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MATH121 Lecture 6

The document discusses two types of perspective in drawings: one-point and two-point perspective. It focuses on the art and mathematics of Piero della Francesca, specifically how he used diagonal constructions to locate vanishing points and overcome the problems of two-point perspective, such as points lying off the paper.

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Marc Padrosa
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0% found this document useful (0 votes)
32 views95 pages

MATH121 Lecture 6

The document discusses two types of perspective in drawings: one-point and two-point perspective. It focuses on the art and mathematics of Piero della Francesca, specifically how he used diagonal constructions to locate vanishing points and overcome the problems of two-point perspective, such as points lying off the paper.

Uploaded by

Marc Padrosa
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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MATH 121

(Day 6)

Piero della Francesca’s Diagonal Construction

Richard Hammack:

www.people.vcu.edu/∼rhammack/Math121/
Two Types of Perspective
Two Types of Perspective

One-point perspective

horizon
line

(Viewer faces object(s) straight-on)


Two Types of Perspective

One-point perspective Two-point perspective

horizon horizon line


line

(Viewer faces object(s) straight-on) (Viewer faces object(s) at an angle)


Two Types of Perspective

One-point perspective Two-point perspective

horizon horizon line


line

(Viewer faces object(s) straight-on) (Viewer faces object(s) at an angle)

Problems of two-point perspective:


Two Types of Perspective

One-point perspective Two-point perspective

horizon horizon line


line

(Viewer faces object(s) straight-on) (Viewer faces object(s) at an angle)

Problems of two-point perspective:


I How do you locate multiple vanishing points?
Two Types of Perspective

One-point perspective Two-point perspective

horizon horizon line


line

(Viewer faces object(s) straight-on) (Viewer faces object(s) at an angle)

Problems of two-point perspective:


I How do you locate multiple vanishing points?
I What if one or more vanishing points lie off your paper?
Two Types of Perspective

One-point perspective Two-point perspective

horizon horizon line


line

(Viewer faces object(s) straight-on) (Viewer faces object(s) at an angle)

Problems of two-point perspective:


I How do you locate multiple vanishing points?
I What if one or more vanishing points lie off your paper?

Today’s Goal: Examine the art and mathematics of Piero della


Francesca; Learn how he overcame these problems.
Piero della Francesca

1415–1492
Piero della Francesca, Madonna di Sengallia, c. 1473
Piero della Francesca, Legend of the True Cross: Annunciation, c. 1453
Piero della Francesca, St. Anthony Polyptych; Annunciation, c. 1465
From Peiro’s book On Perspective for Painting, c. 1475
From Peiro’s book On Perspective for Painting, c. 1475
From Peiro’s book On Perspective for Painting, c. 1475
From Peiro’s book On Perspective for Painting, c. 1475
Piero della Francesca’s Diagonal Construction
Piero della Francesca’s Diagonal Construction
B

picture plane

G S

viewer R
T
“stage”
Piero’s floorplan and its perspective view

B C
V

S0 T0

G R

S T

A “stage” on which to create a scene


How to locate the perspective image P 0 of a point P

B C
V

S0 T0

G R

S T
How to locate the perspective image P 0 of a point P

B C
V

S0 T0

G R

S T
How to locate the perspective image P 0 of a point P

B C
V

S0 T0

G R

S T
How to locate the perspective image P 0 of a point P

B C
V

S0 T0

G R

P D

S T
How to locate the perspective image P 0 of a point P

B C
V

S0 T0

G R

P D

S T
How to locate the perspective image P 0 of a point P

B C
V

S0 T0

G R

P D

S T
How to locate the perspective image P 0 of a point P

B C
V

S0 T0

D0

G R

P D

S T
How to locate the perspective image P 0 of a point P

B C
V

S0 T0

D0

G R

P D

S T
How to locate the perspective image P 0 of a point P

B C
V

S0 T0

D0

G R

P D

S T
How to locate the perspective image P 0 of a point P

B C
V

S0 T0

P0 D0

G R

P D

S T
Drawing a box in perspective
Drawing a box in perspective

B C

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

S0 T0

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective

B C
V

G R

S T
Drawing a box in perspective
Drawing a box in perspective
Drawing a box in perspective
Drawing a box in perspective
Drawing a box in perspective
Drawing a box in perspective

Richard Hammack:
www.people.vcu.edu/∼rhammack/Math121/

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