The Biggest Hits, The Greatest Artists WINTER Edition

BON JOVI
Everyday
VANESSA CARLTON
A Fhousand Miles
DISTURBED
Prayer
GODSMACK
[Stand Alone
JEWEL |
This Way
ELTON JOHN i
This Train Don't Stop ee
| There Anymore
KORN
Here-to Stay
Thoughtless
CHAD KROEGER
Hero
AVRIL LAVIGNE
Complicated \

LINKIN PARK
Points of Authority
_ NEW FOUND GLORY |
~ My Friends Over You —
PUDDLE OF MUDD ~
She Hates Me
Authentic GUITARTAB Edition bx AR
STAIND Includes Gomplete Solow

For You"
—*)
TihifIlT o
sers
E! la
HAMM

1
33.044
i}
GUITAR 2002
The Biggest Hits, The Greatest Artists WINTER Editior

Project Manager: Aaron Stang

Production Coordinator: Karl Bork
Art Layout and Design: Debbie Johns

© 2002 WARNER BROS. PUBLICATIONS

All Rights Reserved
ee — RS ee
nner —

Any duplication, adaptation or arrangement of the compositions

contained in this collection requires the written consent of the Publisher.
No part of this book may be photocopied or reproduced in any way without permission.
Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law.
 YUs4/ adld § OG
3a4-
Sob FOC
3 / COMPLICATED
Avril Lavigne
12 /EVERYDAY
Bon Jovi
18 / FOR YOU
Staind
22 /HERE TO STAY
Korn
28 / HERO
Chad Kroeger
32 / 1 STAND ALONE
Godsmack
39 / MY FRIENDS OVER YOU
New Found Glory
46 / POINTS OF AUTHORITY
Linkin Park
50 / PRAYER
Disturbed
58 / SHE HATES ME
Puddle of Mudd
62 / THIS TRAIN DON’T STOP THERE ANYMORE
Elton John
66 / THIS WAY
Jewel
80 /THOUGHTLESS
Korn
70 /A THOUSAND MILES
Vanessa Carlton
 Ww

COMPLICATED
All gtrs. tune down one whole step:
©=p"@=F Words and Music by ;
Q=G" @=A LAUREN CHRISTY, GRAHAM EDWARDS,
Oe CesT) SCOTT SPOCK and AVRIL LAVIGNE
Moderately J = 78
Intro:
Pa rai Ae sesae
23 32
i
21 34
Hi 132 134

f) 4
Sic a osi OS a a an on
a ae ES) a SSE a can. Se
a ee ee amma Sammon acer ak
Uh, huh, life’s like this.
Elec. Gtr. 1 (w/semi-clean tone)

ae ot se a eg ee
———— a FBS SS ESS tf EEE. Gee. ress
(fae SS
25 1 SES =a {EEN
Has _ a PS Siees Ime 1 ae ee ee
Se eee ageeemas > ees |are] ee
mf BM. ~~ -98 9-299 sdere en 7
I Sere
' Lene
7: a ee ert as a ree oe

Elec. Gtr. 2 (clean-tone)

} 2 = ae
Dae eS Eee eee eee ee Pee» ae
4 ee ee eee

™p hold --.-
i ee Sa a
a a, a er, ee ea a a ee
SN Se eS ee eee eee
ee 8 See

ie} 000 X__000 fee} XXO

23 32 21, 34 132

Cont. rhy. simile

© 2002 WARNER-TAMERLANE PUBLISHING CORP, RAINBOW FISH PUBLISHING,

MR. SPOCK MUSIC, WB MUSIC CORP, FERRY HILL SONGS and COPYRIGHT CONTROL
All Rights for RAINBOW FISH PUBLISHING and MR. SPOCK MUSIC
Complicated - 9 - 1 Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights for FERRY HILL SONGS Administered by WB MUSIC CORP.
All Rights Reserved
>

ies]3 ~i 7)

ee @ 8 # &
resi3 Q3 4 ~i op xO38 XXO

f) 4
yo SS SL LS SS S\N \Wael
WS . SS SS WSee |
[ge > a et
a 5 mae. 2SSRIS 4RNY 4 ESSE) (SEERA SETS 2OTST SEN 0VORA ray SS AN A ea
BARGY.

Elec. Gtr. 3 (w/dist.) ’Cause life’s like this. Uh, huh, uh, huh, - that’s the way it is.
. oe ee \ Pie
f) -
Bes,
&&~_ S o =. ;

——— = ee
= rae ey 7 eS) Ca
ere ee

NSU a
apg
a Oe a SS ee en EEE Pee A A
cL i
rn
1

gg pg ee ee
eT Sina Mele SE EC
Ra ea
BREE
EOE EE EET
> ee eee Leen
Elec. Gtr.1 Reais fS “@-: PERE OPEUETEEOTLEBOD

ZS
A»45° Darr Ae
a 0 ea
Gentes SS aaarSaP,
D a
5 ee! 87 Meee

W/DGY ~ === Fe ae
eww PCOWCECOCWCSSTTTOVCUDS Pee BROEREPEEOEPCOEELESOOCUEDT

a ay SL ee SENS Reeeram ene amt

Ya 7
a ee aL (ON ee NY va Dl
Sa ee ey BES. nea

eG aja ee ee © = ee

| Sy Ted Lg
ce 4 ‘c
had
mp
. Ree eee
IR

5S Se ee ee eee [47 1
LS Sei Se Sa ees a ae ee ee a
Ee
ie ee, We ee ee eee Seer Were Se)

!
a eee erSS
Ee SS te cee

Verses 1 & 2:

21 34 > a =

Po
ea esen ee = Ls SRGS
Les
DS] aes | Se
7 ae
1,
SS *
_
See
_f#° EE—o—_
Be
f&
Gee
#91} _ 4 _} __+—_$ } ee eoee_#Pee eo _#Pe#6 |
ey Ay ae (a
= ——_—

1. Chill out, what-cha yell - ing — for? Lay _ back, it’s all been done_ be - fore.
Elec. Gtr.1 2. You come oO - ver, un - an-nounced, dressed up________ like you’re_ some - thing else.
ae
S <a I

ail

‘<>
ie
ee
a
M+

if

oe!
GF
Cae
mea
ogee

Q ° 3 aah= = o Qa No} N
 And if you could on - ly let it be you will see
Where you are ain’t where it’s at. You see,_ you're mak - ing me

Em

21 (34 23

Cont. rhy. simile

a a es 2 ees ne es es ee a Se
es
Bs
— 9/9 or
"1 a a |

I like you the way you __ are when we're driv - ing in__ your car
laugh out when you strike__ your pose. Take off all your prep - py clothes.

Elec. Gtr. 1 (on repeat)

) ee Weer — mt AA a
= SE Se eee ee es ee, |Pe ee ol es ere ee REPS
5
7 Ae” ea ee a iS Lee eel eee ey a 1S ee
eS Be De ea ee eee ee, eee eee ee eee |, ‘Pg fe fay SSeS) eS

£0, wus

21 3 132 a
— .

Bf... BSS 6S CgO ed poe pe | nn Se H

and you’re | talk - ing [Oa Te one on one. But you _ be - come |
You know you’re not fool - ing airy s=_ sone when you be - come

Elec. Gtr. 2 (w/dist.) on repeat ce

f) ¥ 2
| ese a
Ne eee eee ee Se!

!
a yy
| |

iL

asSese5s
Sf

Complicated - 9 - 3
 % Pre-chorus: fi
C9) c%y Ci) Em

some - bod-y else, *round ev - ’ry-one else. -ing your back

You’re watch like you can’t re-lax. You’re

eaten ee
mn 6
a Za

msay ee ee
eS ee

a
SSO
s es e
ee eee eee
RP PRIN
a ET eae er MEE IP

Elec. Gtr. 3

l)
=
|
[TA
WW,

try’n to be cool, you: look slike> a) “fool toe mes ee Tella me

Complicated - 9 - 4
 ‘a.
Chorus
x
E5
TH Tfr.
XXX
ae
Se a of
Tad
a)
13

MS
lines
13 3

il||

mii it :
ee eae aes |
Aaa
ae
———— oem
SS ses ot ae al
fore shea ar
a
Sa
ee
aaa
ee
ee {|
__|

why’d you have to go and make things so com - pli - cat ed? See the way you’re

HO
3 |
Elec. Gtr. 1 (on eRe)

|
Allalll
[ i
Elec. Gtr. 3

i
a)
NE ltafh

I>
[
i
| ll ——n|

ill il il
et

A
hold throughout

Shr d

i
il
2 a j
nr
x XXX
aiil
aifE E
;
Ml:
13
Harmony vel. cont. simile
Ke aa
eer (Pe Perey
intneo ak |(
:
SS es es eee
Ve eee Ee ee ee F SE ES a ee ee SS
|RE EE A OEE TE TADS OE AGATA,

act-ing like you’re some-bod-y else gets me __ frus - trat - ed.

i Life’s like this, you,
|

neg
|
2s
i.

nel
|
iM ll iy
Mt

I
t

KE Ith |
[ sh
i Neitieee
et
——=|
=
A

hold throughout

Complicated - 9 - 5
 XXX X_ XXX
X XXX

SS SS
a
—
ee
i a
ee ae Se Ge SS ee ee ES ee
eee
re

you fall and you crawl and you break and you take what you get and you turn_ it in - to

hold throughout

To Coda® | it
Xo_XXX
CS K__ XXX

hon-es - ty prom-ise me I’m gon-na_ find ya fake it. No, no,

Elec. Gtr. 1 (w/dist.) > end Rhy. Fig. 1A

Eo £2) = SS er Sen ee = eee eee Sey See ad ee eae a 2
«Wie fies
aa Se jie rere: Maes Pe ee Se
Af. EY Fee, ae SS ee ee Pe ee es ee Se a eee
NS ae ee Se SS) See

end Rhy. Fig. 1

> .]eeeeee ee ee eee ee ea ae eS
3 Co, en a Ee ee ee SS ee Ee eee (Ee eS ae ee
BS ee eee ee Sa Se ee eee ee ae ee

Complicated - 9 - 6
 Fo Interlude:
dail L cP LP
ce
21 34
eo

Ri eeRee eres Se

MU ate

no
No,

($1
ee ene
eer So Sa

no, “te

ee
eeeeee eee
eee
ao
ge ee eee
So

2
eRe
ae SS as
a a ee
en ee
eee een
[a pe — geen

CQ)

Z3
Si
d
=
4 —

a
no, no
no, no No, no, no, no,
no, no,

ie eee SS ee

Complicated - 9 - 7
10

Verse 3
sem,
G

eas i

Cont. rhy. simile

ne SS SS = _

chill out, what - cha yell - ing for? Lay back, it’s all been done be- fore.

A D.S.% al Coda

132
C9), > >
Acous i a arene
Gtr.1
21 3 Ca
rn s

P= EEE eae — aoe Ea EEE Se El PE a) (ee ee ee et

a a 7 a a Ge IY ae cee Bo ae. PE Rel ) SE "RRS oe PS ee eee eee
Lt. aan See aes § Se SS EN EE Ee ee ee ES Res Pees [Bee SS a OE |
My, nee ee De ee ee ee ee ae ___ RS eS

And _ if you could on - ly letemcit de you will see

|B EEE
== a ee
= Ee ee ee a a

co) Outro Chorus:

Goa w/Rhy. Figs. 1 (Elec. Gtr. 3) & 1A (Elec. Gtr. 1) simile
E
x ee X__ XXX
Zie3 >

Acous. aa Pee EPSP te

Gtr.1 . 13 I

wae x
iENSY | Sa Rr a a SG GAS GA

— No, no. Why’d you have to go and make things so com - pli - cat -
Elec. Gtr. 1
=
f)2 °
{ DI aia a ee ae Se Le Es

Complicated - 9 - 8
 11

He
D5. 5 fr. X__
E XXX :
C5
X__XXX

\
- ed? See the way you’re act-ing like you’re some-bod- y else gets me _ frus - trat -

ise oh 2 es

- ed. Life’s like this, you, you fall and you crawl and _you break and you take

Xo_ XXX

X__ XXX

Complicated - 9 - 9
12

EVE RYD AY Words and Music by

JON BON JOVI, RICHIE SAMBORA
and ANDREAS CARLSSON

ene go ee
j7sus2
PS G3 ee

134 ss 1 11 Use 13 31
Moderately J = 108
Intro:
INC,
A Keybd. (arr. for gtr.)

Abs sate ——— a

s = > o oe =

pepyeh
Ee
4g 9 4g tg 9 6 5 0 6 0 oo 0 ene 5 pee
Ae ry ry ry

*Am Am/G

eae: ab neeeS . end Rhy. Fig. 1

y- Fig.

ihe
TD

Elec. Gtr. 2 (w/dist.)

ke Rhy. y- Fig. Big. 1A end Rhy. Fig. 1A

S. > S . > = SS = >

mf
A
B—0—o—e—e—3—e——_0——__—_—_3—__—-6 €—_0—_0—_0—_3—_@——_6-

F#m7(b5) Fmaj7 Am/E

= Stes ——— eeSSS

© 2002 Universal - PolyGram International Publishing, Inc., Bon Jovi Publishing,

Aggressive Music, WB Music Corp. and Andreas Carlsson Publishing AB
All Rights for Bon Jovi Publishing and Aggressive Music Administered by
Universal - PolyGram International Publishing, Inc.
Everyday - 6-1 All Rights for Andreas Carlsson Publishing AB Administered by WB Music-Corp.
All Rights Reserved
 tS

Verse:
w/Rhy. Figs. 1 (Elec. Gtr. 1) & 1A (Elec. Gtr, 2) 4 times, simile
w/Keybd. ad lib. on repeat

ie | used to be the kind of guy who’d nev-er let you look~ in -

2. Change, ev - ’ry-bod-y’s feel - in’ strange, nev-er gon-na_ be the

f)
AHp
side. I'd smile when I was cry - ing
same. Makes you won - der how the world Keeps turn - ing.
Elec. Gtr. 3 (on repeat)
LIETRS
eee ——
W A[Rene sy | = BETAS.
TF S|
tay ae ee Ee
a
BONER Seong memset

A a

{} i ee eee ‘ eaiaa einaeamenale a

=> a 2 El ees eT ae ae Ma eee Mea ee a
S .<asagi o J ee a an EE ea
Ltr 4 p= 6 a a ee ee
YY ee | a a |ee |

I had noth-ing but a_ lot to lose. Thought I had a_ lot to

Life, learn-ing how to live my lites learn - ing how to pick my
Elec. Gtr. 3 (w/dist.) = =
—* a ea

yea aa
° oe
mf w/flanger & delay effects
hold throughout
a
wy: che omesti ——————

in my life there’s no de - ny, <=thecins:

take my shots _ while I'm still

+r
Everyday - 6 - 2
14

Pre-chorus:
Elec. FS G5 F5
Gtr. 4 >
(dbld.) nee eM
iA La 8) oR
(w/dist.) © e ii LK , an ¥

Good - bye__ to> Pallse My..;.yes = .)ter = Gayse Good - bye,_— so. long,—
Good - bye__ tor Pralls oes those rain - y __ nights._ Good - bye,__— so long,—

ee Um<> On... + my way. I }

= I'm mov - ing on.__ I’ve

a ft nds= S =a

ove
EN|aN Be |
| i
TH.
trem. pick throughout

N|, ob
|> \\
&e:

J
f D é \
Lo i ae” f S
ES TT A ee PE Le Pe as PT \UR "ee ip a ee if
Sa) Se eS a= — Se K+}

Hear me when I say, gon-na_ live my life ev - ’ry - day._ I'm gon-na touch the sky,_

end Lead Fig. 1

ov So

Les = a eS ae
 ie

spread these wings and fly.__ I ain’t here to play, gon-na live my life ev - ’ry - day.

|
A

©
S

ne

A PAE
69 3 80

AM
gy;
! | RI
iil

he
tT
ils

i
take the wheel,_ I just
*
live my
Sp,
life ev - ’ry - day._ lg |
Elec. Gtr. 3
oe
SU
<= —

ih
Hilay

eS eS
[ios
eos. ee ee
[te ee
|
hold throughout

23 A ae See
Seal

[EY BH ts ee ne |
(at
eeee
li

Rie ee ee eer eee ee

er et eee ee eo

Fmaj7sus2
HHit
ly
[

aa eel
—
Se
Ss ES
|
|‘

foal
east aay
Hh

ee
|

made my - self a deal._ There ain’t noth-ing gon - na get in my__ way. Ev -’ry day.

Everyday - 6-4
16

Guitar Solo:
w/Rhy. Figs. 1 (Elec. Gtr. 1) & 1A (Elec. Gtr. 2) 4 times, simile

Am Am/G F#m7(b5)
Elec. Gtr. 5

| ROO22O33232323B2]D 1

— —5 zt
a ld na i] BreenNal eae ae Sarna ed) uae EL ace |

T--8 Cee ee 1g ea ee
ae 4 (4)- (4) (4)
|
CB | |

AS
Elec. >
Fmaj7 Am/E Gtr4

octave effect dlbs. 8va

Everyday - 6-5
 17

Outro Chorus:
ES w/Rhy. Fig. 2 (Elec. Gtr. 4) simile
FS
J w/Lead Fig. 1 (Elec. Gtr. 5) 2 times, simile
©

iis
Good-bye,_ so long, = -=$I’m mov = had e-nough of cry -_ ing,
; oh,

: =

Cs G5 FD E5

bleed -ing, sweat-ing, dy - ing. Hear me when I say, gon-na live my life ev = ‘ry -.day.—
I, oh, i I’m gon-na live my life ey - ry — day 2

AS G5
eats

eSSSS | eee
I'm gon-na touch the sky__ and spread these wings and fy
I'm gon - na touch the _ sky, oh, spread these wings and Ves

1 ||2.
FS
=
Elec.
G5 F5 G5 Gtr. 4 on

a ee AL
{} Ss

I ain’t here to play, gon-na live my life ev - ’ry - day._ live my life eV = ty 9) Gaye
I, I'm gon-na
Elec. Gtr. 5
>
A

maay
trem. pick

|p eas

Everyday - 6-6
18

All Gtrs. tune to:

FOR YOU
©=Ab @=Db Music by AARON LEWIS, MICHAEL MUSHOK,
@©=Eb @=Gb JONATHAN WYSOCKI and JOHN APRIL
@®=Bb @=Bb Lyrics by AARON LEWIS

ES FHS G5 Ffsus2 D/FR D/Fatype2 A5 Esus2 Dsus2 C F#5 type2

faTf. fiOfr. f°" fa” feOfr. fa Ofr. Gee fe Tf. fi Sfr. sai FR

122 122 4 333 222 114 11

333 333

Moderately J = 88
Intro:
E5F#5 ES5F# ESF#S ESF#5 E5F#5 ES5FHS ESF#S GSFH#5 ES5
Elec. Gtr. 1 (w/dist.)
Rhy. Fig.1

ag —_— — ee
<<el TS
a a ae a ee a ee a

pe PM =a OT i eee RM eee pueeseer

| A
= , 2 O O Zz. . =. 0 ° . , 2 O D D> O 9 = rey rey

9 9—9 d — —* ——" ——
z 9 ——

E5F#5 E5FH5 ESF#5 ESF ~ E5F#5 ESFH E5 F#5 G5 FH ES

end Rhy. Fig. 1

————————————————————————————————
4, f ——a
——______________,,,,,__}

ee ee ee ee ee ee ee

a PM Po RM se-1, = PM so) oe PM > SPM

e Te

l
aa a as
|A a ee ee ee
s = a — rs i) 9—9-— #9 Ff -9 -9 9 9 46-0
e 9 f- 9 9 3 F- e O e e e e A e 0
— — —" — — — —- —"

Verse:
w/Rhy. Fig. 1 (Elec. Gtr. 1) 4 times, simile
ESF# ESF#5 ESF# ESFRS ESF#HS ES F#5E5 FHS GSFHS ES ESF#S ESFHSES FHS E5 F#S

reariet fo" my. face ether it’s your son____—— or it’s your daugh-
- lence is what kills__- me, I need some - one here to help__

ES FH ES F#SESFH GSFHS ES ESFH ES5F#5

E5 F#5 ESFHS ESFHS ESF ESFH GSFHSES

aad =o Are my _ screams

ee SS
loud e - nough— for you to hear_
But you don’t__ know how to lis - _ ten and let me
© 2001 WB MUSIC CORP., GREENFUND MUSIC, ILM. NOBODY MUSIC,
Porvound onl PIMPYUG MUZIK MUSIC and MY BLUE CAR MUSIC
All Rights Administered by WB MUSIC CORP.
All Rights Reserved
 — \o

$ Chorus:
E5F# ES5F#5 E5 FHS E5 F#5 ESF# E5F#S E5 F#S G5SF# E5 Fésus2 D/F# D/F# type2
Rhy. Fig. Z
Elec. Gtr. 1

a a

Zs ; ae BES (ee ee ee eee

eee ee

ae mie? Should I turn_____ this Up anor alii , :

sre ake my de-ci - __ sions. ‘ } I sit here locked_
Elec. Gtr. 2 (w/dist.)
Rhy. Fig. 2A
() o# 7 —

Si ES a eS SE (eee Diet iae = eb Ge ae eee ee a | [| a ES

ON ee ee ee ee ee ee | a

mf

37
a ee |Le
| A ess es
= ee ee eee eae sh |
a a eee |

A5 Esus2 F#sus2 D/F# D/Fxtype2 Dsus2 C#m

4 — Ga
- /—eot— @—_ — ee A ey EY DS GG ME me
be. Se
Ly Tv t 3 0 a ey pe, leer WW ey Gee "ees ee eee 2 ee (ee 2 Pe ea ey By Bay Rai 7 Py
af ., = ae”, eee 2 ee EE ee ee eee es Oe ee Ee es Sees | ed" Ses (oe ee SL
ee SS aS a SSS Oe ee Se a St Ee

ae ie = side ays head

__ re - mem - b’ring ev - ‘ry - thing_ you’ve_ said._

A uF LON — Lay
' Se i ee) Se ee ee a Sey See de oe eee ey ey Gey Beal eel ed Ged Se ai ee ey Le
Hf pay teenie ff f+ + + +} + Fe

: ; ; : : ——9
= F—_—_—__-__"______"_9__g te
|A [See ee eeeee

To Coda ® |1. end Rhy. Fig. 2

F#sus2 D/F# D/F¥ type2 A5 Esus2 F#sus2 D/F# D/F¥type2Dsus2 C#m

De Le ED ON
[) #4
Lee Lent | 1

is
AES
a

ES
rr a

SA
A Se

SEE
ae a

Te
“=
|
A el —>3—+—__
Sees
ae ee Se ee eS SS SS. SS

tr
etree Aiis,st.- lence," gets__- us no- where, gets__ us no - where_-way__° too fast._2.The si -
end Rhy. Fig. 2A

i it
LY]
ait Ate
iS
i
=a ja
——~

a a
en
wy
a
ee
eS
NOR
ae
es
Se
-~

ee ee ee ee
Ta A
ee
Ae
ee es
YT
Ss
Fe 2
ees
a
ees
prc

Pa aes Kae See

Se __
~~
7

5 5
oS ‘<- ‘<>
5 5

ED
ES
es
aM
I

Ey g S i=] - N
 2. Bridge
AS E/G# F#5 w/Rhy. Fig. 3 (Elec. Gir. 3) 9 times,
simile
eee.
in ee
= SSbas a a ee
4 s D eS[eS
_
es

ae HOO fast._ All your in -

Elec. Gtr. 3
p 4 a Rhy. Fig. 3 end Rhy. Fig. 3

> (w/flanger) : =
mf PM. throughout
A ee MEGOMGMoCus eso)
ee a
eS SS SSS ee
ETT aa I LE ee eet SED |Pe aera ee aes ee
S| Ie ON a

- sults and your curs - es make me feel___ like I’m not a per - son. And I feel_

F#5 type2
mn oe (bn Goer eeei2
———————— ————— — ——— ————————
>” Aer” 15 Pe a Ee eee Canes Pine Car ae ee ee Ce

BAU eee 9 Ce Bee eee ee Poe See eee eee Ce Eo

ee SOVNKE I am noth - ing but you make__ me, so do some-

A Elec. Gtr.
a ——— aS a eee ee fe
7 — ————————— —
———E

= > =
a es a 8
a en, ENC run EN eS Os Sees
|A |g oe ee ee
= | 5g Se ee eee
Se ee

E5 F#5 E5F#5 E5 FHS E5 FH ESF#HS E5 FHS E5

om.
| i ©
as a eae (eS I Ve | ee ee NE ee SY Lei
ee SSI
SS,
af. = eB
v, "A a ad LS a ees ee ES ee =. NES SS
Yom ct sen. ae a
ee ae re ee ey Gres Se

- thing. ’Cause I’m f***ed up be - cause you are, need at- ten -

Or. Mee
CC y-# SESE Se ee
Heat Se——— a — ——_ sa — ee -—

Ss > Se : =

) 7
For You - 4 - 3
 21

FHS ES5F#5 ES FHS ES FHS ESFHS ESFH5 5 D.S.%al Coda

f) a aes ee
aa
Sa ial aor — Sa 1

. tion, at - ten - tion you could - n't ove.

{) #
>" ae, LY
Cte‘amiS Ss os — ee ae ___, ee ee, ES 8
a ES eels en ee ___ fe ee ll
Sas ecesies Rs Sees Ses Rtas ST aa EE calRENEE (RENO Se ledeessceavaenr ila Rama (OREN eweey parsed ne Ime
-_
—@

> Se ee ‘ > = ekeee SS le ah

B 2—_@—_2____9_2___99—

Outro Chorus:
0 w/Rhy. Figs. 2 (Elec. Gtr. 1) & 2A (Elec. Gtr. 2) simile
Coda
Dsus2 C#m F#sus2 D/F# D/F# type2 A5 Esus2
Elec. Gtr. 1 peat

an —
() = Gp ae ee

yt — ee

ee tO0) fast: = iP ot here locked__ in’ = “sidél_) (mya) heaas

Elec. Gtr.2

F#sus2 - D/F# D/F#type2Dsus2 C#m F#sus2 D/FR D/F§ type2

at re - mem- b’ring”— ev - ry - thing you’ve_ said.__— This si - lence gets_

A5 Esus2 F#sus2 D/F# D/F¥type2 Dsus2 C#m

Geel Ged . ae ae». Wd (ee Ss
H--—}— {4+ —J-—-_ }}-— j-— --@ -—
U

eee «LIS no -_ where, ects = cus no - where way too fasta

Outro:
w/Rhy. Fig. 1 (Elec. Gtr. 1) 1 1/2 times, simile
ESF ESFHSESFH5 ESF#5 ESF#S5 ES FHSESF#S GSF#S ES F#5 type2D5 ES F#5 ESF#SES
Elec. Gtr. 1 5 j ] \-

For You - 4-4

 All gtrs. are 7-string gtrs. Y
tuned down one whole step: HERE TO STA

Oe Wie) Words and Music by

©=D @=A KORN
@=G @M=D
@=C
oderately J = 102
Intro:
N.C.
Elec. Gtr. 1 (w/dist.) dbld.
tA FI a ee i a
6S SS Se

Band enters
0 i PEE Sena hrF AES ae es
Al i PENCEpeg Reni ee Se rs) Ts
GES SS SS Ea Cea eral a ——__——_—_ [i ____. I i a ee aa —__.__.___._ Say
Say Saas he hee ts | pr $j} —]

3 3 Sid ig )

F\ | eee
ee
eae ae
6 1 Ee SSS —_ or ee ae ee |

€
V, =a =a ae ene ae ae ESE pn es Ree eS EE ee) ee ee See) nae Ree ____., SE

ike Kd

] ans :
A
a
— +—_—9— 3009-2 +——_0—3_+_0—__ 002 B—-

Rhy. Fig. 1 end Rhy. Fig. 1

a a 2
e 2 de se F a e Be RE TE EE E CR
oS aar ates ddd

© 2002 Fieldysnuttz Music, Stratosphericyoness Music,

Here to Stay - 6 - 1 Musik Munk Publishing, Evileria Music and Gintoe Music
(All Rights Administered by Zomba Songs Inc.)
All Rights Reserved
 Verse: 23
cee Fig. 1 (Elec. Gtr. 1) 4 times, simile

at 25
1. This time I’m tak - ing it - way, I’ve got a prob - lem
2.My ~— mind’s done with _ this : - kay, I’ve got a ques - tion;

with me get- ting in way, vi - ‘lent as take my face and

Can, 1 throw it all a - way? Take back what’s mine. 3 I take my time,

Sa bash it in=to a mir-for I won’t have to see the pain a - wait-ing for at
guid - ing the blade down the line. Each cut clos-er to the vein. Bleed! Bleed!

% Pre-chorus:
N.C.
t)

6ice ee ee ——eee = =
This pain is el - e - vat-ing as the hurtturns in - to _ hat-ing, an-tic-i - pat- ing all the

7 |

Lf—— = ——H —_ ———___| es —— fl =e

CY 0 eee [atl == ——<x«<
| |

|
|
A |

EE

AT SO MEL TC ee a EM LS I TLD TR TT
Chorus:
ae D5 Ge D5 ES

2 33 i ae 133
Fig.
Rh
aks = end Rhy. Fig. 2
Elec. Gtr. | |
(dbld.) A )

=one _oat Se |
f***ed - up feel - ings a- gain. The hurt in-side is fad-ing, this s***’s gone way too far.
Elec. Gtr. 2 (w/dist.) end Lead Fig. 1
Lead Fig.1

mf

—
w/whammy effect

Here to Stay - 6 - 2
24 w/Rhy. Fig. 2 (Elec. Ger. 1) 3 times, simile
B5 D5 D5

a ie a a i if if ei
SS eee SSS aa = =e
All this time I’ve been wait-ing. Oh, I can-not grieve an - y more. For once in-side a - wak-ing,

ad

fan
pe ee FEES == —
|

18 AO Oh Oe me +0
p12 42 4284219848 2 4313 42-
AT
-B. |

To Coda @ |if |
G5 D5 E5 CS BS D5 G5 D5 E5 (Se,

Oe a ae ae
as Sop Ss eel
I’mdone, I'm not a whore! You’vetak-en ev-’ry-thingand oh, I can-not give an - y-more.

0-4
SSS ae ae CS lee
e
ee Ses
° SSS
ae oe
RY [ I U

— 10 10-12-4246 10-10-10 —10 10-10 —10—10

1300 13-12-4212 42-1010 —10 10 -
°
A

[5
) Interlude:
| BS

ll

Elec. Gtr.1 me > Rg a a ° aa

oh, I can-not give an - y- more.

Elec. Gtr. 2

SE ~{N{/%
= ——————
w/effects

| nS Je t2 +0—
~: FT =29: 1
Bi = 9 —?
B |

Here to Stay - 6 - 3
 L |2. | fe 25

I’m here to

SS
Bkgd. Vcl.: Ah,

— =
REAL 10—42
= 3

EM.
9 ><} # F#—9
zt =f 2 zi
~9—9- 6——@—0—0—0
|1.

stay, bring it down.___

== I’mhere to stay, bring it down._

uae ECSciSeerLETTE
=
j B
[2
6—@- 6 08—68— 6
=| C= 0—
BS5
6 0—6—0—0- 6—®
2
—8
:
0—-0—6

Ty. ,
8: ===2=— °

ee a °.

——_ a ota

Y ee,

= stay. Bring it___ down!__ Bring it down, __ bring it down,_

——

be ELAErie LEE EGA

Rhy. Fig. 3 end Rhy. Fig. 3

Eizo
2—2— 2 2-3 ==——
EAS
2—2— Se}
6—o 6—_0—6—0—6- 6—_6-

gp
w/Rhy. Fig. 3 (Elec. Gtr. 1)3 times, simile

bring it
a
down._
eet teego ee ttreoree
Gon-na bring it down,_ gon-na break it down,_ gon-na bring it down,_ gon-na break it down,

Here to Stay - 6 - 4
26

__— gon-na bring it down, gon-nabreak it down, gon-nabring it down, gon-na break it!
G5 DS ES Sie)

Maes Fig. 1 (Elec. Gtr. 1) Coda “8 et i 133

Elec. ) ) ) )
simile

; Gtr.1 '
NG: D.S. Bal Coda Cont. in notation
Se ee eel

Oh, I can - not give an - y - more,

ae Fig. 1 (Elec. Gtr. 2) 4 times, simile

Elec. Gtr. 1

| 4
i a LE el ET —— -——_ —_ 5 ___ ____ ee eee es ees EE

SEEEEE date ,

6—3—1_6—_0—_6

give an - y - more, give an - y - more.

9
——— | a a es ea _——— ———— ————
i

3 so ste as ste ,

A i:
|

a ee | ye Blessh pees Osan! -0—3—_t+—_9—_0—-0 —9-——_4

Here to Stay - 6 - 5
 27
Outro:
N.C.

Elec. Gtr. 2

w/whamy pedal
ius

—9—9—9—_9—_9-9-9— 49
a
tt
|

Elec. Gtr. 1
basa

ee a ee
ee SEE See8 e. PRESS pers PE AN
ee
5 Ss
nn —
aes eee ee e_ ees
—_ | _a

> = =
aitur

BV) 2 Sa ae ee

eee Se a a ee |_ = S ) = 8 SA See
o.
LL

ae eee ee NN

1 ‘|?
Cae EN
Baud
w &) aN

ees

Bae
So ae en et etee oe oes ee
Hi

‘mints Soak Sena — ae

a ek

grad. dive w/whammy pedal - - - -:

a

sy YY
"
THY es

Here to Stay - 6 - 6
28

HERO
All gtrs. tune down 1/2 step: Acous. Gtr. 2 tune w/Drop D tuning: ©= D Words and Music by
©=Eb @®=Gb ©=Db @=Ghb CHAD KROEGER
@=Ab @=Bb @=Ab @=Bb
@®=Db ®=Eb @®=Db @=Eb
Moderately fast 2) = 140
Verse:
Am Asus2 Asus Asus2 la
Xo fo} xo fof} xo fe} xo fefe}

ET am" so. highe— I can hear heav - en.

2.Some-one told__. me love woald all save__ us.

Am Asus2

OS q231

Cont. rhy. simile

23
He 234
He
23
|

I'm so high I Can” phear= heav-

But.show» can. hata be? Look what love__ gave_

el eee ee Oh, _ but heav-<' eh:— ae ee no

BSA) eae a aL A world full of Kllie= tn = os ae ee and blood

a
Y
yh! : TE 1 LS pel a Di Y OS a OY eee)
& .$SS S e )
eee
Oe
_ae ES ")
eee
ee eee | Doaaes
[
,7
Se Go eey Sey oy posse

heavy - en don’t hear 1 Cyn ee Oe ed

spill - ing. That world nev - er came. } And: they= say. «that 7s her
*Elec. Gtr. 1 (w/dist.)

on LS ay SS Shee Ss]

> > > > Cont. in slashes

mf ———e SSS

*Composite arrangement.
Hero-4-1 © 2002 WARNER-TAMERLANE PUBLISHING CORP and DILLO YOUR ARM PUBLISHIN
G
All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved
 2)

BbS C5
XXX XXX
ie 6fr. 8fr.

; Cont. rhy. simile

(GIN
A) I AG AREA LRT RT). A GELS LIA HSE |
es) ase |

- ro. could save_ us. I’m not gon - na _— stand_ here (and. “wait.

Til hold won= “tome thes wings= "== Of seithes ca y= secles: Watch as we all__ fly a - way.—

Guitar Solo:
AbS5S
XXX
4fr.

134 6fr. 8fr. 6fr.

Cont. rhy. simile lle ae Hae
134 134 134

| 4A aeons See a RSet fs al ee

Bia. Ee a= ==. (ae et PS eS eee eee
2 —<——— ss — es es

|
Ne
va~
w!
A on ER eo ee«2 (_~ a = > (eee, a ee ee ee a Ss
ee i
oe ee ee ee ee ee re
aes
ie AG i. ee I ee iE a re al (ee EEE | Se ee ies Lal dy eel OSS ey =e ee Sh See
ii@a, elite 1 = a eal [ieee [ogee Speer een nee aie meee (AT RS pet |. bal eae ol art: (<o. kp eei aei ie ee
O23 ai Se eee ee eo See ed eee ee 2S Ie eee ee ee ee ee Sree eed (ne I
30

Bridge
Absus2
=. fie6fr.
Ny 1341

oA Pas ier.
SeePe aa ES [aD
phaat TT),
pI pg al Peet Cae aes | Ale st
Ea ae
fect ees eS4
ee Sasa) eeeeae ee AA LTA
Sea , a fi
= @ ey Picea seril | ese

as Eoaieall
a
BET
Now that the world 1Sse= n’t end = ing it’s love that I’m send - ing to

Acous. Gtr. 2

= be b
P57 | aan Esa
1]nG
Das
|
Bea es a
“| citeeat a foo
hold throughout

It’s in the love__ and

Hero
- 4-3
 WWa

F5
1H D.S.% al Coda
Elec.
Bbsus2 Gtr.1 ing
fe ie = > > >
cous. aeleay) ERE, [ee eee

111341 Gtr. 1 By 7 7

—y—?—-»——_, ee ee Se eee
7SS Saneoaee SmeSEN cael ry] — ee _————— eet
a Se eee
that’s why I fear it won’t do. An they ssa tat eee one

(a a
EE
A f.., Ss p
ES
a)
ee a
Biases a a |
bere ha os

ee
oo ee eee ee eee
| MEA ne a een ae
Dn
= es
= 9 EE aa eee, On ee ae ea

Coda ae — ix Outro
Ab5 BbS
1h) 4fr +H 6fr.

And they’re watch- ing us._ They’re watch-ing us,_ as we all___—- fly a- way._
Bkgd. Vcl.: Watch-ing us, watch-ing us.

And they’re watch

- ing Usa They’re watch
- ing Se
Watch - ing us,

as we all__ fly Sater WW ee Yeah.

watch - ing us.

They’re watch-ing us as we all___—s-_—s fly =a- way, yeah, yeah, whoa.

Watch-ing us, watch-ing us.

Hero
- 4-4
 I STAND ALONE
All gtrs. tune down one whole step Words and Music by
w/Drop D tuning: SULLY ERNA
©=C @=F
@=G @=A
@=c @M=D
Moderately slow J = 84
Intro:
N.C.
Rhy. Fig. 1 (w/2nd ending)
Gtr.
1(w/dist.)

dbld. Gtr. 2 (w/dist.)

alae DS ae
HH 6fr.

333

eo = SSS
1?) ve told you _ this once
2. You’re al - ways hid - ing be =
end Rhy. Fig. 1

>

Cont. in slashes

(SS 425 =
€ oc

I Stand Alone - 7 - 1 © 2002 Universal - MCA Music Publishing, A Division of Universal Studios, Inc. and Meeengya Music
All Rights Controlled and Administered by Universal - MCA Music Publishing,
A Division of Universal Studios, Inc.
All Rights Reserved
 be - fore you can’t con - trol me. If you try to take
so - called god - dess. So what?___ You don’t___ think

D5 AbS

Ei ee
=

DO A) Bee
a
me down, you’re gon - na __ break. I feel your ev - ’ry 2:
“noth-
that we can see your face? Res - ur - rect - ed back__

HE
ie

eee ee ala

333 222
fi

333
| Ze oe)

moe mA 7 ds
- ing” that you’re do - ing for me. I’m think - ing you ought to make___ your own way.
be - fore the ffi - nal fall - ing. Pil) nev =. cr erest 9:unl et ee

w/Rhy. Fig. 1 (Gtr. 1 dbld.) simile / -5 F5 D5

ae ey ae HH
222 Nei |

cnier ae
a
stand a - lone__ in-side, standa - lone._ (echo repeats)
___ __. make my ow

G5 BbS Bbsus2 D5 Eb5

ee He
11
i
me

rs tk) Lees
a telee
Cont. in notation

sa way.
See NO oe a= fraid—__
of a - ing.
Bkgd. Vcl.: js eae

I Stand Alone - 7 - 2
 Chorus: ‘ G5
N.C. fet

— (=a eee 0)

= atte 2
(oa =
I stand a-lone.— Feel - ing your sting down_ in- side me,
Rhy. Fig. 2
Gtrs. 1 & 2

Dime nO. dy-mes lor cit = I stand a-lone._ Név = era

= = ieeeea es! 22
_——<—_——— ee Sra S _—————" ieee} ——| je
=a =
1 a ee | ee ae ee eS!

I Stand Alone - 7 - 3
 Jd

N.C.

stand a - lone__ in side,

>

2—6- 6

(a SS

Bia 2 ee
CS)
ee SS
SS SS SS SS
SS SS SS
Se stand a- lone. (echo repeats)

end Rhy. Fig. 2

——$——$ —— Ss Sa

[—————
— ase ee See
(3 AS ne een es ee ee ee I ee

= Soa
ae CS ST
Ea Ca a (a ae ee
CY
=ea =

hold throughout

=
»> —+3—_13

Now itSa ye time

Bkgd. Vel.: And now ts my time,

I Stand Alone - 7 - 4
36
D5 Fsus2

(SSS dream.____
————

it’s my time_ to dream.

-

Dream of_ the

=

skies._
Dream of__ the

Rhy. Fig. 3

fe») Oo fo») —3
<>) fo») 3

*w/Rhy. Fig. 3 (Gtrs. 1 & 2) 2 times, simile

gi D5 Eb5 rt
DS

111 111

Vocals dbld. 8va

SSS
Make - lieve that___—this__— place

end Rhy. Fig. 3

———————————

*Composite arrangement.

Fsus2 F5 D5 Eb5

111 111

es SS SSeS! = —— SS ee
plagued by the poi - Help mex. dé 5

DS Fsus2

i
ory ee SSS —
cide 1 oe will burn out____ be- fore you___ can breathe,__

I Stand Alone - 7 - 5
 37

a fen ‘ § se
D5, Eb57D5 AbS

333
111

ee a
breathe in - to

Gtr. 3 (w/dist.)

Sere — ~ /
t2-42-42-42-4216
—S=’

Outro Chorus:
D5 AbS5 Absus2. N.C.

Ee = =
Fe >
Hs

I stand a - lone_
—— frwwnnn nent tek 20 Gtrs. 1 & 2

y PR — | — a ee
Coy
NST,
tt a
ee ar eam
a belt) a a) a)
= = = = a ee) =
oot to
SS D
a >

—# 12 12.12-42-6 SAS Saas

6—6—6 6-66

ae in - side. I stand a - lone.__ Feel - ing your

lt. baa aS hee eT es +

FAA, SS
=

A
—12—_42— +3 —4+3—____43-13
6—_e—0— -—o— 8
I Stand Alone - 7 - 6
 sting down__ in - side me, I’m not. dy xine fons site if stand a - lone._

ee 222 tt oe

= INGV Can Crease thing fiat eel be - lieve is. ~ fad-—--- «4a gees

I stand a - lone__ in - side,_— | ee stand a - lone,__ in - side._

La a:

I stand a - lone__ in - side,__

Gtrs. 1 & 2
f) | eed aa ag SS SELES —— SS aa ee
= t+} a
r\ eet) eae >> Baar a Ee ee" a" ee | Ee Ee Ss es eee ee ee ae ee So)
fan aa ay ie ee 2 ee eed ee ee Mini fe Cy ay ae eee Geo. . pee. ee ema oy
MN, ae a aa Sea ss a ae ieee ee ee ee eS eee Rae eid

SS cae
= >
|
T |
= -7———F—
6—e—0—_7?_____7__ 0809 880088 1_9¢—__ 907+
Outro
D5

(Or
Gtr. 3 es
as: Tan
cc= == : =—— ==
I stand a-lone__ in - side.

SS oc -0-0-7 7-6

I Stand Alone - 7 - 7
 39

MY FRIENDS OVER YOU

Words and Music by
JORDAN I. PUNDIK, IAN R. GRUSHKA,
Moderately J = 94 CHAD EVERETT GILBERT, CYRUS WILLIAM BOLOOKI
Intro: and STEPHEN LEE KLEIN
5,
= G5
ue

133

Rhy. Fig. 1 oe
= >

Flee. Gir2 J 3 3 ™ Ny “Es i 3 A ) cis Ny 2, :

(w/dist.) Lead Fig. 1
Elec. Gtr. 1 (w/dist.)

end Rhy. Fig. 1

—_ ar-7 ae
=
wy «Meese
———————
Fae
MISS St

1.?m_ drunk off

end Lead Fig. 1
A. ¥ => — = a = Ea =
Be An lal Baa 14.4 Sseeet Eeeee ides eae ae ee 6S ee Breer ea S-Series
eae el
i «Ey, | a ee _ 2) aes a TS A ee T_T Ee ES _ _ _a fe EE a LD (PS fee
@ so Get Sol SS) ae es ee ees eee [ee ee (me ee (eel ee eee atl seemed (eee (ed (ey (es a Se (SS SS es ee Ea
Aw) Sa oe aa a

I
I
| £ l
T= |

- 1

Verse
DS G 5é
i 5fr.

your__ kiss for an - oth - ef night. in a_ row. This is be-com-ing too rou-
ev - ’ry - thing__— that you think_ that I should know_ a- bout all the

© 2002 Universal Tunes, a Division of Songs of Universal, Inc. and Blanco Meow Music
All Rights Controlled and Administered by
My Friends Over You - 7 - 1 Universal Tunes, a Division of Songs of Universal, Inc.
All Rights Reserved
 40)

ae og 53
aos we |e te mean_ to lead___ you on.____ And it’s
DH
= ||
oO
was_ Nno”= where 0 ieee be found._ And it’s

Elec. Gtr. 1

O ers
G
:

ee
ellie
”
134

°
os

basiull
Ranl
eB

45
|
Ul ‘eee: Jee Te)
| 4 SE
a pe
eT ee
ae
es a
=a
aN

ae ST jez
[= a SSeS
ae
(SS ST SS!
es ST

oe
|
bh ce23 ese 1
| that we i
still talk. It's_just2
| !
ay
&& that we still talk. It’s just_

] ii
CK
_—_$_L——
jo

EE SE SE ESE SE
SEED
I IE TLE DDT OD DE I5 I
ea

DEE ee a ee See SS
leet

(|

a ee
ee
OS
eee
fe
oe
Poe

ED oo ie

az ae a
el

Awl

° e e e ee
Fi
ue ~
lle
~
He

os

||

TTT

= aay
se i

————————
In.

ono
ee a BR RTL, ee
J
=

It’s my fault_ that it

it

fell_ a - part. Just

HT

may -
Hee

nu,
QT

|
ll|

OU
Wl

Ul
|

|
|
eae

Ot

My Friends Over You - 7 - 2

 ITS _ Te? THY | bai hy hii basi
Of oe NE Neo
>
ini4e a e NV \ |
ul 3
My huss
} sce
MWi
: ll | ‘ pe Ai F II

MyFriends
~ 2
pag CEH oT
- JP) ~

Over You - 7 - 3
| <All | He ‘le Ms
ft Thr |] Un | ‘ ie
oth (ll. | rit (ll= | i
FTE ttn SE Li) , If
wo
r=
ERA EM acEH EEE
Pi = a l IN
rt | y I}
ns}
Hil
ni Ltt UP FE |ty SOS" ail IMiio
Et | il ae ih.
ott | wy ALi
< : |
Te Nt ME
|
Tl ll i: | nna
l
tt ul ie. UU
ill Bill iN I ["
ool ae
alll lll. oy
m=
aa,
Bass
———Ee

Th TIM
ns| Hil :
were

[i Ah. | Il |
41
panN

ar e
— g i ee ee ene
oy ami es a ES ae
Biase SiS
Rae eeeSS Ese
Sean eae a ee TLS PNT fe PRs SY
oN seecen|

a ee ee a
ee ee | o_o. a
ee ae ee
ee ae ere5 eee
ee —_ oo
ee eS
oo
6.6 6 —_a—_
+)-# __| _|_|__+___|_)|_____,|_—_——,,
Hf o s LS a SS SS SS Sere So
eS a
Se

ee a See Ne Eee Se EEEe EA

Me B oe Ee aE ae _a eS es
G1 a a ey Patel op ee ee eee ee ey CS
Me Ee Sree ee eee a ed a Se a I
Ad. ==] aan Lanes Gane | | eR
a a eg

lp a 7 be aed ee ee Pe Ee SS (ras Re ee ES Be es
= aee fay iw Bn oe. Ga Bee
7 An) SS ae _, e_ _ e. h_ " ee eee eee oae S
i ¢., Sa Sa a a a a a ee Gas ema iaal aael IRs sO. Ra ee ee Re SS ae
BQG) Sey ee Se Le Pe Ee Rm Ey EE Ee) ae a ee ee eS Ss ae ee fe

back, it was dam - aged long a - go. Though you

My Friends Over You - 7 - 4

 43
N.C.

Cont. in notation

Swear that you are true, I'd

ul
insz

Elec. Gtrs. 1 & 2

TH

Half time J =94

Interlude:
w/Rhy. Fig. 1 (Elec. Gtr. 2) simile
w/Lead Fig. 1 (Elec. Gtr. 1) simile

My__ friends O you.

2
Half time J = 94

2. Please tell . me you.

My friends o - ver

Elec. Gtr. 1

SS’
— Ad SS

you (echo repeats)

Elec. Gtrs. 1 & 2

——
SS’

My Friends Over You - 7 - 5

_ =e

G5 fa
FHS G5 XXX
G5 FHS XXX
FHS G5. F4s

134
Is 134 134
_ 134 wk 134
=.
ee er" 3 : ee — —_—_ _ —
> ne a —
Se Le a a Se LT RT GT oe EL Ms
ee a ESS eS ES SSS eS
—— EEE
Ae Oe

~~” ‘ / Nees”

N.C.

Ah Just
Ah.
Ah aes

f) 4
an
nla
——
BE eee BE eee
a| a eee ee ee ee

(
EE) _ SS EEE (Ee Pa. -.[EE ee (ee Se

° XXX

11

may - be you need_ this. You need_ this and I did-

bx] <x 4

4 q q (|

poco dim.

My Friends Over You - 7 - 6

 JeN

Se r il.t mean_ to lead you on

Ss wee ee Se
ee
aS fae Ge ES Sy ei See eae!

Double time J = 188

Chorus:
w/Rhy. Figs. 2 (Elec. Gtr. 2) & 2A (Elec. Gtr. 1) simile
w/Lead Fig. 1 (Elec. Gtr. 1) first meas. 8 times, on repeat

XxXo_ X Xoo

just can’t fin - ish — what I start - ed. There’s no room

lett here. Son. my back, it was dam - aged _ long a - go. Though you

swear that you are true, I'd _— still pick my friends o - ver my friends o - ver

Half time J =94

Outro:
w/Rhy. Fig. 1 (Elec. Gtr. 2) simile
w/Lead Fig. 1 (Elec. Gtr. 1) simile

you. My friends 0 -_ ver you.

My Friends Over You - 7 - 7

 POINTS OF AUTHORITY

i?” fee
By LINK IN PARK
Drop D tuning down one 1/2 step:
=o, Hae -b5e ese aur

@=Eb 111 222 tit

@=Dp
Moderate rock J = 105
Intro: Rae
Synth. Z en
(arefor gtr.) Riff A

w/Riff A (Synth.) 4 times

Ds) ES F5 D5 E5 F5 E5 FSD5 bo
a Fig. i end Rhy. Fig. 1
Js oe Fa
Gtr 1 1 ,

ae, J } y y ) y + ) y+ 5 ) ) 4 4
tS Pee =o | . BM =e<- 4 PM. PM.

= ae
For-feit the game be-fore some-bod-y else takes you out of the frame and puts your name to shame. Cov-

=
E5 F5 DSE5 F5 D5 ES P F5 N.C.

P
es) eee ee Oe -

er up your face, you can’t run the race. The pace is too fast, you just won’t last.
% Verse:
w/Rhy. Fig. 1 (Gtr. 1) Verses 1 & 2
w/Rhy. Fig. 1 (Girs. 1 & 2) Verse3
w/Rhy. Fig. 1 Synth. tacet
(Gir P&2") BS F5 D5 ES FS D5 E5 FS ES F5D5 FS5
2 times _—

*Gtr. 2 (w/dist.) [You love. the: way = I look at you

doubles Gtr.1 2rYOU_ = loves the things I say Pil do;
throughout, except _ for - feit the game be-fore some-bod-y else takes you out of the frame and puts your name to shame.Cov-

**Sung on Verse 3 only.

+Verse 3 is rapped in the same manner as the Intro.
w/Rhy. Fig. 1 (Gitrs. 1 & 2) 2 times
E5 FS DES F5 D52 ES FS E5 FS5D5 F5

—— Sr = eee ==(eaeen
while tak - ing plea - sure in the aw - ful things you put__ me _ through.
the way Tl hurt my .- (self. .an= gain == just to wet. back<) . at you.
er up your face, youcan’t run the race. The pace___._ is too__ fast, you just won’t last.
© 2000 Zomba Songs Inc., Big Bad Mr. Hahn Music, Nondisclosure Agreement Music, Rob Bourdon Music,
Points of Authority - 4 - 1 Kenji Kobayashi Music, Zomba Enterprises Inc. and Bloody Vagina Fart Publishing
(All Rights on behalf of Big Bad Mr. Hahn Music, Nondisclosure Agreement Music, Rob Bourdon Music
and Kenji Kobayashi Music Administered by Zomba Songs Inc.
and All Rights on behalf of Bloody Vagina Fart Publishing Administered by Zomba Enterprises Inc.)
All Rights Reserved
 47

if I giver rien
YOU=smetake== a - way, when I e1VeL oe in;
For - feit the game be - fore some-bod-y else takes you out of the frame and putsyourname toshame. Cov-

Substitute w/Rhy. Fig. 1 (Girs. 1 & 2) Verse 3

E5 FS DS E5 FS Digrke F5 ES D5 ES

ef) eae, \o a ae
a my... elite; my pride is bro - ken.
a Iycachee LLC? my__ pride is bro - ken.
er up your face, you can’t runthe race. The pace is too_ fast, you just won't last.

Chorus:
w/Riff A (Synth.) 4 times
ED, F2
Rhy. Fig. 2 end Rhy. Fig. 2
° °
: *

2 ee ccs ey isaesae wea oS SS

ee SS kM eeweciee cee te he eo =
} V a ee
coe You live what you’ve _ learned._—

Be a nr S|
lo ——————————— fe
You’d like ioge think= you're nevl-—— er wrong. __
*Sung 1st & 2nd times only.

w/Rhy. Fig. 2 (Girs. 1 & 2) 2 times

a) F2

Yo
-_-_~ a

Gas Seipe nee a So! ee eat]

Bn. ey Saale Eee — Sarena eee EY Dane ei HS ee Fi Pe
TAS = jpg ee Dg lp pg i

— You live what you’ve _ learned._

f)
=o Ar ae
" ie
fs) a
= ay Pete
a ay
oe

You have to act__ like you’re_ some - one.

To Coda oO
E5 F2
an _———

|
You live what you’ve learned._

You want some-one___ to hurt___ like you.

M
Points of Authority - 4 - 2
48
D.S.% al Coda

You live what_ you've

*
Yo, yo,
nm
SEVISoe
(ee==e
You. wan - na_ share. what you’ve_ been _ through.
*Sung 2nd time only.

ee tacet
DS E5 D5 F5 BS. .BOE

a a Dopire. 2)

learned. * (Learned. Learned. Learned.)

ray *Echo repeats.

Coda x5 F2 | OY F5
Gtrs. 1&2 o | J. 1 J )

You live what you’ve learned._

You wan -na_ share_ what you’ve_ been through._

w/Riff A (Synth.) 4 times
w/Rhy. Fig. 1 (Girs. 1 & 2) 3 times
ES FZ a
a
ee eee
es =e
(For
==.
- feit the game.) You live what you’ve learned._

Se
You’d like to think. you’re nev - er wrong. _

| hs) F2
S|

3 A

= S
(For - feit the game.) You live what you’ve learned._

=! ——.——
You have to act_ like you’re_ some - one.
Points of Authority - 4 - 3
 E5 F2
partnt . Wd ccna nome, N
a
ee, Se
o ¢., ee eee
A (6 EE eee enigma met
BN a a ee ee
y Sie
ree (For - feit the game.) You live what you’ve learned._

f) a ar = eo
—_ an 7 as eee Se

You want some-one_ to hutt__. like” yor=

E5 F2 F5 D5 F5

J a
Gtrs. 2 & 3

ae Len
lw” Aaa” Saeed a Se Se Se SS | RPE ST
ae i
ne ee SS Fee
eee a ee U
y bain hs Ge
=" You live what_ you’ve

i ~ a ees

————— —— ee
5 47 |
eeae De aT ea |

You wan - na_ share_ what you’ve_ been _ through.

*Outro: Be |3:
sda tite
DSE5 E55 ES ns Rion Be Pe)5 DS FS

ie B uA Ts Tih )

learned. +(Learned. Learned. Learned.)

(Sing 1st time only.)
*This section, as heard on the recording, was edited using Pro Tools.®
Therefore, the transcription has been arranged so as to emulate the effect on the recording as closely as possible.
**TDoubled by ad lib. “scat”-style vocal.
+Echo repeats.

DSE5 FS D5 ES BS ES 5

t by oPwoke om aleZ jay

ie , ) oy er j ea
—— —— —————

+7 Vol. swell.

Points of Authority - 4 - 4
 PRAYER
Words and Music by
DAVID DRAIMAN, DAN DONEGAN, FUZZ
All gtrs. tune down 1/2 step w/Drop D tuning: and MIKE WENGREN

@©=Db ®=Gb
@=Ab @=Bb
@®=Db ®=Eb

2=98 = Intro:
D5(b9)
Gtr. 1 (w/dist.) Riff A

Prayer - 8 - 1 © 2002 WB MUSIC CORP. and MOTHER CULTURE PUBLISHING

All Rights Administered by WB MUSIC CORP.
All Rights Reserved
 Verse :
DS/A*
D5/Gt D5/Eb*
ao
rs= 7 —a | | [f° —o— 9 —__» 9 aa me lew es ay ey PEAS Se

1. An-oth-er dream_ that will nev-er come true, just to com-ple-ment_ your sor - row.
2.An-oth-er night - mare a-bout to come true will man - i - fest to-mor - row.

eee a3 —___.___. EY
SS SF eee Se a ae ee —
SS EE LE — Oe |
E —- fea

DS/A*
D5/C* DS5/Eb* EbS C5

An-oth-er life_ that I’ve tak-en from you,_ a gift to add on toyourpainand suf - fer - ing.
An-oth-er love_ that I’ve tak-en from you,_ lost in time on the edge of suf-fer - ing.

DS/A* D5/C* DS5/Eb*

An-oth-er, truth that you can nev-er be - lieve has crip- pled you. com - plete-ly.
An-oth-er taste of the e-vil I breed will la - bel you. com - plete-ly.
ee
Hfey Pg ey pees — 7 —— Se
e

Prayer - 8 - 2
 Ds/C* D5/Eb* Eb5 C5
DS/A*
w/Fill 2 (Gir. 1) on repeat

fF —_f tS ee

to _hear,_ trapped in your mind_ and the sound is deaf - at

All the cries you’re be - gin-ning
ev - ’ry-thing that you fear._ Live in the dark_ and the world is threat - en-ing.
Bring to life

p a
inl
a) (RP SET 1
|
[Tay————
————=e ES
" e/ ee
eer —SE ————
SS
Ee
YA
Y ——a
eal > a es |
LL Ya A A 7
ENS esee

Pre-chorus: :
A5 Eb5 F5 BbS ~ AS Eb5 F5 EbS
A ° (eX a aa

ee
D a i ————_ meme |

Prayer - 8-3
 33

“ AS Eb5 FS Bb5 AS F5

This i the way [ees Qo,roa}>

Saaz
—
| Ft

Xs Chorus:
Bbsus2 F5 G5

se ST Zia
eae =F
mae aaa
2 eaa
[ar ee
a
==
—
ey = ———
just
ii

1S = Nets hard__
| Hhlih
Lil

Hi
i

tile
N))
nN

| |
|
Tut

‘
|

Bbsus2 D5
Ne

Dsus2 C5 Csus2
(ll.
2 IL:
ull

lll
i

ll

mace
|

Sa eee
ona
=|

Burn més live in - side.

|

a =
=)
o

on

Prayer - 8 - 4
 Bbsus2 F5 G5

Bbsus2 Dbsus2 Csus2

hard - nough.

Interlude:
w/RiffA (Gir. 1)

Prayer - 8-5
 ne)

w/Fill
1 (Gtr. 1)
end Riff A EbS C5 DS

eg ea nag rae rena Neen Maes pe ee) oe :

Rah!

pick scrape

Sm Seal
ss

NH4
cr
x
I || | | if | || ll

CE IR Fini mc i minSean om we = rg
<ipon

I | |

|
(tee
baad

end Riff B
if
|
|

|
I
ll
|

eee
l

Ree
I ng ge re sae a eee
Py

Prayer - 8 - 6
LY -
=)
a

: = = S Eg

; = E ne : ‘ : 2 : yt 2 a) oe g : 2 : oe| 2 ;
oO x : 2 g |: |
ae & d E =: ; © ¥ : | : i) 2 q : : g + 8
A
eea. Ss
iF:
‘Wi 8

"eS= é ete2 Ee: A: g the e

=e & ; 2 2 ! 1 ane| :
Z yo > SI os | E
tie
Toa]
Ui
Tiel AGRA |
ihedealll Beall
| Ts: 2 |
Wevie Gi
Au, rie
1

| eye
3 38oebd aq

Ree J | ! Ci: : et Geel: 4

“|
( |
| | mill
ll St
' Dine 4 eal emtal fll : :
[|
fl
S
| ,
irae)
amo
bie <8
i"
hi
R
iiee Hoy hhiitnp
LI itil
,
th)
ielily | He| Wh1D)it Hh | il ieee Hh M
Je
hte
|

|
8
= | a

nies
)
; $3vie:
E:
Ne Till All
PT Vain

aHa mhIl iil

: MT |
ss Z
Fao|;
_
it tN galling
|
HThyI)
|i
3 : 6 s
ie HTMm Im WW
6E
peal
= &

DDMyce
gh A)
yi (tL th
ld ih ith
»
||| / 7 :
‘ ,

i 4

|i p Vt
A
T

cb
eb
¢ 1]
)
Prayer - 8 - 7
 a Vay
Bb5

' ( ll
meee, (it
not

F5

RO
(1 Nh RUE) enh | Wey

|
TIT )
PMs-—=g-—7|

aaa
PM ges54
a

tee Ut Ti).
rye il

_——_——
Niiy
life’s

Me We HI |
raat

aaa
ry - thing

ee
=

ih di
G5

my

KN)=

:ft ii

aaa
G5

mn Ul ll )

ee
ing__

Wess qi (ee
————
——

H
Liv
F5

Ul
—-
=

ly IME i i

(
FS

I i =

_—_—_—_——

On a
NO. |) fu) ai

Se
ike
A de

[=e
et

--4
ill }
=

il

i
Wiles *

PM.
| AU Hie hi
e I

|
Ty) UIEa? g: hi e
jo}
hte

LS
WHT it
'
ul : i
lh. HM
1

re
idlibes
2 (lite UnLy ||feed
h

ce cae
6 :
Hi] | WIR sit
ie R Ww | : ray

Sea
faa) a ..N
un!
| aHie iy Be al

Prayer -8 - 8
SY
Waa”,
eS
NY
¢
isd
eS ¢ ee
hhsd
fi
hh
a. es
bid
a.
ns ea,

>)
NY
 SHE HATES ME
All gtrs. tune down 1/2 step: Words and Music by
©=Eb @®=Gb WESLEY SCANTLIN and JIMMY ALLEN
@=Ab @=Bb
@®=Db O=Eb
Moderately J = 112 Verse 1:
Intro: w/Rhy. Fig. 1 (Elec. Gtr. 1)8 times
F Bb G cA F BP, G Ae
fe €e @ 5 @ &
Met a girl, thought she was grand._

a G i x x G x x

134211 1333 i 134211 1333 He

Fell in love, found out first hand._ Went well for a week or two,__

F Bb G é Gc F Bb G Cc

134211 1333 4211 raga 134211 1333 EYETH 1aa3

then it all came un - glued. In a trap, trip I can’t grip._

Elec. Gtr. 2 (clean-tone)

es eee
Rhy. Fig. 2

———— ae
mf
Z|
ae ==
© 2001 WB MUSIC CORP., JORDAN ROCKS MUSIC and STEREOSUPERSONIC MUSIC
All Rights for JORDAN ROCKS MUSIC Administered by WB MUSIC CORP.
All Rights Reserved
She Hates Me - 4 - 1 This arrangement is the official publisher’s interpretation.
Puddle of Mudd has not specifically approved, or reviewed, this arrangement.
The band thanks you for your interest in their music.
 59
G
x x ie x x

134211 1333 fe 134211 1333

Nev ser, thought=— I'd Sbes the” “one who'd slip...

28 Then I start-ed to

G Cc FE : Bb : G : Cc c

134211 1333
a
oe)
ioe
a
134211 1333

———————————— iy, ir, |

for ale" Wem I was liv - ing one big ligt She Si" ria:

f) end Rhy. Fig. 2

Chorus:
w/Rhy. Fig. 1 (Elec. Gtr. 1) 4 times

© & 8 & fo ole

le Bb : G Cc

134211 1333 Leett) Lets i aa Fe

Elec. J J) J oe = bE eee 134211 1333 (eer Ee
Gtr. 3 lms Cont. rhy. simile
mf

hates me. Trust, she f***-in’ hates me, la-la-la love._ I

F P Bb : G x (es : F 2 Bb i

134211 1333 o a 134211 1333

tried too hard and she tore my feel-ings like I had none, and

Verse 2:
w/Rhy. Fig. 1 (Elec. Gtr. 1) 8 times
F BP. G Cc
w/Rhy. Fig. 2 (Elec. Gtr. 2)

t 2 ; pose 338 134211 1333

134211 1333
Gtr. 3

ripped them a - way.— She was queen for a - bout an hour, —

She Hates Me - 4 - 2
60 ;

I Bb G C leh Bb G : Cc .

14211 mee 134211 1333 134211 1333

134211 1333

Cont. rhy. simile

= SS
|

af - ter that STAT oOt sour. __ She -took «all I ev'ser had,—
F Bb G Cc aE _ BP

134211 ae 134211 1333

134211 1333

SS
. Se
=== Se
no sign of guilt, not feel - ing bad =, no! In a trap,
w/Rhy. Fig. 2 (Elec. Gtr. 2) Ist 6 meas. only
G Cc FE Bb G C ee Bb
a

134211 1333 134211 18335) 1a401l ae ta

trip I can’t grip.— Nev-er thought_ I’d be the one who’d = Then I start-ed to

% Chorus:
F ; Bb ;
G Cc F Bb SG € fe i
fe "HE ee yl 134211 1333
fe E

134211 1333 Cont. rhy. simile

134211 Se 134211 1333

oe | Sis eg 4ae I was liv- ing one big lie,. She {***-in' | hates [mer
G ’ Cc : iB : Bb 7 G ; (é : i . Bb .

e a
1333 oF ois
134211 1333 134211

Trust, she f***-in’ hates me, la - la - la - love._— I tried too hard and she

G : Cc ; F ' Bb G (@

fe
134211 1333
Ee
Nhe
a Bes
ee
134211
ren
1333 ¢

ZS

=e
tore my feel-ings like I had none, and ripped them a - way.__
Guitar Solo: a
F i A - G .
F 5eo G = Cc F

134211 ta o cis HT e 134211 1333

Elec. Gtr. 4

oS — Sa ==
ee
rs |
L A =< 3-333 | —3 ce 5 nie3—3 = = Sea Hered AL = 5
|

She Hates Me - 4 - 3
 61
8 Bb G Cc 1§ Bb G C

fe
134211
& 1333
&
134211
&a6
a134211 1333
| aaa
a on

1/4 1/4

4 o™
228! 2 Ve ~_ la

———————
s al aes] rae a
S =< Sasa ee
U

1/4

Verse 3:
w/Rhy. Fig. 1 (Elec. Gtr. 1) 4 times
F x Bb x G x Cc x F x Bb

134211 1333 ever Naas 134211 1333

That’s my sto - ry as yOugeaesee

= learned my les - son and

w/Rhy. Fig. 2 (Elec. Gtr. 2) 1st 4 meas. only

G nc is ; Bb ; G 2 Ee ?

134211 1333 eur ae 134211 1333

so. did shes Now it’s 0 - ver and I’m _— glad__—

F Bb @ Roe os tees

fl in a a D.S.% al Coda Coda "a

HO

*cause I’m a_ fool for. all.’ ve. —~—-said...-She-f*** -in' (La- la - la - la - la - la-

w/Bkgd. Vocal Fig. 1, 3 times

G c F Bb G rc F Bh

Mee 1333 vor TE 134211 1333

134211 1333
(Rhy. Fig. 1) -------------------- =

la =a -*lan= la =) Trust, asmeshe

G (e 1st : Bb G * c :
{Be 134211
Elec. | 7
134211 1333 ath ssi 134211 1333 Gtr. 3 rama
eo 7

— ee
tore my feel-ings like I had none. She f***-in’ hates me!

She Hates Me - 4 - 4
62 ,

THIS TRAIN DON’T STOP THERE ANYMORE

Words and Music by
ELTON JOHN
*Gtr. Capo I and BERNIE TAUPIN

Moderately J = 102 (JJ-JJ)

Intro:
¢ pre Em PF 2. EG
21 34 2 34 23 3241 32: 1

Piano (arr. for gtr.)

*Music sounds 1/2 step higher than written.

21 34 oy TeX! 23 3241 324 213 4

om.
= a. a=anhar
iy Gam aa se
mn?
| TAs

1. You

: \\ A Sa =
Lp 47) Be ae ia Res 7 ae a ima be at Be eae) 8 BE WHS
A —_o§— 6 —_ 0 —_ 4 ——— + 8 ss ] sq ss]
ay... Bae ae ESS Ss es eee EE «= = eee eee a
T_T ESS ES |
| ETT a EE EEE 2S PE EY (a SSS CRY Fe Rai Wie el pee Se Ul
?, SSeS ————_ a’ os
a S fF. ——_—
~~" 2, hold asVeaeacapcathes VinsesEN =

Verse:
ae Gtm Cim7

231
a"
134111 13121

Piano J , j py a J j
= LS. =a See Wee Ea
4541)
Gy BA les 2 Rae Se A ee aaa
eaTa ar
ce H*—_@—__@—______/ | gf ea aaa

may not be - lieve it but I don’t be-lieve in mir - a - cles, an - y - more.

don’t need to hear it, but ’'m_ dried up and sick to death of love.
© 2001 HAPPENSTANCE LIMITED and WRETCHED MUSIC
All Rights for HAPPENSTANCE LIMITED Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights for WRETCHED MUSIC Administered by WB MUSIC CORP.
This Train Don’t Stop There Anymore - 4 - 1 All Rights Reserved
 63

And when I think a - bout it, I don’t be-lieve I ev - er did__

And if you need to know it, I nev-er real- ly un-der - stood—
B7 B7sus fe} E

13141 Ey
13141

ea=) for sure. All the things Ive said in songs,___

—_ that stuff. All the stars and _ bleed - ing hearts, ___

Ctm7 Gim7Ch — Ctm7

13121 11111 13121

ae all the pur - ple prose you bought from me; re -

ae all the tears that welled up in my eyes

F#m7 F#m7/E

al - i - ty’s just black and white_ the sen - ti - men - tal things I’d_ write
nev - er meant a_ thing to me. Read ’em, as they say, and weep! I’ve

% Pre-chorus:
G [ele]

F #m7/B B7
x xo 21 34

Piano J

nev - er meant that much to me.

heyerrenertelt=e - nough i0 cry. } I used to be the main ex - press,_

This Train Don’t Stop There Anymore - 4 - 2

64 :

door to door, rid- ing on the sto - ry - line, fur- nace burn-ing 0 - ver-time. But

Chorus:
C D G Bm7/Ft

32 1 132 21 34 "113121

Piano 4 4 Cont. rhy. simile

this (igi eT don’t_ stop, this i don’t_

stop, this Sian don’t_ stop there eee an - y - more._

EF |

G D/Ft Em? Dm x C x B x BT

i ee
Piano 2 34 2 34 23 4 3241 3

ee ee egal (|

21 34 Sez 21 34 32)1

pas When I say that I don’t care, it

real - ly means my en - gine’s break = = | ing" -downs2 Ee The

This Train Don’t Stop There Anymore - 4 - 3

 65

crock be - neath my skin,

D.S. $ al Coda

crum - ble in to ~— piee—=_ €s on the ground.

Outro Chorus:

But this train don’t

this train don’t__ stop,

this train don’t stop there an - y - more.

This Train Don’t Stop There Anymore - 4 - 4

66

THIS WAY
Words by
JEWEL KILCHER
Music by
Acous. Gtr. w/capo IV JEWEL KILCHER and RICK NOWELS
Moderately J = 104 D AS G6(9)
Intro: es aa

2) 13
132
1144
N.C. Acous. alee ie Fa =
Gtr. a Cont. rhy. simile throughout
Percussion

© 2001 WB MUSIC CORP., WIGGLY TOOTH MUSIC,

This Way - 4- 1 EMI APRIL MUSIC INC. and FUTURE FURNITURE MUSIC
All Rights for WIGGLY TOOTH MUSIC Administered by WB MUSIC CORP.
All Rights Reserved .
 67

5) | oF) aeToes SHAI |e

Alsus (To Chorus:) A

that you'll Slay for - ev --

This
Way - 4-2
68

Bm(4) Bm4/A To Coda @ E7/G!

1342

don’t breathe,_ don’t change, don’t leave._— and prom - ise me... Say
move,

XXoO Oo 00 0
00 0

132

“9 Resume rhy. simile

Gtr.

Don’t move, don’t breathe,_ don’t change, don’t leave,_

pron = ise nie we'll al =: “Ways Dé; eas

2-2 This kind, this sweet,_ this

This
Way - 4-3
 69

Te : D.S. % al Coda

XO. 0 0 XXo Xo

— this way.
Don’t move, don’t breathe._ Don’t change, don’t leave,_

G6(9) ee Her

This Way) ee
prOMle aise eines = we'll ale =. ways be. ee This kind, this sweet,_ this

AS G6(9 A5
12 ie) s Repeat and fade

good fieeeetiG, ee prom - ise me we'll al - ways be.

This
Way - 4-4
70

A THOUSAND MILES
Words and Music by
VANESSA CARLTON

Moderately J = 100
Intro:

FH B E FH B F#7sus

% Verse
Ei, Ff B/D ES Ff B/Di ES,

13
i a
13 4 3114 13
nn13 4 3114 13

>” Ae ee ee Se ae — = == = —
PP .GSS i Bi iO nie Ee nee eee RESa ATE EST sa cS | ee ST 2 Eee EE a a
2 @ on CC —= aa es Ee Ee ees ee ee Pee fe Rees eS Fee a eg de
EN) eee I a | Be ee Se eee ee" ae a ees es ae) Pe a

1.3. Mak-in’ my way — down - town,_ walk -_ in’ fast, fac - es pass_and I’m home- bound.
(2). al- ways times_ like these_ when I think of you__ and I won-der if__ you ev-er think__

aa
ry HE [5 SD
ee EEE
Females
Pee SE a e
es Se a a ay aT Ss
‘vokee e vy)

ral {8 44
| ee enn. LEM
To

A Thousand Miles - 10 - 1 © 2001 Songs of Universal, Inc. and Rosasham Publishing

All Rights Controlled and Administered by Songs of Universal, Inc.
All Rights Reserved
 ’>Cause
Fh

| o
ao
_
Y
We = A
aoa
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28 ul : cE
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(|
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e

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ie

ied
pay

B/D¢

3114

poze se

In__

ee,
way
B

i
Na
me

ee
a
ec

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in’

ee
Ft

ft
aa

mak
13 4

er
liv
x
Ft

i
TE
XX

ca
rEEhe ict
Wil
an
a Fees
a:
&

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an

Jil] 22
| oe
=e
lll 4c
Z.
ae
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ag

0)
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sie

;
OK

Sheets vw ft St
WE 3
=
lie
| es
Hl ye
neersrales |
: Bel aaey
5 See a | b | be
2

A Thousand Miles - 10 - 2
s
g
Lae
al SacE ill 5 2 :
z : ele dt
2o al
al aiz:
=
fe]
Th TH
NY Ansa Hur
72

Hin RUUD SIEM Brett ee nek i

> PROPER

oe immer ee
= =e 2 Pee eee I om L
fag ee r
he pe |__| °F 8 9 |ee
SS SS ee e e e
———_

1 FN ee te te te i ee
PCCCOOOOHOHHHTVOCUWD

To Coda®
E6sus2 Ftsus B(9)/D# E6sus2 Fisus B(9)/D# E6osus2 Fisus B(9)/Dk

EP oe fe Ee
XX XX

1311 333 314 1311 333 314 1311 333 314

HE aE at
.<tae ee a | ——— =e Sey FQ
(Tey B' pa oe ee ee ee | 7 A A I FE sae
ae EY
RV [ia SE Eee SS ee —————— Fea es

And I need you,_ and I miss you, and now I

*Cause I need you,_ and I miss you, and now I

Strings (arr. for gtr.)

a > = Zz aay oae falai
ae 42 0 ee e e eeeeee enne . . aeeee eee e e ) O
CPet ee at et Baa ef = 4| @@.28 28 faa tc = °° »##8€8§=6h|ld
676i teaf Aas eh
Maan es Ct a (Rs a a Fh Sd Bd BD a ee (ed Pe Et | IO ee
Baw. rFEera 2 8 SS Bee
eee ee Ss 68 6S Sf eee eee LaF aa as oe ae oe —8

pest > eee ee Ce ae mea

A Thousand Miles - 10 - 3
 73

Chorus:

I could__ fall in = 1) (ie sky,_— do

Rhy. Fig. 1
Ee |, ee as | Ea)
DEE Se TD ETRE el | a,
SS SS ee e

S&S=

G
2 vol. swells
pp —mf pp—-<mf hold throughout

|
WH]
“a
“|
||
A
Ae

‘tl
OL1
Th
hold throughout
Ul
BO
ea 2S as ed |
LEGS
ae = ae al |
A |
all

>
|
1
ML il

FE
=
nv
XX x Afr.

13 4
@.
y SS ae [STS
RS Sai
oni SS a a ree
ee EES ae
Pea a i Jamas | eo (BE FESTA
IT

SSS

you think_ ames would pass me__ by?=

hhh

e845
y
il

eT ST

bns2SE —————————
ur | EY >a ee aa.
|
lil

Nat Hal
/____<§_ 6 e—__}——_

ins2
I
I>

| ASH ee aa ae eT
Sia Eo

4
ol Ls a ial i i ir ay re
N)

VALI]

I ut
att

|
"Tl
Ci

UL
ll
|

A Thancand Milee.10-4
 74

M HL
in)
- sand_ miles if |
Cee could
a
thou

YY
you know_ Td —s walk a

rl
in)

HO

Ui
il

lll
Ip
LV

y)
al
All

al
|
a
lille
|

ll
ll
I
I
:

Hl
ae

ie piree! © =P i BAM. pet gerd ne ae ee ee

Pe i ng — De re, Moats 9 Ey BO ee
i

a fe i
Gim7 FRA FE

E Fe B E
Dea3 2 134 13 4
ee ee ee SS ee ee
ee
ae 2 ee ee eee2 ey nae Se ee ase Se ee etre eee e)_ Pi ee ae eS
i Wo. Rai | hel ey ee aes Se ees eae ee eel ee ee a ee ee ee ee
(DS 2S | ee Eee “A Ee ES a y4—_——_— a
SS a ee ee

just see you to - night

end Rhy. Fig. 1

\PE ees
fii

Sf ta ~ fe cey
3 eee ES a ee ee ae ae oo
1. eae EEE SSS Se ee eee ees Ee Ss Ss
Sean eS ae a = . el Ee FS ee |
i” heey SS SEE Eee a a SY
Ht

hold throughout

Hesee a 1A
i,i

THY
Naotanagy

all“i
Aes

EL
ull
aah

att
|

yal
yall
|
|

AL
Asie

“al
all

ri
|

Pu

aa

A Thousand Miles - 10 - 5
 ves)

FH
FH jaa}

2. It’s

hold throughout

Ft B FR B EB

A Thousand Miles - 10 - 6
76

(es+ GLa plea Oia ree air eA Aras AT ha al cer meSeed |e j

| Se

__—_———— _).

St
” e peo e—e— eT o_o a ee |i =So a eS Sal Sa Se | Fax
A i Sd ee) ees ee ee ee ee ee ae ee a ——_—_____ an | Bl ee Ee ee eS) Se
LT AS [-— 9 —|\—__ © —_ 9 — 8 So 00 Or a
ND eae, 9 (NT) RT LA ME Vee (ARRAS (SR) (RRND (ieee re ee ee | ee en EEE Se ee re

1 w/slide

>
*Composite arrangement.

Bmaj9 Bmaj7 FH/CH Gémll FHAS

1321 1324 3421 2 341 2 134

[) @ SD TT ee
SS 27") Sy | Gee in Ee a. PES ESE oe ee EE a ee Se ef eS EE
4.) | | Se ee ee ie Pe Ee ae See a Pa Sere — Yen eS SSoS
SC. a EEE EEE, ee) ee es! iy Kia ee Ses
Oe Cee SS A
FS TSS | OS SE PT +
——_—____

don’t want to let yOu-= ieKnOWr pe eee eee I

A Thousand Miles - 10 - 7
 Daud ELE CIT INS Rand Baad Dnad Band
éS
ay aif te i mull nuit

“ill + ES i 5S RS
oI RS
We
ky Be Be = Ul We A > :
I

A Thousand Miles - 10- 8

=) =

LAT st
= NT , (> = |
Mn i OM im
1 Eel It We
ay Ulfeceree |. llE |
tll é IW | EDS : Hi.
rr 3 th SEF tll |
(I
|
| iq]A of ll.
[Nan = Ta)

[ A My) !

don’t.
|| D.S.% al Coda
78

1311 333 314

ee
fe ee
yom —
Ls a a ey ¥°F SAE) VEFSA
EE,
a - op -#
\4 Z
| AAS
ACS | er < EE AY ee P= I
‘ee. Ge ee Ye
a ce ce a nl
He —_ 4

and now I won - der If

A t es a oe cc?) |
- a
i |
me S477, eee ee ee ee ee ee |
Ber = ee we 2S ey Be eee Se ee ©
fom — + S/S © a |
Zo Sg RE, EM SaaS ee SSE Te
ee CK Se: i 2 0 Pee ee ee
) x as Lx ae Beker eee Se

Chorus:

XX AX xx x XX__XX

ee
ES 2 SS SS SS SS 3ie

I could =-—falla in - to the sky, — do you think_ = time_ would

B/Dt ES Ft B/D}

pass, us © by? ’Cause you know_ I’d__ walk a _ thou-sand_ miles__ if I_W could

w/Rhy. Figs. 1 (Piano)

eytek & 1A (Elec. Gtr. 1) simile

oe ni fr. it ES FE
fH
2 33 2 134
SS)Piano~
ae 13
a13 4

to fheSi SSK es do you think time_ would pass me_ by?__ *Cause
A Thousand Miles - 10 - 9
 you know_ I’d__ walk a thou-sand_ miles__ if I__ could just see_ eee you

Gtm7 FAAS
x 1Afr.
FE
XxX_X Afr.

Piano a
- 233 2 134 13 4
ec.
Gtr.1 > Piano Zh ee ——
SSE
Cont. in= notation
=

f) ww fF A pa S| (CESS

0. ea cm SSF EET or
1 EN SS eee

oes If I could just hold__ YOU to -

aT
vf < a | ae a eT
A ET?” 00(pear areal 5 Se Ss ee _ a aan rr a a

ae
Weg y

Outro
E FH B E FH B E
——
———— =

night

i -$ ts — SSA ESSE)
AS ARES GS eee
(Sk ae Oe Ee ey ees
A) Ae Se
eee Se
@ AB 1 RSS" aes SP eee». Se eee) Meee 2S SS BS See aS Se SS ee 2s ea ees.
FS
Ol Wan ES ES ee ee _ ee |. ee ee SS eee aes 25ers) PAE AS i!
mA, toe (eee

hold throughout

|A

i te )
FH B E FH B F#7sus

—_ zr
AA
Alas
v,
oe
yy
en
ee
=
ha
a
2
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4
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nel
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=> l
es eee
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ame
a
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EN
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_Se ey BO
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Se. SESS
ee
See SoS ES
ees) eas Res Fe Ie
ae
eS Sd
ee Se
ae
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i 0
80

THOUGHTLESS
All gtrs. are 7-string gtrs. tuned down one whole step: Words and Music by
@=A @=F KORN
©=D @=A
@=G @M=D
@®=C
Moderately J = 70
Intro:
BS ©)

Elec..Gtr1. pee
|gyf)..s22s coe. St eoSU See wee De eee ee ee ae =

SS Se

w/Riff A (Elec. Gtr. 1) :

Elec. Gtr.2 BS
ae

a
Of
L w/whammy pedal

BYD === 98 anna ann na nas See on ea en eee ene aes ea ee ee

Elec. Gtr. 3

ill
: ie 7 7 —9 — —9 40-10-1010
|= ey eee ner <5 5 7 3 = 8—8—8—8
| 4444 —¢—_——_9—-9 6—'_9—§_o—9 -9—_¢—9—9
Thoughtless - 9 - 1 © 2002 Fieldysnuttz Music, Stratosphericyoness Music,
Musik Munk Publishing, Evileria Music and Gintoe Music
(All Rights Administered by Zomba Songs Inc.)
All Rights Reserved
 81

D#s5 AS BS C5
Rhy. Fig. 1
end Rhy. Fig. 1
Elec. Gtr. 3 Sub moe teen eae ee ee tee ee ee So ee eee ee ane ae

ee
ee
See eS es
eee en) ee
Bae ee eee
eaees eee
De ge ne eae el

Verse
w/Rhy. Fig. 1 (Elec. Gtr. 3) 4 times
Dts A5

SYuffjal ee
1
ee
P
i PES Sara, | Sa Ie ae _e
os
_ ae el. CS) a ee.
GN
Se. SS a Eee ee Se
|
4 ey ae ee PE ET el Ee ee Ee I EE) BS ee BS SES i ee ed SIL
= eS Re Oe” As a Ae” ae a es to

1.Come and fill the pag es Of =-Iny fan - S1€s.__

4gs
.

2.Come and fill the pag es Of eeny: fan - S1es.__

3
esa
Elec. Gtr. 2
SYik i -“~ oe:
|
4 See
SE SS
ees TB
fe ee a ee |e

Arcos
1Caan es ee “ae a
rh Aa ee ee ee es ee ee ee eee
/ SSeS ee 2 ee er ae Es ek ee IE
[Se cee bien ae eae ees nr ee
[eet |se
weer et ee ee eee
poses

jal |
C5 D#5 A5
basaull!
eB
SS eee ie et Sa eee in Raa se Se ee _,
ES
Ed
4

Push - ing all

| ~
1

I’m a-bove you, smil - Es

~¢ °

TH“il| al o
fie

D) l
aa So USS See ee ee eee |

Bin
82

C5 D#5 A5

A g ee ee! aa
as omc >a
5

§
Ud35
ie}
S | z
©
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=) = | | 33 !
asa “=

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ech
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ll
rch
tl

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Daud aitEd (|||

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alee
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4

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(1 i
va)

Baudaif =Ly
~Q -—

(TT
fths |
|| li
12a | IB rch }
UN |
on,
Pil

Thoughtless - 9 - 3
——
 Pre-chorus:
C5 BS

| a What are you do - ing, don’t make fun of me?

Elec. Gtr.2
Ln
at
hsait1}
Je|Ae
|
ae
aS
ET
Se
ee
esate
nea a

<t

Elec. Gtr. 3
Sub +<+22 ee - = pean oe Sit Pee eee ee

C3 BS

You think it’s fun-ny, what the f*** you think it’s do - in’ to me? You take your turn lash - ing
run
Ey
is
ee

aa
eee
cence
res
45

y
Sal

@ 2
aa

bi) syCee eee Gn Se

basz

+14
=
al!
ul! es
4s

Thoughtless - 9 - 4
84
CS C5

out at me. I want you cry - ing when you’re dirt - y and in front of me.

(ii) il

|
[a Oar ee 4 ay a
Guameweposte ee See =
Ee Se
ee
fo
eeee eee a [aes ame
See ee
RES
q
«gad

cfs
fo)

anni
|

Chorus:
E5
iH G5

(2 ae oe SP ET a aaa [pay
eS
See eS) awe
See tffee Sa
eS
Bee
Ser
a
ae
a
a ee ee
ee
Sea
ee
Ee
a

he ae
ea
are)
Se eras rere S71a
=

All all my hate can - not be

Elec. Gtr. 2
Rhy. Fig. 2
or

DQ
ha Lsceseaenaia tiie ananime gar
| 4 Leeann

Elec. Gtr. 3
Rhy. Fig. 2A

Thoughtless - 9 - 5
1aii n
I I
found.)
will not be drowned
(I will
Ne
nl

lhe
Ce

EVDi0= =~ - - = spn 32 6 = sh o> = ee ee ee eee

bed
ul!

pay
lar

ee ee Ree oe a Ee AS
a
el a
alates

ee
oe era
ee ee ee
ae a a eee
“@

Ls a Se ee ee
ae

{ee
ae ES = po pee pee an

w/Rhy. Figs. 2 (Elec. Gtr. 2) & 2A (Elec. Gtr. 3)

C5 DS E5
aff
MY
@.

ar

ne ee
ccs ce
4

SS eel
.
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Wile
se SS Se ee ee
(ee
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thought = - less schem - ing So
drowned.)
THY
Th

. end Rhy. Fig.2

ho— ee
| Jar

ee _ _______ re
a es
a
eS
ee a a | ee
aa
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ea ee
[js eee
7
@ae

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SS

end Rhy. Fig. 2A

Ne

7) eee Sera eee Seen

ay

ie ee el

a a
ai
Een
ae ea ae ee
8S eS a)
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et SRO
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Se |]
Se a
aa ae ee ere
areas ee |
ae ee ae

Thoughtless - 9 - 6
86

you can try to tear me down, beat me to

(Try to tear me down.)

ground, I will see you scream - ing scream - ing

(Beat me to the ground.)

Bridge:
N.C. BS
f) ee eee ee eee
le ee
ee
ee ae
eS
SSS
eee Se
EE Se ee

eee eee
_ WES | eae a a FE ee a Pea
Pee see
eal SE
Seea

All

Elec. Gtr. 4 Rhy. Fig. 3

8vb ee ee ee ee fe eae eee ee ieee eeeee 8vb ---------------------------
ya

f) # 7 ee NS Ss Ee Se ES
a aeaeR a ee Ee
Drea Pd
were a el ae en
Be
C7 st
7...
me Es
GS Be
ee eeeeee
Se
ees
ar
Sen
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nen Ge)
ee See
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a
ESSE
y.
ae eS
aS ead
a, a a a a 2 es a ee any gee” eeae maser Ce
See
PD =e | aa aes saad Suis SASee Ren Geren ieSs ere Te 4
Baa
Ee ees

P
1/2
Sebo 12
maT
a es ee Raa ee ee
I ee ee Ma eeSe
ty ee ee SS eee
SE eee ae a
ae
ls
a ee as | ee eee
2 ee er ee eee ee ee a ae ee
Seta I Fa i a SS a PS EE PTR Ee

Rhy. Fig. 3A
Elec. Gtr. 1 SVD == a ee
ill

o = . +]
insz

i}

pe l [
ill

P.M. throughout

es 2 a ee
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©
|
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Thoughtless - 9 - 7
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| $é

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my

Gon - na take you

— :

fae) '
< mil l
Sa] \
ES cS S & i
4 = mS

down. ___
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3 kat AT
(Bub) ioeios So oe oar kes 2 dees oe

= 3 1S) ;
2
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s ms 5 & 7} oO
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friends

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gradual dive w/whammy pedal

bil
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: COMPLICATED |
Avril Lavigne 9 "78 0757 I

EVERYDAY
Bon Jovi
FOR YOU
Staind
HERE TO STAY
Korn
HERO
Chad Kroeger
I STAND ALONE
Godsmack
MY FRIENDS OVER YOU
New Found Glory
POINTS OF AUTHORITY
Linkin Park :
PRAYER : ;
Disturbed VSN
U!
pe,

SHE HATES ME
Puddle of Mudd
THIS TRAIN DON’T STOP THERE ANYMORE
Elton John ,
THIS WAY
> Jewel —
THOUGHTLESS |
ES <tiss:

A THOUSAND MILES _
Vanessa Balto,

aSOT ore: erGon mpany

SS ‘ ec or
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GisBoONUAstn, Aver *Miaini, Florida 43074
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54979°05158