AQA GCSE English Language Resources
AQA GCSE English Language Resources
Welcome to the new AQA GCSE English Language resources from Cambridge
University Press. These resources adopt an engaging and progressive approach,
specifically supporting the AQA 2015 GCSE English Language specification, and
founded in the core skills for reading, writing and spoken language as defined in
the new GCSE Curriculum.
This is a time of change, challenge and opportunity. For the first time in decades,
teachers of English Language face a scenario where assessment is 100% exam
based, exams are no longer tiered, and the familiar grading of G to A* is replaced
by 1 to 9. The best of English Language and English Literature will be double
weighted, provided a student has taken both qualifications. The second best score
of English Literature and English Language can be counted in the ‘other’ group of
subjects for Attainment 8, if it’s one of the student’s highest scores in this group.
These resources help you meet the challenges and maximise on opportunities
during this period of change, by providing practical and purposeful support
for classroom and independent use. With a combination of enhanced digital
resources and print Student Books they engage students with a rich range of
reading sources and stimuli for writing, drawn from across the 19th-, 20th- and
21st-centuries and carefully selected for both purpose and appeal.
Our aim is to enable students to develop confidence and skills in reading closely
and writing fluently, and motivate them through a clear focus on Assessment
Objectives, and regular feedback on achievement and assessment of progress.
We have strived to make progress visible and attainable across the ability range,
ensuring challenge for the more able and support for those who need it with
two student books, Progress and Progress Plus. Free Teacher Resources offer
expert support for course planning, teaching and assessment, and there will be
significant opportunities for online assessment and progress tracking.
I believe these resources offer you and your students an engaging, supportive,
challenging and comprehensive experience of the study of English Language.
They develop students’ skills and knowledge so they are confident and equipped
to gain the best grade they can in their GCSE, whilst also seeking to make English
a source of pleasure and power in their lives.
Clare Constant
Clare is an experienced English teacher who has run an Outstanding English Department (OFSTED 2010)
and is Director of Teaching and Learning in a small London school. Clare has written a number of best-selling
secondary English books over the last 18 years.
Mike Ferguson
Mike has been an English Teacher for 30 years in 11–18 schools, with 18 years spent as Head of Department.
He has written a number of educational publications and has contributed to various journals. Mike has also
made contributions to Teachit and has written for a number of poetry publications.
Lindsay McNab
Lindsay worked for almost 40 years as an English and Media Studies teacher and was a Head of Department
for twenty of those years. He was also an Assistant Head with responsibility for CPD and staff development.
Martin Phillips
Martin taught English in 11–18 comprehensive schools and after a spell as a Vice Principal he moved into
advisory work. Martin has also worked as an Ofsted Registered Inspector and ran his own consultancy focusing
specifically on raising attainment in English. Working as the Director of the Digital Media Education Centre he
produced over 30 books and DVDs supporting the teaching of English and Media Studies and has also written
textbooks for major publishers.
Marian Slee
Marian is an experienced English teacher. She now works as a freelance English consultant and trainer and has
contributed to many bestselling text books.
Peter Thomas
Peter has previously been a Lecturer in Education, an English Teacher and an Advisory Teacher and is involved
in English curriculum development and assessment. He has been an Associate Fellow of the National Academy
for Gifted and Talented Youth and is currently working with The Globe Education department as well
as the Shakespeare Birthplace Trust. Peter has written for the national press, educational journals, and
NATE Classroom on various aspects of the English curriculum and assessment.
Bernard Ward
Bernard has been teaching since 1989 and in 2000 became English Co-ordinator at a Pupil Referral Unit.
He has been Literacy Co-ordinator in a special needs unit, a Behavioural Advisor, and Head of English.
In 2011 he gave up teaching to concentrate on freelance work as a poet, philosopher and as an
Educational Consultant. Bernard is Consultant PhD Supervisor for Napier University.
We are driven by a simple goal: to create resources that teachers and students need to ignite a curiosity
and love for learning. As England enters a new educational chapter, we are publishing a comprehensive
suite of blended print and digital English resources specifically written for the new AQA English
specifications, available from early 2015.
Written by an experienced author team of teachers and advisers, our differentiated GCSE English
Language resources have a strong focus on progression and developing transferable skills, and are
designed to prepare all students for the untiered linear examination. Supporting the development of
reading, writing and spoken language skills through a range of active learning approaches, students
will learn how to apply these skills to a range of familiar and unfamiliar contexts. Our resources are
specifically designed to prepare students for the challenges of 19th-century texts and support for spelling,
punctuation and grammar (SPaG) is embedded throughout.
With rich digital content to engage and motivate learners, our simple and affordable resources build on
subject knowledge and understanding, and prepare students for achievement in the new GCSE specification.
Teacher’s Resource
Everything necessary for teachers to plan and deliver
the specification.
Writing Workshops
Additional student resource of enriching Writing
Workshops to engage, build and develop writing skills
with a specific focus and outcome.
Our inclusive print Student Book and Elevate-enhanced Edition bundle offers a sophisticated and cost‑effective
solution, including everything necessary for the effective teaching and learning of the new GCSE specification
in one package.
Bundled with our Elevate-enhanced Edition, our print Available as a standalone product or as part of
Student Books have been created specifically for the print Student Book and digital bundle, our Elevate-
AQA 2015 GCSE English Language specification. enhanced Edition provides you with a flexible solution
Student Books are available at two differentiated to deliver the new 2015 qualifications. This enhanced
levels, Progress, developed for those students who digital resource provides a range of tools, allowing
would have previously sat the Foundation paper, and students to take ownership of their learning.
Progress Plus for students working from grades 5–9.
Our Elevate-enhanced Editions:
Both Student Books include:
• feature rich digital content including a
• spelling, punctuation and grammar fully range of videos, audio and differentiated
integrated throughout, addressing the new interactive resources
SPaG requirements
• allow students and teachers to annotate text,
• high-quality 19th-, 20th- and 21st-century add audio notes and hyperlinks
texts across a range of genres, selected to
• enable teachers to create specific student
help students prepare for the more challenging
groups to share notes and resources with – ideal
historical texts
for differentiation
• dedicated support to help students develop the
• allows for tracking and reporting in tests and
skills necessary to write about unseen texts in
includes a My Work folder that can be used to
timed conditions
submit work to teachers
• a spoken language section to develop
• is available online through browsers, or offline
students’ skills as speakers, presenters, listeners
through iOS or Android apps, so students can
and responders
access the content anytime, anywhere.
• a progressive teaching sequence to support
accessibility and engagement and enable
teachers to build skills right across the
ability range.
Writing Workshops is an additional print component Specifically developed for the AQA 2015 GCSE
to develop students’ writing skills through creative, English Language specification, our FREE Teacher’s
narrative, descriptive and discursive writing, while also Resource will help with the planning and delivery of
building communication, organisation and accuracy the course.
skills. Our motivating Writing Workshops:
Packed with best-practice teaching guidance our
• will help students’ progress in the Assessment
Teacher’s Resource includes:
Objective skills of communication, organisation
and accuracy • a full Scheme of Work mapping the Student
Book content to the qualifications and
• will inspire students as writers at GCSE
highlighting opportunities to co-teach
and beyond
• support for the integrated teaching and
• draw on the authors’ experience in
delivery of both the English Language and
successfully running writing workshops
English Literature specifications
at GCSE for many years.
• maps where spelling, punctuation and
grammar are taught within the units, for clarity
of coverage and application in different contexts
• Assessment for Learning to help monitor
individual and group progress
• transition support from Key Stage 3 to GCSE
and from GCSE to A Level
• differentiation opportunities to stretch the
more able and provide support for those who
need it most.
You can access the Student Book sample chapters featured here online,
and to view a sample demonstration of the Elevate-enhanced Edition,
contact your local sales consultant through
[Link]/ukschools
source J
One of the most magnificent male lions in our study area has
been killed. Armagnac will soon be flown halfway across the
world, where on arrival his head will be stuffed and mounted 15
on the hunter’s wall, along with the photograph. His skin will be
used as a carpet, and the hunter will tell his friends about his trip to
Africa, with a few embellishments. Above him Armagnac will stare
into oblivion with his new glass eyes.
From The Lion Children by Angus, Maisie and Travers McNeice
Assessment for Learning (AfL) end Read Source J and answer the questions
Key point/terms icon Checklist/summary
that follow. TheyCritical
willlenshelp you assess One of the best ways to
of unit tasks to monitor and track how well you: Use strand colour for the circle develop reading skills
progress. Supported by digital AfL • identify, explain and infer meaning based on detail is to read widely. In this
• use Test
evidence to support your ideas unit, you have read a
mark schemes and transferrable Connect to the text
range of non-fiction
skills to support improvement and • summarise detail.
and fiction texts. Aim to
independent learning. a Take
A gunit further is fired twice in the passage.
Core level
Take it further
Explain why. Research spend an extra two hours
b What will happen to Armagnac’s head and skin? Maths icons a week reading. Keep a
c Work out the meaning of the following words as used in the passage: record of what you read
Elevate audio
reverberation embellishments
Exploring (one icon for
oblivion
all concepts) and make sure that over
Calculator/Calc icon
16
Further progress Elevate evidence of
work
Cross reference
External hyperlink
Make progress
2
• how writers’ purposes affect their
Explore the ways writers •
language choices
the effects of grammatical features
Activities
comment on the effects of words source f
Activities that include a variety of
So far you have explored the possible effects of approaches and purposes as built
writers’ choices of words. Before you move on, The evening, I remember, was still and cloudy; the into the unit focus.
spend some time reading Source F, two extracts London air was at its heaviest; the distant hum of
from a nineteenth-century novel. the street-traffic was at its faintest; the small pulse
of the life within me, and the great heart of the
ACTIVITY 6 city around me, seemed to be sinking in unison,
languidly and more languidly, with the sinking sun.
1 Work on your own. Focus on the writer’s …
use of adjectives, noun phrases, adverbs
and verbs. Comment on the ways the writer The quiet twilight was still trembling on the
uses language to give an impression of the topmost ridges of the heath; and the view of
narrator's state of mind. London below me had sunk into a black gulf in the
shadow of the cloudy night, when I stood before the
2 When you have finished, read through what
gate of my mother’s cottage.
you have written. Highlight where you have:
• identified adjectives, noun phrases, verbs When I rose the next morning and drew up my
and adverbs blind, the sea opened before me joyously under
• commented on the effects of the identified the broad August sunlight, and the distant coast
words and phrases of Scotland fringed the horizon with its lines of
• covered a possible range of effects. melting blue.
s From The Woman in White by Wilkie Collins
25
Make progress
READING
GCSE English Language Progress Plus
• R
5 1
develop comparison skills
•
Develop compare the ideas and
language of two texts
• study the features of a
comparison skills written comparison before
writing your own
Generic icons English icons Marketing icons
Glossary
Research
included everything needed for a
Take it further
Glossary Maths icons
comparison of ideas and language.
Emboldened key terms that appear If you have missed anything make
Elevate audio NabobExploring
person (one icon of
for conspicuous wealth or
Calculator/Calc icon status 2
in the glossary, and also may additions to your work. all concepts)
Elevate‑enhanced Edition.
No Calculator
Elevate question type Show your skills Debating point
The following passage is taken from the opening of the memoir Cider with
Rosie. In it the writer recalls his arrival at the remote Cotswold village of Slad.
I WAS set down from the carrier’s cart at the age of three; and there with a sense
of bewilderment and terror my life in the village began.
The June grass, amongst which I stood, was taller than I was, and I wept. I had
never been so close to grass before. It towered above me and all around me,
each blade tattooed with tiger-skins of sunlight. It was knife-edged, dark, and 5
a wicked green, thick as a forest and alive with grasshoppers that chirped and
chattered and leapt through the air like monkeys.
I was lost and didn’t know where to move. A tropic heat oozed up from the
ground, rank with sharp odours of roots and nettles. Snow-clouds of elder-
blossom banked in the sky, showering upon me the fumes and flakes of their 10
sweet and giddy suffocation. High overhead ran frenzied larks, screaming, as
though the sky were tearing apart.
For the first time in my life I was out of the sight of humans. For the first time
in my life I was alone in a world whose behaviour I could neither predict nor
fathom: a world of birds that squealed, of plants that stank, of insects that sprang 15
about without warning. I was lost and I did not expect to be found again. I put
back my head and howled, and the sun hit me smartly on the face, like a bully.
2 Focus on lines 18 to 30 only. What do you learn about the relationship This question tests your
between the narrator and his sisters? skill in using detail to
8 marks infer meaning.
105