m23 English Lal Markscheme
m23 English Lal Markscheme
Markscheme
May 2023
English
Language and literature
On-screen examination
21 pages
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This markscheme is confidential and for the exclusive use of examiners in this examination session.
It is the property of the International Baccalaureate and must not be reproduced or distributed to any
other person without the authorization of the IB Global Centre, Cardiff.
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The following are the annotations available to use when marking responses.
DET DET – Relevant detail On Page Comment – On page comment tool Alt + 0
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Marking guidelines
• Recommendations for question word counts and timings are advisory only. Candidates should not be penalized if they exceed or fall short of advisory word counts, unless
the quality of the response is affected, eg, by a lack of development of ideas / analysis etc.
• Where a section of text is specified in a question, candidates’ responses should focus on those specific sections/lines/paragraphs.
• Where exemplar responses appear in the assessment grids, the examples given illustrate the top end of each band.
• For Criterion A, bullet i, where candidates are asked to analyse/interpret the writer’s use of language, ‘use of language’ can encompass content, context, language,
structure, technique and style. However, it is not expected for the candidate to explore all of these aspects in one response. The aspects explored will depend upon the
candidate’s own interpretation of the specific text and question.
• Use of a ‘/’ indicates alternative acceptable points and not a list of expected responses.
• Use of brackets indicates additional detail that is not required for the mark.
• Where the markscheme instructs to ‘Reward all valid points’ examiners should look to reward all relevant points including and beyond the suggested responses. When
you have indicative content next to the descriptors of a criterion, you should award levels which best fit with descriptors rather than indicative content. The indicative
content is for reference only.
• For the compare and contrast question candidates are required to write about both texts. If students only write about one text, they cannot go beyond (2 marks) for
Criterion A and beyond (2 marks) for Criterion B.
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Question 1a (3 marks)
Analyze how the narrator, Ximena, is characterized in the opening of the excerpt.
The student: A level 2 comments on one or more valid characterizations or a technique(s) used for characterization,
developing ideas with some example(s) or explanation(s).
i. & ii. provides adequate analysis of
the content, technique, or of the
effects of the creator’s choices For example:
on an audience - Ximena is characterized as someone who is passionate about weaving when she says, “I really love to
weave.”
2 iii. justifies opinions and ideas with
- Ximena is characterized as someone who is confident because she doesn’t let the person that she’s
some examples or explanations
talking to discourage her from weaving.
- Ximena is portrayed as very careful/detail-oriented: “The tucking and untucking...folding under and
over”.
- Ximena is characterized as artistic because she is artfully weaving.
- She is caring as she wants her art to save her people.
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The student: A level 3 response analyzes how Ximena is characterized (and may reference the techniques used),
i. & ii. effectively analyses the developing the analysis with example(s) and explanation(s).
content or technique and the
effects of the creator’s choices For example:
on an audience - Ximena is characterized as someone who is strongly passionate about weaving. She states multiple
iii. consistently justifies opinions times that she loves weaving and that she enjoys making things with her hands, showing how much
and ideas with examples and she loves it. She also believes that her weaving serves a higher purpose – it could save her people
3 explanations – demonstrating her strong passion.
- Ximena is characterized as a strong-willed person. When she is questioned about why she weaves,
she thinks to herself “Who gives a darn...the loom doesn’t”. This shows that she’s determined to do
her own thing, no matter what others think.
- Ximena is characterized as someone who values beauty. She says, “There isn’t anything better than
creating something beautiful” and she is excited and energized by the sight of her creation and how
it glimmers, showing that despite her difficult situation, she is still sensitive and alert to the beauty of
the thread and what she can create with it.
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Question 1b (2 marks)
Comment on the significance of the line, “The tapestry winks silver in the moonlight as I drape it over a chair. A slight movement makes me blink. I lean forward, and the
lizard flicks his tail.”
0 The student:
Makes no / incorrect reference to the line.
The student: A level 1 response identifies one or more ways that the line is significant
(literally, symbolically, thematically, figuratively, for plot development, for
i. & ii. provides limited analysis of the content, technique, or the effects of character development, etc.) without providing explanations or examples
the creator’s choices on an audience for support.
1
iii. does not justify opinions and ideas with examples or explanations
- This is the climax of the scene
- This shows the beauty of her weaving
- This is when we know her tapestry is magic
- It is significant because it shows the lizard is alive
- It personifies the tapestry
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Question 1c (2 marks)
Describe the effect of a technique used in the film.
- Music sets the mood, and the voiceover explains the action
- Music engages the viewer in the scene. The music is ballet music
and makes viewers feel like they are at the show.
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The student:
A level 1 identifies one or more aspects of the clip that makes it significant, or states why it is significant,
i. & ii. provides limited analysis of the but does not develop ideas with examples or explanations.
content, technique, or the effects of
1
the creator’s choices on an audience - The clip illustrates how dancers’ movements align to the music.
- The clip shows “The Sleeping Beauty” being danced on stage.
iii. does not justify opinions and ideas
- The clip informs the viewer about an important scene in “The Sleeping Beauty”.
with examples or explanations
The student: A level 2 describes one or more aspect(s) of this scene that makes it significant, or describes why it is
significant, providing some examples or explanations as support.
i. & ii. provides adequate analysis of the
content, technique, or of the effects of
the creator’s choices on an audience - This clip shows how different ballet movements tell different parts of a story in ballet as it has
animations of a variety of characters who use a variety of movements.
2 iii. justifies opinions and ideas with some - The clip informs the viewer about an important scene in “The Sleeping Beauty” by explaining the
examples or explanations dancer’s movements through voiceover.
- The clip creates a variety of moods using colour, such as purple for the evil fairy and pink for the
good fairy.
The student: A level 3 justifies an aspect(s) of this scene that makes it significant, justifying ideas and opinions with
examples and explanations and possibly connecting it to the entire clip.
i. & ii. effectively analyses the content or
technique and the effects of the - This clip illustrates how many different art forms come together to tell story in ballet. It shows
creator’s choices on an audience examples of how costume design, choreographic tools, and the orchestra collaborate to
iii. consistently justifies opinions and represent the characters of “The Sleeping Beauty” by presenting each fairy with a completely
ideas with examples and explanations different outfit, changing the colour background for each character, and playing the music.
3
- The filmmaker shows how different gestures in ballet are used to symbolize different parts of the
story. For example, the evil fairy’s crossed arms symbolized a curse. This shows how gestures
are used to communicate meaning.
- The clip is significant because it uses examples from “The Sleeping Beauty” to illustrate previous
points made in the video. The narration explains specific dance movements and how they match
the music. This reinforces the point made throughout the video that dance and music come
together to tell story in ballet.
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Question 1e
Compare and contrast how the writer and filmmaker present the process of creative expression in Text 1 and Text 2. (20 marks)
Note: Examiners need to award a mark for each of Criterion A and B below.
As noted in the marking guidelines, candidates should not be penalized if they exceed or fall short of the recommended word count, unless the
quality of the response is affected.
Criterion A: 10 marks
Responses should focus on comparing and contrasting the techniques the creators use to persuade us to connect with the outdoors in both
texts.
Candidates’ ability to compare and contrast the two texts (strand iv.) should be the deciding factor when placing students in a band for Criterion A.
Candidates are required to write about both texts. If students only write about one text, they cannot go beyond (2 marks) for Criterion A.
Candidates who do not compare AND contrast will be awarded a maximum of (5 marks) for Criterion A.
In descriptor strands i and ii, not all elements need to be addressed in the piece for the mark to be awarded. In descriptor strand iii, terminology can
be implied.
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Criterion B: 10 marks
Candidates are required to write about both texts. If students only write about one text, they cannot go beyond (2 marks) for Criterion B.
If a candidate uses bullets, Criterion B will be awarded a maximum of (2 marks).
0 The student does not reach a standard described by any of the descriptors below.
The student:
i. makes minimal use of organizational structures though these may not always serve the context and intention, eg, writing about each text separately
1-2 ii. organizes opinions and ideas with a minimal degree of coherence and logic, eg, points may be unconnected
The student:
3-5 i. makes adequate use of organizational structures that serve the context and intention, eg, there is an attempt to compare and contrast the texts
ii. organizes opinions and ideas with a degree of coherence and logic, eg, begins to make connections
The student:
6-8 i. makes effective use of organizational structures that serve the context and intention, eg, compares and contrasts the two texts
ii. organizes opinions and ideas in a coherent and logical manner with ideas building on each other
The student:
9-10 i. makes sophisticated use of organizational structures that serve the context and intention effectively
ii. effectively organizes opinions and ideas in a sustained, coherent and logical manner with ideas building on each other in a sophisticated way
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Using one of the images, create a scene in which a character travels through time to a mysterious place.
You may consider using any of the following: purpose, characterization, setting, mood, and/or point of view. (20 marks)
Note: Examiners need to award a mark for each of Criterion C and D below.
As noted in the marking guidelines, candidates should not be penalized if they exceed or fall short of the recommended word count, unless the
quality of the response is affected.
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Criterion C: 10 marks
Responses which use neither the images nor the theme of the prompt should be awarded (0 mark) for Criterion C – Producing Text.
To determine the mark for criterion C, a best-fit approach between the mark descriptor and the marking notes must be used.
Marks Mark descriptor (C: Producing text) Marking notes and indicative content
0 The student does not reach a standard described by any of the descriptors below.
The student:
i. demonstrates a limited degree of insight, imagination or sensitivity and minimal exploration of
perspectives and ideas The candidate attempts a basic link to the image or
1-2
ii. makes minimal stylistic choices in terms of linguistic and literary devices, demonstrating prompt.
limited awareness of impact on an audience.
iii. selects few relevant details and examples to develop ideas
The student:
i. demonstrates some insight, imagination or sensitivity and some exploration of perspectives
and ideas
3-5
ii. makes some stylistic choices in terms of linguistic and literary devices, demonstrating The candidate addresses the prompt and image.
adequate awareness of impact on an audience
iii. selects some relevant details and examples to develop ideas
The student:
i. demonstrates considerable insight, imagination or sensitivity and substantial exploration of
perspectives and ideas
6-8 The candidate produces an engaging response that
ii. makes thoughtful stylistic choices in terms of linguistic and literary devices, demonstrating
elaborates on the prompt and image.
good awareness of impact on an audience
iii. selects sufficient relevant details and examples to develop ideas
The student:
i. demonstrates a high degree of insight, imagination or sensitivity and perceptive exploration of
perspectives and ideas The candidate produces a highly engaging response that
9-10
ii. makes perceptive stylistic choices in terms of linguistic and literary devices, demonstrating is inspired by the prompt and image.
sophisticated awareness of impact on an audience
iii. selects extensive relevant details and examples to develop ideas with precision
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Criterion D: 10 marks
Examiners are reminded to consider best fit/balance in rewarding marks for all strands in Criterion D (i.e. if a candidate’s register is strong but there
are several errors in grammar, etc.).
0 The student does not reach a standard described by any of the descriptors below.
The student:
i. uses a limited range of appropriate vocabulary
1-2 ii. writes in an inappropriate register and style that does not serve the context and intention
iii. uses grammar, syntax and punctuation with a minimal degree of accuracy; errors often hinder communication
The student:
i. uses an adequate range of appropriate vocabulary and sentence structures
3-5
ii. sometimes writes in a register and style that serves the context and intention
iii. uses grammar, syntax and punctuation with a degree of accuracy; errors sometimes hinder communication
The student:
i. uses a varied range of appropriate vocabulary and sentence structures
6-8
ii. writes in a register and style that serves the context and intention
iii. uses grammar, syntax and punctuation with a considerable degree of accuracy; errors do not hinder effective communication
The student:
i. uses an effective range of appropriate vocabulary and sentence structures.
9-10
ii. writes in a consistently purposeful register and style that serves the context and intention
iii. uses grammar, syntax and punctuation with a high degree of accuracy; errors are minor and communication is effective.
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(30 marks)
You have started a new student organization that will build intercultural connections with young people in other parts of the world. Create the script for a video advertisement
promoting your organization.
Note: Examiners need to award a mark for each of Criterion B, C and D below.
As noted in the marking guidelines, candidates should not be penalized if they exceed or fall short of the recommended word count, unless the quality of the
response is affected.
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Criterion B: 10 marks
0 The student does not reach a standard described by any of the descriptors below.
The student:
i. makes minimal use of organizational structures though these may not always serve the context and intention, eg, there is a basic chronological structure
1-2 although some elements may be absent
ii. organizes opinions and ideas with a minimal degree of coherence and logic
The student:
3-5 i. makes adequate use of organizational structures that serve the context and intention, eg, the structure is straightforward and adheres to the given form
ii. organizes opinions and ideas with a degree of coherence and logic
The student:
i. makes effective use of organizational structures that serve the context and intention, eg, the structure is secure and structural devices (such as referring
6-8
back to an early detail at the end) begin to add to the overall effect
ii. organizes opinions and ideas in a coherent and logical manner with ideas building on each other
The student:
i. makes sophisticated use of organizational structures that serve the context and intention effectively, eg, structural devices (such as crafting the length
9-10
of sentences and/or paragraphs) enhance coherence and cohesion, and may be utilised throughout
ii. effectively organizes opinions and ideas in a sustained, coherent and logical manner with ideas building on each other in a sophisticated way
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Criterion C: 10 marks
To determine the mark for criterion C, a best-fit approach between the mark descriptor and the marking notes must be used.
Responses which are neither linked to the global context nor the theme of the prompt should be awarded (0 mark) for Criterion C – Producing Text.
0 The student does not reach a standard described by any of the descriptors below.
The student:
i. demonstrates a limited degree of insight, imagination or sensitivity and minimal
exploration of perspectives and ideas The candidate attempts a basic response to the prompt,
1-2
ii. makes minimal stylistic choices in terms of linguistic and literary devices, demonstrating making little or no reference to the global context.
limited awareness of impact on an audience.
iii. selects few relevant details and examples to develop ideas
The student:
i. demonstrates some insight, imagination or sensitivity and some exploration of
perspectives and ideas The candidate addresses the prompt, demonstrating some
3-5
ii. makes some stylistic choices in terms of linguistic and literary devices, demonstrating understanding of the global context.
adequate awareness of impact on an audience
iii. selects some relevant details and examples to develop ideas
The student:
i. demonstrates considerable insight, imagination or sensitivity and substantial
The candidate produces an engaging response that
exploration of perspectives and ideas
6-8 elaborates on the prompt, demonstrating understanding of the
ii. makes thoughtful stylistic choices in terms of linguistic and literary devices,
global context.
demonstrating good awareness of impact on an audience
iii. selects sufficient relevant details and examples to develop ideas
The student:
i. demonstrates a high degree of insight, imagination or sensitivity and perceptive
The candidate produces a highly engaging response that
exploration of perspectives and ideas
9-10 reflects on the prompt, demonstrating excellent understanding
ii. makes perceptive stylistic choices in terms of linguistic and literary devices,
of the global context.
demonstrating sophisticated awareness of impact on an audience
iii. selects extensive relevant details and examples to develop ideas with precision
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Criterion D: 10 marks
Examiners are reminded to consider best fit/balance in rewarding marks for all strands in Criterion D (i.e. if a candidate’s register is strong but there
are several errors in grammar, etc.).
0 The student does not reach a standard described by any of the descriptors below.
The student:
i. uses a limited range of appropriate vocabulary
1-2
ii. writes in an inappropriate register and style that does not serve the context and intention
iii. uses grammar, syntax and punctuation with a minimal degree of accuracy; errors often hinder communication
The student:
i. uses an adequate range of appropriate vocabulary and sentence structures
3-5
ii. sometimes writes in a register and style that serves the context and intention
iii. uses grammar, syntax and punctuation with a degree of accuracy; errors sometimes hinder communication
The student:
i. uses a varied range of appropriate vocabulary and sentence structures
6-8
ii. writes in a register and style that serves the context and intention
iii. Uses grammar, syntax and punctuation with a considerable degree of accuracy; errors do not hinder effective communication
The student:
i. uses an effective range of appropriate vocabulary and sentence structures
9-10
ii. writes in a consistently purposeful register and style that serves the context and intention
iii. uses grammar, syntax and punctuation with a high degree of accuracy; errors are minor and communication is effective
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