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Bach-Casadesus Cello Concerto in C-Minor-Violoncelo 3

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Danilo Chaib
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0% found this document useful (0 votes)
174 views7 pages

Bach-Casadesus Cello Concerto in C-Minor-Violoncelo 3

Uploaded by

Danilo Chaib
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Violoncelo 3 Cello Concerto in C Minor

no estilo de Johann Christian Bach

                 
Henri Casadesus

   
Allegro molto ma maestoso = 80

                

         
    
6

    
               
12
1

        

              

19

   
          
 
25
2

                
   
  

       
         
36
3

                                 

43
4

                              
 

    
49


        
2

    
    
57


                               
5

   
67

                     

      
  
73

                             
6

       
78

                           
       
85


 7

         
Più calmato e espressivo

 
8

      
93 poco allarg.

         
      
poco rit.

    
104

  
  

 
            
      
112
  
                            
3
9

   
117

 


                       
124

                          
132
10


 
 

                     
141 poco allarg.

       

      
      
149

     

    
 
155

                           
Adagio molto espressivo = 50

             
con sord.

                  
 segue
11

             
7

 

               
segue

         
16 poco rit.

 
cresc.

 
 
 
 
 
 
    

        
4

    
   
 
 
12 div.

          
24 a tempo
Più mosso

           

segue


                 
 


31

                               
13


38

 

       
                   
45
14

  
 cresc.

  
                
15

       
54 poco rit.a tempo



    
16 17

       


63


 
18

      
cresc.

                
72 Largo legatissimo Largo molto rit.


 = 126  
 

           
(cresc.) cresc.

         
Allegro molto energico

  

  
                            
5

   
7


                       

     
    
13

       

  
           
18
19


                      
  

   
27
20

 
      

                 
34 Senza Tempo

                             

 
43

                
      

21

 
50

 
                              
 

 
60

    

 
                 

65


                             
6

  
22

  
70

                                  
 
75

             

                  
84
23

 
        
                          
    
90

 

                                  

 
95

                               
24

  
101

      
                
106

                                

 
112

 

                              
120
25

 cresc.
    
  
7

                     
26
molto allarg. a tempo

 
131


                       

 
(cresc.)

   
      
140

  
                  
    

145

   

   
               

151 poco allarg.

  
27

               
156 Cadenza ad lib. Tempo molto più v



                        
Tempo primo (movimento d


161 molto rit.

 

       
              
169 allarg.

    
     

175 molto rit.

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