] in the sample browser.

2. For this example BD Natural was chosen from the Factory / Drums/
Acoustic / Natural Kit library.

3. Select [TRK] [2] and load a kick sample with a long release with
emphasis on the sub bass and tail. Samples can be previewed using
[FUNC] + [YES] in the sample browser

4. For this example BD2 Dirty was chosen from the Factory / Drums/
Acoustic / Dirty Kit library.

5. On Track 1, in the [AMP] page, shorten the HOLD (B) to about 19 and
DEC (G) to about 25. This reduces the tail used with track 2

6. On Track 2, in the [AMP] page, increase ATK (A) to about 40 and

increase the DEC (C)

7. Sequence both TRIG steps on each step to match the same steps to
generate a more beefy and deeper kick.

8. Resample the 2 tracks to create a new kick as a merger of both kicks.

208 Contents The Digitakt Notebook : Reference & Guide

 NOTES

10. GET CREATIVE PLAYING LIVE

While producing music using Digitakt in the studio is all great, its power is
fully unleashed when playing live or simply jamming. Here are another 10
short quick fire tips when playing live.

• Use global control to adjust ALL tracks simultaneously by holding [TRK]

and making a change such as FLTR cut off sweep, SRC Tune, AMP
delay or overdrive.

• Randomise parameters using the parameter page i.e [FLTR] + [YES].

Reset parameters with [FLTR] + [NO].

• Make pattern length changes on the fly by pressing [FUNC] + [ PAGE]

and selecting the trig keys to quickly change pattern lengths of
individual or all tracks.

• Use mutes to silence tracks and develop live variations.

• Reload track sounds with [TRK] + Trig [1] - [8] + [NO].

• Temporary save a pattern using [FUNC] + [YES] at the outset. Make

variations by changing parameters and effects and if things get crazy
[FUNC] + [RELOAD] to return to the ‘sane’ state.

• Use the MASTER mixer page to bring in tracks gradually and

individually at the start and ending of songs.

• Adjust pattern or global tempo on the fly.

• Create a beat and use chromatic mode on a synth sample to play a

melody live over the backing track. Use LIVE RECORDING to capture
the melody.

• Use retrig to generate arpeggio and stutter style sounds in GRID REC
mode and switch on and off at various stages of the track or use fill
mode.

• Use sidechain on the MASTER compressor from a track kick drum and
bring it in and out to create a classic club pumping effect across the
track.

• Reverse samples during playback in the [SRC] page using PLAY to

create variations and sound shifts.

The Digitakt Notebook : Reference & Guide Contents 209

 NOTES

210 Contents The Digitakt Notebook : Reference & Guide

 NOTES

The Digitakt Notebook : Reference & Guide Contents 211

 Index
+Drive 9, 84, 87 External Keyboard 151

+Drive storage 189 F

A fill 54

Amp 5, 10, 127–128 Filter 5, 10

Amp Page 128 Filter Page 122

Audio Structure 10 Filters 124

audio tracks 69–70 FLTR 122–123

B Formatting 189

Bank 4 FUNC 4

C G

CC Output 158 Global Mute 74

CC Select 157 Global Settings 4, 85

CC Value 156 Grid Recording 25–26

Chains 64 I

Chromatic Mode 28, 72 Internal sampling 117

Clear 40 K

COMPRESSOR 142–143 Key Combo 196

Conditional Locks 8 Kit 9

Copy 40 L

D LED brightness 192

Data Entry 5, 12 Length 21

Delay 10, 129, 138 Level 4, 112, 144

Delay Page 139 LFO 5, 130

Direct Sampling 115 LFO Page 130

E Live recording 25, 27

Envelopes 127 Lock Trig 8

212 Contents The Digitakt Notebook : Reference & Guide

 Index
Lock Trigs 46 Overbridge 191

M Overdrive 10

Managing Patterns 61 P

Managing Samples 85 Page 5, 26

Managing Sounds 98 Pages 21

Master 142 Parameter 8

Master Mix 144 Parameter Lock 8, 46

Master Page 144 Paste 40

Menu Navigation 12 PATTERN 8–9

METRONOME 23 Pattern Menu 63

Micro Timing 38 Pattern Mute 74

MIDI CC Assignments 159 Patterns 42, 74

MIDI Configuration 153–154 Play 27

MIDI Definitions 150 playing live 209

Midi Structure 11 Power 3

MIDI Tracks 71, 155 Probability 53

midi trig 50 Project 8–9

Mixer 10, 77, 129 Project Management 14

Mute Mode 8, 74 Q

N quantization 37

Naming Menu 13 R

Note Trig 8 RAM 87

Note Trigs 25 Randomise 147

O RC Page 96

OS Upgrade 187 REC 26, 29–31

The Digitakt Notebook : Reference & Guide Contents 213

 Index
Remember Subpage 193 Sysex 162, 164, 167, 170, 173,
179, 181
Retrig 39
System Menu 186
Reverb 10, 129, 141
T
Reverb Page 140
Tear Down 198
S
Tempo 4, 23
Sample Engine 10
Timing 21
SAMPLER 112
Track 8–9
Sampler - Recording Page 116
Track Levels 76
Samples 82–83
Track Navigation 68
Sampling External Audio 115, 118
Track Status 78–79
Sampling Menu 115
Transfer 93–94, 180
Send 138, 141
Trig 8, 25
Sound 9
Trig Keys 5
SOUND BROWSER 101
Trig Page 49
Sound Creation 102
Trig Parameters 5
Sound Lock 8
Trig preview 36
Sound Manager 98, 100
TRK 12, 68
Sound Pool 8–9, 98
U
SOUNDS 82, 102
USB class compliant 149
SRC 69, 83, 155
V
SRC Page 96
velocity 51
Start Up Boot Menu 190, 192
Volume 4
Step recording 25, 29
W
Stop 27
Wave 131
Swing 37

214 Contents The Digitakt Notebook : Reference & Guide

 Copyright © 2020 by SynthDawg

All rights reserved. This book or any portion thereof may not be reproduced or
used in any manner whatsoever without the express written permission of the
publisher except for the use of brief quotations in a book review. This book is
an independent production and any official endorsement or sponsorship by
any manufacturers named within has not been granted nor been sought.

Produced in the United Kingdom

Version 3.0 Jun 21 - Digitakt OS 1.30

www.synthdawg.com

The Digitakt Notebook : Reference & Guide Contents 215

 www.synthdawg.com

216 Contents The Digitakt Notebook : Reference & Guide