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PARTES How Insensitive

The document is sheet music for the song "How Insensitive" arranged for various saxophone instruments. It contains musical notation including tempo, key, time signature, notes, and other elements of a musical score across four pages for alto saxophone 1 & 2, tenor saxophone 1 & 2, and baritone saxophone. The sheet music provides the musical arrangement of the song for performance on these saxophone instruments.

Uploaded by

José Escandón
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
41 views13 pages

PARTES How Insensitive

The document is sheet music for the song "How Insensitive" arranged for various saxophone instruments. It contains musical notation including tempo, key, time signature, notes, and other elements of a musical score across four pages for alto saxophone 1 & 2, tenor saxophone 1 & 2, and baritone saxophone. The sheet music provides the musical arrangement of the song for performance on these saxophone instruments.

Uploaded by

José Escandón
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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How Insensitive

Saxofón alto 1

( = 120)
Compositor A. C. Jobim
Arreglista José Escandón

                  
         
    

                   
        
6

3
    

                      
      
12

  3
 3

                  
        
18

    
                  
  
24

   
    3

       
   
31

 

How Insensitive
Saxofón alto 2

( = 120)
Compositor A. C. Jobim
Arreglista José Escandón

             
          
    
                     
    
6

      
3
 
                   
  
12

    
  3  3 

   
                      
   
18

 
   
  
                  
 
24

   
  
 
            
30


3
 
How Insensitive
Saxofón tenor 1

( = 120)
Compositor A. C. Jobim
Arreglista José Escandón

                  
         
    
                        
        
6

3
    
                     
      
12

  3
 3

                  
    
   
18

   
    
           
             
24

      
 3

     
     
31

 
 
How Insensitive
Saxofón tenor 2

( = 120)
Compositor A. C. Jobim
Arreglista José Escandón

                   
          
    
                     
   
6

    
3
    
                      
 

12

    
  3
 3 

   
                     
18

     
   
     
                
   
24

   
  
           
30 3


 
How Insensitive
Saxofón barítono

( = 120)
Compositor A. C. Jobim
Arreglista José Escandón

                  
         
   

                   
        
6

3
    

                      
      
12

  3
 3

                  
        
18

    
                  
  
24

   
    3

       
   
31

 
How Insensitive
Trompeta 1

( = 120)
Compositor A. C. Jobim
Arreglista José Escandón

               
     
   
              
      
7

   

            
   
15

  

         

23

  

  
 
32
How Insensitive
Trompeta 2

( = 120)
Compositor A. C. Jobim
Arreglista José Escandón

                
     
   

 
              
    
7

   


              
 
15

  

         

23

  

  
 
32
How Insensitive
Trompeta 3

( = 120)
Compositor A. C. Jobim

 
Arreglista José Escandón

         
       
     

          
  
7

 
  
      
            
14

   
   

      
   
21

  

    
 
30
How Insensitive
Trompeta 4

( = 120)
Compositor A. C. Jobim
Arreglista José Escandón

        
          
   
      
      
7


  
       
            
14

   
    
     
21

  
    
 
30
How Insensitive
Trombón

( = 120)
Compositor A. C. Jobim

 
Arreglista José Escandón

              

      



               
8

   
  

             
16

   

        
24

  

 
33
How Insensitive
Guitarra Eléctrica

( = 120)
Compositor A. C. Jobim
Arreglista José Escandón

                       


                    

                        


              
 
6

    

               

 

                
 
   
         
      
11

   

                  

                              
            
16

     

   
                        
                  
             
21

    

                    
                          
     
26

        

         

           

31
How Insensitive
Bajo Eléctrico

( = 120)
Compositor A. C. Jobim

                       
Arreglista José Escandón

 

                              
6

                              
11

                          
  
16

           
                  
21

      
                 
26

      
     
31


How Insensitive
Bateria

( = 120)
Compositor A. C. Jobim

               
Arreglista José Escandón

  
         

  
   
6

  
   
12

  
   
18

  
   
24

  
  
30

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