(NEW) The Bottleneck Detective - What' - Clarke Ching
(NEW) The Bottleneck Detective - What' - Clarke Ching
LET me tell you about Billy's first case. Like many great discoveries, it
started with something simple—a school friend asking for help.
The Starlight Cinema had seen better days. Jenny, who worked evenings
at the ticket counter, caught Billy after school one day. “We’re in trouble,”
she said, quietly, so no one else could hear. “We’re not making enough
money, and people are going to other cinemas. Some of us might lose our
jobs. Everyone’s freaking out.”
Billy felt his cheeks flush—just a little. Jenny was a year ahead of him,
and he was surprised she even knew who he was.
She hesitated, then added, “You're good at solving puzzles and things.
Any ideas?”
Now, what Billy did next is exactly what I want to teach you. He did what
any good detective would do—he observed. Really observed.
The ticket counter? Running smooth as silk.
The food counter? Now that's a different story:
Billy whispers his catchphrase, “The Queue is the Clue. The Queue is the
Clue."
Jenny says, "Huh?"
Billy says, "The long queue … it's a clue."
Jenny nods, not sure what's going on in Billy's head.
Watch what happens next because this is important: Like any good
detective knows, you don't make arrests before you're sure you've got the
right suspect.
Billy says, "I've got a theory, but I need to test it."
What he does next? Pure detective work. Times the customers. Measures
the delays. Builds his case. The evidence is clear—the food counter is
moving at a crawl.
"Jenny," he says, "your food counter is a bottleneck. It's too slow. That's
costing you money."
Jenny nods, but I think we all know what she was thinking: Of course it
was slow. It had always been slow. What made this kid think he'd spotted
something new?
"Look," Billy continues, "tons of your customers skip snacks entirely.
You could make so much more money if you sped up that queue. And if you
make more money, you might all get to keep your jobs."
Jenny's skeptical. "Maybe …"
Billy looked around the cinema foyer. Sam, the cinema manager, was up
a stepladder hanging posters, but it was Mike at the ticket counter who caught
his eye—an older gentleman with a warm smile and quick hands.
"Try this," Billy suggests. "When the ticket counter isn't busy, get Mike to
jump over and help with food. He's fast—he'll help clear that line."
“I don’t think Mike's ever worked the food counter," Jenny points out.
Billy thinks for a moment, then nods. "His fresh eyes will be an
advantage."
Jenny takes the advice, quickly chats with Mike, and what happens next?
Let me show you:
Within minutes, the food lines start moving like they've got
somewhere to be.
The queues shrink away.
And the sales soar.
"Billy!" Jenny beams. "You didn't just find the bottleneck—you cracked
the case!"
Billy shrugs. "Shucks. I just pointed out where to look. Mike's the one
who knew what to do about it."
Jenny shakes her head. "Don't sell yourself short. You're very clever,
Billy Brown. "
Later that evening, at closing time, Mike tidies the counter, his mind still
on that afternoon's events. How many times had he walked past that queue?
Dozens? Hundreds? It had become just part of the scenery, like the movie
posters on the wall. But then, out of the blue, the kid walked in and saw what
everyone else had missed—a clue pointing straight to their biggest problem.
Mike smiles as he wipes down the counter one last time. Sometimes it
takes fresh eyes to spot what's been right in front of you all along. And those
fresh eyes, belonging to a modest kid named Billy Brown, had just taken the
first step toward saving the Starlight Cinema.
CHAPTER 2
THE DETECTIVE'S TOOLKIT
You wanna know a bottleneck secret? Fixing problems is hard, but it's not
the hardest part. People like you and me, we're good at that—give us a
problem to solve, and we'll solve it. The rare skill is spotting which problem
to fix in the first place. That was Billy’s gift. He saw what others walked
right past, while Mike knew exactly what to do about it. Together, they made
the perfect team.
But something's not quite right … Was the staff shortage really the
problem? Or did Billy just get lucky?
Any good detective knows: The first suspect isn't always the guilty party.
Let's dig deeper …
You see, in that first case, Billy was actually using a proven formula—he just
didn't know it yet. Nowadays we call it FOCCCUS, and you just saw the 'F'
in action: Find the bottleneck.
Before we dive into the full FOCCCUS formula, though, let me show you
the three essential tools every bottleneck detective carries. You'll need these
to put FOCCCUS into action. Think of them as your standard-issue kit.
THE MAGNIFYING GLASS OF FOCUS
Like any good detective, you need to zoom in close—real close—to see
what's really happening at your crime scene. Think CSI: We're going
forensic, examining every detail of that food counter bottleneck under the
microscope.
That's what we're doing here in Part One of this book—where we get our
hands dirty with the evidence.
THE WIDE-ANGLE LENS
Sometimes the real story only emerges when you step back and see the bigger
picture.
In Part Two, we'll do what smart detectives do—take a helicopter ride
above the city. From up there, patterns emerge that you'd never spot from the
ground.
That's how Billy and the cinema staff will spot something that changes
everything. Sometimes the best clues can only be seen from 1,000 feet up.
THE FOCCCUS FORMULA
This here? This is my personal method, refined over more cases than I care to
count. It's what helps detectives like us crack the tough cases that leave others
stumped.
Here it is, but don't worry about memorizing it—you'll learn it naturally
as we follow Billy's investigation:
LET me share something I've learned over the years: The first solution is
rarely the right one. Watch how this plays out at the Starlight.
When Billy spotted that queue, he didn't just see a line—he saw a trail
leading somewhere. The real bottleneck, he figured, was hiding on the other
side of that counter.
But here, my friend, is where it gets interesting.
Remember how the queue vanished when Mike stepped in? Sure looks
like an open-and-shut case: not enough staff, problem solved. But 30 years of
bottleneck detection has taught me one thing—it's never that simple.
Let's examine our first suspect together:
The Scene:
Mike is fast so that when he joined they could easily serve six or seven
customers per minute which—spoiler alert!—is more than five.
So the queue shrinks.
Voilà! Queue solved, case closed … right?
"Need more staff!" It's the cry you hear in businesses everywhere. Such
an obvious culprit that most people stop looking the moment they spot it.
But what if we're looking at the wrong suspect?
What if Mike did something else when he got to that counter? What if he
wasn’t just another pair of hands? What if he did something that actually
solved the real problem?
Here's what's at stake: Rushing to hire more staff would be like arresting
the wrong person—expensive, embarrassing, and worst of all, the real culprit
would still be out there, stealing profits day after day. A good detective
follows every lead.
Let me show you how we crack a case:
LEAN IN CLOSE, because this next part is important. I've seen this
moment a 100 times. The obvious solution waves at you like a suspect in a
lineup: More staff fixed the queue, so more staff must be the answer … right?
Here's an insight I learned the long hard way: The expensive solution
always springs to mind first. Throw money at the problem—it's easier than
thinking. But the cheapest solution? That takes real detective work. Real
mental sweat.
Think about it:
Remember our FOCCCUS formula? We've done the F (Find), but before
we jump to U (Upgrade) by hiring staff, a good detective explores every
other possibility—starting with Optimize, then our three C's: Coordinate,
Collaborate, and Curate.
Speaking of which … I think I smell something burning in the next
chapter. Is that … popcorn?
CHAPTER 5
CASE FILE #3: THE PROCESS
FRAME-UP
LET me share a discovery at the Starlight Cinema that you'll use many times
in your career. This case has a twist that would make any mentor proud.
When Mike arrives at the food counter this time, he spots something
everyone else has walked past for months: The popcorn machine sits there
like a neglected witness, trying to tell its story.
Watch closely now—this is important.
The staff keeps running out of popcorn. They're making it in small,
panicked batches, rushing back and forth. Every time they stop to make more,
the queue grows longer. And the customers? They're getting more frustrated
by the second, watching their movie start time creep closer and closer.
That's when Mike sees what others have missed—the real culprit isn't the
number of servers at all. It's the process itself that's the criminal here, framing
those hardworking staff members like some mastermind setting up an
innocent patsy.
This is pure good cop, good cop. Billy did good cop work spotting the
queue and pointing toward the bottleneck. Mike did good cop work spotting
that the real culprit wasn't staffing at all—it was the process itself. Mike
wasn't just another pair of hands—he was a natural problem solver. And even
if Billy hadn't stuck around to help, this is where their collaboration (our
second C in FOCCCUS) really began.
Remember this case, my friend. Sometimes the biggest problems have the
simplest solutions—if you know where to look.
Think about it like those popcorn kernels in the machine. Just like a tiny
kernel can expand into something 10 times its size, a small change in process
can transform an entire business. Mike's simple timing tweak? It popped into
better service, happier staff, and a thriving business.
Sometimes the smallest solutions have the biggest pop.
CHAPTER 7
CASE FILE #4: UNTAPPED
POTENTIAL
Now, Mike could have done what most people would—jump in and show
them how it's done. We've all had that "let me do it" moment.
Instead, he becomes a mentor.
He shows them the tricks of the trade—customer service street smarts.
How to keep cool when customers get impatient. How to handle pressure
during the rush. How to serve quickly without getting flustered.
A little guidance, some on-the-job coaching, and suddenly these rookies
start moving like pros. The queue? Vanishes like mist in the morning sun.
CHAPTER 8
THE BEST INVESTMENT
THIS CASE? It's one of my favorites, and soon you'll see why. Mike
didn't just solve a problem—he created problem solvers.
Look at his choices:
That's what makes this case special. His solution kept working long after
he left. Any detective can solve today's case—but teaching others to solve
tomorrow's? That's playing the long game.
And—ahhh—this warms my old detective heart. Mike's solution wasn't
just smart—it was human. Those junior staff:
That's why our FOCCCUS formula puts Optimize much earlier than
Upgrade. Sometimes you don't need new resources—you just need to help
your existing ones reach their potential.
Think about it like those popcorn kernels again. Just as heat transforms a
hard kernel into something wonderful, a little mentoring can transform
struggling staff into stellar performers.
Remember: The best investment you can make isn't in new equipment or
more staff. It's in the people you already have. They're like unpopped kernels
of corn, just waiting for the right conditions to show what they can really do.
CHAPTER 9
CASE FILE #5: THE PAYMENT
PUZZLE
JUST WHEN YOU think you've seen every trick in the book, a case
comes along that makes you look twice.
Mike's checking the food counter again when he spots something odd.
The ticket booth takes every payment known to man—online, contactless,
you name it. But the food counter? Stuck in the last century. Cash or swipe
cards only.
On the surface, it almost makes sense. The banks take a 1–3% cut on
contactless payments. Someone probably thought they were saving money.
But here's what they missed: Each transaction takes an extra 10–20
seconds. Multiply that by a long queue, and you've got time bleeding away
like money through a hole in your pocket.
It gets worse. These days, folks show up with just their phones. They
order, reach the front, realize they can't pay, and walk away. Now you've got
wasted food, wasted time, and staff cleaning up instead of serving the next
customer.
Mike spots all this, but he does something that shows real wisdom.
Instead of rushing to judgment, he asks himself:
"There's got to be a reason they're still using the old system."
Hmm.
He realizes he needs to talk to Sam, the cinema manager, because she will
know why they haven't already switched.
Late the following afternoon, Mike sits down with Sam, notebook open,
evidence ready. Just the facts, ma'am.
"Over an hour yesterday," he starts, "I saw 15 people take one look at our
queue and walk away. Three more got to the front, realized they couldn't pay
with their phones, and left their orders behind."
He lays out the case: The smoking gun queue, the lost customers, the time
wasted on each transaction.
"With contactless payments, we could serve a lot more customers."
Sam frowns. "But those bank fees—2% on every transaction. That adds
up."
"So do lost sales," Mike counters.
Detective Rule #8:
Follow the money—especially the money that walks away.
Then Mike does something brilliant—he makes the numbers tell the
story:
"See?" Mike says. "We lose $20 in fees on 50 customers. But we lose $20
every time just one customer walks away."
Sam leans forward. "And how many customers did you say were walking
away?"
"Roughly 1 in 10," Mike says. "Not 1 in 50. Big difference."
Sam's eyes light up. The numbers don't lie.
"Let's try it at peak times," she decides. "We can always turn it off if it
doesn't work."
CHAPTER 12
THE HIDDEN LOSSES
This isn't just solving a payment problem. It's shifting mindsets from
"saving pennies" to "making dollars." And that shift? That's often the
difference between a business that survives and one that thrives.
Remember: Sometimes the biggest losses aren't the ones you can see in
your accounts—they're the sales that never happened at all.
CHAPTER 13
CASE FILE #7: THE FIRST
REWARD
(SPOILER ALERT: You already know how this ends—or, at least, you
think you do. The cinema survives, and Billy earns himself a lifetime supply
of movie tickets. But we're not there yet. We're still in Part One, and right
now, everyone's just starting to see that things might get better …)
Let me tell you something about this job, my friend. Sometimes the
biggest wins come with the smallest thank-yous.
Take what happened next.
Samantha Thompson—Sam to everyone at the Starlight—had managed
the cinema for six years. She'd grown up watching movies here, moved away
to chase bright lights in the big city, then came home when the Starlight job
opened up. Something about those old theater walls called to her.
Now, after hearing Mike's report about Billy's detective work, Sam sat
back in her chair, a mix of delight and disbelief playing across her face. How
had they missed something so obvious for so long?
"You know," she told Mike, "we ought to put up WANTED posters for
these bottlenecks. Offer rewards like they did in the old days."
Jenny appeared in the doorway. "Maybe you should give Billy a reward
for all the help he's given us?"
"Of course," Sam said and asked Jenny to give the kid 10 free movie
vouchers as a thank-you.
Jenny smiled. "I'll text him."
Moments later, Billy's phone buzzed. His face lit up like it was Christmas
morning when he read Jenny's message:
You'd almost think someone had handed him the keys to the city.
Awesome!!
But tbh, you started this when you asked for help
100%
CHAPTER 14
A DETECTIVE'S FIRST PAYDAY
I WISH I'd been there. Would've loved to pull Sam aside, show her the
numbers. Tell her how the kid's detective work was worth thousands.
But you know what? Sometimes the size of the reward isn't what matters.
To a teenager who loves movies? Ten free tickets might as well have been the
keys to Fort Knox.
Sure, some hotshot consultant (like me) could've charged a fortune for the
same advice. Probably would've made it sound complicated too, with fancy
charts and big words. But a small-town cinema? They'd never have called in
that kind of help.
That's the beauty of what happened here:
And the kid? Well, this was just his first case. As he got older and wiser,
he figured out how to get properly rewarded for his special skills. But that's
another story …
PS: Next time you see a long queue somewhere, look around for a
WANTED poster. These bottleneck outlaws are still out there, just waiting to
be caught. Better still, find the bottleneck, and make your own poster.
INTERMISSION: THE CASE OF
THE CASH COW
But here's what really makes me smile: It only took three pages of reading
about bottlenecks for the owner to spot his problem.
Why?
Because once you know what to look for, bottlenecks often reveal
themselves.
And now, as we return to our main feature at the Starlight Cinema, we're
about to take that helicopter ride I promised you. Get ready for a very
different view of bottlenecks …
The lights dim, and Part Two begins …
PART TWO
STRAP IN, WE'RE GOING FOR A HELICOPTER
RIDE
Notes from an Old Bottleneck Detective
My friend, it's time to step back and see the bigger picture. Take that
helicopter ride I promised you.
Let me tell you what we're really hunting here. After years on the job, I've
learned to define our perpetrator in simple terms:
A bottleneck is any resource—a person, a machine, a computer CPU, a
traffic intersection, even an airport runway—that can't keep up with the
demand placed on it.
Think of it like a real bottle: No matter how much flows in, that narrow
neck controls how fast it flows out. Or like that narrow stretch of road where
two lanes squeeze into one—everything backs up behind it.
And like a silent strangler, these bottlenecks squeeze the life out of a
business. Slowing everything down. Backing everything up. Until nothing
flows like it should. Day by day, penny by penny, customer by customer,
they strangle the life out of what could be a thriving business.
So far, Billy Brown has taught us the basics—how to zoom in close, spot
what everyone else misses. His sharp eyes and fresh perspective showed us
how to catch bottlenecks in the act. But now it's time to think bigger.
See, any rookie can chase down a perp after the crime. But the real art?
It's seeing the big picture, the stuff happening beyond the yellow tape. Like a
seasoned police chief who doesn't just solve individual cases—they spot the
patterns, understand the territory, prevent the next crime.
Ready to take that helicopter ride? Good. Because we've got a curious
case of timing waiting for us at the Starlight Cinema …
MIKE'S at the cinema today, and he's about to spot something that would
make any bottleneck detective smile.
He's doing his usual rounds at the food counter, and something's not
adding up. The staff are working like a well-oiled machine. The popcorn's
fresh and ready. Even that new payment system is humming along. But that
queue? It keeps coming back like a bad penny.
Only … not all the time.
It hits in waves.
Mike pulls out the movie schedule, and there it is—the puppet master
orchestrating it all, pulling the strings. Three movies all starting within 10
minutes of each other. Might as well try to pour a river through a drinking
straw.
Later that day, Mike sits down with Sam.
"The food counter isn't our bottleneck anymore," he says. "Time is."
Sam frowns at the schedule on her desk. "You mean we should spread out
the start times?"
"Exactly. Instead of three movies at 7:00, we go 6:45, 7:00, and 7:15."
Sam's frown deepens. "That means more staff hours. Bigger wage bill."
She gestures at the schedule. "We used to do that, but when money got tight,
I bunched them together. Run three movies at once, you only need one set of
staff."
She sighs. "Like everyone else trying to survive, I started looking for
costs to cut. Seemed like the responsible thing to do."
Then she remembers something Billy said during his first visit: Count the
money walking away.
"But," she says slowly, "if this helps more customers buy our
outrageously overpriced popcorn and drinks …"
Mike grins. "Exactly."
That was the moment Sam's thinking shifted from survival to growth. The
cinema wasn't just dodging bankruptcy anymore—it was building a future.
CHAPTER 16
THE CHAIN REACTION
LET'S step away from the Starlight Cinema for a moment. Here's another
real story about timing and bottlenecks—one that happened right at my kids’
high school.
This case shows us another way to think about scheduling. And this one
didn't need a teenage detective to solve it—just someone willing to look at an
everyday problem differently.
The scene: our local high school
Every time it rained, you could set your watch by it. At exactly 3 p.m.,
the streets around the school would transform into gridlock. Everyone knew
to avoid the area. Businesses lost customers. And everyone just accepted it as
one of those things you couldn't change.
After all, what could you do? You can't control the weather.
The cause? Pure human nature. Parents, not wanting their kids to get
soaked, would flood the streets with cars at exactly the same time.
Like the cinema's bunched-up movie times, this created a bottleneck that
didn't just affect parents—it blocked traffic for everyone. A classic case of a
bottleneck spilling over to hurt innocent bystanders.
The school faced a choice: Keep dealing with the chaos or find a smarter
way.
They got smart.
Their solution was elegantly simple:
The weather
The parents
The schedule
CHAPTER 18
PATTERNS IN THE RAIN
NOTICE the parallels with our cinema case? Both bottlenecks came from
everyone arriving at once. Both solutions involved spreading demand over
time rather than adding capacity. And both worked because someone zoomed
out to see the bigger picture.
What’s more, both solutions required a mindset shift. Just as Sam had to
move from "save money" to "make money" thinking, the school had to shift
from "manage chaos" to "prevent chaos" thinking.
And speaking of preventing chaos … wait until you hear about the Curly
Twirlies of Liverpool. They're about to teach us another clever lesson in
timing.
CHAPTER 19
FIELD REPORT: THE CASE OF
THE CURLY TWIRLIES
LET'S take another brief detour from the Starlight Cinema. I want to tell
you about something clever I heard from a friend who grew up in Liverpool
—it's a perfect example of curation, the third C in our FOCCCUS formula.
Let me explain what I mean by curation. Think about a museum curator.
They have thousands of items in storage but limited space to show them.
Their job is to carefully select what goes on display, making the best use of
that limited space.
That display space is a perfect example of a bottleneck—it can only hold
so much, no matter how many treasures are in storage. But instead of trying
to squeeze more in or build more space, curators work their magic by
carefully choosing what goes through their bottleneck and when.
Now, here's the fun part. In Liverpool, the bus system uses this same kind
of thinking to manage their morning rush hour bottleneck.
Retirees get free bus travel, but—here's the clever bit—only after 10 a.m.
Before that, they had to pay peak-rate fares, just like commuters do.
These retirees have earned themselves a nickname: "Twirlies."
Why "Twirlies?” Well, if they're at the bus stop and a bus arrives at 9:45
a.m., they ask the bus drivers, "Am I too early?"—which, in the Liverpool
accent, sounds a lot like "Am I Twirly?"
Of course, they all know they're too early—but they ask anyway, hoping
the driver will let them on for free. This little dance between drivers and
retirees has become a cherished local tradition.
This seemingly simple system actually solves multiple problems:
There are many ways to curate and shape demand—price is just one of
them. The Liverpool bus drivers use time restrictions, while other businesses
use a mix of pricing and special offers. In my work with large software
development teams, curation often means ruthlessly choosing which projects
NOT to work on NOW. Prioritizing the most important projects prevents
project gridlock. Sure, they make a few enemies—project sponsors don't like
hearing "no"—but the alternative is trying to do everything and delivering
nothing.
They've all figured out the same thing: Sometimes it's smarter to manage
when people arrive (or which projects to tackle) than to rush around trying to
serve everyone at once. Like our previous cases showed us, managing
demand is often more powerful than increasing supply.
And speaking of making everyone happier … let's check back in at the
Starlight Cinema to see how all these small changes are adding up.
CHAPTER 21
CASE FILE #8: THE CASE OF
THE RIPPLE EFFECT
I LOVE WATCHING the moment when all the pieces start falling into
place.
Sam's staring at her spreadsheet, and for the first time in months, she's
smiling.
"Mike!" she calls out. "Come see these numbers."
Mike wanders over. "Good news or bad news?"
"Three months since Billy spotted that smoking gun queue. Food counter
sales up 32%."
Mike nods. "Amazing what happens when customers don't walk away
empty-handed."
"But here's the kicker," Sam points to another column. "Average spend
per customer is up three dollars."
"Well," Mike grins, "people are happier to spend money when they're not
stuck in a queue getting steamed."
Sam laughs. "And your staff training's paying off. Turns out it's easier to
suggest extras when you're not drowning in angry customers."
"What about ticket sales?" Mike asks.
"Up 6%." Sam shakes her head in wonder. "Can't prove exactly why, but
word's getting around. Place just feels different now."
Mike watches Sam's face, remembering how things felt before. She'd told
him the cinema had been scraping by, with barely enough wiggle room if
anything went wrong. Sam had been:
Her family had stopped asking when she'd be home for dinner.
"You know what's really nice?" Sam closes her spreadsheet. "Instead of
thinking up new things to cut, I'm actually planning improvements."
"You know what's bugging me, Mike?"
We've not heard much about Mike, so let's fix that. Mike was in his 50s
and had worked in a factory most of his life, until he had an accident, and
needed an easier work life. He'd only been at the Starlight for six months but
was a hard worker with a big smile. But lately, before Billy came along, he'd
started wondering how much longer he'd last there—the constant struggle just
to keep the place afloat had worn him down. Now though? His eyes had that
spark again. Problem-solving suited him—it was like doing puzzles, but
puzzles that made people's lives better.
"I think I do," says Mike. "We've run out of bottlenecks to fix."
Sam looks up, surprised and delighted they were on the same wavelength.
"Exactly. Let's get Billy back in here."
CHAPTER 22
THE VIRTUOUS CIRCLE
LET me share something I've learned over the years: Struggling businesses
tend to have worse cultures than thriving ones.
Think about it—where would you rather work? Where would you want
your kids to work? We spend half our waking lives at work. It matters.
Here's a pattern I've noticed in my decades of detective work: Last
month's profits tend to determine this month's culture. Good profits, good
culture. Bad profits, bad culture. It's never that black and white, but like I say,
if I had to choose …
That's why bottleneck detection matters. Yes, it helps businesses make
money. But more importantly, it helps create places where people want to
work. It turns vicious cycles into virtuous ones:
More advertising
Lower weekday prices
Extra kids' screenings
But these are just the same tired solutions every struggling cinema tries.
Nothing feels fresh. Nothing feels right.
Billy's drink is empty. Just like the midweek cinemas, and their list of
good ideas. And the local taxis too, judging by all the different ones Billy has
seen cruising past Sam's office window today.
"Sorry, I couldn't help."
CHAPTER 24
THE EMPTY SEATS DILEMMA
POOR BILLY. He must have felt about as deflated as the balloons from
last week's birthday party. It's tough when you can't crack a case.
Sam, and Mike too. Tough times.
You and me, though? We already know that everything turns out great.
Nonetheless, maybe it's time for a little pep talk about grit and perseverance.
Remember how, when Billy first walked into the Starlight Cinema, he
spotted the smoking-gun queue and solved the case in minutes. This time? No
smoking gun. No obvious clues. Just empty seats and missed opportunities.
Some cases you crack instantly. Others need time to percolate. You try
the obvious solutions, and when they don't work, you keep looking. Keep
asking questions.
The trick is finding the solution that fits your particular situation. What
works for one cinema might not work for another. What worked last year
might not work today. And the beautiful thing? You only need to find one
solution that works to turn a sad story into a happy one.
Sometimes the best solutions come when you're not actively searching for
them—like when you're standing outside, getting some fresh air, and notice
something interesting …
And speaking of which … some time soon Billy will discover that
sometimes the answer to your problem is sitting right outside your door,
probably drinking coffee and reading the newspaper while waiting for their
next fare …
CHAPTER 25
CASE FILE #10: WHEN 1+1=3
I’M sure you’ve heard it said that the best solutions are the ones where
everyone wins? Well, our young detective is about to prove that point again.
Sam couldn't shake the feeling that she'd wasted Billy's time. Sure, he'd
gotten a free soft drink out of it, but the afternoon had ended on such a flat
note. And that didn't sit right with her.
So she did what good managers do—she picked up the phone.
"Billy? I've been thinking. We should pay you for your time today and
over the last few months. For that magnificent mind of yours."
Now, most kids would've jumped at the offer of cash. But Billy? He had
that detective's knack for seeing value others miss.
"Actually …" he said slowly, "I have a different idea."
See, Billy had done his homework. He'd learned cinema's sneaky little
secret: those "outrageously overpriced" snacks Sam joked about? They cost
the cinema almost nothing to make. And while the cinema had to pay the
movie distributors a cut of every ticket—even free ones—filling an otherwise
empty midweek seat wouldn’t cost the cinema much at all.
So he made his proposal: one year's supply of free drinks, popcorn, and
midweek movie tickets—for himself and a friend.
Sam didn't hesitate. "Make it a lifetime deal, and you’ve got a deal.”
For Billy: Unlimited movies and snacks with his friends (priceless
when you're his age).
For the cinema: Empty seats filled, minimal actual costs, and a
very happy young detective.
For Sam: The satisfaction of doing right by someone who'd tried
to help.
But there was something else here—something that made Sam's detective
instincts tingle. If empty seats and cheap-to-make snacks could be turned into
such valuable rewards … Well, that was an interesting thought.
A very interesting thought indeed.
Unfortunately, she didn't know what to do with the thought.
Sam filed it away in that part of her brain where good ideas go to
percolate.
Sometimes the best solutions need time to ripen.
CHAPTER 26
CASE FILE #11: THE CASE OF
THE EMPTY SEATS AND FULL
PARKING
CINEMAS around the world make bucket loads of money by cooking
simple popcorn kernels, adding salt and butter, and turning them into
expensive treats. Well, our young detective was about to show us an even
more impressive transformation. But first, he needed to find his raw
ingredients.
Billy returns to the cinema the following afternoon. Like any good
detective following a hunch, he wasn't invited. He just felt a need to go there,
to observe. To think. To mull.
In his mind, he'd always thought of the food counter as the crime scene,
but now knew he needed to think higher and wider. To see the bigger picture.
To take that helicopter view.
He stands outside for a few moments, gathering his thoughts. Yesterday's
conversation about the empty seats is still fresh in his mind as he tries to
figure out why the cinema can't fill those midweek seats.
He closes his eyes and imagines building a detective’s crime wall—the
kind you see in movies, with photos pinned up, red string connecting clues,
and key suspects circled. At the center: the cinema’s empty seats. Around it,
he pins the culprits he’s spotted so far: the clogged parking spaces, the long
taxi line, and the question of untapped demand for daytime showings. Each
piece slots into place, but something still doesn’t add up. The connections
aren’t clear yet.
His first thought is that their marketing team—which is actually just Sam
—might be the bottleneck.
Billy imagines a funnel sitting on top of a bottle. He knows that
marketing people often talk about sales funnels. Is the cinema's bottleneck
inside the funnel rather than in the bottle?
He isn't sure, but he suspects it is.
Maybe they need to advertise to get more people to fill the seats. That'd
be like making the funnel wider at the top.
Or maybe there's already enough demand—perhaps there are many
people out there who'd love a midweek, daytime movie—but something is
blocking them from coming.
Perhaps they're going somewhere else?
As Billy stands outside the cinema, the ingredients for his solution are
slowly gathering, though he doesn't know it yet. First ingredient: a cinema
with empty seats during quiet times. Second ingredient: nearby parking
spaces full of commuters' cars, doubling the cost of seeing a movie.
He sees Jenny heading into work for her afternoon shift and they
exchange waves.
Then his attention is caught by a long line of taxis parked along the curb,
drivers out of their cars, chatting. Waiting. Waiting. Waiting. More taxis
drive by. Empty. Hoping to pick up someone who flags them down.
He blinks then finally he sees it—his third ingredient: the taxis’ back
seats are all empty.
Just like the seats in the cinema.
Now all he needed was to find the right heat, the right pressure point that
would transform these separate problems into one elegant solution.
Billy rushes inside, finds Sam and Mike, and asks to speak with them.
They take a seat, and Mike offers to fetch him a free soft drink.
FREE DRINK! Who has time for free drinks?
Billy shakes his head, then says, "I've got an idea."
Sam and Mike say "Yes" at the same time.
Billy says, "What if the problem isn't just that your seats are empty during
the day? What if that's just a symptom? What if the real problem is that
people can't park nearby?"
Sam and Mike both frown, knowing full well that parking has always
been a problem.
"But we can't add more parking spaces," Sam says.
"You don't need to," Billy replies, breathlessly. "The seats in the taxis
outside—they're just like your empty cinema seats. They've got spare
capacity, just like you do."
He pauses, hoping they'll grab hold of the idea and take it from here—he's
done the hard bit, finding the bottleneck.
They don't, so he adds, "They've got spare capacity, just like you do."
Mike bounces in his seat. "What if we offer free taxi trips for people who
buy two or more tickets per taxi?" He turns to Sam, excited. "I bet you could
negotiate a big discount from the taxi companies for all the business we
would bring them."
Billy says, "It'd be win-win."
Sam holds up her hand.
Win-win?
Her eyes light up as she remembers her negotiation with Billy the
previous day. Suddenly she knows what they have to do.
"Or … what if we let the customers pay for the taxis themselves, but then
they can use the full value of their taxi receipt as a discount for food?"
Mike frowns, thinking it through. "The taxi receipt becomes a cinema
food voucher?"
Sam, thinking out loud, says, "Yes, and because the margins on our food
are so astronomically high, it wouldn't cost us much; we'd still make a
chunky profit from each customer."
She turns to Billy. "Just like those lifetime tickets we talked about
yesterday."
Billy nods vigorously. "You're certain to sell loads more daytime tickets."
Sam grins. "We will fill the seats, our customers will feel like they've got
a bargain, and we'll keep our costs low. Everyone wins."
Mike leans back, smiling. "Billy, you've done it again!"
Billy says, "Mike. Sam. We've done it again."
And just like that, three separate problems had been transformed into one
solution that made everyone winners. Not bad for an afternoon's detective
work.
The End!
(Not really, keep reading!)
CHAPTER 27
CASE FILE #12: THE FINAL
CLUE
PS: Oh, just one more thing (as Lieutenant Columbo would say)...
Ever wondered what a bottleneck looks like on the other side of the
world? Billy's about to find out! In "Billy Brown and the Bottlenecked BBQ,"
our favorite detective faces his toughest case yet - a Christmas crisis in New
Zealand, where December means sunshine instead of snow, and barbecues
instead of hot cocoa.
When Billy arrives for his first-ever summer Christmas (with his Kiwi
relatives), he discovers something threatening to turn this backyard BBQ
bonanza into a seasonal catastrophe. Can he adapt his detective skills to a
place where Christmas means jandals (that's Kiwi for flip-flops), beach
cricket, and pavlova? Where a BBQ isn't about slow-cooked Memphis ribs,
but rather... well, you'll have to read it to find out!
Ready to help Billy crack his first international case? You'll find this
sunny mystery waiting for you at BottleneckDetective.com - and yes, it's
completely free.
After all, bottlenecks don't take holidays - even on Christmas Day in
paradise!
Happy sleuthing!
APPENDIX: THE FOCCCUS
FORMULA—A DETECTIVE'S GUIDE
You've just learned more about bottlenecks in one hour than most business
experts learn in years.
While traditional books might bury these lessons in hundreds of pages
about 1980s factory floors, I’ve focused on what matters today—practical
tools you can use anywhere, from hospitals to tech teams, from charities to
coffee shops.
Now let's wrap up with a quick look at the FOCCCUS formula—your
detective's toolkit for solving bottleneck mysteries wherever you find them.
FIND
This is where your detective work begins! Look for the bottleneck by
following the clues—usually queues or piles of waiting work. As our young
detective Billy loves to say: "The Queue is the Clue!" And you know what?
He's absolutely right.
OPTIMIZE
Once you've caught your bottleneck, it's time to help it perform better without
breaking the bank. Here's some great news: Before people know about
bottlenecks, they often haven't paid special attention to these critical
resources—which means there's usually lots of valuable low-hanging fruit
just waiting to be picked! Maybe your bottleneck needs fewer distractions,
smoother processes, some friendly on-the-job training, or just a few clever
tweaks. It's amazing how often tiny changes can make a huge difference.
COORDINATE
Here's where you get everything dancing to the same rhythm as your
bottleneck. Picture a naval fleet moving in perfect sync with their flagship
aircraft carrier—beautiful, right? Sometimes this means deliberately slowing
things down (I know, sounds crazy!) to prevent outpacing your bottleneck.
Smart moves like getting the kids to put their shoes on before you're ready to
leave (not when you're already late), or how clever airports do passport
checks at departure instead of arrival. Small changes, big impact!
COLLABORATE
This, truly, is where the most magic happens! Get your non-bottleneck
resources helping out the bottleneck. They've got spare capacity, so put it to
good use!
Think about it: Often this is the first time the bottleneck and non-
bottlenecks have had a proper chat about how they work together—and you
wouldn't believe the quick wins just sitting there waiting to be discovered.
And here's another delightful secret: Two (or more) brains working together
are usually far, far cleverer than one working alone. It's like having a
detective partner—everything gets easier!
CURATE
Channel your inner museum curator and be choosy about what goes through
your bottleneck. Prioritize, find alternatives, and—here's your new
superpower—learn to say "no" nicely. Trust me, protecting your bottleneck
from overwhelm is an art worth mastering.
UPGRADE
Yes, spending money can be absolutely brilliant—it's just not usually your
first move.
After you've done your detective work and tried the steps above, smart
spending can transform your bottleneck. New equipment? Extra staff? Better
facilities? Go for it! The key is spending wisely once you understand what's
really needed.
START AGAIN (STRATEGICALLY)
Bottlenecks are sneaky—they tend to move when you make changes or when
the world shifts around you. Sometimes it can feel like playing whack-a-mole
—fix one bottleneck and another pops up somewhere else! Sometimes you'll
need to improve performance where the bottleneck is now, other times you'll
want to guide it to a better spot. (Think about it: In a cinema, you want your
bottleneck to be the number of seats, not the speed of the popcorn machine!)
When your bottleneck moves, just dust off your detective hat and start again.
Remember:
Use these steps as inspiration, but let your common sense be your
guide.
Sometimes you'll need all the steps, sometimes just a few. The
goal is making things work better, not winning a formula-
following competition!
Don't be the clever smarty pants who comes up with the ideas all
by yourself—collaborate and co-create with your colleagues.
If you’d like to dive deeper into the world of bottleneck detection, check
out The Bottleneck Rules: How to Get More Done (When Working Harder
Isn't Working) for more detective stories and advanced techniques.
Happy hunting, detective!
ABOUT CLARKE CHING - ‘THE
BOTTLENECK GUY’
Hi! I'm Clarke and, arrrghghhh, I am much happier writing about bottlenecks than myself—but here we
go
Here's a fun secret: every puzzle in this book came from real businesses I've helped over the years.
Hospitals, tech startups, banks, retail stores—same problems, just different queues.
I go out of my way to write what I call "baby crocs"—short'n'snappy books without the fluff:
When I'm not busy tracking down bottlenecks, you'll find me scooting around Nelson, New
Zealand, on my bike.
Find me at clarkeching.com
Track me down on LinkedIn
(call me old-fashioned) email me at clarke@clarkeching.com
ACKNOWLEDGMENTS
And to Julia, Linda, Miryana, Gerry, Ian, Angela, Lara, and Dan - thank you
all for everything. You know who you are!