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Tantum 2

The document contains musical scores and lyrics for various choral pieces, including 'Doh-D Tantum Ergo' and 'The Marvellous Work' from Haydn's 'Creation'. It features arrangements for different vocal parts and instructions for performance, indicating a focus on sacred music for a choir. The document is intended for use in a choral setting, likely for a performance in 2025.

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Michael Oryem
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0% found this document useful (0 votes)
195 views13 pages

Tantum 2

The document contains musical scores and lyrics for various choral pieces, including 'Doh-D Tantum Ergo' and 'The Marvellous Work' from Haydn's 'Creation'. It features arrangements for different vocal parts and instructions for performance, indicating a focus on sacred music for a choir. The document is intended for use in a choral setting, likely for a performance in 2025.

Uploaded by

Michael Oryem
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
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Doh-D TANTUM ERGO — [LH.F SET PIECE ANTHEM -2025.) Allegro. Piano opening -{ 14 bars. styiduewr/ .t}m.m: / men-tum to- que ae et f sehevi-pr’..s-:s/ 28 eyes LY de csPicees f :t/ cs Spe PSE re- mur, |oer-nu- i et an]ti quum do-cu jju- bi fla ti 0, satus} ho- nor, vir-tus Tree s-1t ,t :t/: Car Feat ti-/d@:-ls.s c:s/cs.slr:r/ :fe.fe Sop. do it/ cP .rpr sas sm .mypm cr / mM :-pr:-/md: lors/is.s]s:s/ :s .s|[s :s/s men-tum, et an-] ti quum — do- cu | men-tum —no- quo- que, sa-lus | ho- nor, —_vir- tus ] quo- que sit Ter iir/:t tt caf cdl’ chs @ Bass.s :s,/:s.flm:m/ :m.dds :s,/ d: ts 4% prae pro - / {Pr (f:- ad P di Sop. @':-/Pi-pm’: /ts-fd's-/fipm: fed st/ Pepe sd) mm re/siss /rs-[ms-/riqd: J csam[mer/:f.f]f sm/:1 1 stet_ fi: |des sup- |ple- men] tum, prae-set] fi-des supple] mentum, prac-stet ce den-} ti ab- J ut’ ro J que, pro-ce-den-ti ab-ut |ro- que, pro-ce- Ten.m’:-/r':-} d's /s:-|s:-/s=}s: / s.s|s:s/:s.s|s:s/ did? Bas, m:-/ti-Id: /f:-lm:-/t:-ld: /:mdls:s/ t.sld':d/ 31 .fe Som’: / :f.f)f : m1 :-fs :-/1 I:-/s:- Aies :5/ :s.s|s :3 Af:4d d:-/d:- jsen- su fi- des — sup-ple] men- tum, sen =] sue um- den- ti ab-ut-}ro que com-|par- sit- lau |da- ti 0, com. par Medi: tf scr fr’: dfdee|isce/ty : P ff: fae B: usd, it .sld’jdiifeatmaeytp, :f f:-/m:- @:-/s: s:i-/m:-Is:s /f£.m - men, Ja- men, a- = - -fds-[ rid’ s -/d:-Itu:d/ f. é oshs / a- | men. Ce nee a “'Tantum ergo sacramentum'? - (Therefore, so great a Sacrament.) 1. H.R. Set piece Anthem -2025.] - Mombasa, Doh-C THE MARV’LOUS WORK — [SMALL CHOIR -2025.| J. Haydn FROM THE CREATION, Allegro J = 88 a Piano playing 31 bars then singing starts with solo ( Gabriel. id) hdansidia dy argen (ft? :t ‘The | Marv'lous the }marv’lous wirk. behold amze'd the glo- ae Gabriel 1.t, de’: rm’. f.r'/ da? : t. + Harcaaf . miss’. dist ltt hier rar- chy- of- —_heav’n- and | to th’e-the-real vaults resounds 2d: | emd:d dvd : .si@.m?/s:-ff the- praise of God, the- praise of God, and of the se- cond f eee Bass. ic / > .dm aemd /t chit .s':m’.d'/t: lps: 7: re-sound the praise of {God, and of the second | day Sop. Postm’.d ft: i]t .s:m.a/t:1]s: /: Al. s:s/s.s:s.s|s. l/s :fels .s:s.1 /s:fels: /: to & to-th'e- the-real Te, t:d/t.d':t.d’ Bass, 8: .d,m/s .d’: s.d’ vaults resound the praise of |God, and of the second | day. torim am sep. rem m/e / s.tid .d/r:-rls .t:d.d/r:-rls: / : Gabriel- / sjd’:--/~ a”: ein td tas t the}mar- vilous work be- hold a- maz'd tide’: ram’.far / dit / oe jerrar- chy - of - heav'n- and /o:.s|/Pim'ir.d/t dir 7 12Siao eee eas real vaults resound : t £ S . Pom/r dit Bass, eof iE ¥ /. >,0pti est eee Ten. Bass. briel- fom? sr .d' / tid’ 7: |.ms:d'.d"/d" to th’e- the-real vaults resound the praise of / Saget: 1s’. fm’ /r’: m,s :d°. d’ / Heer 6 6/s:] sf s and] to the vaults- re- sound the praise of / 28 fr. d°:fym’.r,d’/t: 2 / am’: m?.m? See of fa: : /d?is.m + S.d°: m?.m'/m? ” -sid'.m/s’:-.fym’: t the- praise of God and of the se- cond] day and Gabriel d?.d°:d?.d? /d’:- to the-the real vaults / sd’: m'.m'}m’.s: d’.m’/s’: -.P]m'.d? sf. 2 /s': t, the-praise of | God, and of the se- cond |day, and of the se-cond (3: GeSPealeg ae 18 :8.s|s.s:f .d/d':s.f the praise of |God and of the] second day, the se-cond | se 2 Amin’ '} ddd? f/m): id o:s.mid . /dim.shd’.ta:] .f/s : s =m’: Psd? ad PP sme resound the praise of @ .f mie Pm’: mf] md 22. Pym? se s lish Meese: sillfiaes :Moktide st day. And to the | vaults, and-to th’e-the real | vaults resound-the-praise of Po MaMa AIP MAA IG. a die sm d dididld : “d/d'.d:d.d'ld.m :f.f/s :s 2D. f/ mse yd: / + piano playing 21 bars to al- fine. TRIGA /omntirg| die: Tua Toa id.d'/'s cass: / : 7 Rane oa ‘of the se- cond] day. aed die: t e|due 7 ikea Sy ff. ffs z-sld: 7 Le: / US WORK ~ From Creation — . ‘Small Choir.| Doh- E PSALM _124- | Nisi_ quia Dominus.] H. Ley. mingf impr:-Qr:-ym : spe d ad: di rin|d ira eel cari si-}s : sf 4:-P, abr :~Jt do: uhh Sop. s ida f :mypr Alt m mim r a]i, Ten t ait \ :os/f Bass. m :--d :m r dif, ~ 41 Ifthe Lord himself had not been on our side* now may / Israel /say:// if the Lord himself had not been on our side, when / men rose / up a- /gainst us:// 21 They had swallowed /us up / quick:// When they were so wrathful- / ly dis-/ pleased. at / us:// 3.]Yea, the / waters. had / drowned us:// and the stream / had gone/over. our /soul:// 4.] The deep / waters. of the / proud://had gone / ev-en /over. our / soul:// mf 5.|But praised / be the /Lord:// who hath not given us over for a /prey un /to their / teeth:// 6] Our soul is escaped* even as a bird out of the / snare. of the / fowler:// the snare is/ broken, and / we. are de- / livered:// 2" half 1] Our help standeth in the / Name. of the / Lord:// who hath /made / heaven. and / earth:/ Glory be to the Father, and /the Son:// and /to the / Holy / Ghost:// As it was in the beginning, is now and /ever/ shall be:// world without / end-/ A-/mens// 2 — Doh- G A MAIDEN MOST GENTLE: - Traditional French Tune. Words by :- Andrew Carter. 5 Arr:- Andrew Carter, Allegretto d= 108,— Piano playing 31 bars. 2 Sop. mp syd id : mjd :d:myprirsmer ice + Syd dtm eae mother of 1] Almaiden most gentle and} tender we-Ising: of !Ma-ry the! Sop. rir d:-:d[f:-:f}m:-:mprsr: rys:- Je- sus our- IKing. Adve, ave, a Ive Merl, P Sop. isd o:d:m[d :d:m ve Ma- jow } bless’d isthe] birth of her| : A ps. i scmpl, sl, st, m :m:djm :m:m do o:d:tih :h:s, smyd i: dim miririe ihe ome dd: |, stay re|deem us in a-|ve, Ma- ri- tiret ho e ane = fneet, idj}d, : dy:d, ,$r cr: Sy jabriel ford told by his-]call Thq Lord of cre} a-tion, and J Saviour of - ze iconnh ee tieg s[d-o:dim[d:dimj[rcr: z :dimld:d:mlrcr Sop. cera ness iee ve, a |ve Ma-ri | a, mf Voices unaccompanied do o:d:mjd :do:mfr : 4: mayd: doo:d:mjd :d:mfr : 1: maofd: Kings came to] wor- ship with} gifts rich and-| rare, and s/f oIee sid ct, di: s, Teste, cil, cists oo: ‘syaa'da: ~ 5, Sop. rmfl :f :spm:-:dpf:-:fym:-:mprer cr marvelled in] awe at the] babe in her} care. ve. ave, a-} ve Ma- ri Alt ds sim[l:f:s[m:- td inf): d srw) Geet awe at the} babe in her} care. A- vel a ve,| Ma- ri Alt : eat co It iggy ssc erie a eae 5. Re| big) Unison. Sop. did: m[d:d:m[r sr :mayd:-:sypd : d:myd :deam jjoice and be Jglad at this] Christmas we- | pray: sing| praise to the] Sa-viour, sing 1° time unaccompanied §-2" time with Organ. Llys.fis Ls s.f eae a fve, :f fm ane “A Maiden most gentle’” — ( Traditional French Tune.) L.H.F. ~ QUARTET — 2025, Mombasa. Arranged : - Andrew Carter - 7 : = > Doh-G THIS JOYFUL EASTERTIDE- | 1HF SET PIECE HYMN 2025.) Text by GR. Woodword [Dutch Melody.) Arr: Evelyn R. Larter ASCAP. Con brio d= 112 (Piano ~ 3.5 bars.) f Sop/Al. : / : sj This d:r/m |; joyful Eas-terltide, al way Aw, Ten/Bass. d :-/-:s,}d : r/m Al ness! My}Lord, the Cru-cified, P rim/f im Yisfs: sy / ssally: ness. Had] Christ,who once was-| slain, not burst Hig three day- pri tri d/dr:mffs:-.s/ f am{f :m/r :- th: dfltid Js:-d/ i :shhid/r te ‘Crese. id/rmyf:- /r:r ps :- /m:m rs, /f, :s[lctul/s, sul tdert, /Lt:d But] now has Christ a-[ris- en, a- | ris- id /Iated dind /t: td] r ine | vain; - ene a ‘THE JOYFUL EASTERTIDE : - | Set Piece Hymny for IHF-2025. 2. Key-Bb p Meno mossod=96 _crese.. oo 24 Sop. :/imyl:t, /d sepm: — /-:mpf:am/r : fpmesur Al, : / zm}, : fese,/1, :1J 1 sse.fe/se,: If kh: - /m, : It, tse. Death's Jwat- ers- — can- notj chill - since} Je- sus] crossed- Tee : /i:mim:r /m crft: Bas. : / :mJd st, / Lsich /-:djr:id /r :d Bass. root slam eed srpim: - f= 2m : fesse, / 1, : I) 1 :sefe, / se, : |, keep md still, = - his mem: ri(t : =6so- 2d eae e/21:.8,:-f,):m, es es: ditieced m, :m,/f, :mafe, Had | Christ, who once was sd]t. rt /didft:-/- 2sPL shse/ferh|se:-/-:1]f 2 /m:m)r:m/f:m, slain, not burst His] three day- pris- Jon, our] faith would be in J vain; — But Tenm:-.m/t,:d]d id /t:—[t:-/-:d]d :t/t:bfh:-/-:d Bas.m,:-.1,/se, :d,}fus:1, /t, :—Pmz-/-:dbr, : 1,/m,:m,| fimJrcdars eres Sop.s, :1, /t,: d]r m Id: df[f: - /m im Alt. m,:m,/r, :mJ f,: seul :tuse,/1, : If ited, / seafe : se, now has Christ a- ris- en, af ris- en, - ae Ten. t, : 1/fease, to: — fht:did rd?’ sing Bas.m:d/ ty: Lpr:-/m,:m, Imufe:se.m/f stamp ry: /m, zm SE Piano playing 51 beats. 2 Sop. : / : 7 fl serie Al Te- - ia, Alef lu- b= Al, : /:s{d:r/m:f[s: —/— :s]1 sif:1 Ys Now] let us all re-] joice, kept} safe - we: /:3,\d:r/m:fls: ~/—:s]1 4A Sop. s :-/-:f)f:mit/m:-p : / sf tes /licsal ia, Alf le lu- ia, Al . ia, Alle mnd/r:-|d: = 1 - God's keep] ing. eee nd/t:-Id: — /-:8|d:r/m:f Is || 24 44 mf Sop t.d'irit{s: - /- :fpmir/m:- m/f sm m/f ss le- lui- Ja, Alle lu who once was] slain, not burst his mird/r :-[d:-/-:d[r :m/f:m[r:-.m/f :s ‘our- sleep- | ing. Had {Christ,who once was (ree diee eed\ir:m/fcim mf SIA. 1 : s/s :fels:- tf: ge fidft, sddr r three day pri- | son, but Jnow is Christ a | ris- en, a TB: s/s :fels: f :f/mimpr:-/:d]t, sd /r r three day pri- ‘son, our} faith would be inf vain, but ! now is Christ a :+Vruetchen { Dutch melody-1685.] LHL. Kenya -2025-| Set Piece Hymn.]

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