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Vallejo Citadel
70.950 Black 70.857 Golden Olive Doombull Brown
70.918 Ivory 70.975 Military Green Evil Sunz Scarlet
70.858 Ice Yellow 70.843 Cork Brown Khorne Red
70.899 Dark Prussian Blue 70.847 Dark Sand Zamesi Desert
70.823 Luftwaffe Cam. Green Zandri Dust
70.302 Dark Rust Yriel Yellow
70.804 Beige Red
70.815 Basic Skintone
70.808 Blue Green
70.923 Japanese Uniform
70.921 English Uniform
70.983 Flat Earth
70.825 German Cam. Pale Brown
70.992 Neutral Grey
70.862 Black Grey
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Before I begin painting the mini is prepped by
temporarily attaching both arms with some poster
tack to give me access to some details that would be
harder to reach if glued on, such as the skull on the
belt.
The mini is then primed with Black Primer.
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I begin by basecoating some of the major elements:
Skin: Doombull Brown
Pants: 1:3 Black + Military Green
Vest: Luftwaffe Cam. Green
Metal: Black Grey
Bandana and Wraps: Khorne Red
Skull, Gunstock & Sand: Dark Rust
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To start painting the skin the first thing I do is picking
out all the muscles with 1:1 Doombull Brown + Cork
Brown.
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I start highlighting the muscles with 1:2 Doombull
Brown + Cork Brown mix.
This mix should cover roughly 1/3rd of the upper
section of each muscle.
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The next highlight is made with Cork Brown.
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The final highlight is made with a few fine lines and
dots using 1:1 Cork Brown + Basic Skintone on the
highest points of the muscles.
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The midtone of the pants is painted with
Military Green.
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The folds and upper parts of the thighs are
highlighted with a 1:1 mix of Military Green + Golden
Olive.
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The highest folds are painted with 1:2 mix of Military
Green + Golden Olive
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To begin painting the metal sections I first establish
the largest largest areas of highlighted using Neutral
Grey.
Most of the work when painting NMM is in this stage
since after we’ve established the placement of these
larger highlights we’ll just be applying progressively
smaller ones inside them. So take your time in this
step.
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The first highlight is made with 1:2 Neutral Grey +
Ivory.
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Pure Ivory is used to paint the brightest points of
light.
These are much larger on the blade than on the
shoulder.
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To add some nuance I apply a few glazes.
First a glaze of Yriel Yellow is painted over the white
highlights.
Luftwaffe Green is then glazed into the shadows and
any highlights facing the ground such as on the
sword blade.
Afterward I reestablish the white highlights on the
areas facing the sky.
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The gold sections are basecoated with Dark Rust.
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These are highlighted with English Uniform, leaving
Dark Rust in the shadows and recesses.
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Japanese Uniform is used to continue highlighted the
gold.
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A few final dots of Ice Yellow are added for
maximum highlights.
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The black details are painted with a 1:1 Black + Beige
Red mix.
Black is left where I want shading.
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These are then outlined with 1:1 of the previous
mixture and Basic Skintone.
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Add a little more Basic Skintone to the mix to paint a
few final dots.
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The bandana is highlighted with a 1:1 of Evil Sunz
Scarlet + Khorne Red.
The eye lenses are painted by first painting them
Dark Prussian Blue. A small crescent is then painted
along the bottom of each lens using Blue Green.
To finish up dots of Ivory are added to the top of
each lens.
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The next highlight on the bandana is painted with
Evil Sunz Scarlet.
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Continue building up the highlight on the bandana
with a 1:1 mix of Evil Sunz Scarlet + Zamesi Desert.
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The final highlights are painted with a
1:3 mix of Evil Sunz Scarlet + Zamesi Desert.
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The largest highlights are painted using a
1:1 mix of Luftwaffe Green + Golden Olive.
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The tops of the folds and the shoulders are painted
using a 1:2 mix of Luftwaffe Green + Golden Olive.
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Pure Golden Olive is used for the very brightest
highlights and is especially concentrated around the
shoulders.
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I draw the major volumes of the skull with a
1:2 mix of Dark Rust + Basic Skintone.
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The space between the highlight and the shadows
are painted with 2:1 mix of Dark Rust + Basic
Skintone.
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To paint the camouflage pattern start with large
criss-crossed splotches of Zandri Dust.
These are applied by dabbing the paint on to create
an irregular shape.
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Smaller splotches and dots are added with Black.
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A few smaller dots are added using Dark Sand.
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To blend the pattern into the pants I apply a few
glazes of Military Green into the shadows.
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The black part of the gun is painted using the same
colors as the other black details. The main difference
is a final few bright points of light added with pure
Basic Skintone.
The stock is highlighted with Flat Earth and then
outlined with German Pale Brown.
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The base is painted by wet blending patches of Flat
Earth, Dark Rust and Luftwaffe Green.
The rock is Black Grey with increasing amounts of
Basic Skintone to highlight.
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To finish the base some patches of grass flock are
glued on.
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This Slayer is ready to take to the jungles and hunt
some Orkaz.
Guide by Kav
@WaywardBrushStudio
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