Tr

an
sc
r ip
tc
re
at
ed
by
Je
s

•
se
Po

•
l
la

•
ck

•
,J
ef
fA
da
m
ec
,a
nd
M
ic
he
al
W
he

00:00 – 911 OPERATOR: (begins in middle of sentence) …09,

la

how can I assist you?

n

00:02 – (crosstalk from dispatch line)

 00:03 – SHANNAN: (UNINTELLIGIBLE, Shannan sounds far from
phone)

00:04 – 911 OPERATOR: Hello?

Tr
an

00:05 – SHANNAN: (UNINTELLIGIBLE, Shannan sounds far from

sc

phone)
rip
tc

00:07 – 911 OPERATOR: Hello?

re
at
ed

00:10 - 911 OPERATOR: Hello? You’re dialed into the 911

by

system, how can I assist you?

Je
s
se

00:15 – SHANNAN: (to someone in the room with her) Why?

Po
lla

00:17 – MALE VOICE: (UNINTELLIGIBLE; cut off by dispatcher)

ck
,J
ef

00:17 - 911 OPERATOR: Hello?

fA
da

00:18 – SHANNAN: No.

m
ec
,a

00:20 - 911 OPERATOR: Do you need the police?

nd
M

00:21 - SHANNAN: Yeah.

ic
he
al

00:22 - 911 OPERATOR: Where?

W
he

00:24 – (sounds of 911 operator typing on a computer

la
n

keyboard)

00:25 - SHANNAN: (UNINTELLIGIBLE)

 00:27 - 911 OPERATOR: Where?

00:29 - SHANNAN: (UNINTELLIGBLE; sounds like “You’d better

take two” or “You’d better have two”)
Tr
an

00:31 - 911 OPERATOR: Who's there with you?

sc
rip

00:34 - SHANNAN: Um…

tc
re

00:36 – (Unintelligible ruffling noises from Shannan’s

at
ed

line; sounds like someone shifting on a bed with

by

springs.)
Je
s
se

00:38 - 911 OPERATOR: Hello?

Po
l la

00:40 - SHANNAN: Yeah?

ck
,J
ef

00:41 - 911 OPERATOR: What's going on?

fA
da

00:44 - SHANNAN: (UNINTELLGIBLE word) …there’s somebody

m

after me.
ec
,a
nd

00:47 - 911 OPERATOR: What?

M
ic
he

00:49 - SHANNAN: Somebody after me.

al
W

00:51 - 911 OPERATOR: Somebody is harassing you?

he
la
n

00:53 - SHANNAN: After me.

00:54 - BREWER: There’s nobody after you. Come on, stop it.
 00:54 – 911 OPERATOR: Who?

00:57 - SHANNAN: Can you trace where I am?

00:58 - BREWER: Your driver’s out there. Your driver’s

Tr
an

right there.
sc
rip

01:00 - 911 OPERATOR: Let me talk to him.

tc
re

01:03 - SHANNAN: Can you trace where I am?

at
ed
by

01:06 - 911 OPERATOR: Let me talk to him.

Je
s
se

01:07 - SHANNAN: I’m at the Jones Beach.

Po
l
la

01:11 - 911 OPERATOR: You're at Jones Beach?

ck
,J
ef

01:13 - SHANNAN: By the Jones Beach.

fA
da

01:15 - 911 OPERATOR: All right, let me connect you to

m

State Police. Stay on the line.

ec
,a
nd

01:19 – 911 OPERATOR: (click)

M
ic
he

01:20 - SHANNAN: (to someone in the room with her) Why?

al
W

01:20 – 911 OPERATOR: (dial tone; sounds of a number being

he

autodialed)
la
n

01:27 – 911 OPERATOR: (phone ringing)

01:27 - SHANNAN: (to someone in the room with her) Why?

 01:28 - 911 OPERATOR: You gotta talk louder to them.

01:30 - SHANNAN: (to someone in the room with her) Why?

Tr
an

01:31 – MALE VOICE: (UNINTELLIGIBLE; cut off by Shannan)

sc
rip

01:31 – SHANNAN: WHY?!

tc
re

01:32 – 911 OPERATOR: (phone ringing)

at
ed
by

01:34 - DISPATCHER: (click) State Police, Trooper…

Je

(UNINTELLIGIBLE; sounds like "Frye")

s
se
Po

01:36 – MALE VOICE: (UNINTELLIGBLE)

l la
ck

01:38 - DISPATCHER: State Police.

,J
ef
fA

01:39 - SHANNAN: Yeah, there's somebody after me.

da
m

01:41 – (Unintelligible male voice continues in background,

ec
,a

likely Joseph Brewer. The voice is speaking in a

nd

low, measured tone.)

M
ic
he

01:42 - DISPATCHER: I'm sorry?

al
W

01:43 - SHANNAN: There's somebody after me.

he
la
n

01:44 - DISPATCHER: Where are you?

01:46 - SHANNAN: There's somebody after me.

 01:48 - DISPATCHER: Okay, where are you?

01:52 - (Unintelligible male voice continues in background,

likely Joseph Brewer. The voice is speaking in a
low, measured tone.)
Tr
an
sc

01:53 - SHANNAN: There's somebody after me.

rip
tc

01:55 - DISPATCHER: Where are you, ma'am?

re
at
ed

01:56 - SHANNAN: I don't know. (adjusts phone)

by
Je

01:58 - DISPATCHER: You're driving right now?

s
se
Po

02:00 - SHANNAN: No, I'm inside a house.

l
la
ck

02:01 - (Unintelligible male voice continues in background,

,J
ef

likely Joseph Brewer. The voice is speaking in a

fA

low, measured tone.)

da
m

02:02 - DISPATCHER: I'm sorry?

ec
,a
nd

02:03 - SHANNAN: I'm inside a house.

M
ic
he

02:05 - DISPATCHER: What house?

al
W

02:06 - SHANNAN: I don't know. Can you trace where I am?

he
la
n

02:08 - DISPATCHER: I'm sorry?

02:09 - SHANNAN: Can you trace where I am?

 02:12 - DISPATCHER: (Annoyed) No, I can't. What's your
callback number you're calling from?

02:15 – BREWER: (UNINTELLIGBLE)

Tr
an

02:16 - SHANNAN: Huh?

sc
rip

02:17 - DISPATCHER: What phone number are you calling from?

tc
re

02:18 – (Unintelligible male voice continues in background,

at
ed

likely Joseph Brewer. The voice is now speaking in

by

a more deliberate tone at a fast pace. It is

Je

likely that Michael Pak has just entered the

sse

home.)
Po
l la

02:22 - SHANNAN: Somebody's after me.

ck
,J
ef

02:24 – SHANNAN: Please!

fA
da

02:24 - DISPATCHER: Are you in Suffolk County or Nassau

m

County?
ec
,a
nd

02:28 - SHANNAN: Um, I’m in Long Island.

M
ic
he

02:29 - DISPATCHER: Where on Long Island are you?

al
W

02:32 - BREWER: Yeah, he wants to talk to you. This guy

he

wants to talk to you.

la
n

02:35 - SHANNAN: No.

02:36 - BREWER: You gotta talk to him.

 02:38 - SHANNAN: No!

02:39 - BREWER (UNINTELLIGIBLE; sounds like “You have a

freakin’ problem, I think.”)
Tr
an
sc

02:44- SHANNAN: No.

rip
tc

02:45 – BREWER: You have to.

re
at
ed

02:46 - SHANNAN: No, stop, no!

by
Je

02:48 - PAK: Shannan, come on.

s
se
Po

02:51 - DISPATCHER: Where in Long Island are you? You in

l
la

Suffolk County? Nassau County?

ck
,J
ef

02:54 – BREWER: (UNINTELLIGIBLE)

fA
da

02:57 - SHANNAN: Huh?

m
ec
,a

02:58 - BREWER: Fuck off.

nd
M

03:01 - BREWER: (UNINTELLIGIBLE; sounds like “Quick.”)

ic
he
al

03:02 – (heavy click sound; sounds like a dead bolt

W

unlocking)
he
la
n

03:03 - SHANNAN: Why?

03:04 - BREWER: ‘cause we’ve had it.

 03:05 - PAK: All right, let’s go. Shannan.

03:07 - (heavy click sound; sounds like a dead bolt

unlocking)
Tr
an

03:08 - SHANNAN: Why are you calling me by my name?

sc
rip

03:11 - PAK: I gotta.

tc
re

03:12 - SHANNAN: Why?

at
ed
by

03:13 - BREWER: (UNINTELLIGIBLE; sounds like “It builds

Je

character.”)
s
se
Po

03:14 - PAK: Yeah.

l
la
ck

03:14 - DISPATCHER: County, you on the line?

,J
ef
fA

03:15 - SHANNAN: Stop!

da
m

03:16 - BREWER: All right, time to go.

ec
,a
nd

03:17 - SHANNAN: Please. Stop it, please.

M
ic
he

03:19 - BREWER: Pay attention.

al
W

03:21 - SHANNAN: Please stop!

he
la
n

03:22 - PAK: (chuckle)

03:22 - BREWER: (UNINTELLIGIBLE)

 03:25 - SHANNAN: Please. Can you shut the door?

03:27 - BREWER: No, time to go!

03:28 - SHANNAN: Please.

Tr
an
sc

03:29 – BREWER: (UNINTELLIGIBLE; sounds like “You’re okay”

rip

or “You’re good.”
tc
re

03:31 - SHANNAN: Please.

at
ed
by

03:32 - BREWER: Please, out the door.

Je
s
se

03:33 - SHANNAN: Please!

Po
l
la

03:34 – (sounds of a door being rattled)

ck
,J
ef

03:36 - BREWER: Go that way, please?

fA
da

03:37 - PAK: (UNINTELLIGIBLE)

m
ec
,a

03:38 – PAK: Go, come on; let’s go.

nd
M

03:39 - BREWER: C'mon, let's go. C'mon, we're all going

ic
he

outside. Let's go outside.

al
W

03:41 - PAK: Yeah, let's go outside.

he
la
n

03:42 - C'mon, go outside. All of us.

03:43 – (sound of sliding door opening, possibly the door

to the Brewer patio deck.)
 03:44 - BREWER: C'mon, all of us. C’mon. We're all going
outside. C'mon.

03:47 - SHANNAN: No, please.

Tr
an
sc

03:48 – PAK: (UNINTELLIGIBLE)

rip
tc

03:50 - BREWER: We're all going. C'mon. Please, c'mon.

re
at
ed

03:53 - SHANNAN: Please.

by
Je

03:54 – (sounds of a door unlatching/unlocking)

s
se
Po

03:54 – BREWER: Come on!

l la
ck

03:56 – PAK – (UNINTELLIGIBLE; cut off by Shannan)

,J
ef
fA

03:56 - SHANNAN: Why?!

da
m

03:57 - BREWER: Just come out here. I wanna show you

ec
,a

something; come here.

nd
M

04:00 - SHANNAN: Why?!

ic
he
al

04:01 - BREWER: You won’t even know where that’s at.

W
he

04:03 - DISPATCHER: County, are you on the line?

la
n

04:06 - BREWER: Come on!

04:07 – BREWER: Hurry up, I wanna show you something.

 04:09 - SHANNAN: Why?!

04:09 - BREWER: I wanna show you this. Can you please just
go look with me?
Tr
an
sc

04:12 – BREWER: Please?

rip
tc

04:13 - SHANNAN: Why?!

re
at
ed

04:14 - BREWER: Now look…

by
Je

04:15 - SHANNAN: Why are you guys doing this to me?

s
se
Po

04:16 - BREWER: What?

l la
ck

04:18 - SHANNAN: Doing this.

,J
ef
fA

04:19 - DISPATCHER: What county you in, ma'am?

da
m

04:20 - BREWER: (UNINTELLIGIBLE)

ec
,a
nd

04:21 - SHANNAN: Doing this!

M
ic
he

04:22 - PAK: Hang up!

al
W

04:23 - SHANNAN: Why are you calling me by my name?

he
la
n

04:25 – MALE VOICE: (UNINTELLIGIBLE, chuckling)

04:28 – BREWER: (UNINTELLIGIBLE)

 04:30 - BREWER: Please come here.

04:30 - SHANNAN: Please…

04:31 – BREWER: Please, give it to me here.

Tr
an
sc

04:31 - SHANNAN: No, please.

rip
tc

04:32 – BREWER: Give it here.

re
at
ed

04:32 – SHANNAN: No.

by
Je

04:33 – BREWER: Please?

s
se
Po

04:33 – SHANNAN: No, stop it, please.

lla
ck

04:35 – (a loud struggle for Shannan’s phone is heard)

,J
ef
fA

04:35 – SHANNAN: Stop it, please!

da
m

04:36 – BREWER: Time to go, (UNINTELLIGIBLE)

ec
,a
nd

04:38 – SHANNAN: Please, stop it! Please stop it, no!

M

Please, stop it!

ic
he
al

04:44 - SHANNAN: Please, stop it, no!

W
he
la
n

04:45 - BREWER: All right, let me fix that. Let me fix

that, please?

04:47 - SHANNAN: (hysterical) Please stop it, no! No, stop

 it, please! Please stop it! Please! No,
what does that do to me?! What are you
gonna do to me? Stop it!

04:56 - BREWER: (UNINTELLIGIBLE) Get her outta here!

Tr
an
sc

04:58 – (struggling sounds cease at this approximate

rip

moment)
tc
re

04:59 – (The sounds of Shannan running through the Brewer

at
ed

residence are heard. These sounds seem to indicate

by

Shannan is wearing sandals/flip-flops and is

Je

running on a hardwood or linoleum floor. Male

s se

voices are heard in the background during this

Po

time.)
l la
ck

05:07 – PAK: Come on, we’re trying to talk to you.

,J
ef
fA

05:10 - DISPATCHER: (muffled) Ma’am?

da
m

[NOTE: At this point, the 911 side of SHANNAN’s

ec
,a

call becomes very muffled, possibly due to the

nd

dispatcher putting her hand over her microphone

M

to speak with someone else at the center.]

ic
he
al

05:11 - DISPATCHER: (muffled conversation over Brewer.)

W
he

05:12 - BREWER: (UNINTELLIGIBLE) I’ll go upstairs. I’ll go

la
n

upstairs. (UNINTELLIGIBLE) Look, I’m gonna

go upstairs. ‘kay? (UNINTELLIGIBLE) Take
care.
 05:23 - PAK: [amused](UNINTELLIGIBLE) What’s the matter?
Are you okay? (laughs)

05:28 - SHANNAN: What are you gonna do?

Tr
an

05:29 - PAK: You look a little bit hungover.

sc
rip

05:30 - SHANNAN: What are you gonna do to me?

tc
re

05:32 - DISPATCHER: (UNINTELLIGIBLE)

at
ed
by

05:37 - SHANNAN: Why?

Je
s
se

05:38 - DISPATCHER: Huh?

Po
l la

05:38 - PAK: …you don’t give up…

ck
,J
ef

05:40 - DISPATCHER: Well, I don’t know; that didn’t sound…

fA

(UNINTELLIGIBLE)
da
m

05:42 - SHANNAN: Why? What are you gonna do? You gonna kill
ec
,a

me?
nd
M

05:45 – PAK: (UNINTELLIGIBLE)

ic
he
al

05:47 - DISPATCHER: (UNINTELLIGIBLE) I think it’s Suffolk

W

County…
he
la
n

05:47 - PAK: C’mon! (UNINTELLIGIBLE) You gonna kill me?!

C’mon! (UNINTELLIGIBLE)

05:52 - PAK & DISPATCHER: (UNINTELLIGIBLE)

 05:53 - SHANNAN: …kill me?

05:54 - PAK: (laughing) No!

Tr
an

05:55 - SHANNAN: Why are you…?

sc
rip

05:56 - PAK & DISPATCHER: (UNINTELLIGIBLE)

tc
re

05:58 - SHANNAN: Are you serious?

at
ed
by

05:59 - PAK: C’mon! (laughs) You’re freaking me out, c’mon.

Je
s
se

06:01 - SHANNAN: Out in the middle of nowhere?

Po
l
la

06:03 - PAK: Let’s go back to, hold on, let’s go back to

ck

Manhattan. All right? Were in Long Island.

,J
ef

We’re out near the water, the ocean.

fA
da

06:10 - SHANNAN: Please, stop.

m
ec
,a

06:12 – BREWER: (UNINTELLIGIBLE; cut off by Pak)

nd
M

06:13 - PAK: It’s me - Mike! (UNINTELLIGIBLE; sounds like

ic
he

“You called the police, right?”)

al
W

06:16 - SHANNAN: No, stop it, please.

he
la
n

06:17 - PAK: [frustrated] Oh, okay; fine, fine! All right.

06:21 - SHANNAN: Please, be my… (UNINTELLIGIBLE) …you guys!

 06:22 - DISPATCHER: (UNINTELLIGIBLE) …on the water…

06:24 - SHANNAN: You guys…

06:25 - DISPATCHER: (UNINTELLIGIBLE)

Tr
an
sc

06:26 – SHANNAN: I didn’t do anything; I didn’t

rip

do anything!
tc
re

06:30 - DISPATCHER: (UNINTELLIGIBLE; answering a question

at
ed

from someone else in the center) …631.

by

911…
Je
s
se

06:31 - SHANNAN: God!

Po
l la

06:33 – (loud muffled interference)

ck
,J
ef

06:36 – DISPATCHER: (UNINTELLIGIBLE, muffled)

fA
da

06:40 – PAK: (UNINTELLIGIBLE)

m
ec
,a

06:42 - SHANNAN - Mike, do you feel that?

nd
M

06:47 – PAK: (UNINTELLIGIBLE)

ic
he
al

06:48 - DISPATCHER: Somebody named Mike is there.

W
he

06:50 - SHANNAN: Mike, why? Why?

la
n

06:51 – (interference noise ends)

06:54 - PAK: (UNINTELLIGIBLE)

 06:56 - SHANNAN: Why?

06:57 - PAK: (UNINTELLIGIBLE)

Tr
an

06:58 – (interference noise returns)

sc
rip

07:01 - SHANNAN: Why, Mike?

tc
re

07:03 - PAK: (UNINTELLIGIBLE)

at
ed
by

07:06 - SHANNAN: For fun?

Je
s
se

07:07 - PAK: (UNINTELLIGIBLE)

Po
l la

07:09 - SHANNAN: For me?

ck
,J
ef

07:10 - SHANNAN: I’m never gonna… (UNINTELLIGIBLE) …again.

fA
da

07:13 - PAK: (UNINTELLIGIBLE)

m
ec
,a

07:15 - SHANNAN: Why?

nd
M

07:15 - PAK: You always do.

ic
he
al

07:17 - SHANNAN: I never do, I never did.

W
he

07:18 – (interference noise ends)

la
n

07:19 – DISPATCHER: (UNINTELLIGIBLE, muffled)

07:20 – PAK: Yes, you did… (UNINTELLIGIBLE)

 [NOTE: At this point, muffled conversations between
at least one male voice and another party can be
heard in the background. Due to Shannan’s phone line
not existing on a separate audio track in the provided
Tr
an

recording, we cannot confirm whether these voices are

sc

emanating from another group of people inside the Brewer

rip

residence or inside the dispatch center.]

tc
re

07:25 - SHANNAN: Mike, please.

at
ed
by

07:27 – DEEP MALE VOICE: If you don’t talk to her…

Je

[NOTE: Inconclusive if this

s
se

is Brewer or a voice in the

Po

background of the dispatch center,

l
la

but it does not appear to be

ck

Pak’s.]
,J
ef
fA

07:29 - SHANNAN: Mike, please.

da
m

07:31 – (UNINTELLIGBLE male voice[s] in the background)

ec
,a
nd

07:35 - SHANNAN: Please.

M
ic
he

07:35 – PAK: Let’s go! Let’s go! C’mon!

al
W

07:37 - SHANNAN: Please.

he
la
n

07:38 - (UNINTELLIGBLE male voice[s] in the background)

07:39 - PAK: (laughs) What? (UNINTELLIGBLE)

 07:45 - DISPATCHER: (UNINTELLIGBLE) …I don’t know what
phone she’s calling from, but…

07:49 - SHANNAN: You’re gonna kill me…

Tr
an

07:49 - DISPATCHER: (UNINTELLIGBLE) …coming from?

sc
rip

07:52 - (UNINTELLIGBLE female voice in the background of

tc

the dispatch center)

re
at
ed

07:54 - PAK: (UNINTELLIGIBLE) …gonna kill you.

by
Je

07:56 - FEMALE VOICE IN DISPATCH: They’re at a house

s
se

somewhere.
Po
l
la

07:58 - DISPATCHER: She needs help.

ck
,J
ef

07:59 - PAK: That was when you were like, you know, “I
fA

gonna find my own way home.”

da
m

08:02 - SHANNAN: (UNINTELLIGIBLE; asks a question that

ec
,a

sounds like “Are you kidding me?”, “Now

nd

you see me?” or “This is how you see

M

me?”)
ic
he
al

08:02 - DISPATCHER: (UNINTELLIGIBLE) …in the house with the

W

female. The female was the initial

he

caller.
la
n

08:08 - PAK: (UNINTELLIGIBLE) …more dramatic, you know you

hang up on me.
 08:11 - SHANNAN: So, this was all set up?

08:13 - PAK: (confused) Oh, you… You set everything up?

08:17 - PAK: What are you talking about? I waited for you!
Tr
an

You told me you were gonna find your own way

sc

home… (UNINTELLIGIBLE). You hung up and then

rip

I…
tc
re

08:22 - SHANNAN: (interrupting) So, this was all set up?

at
ed
by

08:26 - (UNINTELLIGBLE female voice in the background of

Je

the dispatch center)

s se
Po

08:28 - PAK: You’d never do this before.

l
la
ck

08:33 - SHANNAN: Was it all set up?

,J
ef
fA

08:35 - PAK: Oh, you’re joking with me, right?

da
m

08:38 - SHANNAN: Why?

ec
,a
nd

08:39 - PAK: (laughing) I don’t know. Why are you doing

M

that?
ic
he

08:42 - (UNINTELLIGBLE female voice in the background of

al

the dispatch center)

W
he

08:45 - SHANNAN: All right, I’ll say I was lying. I was

la
n

lying.

08:49 - PAK: I know.

 08:50 - DISPATCHER: (muffled; to someone in dispatch
center) It did?

08:51 - SHANNAN: Why?

Tr
an

08:53 - DISPATCHER: But it’s a 631 number.

sc
rip

08:55 - SHANNAN: Why?

tc
re

08:52 - DISPATCHER 2: Call ‘em back. [NOTE: This is the

at
ed

first clear instance of the second

by

dispatcher who eventually tries

Je

speaking with Shannan on the

s
se

recording.]
Po
l la

09:02 – (the dispatcher line becomes unmuffled.)

ck
,J
ef

09:03 - DISPATCHER 1: You can try talking to her, but she’s

fA

not…
da
m

09:04 - SHANNAN: Please…

ec
,a
nd

09:05 - DISPATCHER 1: I think she’s got the phone down.

M
ic
he

09:06 - SHANNAN: Please…

al
W

09:07 - DISPATCHER 2: Hello?!

he
la
n

[NOTE: This second dispatcher is very

loudly breathing into the microphone,
making transcription difficult.]
 09:08 - PAK: (UNINTELLIIGIBLE)

09:11 - SHANNAN: (UNINTELLIIGIBLE)

09:13 - DISPATCHER 2: Hello?

Tr
an
sc

09:14 - SHANNAN: Please…

rip
tc

09:16 - DISPATCHER 2: What’s - what’s the prob — what’s the

re

matter? What happened?

at
ed
by

09:19 - (UNINTELLIGBLE male voice[s] in background)

Je
s
se

09:20 - DISPATCHER 2: Hello?

Po
l
la

09:21 – PAK: (UNINTELLIIGIBLE)

ck
,J
ef

09:22 - SHANNAN: Please, get me out of here, Mike.

fA
da

09:26 - PAK: (UNINTELLIIGIBLE)

m
ec
,a

09:30 - DISPATCHER 2: Hello?

nd
M

09:31 - SHANNAN: You’re being sarcastic.

ic
he
al

09:32 - PAK: About what?

W
he

09:34 - SHANNAN: About this. You were a part of this all

la
n

along.

09:37 - PAK: (agitated) What are you talking about? I just

met him just now.
 09:40 - PAK: (UNINTELLIGIBLE; during this, the second
dispatcher’s loud breathing is prevalent,
along with a background conversation between
two or more people. The location of this
Tr
an

conversation cannot be definitively

sc

determined now that the dispatcher’s line is

rip

unmuffled.)
tc
re

09:58 - SHANNAN: Mike…

at
ed
by

10:00 – SHANNAN: Mike, please…

Je
s
se

10:02 - SHANNAN: (UNINTELLIGIBLE); sounds like “I know who

Po

you are” or “I know what you want.”)

l la
ck

10:04 - PAK: (UNINTELLIGIBLE) What do you want me to do?

,J
ef
fA

10:06 - (UNINTELLIGBLE male voice[s] in the background)

da
m

10:08 - SHANNAN: I just want to go home.

ec
,a
nd

10:09 - PAK: Let’s go.

M
ic
he

10:13 - PAK: (UNINTELLIGBLE)

al
W

10:17 - SHANNAN: (UNINTELLIGBLE) Why?

he
la
n

10:18 - DISPATCHER 2: Well, we can give them…

10:20 - PAK: (UNINTELLIGBLE)

 10:23 – (UNINTELLIGIBLE female voice; cannot definitively
determine if it is Shannan or Dispatcher 1.)

10:24 - DISPATCHER 2: (reading) 5 7 3 9 3 0 8]

Tr
an

10:28 - SHANNAN: Mike…

sc
rip

10:29 - DISPATCHER 1: Is that us?

tc
re

10:29 - SHANNAN: What’s going on?

at
ed
by

10:32 - DISPATCHER 2: I think so.

Je
s
se

10:33 - PAK: Did you ever see that movie with Johnny Depp?
Po
l la

10:35 - SHANNAN: What?

ck
,J
ef

10:36 - PAK: “Fear and Loathing in Las Vegas.”

fA
da

10:37 - SHANNAN: Yeah.

m
ec
,a

10:37 – DISPATCHER 1: Extension eastern…

nd
M

10:39 - PAK: You’re acting like that movie, right, dude?

ic
he

(laughs)
al
W

10:41 – DISPATCHER 1: That’s the number that came in.

he
la
n

10:42 - SHANNAN: Why are you sitting there like you’re

(UNINTELLIGIBLE)? [Sounds like “Why are you
sitting there like you’re not
responsible?”]
 10:44 - PAK: (UNINTELLIGIBLE)

10:45 - DISPATCHER 2: Mhmm.

Tr
an

10:46 - DISPATCHER 1: Should I call it anyway?

sc
rip

10:48 - SHANNAN: Something’s gonna happen to me.

tc
re

10:50 - PAK: There’s nobody outside!

at
ed
by

10:53 - DISPATCHER 2: Yeah, you could call it…

Je
s
se

10:54 - PAK: You’re okay, right?

Po
l la

10:55 - DISPATCHER 2: …but we’re not gonna know where it

ck

is.
,J
ef
fA

10:57 - PAK: …Literal…

da
m

10:58 - DISPATCHER 2: County should call it.

ec
,a
nd

10:59 - PAK: (UNINTELLIGIBLE)

M
ic
he

11:02 - SHANNAN: Mike…

al
W

11:02 - DISPATCHER 1: (UNINTELLIGIBLE) …county phone

he

number?
la
n

11:04 - SHANNAN: Please…

11:05 - PAK: Shannan, come on. Let’s go.

 11:05 - DISPATCHER 1: (UNINTELLIGIBLE)

11:07 - SHANNAN: (UNINTELLIGIBLE) …do this to me?

Tr
an

11:09 - PAK: Okay, okay, fine… Get out of here. What’s with
sc

the phone?
rip
tc

11:12 - DISPATCHER 2: Oh, it does?

re
at
ed

11:13 - DISPATCHER 1: Yeah.

by
Je

11:17 - DISPATCHER 2: (UNINTELLIGIBLE) …Suffolk? It’s gotta

s
se

be Suffolk, right?
Po
l la

11:20 - PAK: (UNINTELLIGIBLE)

ck
,J
ef

11:23 - DISPATCHER 2: Hello?

fA
da

11:23 - SHANNAN: Stop it. Stop it, Mike.

m
ec
,a

11:26 - DISPATCHER 2: Hello, where are you?

nd
M

11:28 - SHANNAN: Huh?

ic
he
al

11:29 - DISPATCHER 1: In a house on Long Island.

W
he

11:30 - DISPATCHER 2: Where are you?

la
n

11:33 - PAK: What is going on there?

11:34 – DISPATCHER 1: What’s her name?

 11:34 - SHANNAN: (UNINTELLIGIBLE)

11:35 - PAK: And where’s the bathroom? (UNINTELLIGIBLE)

Tr
an

11:38 - DISPATCHER 2: What’s your name?

sc
rip

11:39 - SHANNAN: Shannan Gilbert.

tc
re

11:41 - PAK: (chuckles) God, who are you calling?

at
ed
by

11:43 - DISPATCHER 2: What’s your name?

Je
s
se

11:44 - SHANNAN: Shannan Gilbert.

Po
l la

11:46 - DISPATCHER 2: Where are you?

ck
,J
ef

11:49 - SHANNAN: I’m right um… I’m in Long Island.

fA
da

11:53 - DISPATCHER 1: And Mike’s there… (UNINTELLIGIBLE)

m
ec
,a

11:56 - DISPATCHER 2: And what’s — what’s wrong?

nd
M

11:58 - SHANNAN: Huh?

ic
he
al

11:59 - DISPATCHER 2: What happened?

W
he

12:01 - SHANNAN: These people are trying to kill me.

la
n

12:01 - PAK: Shut up. (laughs)

12:04 - DISPATCHER 2: Where are you? What’s your address?

 (heavy breathing)

12:06 – PAK: (UNINTELIGIBLE)

12:11 - DISPATCHER 2: What’s your address? (heavy

Tr
an

breathing)
sc
rip

12:15 – SHANNAN: (UNINTELIGIBLE)

tc
re

12:16 – PAK: (UNINTELIGIBLE)

at
ed
by

12:17 - DISPATCHER 2: What’s your address?

Je
s
se

12:18 – PAK: (UNINTELIGIBLE)

Po
l
la

12:19 - SHANNAN: No Mike, Mike stop. Mike no, Mike stop.

ck

Mike stop, Mike. Mike stop.

,J
ef
fA

12:26 – PAK: (UNINTELIGIBLE)

da
m

12:27 - DISPATCHER 2: Where are you? (continues to breathe

ec
,a

heavily into phone)

nd
M

12:28 - SHANNAN: Mike, Mike stop it! Mike stop!

ic
he
al

12:31 - PAK: (UNINTELLIGIBLE)

W
he

12:32 - DISPATCHER 2: What’s your name, Shannan?

la
n

12:34 – PAK: (UNINTELIGIBLE)

12:35 - SHANNAN: Huh? Mike, Mike, Stop!

 12:38 - PAK: Stop what?

12:38 - SHANNAN: Come here.

Tr
an

12:40 - DISPATCHER 2: Where are you? What’s your address?

sc
rip

12:45 - DISPATCHER 2: Hello?

tc
re

12:46 - PAK: You want me to call the police?

at
ed
by

12:48 - SHANNAN: Yeah, call 911 and I want you to tell ‘em
Je

the truth about this.

s
se
Po

12:52 - PAK: What are we gonna tell ‘em?

l
la
ck

12:54 - SHANNAN: Tell ‘em (UNINTELLIGIBLE)

,J
ef
fA

12:57 - PAK: Oh my god… (laughs)

da
m

12:59 - SHANNAN: Mike, stop it – you have to file a

ec
,a

complaint.
nd
M

13:02 - PAK: Who?

ic
he
al

13:02 - SHANNAN: Mike…

W
he

13:03 - DISPATCHER 2: Where are you?

la
n

13:05 - SHANNAN: Mike…

13:06 - PAK: (agitated) Oh, fine! Then why were…

 (UNINTELLIGIBLE)

13:06 – (sounds of a telephone dial tone, along with the

dispatcher typing on a computer keyboard)
Tr
an

13:08 - DISPATCHER 2: Are you in a house?

sc
rip

13:10 - SHANNAN: Yeah… Mike, stop it!

tc
re

13:13 - DISPATCHER 2: What town are you in?

at
ed
by

13:15 - SHANNAN: In Long Island – Mike, it…

Je
s
se

13:17 - DISPATCHER 2: Where?

Po
l
la

13:18 - SHANNAN: Stop, Mike!

ck
,J
ef

13:20 - DISPATCHER 2: Where in Long Island?

fA
da

13:21 - SHANNAN: Stop it, Mike! Mike, stop it!

m
ec
,a

13:27 - PAK: Okay, find a ride.

nd
M

13:28 - SHANNAN: (agitated) Hey, stop it! (shuffling

ic
he

noises)
al
W

13:35 - DISPATCHER 2: Where in Long Island are you?

he
la
n

13:40 - SHANNAN: I’m in… (UNINTELLIGIBLE)

13:41 - DISPATCHER 2: Hello?

 13:43 – (shuffling noises)

13:47 - SHANNAN: They’re gonna kill me.

13:51 - DISPATCHER 2: Where in Long Island are you?

Tr
an
sc

13:53 - SHANNAN: I don’t know. They want to kill me.

rip
tc

13:55 - DISPATCHER 2: Are you in a house?

re
at
ed

13:57 - (shuffling noises)

by
Je

13:58 - SHANNAN: Yeah.

s
se
Po

14:01 - DISPATCHER 2: Are you in a house?

l la
ck

14:02 - SHANNAN: Yeah.

,J
ef
fA

14:04 - DISPATCHER 2: Whose house is it?

da
m

14:06 - SHANNAN: I don’t know.

ec
,a
nd

14:09 - DISPATCHER 2: Who is Mike? What’s his last name?

M
ic
he

14:11 - SHANNAN: Be nice to me… (pleading, possibly to

al

someone other than dispatcher.)

W
he

14:13 - DISPATCHER 2: Mike what?

la
n

14:14 – (UNINTELLIGBLE male voice[s] in the background)

14:14 – (shuffling sounds)

 14:15 - SHANNAN: (UNINTELLIGIBLE; sounds like “It’s me.”)

14:18 – SHANNAN: Please, can’t you call? (pleading;

possibly to someone other than the
Tr
an

dispatcher.)
sc
rip

14:20 – (UNINTELLIGBLE male voice[s] in the background)

tc
re

14:20 - DISPATCHER 2: How old are you?

at
ed
by

14:21 – (shuffling sounds)

Je
s
se

14:22 – (UNINTELLIGBLE male voice[s] in the background)

Po
l la

14:25 - DISPATCHER 1: Let me…

ck
,J
ef

14:28 - DISPATCHER 2: What’s his last name?

fA
da

14:30 – DISPATCHER 1: (UNINTELLIGIBLE)

m
ec
,a

14:33 - DISPATCHER 2: What’s his last name?

nd
M

14:35 - (shuffling noises; male voice[s] continue in the

ic
he

background. Shannan is possibly moving around

al

the Brewer house at this point.)

W
he

14:41 - DISPATCHER 2: What’s his last name?

la
n

14:42 - (shuffling noises; male voice[s] continue in the

background.)
 14:47 - DISPATCHER 2: Shannan?

14:48 - (unknown male voice[s] continue in background.)

14:55 - DISPATCHER 2: Shannan?

Tr
an
sc

14:56 - (unknown male voices continue in background.)

rip
tc

15:02 – (sounds of a door unlatching/opening)

re
at
ed

15:10 - DISPATCHER 2: Shannan?

by
Je

15:11 - (unknown male voice[s] continue in background.)

s
se
Po

15:24 - DISPATCHER 2: Shannan?

l
la
ck

15:25 - SHANNAN: Yeah? (shuffling noises)

,J
ef
fA

15:27 - DISPATCHER 2: What tow… What town are you in?

da
m

15:26 - (unknown male voice[s] continue in background

ec
,a

accompanied by shuffling noises.)

nd
M

15:35 - DISPATCHER 2: Hello?

ic
he
al

15:36 - (unknown male voice[s] continue in background

W

accompanied by shuffling noises.)

he
la
n

15:44 - DISPATCHER 2: What’s Mike’s last name?

15:46 – (unknown male voice[s] continue in background)

 15:51 - DISPATCHER 2: Hello?

15:52 – (unknown male voice[s] continue in background)

16:06 - SHANNAN: They’re gonna kill me.

Tr
an
sc

16:08 - DISPATCHER 1: One of the guys said, “Let’s go back

rip

to the city.”
tc
re

16:14 – (unknown male voice[s] continue in background)

at
ed
by

16:16 - DISPATCHER 2: Where are you?

Je
s
se

16:17 - (unknown male voice[s] continue in background)

Po
l
la

16:23 - RADIO IN DISPATCH CENTER: 1034 Farmingdale in

ck

service…
,J
ef
fA

16:27 - DISPATCHER 2: Where are you, Shannan?

da
m

16:28 – (shuffling sounds)

ec
,a
nd

16:34 - DISPATCHER 2: Shannan?

M
ic
he

16:35 - (unknown male voice[s] continue in background

al

accompanied by shuffling noises.)

W
he

16:42 - DISPATCHER 2: Shannan?

la
n

16:43 - RADIO IN DISPATCH CENTER: (officer talking,

unrelated to call.)
 16:50 - DISPATCHER 2: Shannan?

16:52 – (Shuffling sounds coming from Shannan’s line

intensify, along with the sounds of her passing
through a doorway outside and running down a
Tr
an

wooden deck.)
sc
rip

(NOTE: At no point do we hear Shannan “stumble”

tc

or “fall” and injure herself running down the

re

deck, as has been previously reported/suggested

at
ed

by witnesses.)
by
Je

16:56 – MALE VOICE: Get in here.

s
se
Po

16:58 – (The sounds of Shannan’s feet hitting the ground

l la

running are heard.)

ck
,J
ef

17:00 – (Three loud sounds are heard in rapid succession,

fA

each appearing to be a hand or hands hitting the

da

side panels or hood of a car. Shannan briefly

m

continues running.)
ec
,a
nd

17:03 – (Shannan stops running.)

M
ic
he

17:04 - SHANNAN: (SCREAMS)

al
W

17:05 - MALE VOICE: No!

he
la
n

17:06 - SHANNAN: (SCREAMS)

17:07 – SHANNAN: SHUT UP! (SCREAMS)

 17:08 - (Shannan resumes running.)

(NOTE: It is believed that Shannan’s earring

and jacket came off her body around this time
as the result of what appears to be a struggle
Tr
an

heard from 17:08 until 17:12, as both of these

sc

items were later found in close proximity

r ip

to Brewer’s deck and driveway.)

tc
re

17:09 - UNKNOWN VOICE: Shit!

at
ed
by

17:10 - (Sounds of Shannan running)

Je
s
se

(NOTE: At no point from the time Shannan

Po

exits Brewer’s house at 16:52 until the recording

l
la

ends at 22:40 do any sounds of a car engine starting

ck

or running appear. Neither do any sounds of Michael Pak – or

,J
ef

any other person, for that matter - following Shannan in

fA

a vehicle or calling out her name, as he has repeatedly

da

insisted to the media and investigators that he had

m

done during this time on the recording since 2010.

ec
,a

In addition, neither police dispatcher acknowledges the

nd

screaming and apparent struggle that has just occurred.)

M
ic
he

17:27 – (Shannan is still running. The sounds of birds

al

chirping appear.)
W
he

17:33 - DISPATCHER 2: All right, she’s not talking.

la
n

17:35 – DISPATCHER 1: I’m gonna put her… (UNINTELLIGIBLE)

17:37 – DISPATCHER 2: You do?

 17:39 - DISPATCHER 1: I think this number… (UNINTELLIGIBLE)
That’s the number she’s calling from?
(UNINTELLIGIBLE)
Tr
an

17:45 - DISPATCHER 2: I think that… (UNINTELLIGIBLE)

sc
rip

17:51 – DISPATCHER 2: 9 3 0 8 is… (UNINTELLIGIBLE)

tc
re

17:58 - DISPATCHER 2: Oh - did you call that one?

at
ed
by

18:02 – (Shannan stops running at this approximate time;

Je

birds chirping loudly are heard in the

s
se

background.)
Po
l la

18:06 – (All shuffling sounds cease, leading us to believe

ck

Shannan has set her phone down at an unknown

,J
ef

location on the property she has stopped at –

fA

possibly 10 The Fairway or 12 The Fairway.)

da
m

18:07 – (An unintelligible conversation with at least one

ec
,a

male participant is heard continuously in the

nd

background beginning at this point, leading us to

M

believe that at least some of the previous male

ic
he

background voices heard on the tape were coming

al

from the dispatch center, as Shannan is now

W

outside running and these voices have continued.)

he
la
n

18:13 - (the faint sounds of Shannan knocking on a

door or a window are heard.)

18:16 - DISPATCHER 1: Shannan?

 18:20 - DISPATCHER 1: Hello?

18:22 – (Shannan retrieves her phone and begins running

again. The previously mentioned male conversation
Tr
an

continues at the same volume while Shannan is

sc

running, leading us to conclude its source as

rip

being the 911 dispatch center.)

tc
re

18:27 - (Shannan stops running.)

at
ed
by

18:33 – UNKNOWN DISPATCHER: (UNINTELLIGIBLE, muffled)

Je
s
se

18:36 – (Shannan is heard knocking loudly on a door. At the

Po

same time, a police radio can be heard in the

l
la

background of the 911 dispatch center along with

ck

the muffled and unintelligible sounds of an

,J
ef

unknown dispatcher speaking.)

fA
da

18:40 – UNKNOWN DISPATCHER: (UNINTELLIGIBLE, MUFFLED)

m
ec
,a

18:41 – (police radio sounds continue loudly within

nd

dispatch center.)
M
ic
he

18:54 – (Shannan knocks again.)

al
W

19:00 - (Shannan begins to run again. She can be heard

he

loudly breathing.)
la
n

19:01 – UNKNOWN DISPATCHER: (UNINTELLIGIBLE, muffled)

19:09 – UNKNOWN DISPATCHER: (UNINTELLIGIBLE, muffled)

 19:20 - UNKNOWN DISPATCHER: (UNINTELLIGIBLE, muffled)

19:25 - SHANNAN: [startled] (SCREAM)

Tr
an

19:29 - DISPATCHER 1: (UNINTELLIGIBLE, muffled)

sc
rip

19:34 – DISPATCHER 2: Oh, I didn’t… (UNINTELLIGIBLE)

tc
re

19:36 - (Shannan stops running. She is heard loudly

at
ed

breathing.)
by
Je

19:39 – DISPATCHER 1: What’s the shield on the car?

s
se
Po

19:42 – UNKNOWN DISPATCHER: 1, 9… (UNINTELLIGIBLE two

lla

numbers)
ck
,J
ef

19:47 – (Shannan is heard loudly knocking on a door, most

fA

likely 14 The Fairway.)

da
m

19:58 - DISPATCHER 1: Shannan?

ec
,a
nd

20:05 - DISPATCHER 1: I wonder if she has the phone in her

M

pocket?
ic
he
al

20:10 – (conversations within the 911 dispatch center are

W

heard in the background.)

he
la
n

20:12 – (Shannan begins breathing loudly again.)

20:15 – (Shannan begins running again. The sounds of her

moving are much more staggered and erratic this
 time and are marred by her loud breathing.)

20:42 - DISPATCHER 2: Shannan?

20:47 - DISPATCHER 2: Shannan?

Tr
an
sc

20:50 - (Sounds of Shannan loudly knocking on what sounds

rip

like a glass window or the glass window of a door

tc

at 17 The Fairway, the home of Gustav Coletti.)

re
at
ed

21:00 - DISPATCHER 2: Shannan?

by
Je

21:05 - (door opens)

s se
Po

21:07 - COLETTI: What’s the matter?

lla
ck

(Shannan does not answer.)

,J
ef
fA

21:14 - COLETTI: Who are you?

da
m

(Shannan does not answer.)

ec
,a
nd

21:17 – (shuffling sounds, Shannan begins breathing loudly

M

again.)
ic
he
al

21:21 - COLETTI: Somebody after you?

W
he

(Shannan does not answer,

la
n

but is heard loudly breathing.)

21:25 - COLETTI: Huh?

 (Shannan does not answer,
but is heard loudly breathing.)

21:27 - DISPATCHER 2: (annoyed) Hello?

Tr
an

(Shannan does not answer,

sc

but is heard loudly breathing.)

rip
tc

21:30 - DISPATCHER 2: Hello?

re
at
ed

21:31 - SHANNAN: You…

by
Je

21:34 – SHANNAN: You… (UNINTELLIGIBLE)

s
se
Po

21:36 - COLETTI: Are you all right?

l
la
ck

21:37 - SHANNAN: I need help…

,J
ef
fA

21:40 - SHANNAN: (UNINTELLIGIBLE)

da
m

21:41 - COLETTI: Don’t get yourself hurt. What are you

ec
,a

doing?
nd
M

21:43 - (shuffling sounds, Shannan is still breathing

ic
he

loudly.)
al
W

21:48 - COLETTI: Wait a minute. Don’t go away. Where are

he

you going?
la
n

21:53 - DISPATCHER 1: Something like “Vopert”? V-O-P-E-R-T?

 21:55 – (sound of a door closing.)

21:57 - (Shannan begins running again. Various shuffling

and wind noises are heard, along with Shannan
breathing.)
Tr
an
sc

22:22 – (Shannan’s line disconnects.)

rip
tc

22:23 - DISPATCHER 2: Hello?

re
at
ed

22:27 - DISPATCHER 2: She didn’t spell it, but that’s what

by

it sounded like.
Je
s
se

22:40 - (beep, CALL ENDS)

Po
l
la
ck
,J
ef
fA
da
m
ec
,a
nd
M
ic
he
al
W
he
la
n