Established as per the Section 2(f) of the UGC Act, 1956
Approved by AICTE, COA and BCI, New Delhi
        VERNACULAR ARCHITECTURE
        BHUNGA HOUSES OF KUTCH REGION BANNI and PACCHAM
       Architecture
       PROF.VIDYA SRIKANTH
       B18AR7051-lesson 02
TRADITIONAL RURAL HOUSE IN
KUTCH REGION OF INDIA (BHONGA)
     CHARACTERISTICS OF THE BHUNGA
     HOUSES OF KUTCH
1.    Location: dessert regions of Kutch, Gujarat
2.    Climate: hot, dry
3.    Geology: grass, scanty trees and shrubs, seismic zone. Large tracts of flat lands with water bodies
4.    Materials : earth, grass, timber/bamboo, limestone
5.    Form: simple circular plan topped with a conical roof supported on timber tie-beam , bamboo rafters finished with locally sourced grass-banni. Mud walls are
      plastered white with available limestone-pacchim
6.    Spatial planning: the house consisted of a circular living space. A rectangular low wall attached itself on the outside which was used for washing/bathing.
7.    Several bhunga’s located on a plinth, usually 1m in height called the vaas. Each bhunga was set a few metres apart and shared a common kitchen called the
      ‘randhanu’
8.    Several such vaas constituted a vandh( hamlet) , the vandhs was located several kilometrs apart so as to make best use of the limited resources of food and
      water
KUTCH, GUJARAT
    •   KUTCH DISTRICT : GUJARAT STATE
        IN WESTERN INDIA.
    •   AREA: 45,652 SQ KM
    •   POPULATION :21 LAKH
    •   WET & DRY REGION
    •   SALT FLAT LANDS IN SUMMER &
        FLOODY IN RAINY SEASON
REF : bhonga vernacular architecture of gujarat
Aniruddh Dubey
TYPICAL CONSTRUCTION DRAWINGS AND MATERIALS
1. Masonary wall is made
   of adobe blocks and
   plaster is also from mud
   covered by cowdunk,
   lime etc.
2. Roof    is  made    of
   bamboo/wooden
   framework covered with
   thatch.
TROPICAL
CONSTRUCTION
DRAWINGS
VAAS: SEVERAL BHUNGAS WITH OTLA ( PLINTH)
                            OTLA OR
                            PLINTH
 BHUNGA:
                KITCHEN
 LIVING SPACE
                                            SMALL
                                            WINDOW
                                            OPENINGS
WET AREA
                     DECORATIVE
                     ART WORK
                     USING
                     MIRRORS:
                     LIPPAN
STAGES OF CONSTRUCTION OF THE BHUNGA
1. Climate responsive architecture:
2. The thick mud walls 45-60 cm in
   thickness kept thermal absorption to the
   minimum. Added to this, they were
   plastered white using the locally available
   limestone that reflected most of the
   thermal gain to the ground. The plinth of
   45-1 m height minimised thermal gain
   from the ground.
3. Projecting eaves: the rafters enveloped in
   layers of grass had an overhang of 60 to
                                                  BHUNGA
   90 cm from the wall. This again prevented
   direct thermal heat gain on the walls.
4. The circular form of the exterior walls                 Bernouli’s principle of air flow:
   make it difficult for the angle of incidence            Circular form helps to keep
   of the sun to strike at a specific point                sand storms directed away
   thus most of the rays get refracted                     from the bhunga’s
                                                           Circular walls are excellent to
                                                           counter lateral loads
           RAVANDHU- KITCHEN
BHUNGA 1
                BHUNGA 2
                                SEVERAL
                                BHUNGAS
                                WITH OTLA-
                                VAAS
                               BHUNGA 3
     ORNAMENTATION
1.    The harsh climate played an important role in occupation and gender
      roles in the kutch region
2.   Women had a role of fetching water, preparing food and tending the
     hearth, gathering firewood for fuel and nurturing the children. The men
     were pasturers, being a nomadic tribe and were away from dawn to
     dusk.
3.   Added to this, the day temperatures being harsh, kept the women
     indoors. They developed several art and crafts that reflected in the
     decoration and ornamentation of their dwellings. Mirror embedded
     embroidery work is unique to this region. They used these fabrics for
     their clothing, as drapes for their entrance doors and windows, for
     bedding and for floor coverings.
4.   Another art developed by the women was lippan, or mirror embedded
     murals that were used to decorate their walls inside the bhunga.
5.   Small pieces of mirror used inside in combination with vegetable
     colours in muted shades served in enhancing the diffused light that
     entered the bhunga owing to small openings.
6.   The uncompromising dessert terrain with bleak colors came alive in
     the bhunga homes by means of the mirror embellishment in their
     fabrics and walls.