Days of Wine and Roses - Pat Martino (Exit 1976)

     
Composer

           
            
Swing BREAK Bbm9 Dorian sound (implying Eb7)

   
nat 7 as enclosure

  
                     
Stacked 5ths Mixolydian


dim tetrachord Lydian dom


3


Fmaj7 Eb7 D7

     Bb min
        
        
Eb7

   
maj 9 arp Bbm9 Dorian sound
7


Gm7

              
                    

10
Am7 Dm7

      C7    
  
                 
nat 7 as approach note


13 Cmix
Gm7

                       
        
Dm7 Dragged


15 Gm7
Em7b5 A7 G7

            arp
   Eb7
             
      
(actually playing a backdoor Eb7)

 
Am7 arp into fmaj


18 C7 Fmaj7 Dim tetrachord

 
Again natural 13
           
                   

21 3 Gm7


D7

  

    Dm7       
3 3

            
3

            
Stacked 4ths into eb triad
25 Eb7


Am7

Same lick over the backdoor  

         Bb7
         
           

29 Bm7
  E b7   
                
  
            
2 Same lick over the backdoor

   
Dm7
31
Am7 Gm7 C7

      
     
           
Bebop dominant line

  
Again returning to Am7 arp line
34
Fmaj7

  
 Backdoor dorian lick
Eb7 
                         
    
D7

 
36
3

            
     
            
Callback from previous form bar 13
39
Gm7

 Eb7
             
         
  
Again returning to Am7 arp line


41
Am7

   
                  A7 

3 3 3

     Gm7

3
Dm7


44 C7 Em7b5

  
3 3

    G7         
3

 
               
   
Gm7


48 Dm7
C7

  
 Eb7
   
           
 
Mixolydian


Fmaj7


51 D7

    
       
                   
Gm7
54

 Eb7
        
           
    
    
Another callback to bar 25 lick


57
         Bm7   

     
Dm7 3

        
Am7 Dm7


Again returning to Am7 arp line but c maj switch
59
Am7 Bb7

3 3

       

 Eb7
              
Backdoor dorian lick to close up for good measure

     
     
64
Gm7C7

 
67
Fmaj7