ESSENTIAL COMPOSER
Ò
ItÕs not because you see it
that you can do itÓ
TRAINING: FOUNDATIONS
REFERENCE GUIDE
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From Part I - “Voicing From Part I - From Part II -
& Voice-Leading” “Subdominant” “Figuration”
The harmonic series: Harmonic Minor Scale:
A group of notes naturally Figuration:
Raising the leading tone (7th
occurring from a Decoration of a musical line
scale degree) when
(Passing Tone, Neighbour Tone,
fundamental. harmonising. Arpeggiation, etc.).
Cadences:
Voice-Leading: Group of chords happening at
The concept of going to the the end of a musical phrase. From Part II -
next logical note. (Perfect, Imperfect, Plagal, Deceptive)
(Motions: Parallel, Similar, “Composing Out”
Oblique, Contrary)
From Part I - “Mediant Composing Out:
& Dominant 7” Expanding homorhythmic
Voicing:
SATB writing using simple
SATB (Chorale) & Keyboard
arranging techniques like
writing. Root Progression:
repeated notes, pulses,
Grouping (or Gestalt). How the root tone of each
octaves, rests...
Doubling concepts. chord progresses from one
chord to another (descending 5th,
3rd, etc.).
From Part I - “Tonic &
4-3 Rule: From Part II - “7th
Dominant”
The 4th scale degree will Chords”
resolve to the 3rd scale degree
7-1 Rule: on a dominant 7th-chord. 7th Chords:
The 7th scale degree Adding the 7th to our triads.
should always resolve to Tertian harmony: harmony
the Tonic. From Part II - “Inversions” based on stacking 3rds.
Inversions:
Chord Functions: Voicing your chords differently Shell Voicing:
Tonic Pre-Dominant than with the tonic in the bass A chord containing only the
Dominant. (Beware of the cadential 6/4). Root, 3rd, and 7th.