Title Cultural Festivals and Cultural Id
Title Cultural Festivals and Cultural Id
Abstract:
The paper focuses on the cultural festivals organised in the Republic of Cyprus and their
ideological implications on the cultural identity of Greek-Cypriots from Independence (1960)
until European Union accession (2004). It further examines the role of the dominant
ideological, political framework and values for the formation of their artistic content. The local
cultural festivals functioning as a political tool projected national messages and symbolisms
focusing on the bipole, ‘Hellenocentric-Cypriotcentric’. Additionally, in the 1990’s local
cultural festivals were used to promote the Eurocentric aspect of the Greek-Cypriots’ cultural
identity. Hence, the hosting of European artistic ‘product’ was intensified. The role of the
private cultural sector is also examined as a differentiating factor to the state’s persistence for
transforming the island’s cultural policy and management into a vehicle for strengthening the
cultural identity of the Greek-Cypriots.
1
INTRODUCTION
This paper highlights the ideological implications of the cultural festivals in the Republic of
Cyprus from the Independence (1960) until the country’s accession in the European Union
(2004). It attempts to briefly refer to the results of a research that was conducted in the
elaboration of the relevant doctoral thesis, which was submitted, supported and approved by
the Open University of Cyprus in December 2016. The research constitutes the first critical
analysis attempt of local festivals (state and private) and it examines the role of the dominant
ideological/political landscape and the collective values for the formation of festivals’ artistic
content. The questions focus on the correlation of political facts and how they differentiate the
locals’ cultural identity and the effect on the ‘construction’ of the artistic programmes during
the island’s state festivals. Taking into consideration the political ambiance on the island and
its influence on the collective memory and cultural identity, the researcher divided the local
cultural festivals into two chronological periods. The first period was initiated during the
island’s Independence (1960) until 1974, the Turkish invasion, and the second period began
1974 until 2004, the accession to the European Union.
From the thorough examination of archival material from organisations and governing bodies,
as well as articles written in the Greek-Cypriot press, two main tendencies have been identified
in collective consciousness which had a strong impact on the formation of local festivals. These
tendencies focus on the Hellenocentric and the Cypriotcentric cultural identity of the Greek-
Cypriots’. From 1960 until 1974, the deterioration of the two main communities, the Greek-
Cypriot and the Turkish-Cypriot community, transformed further the island’s cultural policy
and management into a tool for strengthening the national and the cultural identity of Greek-
Cypriots, who in the meanwhile undertook the governance of the new founded state (Spanou,
2016: 111-2). Joep Leerssen (2006) supports that cultural nationalism that was spreading in
European societies from the 19th century transformed the cultural product into a tool for shaping
the collective identity, and Cyprus would not be an exception.
Guy Debord (2016) in his monumental book, The Society of Spectacle, indicates that, ‘the
spectacle is the epitome of ideology, since it exposes and demonstrates in its completeness the
essence of every ideological system’. In this sense cultural festivals as a spectacle functioned
as an ideological tool in the Republic of Cyprus after 1960. During the first period of the local
cultural festivals (1960-1974), state festivals aimed at the manifestation of the idea for the
reunification of Greek-Cypriots with their ancient Greek roots and origins. The main goal was
to further consolidate the Greekcentric characteristics of their cultural identity. The state
supported artists and activities that promoted the Hellenocentric ‘origin’ of the cultural
possessions. During that period, cultural events organised by the Greek-Cypriot Left, focused,
on the promotion of the Cypriot-centered aspects of the locals’ cultural identity. However, this
attempt had very limited impact in the Greek-Cypriot community, since its majority still
dreamed of the political unification with Greece. The state cultural policy and management
was ethnocentric and its orientation hindered the implementation of a rational and a coherent
cultural plan in the Republic, harming, additionally, the project for a harmonious communal
co-existence and collaboration.
The promotion of the ‘Greek origin’ cultural possessions led in 1963 to the festival, known by
the name, ‘Week of Ancient Greek Theatre’. The festival took place in the restored ancient
2
theatre of Salamina, near the city of Famagusta. Its repertoire was mainly consisted by
theatrical performances from the National Theatre of Greece.i Plays from the ancient Greek
dramaturgy - mainly tragedies - were presented to the local audience, which at that moment
emotionally sensible and still eager to fight for the unification [Enosis] with the ‘motherland
Greece’, reacted accordingly. The Greek embassy on the island supported the festival
financially, while at the same time the President of the Greek Communal Assembly [Elliniki
Koinotiki Sineleusi], Constantinos Spiridakis, stressed in his speech at the inauguration that,
‘these performances [in Salamina] have a special significance because they reunify culturally
the two countries, which have already had 3000 years ties to bond them’. ii The immediate
connections between space and time were also important to emerge reflections concerning the
collective values of the predominant community (the Greek-Cypriot). Salamina was the ancient
town founded by Teykros, hero of the Trojan War, son of King Telamon of Salamina in Greece.
Consequently, the performances served additionally to the empowerment of the Helleno-
centric identity and the preservation of the ideology of Enosis, which was the dominant
ideology among the Greek-Cypriots (Spanou, 2016: 97).
In the first period of the Cypriot cultural festivals (1960-1974) another local festival was
organised in Cyprus, this time in Limassol, the second biggest town of Cyprus. The festival
was organised in 1969 by the local authorities and was named, ‘International Artistic Festival
of Limassol’.iii During the first three years of its presence, the festival focused on the promotion
of the local – Cypriot – cultural heritage in dance and music and the hosting of Greek groups
in dance, music and theatre. Later, it evolved to a more cosmopolitan festival since there were
international participations (Spanou, 2016: 108-9). From 1972 and on, the organisers reclaimed
the state bilateral cultural agreements that Makarios had signed during the political approach
of countries like Soviet Union and countries members of the Non Aligned Movement [Kinima
Adesmeuton]. So they invited artists from other countries to participate in the festival (Office
of Commissioner, 2006). These arrangements offered to the local audience opportunities for
new cultural experiences and promoted a more cosmopolitan atmosphere on the island. The
Cypriotcentric cultural identity was also more consolidated due to stable participation of local
folk dance and music clubs in the festival programme. Local participations were cultivating the
idea about the value of Cypriot cultural heritage and the need for sustaining and forwarding it
to the next generations.
The Turkish invasion on the island in 1974 set off a discussion around the collective identity
issues among the Greek-Cypriots. There was a disappointment for a considerable number of
people in the Greek-Cypriot community about the role of the Greek Junta in the coup in Cyprus
during July 1974. There was also frustration about the assistance from Greece that never came,
during the Turkish invasion. These were enough reasons to lead more Greek-Cypriots to the
understanding that the interests of Greek-Cypriots and Greeks were not always necessarily
compatible. Hence, the Cypriotcentric cultural identity seems to be a way out from the
ideological and existential dead end, in which Greek-Cypriots entered. A serious
reconsideration about their collective conscious also emerged because of the public
interventions of Neokypriakos Syndesmos, a group consisted by local Leftist intellectuals. The
supporters of this new collective identity, although acknowledged the Greek cultural belonging
of the Greek-Cypriots, they also worried about the continuation of the new founded state
[Cyprus] and encouraged the bi-communal rapprochement (Neokypriakos Syndesmos 1990,
Neokypriakos Syndesmos 2000).
3
The Cypriotcentric ideology is traceable already in the first fourteen years of the Republic but
it had a weak influence in the local political context. In the second period, from 1974 till 2004,
due to political changes, Cypriot-centralism played a critical role in the political field of the
Republic of Cyprus and the cultural developments. However, this did not mean that the
influence of Helleno-centrism had ceased from being a dominant factor in the Greek-Cypriot
community. On the contrary, it continued to exist and kept up a constant antagonism between
Hellenocentric and Cypriotcentric identity, which emerged as the main characteristic in the
coming years. In this debate, the ideological construction of the helleno-centrism was used as
a protection shield from the Turkish threats (Mavratsas, 2005), an argument expressed
especially from the supporters of the ethnocentric Right Wing Party [ΔΗ.ΣΥ.] in the Greek-
Cypriot community.
Until 1993, the year of the victory of the local Right Party in the presidential elections, the state
festivals were devoted to the reinforcement of the Greekcentric cultural identity, as the state
cultural policy proposed. The biggest state cultural festival ‘Kypria’, which was inaugurated in
1993, invited and hosted in its repertoire mainly the Greek cultural ‘product’ and the occidental
one. The contemporary Greek-Cypriot artistic community and its creation was ignored by the
organisers, causing intense protests, as indicated in the press (Sxiza, 1993). The local cultural
exclusion could be attributed to reasons relevant to a collective underestimation of the local
product and its value and to an overestimation of the Greek and European cultural product,
which was regarded as strong cultural shield in the instable and insecure political state of the
island. The manifestation and the enactment of the so-called Defense Doctrine, called as Eniaio
Amintiko Dogma, between Greece and Cyprus, in a period of political relation unrest amongst
Turkey and the Turkish-Cypriot community, affected accordingly the local cultural field.
Hence, it was characterised by the signing of new cultural agreements between Cyprus and
Greece and the renewal of other older ones. The Greek Minister of Culture, Evaggelos
Venizelos, during his visit to the island in 1998 referred, to it as a ‘single cultural space’,iv
proving that a ‘cultural dogma’v was re-inaugurated during the decade, and this [dogma] was
functioning as a tool for the further revitalisation of the Greek-central cultural identity of the
islands’ inhabitants.
At the same time spot, because of the political target set by the new leadership for full accession
in the European Union, state festivals hosted aspects of the contemporary European cultural
creativity for the local audience. However, the festival organisers simultaneously underlined
the important role of the Greek culture in the shaping of the European culture, emphasising
again a diverse kind of Hellenocentric cultural nationalism to the local people. As Vasos
Argyrou (1996: 39-48) claims, there has been and still is an uprising of the Eurocentrism, with
which the Greek-Cypriots visualise themselves as part of Europe and European cultural
heritage. This view had a tremendous impact in the ‘construction’ of the repertoire of the state
cultural festivals till 2004. Local thematic festivals for contemporary dance, music and
performance were constructing their content based on hosting European artistic groups in order
to strengthen the Eurocentric cultural identity of Greek-Cypriots, along with the ethnocentric
identity. The European embassies further demonstrated a willingness to enable and finance
cultural exchanges, indicating an ongoing establishment of cultural diplomacy dogma on the
island.
During the decade of 1994-2004, local authorities – mainly town municipalities and local
authorities in villages – organised festivals that aimed at the recreation of the audience aligning,
with the beliefs and values of the political leadership that was in charge at the time. The agenda
on the cultural field was a mixture of socio-political necessities once again. Therefore, the
4
Leftish authorities promoted the Cypriot tradition and cultural heritage during festivals through
dance and music. Their priorities were the entertainment of the public and the introduction of
the local audience to familiar cultural product promoting in this way the Cypriot-centric
identity. On the other hand, the Right Political Wing [ΔΗ.ΣΥ.] insisted on promoting the
Hellenocentric cultural identity by inviting and hosting the Greek cultural product. Their views
about the importance of Greek and European productions sprang from the idea that contact
with either of them would benefit the preparation and adjustment of the local audience to its
new cultural family, the European Union.
In the last decade of the second period of the Cypriot cultural festival, from 1994 until the
beginning of the new millennium, the appearance of private cultural institutes and agencies
differentiated substantially the local festival landscape, despite the ongoing dispute among the
Cypriotcentric and the Greekcentric cultural identity and the reduced role of the other bipole
of ‘Europe-Cyprus’. Alternative sources for financing their cultural activities, especially from
private sponsors, had partly freed them from the state financial and ideological control. Under
these new circumstances, their presence initiated changes regarding the perception and the role
of culture in the local society. In addition, their emancipation from the state political-
ideological aspirations led to the launch of cultural events and festivals, which aimed at the
aesthetic development of their audience, initiating its contact with new creative art forms.
EPILOGUE
The international literature on festivals highlights that these cultural institutions may contribute
to: (1) the consolidation of a certain cultural/national identity to the masses, (2) the
establishment of a tourist brand identity, which can enable the attraction of cultural tourists and
hence improve the country’s economic indicators and, (3) the creation of a cosmopolitan
atmosphere, where cultural exchange with other cultural ‘otherness’ would facilitate the
emergence of alternative identities, promote peace, co-existence and multicultural dialogue. It
seems that the last two festival-functions never existed in the Cypriot paradigm. Cultural
festivals in the Republic of Cyprus from 1960 till 2004 were mainly politically reclaimed by
the state, which was the distribution body of state sponsorship in culture.
The monolithic dimension, within which the state viewed the festivals, restricted or even
suppressed their impact in the other sectors of public life. Local festivals were led to a cultural
anachronism because of a persistent obsession coming from the unsolved Cyprus Problem,
which is still used as a convenient excuse for neglecting the modernisation of sectors in public
life. Hence, it is necessary a massive reform of the state cultural policy to be launched in order
to allow the festivals to emerge their multiple prospects, away from ideological considerations.
This reform should focus on the modernization of the state cultural institutions and on the
construction of a decentralized cultural model in the country, where private funding of cultural
activities would be facilitated and encouraged. Hopefully, in the near future with the proper
institutional adjustments the Greek-Cypriot festivals will be placed with claims on the
international festival map attracting international and local audiences.
5
BIBLIOGRAPHY:
Argyrou, V. (1996). Tradition and Modernity in the Mediterranean: The Wedding as Symbolic
Struggle. Cambridge: Cambridge University Press.
ENDNOTES
iEleftheria (1963) ‘Εις το Αρχαίο Θέατρο Σαλαμίνος εδόθη χτες η πρώτη παράσταση του
Εθνικού με την τραγωδία « Αίας»’, 25 September.
April.
6
Title: Branding Orthodoxy: Religious Diplomacy and the Makarios Legacy in Sub-
Saharan Africa
Abstract
This article investigates religious diplomacy and its branding potential and power
ramifications, focusing on Cypriot missionary work in Sub-Saharan Africa. It
analyses the diplomacy of Archbishop Makarios III, the first President of the Republic
of Cyprus, who branded Orthodoxy as an anticolonial alternative to the African
‘colonial religions’. Makarios used religious diplomacy instrumentally for domestic
and international legitimacy as well as for enhancing Cypriot statehood during periods
of internal and external contestation. The article also examines the current work of the
Greek Orthodox (Cypriot) Mission in Kenya, the continuities and shifts with regard to
the initial aims of Makarios’s religious diplomacy. It looks at the extent to which the
Mission has been internationalized and potential to function as a ‘reverse mission’
also representing Kenyans-Africans in Cyprus. The article is based on archival
research, press coverage, interviews and participatory observation.
1
Introduction
How far can religious and public diplomacy combine to project a country’s image
abroad? How can small and less powerful states and non-state actors exploit niches and
distinctive cultural assets to exercise soft power in postcolonial Africa? And what
might be the intended and unintended consequences of such practices, the material and
symbolic effects of religious diplomacy?
In responding to these questions, we use the case of Cyprus as an example, its
historical involvement with missionary work in Sub-Saharan Africa, Kenya. We
consider the Cypriot case especially interesting in the way a small European state tried
to brand its religion in a region where religious missionary work had been tainted due
to its association with western imperial expansion.
The Cypriot involvement in sub-Saharan Africa bears similarities but also distinctive
differences to this colonial diplomatic practice. On the one hand, it is a white European
mission, seeking to convert and bringing another version of Christianity and White
messianism to unredeemed Africans. On the other hand, it is historically and
symbolically a postcolonial mission. It is sent from a country, which was itself
colonized and initiated from a political leader with impeccable anti-colonial
credentials: Archbishop Makarios III. Consequently, Cypriot religious diplomacy
although it reinforced established racial-colonial inequalities vis-à-vis Africans, at the
same time it offered symbolic capital for overcoming them.
To be specific, Cypriot religious diplomacy capitalized on a cultural niche, promoted
by the island’s major religious-political celebrity. The first Cypriot President happened
to be the Greek Orthodox Archbishop of the island, who also led the anti-colonial
struggle. As we suggest below, Makarios fully exploited this historical legacy,
including his links to and his subsequent active involvement with the Non-Aligned
Movement. This helped him to successfully brand Orthodoxy as a post-colonial
religion par excellence. Makarios managed to become something of an honorary
African and played a leading role in spreading Orthodoxy in Africa by conducting mass
baptisms and laying the foundations of an Orthodox theological seminary in Nairobi.
Nowadays, Cypriot missionary involvement in Sub-Saharan Africa continues and
involves significant developmental and humanitarian work, but it is something of a
perplexing inheritance for the Cypriot state. The current Orthodox Archbishop of
Kenya is a Cypriot, and his name is also Makarios – a symbolic continuation. But the
days of an Archbishop-President are long gone. As are the days of proud and vocal
participation in the Non-Aligned Movement and association with Third World
demands. That the Cypriot state has clearly shifted diplomatic priorities is evident by
the ‘suspending of operations’ of its resident diplomatic mission in Nairobi in 2013. To
that extent, we examine the changing goals and shifting uses of religious diplomacy,
including the extent to which the current Cypriot Archbishop in Kenya is not only an
agent for Cypriot diplomacy with access to Kenyan society but also a conduit for the
occasional representation of Kenyan and African interests in Cyprus.
2
Makarios as a Diplomatic Celebrity
Cypriot religious diplomacy and branding fully utilized what subsequently became
known as celebrity diplomacy (Cooper 2008; Tsaliki et al 2011) and the biggest asset
Cyprus had at the time of independence of a celebrity diplomat. Makarios III was the
Archbishop and primate of the autocephalous Church of Cyprus from 1950 until his
death in 1977. During the 1950s he became the political leader of the anti-colonial
struggle of the Greek-Cypriot movement EOKA (National Organisation of Cypriot
Fighters) that fought against British colonial rule. Consequently, because of his dual
role, Makarios became the Ethnarch: the de-facto leader of the Greek ethnos in Cyprus.
At the international front, Makarios participated in the first Afro-Asian Conference,
which took place in Bandung, Indonesia, in April 1955 where the foundations for a
Non-Aligned Movement were laid out and Makarios launched his profile as an anti-
colonial leader (Anagnostopoulou 2013). The Bandung move was highly symbolic and
imaginative. The Conference was an entirely Afro-Asiatic meeting, with no other
European and no other Christian bishop – the religion of the colonizers (Vanezis 1971).
This association with the Third World continued. Years later as an independent state,
Cyprus chose to join the Afro-Asiatic Group of states at the United Nations and is still
a member of the Asiatic group, even though for all other terms and purposes it defines
itself as a European state (Constantinou 2004: 109-111).
Following independence, Makarios became the first and longest-serving president of
the Republic of Cyprus (1960 – 1977) while also being Archbishop. This meant that
Cyprus had been broadly and unofficially projected on to the world stage as a semi-
religious actor. Although in some ‘modern’ quarters this appeared undesirable and
anachronistic, among more ‘traditional’ actors Cyprus was successfully branded
through its religious history and biblical origins. As put by Vanezis (1974: 41): ‘It is
not often realised that the Orthodox Church of Cyprus is one of the oldest Christian
churches of the world, much older that the Patriarchate of Constantinople itself or the
Church of Metropolitan Greece’.
Makarios’s celebrity status cannot be singly explained by reference to either his
political or religious authority. (Hatzivassileiou 2013: 227). It was rather a combination
of both. He expressed a centuries-old tradition, which was both spiritual and political,
and pre-dated state authority. (Emilianides 2011: 104).
Makarios’s strategy was to publicize and internationalize the Cyprus question through
speeches, travelling and symbolic gestures. In the post-independence era, now as Head
of State and celebrated anti-colonial hero, he travelled in addition to many other
countries and arranged for the filming of many of his visits, creating a series of
documentaries mainly for domestic consumption.
In his visits to Africa, he was welcomed as a typical African leader who combined
politics and religion and even held a staff like any other African chief (Interview with
Julius Katholo 1/7/2015). He visited many African countries, especially countries were
Christianity was prominent, but he had a special relationship with Kenya. He first
3
passed through Mombasa on his way to Seychelles, exiled there by the British
government. This memorable short pass of Makarios through Kenya established
contacts and elevated him into an emblem of anti-colonial struggle. Moreover, just like
many African leaders, Makarios naturally used religion for political emancipation.
Progressively, Makarios personifying the Cypriot anti-colonial struggle became known
in Sub-Saharan African countries, even before the beginning of Cypriot missionary
work. President Nyerere, expressed his admiration for the Cypriot anti-colonial
struggle precisely because of the smallness of the nation making it a source of
inspiration for bigger nations, like Tanganyika. (Kranidiotis 1963, FA1 343/43/3).
President Jomo Kenyatta, suggested that Makarios’s name was deemed a synonym for
freedom in Kenya. (PIO Press Release 16 January 1970). Indeed, following mass
baptisms in Kenya in 1971 the majority of those baptised chose the name Makarios
(Tillyrides n.d).
Makarios Tillyrides, is the current Archbishop of Kenya, and became the natural
inheritor of Archbishop Makarios’s missionary project in the country and through the
Seminary to the missions throughout Sub-Saharan Africa. In 1971-1972, Archbishop
Makarios established the Orthodox Seminary in Kenya and in 1975 he asked Tillyrides
– a doctoral student at Oxford University – to join the mission, which he eventually did
in 1977 after the completion of his studies. Despite periodic absences, Tillyrides
remained there as a layperson until 1992 when he became a priest and he fittingly
changed his name from Andreas to Makarios (Fileleftheros 17 February 2002). The
Orthodox mission is officially under the Orthodox Patriarchate of Alexandria but
effectively under the Cypriot Orthodox Church because of the legacy of Makarios.
According to Makarios Tillyrides (Interview 29/6/2015) the foremost target of the
Cypriot mission is to deliver the word of the Gospel. However the mission also
conducts social, developmental and humanitarian work; it builds and supports clinics,
hospitals, orphanages, and schools. In line with other Christian missions in Africa its
role is pastoral in both the material and spiritual senses. The current Archbishop is the
spiritual guide to close to one million parishioners but also a tireless manager, with two
mobile phones in hand, roving the country, in charge of numerous social welfare and
humanitarian projects. Although faith is not conditional for receiving assistance from
the Mission, it is clear that joining Orthodoxy may give the faithful specific advantages
and a better future through education.
Currently there are around 1000 people attending at the Seminary and the schools in
the surrounding area. Moreover the Mission cooperates with the Cypriot Branch of
Doctors of the World and together they develop food programmes and support clinics
(Fileleftheros 25 March 2007) as well as collaborating with a number of other Cypriot
Foundations operating in Africa: e.g. the A.G. Leventis Foundation, the Sophia
Foundation for Children, the George and Androula Vasilliou Foundation.
Conducive to the success of this Cypriot mission is the liturgical translation and
4
innovation but also the flexibility with which the Orthodox dogma is applied to the
African faithful. The work of the Seminary is versatile as it spreads the message of the
gospel in more than twenty local languages and dialects, very important in terms of
innovation and outreach as no other Christian mission did anything similar until recent
times (Pantainos January/February 2006: 70-73). Moreover, in many instances,
polygamy and circumcision are allowed and celebrated among certain traditional
communities. The Mission also uses African traditions such as ululation, clapping and
dancing, integrating them into the austere Byzantine liturgy of Christian Greek
Orthodoxy. The current Archbishop Makarios symbolically joins them in their dances,
and he states that ‘Many cannot imagine a bishop dancing… [They find] it unthinkable
in our tradition. But here we do it. It does no harm to anybody’ (Markides 2007).
The Cypriot Orthodox Mission in Kenya receives excellent publicity through laborious
hard work. The Archbishop is a prolific author, writing articles in both Greek and
English and publicises them in various Orthodox magazines, the Cypriot, Greek and
Kenyan Presses as well as online websites describing his activities and the financial aid
given and projects supported through the Mission. Many actions of Archbishop
Makarios are gestures of excellent public relations and communications strategy.
Consequently, the award of the Orthodox Patriarchate School by the International
Foundation for the Unity of Orthodox Christian Nations, a further enhancement of
Makarios Tillyrides’s image, came as no surprise (Panta ta Ethni January-February
2008: 11).
In addition, the current Archbishop, Makarios Tillyrides, acts as a ceremonial
unofficial ambassador of Cyprus in Kenya especially since 2013 when the Republic of
Cyprus decided to ‘suspend the operations’ of its resident diplomatic mission.
Probably Archbishop Makarios’s most recent success story of conducting public
religious diplomacy was held in 2012, when the son of the then Prime Minister of
Kenya, Raila Odinga, named Fidel Castro, was baptised into the faith before marrying.
The young Fidel received the name Makarios and the ceremony attracted wide
publicity, given how he was seen as a successor to his father and groomed for a
political leadership position in Kenya. (Enateniseis September/December 2012: 172-
175). The young man retained both names and became known as Fidel Castro
Makarios Odinga, until his sudden death in January 2015. Two revolutionary names in
one – enhancing both the Orthodox and the Cypriot logo.
Conclusion
5
The Cypriot Orthodox Mission displays the subtle power of ‘weak power’. When
compared to the traditional European missions to Africa or the more recent and larger
Evangelical missions from the United States (Huliaras 2006), the Cypriot mission has
been, in the words of a Kenyan academic, a surprisingly silent mission and quite
successful probably because of that silence (Damaris Parsitau interview 3/7/2015).
Our case study has also revealed two other issues that inform debates about the ‘Good
Country’ benefit that Cyprus acquires, inter alia, through its religious-humanitarian
actions (see http://www.goodcountry.org with Cyprus currently on 18th place). At the
same time, however, the activities of the Mission complicate the national exclusivity
and one-dimensional perception of the Mission. First, it appears that in the last decade
or so, especially because of Archbishop Makarios Tillyrides’s initiatives, the Cypriot
Orthodox Mission in Kenya is progressively changing into an international Orthodox
mission. Τhis is due to two main reasons: First, there is not enough interest by the
Republic of Cyprus as evidenced by the shift in its diplomatic priorities, despite the
continuation of financial aid given to the Mission, although significantly reduced.
Second, Archbishop Makarios has begun to cooperate with organisations from all over
the world such as the Orthodox Church and the Ministry of Foreign Affairs of Finland.
In other words, Orthodoxy is still branded through the Mission, but Cypriot statehood
not exclusively so.
Secondly, the current Archbishop Makarios seems to have developed roles that are
quite distinct from those President Makarios envisaged when he established the
mission. One might say, there is a reverse mission now with more Kenyans currently
living and operating in Cyprus, than Cypriots in Kenya. That is contrary to the 1960s
and 70s. Thus the current Archbishop often acts as representative for these Kenyans
and their interests in Cyprus, not merely representing and branding Orthodoxy and
Cyprus in Kenya (Interview with Makarios Tillyrides, 29/6/2015). There are currently
Kenyan priests and students who work and/or are being educated in Cyprus, some with
scholarships arranged by the Cypriot Mission in Kenya, and who see Makarios as their
bishop, and their ambassador (Interview with Panaraitos 4/8/2015). No longer just the
Cypriots’ ‘Man in Nairobi’, Makarios is the Kenyans’ ‘Man in Nicosia’. It will be
interesting to see how both the initial and the reverse missions develop, following
Makarios’s eventual retirement from ‘the mission’.
Acknowledgment
This paper is based on research for the project ‘Cypriot Presence and Public Diplomacy
in Sub-Saharan Africa: A Historical Perspective’, (2014–16), funded by the A.G.
Leventis Foundation.
Also, it is based on the published article, Constantinou M. C., and Tselepou M.,
‘Branding Orthodoxy: Religious Diplomacy and the Makarios Legacy in Sub-Saharan
Africa’, Journal of Place Branding and Public Diplomacy (2016).
6
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11
IDENTITY, IMMIGRATION AND CITIZENSHIP IN THE TURKISH CYPRIOT PRESS
(1994-2015)
MUSTAFA CIRAKLI
Lancaster University
ABSTRACT
Much scholarship has focused on the spread of nationalism and identity construction in media
discourse (Anderson 1991;Johnson and Ensslin (eds) 2007; Yumul and Ozkirimli 2000). This
paper examines how leading newspapers in northern Cyprus have framed the twin issues of
immigration from Turkey and the citizenship status of Turkish ‘settlers’ in ways that articulate
competing discourses on Turkish Cypriot identity. To that end, the paper provides a critical
discourse analysis into the reporting of a selection of political events in the context of Cyprus’ EU
accession. The paper argues that the rhetoric utilised by the newspapers not only influence the
nationalistic imagination in the Turkish Cypriot community but has also been shaped by the
prevailing, rival discourses of Turkishness and Cypriotness that seek to capture the social
imaginary. Such discursive structuring of immigration and the citizenship offer valuable insights
into perceptions toward a ‘patron-state’ (Turkey) and further points out to the pervasiveness of
the unresolved conflict in all spheres of life, with important implications for the construction of
inclusive identities and the domestic balance of power. The insights in this paper thus hold
comparative value to other cases of identity politics in post-conflict settings, unrecognised states
and others involving kin-states.
Introduction
Much scholarship has focused on the spread of nationalism and identity (re)construction in
media discourse (Anderson 1991; Johnson and Ensslin (eds) 2007; Yumul and Ozkirimli 2000).
This paper examines how the Turkish Cypriot newspapers have framed the twin issues of
immigration from Turkey and the citizenship status of Turkish settlers in ways that articulate
competing discourses on Turkish-Cypriot identity. To that end, the paper begins by providing a
brief overview of the Turkish-Cypriot newspapers and their enduring relationship with the
domestic politics of the island, namely nationalism and the ‘Cyprus Problem’. This is followed by
a critical discourse analysis of a selection of political events significant to the immigration debate
and their framing by various mainstream newspapers and their columnists in the context of the
Cypriot accession into the EU (1995-2015).
Turkish Cypriot Print-Media: A Brief Overview
The news media are thought of as an integral part of any political system, informing,
prioritising, shaping and controlling events, opinions and society itself (Fairclough 2003; Wodak
2001). Cyprus, and the northern part of the island more specifically, is no exception to this. On a
closer look, discourses articulated in the Turkish-Cypriot media closely reflect those of the
mainstream narratives that dominate the political field, i.e. those preferred by politicians and the
political parties. This overriding feature of the media in northern Cyprus as a highly-politicised
domain and a conduit of political discourse is captured well by the “polarized pluralist model”
developed by Hallin and Mancini (2004: 68-73) consisting of a politically oriented press, high
political resonance in journalism, prevalence of the State as an owner and regulator and a high
degree of ideological diversity. Indeed, the Turkish-Cypriot media (but also its Greek-Cypriot
counterpart in the south, see Avraamidou and Kyriakides 2015; Christophorou et al. 2010) is
enmeshed in pervasive contemporary political economic, social and cultural dynamics marked by
the ongoing conflict, also known as the ‘Cyprus Problem’. It is in this sense placed at the heart of
the (re)production of that conflict, either promoting the status quo to signify the ‘imagined nation’
while reproducing suspicion toward the ‘other’, i.e. the Greek-Cypriot community or, to the
contrary, an oppositional discourse, contesting the dominant ethno-national notions of peace and
belonging. In this context, the media is also part of a complex public sphere that forms and
redefines collective identity.
Whilst the simultaneous referenda held in April 2004 on the UN Peace Plan failed to secure
a deal before the whole of Cyprus was admitted into the EU, there was still considerable optimism
in the northern part of the island that the Turkish-Cypriot commitment to reunification and EU
membership would ease the community’s ostracisation and that the international actors would act
to bring the Turkish-Cypriot community ‘in from the cold’. To that end, the ‘Cyprus problem’
continued to dominate news stories in the post-referendum period, though with less intensity. More
remarkably, the settler issue in the immediate aftermath of the referendum was temporarily
downplayed and found substantial coverage only in the years following the referendum and
primarily in the context of the new round of negotiations with the election of the moderate
Demetris Christofias as the new President of the Republic in 2008. The Kıbrıs newspaper in
particular, provided extensive coverage of the political discussions that took place in the southern
part of the island on the settler issue, and sometimes with headlines portraying an intolerant,
uncompromising stance (2009) going as far as charging the Greek-Cypriot politicians with
‘racism’ (2010a). Yet, a number of developments toward the end of the decade in relation to the
ongoing Cyprus problem, but also in the context of bilateral relations with Turkey would once
again place immigration-related anxieties on top of the public and political agendas of the Turkish-
Cypriot community.
An important outcome of the clear disillusionment of Turkish-Cypriots perhaps with such
promises of international and European integration was the gradually diminishing prominence of
the EU as an oppositional narrative. The Afrika newspaper during this time became especially
vocal in its criticism of the government’s citizenship policy. In one particular headline, the
newspaper claimed that the demographic outlook of the northern part of the island was undergoing
a complete overhaul and that the process of ‘Turkification’ was in full swing following the election
of Derviş Eroğlu as the new Turkish-Cypriot leader (Afrika 2010). Its editorial also argued that
Turkish-Cypriots were now a minority largely thanks to the opposition who had now embraced
the settlers as the ‘new Cypriots’ and sponsored their citizenship rights (Afrika 2010). The so-
called ‘Survival Rallies’ organised during this time by a group of trade unions and opposition
parties were also to bring further media attention onto the issue (Kıbrıs 2010a 2010c). In its
coverage of the second rally in March 2011, the Kıbrıs newspaper, which had limited its attention
on the status of settlers in the context of the Cyprus talks in the post-referendum period, began to
highlight the domestic controversy surrounding the issue (2011a). Citing previous census data, the
paper claimed that the number of people on the electoral roll had grown twofold between 1976
and 2005 and that ‘no one knows of the precise immigration figures’ (2011b).
Yet another key factor which facilitated the discursive shift on part of the opposition toward
a more critical stance on immigration was the austerity measures orchestrated by Ankara. In this
sense, privatisation of public assets was seen as threatening Turkish-Cypriot autonomy by further
consolidating Ankara’s control in its domestic affairs. Turkish-Cypriot identity was defined here
in ‘existential’ terms as the fundamental stumbling block of the political community and with
reference to its precarious autonomy that was threatened by Turkey through a double whammy of
austerity/privatisation policies and the large-scale naturalisation of Turkish nationals (Afrika
2012).
For its part, the Turkishness discourse continued to frame the settler issue in the columns
of the Halkın Sesi newspaper and in Kibris to a lesser extent. In this vein, the presence of Turkish
immigrants and their naturalisation are viewed within an explicitly nationalist framework
characterised by the much-cherished Turkish-Cypriot relationship with Turkey and on the basis of
ethnic-kinship. the presence of ‘settlers’ more explicitly within the context of the ongoing
negotiations. In this sense, ‘boosting the numbers’ through new citizenships to ensure a
numerically stronger Turkish-Cypriot community is seen as a ‘crucial policy’ in order to secure
better consociational returns on the negotiating table, but also to “undermine Greek-Cypriot
negotiating position which claims sole ownership of the whole island based on their numerical
superiority […] offering, in turn, mere minority rights for the Turkish-Cypriot community”
(Aydeniz 2015). A number of economic arguments are also utilised in this vein to promote the
argument for a laxer immigration regime to respect human rights but also to maintain a flexible
labour force (Tolgay 2015).
Conclusion
As the paper has shown, the nationalist Turkishness discourse based on independent
statehood (in the form of the ‘TRNC) and an overarching Turkish identity was further entrenched
in the aftermath of the Turkish military intervention/invasion. Under this representation, Turkish-
Cypriot identity was effectively subsumed as a form of ethnic/local variation whereas Turkishness
took pride of place. The establishment newspapers such as the Halkın Sesi that had begun
circulating in the pre-1974 period subscribed without much hesitation to these official narratives
and promoted Turkish nationalism or the ‘national cause’. The so-called ‘national cause’ (milli
dava) conceived statehood as an ‘inseparable part of the motherland Turkey’ requiring perpetual
protection from the Greek-Cypriot ‘other’. In the same vein, the presence of Turkish immigrants
and their naturalisation have been viewed on the basis of ethnic-kinship, characterised also by the
‘much-cherished’ and ‘existential’ Turkish-Cypriot relationship with Turkey. More recently, in an
effort to regain political legitimacy, the nationalist rhetoric has been discursively expanded to
appeal to popular anxieties in relation to the economy, emphasising the positive contribution of
Turkish immigrants/settlers into the economy (and similarly, the negative economic repercussions
of limiting migration) but also to include a ‘human rights discourse’ in lashing back at attempts to
introduce stricter immigration and citizenship laws.
Though this appeal to some notion of human rights combining economic and cultural
arguments may at first seem a progressive transformation from a highly rigid essentialist discourse,
the study shows that such reference to human rights remain firmly couched in a distinctly ethno-
nationalist framing which is aimed at legitimising the rather asymmetrical relationship between
Turkey and the Turkish-Cypriot community. In this sense, the citizenship status of the Turkish
immigrants is justified on the basis of ethnic-kinship, level of contribution to the economy, but
above all its importance in the context of bilateral relations with Turkey in which the latter is
privileged in ethno-mythical terms as the ‘motherland’. Moreover, in the context of the Cyprus
problem, the Turkishness discourse also tries to capitalise on the alleged benefit of immigration
and citizenship in boosting the Turkish-Cypriot population numerically in order to maintain a
stronger position on the negotiating table. As such, it is devoid of democratic concerns. This is an
important finding since it highlights the deployment and articulation of a range of civic and ethnic
elements within the Turkishness discourse in its attempt to contest for a certain hegemony.
The left-leaning newspapers (such as the Yenidüzen, the Ortam and later on the Afrika) for
their part, capitalised on the immigration cleavage from the 1980s onwards to challenge the
hegemonic Turkishness discourse with an alternative notion of belonging which emphasised a
distinct ‘Cypriot’ character. This media rhetoric on immigration and citizenship stem from a
securitised Cypriotness discourse in which the presence of populations from Turkey are treated as
an existential threat to the presumed ‘authority’, ‘authenticity’ and ‘ways of living’ of the Turkish-
Cypriot society. Within this discourse, moreover, Turkish settlers are seen as a homogenous
constituency that invariably support Turkish tutelage over Turkish-Cypriot affairs.
In this sense, the Turkish-Cypriot newspapers benefited from strategies not only
emphasising perpetuation but also transformation i.e. articulation of more recent anxieties in their
appeal to popular sentiments. As indicated above, this has been the case with the introduction of a
‘human rights’ element within the Turkishness discourse together with a neoliberal argument to
further frame immigration as much-needed ‘cheap labour’ mainly as a reaction to the oppositional
rhetoric of the Cypriotness discourse which seems to have dominated the discussions in the second
half of the time-period under study. For the Cypriotness discourse, on the other hand, the most
notable change since 2004 has been in relation to the framing of Turkey. While the Afrika’s views
on Turkey as an ‘occupier’ or immigration as an illegal population transfer did not change, what
is striking is that once seen as marginal, similar views are now being taken by the more moderate
Yenidüzen. Though the paper has continued to refrain from using an explicit ‘occupation’ rhetoric,
certain elements of this discourse has nonetheless spilled into its narrative. In this vein, the
newspaper has taken a more explicit stance against Turkey and the increasingly authoritarian AKP
government there, tying a number of elements including austerity and religiosity onto immigration
in its articulation of the Cypriotness discourse. Such discursive structuring of immigration and the
citizenship rights of Turkish settlers within prevalent perceptions toward Turkey point out to the
pervasiveness of the unresolved ‘Cyprus Problem’ in all spheres of life and with important
implications for the construction of inclusive identities, domestic balance of power and the framing
of the conflict itself.
Notes
1. This paper does not deal with the legality of the self-proclaimed Turkish Republic of
northern Cyprus and the legitimacy of its governing institutions. Northern Cyprus (with a
small ‘n’) is the term generally preferred in this study to designate the distinction of the
Turkish-Cypriot political space. For purposes of analytical clarity, public institutions are
nonetheless referred here by their original name, as used by the Turkish-Cypriots
themselves (‘president’, ‘government’, ‘minister’ etc.) The term ‘settler’, though not part
of the Turkish-Cypriot political lexicon, is modified in its usage here with a view to reveal
the complexity (and the contingency) of the context in which it is utilised. Other categories,
such as ‘immigrants’ and ‘citizens’ are also used in tandem, to further distinguish between
different groups with varying legal statuses and rights in a real albeit unrecognised regime.
2. It is important to note that the analysis undertaken here concentrates less on the linguistic
(de)construction of particular texts than on the change and continuity in the articulation
of core concepts that have been important to particular discourses on Turkish ‘settlers’
and on identity.
3. The focus during this time was on the number of Turkish settlers who would be given the
right to remain following a deal.
4. First launched in July 1974, chiefly in reaction to a coup attempt orchestrated by the
Junta in Greece to overthrow President Makarios, and again in August that year to
‘restore peace’, the Turkish military intervention is described as ‘peace operation’ and
‘invasion’ in official Turkish-Cypriot and Greek-Cypriot narratives respectively.
5. In a somewhat IMF-style relationship, Turkish-Cypriot macroeconomic policy is
formulated and directed by Turkey in the form of bilateral economic protocols. The latest
financial protocol signed in December 2012 and included controversial austerity
measures envisaging a drastic reduction in the size of the public sector, but also the
privatisation of key Turkish-Cypriot assets including electricity, telecommunications and
harbours. The Protocol stipulated that the Turkish-Cypriot government had agreed to
implement the bilateral economic programme entitled “Towards a Sustainable Economy
2013-2015” in order to reduce its balance deficit to 315 ml Turkish Lira(TL);
controversial policy measures included the privatisation of the harbours and the
electricity authority (Articles 5.2.4.2.1 and 5.2.5.2 respectively) and market liberalisation
in telecommunications; (5.2.4.2.3) (TRNC 2013).
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