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Synthesis9. 1

Synthesis repertory bbbvhh hhjhjjh hhjhjjh hjhhhhh

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Rahitosh Ghosh
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2K views26 pages

Synthesis9. 1

Synthesis repertory bbbvhh hhjhjjh hhjhjjh hjhhhhh

Uploaded by

Rahitosh Ghosh
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AUGMENTED CLINICAL SYNTHESIS sepefonen Homeopathicum Syntheticum ¢ x Edited by Dr. Frederik Schroyens in collaboration with leading homeopaths throughout the world With a foreword by Jeremy Sherr Edition 9.1 B. JAIN PUBLISHERS (P) LTD. FOREWORD BY JEREMY SHERR Last year I had the privilege of visiting Dr. Frederik Schroyens in his offices in Ghent, Belgium It was a hive of activity. A constant stream of information poured in - additions, corrections, provings, translations, revisited classics and new manuscripts. Frederik explained the pyramid structure of the organization, how homoeopaths from all over the world gathered information, later passing it on to smaller teams who checked and rechecked it until it arrived at the Ghent office where the final sifting, confirming, corroborating, editing and publishing were performed. I was very impressed. From my own experience of repertorising, I have learnt to appreciate the enormous time and work that goes into each rubric, remedy, cross reference and annotation. It is the work of ants and a labour of love. But it was not only the industriousness that impressed me. It was the dedication to detail and accuracy that filled me with a renewed confidence in the repertory. The repertory is our daily tool; it is our right arm, the gateway to materia medica and to healing. On this tool the health of our patients depends, and we must be able t0 rely on it in the way a carpenter relies on his plane, a soldier on his sword, a baker on his oven, a writer on her pen. It must be sharp and accurate, all-encompassing but not over- inflated. I found the Synthesis to be all these things, and the tool felt right in my hand. Repertorising in the 21st Century provides challenges we have never faced before. The information highway traverses homoeopathy, gathering ever-increasing amounts of data from a growing number of practitioners, provings and toxicological reports. Computers have trawled the materia medica looking for lost symptoms and confirmations. This valuable information must be catalogued. But these prolific contributions create new difficulties and challenges. Such an incredible amount of new information creates a danger of inflating the rubrics and repertory to unmanageable sizes. If we stretch this sycotic tendency to its extreme, the result will be a large number of giant rubrics, each containing the same remedies and suffering from a loss of individual identity. As regards the sub-rubrics, flooding the repertory with numerous permutations of small rubrics does nothing to stem this tide. In this new era of homoeopathy we must proceed with care. Another challenge that lies ahead is differentiating the quality of information. From the most reliable symptoms, namely provings confirmed by repeated clinical experience, to the uncertain additions derived from a single clinical experience or a dream proving, the repertory writer must retain, sort, filter and edit information with the utmost caution, It requires extreme discrimination and responsibility. It is through these turbulent waters that Frederik Schroyens has navigated his ship, and he has done so with remarkable precision. One of his main tools has been structural and technological innovation. In an age where computers have collected vast amounts of data, we must use computers to organize it. In an age where data quality is extremely variable, we need new techniques of differentiation. By restructuring sensations and location he has created a more efficient tool. By including remedies from sub-rubrics into-their ‘mother rubrics’ we have been given the choice of a larger and more accurate remedy base. By utilizing the “virtual confidence factor’ more information has been collected while enabling choice of quality for the user. Reproducing this versatile format in book form is another challenge. Computers can catagorize data in ways which the printed page cannot. Yet Synthesis 9.1 lives up to its name by retaining many of the qualities of its electronic counterpart. Kent published his first repertory in 1897, the second edition in 1910. It is good to know that, a century later, homoeopathy is thriving and this work is being continued, I salute Frederik Schroyens and his team for this work and thank them for the gift of Synthesis. Jeremy Sherr June 2004 FOREWORD FOR SYNTHESIS 9 Synthesis 9 is the first version that is being released in two steps!. Synthesis 9.1 has more or less the same content as Synthesis 9.0. The difference between these two versions is a long awaited, crucial step in the development of the Tepertory. I have been dreaming about this improvement ever since I became accustomed to my very first Kent’s Repertory, which I bought in 1977. What then is this change? 1, STREAMLINING AND RESTRUCTURING The change to Synthesis 9.1 addresses a problem well known to deft repertory users: a lot of information is hidden in the subrubrics of the pain descriptions. Let's clarify this with an example. A patient tells you his pain in the eye is definitely better from rubbing the eye. Synthesis 9.0 offers 7 remedies with this modality in the rubric "EYE - PAIN - rubbing - amel.”. The meaningful bit of information here is "rubbing amel.”. The experienced repertory user knows that the "eye — pain" section contains other symptoms which include this same modality. These are hidden as subrubrics of the pain descriptions, as follows: “EYE - PAIN - burning - rubbing - amel." "EYE - PAIN - foreign body; as from a - rubbing amel.” “EYE - PAIN - pressing, pressure, etc. - rubbin; "EYE - PAIN - sand, as from - rubbing - amel ~amel." These four rubrics all contain remedies whose pain in the eye is improved with rubbing. The relevance is that, if we combine these rubrics, we now look at 13 remedies instead of 7! Considering these additional remedies may increase the likelihood of choosing the correct remedy. How has this issue been addressed in Synthesis 9.1? Inall the symptoms of the pain sections, the description of pain was always on level 3 ("eye — pain — burning - morning’). In Synthesis 9.1 this description has been moved to the last level of the symptom. The above symptoms therefore became: “EYE - PAIN - rubbing - amel. - burning” “EYE - PAIN - rubbing - amel. - foreign body; as from a" “EYE - PAIN - rubbing - amel. - pressing pain" “EYE - PAIN - rubbing - amel. - sand; as from" 1 Synthesis 9.0 was finalized on November 21, 2003 and released as a software program in English on November 24, 2003 . This version was only translated into German (December 22, 2003) and not printed in any language. Synthesis 9.1 was finalized on June 4, 2004 and released as a software program in English in July 2004. Version 9.1 will be translated into several languages and is the basis for the new printed version. The new veterinary information has been added to Synthesis 9.1 to create Synthesis 9.1V. As a consequence, these rubrics containing the same modality are now positioned next to each other, on the same page o: screen. In Synthesis 9.0 they were pages apart, pages that were seldom turned. This ‘hidden’ information is now easily visible and usable. This restructuring increases the number of remedy choices for thousands of modalities, sides, times, extensions and localizations. These hidden symptoms and their remedies were hardly ever looked at before. Now it has become very easy to consider this information when necessary, In addition, the remedies of these symptoms expressing the same side, time, modality, extension or localization have been copied to the common superrubric, Reverting to the example above, this means that "EYE - PAIN - rubbing - amel." has 13 remedies in Synthesis 9.1 (in stead of 7 in Synthesis 9.0). For each remedy the source rubric has been indicated2, In order to achieve this drastic change, it had to be preceded by another step: a thorough streamlining of all symptoms. Here is the explanation why: The modality "cold air agg.” is expressed in several ways at different places in the Repertory. For example, in Synthesis 9.0: HEAD - PAIN - cutting - cold - air agg. HEAD - PAIN - tearing - air - cold; from If we restructure this information, these rubrics would become: HEAD - PAIN - cold - air agg. - cutting HEAD - PAIN - air - cold; from - tearing This would result in a cluttered pattern of rubrics with identical meanings, expressed in different ways. Therefore, we have streamlined the modality “cold air agg.” throughout the Repertory into “cold - air - agg,” before undertaking the restructuring. In Synthesis 9.1 the above rubrics have become: HEAD - PAIN - cold - air - agg. - cutting HEAD - PAIN - cold - air - agg. - tearing As a consequence of this streamlining and restructuring process, some familiar rubrics may have undergone some changes. eee 2 passe Only visible in the software: if you click on the ‘down arrow’ following the remedy you see the source rubric (in "Full Synthesis View"), ii First of all, the symptom level expressing the description of pain has been moved. There is only one thing to remember in order to find the new symptom location: move the “description of pain” to the last level of the symptom and you will find the symptom in Synthesis 9.1. This applies only to pain symptoms that contain a "description of pain" (e.g. burning, cramping, tearing, etc.). Some examples: ‘Symptom in Synthesis 9.0 Symptom in Synthesis 9.1 HEAD - PAIN - stitching - evening HEAD - PAIN - evening - stitching HEAD - PAIN - stitching - coughing, HEAD - PAIN - coughing, when - when stitching HEAD - PAIN - stitching - Forehead - HEAD - PAIN - Forehead - extending to extending to - Occiput = Occiput - stitching HEAD - PAIN - stitching - Temples HEAD - PAIN - Temples - stitching Second, the streamlining may have moved a familiar rubric to a different place altogether, even considering the first explanation above. You look for a symptom modified with "air ~ cold", and in fact in Synthesis 9.1 you will find it under "cold - air"; not under the letter "a"(ir), but under "e"(old). Tt may take some time to adjust to the new streamlined modalities and locations. The advantage is that this streamlining is now consistent throughout the repertory. Previously this was not the case. In Synthesis 9.0 and prior versions there were 36 ways to express “cold air agg." Now either "cold ~ air — agg.” or the collapsed forms “cold air agg.” is used— and that's it. This simplifies the search for rubrics in the repertory from now on. Here are some rules that we have followed while streamlining. - Ifa combined modality contains an element indicating temperature, then this latter part was put first: “cold air agg"; "cold bathing amel.”; "warm food"; "warm bed"; etc. The only important exception to this rule is that we did not touch the existing groups under "weather" and "wind": they remain as they were ("weather - warm - amel.”"; "wind - cold ~agg.";etc.). 3 air - cold/ air - cold - agg,/ air - cold air - sensitive to/ air - cold air; sensitive to/ air - cold, from/ air - cold, in/ air - cold; from/ air - cold; in/ air - open — cold/ air; in cold open/ cold — air/ cold - air - agg./ cold - air — from/ cold - air - sensitive to/ cold - air agg,/ cold - air, from/ cold - air, in/ cold - air; from cold/ cold - air; from exposure to/ cold - air; in/ cold - air; in cold/ cold - being in the/ cold - open air; in/ cold air/ cold air - agg,/ cold air - sensitive to/ cold air agg./ cold air, from/ cold air, in/ cold air, when in/ cold air; exposure to/ cold air; in/ cold open air; in/ cold; to ~ ait/ sensitive - cold — air/ sensitive - cold - air; to + A modality is collapsed when there are no similar modalities next to it. If "cold - air - amel.” would be the next symptom, then these modalities would not be collapsed for that symptom. = Asmuch as possible and where applicable we have reduced modalities to either "agg," or “Walking - from’; "walking ~ when"; walking — while’; etc, have all been merged into "walking ~ agg.”. Where doubt existed we kept a difference that will need to be Clarified from a study of the Materia Medica. An example: you will find some remedies snd cubrubrics at "eating agg.” and others at "eating while” because this is the way the original rubrics were written. These rubrics have not been merged as it could have induced errors. ‘AIl through Synthesis the difference between “after 1x agg.” and "vox agg." was jnaintained, even if in some instances this difference appeared to be minimal: is there a ifference between "turning head agg." and "turning head agg.; after"? Further study of ‘Materia Medica will answer in each instance. ‘The difference between an aggravation from food and from eating that food has been maintained. The reason being, that "eating warm food" indicates that the aggravation takes places while eating - or at least should indicate this. The modality “warm food” normally indicates that the aggravation takes place because of warm food, but not only and not necessarily while eating it. The same has been done for aggravation from drinking a drink and the aggravation from that drink (e.g. "tea" as opposed to "drinking tea’). In all these instances the original symptom information was carefully preserved. At last, some modalities that were depending from common superrubrics were split. In Synthesis 9.0 you will find "air — open’, "air ~ draft of"; etc. These rubrics depend from the common superrubric "air". In Synthesis 9.1 these modalities became “air agg."; "air agg.; in open’ and “air agg.; draft of". The reasons for this change are to have a more obvious structure, that is easily perceived and to facilitate translation of these modalities. These are some of the examples of the rules that we used for streamlining. More information can be found in the Textbook. Although dramatic changes have been applied, great care has been taken to avoid oversimplifying matters and inducing errors thereby. For the software users there is an additional aid to easily find any restructured and/or streamlined symptom. At the end of Synthesis 9.1 there is an additional chapter "Old symptoms". It contains all symptoms that have undergone a change, but in the "old format”. Here you will find the rubric that you are used to, e.g.: "OLD SYMPTOMS - EXTREMITIES - PAIN - stitching - Ankle — standing". Hit enter and you will be at the restructured symptom: ‘EXTREMITIES - PAIN - Ankles - standing - agg. - stitching pain’, Likewise, software users have additional flexibility to use or not the remedies copied from the subrubrics, The "Full Synthesis, rmd copied” view contains all copied remedies. All other views do not contain these additional remedies. These views are a mouse click apart. In the printed version the remedies of the subrubrics have been copied as described. Such remedies are identified by a ‘down arrow’. iv Still another aid is available: software users get Synthesis 9.0 (without streamlining and restructuring) as well as Synthesis 9.1, they can both be used at the same time. With all this flexibility and precision, it should be easy to start using Synthesis 9.1. This is important because it is our intention to build on Synthesis 9.1. Streamlining and restructuring is a major milestone? in the development of Synthesis. If any change is needed, it is to improve this idea, Some further improvement is still needed. First, we did not streamline the Mind chapter. There were too many exceptions to undertake this with an automated process. It will be done manually for the next version of Synthesis. The Dreams chapter was not streamlined because there are no sides, times, extensions, etc. Second, most of this process was creating and testing the programs and tables for this restructuring and streamlining. Once all was perfectly functional the actual conversion went very quickly®, Nevertheless we kept on improving our tables and insights until the end. As a result the first chapter we processed (Head) was restructured and streamlined up to 95 % of the ideal, and the last chapter (Generals) up to 98 %. You may not even notice this as I am referring to relatively small differences. 2. BONNINGHAUSEN AND BOGER This brings me to the second major innovation of Synthesis 97: adding the Repertory information of Bonninghausen and Boger. Much could be said to explain why this was done. In this foreword I will mention two reasons: today's homeopathic community is increasingly aware of the value of these authors and Kent only partially included their information in his repertory. 5 This was also the title of the lecture when I first presented the ideas of Synthesis 9.1 toa wider audience: The Milestone Lecture. This happened on November 6, 2003 in London during a meeting organized by the Faculty of Homeopathy. At that time this meeting was coincident with my 25 years graduation from that same Faculty (June 1978). It comforted me most of all that each of the skilful repertory users there who spoke to me, told me that they grasped the idea within minutes (among others Roberto Bianchini, Nick Churchill, Phil Edmonds, Peter Fisher, Peter Fraser, Brian Kaplan, Bob Leckridge, Russell Malcolm, Jeremy Sherr and Elaine Walker). © The first time we did a test with Eye was October 17, 2003. The final streamlining and restructuring procedure then started with Head on April 9, 2004. This chapter still had to be processed 5 times before we could finalize it (May 11). By that time the programs had become so intelligent that we could finalize all other chapters by June 4 - amazing programmers- Magicians once again! 7 Most of the following features apply to Synthesis 9.0 as well as to Synthesis 9.1. From now on, when referring to Synthesis 9, both versions are meant (except where indicated). 7 The gap between these two repertory worlds is now closing as both types of information, Kent and Bénninghauser/Boger has become available in Synthesis 9. Here is what we did. A separate repertory was created for each of the six b-bg repertories®. A team added the symptoms to an Excel file, which was converted into an empty repertory (no remedies). Others then added the remedies to this empty repertory, and while doing so, checked the work of the previous people. Once a separate repertory was complete, it was printed in the same format as the original book, including the remedy abbreviations used in the original book. Again different people checked this print-out against the original book. When a b-bg repertory had gone through all these steps, remedy abbreviations were converted to comply with the Synthesis standards. For each repertory the original printed version has been used, either German or English. At last, for b4 and b7, the additions and corrections as written down by Bénninghausen's son have been added with the author abbreviations b4a and b7a. These original handwritten additions are preserved in the Library of the Pierre Schmidt Foundation, St. Gallen, Switzerland and graciously given to us by Hans-Jérg Hee for integration into our databases. This work is substantial as it counts for more than 19,000 author references. ‘As a consequence a highly accurate and complete version of the repertory work of Bénninghausen and Boger is made available for the first time ever. These six repertories, or any single one of them, can be used next to Synthesis 9, and symptoms from different repertories can be added to the same repertorization. But we went one challenging step further. We decided to integrate the b-bg repertory information into Synthesis. This was a challenging decision as you may be aware that the type of information in both repertories (b-bg repertories and Synthesis) is based on a different concept. The b-bg repertories offer predominantly generalized information (e.g.: "STOMACH - NOON"), which indicates that stomach symptoms of whatever type tend to occur at noon. The corresponding remedies have been added to the new Synthesis rubric "STOMACH - NOON". They have been kept separate from any other more specific Synthesis rubrics, such as "STOMACH - PAIN - noon". ‘The same has been done for generalized b-bg symptoms expressing sides, times, modalities or localizations. Most chapters in Synthesis 9 have such symptoms, which only contain generalized remedies as coming from the b-bg repertories. As a result, Synthesis 9 is easily recognized because the first rubric now is "MIND ~ DAYTIME". eee ee Ae | Bonninghausen's "Therapeutic Pocket Book (b2)" and both volumes of his "Systematisch- Alfabetisches Repertorium (b4 b7)" and Boger's "Binninghausen Rerpertory (bg2)" as well as his ‘Synoptic Key (bg3)" and the "General Analysis (bgI1 9 7 ae . (One example: in the rubric "MIND - MORNING" Apis with author b7a.de. vi On the other hand and most important: the existing, individualized and known rubrics, from Synthesis 8 or Kent's repertory, were left as they were. Nevertheless, some symptoms could not easily be integrated into the existing 38 Synthesis chapters. These symptoms related to localizations that were larger than the existing chapter. In order to resolve this, we have created three new chapters: = Neck (this chapter contains symptoms related to the whole neck - the part joining the head to the body. It should be compared with the chapters "External throat" for the anterior part, and with "Back" (which contains the cervical region) for the posterior part.) = Urinary organs (all urinary organs as a whole) Male and female sex/genitalia (if gender does not play a role, as this is often not specified in the b-bg repertories) Synthesis 9, at least in the software version, now contains 42 chapters, because of another additional chapter: a Personal chapter. In this chapter you can add symptoms without respect for the structure of the repertory. As a consequence it will not be possible to exchange these additions with others, nor to add symptoms of someone else's "Personal chapter” to your Synthesis. Additions to this chapter are only useful as a temporary solution and the best way to add information to Synthesis remains the correct place within the existing chapters. Synthesis 9 was ready to receive the information from the b-bg repertories. One more mammoth task was needed: to link the rubrics of the b-bg repertories to the correct Synthesis symptoms. This had to be done manually for each single b-bg rubric! A special thanks to the people who took care of this painstaking part of the job: Paul Debruyn (Belgium), Natasha Pelech (Canada), Dr. P. Sivaraman (India), Erik Van Woensel (Netherlands) and Peter Vint (Germany). After the links were made, the remedies were copied from one b-bg repertory after the other into Synthesis by a computer program. In this way the vast majority of Bnninghausen's and Boger's repertory work was integrated, adding more than 481,000 author references! to Synthesis 9. This figure corresponds to b2, b4, b7 and bg2. The smaller bg3 and bgl1 are already available as separate repertories and will be integrated into a later version of Synthesis. There is one further aspect to this integration. In the separate repertories, the degrees were entered as in the original. The definition of degrees in the b-bg repertories is quite different from what we are used to in Kent and Synthesis. Looking at the rubrics of any of these repertories immediately shows that there are many more remedies in the third degree. These degrees were converted to the Synthesis standard following the table on the next page: 10 As some remedies existed in Synthesis already, only an author reference was added to that remedy, not a new remedy. vii b:bg degree _Synthesis degree 1 2 one ake 3 4 This table corresponds to the way Kent converted b-bg degrees in his repertory for the rubrics he did use!!, Maintaining the degrees definition of Kent and previous versions of Synthesis guarantees a stable consistency in our repertorization results, where the degree sometimes is a deciding factor. This integration of b-bg repertories has been abundantly documented. In every separate repertory each symptom contains two types of information: Its origin: the page number, and for bg? even the symptom number on the page (at the bg2 symptom "MIND - Homicidal, murder, etc.": you read "{{BG2-0203-24}}" in the symptom note (user), The Synthesis symptom text to which this b-bg symptom is linked (at the same symptom you read "{{Synthesis: MIND - KILL; desire to}}" in the symptom note (Synthesis). In Synthesis, every addition derived from the b-bg repertories is labeled with an author reference as usual. Clicking on this reference shows the origin of the symptom. In the symptom "MIND - PROSTRATION of mind”, as you click on b2.de at the remedy Acon., you see: [B2.DE-171 : Empfindungen und Beschwerden - AuRere und innere Kérperteile im Allgemeinen - Nervenschwiche :: acon.2 DG1] This shows, in this order: the source, the page number (B2.DE-171) : the original symptom text x the remedy abbreviation with the original degree (acon. 2) :: the degree as used in Synthesis (G1). In some instances, several b-bg symptoms are linked to the same Synthesis symptom. This is why some author references in Synthesis will mention more than one link. This is especially the case in bg2, where a lot of information was repeated. Clicking on bg2 at Agn. in the same symptom shows: [8G2-0208-22 :: MIND - Intellect, impaired, mental exhaustion, weakness of, etc. : DG1) [BG2-0935-11 :: SENSATIONS AND COMPLAINTS IN GENERAL - Weakness, exhaustion, prostration, infirmity - nervous, nervous debility, neurasthenia :: agn.1 : Del] gn: In other words, the source information has been integrated into Synthesis with the greatest care. Together with the Materia Medica notes integrated into Synthesis, we now have about 488,000 notes with source information in Synthesis 9. When printed, this source information alone 11 S¢e the Textbook about this topic. viii ‘would amount to 21,480 pages, using courrier font 10. This is why we decided, with some pride, to give this Synthesis the epithet of The Source Repertory. 3. OTHER FEATURES The b-bg repertories were made available as separate repertories for another reason: if anyone wants to use just one of these repertories (with Radar) he can do so. In a similar way additional separate repertories are available for the software user!2, The relevance for Synthesis is that the repertories of Boericke and Phatak have been integrated into Synthesis 9, following the same procedure as for the b-bg repertories. This amounts to 70,078 and 63,791 additional author references respectively, including source information as explained above. We will integrate the information of the other separate repertories into a later version of Synthesis!®, Even if separate repertories are offered, we maintain our vision to synthesize all ‘homeopathic information, such as these repertories, into one work. Thave always stressed that copying remedies to superrubrics had to be a thoughtful process. As explained above, this has now been done for the remedies hidden in the subrubrics of the descriptions of pain. This was also done for the whole Mind chapter, but not blindly. Each mind tubric received a label indicating if remedies could be copied to superrubrics or not. An example is that remedies of "MIND — JESTING - aversion” were not copied to its superrubric "MIND - JESTING". If remedies were to be copied, then superrubrics to which the remedies should not be copied were indicated if needed. It is only after this careful labeling of each single rubric that the computer took over and copied the remedies to the appropriate superrubrics of mind. Another feature of Synthesis 9.14 concerns one further step in the sorting of symptoms. Sorting all symptoms in alphabetical order may appear to be the ultimate solution, yet it is not. There is a homeopathically meaningful relationship between certain symptoms and it makes sense to have these on the same page, rather than scattered because of the alfphabet. Here is the way that Synthesis 9.1 sorts symptoms according to this new perspective. ~The symptoms of sides have been kept together so you can easily compare the remedies affecting the left and the right side, ‘The symptoms expressing time have been kept together so you can easily compare the remedies with an aggravation at certain times of the day or night. 2 The known repertories of Boericke, Clarke, Phatak, Roberts and Ward as well as the "Repertory Compilation 1.0" with contains 9 smaller Separate Repertories on specific topics. Finally, three different repertories by Roger Van Zandvoort are now available with Radar 9. 13 Except for the repertories of Roger Van Zandvoort. 14 Not yet applied to Synthesis 9.0. A ‘down arrow’ following a remedy indicates that this remedy is copied from a similar subrubric. - A black dot following a remedy indicates that this remedy is added either because of a more recent or because of a lesser-known author. These remedies correspond to the difference between the Millennium View (progressive) and the Quantum View (conservative); this is to say that remedies followed by a dot indicate more progressive information. Many thanks to Gregory Pais (USA) who has gone through the author catalogue with the greatest care to differentiate these views. ~ The black dot should not be confused with the asterisk, which, as before, follows the remedy if more authors confirm its presence in the rubric, ~The more hypothetical remedies, if not confirmed by other authors, are now in a second alphabetical order, at the end of the rubric and surrounded by square brackets. This is an ren RE © The repertory part of the English Synthesis 8.1 counted 1,912 pages, the repertory part of the French Synthesis 8.1 counted 2,068 pages (condensed page content, but smaller Paper size, and including a dictionary for each chapter). 22 For several years Gregory has been my ghost writer. If you understand my English, it is with his help - thanks Gregory! xiv idea which we first implemented in the French Synthe: i Asa result, remedies without brackets and without a dot are the more closscat src The descriptions and modalities are now contained within one alphabetical order, So thy differentiation by symbols at the first modality and then at the first descrinthng swe needed any more. iption is not The most important innovation of the printed version 9.1 is that we decided to make the information, normally reserved for the software users, available with the book. It is presented ona CD and compiled into two additional volumes. The former Blueprint is now called the "Textbook of Repertory Language”. It contains the following elements: - _ Therules of Repertory Language Formatting ~ as before, but updated. - _ Explanations about the integration of Binninghausen, Boger and the separate repertory information. = _ Interesting explanations of key symptoms (symptom notes). - Index of important changes and corrections ~ as before, but updated. The second additional volume is called "Companion to Synthesis". It contains all the information which may be helpful to find symptoms in Synthesis: - An alphabetical listing of all concepts, with the main remedies per concept and the related symptoms per concept. - The chapters of some often used concepts so that related information is in the same place. - Index of words with page numbers of rubrics in Synthesis — as before, but updated. More comprehensive information about these additional volumes can be found on the CD itself. In addition, the CD contains a demo version of the Radar 9 software. 8. THE FIGURES The actual catalogue of remedies offers 4,497 standardized remedy names and abbreviations, and Synthesis 9.1 describes 2,373 of them”. The actual catalogue of authors describes 3,827 bibliographical references and Synthesis 9.1 uses 886 of them24 In the author catalogue there is an important change: the language of the source is now indicated. This is done by adding two letters behind the author abbreviation, e.g. b2.de. This — 2 Synthesis 9.0 describes 2,310 remedies. Synthesis 8.1 described catalogue offe * Synthesis references an 2,277 remedies and its Ted 4,200 remedy names. 9.0 uses 805 bibliographical references. Synthi d its catalogue described 3,031 bibliographical rete 8.1 used 655 bibliographical ences. xv > = indicates that we based ourselves on the German edition to make additions of py i the English version. ‘erapeutisches Taschenbuch) and not on t oa ne to abbreviate a language are the ones of ISO 6395. If no letter follows, the book used is in English. These letters do not indicate that the original source is in that language: the it i German. original book may be written in English or in This improvement allows increased precision. If someone makes additions based on the English translation of Hahnemann’s Materia Medica Pura, he should use "h1', If based on the German version: "hl.de’, This will permit us to assign a different confidence level to these two “different” authors. ‘The number of annotated corrections (xxx) has increased to 70776, Synthesis 9.1 has 1,066,987 remedy occurrences?” and 1,773,453 author occurrences?8, Speaking about quantity we have to remind you that this version of Synthesis now includés an enormous amount of source information as well. This is why the number of megabytes has exploded from 47.3 Mb (version 8.1V) to 205.4 Mb (Synthesis 9.1) The information in Synthesis 9.1 has not been duplicated, except for a limited copying of remedies as described above. To your skill I therefore entrust what is probably the most complete and accurate repertory ever. Dr. Frederik Schroyens Gent, June 4, 200429 ® The most often used languages are Dutch: nl; French: fr; German: de; Italian: it; Portuguese: ptand Spanish: es. 2 Synthesis 8.1 had 620 xxx references. % Synthesis 8.1 had 760,000 remedy occurrences and Synthesis 9.0 has 926,000. % Synthesis 8.1 had 1,074,000 author occurrences and Synthesis 9.0 has 1,491,000, ® June 4, 2008 was the last day that we worked on the content of Synthesis 9.1, until the very late hours. This foreword was written later, in Elios, Greece, ater I gave the "First Seminar Ever With Synthesis 9.1" on Alonissos, Greece. The sunny seafront horizons and the scent of pine trees have been a true inspiration. As for the music, this version of Synthesis has been accompanied by the chanting of Lama Gyourme, I guess because, after all, it's a monk's work. xvi Daytime DAYTIME: omrayn 80/07 se aurotdetemaga Dove gn Cust so reread geMatmb ge SUM de MORNING: acones2 ogore4det lkeos2 alonyge alums mca ara nn pean sa Aaa frog? ArSban do" A84foq2 888°4g2_aurg2, bachy2 belly? Dismg? ferences Bova” BT" COLA cayr a aps ot oanoa ce? cabot" Causlge chamege Cholera chine? cetga emote" COC432 COCA ge* COMA "Ges hy2 Gaps det Walt cet hepa W8SEn2 "ET de" IDE Kalin alc e®kalitag2 Kali ege Wreserace lachaga ledorae® Worg2 mag-enedee magmas? metceg2 rece” Mabcbe cet NatShy2_ibacha de NULUED det Poet raceeae® OSA cet phytog2 Dbarde* radogz Rant gor Rhody? Fhustoge Tumvg2 Mange. bing et sambpg2 SacSndaat slog? seregoat Sepo4ce* SHbs2_ Silly. sannage slaphage stam ae sacot "supose roxy "lege tule Veter got tgp ‘evening: and: kalo FORENOON: anne anacy se antcrad 84a eds caeoe ce cannaytnga caer ge carbone Cabvetant C247 Tachag2 yeotce Mag-cat.s" magimoge Maschey er naton4ce" ratmeuae® Phang phosoaaet Ren-bsrdet £8834 de" S642 lea ce* sslacoge suhag Bnepge NOON: asice blag hlbiage tbe AFTERNOON: aoeys2 alunseaet aracotcy* ange" ase4aet asafpradet aUtbece* boXb4a det Doves der bryng2 bulonge calet4.t cannsi7aet cathy. dt cava ge? carve cet chinge nae ae coccer des compar ticate*ftege Gaphot cet Meloy Hye8H7 et ignores” idotace haope Kalin cet WUote* Cig? MEDEA de map pt Mang tet Murata Netcast and" itacka ae ry. tag Braco ae hose" lt eb a hus ta ae tap asin Sat c"Sp 24a steph. eure "Wl ce Zacosca* EVENING: sconsyaet oper alenge smote Amott amore ambreyaet enechdaetancoreae attr amd! arses eure" Banga bello ct berboga ismge bora! Bog? biped cattge caladorecet Cacecae™ ceMohace Cabana Carbroxeat caustecaet cham aet chinereat Cemegn cottege crocor" oer" Gotan Gost et euphoge ferret raphege hepeccet inorder age alc ge" lachoraat lferaet Lycogt marctorge Magcocae* MAGmMadce” MeFCDAee" MECoase MezDgz moschayaet mu-achede Macpac" nal-mbaca Nt-ecga Marrone? Brace" phosec ae" lanag2 latoaar® Doge Pusorce? Tnboraet Tense de histone” any ae SBinog S542 Soda ce" Slade” SDieraat samacant sfoneeng2. sUacege SUphegae™ Valeoraet vert cette et Zico et mel egy sunset a: pissy NIGHT: sconsrae amaze acotcet am-moge sneer 3062 ‘anne Arpt ce” autbede bar-chace* Bellne.cet br/or.ce* Caleotcet ‘ampherace cam-snracet —canoge ctbanptca" CAPD “hamarg" Chinyrco Gear de cg2 COD¥T "eat oneéa ce” dig ea det dlcpe oe" ferro7de* Graphs de® Deller cet He oge hyobege lgnsnaee ledoaca alge. lalbroge Falicpacot Webi Mambo og mars Magecngaer MEIC pte Na-cad ae” MAEM‘ de esceaaat nutans pabince® phosoide’ plbe7det puller d farstrace Rhaumayagr thislar ae” sobadege sepocder Slade ‘Steger "sail elphega Verte et zeae ot + midnight ler: Asie chneres coffer Kanara» marr ce Nuva Ut-hn ae taey + before: useage ABANDONED: (See Forsaken) ABASHED (Sce Ailments - embarrassment) ABDOMEN see. complaints of assay at Mind Absentminded ABILITY; mental (See Mental exertion -desite; Mental power - increased) ABROAD; desire to go (Sce Travelling - desire) ABRUPT (~ rough): (Answering - abruptly: Answering « hastily: Answering -snappisMy; Brutality: Horry: Impulsive Invitabity- questioned: Lacon: Rath: udeness, Shappith: Specch abrupt Tacitorn) (ton absinn) Anas barge Aurm bac bale ye Covbvns CaUStrit charg” thea donde polwae raphe halaescayse Repu herein Kabit ala lacleogsee Lach hing yoy Wa8 4 meds natmes nitacsns NUEoyyt op yee pita pate podol poste Pulsant rauWigws” Sates sangus-Srae Sep Silgnte Staph uiphin Tarertystubja* lubdonat 2 taro] * affectionate; rough yet (7 Afletonate Auer? Nemes ate ung te podouseer Pure = harsh: Angcine—arsghte bb Covert Caustytye che gar endplate soph Pepi te Kai” sean Lage si modus latngnyr acge Nunorg¥ pron Sebat Schr leh ge Taree Perna] + children; in: taten ABSENCES (See Unconsciousness - frequent) ABSENT FATHER syndrome (See Ailments - neglected - father) ABSENT MOTHER syndrome (See Ailments - neglected - smother) ABSENTMINDED: (1 Absorbed; Abstraction: Concentration dificult; Dream; as; Fancis ~ absorbed: Forgeyil: Memory - ‘weakness; Mistakes; Staring: Thoughts - wandering: Unobsersing vattentive}) Aconys actspy* adams ads sescu* agar ‘Agati-anae Agnk* aids Allcegat Alums alun-pyz* alums iz Arcee ames” amie Anack* andersont Androcante androg-pen argue ‘nc Aplsy? ag-marjy®arager® rani arg argng2* Ara a+ assfig_aruiviay arumlyr asais.ge asarae atogy AUrys aucariz auramnygcr aur emia geadee apteg? Barca Barn, Bale berbjs bitarynts bovis at* Bovis bos-gau meet bevel aaa bry bufont Calag\e cal caloppyt calo-sy* caloshyge Cannlys carnage cannaxytegat Canlnyg caps carback* carb-vege Catbn-sk* care nw catioshijas Cars cassia-scant* Caustys Cenchigr contat Chama helie ching chi-d4 chislgy? clamtrsegs chorprant* crocs chordumbryde Cie clm4s cotayge Coccxt cols Colchy cous. talocys con corr pat coricoip7 GOtat cock? cotcatte cron Cu cycler cyra-egedetder cysleindayt> Caphi — cendr-polsas ce eames dict dibomas dick dapset teopenan fra at akoochanar gage” geimmetyars gb asi rtjde Qua] ham Helly» helo-soqze hepyr huraus Myrar hydrogararHyosksictodis Ings int irdomet ia'e ug-c4 Kl Kalsbry Kal.cy kan Kap tales kalsige Ketoglacyye~ Kosa Kreosy? best get Lac-cy* lacchngt laclup + Lachy® apa, Laurpit ledis Iinestbest+ lanes” topras+ Wndigte yeu 35 meamborrdet mavstorae Megat malasit mane mangas medss2" melavallgysemenisas Mercy merc-cny Mezy* moni Morpn + moscnsy2 rmuracdnajays nataray nat-cas Natmas nat gent nape sat nikacks Nuemys Nucys Olanegar olbsacwant Olndys Ones Ca\e ‘ozonesdeze Patre Ph-acns Phos Platks Pb\* pluk-nscr+ pedd%ed se posta propr psi psorst Pulsa+ quasay quereti.t+ raN3,Sce fans teumd thodys husks thusvir Ata sabad sacha ‘Salil Sulacas subi Suphis suprarL Syphogartaboy2 308 ware tes Teh tony ue Tegusae TaDLhngimetya% umes valerpeet vole Vraas verb oy ver envy" [akmnge Aumin sy abi? asa auemyia tardrye Baty? turrets Dism-snayg bores DueDjags cadm-mety2 casmsy? caeeieta cinbz hlmata td ya Bematat lather lige Mangan? ocda mercitya cemmety2 pb m2 bps. OM then-me 2 tantmol2 tu abet B92 morning: tos giimet Gea Ques MEOHz+ nae pa phos sinaraee forenoon | 11-16 Aan so mosh {wc awaits confirmation | ipys: ether more recent or lesser known author | pnt: addtional authors 1 Absontminded oe ancrmoon: akc 94 Ao 1 eater oe wie afer: Aba fvenfng: eae Fear" Gan ftcmoen ae Aernatng with ate sce Animation = alternating = absetnieess Teac alerting = abstain « erfuness (See Cheer alterating - bsentninednss) Children: agv'rana bared causes hyosanay YalCrar kala She ee eS aoe hoa etn EEE meget St Serer a Recta Rei A lanza mma et iron cower Sat se eet comes Mg omit aot Se ee, aes aa torre ie Seas got Sow, Met ca Sas Se eee, Ses Ese, Siete Gat omatl ne ee ae Oe as ae OE ate ert en ona ange ate ere nt Paces coach Bea et ed ig Si Secs er Cove Se aren canine oi ter ae oe, ene ii er cee ee eS eter aati eae ph hima lay ea erage EDM PEPE AD toe sles a ie oe! iu aoe dee a i gate) Sepia we eee ane Seems wees aes Nn ee edna uortcaas Sip’ Waleed teva velkee Welt ra Sl oy ne ae mt ae Mind — Abusive BEE sccutuhaad (aie-fam) aa oy erat Se acs _ i So ae ei ae Cetin ABSTRACT THINKING (See Thinking - abstract) [ABSTRACTION OF MIND: (2 {bsenminded: Absorbed Chrceuranion dificue Forget: Spacd-out; Unobsering eimanennvey) oconezext atom Agatiann agnade® Aum farcizes anis Scola, Ara Saas Baca ni ulog otedeage eateazce camgh“Canndi* coM-sezce COND eT ae apni eres cafeuades caste Chamazaa* chlezce leu ocesavescleheg anton corbcongiser Cochad tystelnelqar eeampsair dulceags elaps Faeopenge Grkaat ular Hos hepenaehytogaraeHyos Iced sas lone iat Kalen et Kal talks go R08 ach et Test ene hese Lysis marboo2 cet maisazaet Imapevucee mangez at Marcazs Moz\* ODay or MEECND Ee Ruemys nurovanigr Oona OF) pivacas Phosue pith bjs pat Tustiede TBtatde sabad stl se sp@s2de_sponger get staan Stari subacyaaat Sulphusymphysncs zea" Tub Vortaaee ‘taza ves waza Wane Vie ba en Bre ‘morning: ga falternating With | vivacity (See Vivacious - alterating ~ abstraction) + Griving the ear, when: Falopenae grebepate_saltane + nls the turing: sabe «eyes th fined pg menses afer: Halen ‘work: while at: Kalepge ABSURD (Sec Foolish) ABUNDANCE: sctmy ABUSED; being (Sce Ailments - abused) ABUSIVE (~ abusive mguage): Anger vex others emtorios: Contemprous: Cursing: Dietoril Disobedenc: Inpole: Insolence: Quarrleome: Rage = intl: Reproachng thers Rudenes: Sander: Speech « fesive; Threatening) a0 ‘Aeznyae apatranae aoe areeks ame Anweye anaes” eB izing aay “arse atoat Aura avec BS” Bar-coaon Bt bor blog Burger clepscanthogz 8 apsd cain cr-soat Chama eng eg he Conk cocina Crear ea Cipeyase eupracin cell ie foorpL ctyage deneolsie Gra dls easy) Fa felt feria tar ovat gaacat gone api high ae HSE longs lbw Rabie Latewet cu locteowe lath Hae! Wer are Maisie mapcngiar edna mopar Mee rateggz Nott Meas Nuys Stat oenoy“xoeeg 220 Pallg pees Pos poten those Bagnt pox 32. nb uns ase sara Sonmpi epi sgt HPA laphsgze Sams stories supa shat Tare t+ {ontnat itera Tub? Vote vat vy xp 'V extensions | © localizations |@ Kinzli dot | 4 remedy copled from similar subrubric i> ranbie ¢ evening: anew vnemaeet 1 ange’ without being: (Anger) des 1 are what she is sayings doesnot! egnhaae 5 eauseless: Stamty2 children: am 8urm-n4 eaep4 Chama ferns tyes pms fachd UA Lyed magcd med mee Nata! Ne phos ree plates le eP aSaphng stop te Tub vrlnans + parents: chr inslting: (fami; husband: mother) aman auton calePnptechamyn hs ach mga LE? yet mag-crets med ness Mere Natomas NUT Plat trent Tubs + towards one's children: kabiige + weeping: with: stam ness «= drunkenness; during: hepgane nuvgse perp 5 amy towards one: (Chen: pores tan moter) kale - followed by | weakness: moschago nateage = friends; evento his best (#Mocking rend) galaeat cca = husband: (children - parents: foils; mother) gas + Insulting; husband is: | wife and children: Wssa1 pet-asnne= wife before children oF vice vers rung Verte + towards her husband: dltgscetujans + insulting: (#Malcious- insulting) apSya3_chamnana éenpls forage Lachane ag-Cnu03 edna Memeo MV Ee pertiews lreninss Nye" verlness [Oe prada cotta Bema Oncpap lerga lenaca fern? erst ya] + dog: calls everyone a: dendrpolsae + indignation; others: ozone si2+ - menses | before: champt* smother; towards: (children parents; family; husband) Seppt+ tiga + pals; withthe: arimgi+ Cham corr moxngt= + person in the street towards a: cont? + scolds uni the lips are blue and eyes stare and she fills down fainting: (# FACE - Discoloration - ish angry) Moscit = typhoid fever; during: Nese AGAROPHOBIA (See Fear - insects) ACCEPTANCE: imen-b Meda leche” ent erent ean” Mart nai Hate fais atalcaces Megas Macy Olb-t¢qryepat Oe at rasan” Posse: ee” pedo potas Puls hist Ee nt Sg Staph tam" Sun MEN Teta cg wean aan lus Yoo-ome OR e cata ag ine tae ag og Meee fa ar Bening: zeae SMeraating ih + anger (See Anger altemating-ffetionate) + irritability (See Italy -alenating- affectionate) + laughing (See Lauphing - alternating - affection) + morosenes (Sce Morose- eating - ffectionate) + rage (See Rage altemaing- affectionate) + sadness: pace td caresses children: phan Pl fection: Pata polka gg Mind ‘Ailments from ~ anger AFRAID (See Anguish; Anxiety; Fea) AGGRESSION (See Anger; Fight; Irtbilty; Quaresome Rage; Violent) 2 AGILITY, mental: ("ideas abundant; Mental exertion - desir Mental exer wines Mental poner = imreaned: Quick tt GENERALS tg) cocainet Golly frat NMS at Hidrmetyg, fetwente motor! Opp cron sty Hengiases Renae AGITATION (See Fxcitement) AGONY before death (Soe Death - agony) AGORAPHOBIA (Sce Fear - crowd; Feat - open; Going) AICHMOPHOBIA (ce Fear pins) AILMENTS FROM: abstinence; sexoal (See celibacy) 1 Abused afer being: Aeon atthe onben* 88m aca rgnt Amt ese ated sil autns tals belpap! boo Laegey Cawril cacgr tne EE ier COLL RL ean ot {Bape ot Tu Hera gn ese Lac Leh ng ange ede ele Nae raed Natl Nat nics Ops Ot (0991 pert Pat pls Sep Sopher Samm Puga tt OL tt wh! fora + shildeen: cenit + indignation; with amt + physically: hss {mariage in: Ace ATG 2 Ct chi We Ios Lact Went Set Nae Nolet Ge Sent + sexuly: (Humid - esl: FEMALE Sexual desire Incest MALE GENITALIAISEX Seal desire nes) Bests mitt snBtan aay" AOE | APs aan St ‘Army, bapan bee ealeppn canta Caer Sane fea) ius tn fle foespenze lym MOsy8" lee rece tale yoann Mebngr Nel at Natron iting: Opps Orga pate Plecy Spee Staph stom Ong” tae Weam (onst) ane Bete-speint Naty one children in: Seng ansonp+mingt Corgis Keosipn tips Wenge MEd gs Mange Mates &Boe* Ping sto ngr Bephege Cue rape at ioe Coteau + silence fom: Crete éhildren rope accusations (Se feprosches) ‘dmonition; fom See Adioniton- ag.) fection; lack of (See neglected). eoholisin: (Aeon: Beer GENERALS Family leo) ae Amarace aa aa Boly eee OEE Garr ante eg nn on Mat yosetact ‘wchyim U8 nacverar eens Brees PRS Stam sibhgtye te eee abstinence of coho: ary Csr casa cats Ambion: (Ambition nrc + deceived: st belgie meg Polsgiteate acne + excenie: Aid + anger: (fia neato; Fes noernce) Aeon? 3 8" ‘Abo Shani aorsiye ene amt ante ans fan antes Art Ase apt game amaeehae A farang Aum ssa oust baba! Rag Bale ODM rye coins cacy cabang.Cavpye shoe acs SN! catbanga casas cus CHAM eng om gs 2 CHEN Gach Eat cri Cle coumt Cae tower ote BN Sendspace akoge fora Fare md Gass Gamat Gink-b4 gent" gaphu gays Migoiet Raman ME MOH Non team dt pvt abr Aap Lah a & Bt {hea has mantoene mataa gr movsanar Magee M2 ‘aj nc mrcgz aay Mt maracs nikangea” A ‘utpnats nye MUR orga diner Opa Fe’ PPS ating, Nutt aN ' extensions | © localizations |@ Kinzli dot | remedy copied from similar subrubric r S wounds ~ suppurating ara pete pote Bee var Hl peter plaspat Pt Merins Siue SUbhpce WOSP. Braet of psn son (See Setceia- phys) _ Jaoting of cz Arde” Ble Bret fait kana suet nipar Pass Rusia Makan Soret shat sat Spier eeownuse VPat SRS nications | ame: ares fo. Nerves: pera eda WRAPS (See Warm- wraps) WRITHING: | loo vessels: bya Matt WRITING IT Nponaat opsas oN NEDA" TM Bec aA BEE ee zon Alig! Stat Bho bata bene sie hose Caewar aimger catia cine tar camezae Gelzoe thnsz" Cen Sreta Cra Fearn socaae Oke" OOSAzoe eu pag MD Pee acon Nepean Kabenzg lcs za! CR emer menyicat Metioat meat ate akanaat noonade urna Nuvo Ohdeos” pare erase” Pracizin’ thossade™ eioa* puso’ ranbeaet Feat Riodhower Musica Ruohoge sabadiost sebni2ae Grow sosinae semniz Senza Sloe sp9s20" SSoranoa Sarager Soohezae sorter Saenz" SUDhn26e* fhitews erie Bea ame ereagTakckze" X-RAY bum or treatments; after: eadmielgnt cal gat ps rapt YAWNING: after agg: amma! crooazas® Mure oet aap earmioge opera” SOE pat EMAL ATMEL OBEY Snot etiioge epeetest Amiga" Osta aut tren blag” banca By igd! cada cae Canna xpi cobomiga Castizoe Chines cinta? Chases’ coring Coca GPa Ogee feria" Grace ePeas” ‘prea bao acto Rroobyoaet Laura Nona Macias” mmaaizes mancyzae apmeace margizc Meine” MENRi* Mirage atcanay" natmadet NuCvi2s* Onda opie aca pencat phoea’ Proscar paige pista Ruel miarzast Sabadnode Sars" sePuaaeY SARA Semizie Saher Siksesae’ Subhaa® ttwzat Aka" ‘etal vloizaet eRe Amel teat ensigar cocanaet ai manboxze" Pace Sehage ein Se SLEEP - Yawning) YELLOW: sana Asie Apa bys ong ane tat Chin Chiag cong ekg” eupperte at Nett a gr alloge Halicegt Halls Lec” Lycos" MerCOa, Spates eg tg Msn ‘sy podons Pus * folden, bright or orange: aahigt loehgt dumieg caréamagtCheltg” so Tate Raby Meg Nuc Fos” SD pte Pusat aes Mos Pt tung en ent SIRZAG sensation or appearance: cles ody ADRENAL Gi sare LANDS; complaints of: thabmetir cortical damage: cao nit farsa adrenal pita icin ce ne OD: 4 enorrhage- bd) ‘complaints of thea me ay an ar aur ct eit Waist degre at te Depp mt) [Peta]: awaits confirmation | ipsis: either more recent oI Generals Circulation - ascending loo ~ qulk circulation o blood sensation of to: a “thin senaen afb Bolt = turmall loads seems abe in constant: onomes* BONES: complaints of: (Brite, Carles - bone: Necrosis fone; Ricks Sofening boner) Arma Asafa aur Cal Caleta Clepetcatranet ching ema Ctt pas SRpt aphrt eup-per pt fae pmi* hep kallbiort Kall Nepit mer bet® recog i ara oat Pet Pr opp Todpas sa laps elt sli Saphgat Suh Syphon Bek bsp etl me ee “nights mer mez * necompanied by | Kidney complains (See KIDNEYS - Complaints - accompanied - bone) + porous: phag “Sypniie 2p Aso) At eum fant ebant Facet pest Rt Ka aes Me Merb bBo rato Pen be S33 bt St he! Ht Unt Bone marow. Segoer Gtbvne ce Gots Fatt FFStet fovclog Eteg Pari brig Mote Cyd POT Hd Poet phot Wet 1 decreased acti toed Sea Yt = Condes: epg oat ght Serge Woot 1 Epiphyses: acpiet 1 Halo bones: aoirz Habe Mri Menge Mustig Hoez “Kong Bones| Dep in: gat Marrow arches Kabat Lyd amet 581 hanya Oat eck _ Perlsteum: Chan tat «chronicle _ Protaeranees of bones: blige abtag mize Sgt 1 Spmpbyses and sutures: aot Cabo" e237 CIRCULATION; complains of te blood: 4poplen: J reoclersts: Blood vstels- complains; Congestion blood: rien Sass Vanco: SKIN Gangrene) Aca Bellet rt rat Chaat gerne lag ata ltt Ka Pare a Prosg2 Pmt Serget seat SNYPbt Yenc, Wrst oe sening: agaist Aanage Aig? tne canna china fez raphe Brora labege Lee Metin alee Navara Pres eng Sopuse SPO Pie —peemin aot epee camnrag Gokan Wace Netagz take bedgn iP ESC _ Mterdoan: aig Gain” ero gene Kab Preset dog Song Pe hte cep dnng age: aman Hye eye GOEhag? Mag rvs ga PUB ign Se Shot evening segue? Atpmets AM 8p Blas’ Bost SE Caihigg Cabanaian aber Castaic Cs? Sern age am Rate” Harn hn Usenet cin ion Mec Medak tee Tau NtSENx* cea aioe Bese Purse bap Att ses eg eeepc Span sips’ Tears Toi” Bent nights aryl ge mig Aso” Eg? Bt SNA” caeerign Dubuat Feohigt HePag Ghat lata Net aba oc Migr at ak OME NSE Peta Parse singe Sea" SHouse' Uber SMe tune «midight: cle tr 231 accompanied gangrenous = gcompa gangreons companied) ope at ; age dg ne stsaua’ ae “ONE ‘sepia ig ata tg Ia te Data? Wer? aka? NESE! Ma? de ayes Pa Oa? SHB SM. inflammation (See ge sult? Toe eat esorknown author | Pn: aional authors | 2085 Circulation - beer 2086 beer agg: aconag2 arSage beloye colocege Ferg2 Weber nurvege plstge Ruste Seba Seog SBM 2 SUI ta det Tg = coffee age: cantge caustng Chamba china coocage nbg2 Pose Imerciga Nnevege Pracige Busby? MMUloge SUM ige Tig + coition | agg: vscage + cold ages taking a: dleoga + collapse: makati = company age: cat-veg2 ~ cough agg: Aco a Amn Arn Been yen Cann catbvtge cinoge tga nalMyee nitacege Ruwcege Phoseo pus tye rhus-toge sabadag2 Seng? Sepeg2 SP0MGng? SQUlbg2 Suphage - diminished: set catbantrs eschert manciet + disturbed; peripheral; crate ists - drinking agg. after: aconie enaciyeaitiga Amoze Arsh brom gz Toyene Caleage Chiesa corse clcage Conatcet coche? tint forge hepge Noting rikacheo Nuage pubige RWUtage Slage subg tere Thee Vert = eating: + after: agg: aconpg2 alumgeangugeasatage Bryoge cache Calbia et camhng2 Carbanpa ce Corbvoga causloge chamoge_ ching? canaga ep ege anoga Kabcoge Lycoice" mezoase’ Natcog? rating Msc at Nog Page Bee Bate Phos pce Prlsogatanboga Seloga sepoge Snge Skacage Uphoge WU? Viol ope zncpaet mel: cins7. 2 + Defore | agg. ealeiga Ching conoge iodaga Kalrcge Notenge Phos ig seg + while|agg: amcyge cabenige carbvese ignge Koon ritacoge Sep gz Spiga ~ emotions; from: Acontse Ambnsig2 apisig2 asafnge Aurng2 Balooe bryoge calénge Chamagz coflge cachaxe Cobrage Connge autos Hoste lantse kabenge Lactiga cas? mag-cn2 Natmege Nt3cagt ‘Nuxseza Opag2 Poiga Phracig2 Phosoce platige Pustse SePoxe ‘Staphoge stamige Wucre tujy veraone ~ exertion agg; after: cone Arcot cet age age bys? Sgt Todas lchge hetga mephixe Meese ama ge" ee Sta song ig subpage Pee = hanging down of parts agg: phactga = hung when: alice inspiration: + agg: bellge Sepbge + deep | amel.: cab-veg2 «= irregular circulation: scono;e ammprt Benga Chinage Ferese Genie Lachga nitviga Pega SD? Slbhie «blood scems tobe ina constant turmoil (See Blood - turmoil) ying: + back; on | agg.: alumaga am-coge ammog? Arsbtde* caUslage Chamog2 chine clociy2 Cpt ox2. idNag? fdga Kalinage Naxroge Phos gz pb ge Puta thusts2 SePexe Sige S02 «beds; in | agg: aconnge aonbge alumaga ambroge angige ani-ceg2 antiga Arpimeln er amiga asafeg? asatoge aurege boreg? Bryog2 Calebtaer chamago chelag? colocege feroge.sraphegz alga ignoga dogo Kang kak nogz lego Lyeog2 mago32 tmangega Menyeg? MeChgr moschga Natmo ger NICD cet Ux-Vog2 O2Cog2 Phos Pi-Nege Pub eg? Rhustago Sambg2 Selog2 senegag? SePbx2 sp9tg2 ston Cog2 Subhiga valerhge veratyze Voltage + side; on |left| agg: acontga amrcga anacoge ngage Barcose Bryoge caleage cantge car-annge carb-vng2 hinge dim? lon ogz Graphix Page Kal-ga Ugo Lycoge MetCag2 Mei? Nat-cizcet Natmot cet Phosoace pipnige Pulstge SePba2 saga Sanna sige tung ight age: acontga ammoge anacega Argimag2 bork atransgzipogetalbnoge Hoge Map-mog Merge NUK Dg2 bust Seney ge Sidon sponge Stanmog aboge vio? 'V extensions | © localizations | @ Kiinzli dot | 4 remedy copied from Generals lying down age.; after: ayn cle Ait Bg. Coe amok ni ‘dembg2 Cycle due fer Pte cae MOM pn 2 a ma eee Phage Sa cake Phi ae Pag Meno i MP ge ~ menses | before | agg - alum, See 2 ‘slocnge cong Cuprens a Dt Can Tt a Ra, He Ge taphesea i Sn Sat + during | agg: arsee cao oe sine a Ph li ay ~ motion: “ " i Vag ee Sng ket, SEEN ag Ate te Graph set lodoace? kang lage ean’? 2 Ang Natoma de News nati ans ps TER rae SambeseSeeaize SeP a2 Sn Sg tu ae suphge Thea de® valetige 2 Stag sms + amel: gaye + arm; of eft am agg of phase ~ music agg: aang leg das He Nag an Seon Stohen Tg Vo ee ase ata Phang + pala + afer: andere + ding: azange Bove Boge cine gg ‘kal-binga lach bg? nux-vng2 Spigdg? neat + pressure age! ating Felaxation ofmind agg: Song sry Slog Hag Cig eg Sain mance Tam Pt Pes a Sarg stoma? Fest age sityp amet amp atu tng Cag cng Charo cg? Goya nn eng Da Deg Eg ge Kabcnge kaki Kreoserace” Weage Magimoye Meyiz Pome fatont Nate arg Poon? Pg ls Rs {Stag soy Sonn Si Spe tg hg yg vaerne maine + stoping: fom agg: Aconig Sgn lig Bye ain MI 2 Pega tagalog? ln mel aeoee singing in chutes | agg: cabane * siting pou + agg: agar lng Aro! Ang tt Ai See eee cig cabana SL Dace eg ela Goma ez Magnet PSHE reer cg mrstng Meee Pend Mae, Blt? psy Modan Ruta bate, Site Spigoge suhoge Valera vebon? + amel: ijece "bent forward | age: aumict 2082 area Che Dig MeN PHM re gn Rous seethn Sinz SE Sanne _ «steep | during | agg: scone Ariat ett ahi ean it Oe MSN Sy Set seg sad Nation Ob ee Sambz epg stg Sa? meer nage cabagprating2 ts? before age: rit 2 woe ers Ft hig Wd MAP Se ane OI PS Saba sai? thujoge 2 pect arse A ac Ar vgs OT Eat simitar subuore

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