Artbook Spring 2022

T H E D. A . P.
C A T A L O G SPRING 2022
RECENTLY ANNOUNCED FROM ARTBOOK | D.A.P.
BAUHAUS POSTCARDS BAUHAUS L’OFFICIEL 100 METALLICA: THE BLACK

ISBN 9781736863398 TYPOGRAPHY AT 100 ISBN 9788829712809 ALBUM IN BLACK & WHITE
Boxed, u.s. $18.95 cdn $25.95 SDNR50 ISBN 9780998318097 Clth, u.s. $95.00 cdn $130.00 ISBN 9781909526761
Letterform Archive Books/ Hbk, u.s. $45.00 cdn $60.00 Marsilio/ Hbk, u.s. $49.95 cdn $64.95
Letterform Archive Books/ Reel Art Press/
Laura Owens and Vincent van Gogh, installation view at Fondation Vincent van Gogh Arles, June 19–October 31, 2021.
© Laura Owens. Courtesy the artist; Sadie Coles HQ, London; and Galerie Gisela Capitain, Cologne.
Photography by Annik Wetter. From Laura Owens & Vincent van Gogh, published by Walther König, Köln/Sprüth Magers.
See page 122.
PAINTING IS A SUPREME REALLY FREE: THE RADICAL TERRI WEIFENBACH: WHAT IS NOW KNOWN
FICTION: WRITINGS BY ART OF NELLIE MAE ROWE CLOUD PHYSICS WAS ONCE ONLY IMAGINED:
JESSE MURRY, 1980–1993 ISBN 9781636810287 ISBN 9780999265581 AN (AUTO)BIOGRAPHY OF
ISBN 9781940190303 Clth, u.s. $49.95 cdn $64.95 Clth, u.s. $60.00 cdn $82.50 NIKI DE SAINT PHALLE
Pbk, u.s. $32.00 cdn $44.00 DelMonico Books/High Museum The Ice Plant/ ISBN 9781938221316
Soberscove Press/ of Art/ Hbk, u.s. $45.00 cdn $60.00
CATALOG EDITOR
Thomas Evans
Featured Releases 2
Siglio/
DESIGNER
Martha Ormiston Spring Highlights 90
Photography 92
TITLE DATA
Nora Della Fera, Jenny Kacani Art 108
COPYWRITING
Design 150
Arthur Cañedo, Nora Della Fera, Thomas Evans Architecture 158
To find out more about back in stock
IMAGE PRODUCTION
and previously announced titles, Joey Gonnella Specialty Books 168
PRINTING Art 170
visit www.artbook.com Sonic Media Solutions, Inc. Photography 194
or search “D.A.P. Artbook” on Edelweiss
FRONT COVER
Wolfgang Tillmans, Clipped Tulip, 2020. Courtesy David Zwirner, New York/Hong Kong; Galerie Back in Stock and Previously Announced 199
Buchholz, Berlin/Cologne; Maureen Paley, London. © 2021 Wolfgang Tillmans. From Wolfgang Backlist Highlights 200
YO! THE EARLY DAYS OF YOSHITOMO NARA Tillmans: To look without fear, published by the Museum of Modern Art, New York. See page 15.
HIP HOP 1982–84 ISBN 9781636810294
BACK COVER
ISBN 9781916359826 Hbk, u.s. $45.00 cdn $60.00
HMV record bag. From A–Z of Record Shop Bags, published by FUEL. See page 30. Plus sign indicates that a title is listed on Edelweiss
Flexi, u.s. $49.95 cdn $64.95 Los Angeles County Museum of Art/
Soul Jazz Books/
Matisse: The Red Studio
By Ann Temkin, Dorthe Aagesen.
The adventures, mysteries and many lives of a Matisse

masterpiece
Created in 1911, Henri Matisse’s The Red Studio would go on

to become one of the most influential works in the history of
modern art. The painting, which has hung in MoMA’s galleries since
1949, depicts the artist’s studio in the Parisian suburb of Issy-les-
Moulineaux, filled with his own artworks, furniture and decorative
objects. Matisse’s radical decision to saturate the work’s surface
with red has fascinated generations of scholars and artists, yet
much remained to be discovered about the painting’s genesis
and history.
Published in conjunction with an exhibition that reunites the
artworks shown in The Red Studio for the first time since they left
Matisse’s work space, this copiously illustrated catalog examines
the paintings and sculptures depicted in it, from familiar works
such as Young Sailor II (1906) to lesser-known pieces whose
locations have only recently been discovered. A narrative essay
by Ann Temkin, the Marie-Josée and Henry Kravis Chief Curator
of Painting and Sculpture at the Museum of Modern Art, New
York, and Dorthe Aagesen, Chief Curator and Senior Researcher at
Statens Museum for Kunst, Copenhagen, traces the life of The Red
Studio, from the initial commissioning of the work in 1911 through
its early history of exhibition and ownership to its arrival at MoMA
after World War II. The book features a rich selection of archival
materials, including photographs, letters and ephemera, many
of which have never before been published or exhibited. With its
groundbreaking research and close reading of the work, Matisse:
The Red Studio transforms our understanding of this landmark of
20th-century art.
THE MUSEUM OF MODERN ART, NEW YORK

ISBN 9781633451322 u.s. $55.00 cdn $75.00
Hbk, 9 x 10.5 in. / 224 pgs / 200 color.
May/Art/
EXHIBITION SCHEDULE:
New York, NY: The Museum of Modern Art, 05/01/22–09/10/22
Copenhagen, Denmark: Statens Museum for Kunst,
10/13/22–02/26/23
“I find that all these things ... only become ALSO AVAILABLE
Henri Matisse: The Cut-Outs
Henri Matisse
ISBN 9780870707247
what they are to me when I see them together ISBN 9780870709159
Hbk, u.s. $60.00 cdn $79.00
Pbk, u.s. $9.95 cdn $12.50
The Museum of Modern Art,
with the color red.” –MATISSE The Museum of Modern Art,

New York/
New York
2 artbook.com artbook.com 3
Lee Alexander McQueen: Mind, Mythos, Muse
Edited with text by Clarissa M. Esguerra, Michaela Hansen. Text by Meghan Doherty, Linda Komaroff, Leah Lehmbeck,
Erin Sullivan Maynes, Rosie Chambers Mills, Mei Mei Rado, Britt Salvesen.
McQueen’s iconic fashion juxtaposed with historic textiles and works of art, revealing the designer’s
dynamic approach to storytelling
One of the most significant contributors to fashion between 1990 and 2010, British designer Lee Alexander McQueen was
both a conceptual and a technical virtuoso. His critically acclaimed collections synthesized his unique training in Savile Row
tailoring, theatrical design and haute couture with a remarkable breadth and depth of encyclopedic and autobiographical
references spanning time, geography, mediums and technology. McQueen’s singular viewpoint produced exquisitely
constructed, thought-provoking, often subversive or allegorical fashion.
Taking a reflective look at McQueen’s artful design process, this book documents the designer’s diverse sources of
inspiration by displaying McQueen’s imaginative fashions alongside related artworks. McQueen's encyclopedic references
range from ancient Greece and Rome to Tibetan silk brocade patterns, 17th-century Dutch painting, the prints of Goya and
the films of Stanley Kubrick. In each of these cases and beyond, examples of McQueen’s imaginative and extraordinary work
are displayed alongside artworks from LACMA’s permanent collection. Spanning art from a multitude of mediums, eras and
cultures, this publication provides a new and innovative assessment of McQueen’s work and highlights his mindful approach
to storytelling and construction through fashion.
Lee Alexander McQueen (1969–2010) was one of the most important fashion designers at the turn of the 21st century. In
2011, following his death, the Costume Institute in New York organized an enormously successful retrospective of his work
at the Metropolitan Museum of Art.
DELMONICO BOOKS/LOS ANGELES COUNTY MUSEUM OF ART EXHIBITION SCHEDULE:

ISBN 9781636810188 u.s. $49.95 cdn $67.95 Los Angeles, CA: Los Angeles County Museum of
Hbk, 8.75 x 12.25 in. / 176 pgs / 150 color. Art, 04/24/22–10/09/22
April/Fashion/ Quebec City, Canada: Musée national des beaux-arts
du Québec, Summer 2023
Women Painting Women
Edited with text by Andrea Karnes. Preface by Marla Price. Text by Emma Amos,
Faith Ringgold.
Replete with complexities, abjection, beauty and joy, Women

Painting Women offers new ways to imagine the portrayal of women,
from Alice Neel to Jordan Casteel
A thematic exploration of nearly 50 female artists who choose women as subject

matter in their works, Women Painting Women includes nearly 50 portraits
that span the 1960s to the present. International in scope, the book recognizes
female perspectives that have been underrepresented in the history of postwar
figuration. Painting is the focus, as traditionally it has been a privileged medium
for portraiture, particularly for white male artists. The artists here use painting
and women as subject matter and as vehicles for change. They range from early
trailblazers such as Emma Amos and Alice Neel to emerging artists such as
Jordan Casteel, Somaya Critchlow and Apolonia Sokol. All place women—their
bodies, gestures and individuality—at the forefront.
The pivotal narrative in Women Painting Women is how the artists included use
the conventional portrait of a woman as a catalyst to tell another story outside
of male interpretations of the female body. They conceive new ways to activate
and elaborate on the portrayal of women by exploring themes of the Body,
Nature Personified, Selfhood and Color as Portrait. Replete with complexities,
realness, abjection, beauty, complications, everydayness and joy, the portraits
in this volume make way for women artists to share the stage with their male
counterparts in defining the image of woman and how it has evolved.
Artists include: Rita Ackermann, Njideka Akunyili Crosby, Emma Amos,
María Berrío, Louise Bonnet, Lisa Brice, Joan Brown, Jordan Casteel, Somaya
Critchlow, Kim Dingle, Marlene Dumas, Celeste Dupuy-Spencer, Nicole
Eisenman, Tracey Emin, Natalie Frank, Hope Gangloff, Eunice Golden, Jenna
Gribbon, Alex Heilbron, Ania Hobson, Luchita Hurtado, Chantal Joffe, Hayv
Kahraman, Maria Lassnig, Christiane Lyons, Danielle Mckinney, Marilyn Minter,
Alice Neel, Elizabeth Peyton, Paula Rego, Faith Ringgold, Deborah Roberts,
Susan Rothenberg, Jenny Saville, Dana Schutz, Joan Semmel, Amy Sherald,
Lorna Simpson, Arpita Singh, Sylvia Sleigh, Apolonia Sokol, May Stevens, Claire
Tabouret, Mickalene Thomas, Nicola Tyson and Lisa Yuskavage.
DELMONICO BOOKS/MODERN ART MUSEUM OF FORT WORTH

ISBN 9781636810355 u.s. $49.95 cdn $67.95
Hbk, 8 x 10.5 in. / 172 pgs / 65 color.
May/Art/
Fort Worth, TX: Modern Art Museum of Fort Worth, 05/15/22–09/25/22
We are delighted to welcome WEISS PUBLICATIONS to the D.A.P. list. An independent publisher based in Berlin and
New York, Weiss Publications collaborates with artists and scholars as well as cultural institutions.
Betye Saar: Serious Moonlight

Faith Ringgold: Politics / Power Edited with text by Stephanie Seidel. Foreword by Alex Gartenfeld. Text by Sampada Aranke, Edwidge Danticat. Interview by Leah Ollman.
Text by Faith Ringgold, Michele Wallace, Kirsten Weiss.
Rarely seen installation works that exemplify this pioneering artist’s critical focus on Black identity and
Ringgold's most formative and influential political works are gathered in this beautifully designed Black feminism
clothbound volume
Showcasing a lesser-known aspect of Saar’s art, Betye Saar: Serious Moonlight provides new insights into her explorations of
Alongside reproductions of key works made between 1967 and 1981, Faith Ringgold: Politics / Power provides an overview of ritual, spirituality and cosmologies, as well as themes of the African diaspora. Featured here are significant installations created by
Ringgold's seminal artistic and activist work, and its historical context during these years, including accounts by the artist herself. Saar from 1980 to 1998, including Oasis (1984), a work that will be reconfigured at ICA Miami’s Saar exhibition for the first time in
During the 1960s and 1970s, Ringgold, a dedicated and impassioned civil rights advocate, established her voice as a feminist and more than 30 years.
within the Black Arts Movement. Her influential work expressed her in-depth knowledge of art history and contemporary art, as With compelling scholarship and rich illustration—combining new installation photography and archival material—the monograph
well as her activism. Spanning mediums such as painting, cut paper works, posters, collage and textile art, the works presented provides a fresh look at this significant artist’s critical and influential practice. Betye Saar: Serious Moonlight reinforces and
in this publication foreground the artist’s explicitly political pieces, for which she deployed new material and formal processes, and celebrates Saar’s standing as a visionary artist, storyteller and mythmaker, and the ongoing significance and relevance of her work
developed a radical aesthetics and vocabulary. to the most pressing issues in America today.
Organized chronologically, the book allows readers to retrace the artist’s foundational creative approaches to contemporaneous Betye Saar (born 1926) is renowned for pioneering Black feminism and West Coast assemblage in her visionary artistic practice,
social, political and artistic questions. It includes illustrations of individual artworks together with previously unpublished work and through dense, complexly referential objects. For over six decades, Saar’s work has led dialogues on race and gender, reflecting
archival materials. changing cultural and political contexts. Most recently, solo presentations have been hosted by the Museum of Modern Art, New
Faith Ringgold (born 1930) is a painter, mixed-media sculptor, performance artist, teacher and writer best known for her narrative York, and the Los Angeles County Museum of Art. Saar’s work was prominently featured in We Wanted a Revolution: Black Radical
quilts. In 2020, the New York Times described her as an artist “who has confronted race relations in this country from every Women, 1965–85 at the Brooklyn Museum, New York, and in Soul of a Nation: Art in the Age of Black Power at Tate Modern,
angle, led protests to diversify museums decades ago, and even went to jail for an exhibition she organized.” Her work is in the London, which traveled to Crystal Bridges Museum of American Art, Bentonville, Arkansas; Brooklyn Museum; The Broad, Los
collections of the Museum of Modern Art, New York, the Brooklyn Museum and the Baltimore Museum of Art, among others. Angeles; and the M.H. de Young Memorial Museum, Fine Arts Museums of San Francisco.
Ringgold lives and works in Englewood, New Jersey.
DELMONICO BOOKS/INSTITUTE OF CONTEMPORARY ART, MIAMI
WEISS BERLIN ISBN 9781636810362 u.s. $55.00 cdn $75.00 EXHIBITION SCHEDULE:
Hbk, 8.25 x 10.75 in. / 208 pgs / 150 color / 20 b&w. Miami, FL: Institute of Contemporary Art, Miami, 10/28/21–04/17/22
ISBN 9783948318130 u.s. $49.95 cdn $67.95
June/Art/African American Art & Culture/ Metz, France: 49 Nord 6 Est – FRAC Lorraine, 06/22
Clth, 8.25 x 11.25 in. / 104 pgs / 47 color.
Lucerne, Switzerland: Kunstmuseum Luzern, 02/23
March/Art/African American Art & Culture/
Betye Saar: Black Doll Blues Louise Bourgeois:
Foreword by Julie Roberts. Text by Rachel Federman, Katherine
Jentleson. Interview by Maddy Inez Leeser.
The Woven Child
Edited with text by Ralph Rugoff. Text by Lynne
Cooke, Rachel Cusk, Julienne Lorz.
An investigation into Saar's lifelong interest in Black dolls,
with new watercolors, historic assemblages, sketchbooks
Late textile works by the artist who
and a selection of Black dolls from the artist’s collection
helped pioneer the sculptural use of
This volume features new watercolor works on paper and
fabric in art
assemblages by Betye Saar (born 1926) that incorporate the artist’s
This book provides a comprehensive overview
personal collection of Black dolls. These watercolors showcase the
of the fabric works from the last two decades in
artist’s experimentation with vivid color and layered techniques,
the career of legendary artist Louise Bourgeois
and her new interest in flat shapes. While Saar has previously used
(1911–2010). “I’ve always had a fascination with
painting in her mixed-media collages, this is the first publication to
the needle,” she once said, “the magic power of
focus on her watercolor works on paper.
the needle. The needle is used to repair damage.
“Watercolor is something that children use, so I decided, maybe I’ll
It’s a claim to forgiveness.”
paint something about children, maybe I’ll paint the dolls,” Saar says.
This body of work began when the artist
Referencing the underrepresented history of Black dolls through Saar’s
started incorporating clothes from all stages
artistic lens, this catalog distills several intersecting themes, imagery
of her life into her art, and later expanded to
and objects in Saar’s oeuvre, highlighting her prominent usage and
include a range of other textiles such as bed
reinvention of Black imagery. It contains 90 color images, including
linen, handkerchiefs, tapestry, and needlepoint.
early assemblage works that feature Black dolls, such as Gris-Gris
The fabric works mine the themes of identity
Box (1972) and Mti (1973), plus early sketchbooks and a curated
and sexuality, trauma and memory, guilt and
selection of Saar’s Black doll collection. It also includes original essays
reparation, and serve as metaphors for emotional
by Rachel Federman, Associate Curator of Modern and Contemporary
and psychological states.
Drawings at the Morgan Library & Museum, and Katherine Jentleson,
The catalog—which accompanies the
Merrie and Dan Boone Curator of Folk and Self-Taught Art at the High
exhibition at the Hayward Gallery, London,
Museum of Art, and an interview with the artist by her granddaughter,
and the Gropius Bau, Berlin—features
Maddy Inez Leeser.
works from numerous series, including the
ROBERTS PROJECTS monumental Cell installations, figurative
ISBN 9781733664769 u.s. $60.00 cdn $82.00 sculptures and abstract drawings.
Hbk, 9 x 12 in. / 214 pgs / 130 color / 6 b&w.
March/Art/African American Art & Culture/ HATJE CANTZ
ISBN 9783775751490 u.s. $44.00 cdn $60.00
EXHIBITION SCHEDULE: Pbk, 9.5 x 11 in. / 192 pgs / 120 color.
Culver City, CA: Roberts Projects, 09/18/21–11/06/21 March/Art/
London, UK: Hayward Gallery, 02/09/22–05/15/22
“Essentially, I’m 95 and I’m playing Berlin, Germany: Gropius Bau, 07/21/22–10/16/22
with dolls and having fun making art.”

–BETYE SAAR
ALSO AVAILABLE Louise Bourgeois: The Fabric Works

Louise Bourgeois: The Spider ISBN 9788857206547
and the Tapestries Hbk, u.s. $90.00 cdn $115.00
ISBN 9783775739979 Skira
Clth, u.s. $40.00 cdn $54.00
Hatje Cantz/
Louise Bourgeois
x Jenny Holzer: The
Violence of Handwriting
across a Page
Edited by Jenny Holzer. Text by Anita Haldemann,
Josef Helfenstein.
The obsessions and abiding themes of

Louise Bourgeois, as seen through the
eyes of Jenny Holzer
For both Jenny Holzer (born 1950) and Louise

Bourgeois (1911–2010), the question of female
identity is a central point of departure for their
artistic production. Holzer knew Bourgeois
personally and shares her sensitivity to language
and the radicality of her creative position.
Mainly focusing on Bourgeois’ writing and
drawing practices, this gorgeous, large-format
volume brings together the two legendary
artists to propose a journey through Bourgeois’
obsessions and some of the major themes at
stake in her work, among them motherhood,
trauma, fear and loneliness.
Conceived and designed by Holzer to
accompany the 2022 Louise Bourgeois
exhibition that she curated at the Kunstmuseum
Basel, the book puts Bourgeois’ works into
dialogue with works from the Kunstmuseum
Basel’s historical collections.
A fascinating montage of images and writings,
this volume offers an unprecedented insight into
Bourgeois’ art and life.
JRP|EDITIONS
ISBN 9783037645840 u.s. $80.00 cdn $109.00
Hbk, 12.5 x 13.75 in. / 296 pgs / 304 color.
April/Art/ Kara Walker: White Shadows in Blackface
By Robert Hobbs.
Basel, Switzerland: Kunstmuseum Basel,
Themes and motifs in the art of Kara Walker, from blackface to abjection, by a leading art historian
02/19/22–05/15/22
In 2002, Kara Walker was selected to represent the United States at the prestigious São Paulo Art Biennial. Curator Robert
Hobbs wrote extended essays on her work for this exhibition, and also for her show later that year at the Kunstverein
Hannover. Because these essays have not been distributed in the US and remain among the most in-depth and essential
investigations of her work, Karma is now republishing them in this new clothbound volume.
Among the most celebrated artists of the past three decades, with over 93 solo exhibitions to her credit, including a major
survey at the Whitney Museum of American Art, Walker is known for her tough, critical, provocative and highly imaginative
representations of African Americans and whites reaching back to antebellum times. In his analysis, Hobbs looks at the five
main sources of her art: blackface Americana, Harlequin romances, Julia Kristeva’s concept of abjection, Stone Mountain’s
racist tourist attraction and the minstrel tradition.
Robert Hobbs (born 1946) has written more than 50 books and catalogs, focusing on such artists as Milton Avery, Alice
Aycock, Lee Krasner, Robert Smithson and Kehinde Wiley. Since 1991 he has held the Rhoda Thalhimer Endowed Chair of
American Art in the School of Arts, Virginia Commonwealth University. Since 2004 he has served as a visiting professor at
Yale University.
Now based in New York, Kara Walker was born in Stockton, California, in 1969. She received her MFA from the Rhode
Island School of Design in 1994; soon afterward, Walker rose to prominence for her large, provocative silhouettes installed
directly onto the walls of exhibition spaces.
KARMA BOOKS, NEW YORK

ISBN 9781949172737 u.s. $40.00 cdn $55.00
Clth, 6.5 x 9.25 in. / 168 pgs / 26 color / 21 b&w.
July/Art/African American Art & Culture/
Our Selves: Wolfgang Tillmans:
Photographs by Women Artists To look without fear
Edited with text by Roxana Marcoci. Preface by Helen Kornblum, Kathy Edited with text by Roxana Marcoci. Text by Quentin Bajac, Yve-
Halbreich. Text by Dana Ostrander, Caitlin Ryan, Phil Taylor. Alain Bois, Julia Bryan-Wilson, Clément Chéroux, Durga Chew-
Bose, Stuart Comer, Keller Easterling, Paul Flynn, Sophie Hackett,
Michelle Kuo, Oluremi C. Onabanjo, Phil Taylor, Wolfgang Tillmans.
How have women artists used photography as a tool of Chronology by Phil Taylor, Andrew Vielkind.
resistance? Our Selves explores the connections between
photography, feminism, civil rights, Indigenous sovereignty Encompassing photography, installation, print
and queer liberation media, video and more, this publication is the most
comprehensive account of Tillmans’ wide-ranging
Spanning more than 100 years of photography, the works in Our
career to date
Selves range from a turn-of-the-century photograph of racially
segregated education in the United States, by Frances Benjamin
A visionary creator and intrepid polymath, Wolfgang Tillmans
Johnston, to a contemporary portrait celebrating Indigenous art
unites formal inventiveness with an ethical orientation that
forms, by the Chemehuevi artist Cara Romero.
attends to the most pressing issues of life today. While his work
As the title of this volume suggests, Our Selves affirms the creative
transcends the bounds of any single artistic discipline, he is best
and political agency of women artists. A critical essay by curator
known for his wide-ranging photographic output. From trenchant
Roxana Marcoci asks the question “What is a Feminist Picture?”
documents of social movements to windowsill still lifes, ecstatic
and reconsiders the art-historical canon through works by Claude
images of nightlife to cameraless abstractions, sensitive
Cahun, Tina Modotti, Carrie Mae Weems, Catherine Opie and
portraits to architectural studies, astronomical phenomena
Hulleah J. Tsinhnahjinnie, among others. Twelve focused essays by
to intimate nudes, he has explored seemingly every genre of
emerging scholars explore themes such as identity and gender, the
photography imaginable, continually experimenting with how to
relationship between educational systems and power, and the ways
make new pictures and deepen the viewer’s experience.
in which women artists have reframed our received ideas about
Published in conjunction with a major exhibition of Tillmans’
womanhood.
work at the Museum of Modern Art, this copiously illustrated
Published in conjunction with a groundbreaking exhibition of
volume surveys four decades of the artist’s career. An
photographs by women artists—drawn exclusively from MoMA's
outstanding group of writers offer diverse essays addressing key
collection, thanks to a transformative gift of photographs from Helen
threads of his multifaceted practice, and a new text by Tillmans
Kornblum in 2021—this richly illustrated catalog features more than
himself elucidates the distinctive methodology behind his
100 color and black-and-white plates. As we continue to aspire to
system of presenting photographs. Wolfgang Tillmans: To look
equity and diversity, Our Selves contributes vital insights into figures
without fear grants readers new insight into the work of an artist
too often relegated to the margins of our cultural imagination.
who has not only changed the way photography is exhibited but
THE MUSEUM OF MODERN ART, NEW YORK pointed contemporary art in dynamic new directions.
ISBN 9781633451339 u.s. $45.00 cdn $61.00 Wolfgang Tillmans (born 1968) is among the most influential
Hbk, 9 x 10.5 in. / 152 pgs / 114 color. contemporary artists, and the impact of his work registers
April/Photography/Women’s Studies/ across the arts, intersecting with fashion, music, architecture,
the performing arts and activism. Tillmans is the recipient of the
EXHIBITION SCHEDULE: Turner Prize (2000) and the Hasselblad Foundation International
New York, NY: The Museum of Modern Art, 04/16/22–10/02/22 Award in Photography (2015). His foundation, Between
Bridges, supports the advancement of democracy, international
understanding, the arts and LGBTQ rights.
THE MUSEUM OF MODERN ART, NEW YORK

ISBN 9781633451117 u.s. $75.00 cdn $102.00
Clth, 9.5 x 12 in. / 320 pgs / 400 color.
April/Photography/
New York, NY: The Museum of Modern Art, 09/12/22–12/31/22 ALSO AVAILABLE
Toronto, Canada: Art Gallery of Ontario, Spring–Fall 2023 Wolfgang Tillmans: A Reader
San Francisco, CA: San Francisco Museum of Modern Art, ISBN 9781633451124
Fall 2023–Spring 2024 Pbk, u.s. $45.00 cdn $60.00
The Museum of Modern Art,
New York/
NEW REVISED EDITION
Gordon Parks: Segregation Story

Edited by Michal Raz-Russo and Peter W. Kunhardt, Jr. Text by Maurice Berger, Dawoud Bey, Charlayne Hunter-Gault.
An expanded edition of Parks’ classic account of race relations in America, with previously
unpublished images and texts
This expanded edition of Gordon Parks: Segregation Story includes around 30 previously unpublished
photographs, as well as enhanced reproductions created from Parks’ original color transparencies; newly
discovered descriptions Parks wrote for the photographs; a manuscript of film-developing instructions and
captions Parks authored with Samuel F. Yette; previously published texts by the late art historian Maurice
Berger and the esteemed journalist and civil rights activist Charlayne Hunter-Gault; and a new essay by artist
Dawoud Bey.
After the photographs were first presented in a 1956 issue of Life magazine, the bulk of Parks’ assignment
was thought to be lost. In 2011, five years after Parks’ death, the Gordon Parks Foundation found more than
200 color transparencies belonging to the series. In 2014 the series was first published as a book, and since
then new photographs have been uncovered.
In the summer of 1956, Life magazine sent Gordon Parks to Alabama to document the daily realities of African
Americans living under Jim Crow laws in the rural South. The resulting color photographs are among Parks’
most powerful images, and, in the decades since, have become emblematic representations of race relations
in America. Pursued at grave danger to the photographer himself, the project was an important chapter in
Parks’ career-long endeavor to use the camera as a weapon for social change.
STEIDL/THE GORDON PARKS FOUNDATION
Gordon Parks (1912–2006) was born into poverty and segregation in Fort Scott, Kansas, in 1912. An itinerant
ISBN 9783969990261 u.s. $75.00 cdn $103.00
laborer, he worked as a brothel pianist and railcar porter, among other jobs, before buying a camera at a
Clth, 9.75 x 11.5 in. / 208 pgs / 105 color.
pawnshop, training himself and becoming a photographer. He evolved into a modern-day Renaissance man,
June/Photography/
finding success as a film director, writer and composer. The first African American director to helm a major
motion picture, he helped launch the blaxploitation genre with his film Shaft (1971). Parks died in 2006.
Dawoud Bey & Carrie Mae Weems: In Dialogue
Edited with text by Ron Platt. Introduction by Dana Friis-Hansen. Text by Kinshasha Holman Conwill, Dawoud Bey,
Carrie Mae Weems.
A visual and conceptual conversation between two leading US photo-artists famed for their mutual
explorations of race, class and power
Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years these close
friends and colleagues have each produced unique and influential bodies of work around shared interests and
concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s by
two of our most notable and influential photo-based artists.
Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained spirited
and supportive mutual engagement while exploring and addressing similar themes: race, class, representation,
and systems of power. Dawoud Bey & Carrie Mae Weems: In Dialogue brings their work together in five thematic
groupings to shed light on their unique creative visions and trajectories, and their shared concerns and principles.
Photographer Dawoud Bey (born 1953) had his first exhibition at the Studio Museum in Harlem in 1979. Since then,
his work has been presented internationally to critical and popular acclaim. Recent large-scale exhibitions of his
photographs have been presented at the San Francisco Museum of Modern Art, the Whitney Museum of American
Art, the Art Institute of Chicago and Tate Modern, London. Bey’s writings on his own and others’ work are included DELMONICO BOOKS/
in Dawoud Bey: Seeing Deeply and Dawoud Bey on Photographing People and Communities. He is a professor of GRAND RAPIDS ART MUSEUM
art and Distinguished College Artist at Columbia College Chicago. ISBN 9781636810454 u.s. $49.95 cdn $67.95
Famed for her Kitchen Table Series, among other works, Carrie Mae Weems (born 1953) explores power, class, Hbk, 9.75 x 11 in. / 176 pgs / 13 color /
EXHIBITION SCHEDULE: Black identity, womanhood, and the historical past and its resonance in the present moment. In addition to 138 tritone.
Grand Rapids, MI: Grand Rapids Art Museum, 01/29/22–05/01/22 photography, Weems creates video, performance and works of public art, and organizes thematic gatherings which May/Photography/African American
Tampa, FL: Tampa Museum of Art, 07/21/22–10/23/22 bring together creative thinkers across a broad array of disciplines. Her work has been exhibited across the world, Art & Culture/
Seattle, WA: Seattle Art Museum, 11/19/22–01/18/23 at venues such as the Frist Center for the Visual Arts, the Solomon R. Guggenheim Museum, the Centro Andaluz
Los Angeles, CA: The Getty Museum, 04/23–07/23 de Arte Contemporáneo and the American Academy in Rome.
Nick Cave: Forothermore
Edited with text by Naomi Beckwith. Foreword by Madeleine Grynsztejn. Text by
Romi Crawford, Antwaun Sargent, Malik Gaines, Krista Thompson, Meida Teresa
McNeal. Interviews by Naomi Beckwith, Nick Cave, Nona Hendryx, Linda Johnson
Rice, Damita Jo Freeman.
With a wealth of images and commentary, this is the essential

career survey of Cave's socially responsive art
The definitive volume on the ever-evolving and shape-shifting work of the

Chicago-based artist, Nick Cave: Forothermore highlights the way Cave’s
practice has shifted and continues to shift in response to our history and
current moment of cultural crisis. Including several new, never-before-seen
works, the book shows an artist at the height of his power.
Addressing topics ranging from art history to social justice, Nick Cave:
Forothermore includes essays from Naomi Beckwith, Romi Crawford,
Antwaun Sargent, Malik Gaines, Krista Thompson and Meida Teresa
McNeal. Punctuating these contributions are interviews with the artist
exploring his life, work and teaching practice, as well as a roundtable
discussion between Cave and dancer Damita Jo Freeman, musician Nona
Hendryx and publisher Linda Johnson Rice on Cave's art and influences,
as well as pivotal cultural phenomena from Soul Train to Ebony magazine.
Nick Cave: Forothermore reveals the way art, music, fashion and
performance can help us envision a more just future.
Nick Cave (born 1959) is an artist and educator working between the
visual and performing arts through a wide range of mediums, including
sculpture, installation, video, sound and performance. Cave is well known
for his Soundsuits, sculptural forms based on the scale of his body, initially
created in direct response to the police beating of Rodney King in 1991.
Cave has had major exhibitions at MASS MoCA (2016), Cranbrook Art
Museum (2015), Saint Louis Art Museum (2014–15), ICA Boston (2014),
Denver Art Museum (2013), Seattle Art Museum (2011) and the Yerba
Buena Center for the Arts (2009), among others. Cave lives and works
in Chicago.
DELMONICO BOOKS/MUSEUM OF CONTEMPORARY ART CHICAGO

ISBN 9781942884965 u.s. $65.00 cdn $88.00
Hbk, 9 x 11 in. / 304 pgs / 250 color.
May/Art/African American Art & Culture/
Chicago, IL: Museum of Contemporary Art Chicago, 05/14/22–10/02/22
“Nick Cave is the most

joyful, and critical,
artist in America.”
–NEW YORK TIMES
Contents Designing Peace
Building a Better Future Now
Edited with text by Cynthia E. Smith. Preface by John Paul Lederach.
I
How design can help foster the conditions for global peace: an
How might design support intersectional visual conversation between activists, designers, architects
and theorists
a more humane security?
How might we collectively put our creative forces together to envision a future we want
to live in and take action to create it now? Designing Peace is an intersectional snapshot
II of the actions—culturally diverse and wide-ranging in scale—that are currently in play
around the world.
How can design advance Offering perspectives on peace through essays, interviews, critical maps, project profiles,
data visualizations and art, this book conveys the momentum that design can gain in
peace by addressing the effecting a peace-filled future. From activists, scholars and architects to policymakers and
graphic, game and landscape designers, Designing Peace flips the conversation: peace
root causes of conflict? is not simply a passive state signifying the absence of war, it is a dynamic concept that
requires effort, expertise and multidimensional solutions to address its complexity.
Designers engage with individuals, communities and organizations to create a more
sustainable peace—from creative confrontations that challenge existing structures to
III
designs that demand embracing justice and truth in a search for reconciliation. This
In what ways can creative publication aims to expand the discourse on what is possible if society were to design
for peace.
confrontation challenge Contributors include: Michael Adlerstein, Pablo Ares and Julia Risler, Merve Bedir,
Everisto Benyera, Nadine Bloch and Andrew Boyd, Lee Davis, Toni L. Griffin, Kristian
existing structures and Hoelscher, Dillon Horwitz, Michael Kenwick, Jason Miklian, Michael Murphy, Binalakshmi
Nepram, Caroline O'Connell, Chelina Odbert, Tone Selmer-Olsen and Håvard Breivik, Beth
the status quo? Simmons and others.
COOPER HEWITT, SMITHSONIAN DESIGN MUSEUM

ISBN 9781942303329 u.s. $35.00 cdn $47.00
Pbk, 8.5 x 12 in. / 240 pgs / 200 color / 30 b&w.
IV July/Design/
How might design EXHIBITION SCHEDULE:

New York, NY: Cooper Hewitt, Smithsonian Design Museum, 06/22–09/23
embrace truth and dignity
in a search for peace
and justice?
In what ways can design

facilitate transitions
from instability to
sustainable peace?
Uncrating the Japanese House
Junzō Yoshimura, Antonin and Noémi Raymond,
and George Nakashima
Edited with text by Yuka Yokoyama, William Whitaker. Text by Elizabeth
Felicella, Ken Tadashi Oshima. Photography by Elizabeth Felicella.
Midcentury modernism meets Japanese design in three

revolutionary American buildings—the products of a
unique, sustained, cross-cultural collaboration
In 1953, Japanese architect Junzo Yoshimura designed a now-

classic Japanese house and garden that he called Shofuso. It was
built in Nagoya, Japan, and shipped to New York in 1954, where it
was exhibited at the Museum of Modern Art and then relocated
to Philadelphia’s Fairmount Park. The curators of MoMA’s House
in the Garden exhibition highlighted its synthesis of historic
Japanese architecture with modern architecture: the clarity of the
house’s post and beam structure, its flexibility of use and the close
relationship of indoor and outdoor spaces.
This extensively illustrated volume centers on Yoshimura’s design
for Shofuso and two allied sites located in New Hope, Bucks
County, Pennsylvania: Raymond Farm (1939–41), a live-work
residence built by Antonin and Noémi Raymond within the fabric
of an existing 18th-century Quaker farmhouse; and Nakashima
Studios, a complex of structures designed by George Nakashima
over three decades (1947–77) to serve his furniture-making
business and as his family’s home. Each site, in its own way, is
the embodiment of the personal relationships and cross-cultural
collaborations among this group of architects and designers.
The Raymonds, along with Yoshimura, Nakashima and others, came
to understand Japan’s changing environment through the act of
building, through collaboration and travel. Together, they extended
these lessons into the furniture and furnishings of modern living in
both Japan and the United States.
This volume documents an exhibition of objects and ephemera
mounted at Shofuso. New York–based architectural photographer
Elizabeth Felicella captures each site in a portfolio of newly
The Project of Independence: Architectures of Decolonization commissioned images. Essays by Ken Tadashi Oshima and William
Whitaker, illustrated with historical photographs, family snapshots
in South Asia, 1947–1985 and architectural drawings, further elucidate this important chapter
in the history of modern architecture and design.
Edited by Martino Stierli, Anoma Pieris, Sean Anderson. Text by Sean Anderson, Kazi Khaleed Ashraf, Nonica Datta,
Prajna Desai, Da Hyung Jeong, Farhan Karim, Evangelos Kotsioris, Saloni Mathur, Rahul Mehrotra, Anoma Pieris, Mrnalini AUGUST EDITIONS/JAPAN AMERICA SOCIETY OF
Rajagopalan, Peter Scriver, Devika Singh, Amit Srivastava, Martino Stierli. Photography by Randhir Singh. GREATER PHILADELPHIA
ISBN 9781947359093 u.s. $45.00 cdn $61.00
How South Asian architects broke with the colonial past and found ingenious ways to negotiate Hbk, 9.5 x 9.5 in. / 144 pgs / 80 color / 40 b&w.
modernism’s universalist claims with the material and labor conditions on the ground April/Architecture & Urban/Asian American Art & Culture/
South Asia holds a unique place among the many regions of the world where modern architecture was understood as
both a tool for social progress and a global lingua franca in the second half of the 20th century. Following the end of
British rule in 1947–48, architects in the newly formed nations of India, Pakistan, Bangladesh (East Pakistan until 1971)
and Ceylon (now Sri Lanka) proposed a novel understanding of modernity, disrupting the colonial hierarchy of center and
periphery by challenging modernism’s universalist claims.
Architecture offered multiple ways to break with the colonial past. Through the establishment of institutions that
embodied the societal aspirations of the period, and the creation of new cities and spaces for political representation,
South Asian architects produced a distinct body of work in dialogue with global developments while advancing the theory
THE MUSEUM OF MODERN ART, NEW YORK and practice of low-cost, climatically and socially responsive design.
ISBN 9781633451247 u.s. $65.00 cdn $88.00 Anchored by a newly commissioned portfolio of images from architectural photographer Randhir Singh, this richly
Hbk, 9.5 x 12 in. / 232 pgs / 124 color / 116 b&w. illustrated and meticulously researched catalog features essays by the curators and leading scholars in the field on
February/Architecture & Urban/Asian Art & subjects such as the politics of concrete, institution-building, higher education, housing, infrastructure and industry,
Culture/ landscape and design, as well as presentations of 17 transformative projects from around the subcontinent. While
several of the architects appearing in these pages have in recent years received monographic exhibitions, The Project of
Independence marks the first attempt to consider their work within the ideological frameworks of its creation and the
New York, NY: The Museum of Modern Art,
political context of the region as a whole.
02/20/22–07/02/22
Polígrafa’s By Architects series showcases furniture and objects designed by some of the most
important architects of the 20th century.
America Goes Modern
The Rise of the Industrial Designer
Charlotte Perriand: Objects and Furniture Design By Nonie Gadsden with Kate Joy.
Edited by Sandra Dachs, Patricia de Muga, Laura García Hintze. Introduction by Josep Lluís Sert.
How design made America modern:
An affordable overview of the great French modernist’s essential inventions masterpieces of furniture, metalware and
plastics from the early 20th century
This volume compiles iconic furniture pieces by Charlotte Perriand (1903–99). The French
designer’s career began in 1927, when she was just 24, and presented her steel and aluminum During the 1920s and 1930s, the speed of modern
bar, “Bar under the roof,” at the Salon d’Automne—prompting Le Corbusier to hire her as life in the United States, accelerated by advances
a furniture designer. Perriand produced works with Le Corbusier and Pierre Jeanneret that in transportation, communication, technology and
remain canonical today. In 1940, she was invited to Japan to be the official advisor on industrial advertising, changed how people lived their lives,
design for the Ministry of Trade and Industry; she recommended that the Japanese turn their and the objects they chose to live with. A new
efforts to creating products for export to the West. Unable to return to Paris because of naval profession emerged to help American manufacturers
blockades, she stayed in Vietnam for four years, where she learned about weaving, woodwork, and consumers navigate the overwhelming
rattan and other natural products. This experience prompted her to use materials such as transitions of the era. Through the power of design—
bamboo and cane to create affordable mass-produced furniture—featured here along with form, color, ornament and materials—the earliest
other classic works. industrial designers created a modern aesthetic that
came to represent American hopes, dreams and
POLÍGRAFA fantasies.
ISBN 9788434314948 u.s. $30.00 cdn $40.00 America Goes Modern explores these designers’
Hbk, 6.5 x 8.5 in. / 128 pgs / 188 color. achievements through close examination of
March/Design/
selected masterworks. Each of these exceptional
objects offers a window into the social, cultural,
ALSO AVAILABLE technological and economic world in which they
Charlotte Perriand: The Modern Life were made and used. The book features sleek
ISBN 9781872005522
furniture, vibrant ceramics, streamlined metalwares
Hbk, u.s. $35.00 cdn $49.00
and innovative plastics from the leading designers
The Design Museum/
of the era.
Designers include: Norman Bel Geddes, Manning
Bowman Company, Jules Buoy, Donald Deskey,
Paul Frankl, Earl Harvey, Ianelli Studios, Belle Kogan,
William Lescaze, Erik Magnussen, Peter Muller
Munk, Gilbert Rhode, RumRill Art Pottery, Victor
Schreckengost, Walter Dorwin Teague, The Hall
China Company, Harold Van Doren, John Vassos,
Kem Weber, Western Coil and Electric Company and
Russel Wright.
Photographers and painters include: Berenice
Abbott, Arthur Dove, Archibald Motley, Alvin
Langdon Coburn, M. Murray Lebowitz, Norman
Lewis, Max Weber, Margaret Bourke-White, Henry
Callahan and Alfred Stieglitz.
MFA PUBLICATIONS, MUSEUM OF FINE ARTS,

BOSTON
ISBN 9780878468850 u.s. $45.00 cdn $61.00
Hbk, 7 x 10.5 in. / 224 pgs / 120 color.
BACK IN PRINT BACK IN PRINT BACK IN STOCK June/Design/
Charles and Ray Eames: Eileen Gray: Objects Mies van der Rohe: Objects
Objects and Furniture and Furniture Design and Furniture Design
Design Edited by Sandra Dachs, Patricia de Muga, Laura García
Hintze, Nuria Jorge. Introduction by Carmen Espegel.
Edited by Patricia de Muga, Laura Garcia Hintze,
Sandra Dachs.
Edited by Sandra Dachs, Patricia de Muga, Laura García
Hintze. Introduction by Mathias Remmele. A concise introduction to the opulent Acclaimed furniture works from the
modernism of a long-neglected design pioneer Bauhaus polymath
Midcentury masterpieces from the inventors
of the Eames chair POLÍGRAFA
POLÍGRAFA
ISBN 9788434311824 u.s. $30.00 cdn $40.00
ISBN 9788434314962 u.s. $30.00 cdn $40.00
POLÍGRAFA Hardback, 6.5 x 8.25 in. / 128 pgs / 180 color.
Hbk, 6.5 x 8.5 in. / 128 pgs / 170 color.
ISBN 9788434314955 u.s. $30.00 cdn $40.00 Available/Design & Decorative/
March/Design/
Hbk, 6.5 x 8.5 in. / 128 pgs / 222 color.
March/Design/
NEW REVISED EDITION
Design as an Attitude: New Edition

By Alice Rawsthorn.
Edited by Clément Dirié.
Acclaimed author Alice Rawsthorn revises her bestselling field guide to design in the wake of a
pandemic, intensified ecological disaster and political crisis
Three years after its initial release, Alice Rawsthorn’s bestselling volume is republished in an expanded edition,
updated in response to recent political and ecological transformations across the world. Entirely revised by the
author, the book is enriched by a new chapter on design’s response to climate emergency; it also addresses
COVID-19’s impact on design across numerous updated chapters.
Today, the field of design is responding to intense economic, political and ecological instability with
resourcefulness and creativity. Public interest is soaring as a new generation of designers uses advanced
technologies to pursue their political and environmental objectives in increasingly ambitious projects, as well
as to reinvent the objects and spaces we use every day.
Written by one of the world’s leading design and culture commentators, Design as an Attitude is conceived
as a subjective field guide to design. In an authoritative and engaging voice, Rawsthorn demystifies the field,
explores the most dynamic developments in contemporary design and assesses their impact on our lives
now and in the future. From book-making to social design, from the craft revival to design’s gender politics,
Design as an Attitude offers a comprehensive survey of design today. Its appendix comprises more than 50
biographies of relevant living designers and role models for contemporary design.
Based in London, Alice Rawsthorn (born 1958) is an award-winning design critic and the author of several
volumes on design. Her critically acclaimed Hello World: Where Design Meets Life (2013) explores design's
influence on our lives. In May 2022, she will publish a book coauthored with MoMA’s Paolo Antonelli, titled
Design Emergency. An influential public speaker on design, Rawsthorn has participated in important global JRP|EDITIONS
events, including the TED conference in Vancouver and the annual meetings of the World Economic Forum in ISBN 9783037645826 u.s. $29.95 cdn $39.95
Davos, Switzerland. Rawsthorn was awarded an Order of the British Empire (OBE) for services to design and
the arts.
Pbk, 6 x 8.25 in. / 224 pgs / 28 b&w.
June/Design/
The Redstone Diary 2023
In Search of Beauty
Edited by Julian Rothenstein, Mel Gooding, Rhiannon Gooding, Ian Sansom.
The 2023 edition of the beloved cult diary explores the theme of beauty
Irma Boom: Book Manifest
What is beauty? Philosophers have often asked the question—as have artists, poets, lovers, thinkers, explorers,
Text by Irma Boom, Rem Koolhaas, Michael Rock, Mathieu Lommen, Louwrien Wijers, Nina Stritzler-Levine,
Johan Pijnappel. family, friends. Is this thing, this person, this place, this quality really beautiful in and of itself, or is it the viewer
that brings the beauty to the object? And what exactly is our experience of beauty? Is it wonder? Is it terror? Is
A miniature manifesto for the endless possibilities of the book form, from the world's it longing? Is it love? Does beauty exist only in particular things, or in universal characteristics, in certain shapes
most famous living book designer and forms? Where does physical beauty end and spiritual beauty begin? What is the relationship between beauty
and truth? And are all our assumptions about beauty simply prejudices in disguise? There are no easy answers
In Book Manifest, world-renowned Dutch designer Irma Boom presents her vision on the essence, to any of these questions. As always, the Redstone Diary offers only examples—and the beautiful promise of
meaning and relevance of the book. Based on the in-depth research that Boom conducted into the another year. “There may be no great diarists, then, but there are still great diaries…. In the midst of one’s self-
development of the book in the library of the Vatican, Book Manifest is at once a survey of the history obsessions, the Redstone Diary reminds one of other worlds,” declared writer Ian Sansom in the Guardian. The
of the book and a miniature Irma Boom retrospective, reproducing a selection of more than 350 books agenda is designed with practicality as well as aesthetics in mind, with sturdy spiral binding and a weekly layout
she has designed over the course of her eminent career. Alongside reproductions, Boom extensively that provides ample space for one’s plans. The diary features contributions and excerpts from John Baldessari,
discusses the relationship between her work and older book forms. W.E.B. Du Bois, Louise Bourgeois, Sonia Delaunay, Gilbert and George, Seamus Heaney, Edvard Munch, Marc
With this tiny (four and a half by six inches), slipcased, 1,000-page, richly illustrated volume, itself an Quinn and Oliver Sacks.
exceptional feat of bookmaking, Boom aims to inspire and encourage a new generation of designers to
REDSTONE PRESS
experiment and develop new ways of conceiving this simplest and most enduringly effective of forms. ISBN 9780995518193 u.s. $24.95 cdn $33.95 SDNR50
Described by Eye Magazine as “the Queen of Books,” Irma Boom (born 1960) has created more than Spiral bound, 6.5 x 9.5 in. / 160 pgs / 30 color / 12 b&w.
300 books, always challenging the conventions of both design and printed content. She is the youngest May/Stationery/
recipient of the Gutenberg Prize, recognizing outstanding services to the advancement of the book
arts. A selection of Boom's books are held in the permanent collection of the Museum of Modern Art,
New York, and an Irma Boom Archive has been instituted at the University of Amsterdam, Netherlands, INCLUDES
to showcase her work.
WALTHER KÖNIG, KÖLN

• 13 note pages
ISBN 9783753300917 u.s. $45.00 cdn $61.00 SDNR40 • 12-month year-at-a-glance
Slip, pbk, 4.5 x 6 in. / 1000 pgs / 500 color.
April/Design/ • 2022–2024 planner
EXHIBITION SCHEDULE: • 52-week calendar pages

Amsterdam, Netherlands: University of Amsterdam, 2021
London, UK: the Design Museum, 2022 • A–Z contacts section
“Home Made Russia achieves something unmatched
by few conventional histories—a vivid and moving
A–Z of Record Shop Bags picture of real life behind the Iron Curtain.”
BACK IN PRINT
1940s to 1990s
By Jonny Trunk.
Home Made Russia –THE TELEGRAPH
Edited by Damon Murray, Stephen Sorrell. Foreword by Jon Savage.

Post-Soviet Folk Artefacts
Edited by Damon Murray, Stephen Sorrell. Text by Vladimir Arkhipov.
Featuring over 550 graphically arresting record-shop bags, plus informative, humorous histories of the
stores and their famous staff, this book reveals a previously undocumented side of British popular culture Back in print: Fuel’s highly popular collection of improvised implements and homespun tools from
Soviet Russia
This exhaustive collection of record-store bags provides a unique perspective on record shopping in the UK over the last
Featuring a redesigned cover, Home Made Russia compiles over 220 artefacts of Soviet culture, each accompanied by a
century, bringing together over 500 incredible bags (some possibly the only surviving examples) to document the fascinating
photograph of the creator, their story of how the object came about, its function and the materials used to create it.
story of British high street record shopping. Bags from famous chains such as NEMS (where the Beatles were customers),
The Vladimir Arkhipov collection includes hundreds of objects created with often idiosyncratic functional qualities, made for use
Our Price and Virgin (the amazingly rare Roger Dean bags) sit alongside designs from independent stores run by eccentric
both inside and outside the home, such as a tiny bathtub plug carefully fashioned from a boot heel; a back massager made from
enthusiasts. Packed with stories such as the first Jewish ska retailer, the record sellers who started Britain’s premier soccer
an old wooden abacus; a road sign used as a street cleaner’s shovel; and a doormat made from beer bottle tops.
league, famous staff (David Bowie, Dusty Springfield, Morrissey) and equally infamous owners, these anecdotes of mythical
Home Made Russia presents a unique picture of a critical period of transition, as the Soviet regime crumbled but was yet to
vinyl entrepreneurs will entertain and delight.
be replaced with a new system. Each of these objects is a window, not only into the life of its creator, but also the situation of
With vinyl record sales at their highest for decades (outselling CDs in the US), this publication acts as an amazing insight into
the country at this time. Shortages in stores were commonplace, while wages might be paid in goods, or simply not paid at all.
the history, culture and visual language of record collecting. Following Own Label, Wrappers Delight and Auto Erotica, A–Z
These exceptional circumstances lent themselves to a singular type of ingenuity, respectfully documented in intimate detail by
FUEL of Record Shop Bags is the next book in the series by Jonny Trunk and FUEL, examining overlooked aspects of our collective
Vladimir Arkhipov.
ISBN 9781916218482 u.s. $34.95 cdn $46.95 past. Jon Savage, author of the classic 1981 punk history England’s Dreaming, provides a foreword.
Pbk, 8.75 x 7.25 in. / 240 pgs / 560 color. Nostalgia enthusiast Jonny Trunk founded his record label Trunk Records in 1995, which specializes in releasing lost and FUEL
May/Design/Music/ archived recordings. He compiled and wrote The Music Library, documenting the hidden world of library music. His other ISBN 9781916218475 u.s. $34.95 cdn $46.95
books include Own Label, Wrappers Delight and Auto Erotica. Trunk also writes for a number of magazines and broadcasts Hbk, 5 x 8 in. / 304 pgs / 220 color.
every week on Resonance FM, London’s art broadcasting station. May/Popular Culture/Design/
Ideas for Everyday Play THE COMIC GAME EAT LIKE SOPHIE CALLE
Everyday Play A Campaign against Boredom
Edited by Julian Rothenstein. Foreword by Andrey
Kurkov.
LIFE Are you bored by daily routine? Learn

how to restore play to the everyday, with
EAT LIKE SOPHIE CALLE games and life tips from artists, writers
and thinkers from Louise Bourgeois and
LIVE LIKE MAYA ANGELOU Hunter S. Thompson to Lydia Davis and
Karl Lagerfeld
BECOME KARL LAGERFELD
“Life must be lived as play,” said Plato, and this
BEHAVE LIKE JANE BOWLES book will help you rediscover the wonder in
the weekly grind, and the extraordinary in the
EMBRACE CHANGE ordinary. Throughout history, philosophers, artists
and writers have found liberation in taking play
seriously. Everyday Play shows you how you
can use creativity, games and the imagination to
ART
transform your life.
COLLECTING Learn how to be someone else for a day; explore
how to draw a poem, paint a book and reorient your
FOUND OBJECTS library; enjoy writers using constraints or languages
they don’t understand; play the Edible Book Game
ONE-MINUTE SCULPTURES or become a living sculpture; become a writer
and play word games to find new ways of saying
EXQUISITE CORPSE what you mean.
Everyday Play is the essential compendium
MEMORY MAPS of artists’ games, philosophers' inquiries and
manifestos against the banal. They will challenge
PICTURE POEMS our perceptions of work, rest and play, with
contributions from, among others, Joan Acocella,
Luis Buñuel, Lewis Carroll, Robert Creeley,
Adam Dant, Lydia Davis, Jeremy Deller, Dashiell
GAMES Hammett, Will Hobson, Nina Katchadourian, Andrei
Monastyrski, Francis Ponge, Erik Satie and Marc
THE COMIC GAME Wahlberg.
COLLECTING
REDSTONE PRESS
THE EDIBLE BOOK GAME ISBN 9780995518186 u.s. $24.95 cdn $33.95
Flexi, 6.75 x 9.75 in. / 176 pgs / 70 color / 24 b&w.
THE PORTRAIT GAME March/Popular Culture/
THE ASSASSIN’S GAME

THE SECRETS GAME
LANGUAGE
SYNONYMS SYNONYMS
GREAT-APE LANGUAGE
USEFUL PHRASES
MEMOIRS OF A PUDDLE
... and more
Real Photo Postcards
Pictures from a Changing Nation
By Lynda Klich and Benjamin Weiss. Contributions by Eric
Moskowitz, Jeff L. Rosenheim, Annie Rudd, Christopher B.
Steiner, Anna Tome.
Postcards of a nation embracing a new democratic

technology
The ubiquity of photography and social media today makes it

hard to imagine a time when it was not possible for ordinary
people to take their own pictures and send them with short
messages over long distances. But it was revolutionary
when the Eastman Kodak Company, in 1903, unveiled a new
postcard camera that produced a postcard-size negative
that could print directly onto a blank card. Suddenly almost
anyone, amateurs and entrepreneurial photographers alike,
could take a picture—of neighbors at home and at work, local
celebrations, newsworthy disasters, sightseeing trips—and
turn it into a postcard.
This book captures this moment in the history of
communications—from around 1900 to 1930—through a
generous selection of what came to be known as “real photo
postcards” from the extensive Leonard A. Lauder Postcard
Archive. As the formality of earlier photography falls away,
these postcards remind us that the past was occupied
by people with distinct and individual stories, dramatic,
humorous, puzzling and surprising.
MFA PUBLICATIONS, MUSEUM OF FINE ARTS, BOSTON

ISBN 9780878468843 u.s. $45.00 cdn $61.00
Hbk, 8.5 x 9.5 in. / 304 pgs / 340 color.
May/Photography/Design/
Boston, MA: Museum of Fine Arts, 03/16/22–07/25/22
What Matters Most: Photographs of Black Life

The Fade Resistance Collection
Edited with text by Zun Lee, Sophie Hackett. Text by Dawn Lundy Martin, Fred Moten, Stefano Harney.
This powerful collection highlights the importance of snapshots in Black American life: as tools to challenge
stereotypes, and as a way to document family and culture
Thoughtfully illustrated, this volume highlights a selection of photographs of African American family life between the 1970s
and the early 2000s—pictures that were lost by their original owners and then found by the artist Zun Lee on a street in Detroit
in 2012, marking the beginning of the Fade Resistance collection of more than 4,000 Polaroids. Lee describes the collection as
an important record of Black visual self-representation and a means to “reflect the way Black people saw themselves on their
terms—without the intention of being seen, or judged, by others.” To Lee, these powerful photographs are an expression of
"Black life mattering."
These vivid images chronicle milestones such as weddings, birthdays and graduations, as well as quiet daily moments, offering
contemporary views long ignored or erased by mainstream culture. Together, these works highlight the role snapshots have
played in Black life, as tools to challenge stereotypical portrayals and as a means to memorialize family, culture and heritage.
Topics such as self-representation, visual history and the social power of photographs are addressed in critical texts by Sophie
ALSO AVAILABLE Hackett, Stefano Harney, Zun Lee and Fred Moten, and an original contribution by celebrated poet Dawn Lundy Martin.
The Postcard Age
ISBN 9780878467815 DELMONICO BOOKS/ART GALLERY OF ONTARIO
Clth, u.s. $45.00 cdn $60.00 ISBN 9781942884941 u.s. $39.95 cdn $53.95 EXHIBITION SCHEDULE:
MFA Publications, Museum of Fine Arts, Hbk, 7 x 10 in. / 224 pgs / 175 color. Toronto, Canada: Art Gallery of Ontario
Boston/ June/Photography/African American Art & Culture/ (AGO), May 2022
We are delighted to welcome MARIAN GOODMAN GALLERY to the D.A.P. list. For over 40 years, Marian Goodman Gallery
has played an important role in introducing European artists to American audiences and helping to establish a vital
dialogue among artists and institutions working internationally.
Images © Woodman Family Foundation / Artists Rights Society (ARS), New York
Graciela Iturbide: Heliotropo 37
Francesca Woodman: Alternate Stories Text by Eduardo Halfon. Interview by Fabienne Bradu. Photographs by Pablo López Luz.
Text by Chris Kraus.
A sumptuous survey of Mexico's foremost photographer
Classic and previously unseen photographs and archival materials by a genius of
staged photography, with a new essay by Chris Kraus Through more than 200 photographs, this luxurious volume presents Mexican photographer Graciela Iturbide’s most iconic
works alongside an important selection of previously unpublished photographs and a series of color photographs specially
This elegant volume presents more than 40 vintage photographs by the pioneering American commissioned by the Fondation Cartier.
photographer Francesca Woodman (1958–81), many of which have never before been seen. These Working mainly in black and white, Iturbide has explored the cohabitation between ancestral traditions and Catholic rites
photographs span the creative arc of the artist’s life, focusing on the varied thought processes, in Mexico, humanity’s relationship with death and the roles of women in society. In recent years, her photographs have
interests and influences that inspired her work. emptied themselves of human presence, revealing the enigmatic life of objects and nature. In addition to her stark images
Clustered thematically, Francesca Woodman: Alternate Stories highlights previously unexplored of her homeland, this book also includes images from her series in India, the United States and elsewhere. Heliotropo 37,
relational contexts, drawing deeply on Woodman's formative years in Providence, Rhode Island, and named for the photographer’s address in Mexico City, also contains an interview with the photographer by French essayist
Italy, and featuring previously unpublished photographs and archival materials. Fabienne Bradu, an original short story by Guatemalan writer Eduardo Halfon and a photo-portrait of Iturbide’s studio by
In the newly commissioned essay “Impure Alchemy,” critic and novelist Chris Kraus explores Mexican photographer Pablo López Luz.
Francesca Woodman’s life via her work, drawing upon her journals and letters as primary source One of the most influential photographers active in Latin America today, Mexican photographer Graciela Iturbide
materials, and exploring the technical means and literary strategies that animate Woodman's works. (born 1942) began studying photography in the 1970s with legendary photographer Manuel Álvarez Bravo. Seeking “to
Francesca Woodman: Alternate Stories portrays the artist’s lasting impact on generations of artists, explore and articulate the ways in which a vocable such as 'Mexico' is meaningful only when understood as an intricate
and offers a compendium of images, which, as Kraus writes, still “inspire new mysteries and combination of histories and practices,” as she puts it, Iturbide has created a nuanced and sensitive documentary record of
questions.” contemporary Mexico. She lives and works in Mexico City.
MARIAN GOODMAN GALLERY FONDATION CARTIER POUR L’ART CONTEMPORAIN

ISBN 9780944219508 u.s. $50.00 cdn $68.00 ISBN 9782869251618 u.s. $55.00 cdn $75.00 EXHIBITION SCHEDULE:
Hbk, 8.75 x 11.25 in. / 88 pgs / 1 color / 55 b&w. Hbk, 9.25 x 11.5 in. / 304 pgs / 30 color / 220 b&w. Paris, France: Fondation Cartier pour l’art contemporain,
February/Photography/ April/Photography/Latin American/Caribbean Art & Culture/ 02/12/22–05/29/22
NEW REVISED EDITION
Joel Meyerowitz:
Redheads
Text by Joel Meyerowitz.
An expanded edition of Meyerowitz’s

acclaimed study of the many shades and
styles of red hair
Photographer Joel Meyerowitz (born 1938)

began photographing redheads in 1978 against
the contrasting blue backdrop of Cape Cod. The
portraits from this period are collected in this
new edition of Meyerowitz's 1991 photobook
Redheads, featuring 16 additional images. After
running an ad in the Provincetown Advocate,
Meyerowitz began collecting the experiences
of people who grew up with red hair, in addition
to photographing them. Making up only two
or three percent of the world’s population,
their stories of schoolyard bullying and self-
acceptance illustrate a broader narrative of
growth and beauty.
Despite cultural and racial distinctions between
redheads, the phenotypic association between
the subjects brings a sense of familiality to the
collection of portraits.
Meyerowitz describes how red hair and its
reaction to light evokes a sense of the color
film process. He is known for his transition to
color film during a period of resistance to color
photography. “My way of making portraits is
not by getting down on my hands and knees,
nor climbing high on a ladder, nor getting into
bed with a celebrity,” Meyerowitz writes, “but
simply standing eye to eye with anyone who has
found their way to me, young or old. I need only
one or two sheets of film and the patience to
see it through.” This hardcover edition includes
previously unseen portraits.
Matthew Leifheit: To Die Alive
DAMIANI Edited by Elisabeth Biondi. Text by Jeremy O. Harris, Jack Parlett.
ISBN 9788862087667 u.s. $55.00 cdn $75.00
Hbk, 9.25 x 11 in. / 120 pgs / 70 color. Fire Island’s gay communities, documented in a nocturnal erotic fever-dream by Matthew Leifheit
April/Photography/
Featuring 77 color photographs, To Die Alive portrays Fire Island’s world of desire and its layers of history: the Ice Palace
bar’s infamous underwear party; the men-only Belvedere Guesthouse; clandestine encounters in the Meat Rack; and
landscapes in all seasons of the island’s delicate maritime forest. The wide-ranging subjects of Matthew Leifheit’s portraits
reflect the intergenerational community who come to the island for refuge or employment, ranging from weekend visitors
to sugar daddies to bartenders and sex workers. Tinged with sadness, the book's climax mixes feelings of pleasure with
desperation and loss. As homosexuality gains mainstream acceptance, many queer Americans no longer need to go to
geographic extremes like Fire Island, Provincetown, Palm Springs or Key West to express themselves. But what is the
cost of assimilation? To Die Alive is both romantic and grotesque, challenging the sun-bleached history of homoerotic
representation on this fragile island, which itself is under constant threat of erosion by the sea.
“It has been a privilege to be granted the right to come close Matthew Leifheit (born 1988) is an American photographer, magazine editor and professor born in Chicago and based
in Brooklyn. A graduate of the Yale School of Art, he was formerly photo editor of Vice and is currently on faculty at Pratt
and stare openly at whoever I meet. Across the space of that Institute. Leifheit’s photographic work has been exhibited internationally and is held in public collections. His photographs
have appeared in publications such as the New York Times, the New Yorker, Aperture, Time and Artforum. Leifheit is editor-
open stare come waves of feeling that touch upon our shared in-chief of Matte Magazine, a journal of emerging photography that he has edited and published since 2010.
ALSO AVAILABLE
Tom Bianchi: 63 E 9th Street
instincts in intimate and surprising ways.” DAMIANI ISBN 9788862086462
Hbk, u.s. $55.00 cdn $70.00
–JOEL MEYEROWITZ ISBN 9788862087704 u.s. $60.00 cdn $82.00
Damiani/
Hbk, 12 x 9 in. / 144 pgs / 77 color.
April/Photography/Erotica/LGBTQ/
Ewen Spencer:
While You Were Sleeping
1998–2000
Text by Justin Quirk, Ewen Spencer, Elaine Constantine.
An up-close portrayal of late-’90s London’s many

music scenes, from the pages of Sleazenation
and beyond
In the late 1990s, as a graduate from art school, the British

photographer Ewen Spencer began making pictures for
Sleazenation, in particular for the infamous listing pages at
the rear of the magazine that were called "Savoir Vivre." The
images were made in both black and white and color, and
were immensely candid and full of characters that seemed
to be everywhere at that time.
London was at the epicenter of a cultural boom in this
period. Small clubs, parties and discos were plentiful in
venues from North to South, and Spencer was in a minicab
and night bus taking in all the scenes—from Northern Soul,
Acid House, Jungle and Garage to Nu Metal, South London
blackout clubs and more. Spencer captures an era filled with
love, lust and messy authenticity.
Ewen Spencer (born 1971) graduated from the University
of Brighton in 1997 and began shooting for style magazines
such as Sleazenation and The Face, with an emphasis on
youth culture. In 2004 his series Teenagers was shortlisted
for the Project Assistance award at Rencontres D’Arles,
curated that year by Martin Parr, who tipped Spencer
as “one to watch.” In 2013 he began self-publishing a
biannual photo-zine, Guapamente focusing on global youth
subcultures. Spencer has also made documentaries on
Britain’s Garage and Grime scenes. His monograph Young
Love was published by Stanley Barker in 2017.
DAMIANI
ISBN 9788862087698 u.s. $50.00 cdn $68.00
Matthew Brookes: Into the Wild Hbk, 11 x 11 in. / 156 pgs / 33 color / 88 b&w.
April/Photography/Fashion/Music/
Interview by Zack Raffin.
An exhilarating homage to the surf and van culture of the California coast, from the author of
Les Danseurs
The second monograph by New York– and Paris-based photographer Matthew Brookes, Into the Wild is a vibrant celebration
of surf life. For this project, Brookes followed a group of young surfers from Venice Beach on their adventures up and down
the coast. The result is a story of van culture along the California coast—a story of youth choosing to follow their dreams,
living out of vans, existing for surf and travel and freedom, and always chasing the best waves. The documentary-style
photographs are typical of Brookes’ work, with ethereal shots punctuating more naturalistic photos. The book includes
interviews with the surfers done by Zack Raffin from the major surf magazine Stab Magazine. Raffin is a young surfer
himself and grew up surrounded by van culture, positioning him as an insider voice as much as a journalist.
Matthew Brookes is a photographer known for his editorial projects and his natural and simplistic style. Born in England
and raised in South Africa, Brookes’ photographs have been featured in major magazines such as GQ Style, Vogue and
L'Uomo Vogue. In addition to his work with models and celebrities, Brookes is fascinated by the dynamism of the human
form in motion and enjoys photographing athletes and dancers. In 2015 Brookes published his first monograph with
Damiani, Les Danseurs, a portrait of the ballet dancers of the Paris Opera.
DAMIANI
ISBN 9788862087643 u.s. $49.00 cdn $66.00 ALSO AVAILABLE
Pbk, 9.5 x 11.75 in. / 144 pgs / 120 color. Both Sides of Sunset
April/Photography/ ISBN 9781938922732
Hbk, u.s. $45.00 cdn $60.00
Metropolis Books/
F1 Heroes: Champions and
Legends in the Photos
of Motorsport Images
Text by Giorgio Terruzzi. Photography by Ercole Colombo.
A thrilling visual history of Formula One racing
This fully illustrated history takes a journey across 70 years

of the most spectacular images from the archives of the
great champions who have made the history of Formula
One and the Grand Prix. It follows the storied history of this
widely popular sport from the first championship, won by
the daring Nino Farina with his Alfa Romeo and his famous
cigar between his lips, to British driver Lewis Hamilton's
heroic exploits, taking in all the legends of Formula One en
route, among them Alberto Ascari, Juan Manuel Fangio, Niki
Lauda, Ayrton Senna, Alain Prost and Michael Schumacher.
The 200-plus images in this volume do not neglect the
incredible feats of engineering that made the drivers' stories
possible: F1 Heroes also traces the history of Formula One
cars from the tube chassis warhorses that dominated the
early races, such as those built by Alfa Romeo, Ferrari and
Maserati, to the modern high-tech automobiles that speed
around the track today.
A spectacular account of the winners and their extraordinary
cars and their duels, but also a story of big defeats and
great heroes who, while they did not win the championship,
still became legends, such as Gilles Villeneuve.
SKIRA
ISBN 9788857246673 u.s. $42.00 cdn $57.00
Hbk, 11 x 9.5 in. / 192 pgs / 210 color.
March/Design/
Orbital Planes: A Personal Vision of the Space Shuttle

Photographs by Roland Miller
Foreword by Denis Defibaugh. Text by Roland Miller.
A dazzling photographic inventory of the Space Shuttle Program, from the author of Interior Space
Orbital Planes is Roland Miller’s intimate photographic view of the Space Shuttle Program. It explores the Space
Shuttle orbiters—both inside and out—along with related facilities, including rocket engine test sites, Solid Rocket
Booster and External Tank manufacturing facilities, orbiter manufacturing and maintenance facilities, launch sites
and more. Miller started photographing the Space Shuttle in 1988, and began his focused work for Orbital Planes in
2008, continuing for the duration of the Space Shuttle Program.
Through a combination of documentary and abstract photographs made around the US, Orbital Planes tells an
expansive story of the Space Shuttle Program in a visually arresting style, describing the distinctive design of these
spacecraft and the facilities where they were maintained and launched. The drama and danger of spaceflight are
seen in the wear and tear visible on the orbiters. The book also chronicles the story of Miller’s interactions with
Space Shuttle workers and the impacts of the Challenger and Columbia accidents.
A Chicago native, Roland Miller (born 1958) taught photography at Brevard Community College in Cocoa, Florida, DAMIANI
for 14 years, where he began photographing nearby NASA launch sites. Miller’s project and book, Abandoned in ISBN 9788862087599 u.s. $55.00 cdn $75.00
Place: Preserving America’s Space History (University of New Mexico Press, 2016), documents deactivated and Hbk, 12 x 10 in. / 200 pgs / 150 color.
ALSO AVAILABLE repurposed space launch and test facilities around the US. His collaborative project and book, Interior Space: A April/Photography/
Wow Gilles! Visual Exploration of the International Space Station (Damiani, 2020), with Italian astronaut Paolo Nespoli, examines
ISBN 9788857236056 the interior of the International Space Station. His photographs are part of permanent collections at the Museum
Hbk, u.s. $50.00 cdn $65.00 FLAT40 of Contemporary Photography, Chicago and the NASA Art Collection in Washington, DC. Miller’s work has been
Skira featured in the New York Times, the Wall Street Journal and National Geographic UK.
Alex Webb & Rebecca Norris Webb: Waves
Text by Alex Webb, Rebecca Norris Webb.
A pandemic logbook in words and images, with gorgeous Cape Cod panoramas and poetical meditations
“Far from the vibrant urban worlds where I’ve often photographed, I followed the subtle movements of time and tide,
wind and water. Meanwhile, Rebecca photographed the waves of light as they washed through our house of many
windows—and wrote spare text pieces to try to emotionally navigate this unsettling time, when so many we know
have been caught in its undertow.” –Alex Webb, May 2021
Inspired by Virginia Woolf’s novel The Waves, this collaborative project brings together the work of creative partners
Alex Webb and Rebecca Norris Webb. This intimate collection serves as a pandemic logbook in words and images,
created while the couple was largely sequestered on Cape Cod from March 2020 through May 2021. Rebecca provides
original, handwritten poetry that punctuates her lyrical photographs and Alex’s panoramic seascapes. Their images
serve as poignant meditations on what it means to be both deeply connected to the world around us and profoundly
isolated from much that we hold dear.
Alex Webb (born 1952) has published more than 15 photography books, including the survey The Suffering of Light. RADIUS BOOKS
His most recent books include La Calle: Photographs from Mexico and the collaboration Brooklyn: The City Within, with ISBN 9781942185963 u.s. $55.00 cdn $75.00
Rebecca Norris Webb. Hbk, 12 x 9.5 in. / 108 pgs / 48 color.
Originally a poet, Rebecca Norris Webb (born 1956) often interweaves her text and photographs in her nine books, most April/Photography/
notably with her monograph, My Dakota. Her most recent book, Night Calls, was published by Radius Books in 2020.
Richard Misrach: Notations
Text by Darius Himes.
A sumptuous, large-format photographic homage to the end of the analog era
Since 2006, coinciding with his shift away from analog film to working exclusively with a digital camera,
Richard Misrach has been exploring the aesthetic possibilities of the negative image. His latest body of
work, debuted in this deluxe, oversize (16.75 by 13 inches), landscape-format volume, comprises dazzling,
sublime photographs of landscapes and natural scenes—in negative, but using color with great dexterity
and nuance.
Inspired by Ansel Adams’ comparison of the photographic negative to a musical score, and John Cage’s
1969 book, Notations, which compiles music scores as art, Misrach here envisages the photographic
image as a score-like negative, teetering on abstraction, that invites a diversity of interpretations. The result
is a series of immense beauty unlike any previous Misrach publication.
Richard Misrach (born 1949) is one of the most influential photographers working today. For the past
five decades, he has used visually stunning, large-scale color vistas to address human intervention in the
natural world. He lives and works in Berkeley, California.
RADIUS BOOKS
ISBN 9781942185956 u.s. $85.00 cdn $115.00
Hbk, 16.75 x 13 in. / 196 pgs / 92 color.
March/Photography/
BACK IN PRINT
Giorgio Morandi:
Works, Writings,
Interviews
Edited with text by Karen Wilkin. Interviews
with Peppino Mangravite, Edouard Roditi.
The essential Morandi, in

pictures and words
Giorgio Morandi's (1890–1964) steady

pursuit of a poetic vision in still-life and
landscape painting (as well as engravings
and etchings) has secured him a singular
and revered position in the history
of modern art. While drawing on the
achievements of Giotto, Cézanne, the
metaphysical painters and the Cubists,
Morandi's work finally resembles no one
else's, and quietly defies paraphrase:
everything is enigmatically clarified in the
work itself, in all its apparent simplicity,
on terms entirely specific to the artist's
compositional gifts, in which respect he
might almost be described as the Erik Satie
of painting.
The original writings and interviews
collected in this substantial new volume
trace Morandi's various influences,
illuminate the atmosphere of Bologna that
Andrew Wyeth: Life and Death so characterized the artist's sensibility,

and allow us to analyze the myth that has
Edited with text by Tanya Sheehan. Foreword by Jacqueline Terrassa. Text by Karen Baumgartner, Rachael Z. DeLue, formed around his life and personality. Karen
Alexander Nemerov.
Wilkin, editor of this volume and the author
of monographs on Georges Braque, Anthony
Presenting recently rediscovered drawings, Life and Death explores what it means for an artist to Caro, Helen Frankenthaler, Hans Hofmann,
picture their own death, in both the context of Wyeth’s late career and contemporary American art Kenneth Noland and David Smith, has
assembled an important contribution to the
This volume presents for the first time a recently rediscovered series of pencil drawings from the early 1990s, through critical understanding of this great artist.
which Wyeth imagined his own funeral. Chapters by leading art historians explore the significance of picturing one’s
own death in both the context of Wyeth’s late career and contemporary American art. The book connects the funeral POLÍGRAFA
series to Wyeth’s decades-long engagement with death as an artistic subject in painting, his relationships with the ISBN 9788434314986 u.s. $45.00 cdn $61.00
models depicted, and his use of drawing as an expressive and exploratory medium. It further inserts Wyeth’s work into Hbk, 8.5 x 11 in. / 160 pgs / 124 color.
a larger conversation about mortality and self-portraiture that developed in American art since the 1960s, and includes March/Art/
works by Duane Michals, Andy Warhol, David Wojnarowicz, George Tooker, Janaina Tschäpe and Mario Moore. While
his contemporaries posed a variety of existential questions in picturing their own passing, those that interrogate the
universality of death as a human experience have become especially urgent in the wake of the coronavirus pandemic
and the national reckoning with racial inequality that emerged in 2020. Andrew Wyeth: Life and Death thus addresses
ideas about loss, grief, vulnerability and (im)mortality that pervade the current moment.
American painter Andrew Wyeth (1917–2009) lived his entire life in his birthplace of Chadds Ford, Pennsylvania,
and his summer home in mid-coast Maine. His seven-decade career was spent painting the land and people that he
DELMONICO BOOKS/COLBY COLLEGE knew and cared about. Renowned for his tempera painting Christina's World (1948), Wyeth navigated between artistic
MUSEUM OF ART representation and abstraction in a highly personal way.
ISBN 9781636810348 u.s. $40.00 cdn $54.00
Hbk, 8.25 x 10.25 in. / 144 pgs / 100 color.
May/Art/
Waterville, ME: Colby College Museum of Art, ALSO AVAILABLE Andrew Wyeth: A Spoken Self-Portrait ALSO AVAILABLE
06/02/22–10/16/22 Andrew Wyeth: Christina’s World ISBN 9781938922183 Giorgio Morandi: 1890–1964
ISBN 9780870708312 Hbk, u.s. $29.95 cdn $39.95 ISBN 9788861307162
Hbk, u.s. $14.95 cdn $21.00 National Gallery of Art, Washington/ Hbk, u.s. $65.00 cdn $85.00
The Museum of Modern Art, D.A.P./ Skira/
New York/
Agnes Martin:
Independence of Mind
Edited by Chelsea Weathers. Text by Teju Cole, Bethany Hindmarsh,
Jennie C. Jones, James Sterling Pitt, Jenn Shapland, Darcey Steinke,
Martha Tuttle.
Contemporary artists and writers from Jennie C. Jones to

Teju Cole consider Agnes Martin's influence and legacy
This is a reenvisioned, fresh look at Agnes Martin, the enigmatic,

influential, highly independent painter whose life and work
have proved inspirational to audiences across many fields and
disciplines. Accompanied by color reproductions of works by
Martin, Agnes Martin: Independence of Mind presents a series of
essays by living artists and writers commissioned especially for this
volume. Contributors include artists Martha Tuttle, Jennie C. Jones
and James Sterling Pitt, as well as authors Teju Cole, Bethany
Hindmarsh, Darcey Steinke and Jenn Shapland. These contributors
write about Martin’s influence on their creative lives and work,
and offer new interpretations that defy stereotyped notions about
Martin's life. Longer essays are mixed with shorter, more anecdotal
texts by a wider selection of artists.
Agnes Martin was born in Maklin, Saskatchewan, Canada, in
1912, and moved to the US in 1932, studying at universities
in Oregon, California, New Mexico and New York. In the early
1950s she developed a biomorphic style influenced by Abstract
Expressionism. Her first solo exhibition was held at the Betty
Parsons Gallery, New York, in 1958. From around 1960–61 she
began to work with the grids of horizontal and vertical lines for
which she has become renowned. In 1967 she moved from New
York to New Mexico, where she lived until her death in 2004.
RADIUS BOOKS
ISBN 9781942185871 u.s. $55.00 cdn $75.00
Hbk, 8 x 11 in. / 184 pgs / 40 color.
March/Art/
Helen Frankenthaler: Late Works, 1988–2009

Preface by Elizabeth Smith. Text by Douglas Dreishpoon, Suzanne Boorsch. Interview by Katharina Gross, Pepe Karmel,
Mary Weatherford.
Luminous late works on paper from the great Color Field pioneer
Exploring works from the later period of Helen Frankenthaler’s life, Late Works, 1988–2009 features approximately
50 plates and archival images dating from 1988 to 2009. Originally inspired by the exhibition curated by Douglas
Dreishpoon (Director of the Helen Frankenthaler Catalogue Raisonné and Chief Curator Emeritus of the Albright-Knox
Art Gallery), the book expands upon the original exhibition to include a wide range of important pieces from this prolific
period in the artist's career.
Through her invention of the soak-stain technique, Frankenthaler expanded the possibilities of abstract painting while
referencing figuration and landscape in unique ways. In her later years, her practice continued to evolve through her use
of diverse mediums and processes, as she shifted from painting canvas on the floor to using larger sheets of paper that
were laid out on the floor or on tabletops for easier accessibility. The continuity between the late work and what came
before is striking.
Helen Frankenthaler (1928–2011) has long been recognized as one of the great American artists of the 20th century.
RADIUS BOOKS/HELEN FRANKENTHALER She was eminent among the second generation of postwar American abstract painters and is widely credited for playing
FOUNDATION a pivotal role in the transition from Abstract Expressionism to Color Field painting with her invention of the soak-stain
ISBN 9781942185888 u.s. $65.00 cdn $88.00 technique, which involved pouring thinned paint directly onto unprimed canvas. The juxtaposition of amorphous fields
Hbk, 10 x 13 in. / 160 pgs / 95 color / 40 b&w. of color and gestural brushstrokes produces a vigorous rhythm of activity that seems to convey both the expanse of
May/Art/ landscape and the surface texture of mark-making.
Agnes Martin:
The Distillation of Color
Text by Agnes Martin, Durga Chew-Bose, Olivia Laing, Bruce
Hainley, Andria Hickey, Marc Glimcher.
Exploring the evolution of Agnes Martin’s sublime

use of color
This handsomely designed, concise volume celebrates

Agnes Martin’s pursuit of beauty, happiness and innocence
in her nonobjective art created while living in the desert
of New Mexico. From her multicolored striped works to
compositions of color-washed bands defined by hand-drawn
lines, to the deep gray Black Paintings that characterized her
work in the late 1980s, Martin’s treatment of color in each of
these phases is examined.
A particular emphasis is placed on the latter half of her
career and the broadening vision that developed during her
years working in the desert, which crystalized her quest
to deepen her understanding of the essence of painting,
unattached to emotion or subject, yet radiant and meditative
in its pure abstraction.
With editorial contributions by a selection of writers whose
cross-genre works span art writing, essay and memoir, this
book expands an approach to Martin’s paintings beyond
a purely art historical lens, bringing new voices into the
conversations around her career, inviting a rediscovery of
her enduring legacy. An essay by author Durga Chew-Bose
provides a poetic exploration of color; the writer Olivia Laing
(author of The Lonely City) discusses the nature of solitude
in her text; and Bruce Hainley uses a 1974 essay by Jill
Johnston as a jumping-off point to delve into Martin's life
during her years in New Mexico.
PACE PUBLISHING
ISBN 9781948701396 u.s. $50.00 cdn $68.00
January/Art/ Josef Albers: Discovery and Invention
The Early Graphic Works
Text by Brenda Danilowitz, Jeannette Redensek.
Previously unseen early works and other unpublished material from the pioneering
Bauhaus polymath
This publication considers Josef Albers’ early development as an artist, beginning with the pre-Bauhaus years
when he worked as an elementary school teacher in his native Bottrop in Western Germany, while sketching the
landscape and architecture of his home town and studying courses in art by night. With a particular focus on works
on paper, the book reveals not only the unappreciated naturalistic origins of his art, but also his ongoing interest in
producing organic, surrealistic forms alongside the geometric abstraction for which he is best known. It presents
dozens of prints, paintings and drawings from the first half of his career, as well as previously unseen photographs
of the artist at work and on research trips to the ancient sites of Mexico where he found important sources of
inspiration for his art and theories. With texts by two recognized Albers scholars, this volume offers a fresh and
surprising view of a celebrated pioneer of modernism.
German-born artist Josef Albers (1888–1976) laid the foundations for some of the most important art education
programs of the 20th century. In 1936, during his time working at Black Mountain College in North Carolina, he had
his first solo exhibition in New York at J.B. Neumann’s New Art Circle. In 1949, Albers left the college and began
his famous Homage to the Square series. He taught at various institutions throughout America, including Yale
University, New Haven. The Museum of Modern Art, New York, organized Albers' traveling exhibition in 1965 and a
retrospective of his work was held at the Metropolitan Museum of Art, New York, in 1971. He died in 1976.
ART/BOOKS/JOSEF AND ANNI ALBERS FOUNDATION/CRISTEA ROBERTS GALLERY EXHIBITION SCHEDULE:

ISBN 9781908970572 u.s. $35.00 cdn $47.00 London, UK: Cristea Roberts Gallery,
Hbk, 7.75 x 10.25 in. / 160 pgs / 141 color / 17 b&w. 12/21–1/22
March/Art/
William Wegman: Writing by Artist
Edited by Andrew Lampert.
The long-awaited compendium of Wegman’s hilarious, ingenious writings and language-centric art, from the
Sophie Calle & Jean-Paul Demoule: The Elevator Resides in 501 early 1970s to the present
Text by Sophie Calle, Jean-Paul Demoule. Illustrated by Philippe Millot.
While he’s famous the world over for his instantly recognizable images of Weimaraner dogs, William Wegman has long been
Forty years after her original exploration, Sophie Calle returns during lockdown to an abandoned Hôtel du one of Conceptual art’s true innovators. Filled with previously unknown and wildly entertaining texts, drawings and early photos,
Palais d'Orsay Writing by Artist is the first collection to focus on Wegman's longstanding and deeply funny relationship to language.
This career-spanning edition presents a thematically organized selection of rediscovered writings dating back to the 1970s and
Between 1978 and 1981, Sophie Calle went on a clandestine exploration of the then abandoned Hôtel du Palais d'Orsay. She 1980s, alongside landmark early photographs and hilarious drawings from throughout his career. All of the works brilliantly
selected room 501 as her home and without any preestablished method, set about photographing the abandoned hotel over five incorporate words in one form or another, altering logic and pushing the boundaries of what artist writing can be. Writing
years. As she explored, she picked up items she found: customer reception cards, old telephones, diaries, messages addressed by Artist serves as a genuine epiphany for those only familiar with his later work, and a welcome reminder of his madcap
to a certain “Oddo” and more. Now, more than 40 years later, room 501 has disappeared and an elevator has taken its place. At inventiveness for the already enlightened. What you do or don’t know about William Wegman now conveniently fits into this
the invitation of Donatien Grau, the Musée d’Orsay curator, Calle returned, equipped with a flashlight, to explore the site again strangely beguiling book.
during the lockdown period. She hunted down the ghosts of the Palais d'Orsay, now connected to the present by the visitors William Wegman was born in 1943, in Holyoke, Massachusetts. He received a BFA in painting from the Massachusetts
that had also deserted the museum. The work reconstructs the artist’s archive of photography, letters, invoices and other daily College of Art, Boston, in 1965 and an MFA in painting from the University of Illinois, Champagne-Urbana, in 1967. By the early
items which bring a forgotten past back to life. To provide commentary on her discoveries, Sophie Calle enlisted the award- ’70s, Wegman’s work was being exhibited in museums and galleries internationally. In addition to solo shows with Sonnabend
winning French archaeologist Jean-Paul Demoule, who writes a series of texts combining fact and fiction. All of this evidence Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Düsseldorf, his work was included in
has been assembled to create an art object that resembles an investigation notebook. such seminal exhibitions as When Attitudes Become Form and Documenta V, and was regularly featured in Interfunktionen,
Sophie Calle (born 1953) is an internationally renowned artist whose controversial works explore the tensions between the Artforum and Avalanche magazines. Wegman has created film and video works for Saturday Night Live and Nickelodeon, and his
ALSO AVAILABLE
observed, the reported, the secret and the unsaid. She has mounted solo shows at major museums around the world and video segments for Sesame Street have appeared regularly since 1989. In 1995, Wegman’s film The Hardly Boys was screened
ALSO AVAILABLE Art-Rite
represented France at the Venice Biennale in 2007. She lives and works in Paris. at the Sundance Film Festival. Wegman has appeared on The Tonight Show with Johnny Carson and with Jay Leno, The David
Sophie Calle: True Stories ISBN 9780991558575
Letterman Show and The Colbert Report.
ISBN 9782330093037 ACTES SUD Pbk, u.s. $40.00 cdn $54.00
Hbk, u.s. $20.00 cdn $27.95 ISBN 9782330159481 u.s. $95.00 cdn $129.00 PRIMARY INFORMATION Primary Information/Printed
Actes Sud/ Hbk, 8.75 x 10.75 in. / 392 pgs / 150 color. ISBN 9781737797906 u.s. $30.00 cdn $40.00 Matter/
April/Art/ Pbk, 8.5 x 11 in. / 348 pgs / 291 color / 46 b&w.
April/Art/Artists’ Books/
Constance DeJong: Reader
Edited by Rachel Valinsky.
The first anthology of the multivocal, narrational,

performative writings of the intermedia pioneer, who has
quietly influenced generations of New York artists and
writers from Kathy Acker to Ellie Ga
A leading figure of the 1970s and ‘80s downtown New York

performance scene, Constance DeJong has channeled time and
language as her mediums for the last four decades. The artist’s
experimental prose, multimedia spoken text works, recitational
performance, and digital and media art projects expand the possibilities
of narrative form, literary genre and technological interactivity.
This reader is the first anthology to collect DeJong’s writing to
date. Including out-of-print experimental short fiction such as the
2013 publication and performance SpeakChamber, the book also
features numerous scripts for performances such as Relatives, a
duet between a television and a performer made in collaboration with
artist Tony Oursler. Spanning text for disembodied voices emanating
from reengineered radios, sound pieces, video works and public
art commissions, this anthology gathers DeJong’s contributions to
language and media art in all their forms.
Constance DeJong (born 1945) is a New York–based artist who has
exhibited and performed nationally and internationally. Her work has
been presented at the Renaissance Society, Chicago; the Walker Art
Center, Minneapolis; the Wexner Center, Columbus; the Philadelphia
Museum of Art; and in New York at The Kitchen, Thread Waxing Space,
the Whitney Museum of American Art, and the Dia Center for the
Arts. In 1983 she composed the libretto for the Philip Glass opera
Satyagraha, which has been staged at opera houses worldwide,
including the Metropolitan Opera, New York; the Netherlands National
Opera, Rotterdam; and the Brooklyn Academy of Music, New
York. She has permanent audio-text installations in Beacon, New
York; London; and Seattle. DeJong has published several books of
fiction, including her celebrated Modern Love (Standard Editions,
1977; reissued by Primary Information/Ugly Duckling Presse, 2017), Kathy Acker: Get Rid of Meaning
I.T.I.L.O.E. (Top Stories, 1983) and Speakchamber (Bureau, 2013), and Edited by Anja Casser, Matias Viegener.
her work is included in the anthologies Up Is Up, But So Is Down:
New York’s Downtown Literary Scene, 1974–1991 (NYU Press, 2006); An essential compendium on the work, life and legacy of the transgressive autofiction pioneer
Blasted Allegories (New Museum/MIT, 1987) and Wild History (Tanam
Press, 1985). The American author Kathy Acker was one of the most influential writers of the 20th century. Working through a
tradition spanning Bataille, Burroughs, Schneemann, French critical theory and pornography, she wrote numerous
PRIMARY INFORMATION
novels, essays, poems and novellas from the early 1970s to the late 1990s, among them the classics The Childlike
ISBN 9781736534694 u.s. $20.00 cdn $27.00
Life of the Black Tarantula, Blood and Guts in High School and In Memoriam to Identity. A truly pioneering
Pbk, 6 x 9 in. / 216 pgs.
postmodernist, plagiarist and postpunk feminist, Acker continues to inspire generations of writers, philosophers and
April/Fiction & Poetry/Art/Performing Arts/
artists, from her contemporaries such as Dodie Bellamy, Avital Ronell, McKenzie Wark and Chris Kraus to younger
writers such as Bhanu Kapil and Olivia Laing.
Get Rid of Meaning is the first comprehensive publication to synthesize art and literary perspectives on Acker’s
work. It shows Acker’s own visual sensibility in her cut-up notebooks and her use of mail-art idioms, and orients
her emergence within the 1970s art scenes in New York and California populated by Eleanor Antin, Lynn Hershman
Leeson and Constance DeJong, among others—artists who made innovations in performance, of which Acker
would make use.
Also included is previously unpublished material from Acker’s personal archive and other collections, including
correspondence, her library and various personal effects.
Contributors include: Kathy Acker, Dodie Bellamy, Hanjo Berressem, Ruth Buchanan, Anja Casser, Georgina Colby,
Leslie Dick, Claire Finch, Johnny Golding, Anja Kirschner, Chris Kraus, Sylvère Lotringer, Douglas A. Martin, Jason
McBride, Karolin Meunier and Kerstin Stakemeier, Avital Ronell, Daniel Schulz, Matias Viegener and McKenzie Wark. ALSO AVAILABLE
WALTHER KÖNIG, KÖLN Kathy Acker & Paul Buck:
ALSO AVAILABLE
ISBN 9783753301181 u.s. $45.00 cdn $61.00 Spread Wide
Modern Love
Pbk, 13.5 x 9.75 in. / 400 pgs / 337 color / 50 b&w. ISBN 9782914563178
ISBN 9780991558520
April/Nonfiction Criticism/Art/Fiction & Poetry/LGBTQ/ Pbk, u.s. $29.95 cdn $39.95
Pbk, u.s. $18.00 cdn $24.95
Dis Voir
Primary Information/Ugly Duckling Presse/
Tom of Finland: Writing a Chrysanthemum:
An Imaginary Sketchbook The Drawings of Rick
Edited by Juerg Judin, Pay Matthis Karstens.
Barton
Edited with text by Rachel Federman.
A Tom of Finland sketchbook, with
preparatory drawings that reveal his
painstaking craftsmanship This first ever book on the Bay Area Beat
artist reveals a unique drawing style that
Positioned at something of an angle to art history,
dovetails Cocteau with Japanese and
Tom of Finland (1920–91) nonetheless counts
Renaissance printmaking
among the popular artists of the latter 20th
“Rick Barton should have been a San Francisco
century. Through his iconic images, he almost
legend,” declared author and artist Etel Adnan in a
singlehandedly changed the way gay men were
1998 essay. Working primarily in pen or brush and
perceived by society, and, more importantly, how
ink in a kaleidoscopic linear style, Barton (1928–92),
gay men perceived themselves. The massive
who was born and raised in New York and settled in
oeuvre that he produced over the course of a
the San Francisco Bay Area in the 1950s, ceaselessly
career spanning nearly six decades is devoted
recorded the world around him, whether the
almost entirely to this one topic: men, their bodies
enclosed space of his room, the cafes in which he
and their eroticism. This extraordinary consistency
spent his days, his lovers and friends, or the ornate
in subject matter was matched by a lifelong
churches and botanical subjects that seem to have
passion for the discipline of drawing. And Tom
held particular fascination for him. Flourishing in San
most likely drew every day of his life.
Francisco’s gay and Beat subcultures of the 1950s
Tom’s world was populated by cowboys,
and ’60s, Barton accrued a group of disciples who
mechanics, cops, punks and thugs—all indulging
were drawn to his singular style, which synthesized
their desires with great camaraderie and without
sources as disparate as Renaissance and Japanese
guilt or prejudice. This book assembles a cross
woodblock prints and the delicate line drawings of
section of these characters as devised by the
Jean Cocteau.
artist in rough sketches or more carefully executed
Bringing together more than 60 drawings, two
studies. These mostly served as preliminary
accordion-folded sketchbooks, and printed portfolios
drawings for the highly finished works, many of
and books, Writing a Chrysanthemum: The Drawings
which were intended for publication.
of Rick Barton presents for the first time the
Designed as an imagined Tom of Finland
work of this unique artist who was a significant,
sketchbook, this book lets the viewer share in his
and until now unheralded, figure of the Beat era.
exuberant joie de vivre.
Rachel Federman, the curator of the exhibition
SKIRA at the Morgan Library & Museum, has written a
ISBN 9788857246512 u.s. $35.00 cdn $47.00 deeply researched essay on the artist and his work.
Hbk, 9.5 x 11.5 in. / 128 pgs / 69 b&w. An excerpt of Adnan’s essay—the first published
June/Art/Erotica/LGBTQ/ account of Barton—is reprinted in the catalog.
DELMONICO BOOKS/MORGAN LIBRARY &

MUSEUM
ISBN 9781636810386 u.s. $49.95 cdn $67.95
Hbk, 8.5 x 11 in. / 144 pgs / 118 color.
June/Art/LGBTQ/
ALSO AVAILABLE New York, NY: The Morgan Library & Museum, 06/10/22–09/11/22
Tom of Finland: Made in Germany
ISBN 9788857244259
Hbk, u.s. $39.95 cdn $55.95
Skira/
Dorothy Kunhardt Tomi Ungerer:
Edited by Peter W. Kunhardt, Peter W. Kunhardt, Jr. Text by Leonard
Marcus, Sandra Kunhardt Basile, Philip Kunhardt III.
It’s All about Freedom
Text by Aria Ungerer, Thérèse Willer,
Belinda Grace Gardner, Thomas David, Dirk
A visual celebration of Dorothy Kunhardt—author of Luckow.
Pat the Bunny and one of the most dynamic and beloved
American children’s writers—with ephemera, drawings, Collages, drawings and more from
unpublished manuscripts and more the legendary illustrator and author
of The Three Robbers
Best known for Pat the Bunny, published in 1940, Dorothy
Kunhardt was a tireless innovator, publishing more than 40 books
From early childhood drawings of the
in three decades. Today, Pat the Bunny is still in print and has sold
1930s to collages and objects from
nearly ten million copies.
the last decade of the artist’s life, Tomi
Drawn entirely from the Kunhardt family collection, this
Ungerer: It’s All about Freedom presents a
publication brings Dorothy Kunhardt’s work to life generations
comprehensive cross section of Ungerer’s
later through photographs, letters, poetry, drawings, book
vast oeuvre for the first time, revealing
mock-ups, unpublished manuscripts and full reproductions
the political and stylistic lines and breaks
of first edition books. Also reproduced is a selection of
in his career as a “freewheeling artist.”
research materials and papers pertaining to Kunhardt’s second
With an abundance of illustrations, the
consequential career, as an Abraham Lincoln scholar and steward
book includes many unpublished and
of the Meserve Collection of Lincoln photographs and artifacts
unseen works from the Ungerer estate,
begun by her father.
and celebrates his unceasing passion for
Born in New York City, Dorothy Kunhardt (1901–79) dictated
experimentation across genres and the
her first story to her father at the age of three, and went on to
interplay between drawing, collage and
become an inventive author, illustrator and creator of children’s
assemblage.
books. She took her first stab at writing and illustrating with
Accompanying essays—by the artist’s
an outlandish devil-may-care picture book titled Junket Is
daughter Aria Unger, Thérèse Willer,
Nice. Published in 1933, Junket received rave reviews, gave
Belinda Grace Gardner and Thomas
Depression-era families the perfect excuse to share a good laugh,
David—examine the continuities and
and was an immediate bestseller. Dozens more books followed
motifs across the many genres Ungerer
that were notable for their originality in concept, format and
traversed.
design, among them Pat the Bunny, The Telephone Book (1942)
Tomi Ungerer (1931–2019) published
and Tiny Animal Stories (1948). All bore the mark of their author’s
his first drawings in the legendary
unfettered imagination and seemingly boundless zest for life.
Simplicissimus magazine, and began
STEIDL/MESERVE-KUNHARDT FOUNDATION his extensive career as an illustrator,
ISBN 9783969990148 u.s. $55.00 cdn $76.00 children’s book author and artist in New
Clth, 9.5 x 11.5 in. / 304 pgs / 250 color. York. In 2003 Ungerer was appointed
June/Childrens/Art/ the first Ambassador for Childhood and
Education by the Council of Europe,
and in 2007 the Tomi Ungerer Museum
opened in Strasbourg, making him the
first living artist with a museum dedicated
to his life and work in France. Ungerer
lived on a farm in southern Ireland from
1976 until his death in 2019.
HATJE CANTZ
ISBN 9783775752053
u.s. $55.00 cdn $75.00
Pbk, 9 x 10.5 in. / 264 pgs / 180 color.
February/Art/
Hamburg, Germany:
Deichtohallen/Falckenberg Collection,
11/27/21–04/24/22 “Tomi is a spectacular graphic genius.”
–MAURICE SENDAK
William Kentridge:
Domestic Scenes
Text by William Kentridge, Warren Siebrits.
A luxuriously produced clothbound

presentation of Kentridge’s formative
print series, with previously
unseen images
This book documents, for the first time, the

entire 54 images—as well as an additional 65
plate progressions not previously known to
exist—in William Kentridge’s important early
series of etchings and aquatints, Domestic
Scenes (1980). One of today’s most respected
contemporary artists, Kentridge (born 1955)
was only 25 years old and relatively unknown
when he made these images, which are pivotal
in how they shaped his thinking, studio practice
and conceptual approach. Presenting a range of
human interactions in domestic environments
and revealing influences from Matisse to
Francis Bacon, from Giacomo Balla to Niki de
Saint Phalle, the prints receive in this book
fascinating new commentary from Kentridge,
who shares his working methods as well as
personal memories of the prints’ subjects
and creation.
Framed by detailed research by Warren Siebrits,
the compiler of Kentridge’s upcoming catalogue
raisonné of prints and posters, Domestic
Scenes provides some of the earliest evidence
of the artist “stalking the drawing”: returning
to the etching plate time and again to make
additions and alterations. The book features a
tipped-in image and a pull-out poster.
STEIDL
Frédéric Bruly Bouabré: World Unbound
ISBN 9783969990421 u.s. $58.00 cdn $80.00 Edited with text by Ugochukwu-Smooth C. Nzewi.
Clth, 7 x 10.5 in. / 160 pgs / 140 color / 5 b&w.
June/Art/ The first museum survey of the visionary polymath from Côte d'Ivoire
The Ivorian artist Frédéric Bruly Bouabré created an unmistakable and entirely unique body of work, first as a
writer and linguist, and then in a dazzling series of colorful drawings on a multitude of subjects, from his native
Bété culture to the urban milieu of Abidjan to the all-encompassing themes of fraternity, equality and global
understanding. All but unknown even in his home country of Côte d’Ivoire, Bouabré found international recognition
in 1989 when he participated in the landmark Paris exhibition Magiciens de la terre, and his work has since been
the subject of solo and group exhibitions around the world.
Published to accompany the first museum survey of Bouabré’s work in North America, this catalog offers a vivid
account of the artist’s long and multifaceted career, including a detailed chronology of his life and reproductions of
more than six hundred of his drawings. An essay by curator Ugochukwu-Smooth C. Nzewi introduces Bouabré to
a new audience, illuminating his significance as both an important African creator and one of the most intriguing
artists of the 20th century.
Frédéric Bruly Bouabré (1923–2014) started his career as a bureaucrat in the French colonial administration but
reinvented himself as a self-taught ethnologist and artist in Côte d’Ivoire, his home country. After developing a
written syllabary for the oral culture of his Bété people, he turned to drawing as a way to unite Bété subjects with
broader themes of human experience. His work attracted global interest, leading to major exhibitions and biennials
since its art-world debut in 1989.
THE MUSEUM OF MODERN ART, NEW YORK EXHIBITION SCHEDULE:

ISBN 9781633451308 u.s. $29.95 cdn $39.95 New York, NY: The Museum of Modern Art,
Hbk, 9 x 10.5 in. / 96 pgs / 485 color. 03/13/22–08/13/22
March/Art/African Art & Culture/
Hildegard von Bingen: Kyōsai’s Animal Circus
In the Heart of God Text by Sadamura Koto.
Edited with text by Sara Salvadori.

A compact and affordable bestiary of allegorical animals
A full reproduction of the medieval Kawanabe Kyōsai (1831–89) delighted in the depiction of animals—crows
composer and visionary's final theological with strong personalities, frogs in the schoolroom, rats on trapezes, cats in
tract, illuminated shortly after her death procession, elephants performing tricks—and frequently used them to satirize
contemporary society.
Between 1142 and 1174, the German mystic, Having been trained as an academic painter, Kyōsai would have been aware of
composer and writer Hildegard von Bingen traditions in which artists depicted creatures according to the laws of nature—
created three visionary books: Scivias (Know the weak falling prey to the strong—as a commentary on actual society. He
the Ways); Liber Vitae Meritorum (Book of delighted in reversing such power relationships, frequently doing so to give
the Rewards of Life); and Liber Divinorum an unexpected twist to the conventions of traditional imagery, and he seems
Operum(Book of Divine Works). This latter work— particularly to have enjoyed giving smaller animals a chance to get their own
reproduced in this sumptuous new volume— back on their predators.
consists of a sequence of ten scenes that invites Animal imagery has long occupied a significant place in Japanese art and
human beings to climb the road of virginitas literature. Each animal possesses a different symbolism for its special abilities
toward the recomposition of their own selves in or characteristics, and some are associated with deities, religious narratives,
union with the divine caritas. particular events or seasons of the year. Agile rabbits are sometimes featured
The refined miniatures in the Lucca manuscript— in armor. Puppies were depicted not only for their cute appearance but also
reproduced here with a simple key explaining because they symbolize fertility and safe birth, and thus the prosperity of
their symbolic significance—were produced the family. “Humanized” creatures often appear in illustrated tales and in
about 20 years after Hildegard’s death and social satires.
provide a masterful illustration of the architecture This enchanting book reveals a cavalcade of Kyōsai’s creatures from the
of her vision. The dialogue with the images renowned Israel Goldman Collection, with an introduction to the artist and his
from her first work, Scivias (published in Skira’s menagerie by Koto Sadamura, a leading authority on Kyōsai.
Hildegard von Bingen: A Journey into the
Images) casts light on the unifying design that ROYAL ACADEMY OF ARTS
connects them. ISBN 9781912520862 u.s. $24.95 cdn $33.95
Hildegard von Bingen (1098–1179) was a Hbk, 6.75 x 6.75 in. / 96 pgs / 104 color.
German Benedictine nun and polymath. She is May/Art/Asian Art & Culture/
renowned as a composer of sacred monophonic
music, as well as for her three volumes of
visionary theology: Scivias, the Liber Vitae
Meritorum and the Liber Divinorum Operum. Kyōsai
In recent decades, her music has proved The Israel Goldman Collection
immensely popular with performers of medieval Text by Sadamura Koto.
music. In 2012, she was named a Doctor of
the Church, one of only four women with that Skeletons, demons and ghosts rub shoulders with classically rendered ukiyo-e
distinction in the Catholic church. courtesans
SKIRA
ISBN 9788857246598 u.s. $35.00 cdn $47.00 The Japanese artist Kawanabe Kyōsai (1831–89) was celebrated for his exciting impromptu
Hbk, 9.5 x 12.5 in. / 144 pgs / 50 color. painting performances at calligraphy and painting parties. Described by British scholar
May/Art/Music/ Timothy Clark as “an individualist and an independent, perhaps the last virtuoso in traditional
Japanese painting," Kyōsai saw Japan transform itself from a feudal country into a modern
state. The politically turbulent times in which he lived are reflected in his riotous images,
in which skeletons, demons and ghosts rub shoulders with classically rendered ukiyo-e
courtesans.
Among his most charming and inventive works are his brilliant depictions of animals—crows,
frogs and elephants, among many others—which often stand in for political figures of the
day. Overlooked for decades, particularly compared to his earlier counterparts Hokusai and
Hiroshige, Kyōsai is now celebrated for his ability to bridge popular culture and traditional art.
His important place in the art of Japan is here explored in depth by Koto Sadamura, a leading
authority on the artist, in this catalog of the exceptionally rich holdings of the Israel Goldman
Collection, one of the finest Kyōsai collections in the world.
ROYAL ACADEMY OF ARTS

ISBN 9781912520749 u.s. $49.95 cdn $67.95
Hbk, 10 x 11.75 in. / 192 pgs / 167 color.
May/Art/Asian Art & Culture/
London, UK: Royal Academy of Arts, 03/19/22–06/19/22
Donatello: Titian’s Vision of Women
The Renaissance Beauty – Love – Poetry
Edited with text by Francesco Caglioti. Text by Laura Edited by Sylvia Ferino-Pagden.
Cavazzini, Andrea De Marchi, Gabriele Fattorini,
Aldo Galli, Neville Rowley. How the culture of Renaissance Venice shaped
Titian’s timeless paintings of women
A beautiful appraisal of the Renaissance
sculptor's achievements, contextualized A new ideal of feminine beauty arose in 16th-century
with works by his contemporaries Venice, as women acquired new rights of inheritance
and more social power. As a result, through the writings
The first thorough overview of the artist in many of poets and humanists, the construction of the desired,
years, Donatello: The Renaissance reconstructs beloved woman began to acquire civic significance.
the outstanding career of one of the greatest The crucial impetus for the visual realization of this
sculptors in Western art. Famed for his incredibly ideal came from Venice’s greatest artist: Titian. For him,
sensual sculpture of David—the first freestanding artistic beauty was identical with female beauty. He
nude male sculpture since antiquity—Donatello was less interested in the canon of exterior beauty than
(c. 1386–1466) also made reliefs, but was best in a woman’s character, in femininity as such. Titian
known for statues in the round. elevates every depiction of a woman into a celebration of
Accompanying a truly historic exhibition at womanhood.
the Palazzo Strozzi and Museo Nazionale del This book illustrates the Venetian representation of
Bargello in Florence, and featuring a wealth of women in the 16th century, using comparisons between
color plates of the artist’s key works, this volume Titian and other painters of his time, such as Sebastiano
also contextualizes Donatello’s innovations by del Piombo, Lotto, Palma il Vecchio, Paris Bordone,
juxtaposing them with masterpieces by other Veronese and Tintoretto. It surveys the various aspects
Renaissance masters such as Brunelleschi, of Late Renaissance female idealization: from realistic
Masaccio, Andrea Mantegna, Giovanni Bellini, portraits to increasingly poetic variations, where female
Raphael and Michelangelo. These revelatory, representation reaches its zenith as history, myth
expert juxtapositions help define Donatello’s style: and allegory.
for example, comparison of his Madonna col This richly illustrated volume also looks at the clothes
Bambino relief with Giovanni di Pietro da Pisa’s and coiffures sported by sitters in both real and ideal
Madonna col Bambino shows how Donatello portraits, and discusses contemporary fashion with its
eschewed decorative gestures (such as putti, predilection for sumptuous fabrics and costly jewels
garlands and vases) in favor of a more vital and pearls.
simplification of form. Titian (1488/90–1576), born Tiziano Vecellio, is considered
one of the greatest painters of the Italian Renaissance
MARSILIO
in Venice, alongside Tintoretto and Veronese. He was
ISBN 9791254630068 u.s. $65.00 cdn $88.00
born in the Republic of Venice, where he apprenticed for
Hbk, 9.5 x 11.5 in. / 368 pgs / 230 color.
Giovani Bellini, and where he lived until his death.
July/Art/
SKIRA
EXHIBITION SCHEDULE: ISBN 9788857243924 u.s. $45.00 cdn $61.00
Florence, Italy: Palazzo Strozzi and Museo Nazionale Hbk, 9.5 x 11 in. / 368 pgs / 215 color / 20 b&w.
del Bargello, 03/19/22–07/31/22 March/Art/
Vienna, Austria: Kunsthistorisches Museum,
10/05/21–01/16/22
Milan, Italy: Palazzo Reale, 02/23/22–05/29/22
ALSO AVAILABLE Tintoretto and Architecture

Giovanni Bellini: An Introduction ISBN 9788831743839 ALSO AVAILABLE The Christian Year in Painting
ISBN 9788829709434 Pbk, u.s. $30.00 cdn $45.00 ISBN 9781908970343
Titian: Vanitas
Hbk, u.s. $65.00 cdn $91.00 Marsilio Editori/ Hbk, u.s. $45.00 cdn $60.00
ISBN 9788836633180
Marsilio Editori/ Pbk, u.s. $55.00 cdn $72.50 Art / Books/
Silvana Editoriale
City of Cinema: Paris 1850–1907
Edited with text by Leah Lehmbeck, Britt Salvesen, Vanessa R. Schwartz. Text by Brian R. Jacobson.
How film emerged in 19th-century Paris amid an array of social, political, artistic and
Renoir: Rococo Revival technological innovations—with works by the Lumière brothers, Méliès, Chéret and more
Edited with text by Alexander Eiling, Juliane Betz, Fabienne Ruppen. Text by Michela Bassu, Guillaume Faroult, Marine Kisiel,
Matthias Krüger, Mary Morton, Astrid Reuter. City of Cinema traces film’s evolution from an obscure entertainment to the most powerful art form of
the 20th century. Placing cinema in the context of 19th-century Parisian visual culture, this book brings
How the lush moods and easy conviviality of the Rococo permeated Renoir’s sensual paintings together posters, paintings, studio and documentary photography, and film stills that evoke Paris as a site of
consumption, demonstrate early cinema’s relationship with technology and the fine arts, and highlight local
More than any other Impressionist, Pierre-Auguste Renoir defined the treatment of the human figure for his generation, and global spaces of film production. It also examines the aspects of 19th-century visual culture that gave rise
while also portraying the emergent Parisian bourgeois way of life. In this volume, Renoir’s painting After the Luncheon, to cinema as a quintessentially modern medium with an eager audience. Aligning with French beliefs that the
which depicts three bourgeois figures enjoying tea, liquor and cigarettes after a meal in a restaurant, serves as the jumping- nation’s culture would be democratized through consumption, cinema reinforced a set of assumptions about
off point for a far-reaching examination of an important source of inspiration for the painter throughout his life: the Rococo. French cultural and political authority and disseminated these ideas to the rest of the world.
Considered trivial after the French Revolution, this style of painting, developed over the course of the 18th century, was Presented here are images of and from the street by Jean Béraud, Charles Marville, Jules Chéret and
typified by frivolous gatherings of beautiful, upper-class subjects in pastoral settings and lascivious boudoir scenes. The Auguste and Louis Lumière; the technological experimentation of Loïe Fuller, Émile Reynaud and Georges
Rococo style experienced a renaissance in the 19th century and was widely celebrated during Renoir’s lifetime. Méliès; and the plein-air observations of Camille Pissarro and the staged artifice of Jean-Léon Gérôme—all
Published on the occasion of the Städel Museum’s major exhibition, this beautiful clothbound volume, containing over 300 of which can be considered alongside the prototype film studios of Georges Méliès, Gaumont and Pathé.
color images, explores Renoir’s multifaceted connection to a once reviled tradition through illuminating juxtapositions of his At the dawn of the 20th century, cinema is as much, if not more, a way of appropriating the world.
art with the 18th-century works of such renowned masters as Antoine Watteau, François Boucher, Jean-Baptiste-Siméon Through arresting images and incisive texts, this book examines the origins of cinema and its position as a
Chardin, Jean-Honoré Fragonard and others. global medium.
EXHIBITION SCHEDULE: Pierre-Auguste Renoir (1841–1919) was a founder of the style that became known as Impressionism, and one of the
movement's most prolific members. Described by Herbert Read as “the final representative of a tradition which runs DELMONICO BOOKS/LOS ANGELES COUNTY MUSEUM OF ART
Frankfurt am Main, Germany:
Städel Museum, 03/02/22–06/19/22 directly from Rubens to Watteau,” Renoir was a connoisseur and champion of feminine beauty. Surviving most of his ISBN 9781636810218 u.s. $55.00 cdn $75.00
contemporaries, Renoir lived to see his paintings hung at the Louvre alongside the Old Masters he so revered. Hbk, 9.75 x 11.5 in. / 192 pgs / 174 color.
February/Film & Video/
HATJE CANTZ
ISBN 9783775751346 u.s. $65.00 cdn $88.00 EXHIBITION SCHEDULE:
Clth, 9 x 11 in. / 352 pgs / 350 color. Paris, France: Musée D’Orsay: 09/27/21–01/16/22
May/Art/ Los Angeles, CA: Los Angeles County Museum of Art, 02/20/22–07/10/22
Christian Dior
Edited by Olivier Gabet, Eric Pujalet-Plaa.
Dior as designer, collector and art dealer:

a panoramic exploration of the legendary
designer’s world
This volume features around 120 haute couture designs by

Christian Dior from the collections of the Musée des Arts
Décoratifs and the House of Dior—including archival runway
prototype and custom garments—showcased alongside
fashion photography, film stills, vintage perfume, cosmetics
and original sketches, Dior’s furniture and other decorative
pieces that demonstrate the designer’s passion for collecting
and his time as an art dealer.
The items reproduced here thus offer an overview of Dior’s
life and character, as well as his haute couture creations
since 1947, always the epitome of modern elegance, with the
selection taking as its unifying thread the fabric of dreams
and the passing on of an aesthetic vision.
Christian Dior was born in Granville, a seaside town on the
coast of Normandy, France, in 1904. While his family had
hoped that he would become a diplomat, Dior preferred art.
His preternatural talent resulted in him being hired by Robert
Piquet in 1937, and he subsequently worked alongside Pierre
Balmain and Lucien Lelong. Dior was an instant sensation
after the Second World War. His designs, which asserted
femininity, were a strong rebuke to the utilitarian, unisex
clothing of wartime Europe, and came to symbolize the “New
Look.” Since his untimely death in 1957, an exceptional series
of creative directors have imprinted their own style upon the
iconic brand.
SILVANA EDITORIALE
ISBN 9788836650354 u.s. $55.00 cdn $76.00
Flexi, 5.25 x 7 in. / 504 pgs / 250 color.
Pedro Almodóvar: Installation/Instalación April/Fashion/
Introduction by Tilda Swinton. Preface by Jenny He. Text by J. Raúl Guzmán and Agustín Almodóvar. Interview by Rachel
Handler. EXHIBITION SCHEDULE:
Doha, Qatar: M7, 11/03/21–03/30/22
A visually immersive exploration of the provocative and humanistic themes at the heart of
Almodóvar’s cinema
Pedro Almodóvar is one of the most daring and influential writer-directors of our time. He directed his first feature in
1980, during La Movida Madrileña (the Madrid Scene), a countercultural and democratic movement in Spain, and has
been pushing boundaries for over four decades. Often outlandish and provocative, and rife with passion, Almodóvar’s
22 films to date explore the full spectrum of the human condition. In the process, they have transformed Spanish
cinema and contributed invaluably to the global film scene.
Pedro Almodóvar: Installation/Instalación accompanies an immersive exhibition created by Almodóvar for the Academy
Museum of Motion Pictures in Los Angeles. Spanning 1984’s What Have I Done to Deserve This? to 2019’s Pain and
Glory, Almodóvar’s 12-channel film installation distills his filmography around iconic scenes and key themes including
Family, Bodies, Guilt and Pain, Mothers, Musicals, Noir and Religious Education. This lush volume devotes a visual
chapter to each, showcasing Almodóvar’s muses—including Victoria Abril, Antonio Banderas, Pina Bausch, Penélope
Cruz, Rossy de Palma, Marisa Paredes and Julieta Serrano—and the inspiration he draws from filmmakers such as
Ingmar Bergman and Luis Buñuel.
The bilingual (Spanish and English) book also features a new conversation between Almodóvar and film journalist
Rachel Handler, an introduction by Tilda Swinton, a preface by curator Jenny He, texts by curator J. Raúl Guzmán and
Los Angeles, CA: Academy Museum of
Motion Pictures, 09/30/21–04/02/23 Agustín Almodóvar, and a richly illustrated filmography. As bold and beautiful as Almodóvar’s films themselves, Pedro
Almodóvar: Installation/Instalación captures the dynamic female characters, tantalizing stories, colorful humor and
depth of emotion that exemplify this Academy Award–winning director’s career.
DELMONICO BOOKS/ACADEMY MUSEUM OF MOTION PICTURES

ISBN 9781636810195 u.s. $75.00 cdn $102.00
Hbk, 9.75 x 12 in. / 336 pgs / 226 color.
June/Film & Video/
NEW REVISED EDITION
In the Temple of the Self:

The Artist’s Residence as
a Total Work of Art
Europe and America 1800–1948
Edited with text by Margot Th. Brandlhuber,
Michael Buhrs. Text by James Anthony, Julius
Bryant, Hubertus Günther, Hans Ottomeyer,
Elizabeth Prettejohn, Michel Draguet, Jean-Louis
Cohen, Ludger Derenthal, Alice Cooney.
From Louis Comfort Tiffany to Kurt

Schwitters: an immersive appreciation of
the home as art
As locuses of creativity, the homes of artists

reflect the intellectual worlds of their creators.
Starting with the Villa Stuck in Munich—the
aesthetic, conceptual cosmos and life’s work
of the aristocratic artist Franz von Stuck—this
unique volume integrates the artist’s house as a
category into the international discourse and is
the first to assign these buildings the status of
major works. About 20 examples bring to life the
fascination that these artistic fantasies hold for
art lovers, including both existing projects and
some which, although they have been lost, were
of unique importance in their day and still retain
their charisma. Along with paintings, sculptures
and photographs, plans and models convey the
interrelationship between art and life as well as
the harmony of the arts expressed by Richard
Wagner’s historical concept of the total work
of art. Among the houses featured are Sir John
Soane’s Museum, London; William Morris’ Red
House, Bexleyheath; Louis Comfort Tiffany’s
Tiffany House, New York City; Mortimer Menpes’
flat, London; the Fernand Khnopff Villa, Brussels;
Jacques Majorelle’s villa and garden, Marrakesh;
Kurt Schwitters’ Merzbau, Hanover; and Max
Ernst’s house, Arizona.
HATJE CANTZ VERLAG

Collecting Nature
ISBN 9783775751858 u.s. $65.00 cdn $88.00 The History of the Herbarium and Natural Specimens
Hbk, 9.5 x 12 in. / 376 pgs / 407 color. By Clive Aslet, Svante Helmbaek Tirén.
May/Art/Architecture & Urban Studies/
A gorgeous leatherbound compendium of flora, shells, rare insects and more from the golden age of
curiosities
Featuring amazing reproductions of floral specimens, minerals, seashells and more from rarely seen collections, and
beautiful engravings of 18th- and 19th-century collections, this stupendously produced volume takes as its starting point
the famous Timm Collection at Engelsberg Ironworks in Sweden, created by Gabriel Casper Timm and his son Paul
August in the 19th century. Throughout their lives, father and son devoted much of their leisure time to collecting plants,
insects, minerals and other natural treasures across Scandanavia, which they preserved in beautiful collector’s cabinets.
Maintaining close contact with collectors and scientists, they also assembled a library of volumes on natural science along
with books on spirituality and faith.
Drawing on a range of historical materials, Collecting Nature places the Timm Collection in a larger dialogue with other
collectors, thinkers and scientists of the 18th and 19th centuries, showing how the world of ideas in collecting has
developed and continues to influence us today.
BOKFÖRLAGET STOLPE
ISBN 9789189425644 u.s. $40.00 cdn $54.00
Hbk, 10.75 x 12 in. / 200 pgs / 100 color.
March/Art/Nature/
Archive of the World: Art and Imagination in
Spanish America, 1500–1800
Highlights from LACMA’s Collection
Edited with text by Ilona Katzew. Conversation by Edward J. Sullivan and Ilona Katzew.
Including textiles, paintings and decorative arts, Archive of the World offers a
lucid alternative to traditional interpretations of art from the so-called New World
Exquisitely illustrated with new photography, this stunning book represents the first
comprehensive study of LACMA’s notable holdings of Spanish American art. Following the arrival
of the Spaniards in the Americas in the 15th century, the region developed complex artistic
traditions that drew simultaneously on Indigenous, European, Asian and African art. In 1565
the Spaniards conquered the Philippines, inaugurating a new commercial route that connected
Asia, Europe and the Americas. Private homes and civic and ecclesiastic institutions in Spanish
America were filled with imported and locally made objects. This confluence of riches signaled
the status of the Americas as a major entrepôt—what one contemporaneous author described
as “the archive of the world.” Many works created in Spanish America were also shipped across
the globe, attesting to their wide appeal.
Arranged into five thematic sections, the volume features a conversation about LACMA’s
collection and nearly 100 catalog entries by various scholars, including Pablo F. Amador Marrero,
Aaron M. Hyman, Rachel Kaplan, Paula Mues Orts, Jeanette F. Peterson, Elena Phipps, Maya
Stanfield-Mazzi and Luis Eduardo Wuffarden, among others. These authoritative texts offer
multiple access points to appreciate the material, aesthetic and historical aspects of the works,
providing a lasting reference in this increasingly influential area of art history.
DELMONICO BOOKS/LOS ANGELES COUNTY MUSEUM OF ART EXHIBITION SCHEDULE:

Los Angeles, CA: Los Angeles County Museum of Art, 06/12/22–
ISBN 9781636810201 u.s. $85.00 cdn $115.00
10/30/22
Clth, 9 x 11 in. / 392 pgs / 317 color.
Nashville, TN: Frist Museum, 10/20/23–01/28/24
June/Art/Latin American Art & Culture/
The Portable Universe/El Universo en tus Manos Fragments of Epic Memory

Edited with introduction by Julie Crooks. Text by Andil Gosine, Annie Paul, Barbara
Thought and Splendor of Indigenous Colombia Paca, Christian Campbell, Dominique Fontaine, Emily Cluett, Marsha Pearce, Mary
Edited with text by Julia Burtenshaw, Héctor García Botero, Diana Magaloni, María Alicia Uribe Villegas. Introduction by Wells, Melanie Newton, O’Neil Lawrence.
Wade Davis. Text by Luis Cayón, Francisco Chimontero Nuibita Dingula, Juan Fernando Cobo Betancourt, Tom Cummins,
Ana María Falchetti, Santiago Giraldo, Ariel James, Carlos David Londoño Sulkin, Carlos E. López, Santiago Muñoz
Arbeláez, Carlo Emilio Piazzini Suárez. New ways of understanding Caribbean visual culture, from historical
photographs following emancipation to contemporary transnational
A landmark book reframing ancient Colombian art—including goldwork, ceramics, textiles and perspectives, on the occasion of a major exhibition at the Art Gallery of
more—as vehicles of cultural knowledge across space and time Ontario, Canada
Anchored by an extensive selection from the world-class Montgomery Collection

Spanning all major pre-Columbian cultures of Colombia, and featuring some of the most remarkable artworks
of Caribbean Photographs at the Art Gallery of Ontario, Fragments of Epic Memory
ever made in this region—from intricately cast gold pendants and ceramic effigies to modern Indigenous stools,
situates a range of prints, postcards, daguerreotypes and albums from the period
barkcloths and featherworks—The Portable Universe/El Universo en tus Manos: Thought and Splendor of
just after emancipation in 1838 within a broader context of visual culture in the
Indigenous Colombia radically recasts how we approach ancient Colombian art.
Caribbean.
Featuring an innovative cover design with tip-on images, the book is arranged so as to envelop the works with
This critical volume includes works by Caribbean artists such as Wifredo Lam from
life and meaning, and guide readers to different ways of understanding the world and our place in it. It includes
Cuba, and Sir Frank Bowling and Aubrey Williams from Guyana—who represent the
insightful contributions by Indigenous Colombians, historians, ethnographers, archaeologists and art historians.
first generation of migrant modernist artists—alongside 21st-century artists such
The Portable Universe/El Universo en tus Manos recaptures some of the knowledge of Indigenous American
as Paul Anthony Smith from Jamaica (based in the US), Zak Ové from Britain (of
cultures and presents new historical findings, drawing heavily on contemporary Indigenous understandings to
Trinidadian heritage), Nadia Huggins from Trinidad (based in St. Vincent) and Sandra
evoke a worldview in which these ancient pieces make sense and have power today.
Brewster from Canada (of Guyanese heritage), among others. Their works, along
DELMONICO BOOKS/LOS ANGELES COUNTY MUSEUM OF ART with texts by prominent writers of Caribbean descent, serve as counterpoints to
ISBN 9781636810225 u.s. $65.00 cdn $88.00 the historical photographs and the violence of the imperial project, constituting a
Hbk, 8.5 x 11.25 in. / 344 pgs / 302 color. conceptual generational bridge across history, geography, time and space.
May/Art/Latin American/Caribbean Art & Culture/
DELMONICO BOOKS/ART GALLERY OF ONTARIO
Los Angeles, CA: Los Angeles County Museum of Art, 05/29/22–10/02/22 EXHIBITION SCHEDULE: Hbk, 10.25 x 10.25 in. / 232 pgs / 100 color / 50 duotone.
Houston, TX: Museum of Fine Arts Houston, 11/06/22–04/23/23 Toronto, Canada: Art Gallery of Ontario (AGO), 09/01/21–02/21/22 April/Photography/African American Art & Culture/Caribbean Art & Culture/
Montreal, Canada: Montreal Museum of Fine Arts, 05/29/23–10/08/23
Of Our Spiritual Strivings
Two Works Series Volume 4
By W.E.B. Du Bois.
Art by Christina Quarles.
An affordable edition of a seminal African American text, illustrated by Christina Quarles
Upon its publication in 1903, W.E.B. Du Bois’ classic The Souls of Black Folk made history as a work of
sociological thought, and would go on to become a cornerstone of African American literature. In it, Du
Bois combined history and memoir to advance a vital message of resistance in the dehumanizing context
of the Jim Crow era. It was in this book that Du Bois, in the essay “Of Our Spiritual Strivings,” wrote
of the “double consciousness” experienced by the Black subject—“a sense of always looking at one’s
self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused
contempt and pity.” Refusing this fate, Du Bois passionately and creatively makes the case for the rights of
Black people of the South to be treated with equality and justice.
Over a century later, Los Angeles–based artist Christina Quarles (born 1985) brings new energy to Du Bois’
unfinished project, speaking to his melodious text with her own distinctive vibrancies of color and line,
testing and inverting the “double consciousness” idea. Like Du Bois, the central focus of her practice is to
find political power in categories used to undermine particular populations.
WALTHER KÖNIG, KÖLN/AFTERALL BOOKS

ISBN 9783753300603 u.s. $25.00 cdn $34.00
Pbk, 6 x 8.25 in. / 64 pgs / 36 color.
May/Nonfiction Criticism/African American Art & Culture/Art/
FACSIMILE EDITION
Black Phoenix: Third World Perspectives

on Contemporary Art and Culture
Edited by Rasheed Araeen, Mahmood Jamal.
Facsimile compilation of the late-’70s journal on diasporic and colonial histories

that paved the way for the British Black Arts Movement
Published in three issues between 1978 and 1979, Black Phoenix: Journal of Contemporary
Art & Culture in the Third World (the subtitle was changed to Third World Perspectives on
Contemporary Art and Culture for its second and third issues) stands as a key document Isaac Julien: Lessons of the Hour – Frederick Douglass
of its time. More than a decade after ’60s liberation movements and the historic Bandung Edited by Isaac Julien and Cora Gilroy-Ware with Vladimir Seput. Introduction by Cora Gilroy-Ware. Preface by Kenneth B.
and Tricontinental Conferences that called for social and political alignment and solidarity to Morris, Jr. Text by John G. Hanhardt, Jonathan P. Binstock, Isaac Julien, Celeste-Marie Bernier, Deborah Willis, Henry Louis
dismantle Western imperialism and (neo)colonialism, Black Phoenix issued a rallying call for Gates, Jr., Paul Gilroy, Vron Ware, Susan Solt, Kass Banning and Warren Crichlow. Interview by Jennifer A. González.
the formation of a Third World, liberatory arts and culture movement on the eve of Margaret
Thatcher’s election in 1979. A visual and literary meditation juxtaposing Isaac Julien’s artworks with archival images of Frederick
Based in the UK, and both international and national in scope, Black Phoenix positioned Douglass and essays that consider his enduring legacy
diasporic and colonial histories at the center of an evolving anti-racist and anti-imperialist
consciousness in late 1970s Britain—one that would yield complex and nuanced discourses on This sumptuously illustrated artist's book and reader documents Lessons of the Hour (2019), the ten-screen film
race, class and postcolonial theory in England in the decade that followed. installation and series of related photographic artworks by the internationally acclaimed artist Isaac Julien CBE RA (born
A precursor to the British Black Arts Movement that formed in 1982 (which encompassed 1960), which honor the public and private life of one the most important figures in US history: Frederick Douglass. The
such cultural practitioners as the Black Audio Film Collective and cultural studies theorist visionary African American orator, philosopher, intellectual and self-liberated freedom fighter was born into slavery in
Stuart Hall), Black Phoenix proposed a horizon for Blackness beyond racial binaries, across the Maryland and went on to develop a remarkable aesthetic theory through his thinking and writing on abolitionism and Black
Third World and the colonized of the interior in the West. This single-volume facsimile reprint self-representation through the apparatus of photography. Isaac Julien: Lessons of the Hour – Frederick Douglass takes the
gathers all three issues of the journal, which include contributions by art critics, scholars, reader on a journey through Douglass’ life and thinking, and is a vital consideration of his political and aesthetic legacy.
artists, poets and writers, including editors Rasheed Araaen and Mahmood Jamal, Guy Brett,
DELMONICO BOOKS/MAG/TANG/ISAAC JULIEN STUDIO
Kenneth Coutts-Smith, Ariel Dorfman, Eduardo Galeano, N. Kilele, Babatunde Lawal, David
ISBN 9781636810393 u.s. $80.00 cdn $109.00
Medalla, Ayyub Malik, Susil Sirivardana and Chris Wanjala.
PRIMARY INFORMATION February/Art/African American Art & Culture/Film & Video/
ISBN 9781736534670 u.s. $24.00 cdn $33.00
Pbk, 8.25 x 11.75 in. / 104 pgs / 59 b&w. EXHIBITION SCHEDULE:
March/Nonfiction Criticism/African Art & Culture/Asian Art & Culture/ Northampton, MA: Smith College Museum of Art, 12/21–07/22
Journal/Latin American Art & Culture/ Eugene, OR: Jordan Schnitzer Museum of Art, University of Oregon, 09/23–12/23
Saratoga Springs, NY: Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 01/24–05/24
Takashi Murakami: Stepping on the Tail of a Rainbow Charles Ray
Edited with text by Ed Schad. Foreword by Joanne Heyler. Text by Pico Iyer. Edited by Jean-Pierre Criqui, Caroline Bourgeois.
Key paintings and sculptures from Japan's great master of "the superflat" Between Minimalism and craft: a comprehensive appraisal of Los Angeles sculptor Charles Ray
Focusing on one of Murakami’s largest and most important works, In the Land of the Dead, Stepping on the Tail of a Rainbow This catalog accompanies the 2022 double exhibition of Charles Ray’s work at the Centre Pompidou and the Bourse
(2014), this book offers a lavish introduction to the work of one of Japan’s greatest artists. This publication provides a broad de Commerce (Pinault Foundation). With approximately 30 pieces that depict humans, plants and vehicles in his
overview of Murakami's practice and features 12 works from The Broad's substantial collection of Murakami’s work, including favored materials of wood and metal, this publication explores the artist’s critical relationship with Minimalism and the
his early sculpture DOB in the Strange Forest (Blue DOB) (1999), Flower Matango (b) (2001–6) and such notable later uncompromising perfectionism apparent in his work.
paintings and drawings as Hustle'n'Punch by Kaikai And Kiki (2009), Of Chinese Lions, Peonies, Skulls, and Fountains (2011) Whether recreating fallen trees down to every nook and cranny or conjuring a certain vulnerability in his life-size steel
and Tan Tan Bo a.k.a. Gerotan: Scorched by the Blaze in the Purgatory of Knowledge (2018). figures, Ray’s pieces are characterized by a formal intricacy that lends an almost uncanny realism to his sculptures in spite
The main essay by Ed Schad is presented along with studio photography, archival material and illuminating illustrations of of their sometimes unusual scale. In his meticulous attention to detail, Ray invites viewers to examine his sculptures with
Murakami works from around Los Angeles and the world. Notably, the volume features a conversation between Murakami similar intensity. Ray’s work, which clearly draws from a minimalist-formalist focus on material as it explores the possibilities
and designer Virgil Abloh on making art during times of crisis and in the wake of global events such as the 2011 tsunami in of three-dimensional representation, resists classification and must be experienced on an individual level.
Japan and the global COVID-19 epidemic of 2020 and beyond. Based in Los Angeles, American artist Charles Ray (born 1953) has worked for decades across mediums and materials to
Takashi Murakami was born in Tokyo in 1962 and received his BFA, MFA and PhD from the Tokyo National University of Fine create photography series, performance pieces and sculptures. Ray has been the subject of solo exhibitions around the
EXHIBITION SCHEDULE: Arts and Music. His work has been exhibited in prestigious museums all over the world. world, and his work has been featured in Venice Biennales in 1993, 2003 and 2014, and in five Whitney Biennials. He is
Los Angeles, CA: The Broad, 05/22–09/22 DELMONICO BOOKS/THE BROAD/KAIKAI KIKI CO., LTD currently represented by Matthew Marks Gallery in New York.
ISBN 9781636810461 u.s. $45.00 cdn $60.00 EXHIBITION SCHEDULE: CENTRE POMPIDOU
ALSO AVAILABLE
Hbk, 9.5 x 11.5 in. / 104 pgs / 60 color. Paris, France: Centre Pompidou and Bourse ALSO AVAILABLE
Takashi Murakami: Lineage of Eccentrics ISBN 9782844268815 u.s. $50.00 cdn $68.00
June/Art/Asian Art & Culture/ de Commerce, 02/09/22–06/13/22 Hbk, 9 x 12.25 in. / 216 pgs / 300 color. Charles Ray
ISBN 9780878468492
April/Art/ ISBN 9780980108651
Hbk, u.s. $45.00 cdn $60.00
Hbk, u.s. $35.00 cdn $47.50
MFA Publications, Museum of Fine Arts,
Glenstone Museum/
Boston/
Gerhard Richter:
Catalogue Raisonné,
Volume 6
Nos. 900–957, 2007–2019
Text by Dietmar Elger.
The sixth installment in Hatje Cantz's epic

multivolume project, with works from the
past two decades
This sixth volume of the Gerhard Richter catalogue

raisonné includes a look into Richter's (born
1932) most recent works, from 2007 to 2019, and
documents new methods and experimentation.
New works include the window at Cologne
Cathedral (2007), a two-year project using almost
11,500 squares of multicolored glass created
with medieval processes; the Sinbad series
(2008), a collection of vivid reverse glass paintings
exhibited in duos; the Strip Paintings (2010–11),
made through a process of digital printing, which
fruitfully expand the notion of what defines a
"painting" in the digital era; and the Birkenau (2014)
paintings, based on four photographs taken by
inmates of Birkenau concentration camp, copied
onto canvas and painted over by Richter. These
projects, among a variety of others, are presented
alongside extensive technical information on all
works, including details of the artist's handwritten
notes. Comments, quotations and comparative
illustrations supplement the information on the
works and serve as a reminder of Richter's place
among the most important artists alive today.
HATJE CANTZ
ISBN 9783775737142
u.s. $375.00 cdn $512.00 SDNR30
El Anatsui: The Reinvention of Sculpture Clth, 10 x 11.5 in. / 528 pgs / 700 color.
May/Art/
By Okwui Enwezor & Chika Okeke-Agulu.
The product of more than 30 years of research, this astounding and authoritative volume reveals the
political metaphors underpinning El Anatsui’s magnificent abstract sculpture
Authored by two acclaimed scholars, Okwui Enwezor and Chika Okeke-Agulu, this is the most comprehensive and
authoritative account yet on the work of El Anatsui, the world-renowned Ghanaian-born sculptor. The product of
more than three decades of research and close collaboration with the artist, it shows how his early wood reliefs and
terracottas, and the later monumental metal sculptures, express a search for alternative models of art-making.
The authors argue that the pervasiveness of fragmentation as a compositional device in Anatsui’s oeuvre evokes the
impact of colonization and postcolonial forces on African cultures. At the same time, the invocation of resilience and
fragility invests his shape-shifting sculptures with iconic power. The authors also show how, in his critically acclaimed ALSO AVAILABLE FROM HATJE CANTZ
metal works, the manual labor of flattening, cutting, twisting and crushing bottle caps and using copper wires to suture
and stitch the elements into one dazzling, reconfigurable epic piece serves as a powerful metaphor for human life. Gerhard Richter: Gerhard Richter:
This book presents Anatsui as a visionary of incomparable imagination, also situating his work within a broader historical Catalogue Raisonné, Catalogue Raisonné,
context—specifically, the postcolonial modernism of midcentury African artists and writers, the cultural ferment of post- Volume 1 Volume 2
independence Ghana and the intellectual environment of the 1970s Nsukka School. By recovering these histories, the ISBN 9783775719780 ISBN 9783775719797
authors show how and why Anatsui became one of the most formidable sculptors of our time. Slip, clth, u.s. $375.00 cdn $500.00 SDNR30 Clth, u.s. $375.00 cdn $500.00 SDNR30
Born in Anyako, Ghana, in 1944, El Anatsui is widely regarded as the greatest living African artist. He has received the
DAMIANI Golden Lion Award at the Venice Biennale (2015), the Praemium Imperiale Award for Sculpture (2017) and the Lorenzo il Gerhard Richter: Gerhard Richter:
ISBN 9788862087636 u.s. $70.00 cdn $95.00 Magnifico Lifetime Achievement Award (2017). His works are in the collections of the Metropolitan Museum of Art; the Catalogue Raisonné, Catalogue Raisonné,
Hbk, 9.75 x 11.75 in. / 360 pgs / 320 color. Museum of Modern Art, New York; Tate Modern; and the National Gallery of Modern Art, Lagos, among others. Volume 3 Volume 5
April/Art/African Art & Culture/ ISBN 9783775719803 ISBN 9783775732307
Slip, clth, u.s. $375.00 cdn $500.00 SDNR30 Clth, u.s. $375.00 cdn $515.00 SDNR30
Hidden in Plain Sight:
Selected Writings of Karin Higa
Edited with introduction by Julie Ault. Foreword by Pamela M. Lee.
Higa’s critical work on Asian American art history and the art of Japanese
Americans imprisoned in World War II US internment camps provides a compelling
view into the historical realities of racially marked identity and art-making
Edited by artist, curator, writer and editor Julie Ault, Hidden in Plain Sight brings together
essential writings by the trailblazing art historian and curator Karin Higa (1966–2013). The selected
essays, written between 1992 and 2011, focus on the forced evacuation of Japanese Americans
in Western US states to specially constructed concentration camps, the artistic production and
communities that took root within them and the individual and collective narratives of Asian
American artists amid discriminatory policies, restricted political agency and racism. While
exploring issues of identity and immigration, Higa recuperates significant artists and oeuvres from
historical neglect and engages contemporary artists to examine how art acts as a source for and
transmitter of cultural identity.
This book reveals how Higa’s conviction that art and lived experience are indissolubly linked was
at the root of her methodological modeling of an Asian American art history. Moving between
portrayals of artists’ networks in the camps and Little Tokyo communities and case studies
of oeuvres and biographies, Higa recovers vital art practices and hidden histories of creative
struggle and efflorescence. In the process, she maps—across ethnic, geographic, and stylistic
boundaries—the fertile creative milieux of individual practices and communities. Higa shows how
artists of Asian descent have negotiated the divide between the United States and their ancestral
homes by using their freedom as artists to define their culture more broadly.
DANCING FOXES PRESS

ISBN 9781954947023 u.s. $40.00 cdn $55.00
Hbk, 6.75 x 9 in. / 416 pgs / 150 color / 80 b&w.
July/Nonfiction Criticism/Art/Asian American Art & Culture/
The Sounding Cosmos

A Study in the Spiritualism of Kandinsky and the Genesis of Abstract Painting
By Sixten Ringbom.
Foreword by Daniel Birnbaum, Julia Voss. Translation by Ruth Urbom.
Sutra and Bible Long unavailable and highly sought after, Ringbom's classic 1970 volume launched the
study of esotericism's influence on abstract art
Faith and the Japanese American World War II Incarceration
Edited with introduction and text by Duncan Ryūken Williams, Emily Anderson. For many years, relatively few people knew of spiritualism’s impact on the birth of abstract art. But
when the Finnish art historian Sixten Ringbom’s book The Sounding Cosmos was published in 1970,
A visual history of the role that religious teachings, practices and communities played in the WWII the writing of history changed forever. Through his research on Wassily Kandinsky, one of the pivotal
Japanese American experience, with essays by leading scholars figures in modern art, Ringbom showed how Theosophy and esoteric teachings were absolutely
essential to the development of nonfigurative painting.
Accompanying the Japanese American National Museum's 2022 eponymous exhibition, Sutra and Bible: Faith and the This discovery generated great debate at the time, and the book was both celebrated and
Japanese American World War II Incarceration explores the role that religious teachings, practices and communities controversial. Although the original publication is extremely rare and sought after, to this day The
played while Japanese Americans were incarcerated during World War II. From the confines of concentration camps Sounding Cosmos is a classic of art history that continues to be discussed—especially in recent
and locales under martial law to the battlegrounds of Europe, Japanese Americans drew on their faith to survive years, as the presence of esotericism in modernist art from Hilma af Klint to Mondrian and beyond
forced removal, indefinite incarceration, unjust deportation, family separation, military service and resettlement at a has been revisited.
time when their race and religion were seen as threats to national security. Coedited by Emily Anderson and Duncan The Sounding Cosmos is now being reissued for the first time in this elegant new edition. The
Ryūken Williams, Sutra and Bible weaves visual storytelling with auxiliary essays from 32 prominent voices across richly illustrated original text has been supplemented with a new foreword by Daniel Birnbaum and
academic, arts and social justice communities. Julia Voss.
Contributors include: Michihiro Ama, Brooks Andrews, Anne M. Blankenship, Joanne Doi MM, Laura (Kitaji) Sixten Ringbom (1935–92) was an influential Finnish art historian. In 1965 he completed a PhD
Dominguez-Yon, Timothy Wagner, Kristen Hayashi, Jay Hirabayashi, Naomi Hirahara, Mitch Honma, Satsuki Ina, Jane under the great art historian Ernst Gombrich. Ringbom succeeded his father as professor of art
Naomi Iwamura, Mas Kodani, Mark Nakagawa, Wendy Egyoku Nakao, Elizabeth Nishiura, Togo Nishiura, Nancy Kyoko history at Åbo Akademi University in 1970, and became the first art historian to explore in depth
Oda, Gene Oishi, Gail Okawa, Dakota Russell, Bacon Sakatani, Candice Shibata, Brandon Shimoda, George Tanabe, the connections between early abstract art and occultism. He published prolifically until his
EXHIBITION SCHEDULE: Todd Tsuchiya, Nancy Ukai, Jonathan van Harmelen, Karen Tei Yamashita and Mikoto Yoshida. death in 1992.
Los Angeles, CA: Japanese American National
Museum, 02/05/22–9/22/22 KAYA PRESS/ITO CENTER EDITIONS BOKFÖRLAGET STOLPE
ISBN 9781885030795 u.s. $39.95 cdn $53.95 ISBN 9789189425354 u.s. $30.00 cdn $40.00
Hbk, 8 x 10.5 in. / 144 pgs / 110 color. Hbk, 6.75 x 9.5 in. / 350 pgs / 100 color / 100 b&w.
March/Political Science/Asian American Art & Culture/ May/Nonfiction Criticism/Art/
This Must Be the Place: An Oral History of Latin Sita Kuratomi Bhaumik:
American Artists in New York, 1965–1975 We Make Constellations of the Stars
By Aimé Iglesias Lukin. Edited by Karen Marta. Contributions by Josh Franco, Tie Jojima, Abigail Lapin Text by Sita Kuratomi Bhaumik.
Dardashti, Harper Montgomery, Yasmin Ramirez.
An experimental memoir from an acclaimed Bay Area social-practice artist
An oral history of the Latin American artists who moved to New York in the late 1960s and activist
and pioneered a new conceptualism informed by migrant experience
In this innovative rethinking of the artist monograph, Oakland-based artist, educator and
In the late 1960s and early 1970s, during a time of global cultural and social upheaval, a key group activist Sita Kuratomi Bhaumik (born 1981) captures conversations with the people who
of Latin American artists migrated to New York. Part of the generational shift toward Happenings, shaped her creative practices and helped her map the tools that are most important to her:
Minimalism and Conceptualism, they worked in conversation with experimental practices while wonder, intuition, criticality and belonging. Bhaumik's work has been celebrated by the San
exploring topics of migration, identity, politics, exile and nostalgia. Drawing from both American culture Francisco Chronicle and other media for using art as a strategy to connect memory and history
and the cultures of their countries of origin, their works reflect the unique perspectives—both as with the urgent social issues of our time, as in her 2016 installation Estamos Contra El Muro
insiders and outsiders—that these artists had as newcomers. / We Are Against the Wall, in which she collaborated with artists, makers and community
Conceived as a visual reader with newly sourced and existing testimonies, This Must Be the Place members to recreate (and then smash) the US/Mexico border wall out of brick-shaped piñatas.
is the first book of its kind to highlight this generation of artists in interviews and primary source We Make Constellations of the Stars interrogates not only what makes an artist an artist, but
material. Organized by themes and illustrated with artworks, photographs and other archival material, how connection is crucial for personal and political transformation as an artist of color.
the testimonies of these artists offer the reader a dynamic, candid and historically rich memoir of Visionary and historian Jeff Chang (author of Can't Stop Won't Stop: A History of the Hip Hop
1960s and 1970s New York. Generation) writes: "Thoughtful, engaged and bold, Sita Bhaumik stares down trauma, cruelty
Artists include: Carmen Beuchat, Luis Camnitzer, José Guillermo Castillo, Enrique Castro-Cid, and injustice, but always leads us towards wonder, joy and hope. By drawing connections
Eduardo Costa, Antonio Dias, Juan Downey, Anna Bella Geiger, Rubens Gerchman, Leandro Katz, Anna and making meaning of seemingly unrelated points of light, she reveals new pathways
Maria Maiolino, Marta Minujín, Raphael Montañez Ortiz, Marcelo Montealegre, Abdias do Nascimento, toward belonging and freedom for all. She is one of the most insightful and inspiring artists of
Hélio Oiticica, Lydia Okumura, Sylvia Palacios Whitman, Rolando Peña, Liliana Porter, Alejandro Puente, our time."
Raquel Rabinovich, Miguel Rio Branco, Freddy Rodríguez, José Rodriguez-Soltero, Osvaldo Romberg,
Zilia Sánchez, Juan Trepadori, Andreas Valentim and Regina Vater. KAYA PRESS
Institutional and collective initiatives include: Brigada Ramona Parra, Cha/Cha/Cha, CHARAS, ISBN 9781885030818 u.s. $25.00 cdn $34.00
Contrabienal, El Museo del Barrio, Latin American Fair of Opinion, New York Graphic Workshop, Young Pbk, 6 x 8.5 in. / 300 pgs / 30 color / 45 b&w.
Filmmakers Foundation, Taller Boricua and the Young Lords. June/Art/Asian American Art & Culture/
AMERICAS SOCIETY/ISLAA
New York, NY: Americas Society, 09/15/21–05/15/22
ISBN 9781879128507 u.s. $35.00 cdn $47.00
Pbk, 6.75 x 9 in. / 248 pgs / 250 color.
May/Nonfiction Criticism/Art/
Why I Make Art: Contemporary Artists’ Stories A Picture Held Us Captive

About Life & Work By Danielle Dutton.
Edited by Nicholas Muellner, Catherine Taylor.
From the Sound & Vision Podcast by Brian Alfred
Interviews by Brian Alfred. A meditation on the meaning of text–image collaboration, from the author of Sprawl
and Margaret the First
Thirty illuminating profiles of working artists sharing the influences and experiences
that inspire them to create art in America today Author Danielle Dutton's A Picture Held Us Captive asks what it means for a writer to work "with"
someone or something else—to make art in dialogue with an energy not one's own. Dutton (born
This compelling volume explores the practices and life stories of artists across multiple mediums, 1975) explores ekphrastic fiction, looking at a wide range of writers and artists including John Keene
including painting, photography, sculpture and land art. Offering readers an intimate, contemplative and Edgar Degas; Eley Williams and Bridget Riley; Ben Lerner and Anna Ostoya; Amina Cain and Bill
view of each remarkable creator, Why I Make Art examines themes as varied as music and Viola; Lydia Davis and Joseph Cornell; as well as her own textual responses to visual artists Richard
skateboarding, immigration and statelessness, community and identity. Kraft and Laura Letinsky. A Picture Held Us Captive—which includes a series of images at once
Gathered from the archives of Sound & Vision, a podcast directed by American artist and educator illustrative and refusing simple illustration—considers the ways in which ekphrasis operates as a
Brian Alfred, Why I Make Art presents interviews with artists conducted between 2016 and 2020—four diptych. A work of both commentary and self-reflection, Dutton considers a dialectic between art’s
tumultuous years in America and around the world. ability to make strange what has grown familiar and the writer’s desire to make recognizable the
Artists include: Diana Al-Hadid, Dove Bradshaw, Gregory Crewdson, Heather Day, Jules de Balincourt, experience of one artwork in the space of another.
Inka Essenhigh, Amir Fallah, Louis Fratino, Karel Funk, Dominique Fung, vanessa german, Allison Danielle Dutton is an American writer and the cofounder of the feminist press Dorothy. Born in
Janae Hamilton, Loie Hollowell, Kahlil Robert Irving, Clinton King, Chris Martin, Tony Matelli, Tomokasu California in 1975, Dutton now resides in Missouri where she teaches creative writing at Washington
Matsuyama, Geoff McFetridge, Maysha Mohamedi, Liz Nielsen, Helen O’Leary, Carl Ostendarp, Hilary University in St Louis. She has authored four books, including Sprawl and Margaret the First. She
Pecis, Erin M. Riley, James Siena, Devan Shimoyama, Cauleen Smith, Salman Toor, Robin F. Williams contributed the text to Here Comes Kitty: A Comic Opera, a book of collages by Richard Kraft. Her
and more. fiction has appeared in major publications such as the Paris Review, Harper's and Guernica.
ATELIER ÉDITIONS IMAGE TEXT ITHACA PRESS
Pbk, 5.5 x 8 in. / 256 pgs / 120 color. Pbk, 5 x 6 in. / 70 pgs / 9 color / 2 b&w.
May/Art/ March/Nonfiction Criticism/Art/
The Letters of Rosemary & Bernadette Mayer, Permutations
1976–1980 By Brion Gysin.
Edited by Gillian Sneed, Marie Warsh. Preface by Eva Birkenstock, Robert Leckie, Laura McLean-Ferris, Stephanie
Weber. Text by Bernadette Mayer, Rosemary Mayer, Gillian Sneed. The first collection of the Beat mentor’s long-influential permutation poems—one of
the earliest examples of computer-generated literature
Two sisters, an artist and a poet, describe the contours of their lives among New York’s artistic
Written between 1958 and 1982, Brion Gysin's "permutation poems" begin with short phrases
avant-garde through an intimate collection of letters
or sentences whose constituent words are exhaustively rearranged over the course of the text.
At first, Gysin wrote these poems manually, although later, in collaboration with programmer Ian
This collection of the correspondence between artist Rosemary Mayer (1943–2014) and poet Bernadette
Sommerville, he would write permutation poems with the assistance of a computer, making them a
Mayer (born 1945) occurs between the years of 1976 and 1980, a period of rich creativity in New York's artistic
very early instance of computer-generated literature. Some of these works were published in books,
avant-garde, and one which includes the development of major bodies of work by the two women. Rosemary
while others exist only as audio recordings. Many derive from a 1960 BBC radio commission, “The
Mayer was creating sculptures, watercolors, books and "temporary monuments" from weather balloons and
Permutated Poems of Brion Gysin,” in which readings of the texts were recorded, cut up, modulated
snow, while Bernadette Mayer was working on some of her best-known publications, including the book-
and overlapped.
length poem Midwinter Day and the poetry collection The Golden Book of Words. Spanning the worlds of
For the first time, this collection brings together all published and—where transcribable—unpublished
Conceptual art, Postminimalism, feminism, the New York School, Language poetry and more, these letters
versions of each poem, as well as "Cut-Ups Self-Explained," a short text by Gysin that contextualizes
elucidate the bonds of sisterhood through intimate exchanges about art, relationships and everyday life.
the work. The poems are organized in chronological order by first publication or first recording, with
LENBACHHAUS/LUDWIG FORUM/SPIKE ISLAND/SWISS INSTITUTE further versions of each poem grouped together in chronological order immediately after the initial
ISBN 9780999505960 u.s. $25.00 cdn $34.00 version. This organization brings distinctions between versions into relief, allowing readers to explore
Pbk, 5.5 x 8.25 in. / 373 pgs / 35 color / 21 b&w. the playful systematicity that undergirds this remarkable body of work.
February/Nonfiction Criticism/Art/Fiction & Poetry/ Brion Gysin (1916–86) was a multidisciplinary artist, author and poet. Born in Taplow, England, he
studied painting at the Sorbonne in Paris and immigrated to New York in 1939. In the 1950s he lived
EXHIBITION SCHEDULE: in Tangier, where he first met William S. Burroughs. Gysin collaborated often; after returning to Paris,
New York, NY: Swiss Institute, 09/09/21–01/09/22 he developed the "cut-up method" with Burroughs, and with engineer Ian Sommerville he created
Aachen, Germany: Ludwig Forum, 03/05/22–05/22/22 the Dreamachine, a kinetic light sculpture. Gysin would become a mentor for generations of artists,
Munich, Germany: Lenbachhaus, 06/13/22–09/18/22
musicians and writers, including David Bowie, John Giorno, Keith Haring, Brian Jones and Genesis
Bristol, UK: Spike Island, 10/08/22–01/15/23
Breyer P-Orridge, among others.
DABA
ISBN 9781734681772 u.s. $20.00 cdn $27.00
Pbk, 6.75 x 9.5 in. / 160 pgs.
Rosemary Mayer: Ways of Attaching

April/Fiction & Poetry/
Edited by Eva Birkenstock, Laura McLean-Ferris, Robert Leckie, Stephanie Weber.

Introduction by Eva Birkenstock, Simon Castets, Matthias Mühling, Robert Leckie. Text by
Rosemary Mayer, Laura McLean-Ferris, Jenny Nachtigal, Jenni Sorkin.
Muscle Memory
The first ever survey of the pioneering feminist artist By Jenny Liou.
A comprehensive catalog on the work of New York artist Rosemary Mayer (1943–2014), Jenny Liou’s debut poetry collection conjoins the world of cage fighting and the
Ways of Attaching provides an overview of the artist’s work, moving from early traumas of immigration
conceptual experiments of the late 1960s through to textile sculptures and drawings
made in the early 1970s, before focusing on propositional and durational performances In Muscle Memory, Washington-based poet Jenny Liou grapples with violence and identity,
and temporary monuments made from 1977 to 1982. beginning with the chain-link enclosure of the prizefighter’s cage and radiating outward into
Highlighting Mayer’s formal interest in draping, knotting and tethering, Ways of the diasporic sweep of Chinese American history. Liou writes with spare, stunning lyricism
Attaching focuses on the artist’s process of constructing real and imagined networks about how cage fighting offered relief from the trauma inflicted by diaspora’s vanishing
and constellations, in which friends and historical figures feature in expressions of ghosts; how, in the cage, an elbow splits an eyebrow, or an armbar snaps a limb, and, even
affinity and attachment. It additionally features facsimile reproductions of Mayer’s when you lose a fight, you’ve won something: pain. Liou places the physical manifestation of
writings and newly commissioned essays reflecting on her work and the influences of violence in her sport alongside the deeper traumas of immigration and her own complicated
astronomy, feminism, the art scene in New York in the 1960s and ’70s, poetry, religion search for identity, exploring what she inherited from her Chinese immigrant father—who
and Renaissance painting. was also obsessed with poetry and martial arts. When she finally steps away from the cage
to raise children of her own, Liou begins to question how violence and history pass from one
KÖNIG/LENBACHHAUS/LUDWIG FORUM/SPIKE ISLAND/SWISS INSTITUTE
generation to the next, and whether healing is possible without forgetting.
ISBN 9783753301631 u.s. $45.00 cdn $61.00
Jenny Liou (born 1983) is an English professor at Pierce College and a retired professional
cage fighter. She lives and writes in Covington, Washington.
June/Art/
KAYA PRESS
New York, NY: Swiss Institute, 09/09/21–01/09/22 Pbk, 5.25 x 8 in. / 100 pgs.
Aachen, Germany: Ludwig Forum, 03/05/22–05/22/22 May/Fiction & Poetry/Asian American Art & Culture/
Munich, Germany: Lenbachhaus, 06/13/22–09/18/22
Bristol, UK: Spike Island, 10/08/22–01/15/23
Bruges-la-Morte Vercoquin and the Plankton
By Georges Rodenbach. By Boris Vian.
Introduction and translation by Will Stone. Introduction and translation by Terry Bradford.
The archetypal Symbolist novel, and a gorgeous tapestry of death and melancholy, Bruges- A nonconformist satire of both bureaucracy and nonconformism from the French
la-Morte was also the first work of fiction to employ photographs in the style of Breton, polymath and author of Foam of the Days
Drndić and Sebald
Written at the age of 23 for his friends in the winter of 1943–44, Vercoquin and the Plankton was the first
A widower, Hugues Viane, takes refuge in the decay of Bruges, living among the relics of his dead wife of Vian’s novels to be published under his own name. Published in 1947, the book came out two months
as he transforms his home and the very city he inhabits into her spatial embalmment. Spinning out his after his succès de scandale I Spit on Your Graves and two months before the publication of his beloved
existence in a mournful, silent labyrinth of entombed streets and the cold arteries of canals, Viane takes classic The Foam of the Days. At once social documentary, scathing satire and jazz manifesto, Vercoquin
comfort in his narcissistic delirium, until his world is shaken by the appearance of his wife’s doppelganger: and the Plankton describes the collision of two worlds under the Vichy regime: that of the youthful
a young dancer encountered in the street, whose appearance conjures a sequence of events that will dandyism of the ever-partying Zazous and the murderously maniacal bureaucracy of a governmental office
introduce the specter of reality into his ritualist dream-state to disastrous effect. for standardization. In this roman à clef drawn from Vian’s own contradictory lives as a jazz musician
The archetype of the Symbolist novel, Bruges-la-Morte, first published in 1892, remains Georges on the Left Bank and an engineer at the French National Organization for Standardization, the reader is
Rodenbach’s most famous work; it has seen numerous cinematic and operatic adaptations, and inspired introduced to a handful of characters inhabiting a world lying somewhere between Occupied Paris and
the source material for Alfred Hitchcock’s Vertigo. It was also a precursor to such authors as André Looney Tunes.
Breton and W.G. Sebald in being the first novel to employ photographs as illustrations—to allow readers, Boris Vian (1920–59) was a French polymath who in his short life managed to inhabit the roles of writer,
as Rodenbach put it, to “be subject to the presence of the town, feel the contagion of the neighboring poet, playwright, musician, singer/songwriter, translator, music critic, actor, inventor and engineer, before
waters, sense in their turn the shadow of the high towers reaching across the text.” dying of a heart attack at the age of 39, after authoring ten novels, several volumes of short stories,
Georges Rodenbach (1855–98) was one of the major figures of Belgian Symbolism, an essential bridge plays, operas, articles and nearly 500 songs. Vian is remembered as one of the reigning spirits of the
between the Belgian and Parisian literary scenes, and a friend and colleague of Verhaeren, Maeterlinck, postwar Parisian Latin Quarter, a friend to everyone from Jean-Paul Sartre to Raymond Queneau and
Mallarmé and Huysmans. He was the author of four novels, eight collections of verse and numerous short Miles Davis, playing trumpet with Claude Abadie and Claude Luter, and an influence on such future
stories, plays and critical works. kindred spirits as Serge Gainsbourg.
WAKEFIELD PRESS WAKEFIELD PRESS

Pbk, 4.5 x 7 in. / 160 pgs / 36 b&w. Pbk, 5.5 x 8 in. / 200 pgs.
April/Fiction & Poetry/ June/Fiction & Poetry/
Black–White–Red The Central Laboratory

Grotesques By Max Jacob.
By Mynona. Introduction and translation by Alexander Dickow.
Introduction and translation by W.C. Bamberger.
The first English translation of the Cubist poet’s most important collection of verse
Mynona’s self-styled “grotesques” inhabit an uncertain ground between fairy tale, poems—a wild grab bag of contradictory styles
fetishism and philosophy, satirizing everything from nationalism to philanthropy
When Max Jacob published The Central Laboratory in 1921, Parisian Dada had just officially come
First published in German in 1916, Black–White–Red collects six bizarre tales by the “laughing to an end and Surrealism was yet to be born. The poetic scene in Paris was between definitions, and
philosopher” Salomo Friedlaender, who wrote his literary work under the pseudonym Mynona Jacob embodied that moment.
(the reversed German word for “anonymous”). In this collection, we encounter a tongue-in-cheek The Central Laboratory is distinctly modern, yet utterly discordant with anything else that had been
showdown between Goethe and Newton, whose theories of color clash in the form of a nationalistic published before: a grab bag of popular genres, operettas, Breton folk song, nonsense poetry,
flag; another story presents the inventor of the tactilestylus setting out to capture the residual sound nursery rhyme, doggerel, parody and puns in which sound often trumps sense and Jacob changes
waves of Goethe speaking in his study through a mechanical recreation of his vocal apparatus, with its register on a dime. Employing Symbolist obscure reference, Cubist fracturing of perspective and
amplification set to infinite. In “The Magic Egg,” one of Mynona’s most emblematic and curious tales, Dadaist discontinuity, Jacob’s art of mixed signals and mocked allegory formulates a camp sensibility,
a man encounters an enormous bisecting mechanical egg in the middle of the desert that houses a a “queering” of literary style as riddled with contradiction as Jacob himself had been in his lifetime.
mummy and a possible pathway to utopia on Earth. A century after its initial publication in French, the book remains utterly peculiar and lost for too long
Mynona, aka Salomo Friedlaender (1871–1946), was a perfectly functioning split personality: a serious in the shadow of Jacob’s more famous book of prose poems, The Dice Cup. Jacob himself said of
philosopher by day (author of Friedrich Nietzsche: An Intellectual Biography and Kant for Kids) and a The Central Laboratory: “it sums up 20 years and reflects 20 states of soul, often 20 styles either
literary absurdist by night, who composed black humored tales he called “grotesques.” He inhabited suffered or created by me.”
the margins of German Expressionism and Dada, and his friends and fans included Martin Buber, Max Jacob (1876–1944) was a French poet, painter, writer and critic. A key figure of bohemian
Walter Benjamin and Karl Kraus. Montmartre and the Cubist era, he rubbed shoulders with such figures as Apollinaire and Modigliani,
and was a lifelong friend to Picasso, Gris and Cocteau. Jacob converted from Judaism to Christianity
WAKEFIELD PRESS ALSO AVAILABLE in 1915. Arrested by the Gestapo in 1944, he died in a deportation camp of pneumonia. Rosanna
ISBN 9781939663849 u.s. $11.95 cdn $14.95 The Creator Warren's critically acclaimed biography of Jacob was published in 2020.
Pbk, 4.5 x 7 in. / 64 pgs / 1 b&w. ISBN 9781939663078
June/Fiction & Poetry/ Pbk, u.s. $13.95 cdn $19.95 WAKEFIELD PRESS
Wakefield Press/ ISBN 9781939663801 u.s. $19.95 cdn $26.95
Pbk, 5.5 x 8 in. / 360 pgs / 1 b&w.
May/Fiction & Poetry/
Everything Must Go! PREVIOUSLY ANNOUNCED: NEW ISBN
Edited by Jason Fulford. Toilet Paper 18

Edited by Maurizio Cattelan, Pierpaolo Ferrari.
A collaborative homage to the visual language of magazine freebies, ads and
special offers The latest creative collaboration of Maurizio Cattelan and Pierpaolo Ferrari
Taking inspiration from vintage catalogs and classified ads, Everything Must Go! acts as a playful An artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, Toilet
memento mori that compiles writing, photography and illustration in a variety of formats and genres, to Paper is born out of a shared passion for images. The magazine contains no text. Each picture
celebrate and parody the graphic design and language of freebies, special offers and advertisements. springs from an (often very simple) idea, and through a complex orchestration of people it
“Are you tired of being burdened by images?” reads one caption. “Cut out this picture and dip it in becomes the materialization of the artists’ mental outbursts.
honey,” proposes another. Since the first issue in June 2010, Toilet Paper has created a world that displays ambiguous
Dovetailing word and image in a superbly designed mock-magazine layout, this artist’s book originated narratives and a troubling imagination. It combines the vernacular of commercial photography
as a collaboration between photographer and bookmaker Jason Fulford and nine artists at the with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself
acclaimed experimental Image Text Ithaca MFA Program. a work of art which, through its accessible form as a widely distributed magazine, challenges
Featuring a letterpress-printed cover in day-glo orange ink, the publication invites viewers to the limits of the contemporary art economy.
interact with works by Karine Baptiste, Caiti Borruso, Eleanor Eichenbaum, Cable Hoover, Marissa
DAMIANI
Iamartino, Will Matsuda, Erika Morillo, Michael Popp and Irit Reinheimer. Take what you wish, but
ISBN 9788862087582 u.s. $18.00 cdn $24.95
Everything Must Go!
Pbk, 9 x 11.5 in. / 40 pgs / 28 color.
IMAGE TEXT ITHACA PRESS March/Photography/
ISBN 9781733497138 u.s. $15.00 cdn $20.00 ALSO AVAILABLE ALSO AVAILABLE
Pbk, 6 x 9 in. / 88 pgs / 150 b&w. Marred for Life! ToiletMartin PaperParr
March/Photography/ ISBN 9780999365526 ISBN 9788862085892
Hbk, u.s. $35.00 cdn $49.95 Flexi, u.s. $18.00 cdn $25.50
J&L Books/ Damiani/
Monobloc Maurizio Cattelan: Index

Text by Hauke Wendler. Edited by Roberta Tenconi, Vicente Todolí with Fiammetta Griccioli. Text by Maurizio
Cattelan with Marta Papini, Michele Robecchi.
A visual history of the world's most famous and ubiquitous chair
A colossal anthology of artist conversations conducted by Maurizio Cattelan
The Monobloc is the bestselling piece of furniture of all time: an estimated one billion copies of this
white plastic chair are in circulation all over the world. This book arises from a documentary by German This massive volume, published in conjunction with the artist's exhibition at Pirelli
film director Hauke Wendler, who spent eight years filming on five continents to explore the impact of HangarBicocca, collects for the first time all of the conversations that Maurizio Cattelan
the Monobloc on a global scale. (born 1960) has been conducting for 20 years, as interviewer. The dialogues, of which
Combining archival documentation with images from Wendler’s film (to be released in 2022), this there are more than 130, were published between 2001 and 2021 in numerous
book complicates the narrative and mystery of the Monobloc's popularity. Embracing its ubiquity, it magazines, including Flash Art Italia, International, Purple Magazine, Vogue and Il
also addresses the chair’s environmental, economic and aesthetic impacts. How does the Monobloc Manifesto, as well as in monographs and exhibition catalogs.
threaten our environment and good taste? Finally, how has it become indispensable to millions of Maurizio Cattelan: Index presents these conversations in facsimile form, maintaining the
people for whom a chair is a chair and nothing more? text and original layout of each publication, resulting in a lively kaleidoscope of voices and
This book offers insight, through film, photography and design history, into the story of how an images. Appraising the list of people interviewed and reading the texts, an astonishing
unremarkable, stackable chair conquered the world. chorus takes shape, comprising young and upcoming artists, established figures and
those who are now deceased and part of history, as well as creatives from other
HATJE CANTZ
disciplines such as architects, designers, chefs, thinkers, entertainers and performers.
ISBN 9783775751919 u.s. $22.00 cdn $30.00
Among the interviewees are luminaries such as Alighiero Boetti, Phil Collins, Ferran
Pbk, 6 x 8 in. / 192 pgs / 120 color.
March/Design/
Adrià, Alex Da Corte, Seth Price, Urs Fischer, Dash Snow, Martine Syms, Paul Chan, Carol
Rama, Takashi Murakami, Felix Gonzalez-Torres, George Condo, Jerry Saltz, Virgil Abloh,
Chloë Sevigny, Dana Schutz and more.
MARSILIO
ALSO AVAILABLE The Danish Chair ISBN 9788829713943 u.s. $49.95 cdn $67.95
Cross Cultural Chairs ISBN 9788793604315 Pbk, 8.25 x 11.5 in. / 672 pgs / 1000 color.
ISBN 9789493148451 Hbk, u.s. $65.00 cdn $90.00 March/Art/
Pbk, u.s. $30.00 cdn $40.00 Strandberg Publishing/
Onomatopee Projects/
Italy, Milan: Pirelli HangarBicocca, 07/15/21–02/20/22
Spring
Highlights
Becky Suss, Matamoe, 2017.

Oil on canvas. © Becky Suss.
Courtesy of the artist and Jack
Shainman Gallery, New York.
From Becky Suss, published
by Skira. See page 118.
90 artbook.com
New Topographics HIGHLIGHTS ■ PHOTOGRAPHY
Robert Adams: Sea Stone

A meditative portrayal of land and sea along an Oregon trail, from the
leading figure of the New Topographics
For more than 50 years, ever since his landmark photobook The New West, Robert
Adams (born 1937) has numbered among America’s foremost modern photographers
and chroniclers. Here, he returns to the landscape near his home on the Oregon
coast, presenting photographs largely made on Nehalem Spit, a four-mile stretch of
sand, seagrass and pines that divides the Pacific Ocean from Nehalem Bay. Recording
changing light on the land and the sea, the black-and-white photographs, made between
2008 and 2019, and beautifully reproduced in this large-format volume, suggest
questions to which Adams has often returned, about the meaning of our relationship to
nature, and the precarity and brevity of our place in it.
FRAENKEL GALLERY
ISBN 9781881337164 u.s. $65.00 cdn $88.00
Hbk, 13 x 13 in. / 56 pgs / 26 duotone.
April/Photography/
ALSO AVAILABLE Robert Adams:

Robert Adams: 27 Roads Cottonwoods
ISBN 9781881337478 ISBN 9783958290969
Hbk, u.s. $65.00 cdn $87.00 Hbk, u.s. $50.00 cdn $67.50
Fraenkel Gallery/ Steidl/
Nicholas Nixon: Closing the Distance

Edited by Jordan Alves.
Fifty years of portraying American lives and landscapes, from the New
Topographics veteran and author of The Brown Sisters
American photographer Nicholas Nixon (born 1947) is famed internationally for his
large-format black-and-white photographs of intimate everyday moments. His first
solo exhibition, curated by John Szarkowski, was held at the Museum of Modern Dayanita Singh: Dancing with the Camera
Art in 1976. Nixon’s early depictions of Boston and New York in the mid-1970s were Edited with text by Stephanie Rosenthal. Text by Teju Cole, Kajri Jain, Ahona Palchoudhuri, Thomas Weski, Christophe
featured in one of the most influential exhibitions of that decade, New Topographics: Gallois, Ana Mendes, Claire Molloy.
Photographs of a Man-Altered Landscape at the George Eastman House in
Rochester. He is also famed for his series People with AIDS, begun in 1987. For his Accompanying Singh’s first touring retrospective, this survey includes previously unseen early
most iconic series, The Brown Sisters, he created an annual portrait of his wife, works, favorite series and new montages
Bebe, and her three sisters, consistently posed in the same left to right order, as
they grew and aged over nearly a half century. His oeuvre, however, encompasses The internationally acclaimed photographer Dayanita Singh often describes herself as a “book artist.” Accordingly,
a much broader spectrum, from his documentation of life in the American South to Singh was closely involved in the making of this magnificent exhibition catalog, which accompanies a major
his landscape portraits of the rough industrial terrains around Detroit. Nicholas Nixon: touring retrospective of Singh’s work, curated by Stephanie Rosenthal for the Gropius Bau.
Closing the Distance takes us on a journey through the artist’s life and work—at The most comprehensive publication yet published on Singh’s photographic art, it includes a series of long-form
once distant and intimate and close—and features new, previously unpublished and short-form scholarly essays, full-color reproductions and installation images. The texts situate Singh’s work in
photographs. relation to topics such as Indian classical music, photographic lineages and traditions, conceptions of the archive,
choreography and the economies of reproduction.
HATJE CANTZ Presenting every important phase in the photographer’s oeuvre, Dancing with the Camera also enters Singh’s
ISBN 9783775751896 u.s. $55.00 cdn $75.00 archive to include never-before-seen early works from the 1980s, a new series of montages and the works Let’s
Hbk, 9 x 11 in. / 168 pgs / 135 color. See, Museum of Chance, Museum of Shedding, I Am as I Am, Go Away Closer and Box 507, among others.
February/Photography/
Dayanita Singh (born 1961) is one of today’s most important photographers. Her solo exhibitions have been held
at MMK, Frankfurt; Hayward Gallery, London; Hamburger Bahnhof, Berlin; and the Art Institute of Chicago.
Toulouse, France: Galerie du Château d’Eau, 11/03/21–01/16/22 HATJE CANTZ
Berlin, Germany: Gropius Bau, 03/18/22–08/07/22
ISBN 9783775751766 u.s. $55.00 cdn $75.00
Luxembourg City, Luxembourg:
Hbk, 7 x 9.5 in. / 248 pgs / 164 color.
MUDAM Luxembourg, 08/15/23–10/05/23
May/Photography/
Porto, Portugal: Serralves Museum, 02/24–06/24
Classic reprints and new collectible photobooks from Dayanita Singh HIGHLIGHTS ■ PHOTOGRAPHY
BACK IN PRINT BACK IN PRINT
Dayanita Singh: Myself Mona Ahmed Dayanita Singh: Privacy

Singh’s acclaimed 2001 collaborative visual novel of the life of an Indian eunuch, back in print Portraits of India’s unseen elites behind closed doors
A mix of photobook, biography, autobiography and fiction, Myself Mona Ahmed—first published by Scalo in 2001— After many years spent documenting poverty in her homeland, Dayanita Singh (born 1961) began to ask herself: what
continues to renew its importance in Dayanita Singh’s (born 1961) oeuvre as her trajectory unfolds. Mona Ahmed was a can a photographer in India document that is neither catastrophic nor “the exotic”? Her answer was to portray the
eunuch, a member of a community of eunuchs, whom Singh met and lived with around 1990. Singh followed the daily flipside—India’s well-to-do families and their fine homes. Both on commission and on her own, she created a portrait
life and rituals of the eunuchs, their parties and ceremonies, following the story of Ahmed's castration and the loss of of another side of Indian society—one from which she hails—complete with its traditional and postcolonial symbols
her adopted child. Ahmed’s refusal to be the passive subject of such a project pushed Singh into producing, eventually, a of wealth.
visual novel weaving various kinds of text alongside the photographs, including Ahmed’s emails. The Scalo edition, now India’s wealthy elite is virtually unknown to the West. First published in 2004, Privacy depicts a closed world
rare, receives the full Steidl treatment in this volume. characterized by tight family solidarity. Singh shows the people as they would like to see themselves, in the middle of
splendidly decorated rooms and surrounded by possessions. At a certain point in her work, Singh realized that even
STEIDL
without their residents, the rooms were occupied by the invisible generations that had lived there before. Accordingly,
ISBN 9783969990544 u.s. $55.00 cdn $76.00
the book closes with photographs of empty interiors.
Hbk, 8 x 7 in. / 176 pgs / 150 b&w.
June/Photography/ STEIDL
ISBN 9783969990551 u.s. $65.00 cdn $90.00
Clth, 7.75 x 9.5 in. / 128 pgs / 90 b&w.
June/Photography/
Dayanita Singh: Pothi Khana Dayanita Singh: Let’s See

Text by Urs Stahel.
A photo-novel of Dayanita Singh’s earliest years as a photographer
A photobook archive of archives, from rarely seen collections throughout India
A return to a time when Dayanita Singh (born 1961) did not yet consider herself a photographer, Let’s See is the probing
The archive has long been an obsession for Dayanita Singh (born 1961)—both literal archives, treasuries of remembrance of “an eye I no longer have access to.” Singh has recently poured through 40 years of her archive—80% of
objects chosen with care and preserved against time, and the photobook as a moveable archive which the viewer which remains unseen—exploring scans of her contact sheets and being amazed by the gentle and tender images from
can revisit and display at will. In Pothi Khana (Hindi for “archive room”), Singh presents photographs of India’s the 1980s and ’90s she had since forgotten—hostel roommates, friends with whom she lived, family, weddings, funerals;
seemingly endless private and public archives: shelf after shelf of bundles wrapped and knotted in pieces of portraits of herself and those who would become important characters in her life: her mother, Nony Singh, the musician,
cloth once colorful but now almost white with age. The documents within these bundles remain known only to Zakir Hussain, and Mona Ahmed, whom she depicted in the emotive visual biography Myself Mona Ahmed (2001).
the archivists who are curiously absent in Singh's images, their presence implied from the spaces they normally Singh’s first camera, a Pentax ME Super with a 50 mm lens, was a gift from the German publisher Ernst Battenberg, and
inhabit: chairs, desks, doorways, halls. Originally exhibited in 2018 at the 57th Carnegie International as a group of with it she “made photos of everything I could, trying to make a roll of film last as long as possible,” creating contact sheets
modular, pillarlike wooden structures whose photographs could be endlessly resequenced, Singh now transforms of all her images, but realizing the rare luxury of an individual print only for a publication or a book project. “I call this book
the mobile sensibility of Pothi Khana into this volume, which she sees as a compendium to 2013’s File Room. Let’s See,” says Singh, “because these images are about exactly that: how we see, what we don’t see, what only the
camera sees….”
STEIDL
ISBN 9783969990537 u.s. $50.00 cdn $68.00 STEIDL
Clth, 9.5 x 12.5 in. / 88 pgs / 20 color / 60 b&w. ISBN 9783969990087 u.s. $45.00 cdn $61.00
June/Photography/ Pbk, 5.75 x 8.25 in. / 240 pgs / 128 b&w.
June/Photography/
Dayanita Singh: Museum of Tanpura Dayanita Singh: Museum of Dance

Text by Ahona Palchoudhuri. Mother Loves to Dance
Text by Shohini Ghosh.
A clothbound documentation of Singh’s travels with India’s great classical musicians over
six winters A photographic archive of dance in its manifold forms, from Bollywood to classical dance
In the early 1980s, with her very first camera in hand, Dayanita Singh (born 1961) traveled throughout India for Ever since Museum of Chance (2015), and particularly in her award-winning Museum Bhavan (2017), Dayanita
six winters with the tabla maestro Zakir Hussain, photographing several great classical musicians and creating an Singh (born 1961) has created museums in book form—little offset symphonies that create a fluid space
image archive of them on stage and backstage, in their homes and on the bus transporting them from concert between the museum/gallery and publishing. Now, in Museum of Dance, Singh collects all the images of people
to concert. When the time came for Singh to edit her work into a book, she chose to focus on the tanpura—a dancing that she made in the 1980s and ’90s—from her mother, Nony Singh, her friend and collaborator Mona
long-necked, four-stringed drone instrument that both evokes and supports the musician’s voice, both during Ahmed (subject of Singh’s 2001 visual novel Myself Mona Ahmed), to classical dancers and the renowned
performance and the process of daily practice of riyaz. Museum of Tanpura celebrates the tanpura as a musician’s Bollywood choreographer Masterji. Published to coincide with her traveling retrospective Dancing with the
constant companion, the environments and relationships which bring music into being, and embodies what Singh Camera, this book is Singh’s tribute to dance, as well as her exploration of photography and bookmaking
sees as her greatest lesson from the performers she befriended—the rigor and aesthetics of riyaz. as metaphorical forms of dance—where rehearsed and spontaneous rhythms combine through intuition in
STEIDL unpredictable ways.
ISBN 9783969990513 u.s. $55.00 cdn $76.00 STEIDL
Clth, 11 x 12.75 in. / 96 pgs / 88 b&w. ISBN 9783969990520 u.s. $55.00 cdn $76.00
June/Photography/ Clth, 11 x 12.75 in. / 96 pgs / 88 b&w.
JuneJune/Photography/
International modernist photography from Brazil to Paris HIGHLIGHTS ■ PHOTOGRAPHY
Brassaï: Paris & Picasso

Text by Henry Miller.
A beautifully produced introduction to the Hungarian photographer’s classic

images of bohemian Paris between the wars
In the 1930s Paris was brimming with life, and Brassaï and Picasso were there to make
the most of it—Brassaï portraying the city’s boulevards and gardens, shops and markets,
intellectuals and street life, and Picasso galvanizing its art culture with his innovations. The
two of them quickly became fast friends. For Brassaï (1899–1984), the many contrasts and
contradictions of Paris were a source of endless fascination, from its various underworlds
to the liveliness of its bohemia. He prolifically documented his numerous artist and writer
friends, such as Salvador Dalí, Henri Matisse, Alberto Giacometti, Jean Genet—and Picasso,
whom he first met in 1932 and whose sculptural work he was the first to photograph.
This volume compiles Brassaï’s richly resonant and much-loved black-and-white portraits of
this golden era, with a focus throughout on his many images of Picasso at work and at play. It
Ludwig Robert Doisneau Gisèle Freund: In the Man Ray: includes a text by Henry Miller that provides a flavor of this astounding era.
Wittgenstein: Edited with text by Gabriel Bauret. Oh-So-Distant South Magician on Paper LA FÁBRICA
Photography as An affordable introduction to

Text by Juan Manuel Bonet. Interview by
Juan Álvarez Márquez.
And the Magic of Objects ISBN 9788417769895 u.s. $45.00 cdn $62.00
Hbk, 8 x 9.5 in. / 136 pgs / 106 b&w.
Analytical Practice the great French modernist and
chronicler of Paris
Edited by Christiane Ladleif, Thomas
Levy. Text by Belinda Grace Gardner,
April/Photography/
Edited with text by Verena Gamper, Classic portraits of Spanish Jochen Siemensa.
Hans-Peter Wipplinger. Text by Elisabeth and Latin American icons from EXHIBITION SCHEDULE:
Famous artists and humble laborers; Málaga, Spain: Museo Picasso Málaga, 10/18/21–04/17/22
Kamenicek, Michael Nedo, Ulrich Borges to Kahlo An affordable introduction to the
Richtmeyer, Gregor Schmoll, Joseph nightlife and early-morning streets;
Dada “poet of the darkroom” and
Wang-Kathrein. the horrors of war and the joys of
This hardcover volume presents more his diverse oeuvre
childhood: French photographer Robert
than 100 images from a unique part
The first ever examination of Doisneau (1912–94) tirelessly captured
of German-born French photographer American artist Man Ray (1890–1976)
Wittgenstein as collector, author the polarities and contradictions of
Gisèle Freund's (1908–2000) oeuvre: is one of the most important
and arranger of photographs Paris with his Leica. Robert Doisneau
her portraits of Spanish and Latin representatives of Dadaism and
More than any other modernist

offers an overview of the beloved
photographer’s masterful series in an
American personalities, intellectuals,
writers and artists. These photographs
Surrealism and, based on the
multifaceted character of his work, is
Gertrudes Altschul: Filigree
philosopher, Ludwig Wittgenstein affordable package. This hardcover Edited with text by Adriano Pedrosa, Tomás Toledo. Text by Abigail Lapin Dardashti, Guilherme
follow Freund's life journey, from regarded as the father of numerous Giufrida, Heloisa Espada, Helouise Costa, Paula Victoria Kupfer, Sarah Hermanson Meister.
(1889–1951) maintained a notably volume features iconic works such
her beginnings in Paris, through her avant-garde strains that would seed
unusual relationship to photography. as his Le Baiser de l’Hôtel de Ville,
period of exile in Argentina, her stays the future of photography and film
From an early age he took a particular as well as lesser-known images such The debut monograph on the Brazilian fotoclubismo photographer
in Uruguay, Chile and Mexico, to her throughout the 20th century.
liking to the medium and returned to as Doisneau’s depictions of Jacob
final stage back in Europe. During The catalog brings together roughly
it often, as both a practitioner and a Riis–like squalor in a reemerging This is the first monograph dedicated to the work of the trailblazing German Brazilian
her time in these places, Freund took 100 works from various phases.
collector. The first volume to appraise his postwar Paris. A section is devoted photographer Gertrudes Altschul (1904–62). Featuring an elegant uncoated paper cover with
photographs of important personalities Included in this comprehensive
relationship to photography, this book to Doisneau’s portraits of some stamped lettering, it reproduces all 70 of the artist’s known vintage prints, exploring her main
such as Julio Cortázar, Pablo Neruda, monograph are his photographs
presents his famous and only partially of the most famous 20th-century themes: modern Brazilian architecture, botanical motifs and still lifes. The volume includes a
Nicolás Guillén, Octavio Paz, Alejo and drawings, objects such as his
published photo album from the 1930s; personalities who called Paris home selection of the artist’s archival material, such as contact sheets.
Carpentier, Vicente Huidobro, Jorge famous chess set, sculptures and
photographs of the house for Margarete or were just passing through. These Of Jewish origin, Altschul migrated in 1939 from her hometown, Berlin, to Brazil with
Luis Borges, Norah Borges, Guillermo more. One particular focus is on Man
Stonborough-Wittgenstein that he include portraits of Albert Camus, her husband, fleeing the Nazi regime. She settled in São Paulo, where she divided her
de Torre, Eva Perón, Victoria Ocampo, Ray’s “Rayographs.” Around 1919–20,
designed with Paul Engelmann; the André Malraux, Jacques Prévert, time between photography and the production of flowers for hats in a factory run by the
Angélica Ocampo, María Rosa Oliver, the artist began experimenting with
composite portrait of the Wittgenstein Jean Cocteau, Pablo Picasso, couple. Altschul was one of the few women to be part of the well-known Foto Cine Clube
Joaquín Torres García, Roberto Matta, photograms, positioning everyday
siblings; excerpts from Wittgenstein’s Georges Braque, Alberto Giacometti, Bandeirante (FCCB) in São Paulo, an important group that brought together photographers
Frida Kahlo and Diego Rivera, Rufino objects on photo paper and exposing
various photo booth pictures and Jean Dubuffet, Fernand Léger, Saul aligned with modernist photography in Brazil.
Tamayo, José Clemente Orozco and them to various light sources. The
famously staged self-portraits; excerpts Steinberg, Jean Tinguely and others. MUSEU DE ARTE DE SÃO PAULO/KMEC BOOKS
David Alfaro Siqueiros, among others. blurred contours of these “photos
from his “Nonsense Collection”; his Alongside these portraits are her ISBN 9786557770122
SILVANA EDITORIALE without a camera” exerted a
serial photographic documentations of photographs of the Latin American u.s. $55.00 cdn $75.00
ISBN 9788836649747 great appeal on the Dadaists and
places and people; and a selection of his landscape. Hbk, 8 x 10.75 in. / 224 pgs / 164 b&w.
u.s. $35.00 cdn $47.00 subsequently the Surrealists; the poet
picture-postcard correspondences with March/Photography/Latin American/Caribbean Art & Culture/
Hbk, 9.5 x 11 in. / 176 pgs / 130 duotone. Jean Cocteau described Man Ray as a
family and friends. LA FÁBRICA
April/Photography/ “poet of the darkroom.”
ISBN 9788417769864 EXHIBITION SCHEDULE:
WALTHER KÖNIG, KÖLN u.s. $45.00 cdn $62.00
KERBER São Paulo, Brazil: Museu de Arte de São Paulo, 08/27/21–01/30/22
ISBN 9783753300498 Hbk, 6.5 x 9.5 in. / 160 pgs / 86 color /
Rovigo, Italy: Palazzo Roverella, ISBN 9783735608024
u.s. $45.00 cdn $61.00 FLAT40 17 b&w.
09/23/21–01/30/22 u.s. $40.00 cdn $54.00
Hbk, 10 x 11 in. / 304 pgs. April/Photography/ ALSO AVAILABLE
Hbk, 6 x 8.5 in. / 160 pgs / 91 color /
April/Photography/ Fotoclubismo: Brazilian Modernist Photography
37 b&w.
February/Art/ and the Foto-Cine Clube Bandeirante, 1946–1964
EXHIBITION SCHEDULE: ISBN 9781633450844
Vienna, Austria: The Leopold Museum, Hbk, u.s. $45.00 cdn $63.00
11/12/21–03/06/22 The Museum of Modern Art, New York/
Alex Stoddard: Insex
“Stoddard has an impressive
vision for composition … each one
seemingly marries fear and darkness
with the delicacy of purity and the
organic.” –Juxtapoz
This debut monograph from the Los Angeles–

based photographer Alex Stoddard explores the
parallels between metamorphosis in the natural
world and human coming-of-age. Through
staged, highly stylized images, Stoddard invites
viewers into his magical, colorfully dark world
of budding sexuality and crawling insects. Each
detailed scene features a youthful subject—
often Stoddard himself—in a state of change
or paired with a many-legged counterpart. The
previously unreleased series of 70 images
paints a surreal picture of adolescence and
young adulthood in a glorious frenzy of buzzing
hormones and sprouting wings.
Insex marks the artist’s first cohesive collection
of work, a departure from the stand-alone self-
portraits for which he is known. Drawing on
his childhood in rural Georgia, Stoddard sets
his photographs in a fecund but menacing
natural world, where bodies and flora and fauna
become interchangeable symbols. Stoddard
calls the unbridled metamorphosis in this
volume his “love letter to change.”
Alex Stoddard (born 1993) was raised in
rural Georgia. He is represented by Fahey/
Klein Gallery in Los Angeles and has worked
for select clients and publications such as
Universal Republic Records, Warner Music
Group, Refinery29 and Juxtapoz, among others.
Additionally, Stoddard has exhibited his work
at numerous international venues, including
galleries in Paris, New York City, Brussels
and Luxembourg City. Insex travels as a solo
exhibition in spring 2022.
KERBER Nick Meek: Unreliable Memories

ISBN 9783735608154 u.s. $69.95 cdn $94.95
Hbk, 9.5 x 12.25 in. / 128 pgs / 70 color. A British photographer’s visual mythology of America’s pasts and futures
April/Photography/
For British photographer Nick Meek, growing up in the North of England and raised on Hollywood movies and TV shows,
the American West always seemed a terrain full of golden prospect and possibility. In this luscious photographic portrait,
the country’s highways, motels, national parks, movie theaters, road signs, airports, waterfalls and beaches appear at once
romantic and eerie, optimistic and ironic, hazy and hyperreal, soaked in emotion and overtly artificial.
Here, in washed-out, almost painterly Kodachrome oranges, yellows and pale blues, Meek constructs a Hollywood-style
nostalgia, subtly exaggerating the photographic style and iconography that typically accompany such portrayals of the West,
while nonetheless ingeniously accessing their emotional pull.
The process of remembering entails a certain amount of forgetting. In these photos, Meek mines this gap, creating space for
scenes and meanings that might never have really been there. This is Meek’s debut monograph, compiling a selection from
his acclaimed series, created between 2002 and 2017.
Nick Meek (born 1969) has worked for the New York Times, the New Yorker, GQ, Esquire and others. His photographs were
recently on view at Momentum Fine Art in Miami and the DeSoto Gallery in Los Angeles. Meek was born in England and
divides his time between London and Chamonix, France.
RM
ISBN 9788417975821 u.s. $55.00 cdn $75.00 FLAT40
Flexi, 9.25 x 12.25 in. / 112 pgs / 45 color.
May/Photography/
International postwar portraiture HIGHLIGHTS ■ PHOTOGRAPHY
Arthur Grace: Communism(s) I Am Sparkling: N.V. Parekh

A Cold War Album and His Portrait Studio
Introduction by Richard Hornik.
Clients
An unusually intimate, close-quarters account of daily life in postwar Mombasa, Kenya, 1940–1980
communist countries By Isolde Brielmaier.
Preface by Wangechi Mutu.
For most people in the West, the realities of life behind the Iron Curtain have faded into caricatures of
police state repression and bread lines. With the world seemingly again divided between democracies
A previously unseen trove of Kenyan studio
and authoritarian regimes, it is essential that we understand the reality of life in the Soviet Bloc.
portraits, expressing a photographer’s vision
American photojournalist Arthur Grace (born 1947) was uniquely placed to provide that context.
and a city’s lively identity
During the 1970s and 1980s Grace traveled extensively behind the Iron Curtain, working primarily for
news magazines. One of only a small corps of Western photographers with ongoing access, he was
When the Kenyan-born photographer N.V. Parekh
able to delve into the most ordinary corners of people’s daily lives, while also covering significant
opened his Mombasa portrait studio in 1942, the city
events. Many of the photographs in this remarkable book are effectively psychological portraits that
was galvanized. People came to visit Parekh from all
leave the viewer with a sense of the gamut of emotions in that era.
over East Africa to mark important events such as
Illustrated with over 120 black-and-white images—nearly all previously unpublished—Communism(s)
weddings, reunions, graduations and birthdays. By
gives an unprecedented glimpse behind the veil of a not-so-distant time filled with harsh realities
the 1960s, Mombasans of all ages and backgrounds
unseen by nearly all but those that lived through it. Shot in the USSR, Poland, Romania, Yugoslavia
were visiting the studio by themselves, or with their
and the German Democratic Republic, here are portraits of factory workers, farmers, churchgoers,
friends, spouses or lovers, to stage playful, even daring
vacationers and loitering teens juxtaposed with the GDR’s imposing Social Realist–designed apartment
portraits that enabled them to express and reveal
blocks, annual May Day Parades, Poland’s Solidarity movement (and the subsequent imposition of
themselves uniquely. Depending on his client’s wishes,
martial law) and the vastness of Moscow’s Red Square.
Parekh worked to create portraits that ranged in tone
DAMIANI from formal and elegant to hip or sensual, strongly
ISBN 9788862087674 u.s. $60.00 cdn $82.00 influencing a vibrant visual culture in Mombasa.
Clth, 8.5 x 11 in. / 192 pgs / 121 duotone. ALSO AVAILABLE I Am Sparkling is the first ever overview of this
April/Photography/ Arthur Grace: America 101 historically significant photographer, his clientele and
ISBN 9780979937934 the temporal, geographical and cultural milieu in which
Hbk, u.s. $58.50 cdn $77.50 he flourished. Rarely accessed until now, Parekh’s
Fall Line Press personal archive went out of circulation following his
retirement to Britain in the late 1980s; it was acquired
by the Italian poet and artist Sarenco in 2001. This
volume draws on this photographic archive along with
extensive interviews with Parekh’s diverse clientele, and
BACK IN PRINT is complemented by NYU professor Isolde Brielmaier's
rich historical context and analysis with a particular
Kim Jong Il Looking at Things focus on women as clients of studio photographers. The
Edited by João Rocha. Text by Marco Bohr. artist Wangechi Mutu contributes a preface.
N.V. Parekh (1923–2007) emigrated with his family
The cult classic photobook celebrating the North Korean leader's infinite capacity for from India to Mombasa, where he trained with local
"looking at things" photographers in the 1930s before founding his own
portrait studio in 1942.
Comical and bizarre, Kim Jong Il Looking at Things has become a cult classic among photobook DAMIANI
connoisseurs since its publication in 2015. The book was based upon one of the most followed, shared ISBN 9788862087612 u.s. $50.00 cdn $68.00
and imitated monothematic Tumblr blogs in recent years. Created by João Rocha, an art director at an Hbk, 6.5 x 9.5 in. / 144 pgs / 75 b&w.
advertising firm in Lisbon, the blog is a collection of photographs which depict the former “Dear Leader” April/Photography/African Art & Culture/
of North Korea, often accompanied by military personnel or senior advisers, engaged in the act of looking
at things.
Since the blog's creation in October 2010, Rocha has posted photographs appropriated from the North
Korean Central News Agency, which he matches with deadpan captions: “looking at cows”; “looking at
blue rods”; “looking at pastry”; “looking at a metalworker”; “looking at a DVD labeling machine.” Now
available again after a long period of unavailability, this hilarious book includes an essay by visual culture
writer Marco Bohr.
JBE BOOKS
ISBN 9782365680615 u.s. $49.95 cdn $67.95
Hbk, 6.5 x 9.5 in. / 192 pgs / 176 color.
April/Photography/Asian Art & Culture/

Art photography and photobooks HIGHLIGHTS ■ PHOTOGRAPHY
Wolfgang Tillmans: Sound Is Liquid

Edited by Matthias Michalka. Text by George T. Baker, Diedrich Diederichsen, Elisabeth Karola Kraus,
Élisabeth Lebovici, Matthias Michalka, Felicity D. Scott.
Tillmans’ photographic explorations of human connection and tangibility in dialogue

with our new virtual present
The observation of people—their bodies, movements, relation to surroundings—lies at the core of the
diverse oeuvre that German photographer Wolfgang Tillmans (born 1968) has amassed over the past
three decades. Today, these haptic relations and interactions are undergoing massive shifts in light
of the COVID-19 pandemic and technological change, as the necessity of social distancing and the
migration of everyday life into virtual space transforms how we interact with one another.
Wolfgang Tillmans: Sound Is Liquid reflects on the photographer’s oeuvre against the backdrop of
these societal developments. Accompanying an exhibition at the Museum Moderner Kunst Stiftung
Ludwig (MUMOK) in Vienna, Austria, this catalog features a wide selection of Tillmans’ work from
his early photographs produced in the pop-culture milieu of the 1990s to his acclaimed photographic
Tom Warren: Walter Pfeiffer Lina Scheynius: Pieter Hugo: abstractions, his high-resolution images of the globalized and digitalized reality of the early 21st
century, and photos taken shortly before and during the coronavirus pandemic.
The 1980s Art Scene Edited with introduction by Simon
Castets, Daniel Merritt. Text by Devrim
Touching Solus Volume I WALTHER KÖNIG, KÖLN
in New York Bayar, Dean Kissick, Meredith North,
Jose Segebre, Wayne Koestenbaum. Double-exposed nude
Concerning Atypical Beauty and ISBN 9783753301372 u.s. $55.00 cdn $75.00
Edited by Helga Krutzler, Katherina photography from a master of Youth Pbk, 7.75 x 10 in. / 248 pgs / 300 color.
Zeifang, Nico Zeifang. Text by Gregory de April/Photography/
la Haba, Anthony Haden-Guest, Helga The first ever overview of self-portraiture Portraits of uncommon beauty ALSO AVAILABLE
Krutzler. Pfeiffer's lively artistic output from the author of the acclaimed EXHIBITION SCHEDULE:
Wolfgang Tillmans: What’s Wrong
across mediums from the 1960s The work of Swedish photographer
La Cucaracha Vienna, Austria: Museum Moderner Kunst
with Redistribution?
Insider snapshots of the city's to the present, from A to Z Lina Scheynius (born 1981) captures ISBN 9783863358228
Stiftung Ludwig Wien, 11/27/21–04/24/22
quiet moments of intimacy and hidden Hbk, u.s. $65.00 cdn $87.00
thriving downtown culture, with In Solus Volume I, South African
beauty, as if ripped from the pages Walther König, Köln/
Quentin Crisp, Keith Haring, Kiki Inspired by the illustrated alphabets photographer Pieter Hugo (born 1976)
Smith and more found in abecedariums, this new book of her diary. Raw sexuality and naked
reflects on the values implied by the
on Walter Pfeiffer (born 1946) presents bodies populate her photographs,
fashion industry’s shifting aesthetics
The 1980s in New York were full of playful and illuminating insights into which often feature her close friends
through portraits of street-cast models
contradictions and polarities: on the the Swiss artist’s practice from A to and lovers, and herself, as models.
one hand, the city was marked by high Z, annotated by Pfeiffer himself. The In this latest project, Scheynius works
with analog photography, double-
found in diverse locations such as
London, Paris, New York and South Mark Ruwedel: Between
crime and the AIDS crisis; on the other book also features new texts reflecting
exposing the film—first with images
Africa. Hugo found himself captivated Artist Books, Albums, and Portfolios from the Mark Ruwedel
hand, the economy was booming, on five decades of Pfeiffer’s artistic by sitters with unconventional and
output from an international group of of centuries-old statues, then with her Photography Archive at Stanford
allowing those who profited to live atypical looks, particularly before
curators, critics and writers. At once a own nude body—using self-portraiture Edited by Peter P. Blank. Text by Ann Thomas, Richard White.
decadently. Artists and cultural workers they underwent the machinations of
were attracted to this city of contrasts, meticulously crafted artist’s book and as a bridge across millennia. Both
wardrobe, makeup and hair. Drawn
and dealt critically with issues such a comprehensive monograph, Walter subtle and raw, Scheynius offers here A rare glimpse into the Californian photographer’s little-known
to this uniqueness and recalling the
as politics and gentrification, while Pfeiffer demonstrates the artist’s a groundbreaking photobook for the handmade and limited-edition photobooks
sense of not-belonging that is part
also enjoying a hedonistic lifestyle. sustained commitment to exquisite, 21st century.
of the intense experience of youth,
innovative publications. Although known primarily as a Western landscape photographer, Mark
Photographer Tom Warren (born 1954) JBE BOOKS Hugo’s invitation to the models was:
This book is part of Swiss Institute’s Ruwedel (born 1954) has acknowledged that he fits somewhere “in
was a significant part of the New York ISBN 9782365680561 “simply present yourself.” The resulting
newly redesigned SI Series. Each book between” a host of sometimes competing, sometimes complementary
art scene, gaining notoriety for his u.s. $65.00 cdn $88.00 photographs embrace vulnerability
in the SI Series adds context through inspirations. Ruwedel has cited a highly varied range of artistic influences:
artistic repurposing of vacant spaces Clth, 10.5 x 14.75 in. / 92 pgs / and frailty as much as they do the
seminal essays, archival materials, 19th-century photographers such as Carleton Watkins; 1970s New
in the East Village. This monograph 25 color / 15 b&w. agency and idealism of their subjects.
event transcripts, artist portfolios and Topographics photographers such as Lewis Baltz and Robert Adams;
showcases his photographs from April/Photography/Erotica/ Hugo’s typological study questions
exhibition documentation, as well Earthworks artists such as Robert Smithson and Michael Heizer; and even
this period, with images of Barry fashion’s commodification of youth and
as reprints and new translations of the Surrealists Man Ray and André Breton.
Blinderman, Cornelius Conboy, Quentin the “outsider,” while embracing the
important texts. ALSO AVAILABLE Ruwedel's one-of-a-kind handmade and limited-edition artist's books—most
Crisp, Luis Frangella, Keith Haring, Pat beauty of peculiarity worn with acute
Lina Scheynius: from the Stanford Libraries’ Special Collections—are thought-provoking and
Hearn, Marilyn Minter, Lady Pink, Rene SWISS INSTITUTE/LENZ PRESS awareness and the paradox of craving
My Photo Books often humorous visual essays on his inspirations and influences. Shown
Ricard, Judy Rifka, Sandra Seymour, both difference and conformity.
ISBN 9791280579072 ISBN 9782365680080 together for the very first time in this exhibition catalog, these artist's books,
Kiki Smith, Hannah Wilke, David u.s. $45.00 cdn $61.00 Slip, pbk, u.s. $175.00 RM albums and portfolios provide multiple opportunities to investigate diverse
Wojnarowicz and more. Hbk, 8.5 x 11 in. / 300 pgs / 150 color / cdn $239.00 SDNR40 ISBN 9788417975753 aspects of 19th, 20th and 21st-century art and photographic practices.
HATJE CANTZ 42 b&w. JBE Books/ u.s. $65.00 cdn $88.00 FLAT40
June/Photography/ AUGUST EDITIONS/STANFORD UNIVERSITY LIBRARIES
ISBN 9783775751810 Pbk, 9.5 x 12.5 in. / 176 pgs / 98 color.
u.s. $80.00 cdn $109.00
ISBN 9781947359109 u.s. $40.00 cdn $54.00
March/Photography/
Clth, 10.5 x 12.25 in. / 320 pgs /
EXHIBITION SCHEDULE: Hbk, 17 x 11 in. / 80 pgs / 50 color / 250 b&w.
New York, NY: Swiss Institute, April/Photography/
250 color.
05/01/22–08/29/22

Portraiture and surveys HIGHLIGHTS ■ PHOTOGRAPHY
Céline Bodin: The Hunt

Text by Kathryn Scanlan.
A photographic encyclopedia of Western female hairstyles across the ages
In The Hunt, London-based French photographer Céline Bodin (born 1990) creates a concise
survey of female hairstyles across various periods in time, within the framework of Western
culture. The series reflects upon the pictorial qualities of hair: studying its materiality and
its ability to convey identity, while also recalling the Victorian “hair medallion”—a small,
decorative keepsake made from an ornate curl of a loved one's hair, a pre-photographic
memento that draws connections between portraiture, identity and memory. The figures
appear as ornate statues, each characterized by the aesthetic associations and revisited
stereotypes of their hairstyle. The anonymity of the images presented in The Hunt activates
the mind's associative aptitude, drawing upon one's own fantasies and projections of
sensuality, innocence, order, freedom, frivolity and social rank. Echoing classical art, these
images refer to a mystical icon rather than presenting a portrait of an individual.
RADIUS BOOKS
Michael Hauptman: The Opéra: Volume X Female View Photobooks &
ISBN 9781942185970 u.s. $45.00 cdn $61.00 of Matter and Time Edited with text by Matthias Straub. Text
by Julie Buchik, Jimmy James & Larissa
Women Fashion Photographers A Critical Companion to
Hbk, 7.5 x 10.25 in. / 72 pgs / 20 color. Text by Michael Hauptman. Barddal Fantini, Laura Müller-Sixer, from Modernity to the Digital the Contemporary Medium
April/Photography/Fashion/ Katja Wanke. Age By Matt Johnston.
Landscapes, portraits and more Edited with text by Antje-Britt
Classic and contemporary Mählmann. Text by Nadine Barth, Monika An engaging appraisal of
ALSO AVAILABLE from a leading American fashion Frank, Eugenie Shinkle, Diana Weis.
Peter Gaechter & Bettina photographer interpretations of the photobook culture today and
Clahsen: Fünf Finger Föhn Frisur human body the future of the form
A century of women in fashion
ISBN 9783906803838 This first monograph on the New
Emerging designer Christina Rollny photography Elucidating key issues and themes in
Pbk, u.s. $60.00 cdn York–based photographer Michael
$85.00 FLAT40 Hauptman (born 1984) presents has given Volume X of The Opéra contemporary photobook culture—
an experimental and refreshingly Although the medium of photography from the medium’s post-digital
Edition Patrick Frey a selection of his personal work
youthful look. The issue is divided has been shaped by women for and post-photographic condition to
exploring broad themes of nature,
into “classic” and “contemporary" decades, most photo publications the aims of publishing, issues of
technology and the cosmos. Hauptman
sections: the classic section presents and exhibitions have focused accessibility and the act of reading—
has made work for Beat, Dazed &
black-and-white photography, while the primarily on the male gaze of the Matt Johnston’s Photobooks &
Confused, i-D, The Last Magazine,
contemporary section presents color female body. Throughout the 20th combines research and interviews with
Purple, the New York Times Style
Martien Mulder: Interval Magazine and other major publications. photography.
Photographers include: Evelyn
and 21st centuries, countless female
photographers have worked for
key individuals from the photobook
world. Informed by his experience with
Edited by Stef Bakker. Despite the ostensibly documentary
Bencicova, Markus Burke, Emanuele influential magazines such as Harper’s the Photobook Club project, Johnston
nature of his work, Hauptman often
Centi, Jay Davies, Louise A. Depaume, Bazaar and Vogue, shaping the style examines current trends and practices,
uses digital manipulation on his
A photographic meditation on the empty spaces between time, inspired by Samantha Evans, Anna Försterling, of their time. This book traces the emphasizing connections (made and
photographs, superimposing multiple
Japanese aesthetics Mia Macfarlane and Julien Crouigneau transformation of the photographic missed) between makers and readers.
images onto one another, altering
aka French Cowboy, Rebecca Harris, image from the 1930s to the present Johnston calls for a recalibration of a
a backdrop or placing a fuzzy glow
The Dutch-born photographer Martien Mulder’s (born 1971) new book of images day: from the fashion magazine to the
around a subject to emphasize their Katja Heinemann, Horst Herget, Kenny maker-centric discourse to address
springs from the Japanese concept of ma, which can be described as a pause in time, showroom and the coffee-table book
figure, and to evoke mysteries of time Lemes, Dorian Ulises López Macías, the communicative potential of
an interval, or emptiness in space. Teaming up with Amsterdam-based creatives Stef to videos and digital self-staging in
and space. Shinichi Maruyama, Sara Mautone, the medium: aligning making with
Bakker and Carsten Klein, Mulder embarked on an extensive quest to reveal the ma social media today.
From travelogue photography to Mariam Medvedeva, Henny de la making public.
in his own images, editing from an archive of 25 years of photography. The images in Photographers include: Lillian
luminous landscapes and images of Motte, Justyna Nerang, Okobe, Hanna Contributors include: Alejandro
this book are studies of the in-between; some center on details photographed at such Bassman, Sibylle Bergemann, Louise
the moon, the photographs included Pallot, Remi Rebillard, Red Rubber Acin, Eman Ali, Mathieu Asselin,
close quarters that they lose their context, while others show only the negative space, Dahl-Wolfe, Corinne Day, Madame
in this volume reflect the breadth of Road, Thomas Rusch, Ryuta Sakurai, Sarah Bodman, Bruno Ceschel,
inactivity or quiet nothingness. The viewing direction of the book is not dictated, nor d'Ora, Ingeborg Hoppe, Nadine
Hauptman’s photographic vision. Tobias Slater Hunt, Maxim Vakhovskiy, Natasha Christia, Juan Cires, Ángel
is the beginning or the end, nor the pace: it can be opened to any page at any time, Ijewere, Ute Mahler, Charlotte March,
Eline Vis, Sean Patrick Watters, Luis González, Larissa Leclair, Russet
functioning as an object of contemplation. DAMIANI Sarah Moon, Amber Pinkerton,
Roger Weiss, Dimitros Yeros and Lederman, Dolly Meieran, Olga
ISBN 9788862087629 Lina Zangers. Elizaveta Porodina, Regina Relang, Yatskevich, Michael Mack, Amak
AUGUST EDITIONS
u.s. $60.00 cdn $82.00 Bettina Rheims, Alice Springs (June Mahmoodian, Lesley Martin, Tate
ISBN 9781947359086 u.s. $75.00 cdn $102.00 SDNR40
Hbk, 9 x 12 in. / 192 pgs / 360 color. KERBER Newton), Deborah Turbeville, Ellen von
Slip, pbk, 9 x 12 in. / 356 pgs / 178 color. Shaw, Doug Spowart, Jon Uriarte,
April/Photography/ ISBN 9783735608130 Unwerth and Yva, among others.
February/Photography/ Anshika Varma, and Amani Willett and
u.s. $75.00 cdn $102.00
HATJE CANTZ Tiffany Jones.
Pbk, 9.5 x 12.25 in. / 224 pgs /
117 color / 50 b&w. ISBN 9783775751841 ONOMATOPEE PROJECTS
February/Photography/Journal/ u.s. $48.00 cdn $65.00
ISBN 9789493148659
Hbk, 7.25 x 10 in. / 216 pgs / 120 color. u.s. $25.00 cdn $34.00
May/Photography/Fashion/ Pbk, 6.75 x 9.5 in. / 222 pgs / 13 color.
March/Nonfiction Criticism/
Photography/
Lübeck, Germany: Kunsthalle St. Annen,
03/20/22–07/04/22

A century of photojournalism and portraiture from across the world HIGHLIGHTS ■ PHOTOGRAPHY
Martín Chambi: Alfonso: Madrid: Decisive Moments Alfred Seiland: Margaret Tomasz Gudzowaty: Helga Paris:
Photography Be Wary of Memory Portrait of a City Julián Castilla Collection Iran Courtney-Clarke: Sumo Women at Work
Text by Jan Mulder, Horacio Fernández,
Andrés Garay, François Laso.
Text by Chema Conesa. Text by Antonio Muñoz Molina. Text by Publio López Mondéjar, Juan
Manuel Bonet. Between the Times The Art of African Text by Tomasz Gudzowaty. Text by Helga Paris. Interview by Oliver
Zybok.
A vivid portrait of 20th-century A photographic celebration of the
A Spanish collector's selection
Collisions of past and present in Women A poetical portrait of the world of
Chambi’s chronicles of Andean Madrid, from the father/son great Spanish city, from Alfonso modern-day Iran Text by Maya Angelou, Geraldine Brooks, professional sumo wrestling Paris’ photographic chronicle of a
life and Inca ruins highlight Peru’s of photography's most 1980s factory remains one of her
duo that pioneered Spanish to Thomas Struth Margaret Courtney-Clarke, David
emerging Indigenous discourse iconic moments Goldblatt, Sean O’Toole. foremost accomplishments
photojournalism As in his previous body of work The Polish photographer and
This volume includes more than 150 Imperium Romanum, here Austrian filmmaker Tomasz Gudzowaty (born
Of Indigenous origin, Peruvian This homage to Cartier-Bresson’s Courtney-Clarke’s three-volume In 1984, the German photographer
This monograph compiles work from photographs by some of the greatest photographer Alfred Seiland 1971) is known for the strong sense
photographer Martín Chambi (1891– famous dictum collects some of the photographic research into Helga Paris (born 1938) spent several
the family-owned Spanish photography names in photography, both Spanish (born 1952) depicts astonishing of perfection in his work—clear
1973) dedicated a large part of his most important images by some of the creative spirit and harsh weeks at a state-owned clothing
studio that revolutionized Spanish and international, together with an juxtapositions, chasms and tensions compositions, precisely chosen image
the best photographers of the 20th
life to photographing the Peruvian photojournalism and portraiture in exhaustive essay by the writer Antonio between the persistence of the lives of women in modern- frames, carefully considered down to factory, during which time she shot
century. Featured here are Man Ray’s
Andes, reclaiming the pre-Hispanic the early 20th century. Founded by Muñoz Molina on Madrid's illustrious ancient and the transformations of day Africa, with a fourth the last detail. In Sumo, a photographic more than 1,500 photographs. From
Surrealist portraits of women; Berenice
past through images of Inca ruins and Alfonso Sánchez García (1880–1953), history as a subject for photography. the modern. One of Austria’s first volume of commentary on the tribute to the Japanese national sport, these she selected the 49 powerful
Abbot’s images of a modernizing
portraits of life in Andean communities the studio’s fame was achieved by It includes the brilliant photographs of photographers to work exclusively acclaimed series Gudzowaty confronts his subject images that make up the series
in the early 20th century. Chambi’s New York; and Alberto Korda’s iconic Women at the Clothing Factory
his son Alfonso Sánchez Portela Alfonso, perhaps the greatest graphic in color, Seiland creates images that with the rebellious aesthetic of are-
work brings a new perspective to portrait of Che Guevara. Presenting VEB Treff-Modelle Berlin. These
(1902–90), who operated under the chronicler of Madrid at the beginning feel both sensuous and political This collection summarizes Margaret bure-bokeh, which means “rough,
photography of the time, highlighting the work of 58 photographers from photographs capture her subjects
same single-name moniker. Known of the 20th century; the prewar and as he simultaneously addresses Courtney-Clarke’s (born 1949) 15-year blurred, out of focus.” This visual style
the emerging Indigenous discourse the collection of Julián Castilla, this engaged in their work or taking
as "the photographer of Madrid," wartime images of Henri Cartier- ancient Persia and contemporary Iran journey, from 1979 to 1994, across developed in Japan in the 1960s as
that was starting to gain force in essential volume of 20th-century cigarette breaks, conveying the
Alfonso documented both historical Bresson, Robert Capa and Gerda Taro; through its architecture, people and South, West and North Africa to a countercurrent to the prevailing
South America. While he was not the photography is accompanied by serenity and beauty of the sitters in
and everyday events—from the war the postwar portraits of William Klein, landscapes. capture the artistic traditions of rural aesthetic norm of photojournalism.
first to photograph Machu Picchu, essays from Spain’s leading authors on their brief moments of tranquility amid
in Morocco to the proclamation of Francesc Català-Roca and Ramón Sometimes the collision of past and women through photographs, sketches In this latest series, Gudzowaty
Chambi was among the first Peruvian photography, exploring the evolution of the factory environment. Helga Paris:
the Republic and the Civil War that Masats, among others; the post-Franco present is shocking and sudden, and written observations. photographs not only the wrestlers
chroniclers of the Inca citadel. Drawing the medium. Women at Work collects the entire
followed. Definitive authors of modern developing society immortalized and not necessarily attributable to Originally published in three separate in the throes of combat, but also life
on Machu Picchu’s geometric forms, Photographers include: Berenice series and gathers it in a format that
Spanish visual memory, the studio also by photographers from Spain and modernization: for example, one books between 1986 and 1996, within the training stables where
Chambi’s work entered a new phase in Abbott, José Manuel Ballester, Robert is affordable to a wider audience. This
captured portraits of important 20th- elsewhere such as Gianni Ferrari; photograph in the series depicts Arg-e these photographs have been widely these young men live, eat and sleep
which shape, space and texture build Capa, Henri Cartier-Bresson, Francesc beautifully designed volume features
century figures, including Machado, the mythical images of the Movida in Bam, once the largest adobe building exhibited, becoming influential for their together. The result is an extension of
toward more complex compositions Català-Roca, Christo and Jeanne- a linen-bound printed cover with
Sorolla, Franco and Queen Victoria Madrid by Alberto García-Alix; and the in the world, which was almost entirely nuanced treatment of identities shaped Gudzowaty’s previous documentary
and starker contrasts, making him an Claude, Robert Doisneau, Elliott Erwitt, embossed text.
Eugenia—along with prisoners, cultural and economic environment razed to the ground by a 6.6-magnitude by both tradition and colonization. The work, and a stunning black-and-white
emblem of contemporary documentary Philippe Halsman, Horst P. Horst,
executioners and ordinary people. The of the 21st century through the earthquake in 2003, which killed Art of African Women presents the portrait of a remarkable sport within
André Kertész, William Klein, Alberto WEISS BERLIN
photography in Peru and Latin America. photographs from both father and son eyes of Cristina García Rodero and around 32,000 people. books Ndebele, African Canvas and a society strongly shaped by both
Korda, Chema Madoz, Vivian Maier, ISBN 9783948318147
This gorgeous clothbound volume paint a vivid portrait of Madrid and its Thomas Struth. Imazighen, reedited by Courtney-Clarke tradition and modernity.
Ramón Masats, Nicolás Muller, Man HATJE CANTZ u.s. $49.95 cdn $67.95
compiles 170 of Chambi’s black-and- evolution from a provincial city at the Photographers include: Alfonso, and redesigned, alongside a fourth
Ray, Carlos Saura, Alfred Stieglitz, Juan ISBN 9783775747899 HATJE CANTZ Clth, 7.75 x 10.5 in. / 120 pgs / 49 b&w.
white images. beginning of the century to the great Robert Capa, Henri Cartier-Bresson, volume of writings by Maya Angelou,
Ugalde and more. u.s. $75.00 cdn $102.00 ISBN 9783775751957 March/Photography/
contemporary city that it is today. Francesc Català-Roca, Raymond Geraldine Brooks, David Goldblatt and
RM Hbk, 11 x 12.5 in. / 200 pgs / 150 color. u.s. $75.00 cdn $102.00
Depardon, Alberto García-Alix, Cristina LA FÁBRICA Sean O’Toole, encompassing history,
ISBN 9788417975814 LA FÁBRICA July/Photography/Middle Eastern Art & Pbk, 7 x 9 in. / 432 pgs / 300 color.
García Rodero, William Klein, Ouka ISBN 9788417769857 politics, sociology, anthropology and
u.s. $55.00 cdn $75.00 FLAT40 Culture/ May/Photography/
ISBN 9788417769871 art history, as well as pages from
Clth, 9.5 x 11.25 in. / 192 pgs / 170 b&w. Leele, Ramón Masats, Inge Morath, u.s. $42.00 cdn $57.00
u.s. $45.00 cdn $62.00
March/Photography/ Francisco Ontañón, Carlos Saura, Hbk, 9.5 x 12.25 in. / 176 pgs / 12 color Courtney-Clarke’s travel journals, her
Hbk, 6.5 x 9.5 in. / 240 pgs / 200 b&w.
Thomas Struth, Gerda Taro and / 80 b&w. book layouts and snapshots.
April/Photography/
Miguel Trillo. April/Photography
STEIDL
LA FÁBRICA EXHIBITION SCHEDULE: ISBN 9783958298811
ISBN 9788417769932 u.s. $95.00 cdn $132.00
Ciudad Real, Spain: Museo de Arte
u.s. $50.00 cdn $68.00 Contemporáneo de Villanueva de los Slip, pbk, 4 vols, 8 x 8 in. / 392 pgs / 137
Hbk, 9.5 x 12 in. / 288 pgs / 124 color / Infantes, 06/05/21–05/15/22 color / 60 b&w.
35 b&w. June/Photography/African Art &
April/Photography/ Culture/

Contemporary American painting HIGHLIGHTS ■ ART
Devan Shimoyama: All the Rage Kehinde Wiley:

Edited by Amely Deiss, Stadt Erlangen. Text by Amely Deiss, Alexis Pauline Gumbs,
Evan Moffitt, Adriano Sack.
A Portrait of a
Young Gentleman
A painterly kaleidoscope of Black queer life Edited with text by Melinda McCurdy. Text by
Malik Gaines, Kimberly Chrisman-Campbell.
Bright paint, sequins, rhinestones, fabric, feathers: the paintings of Pittsburgh-
based artist Devan Shimoyama (born 1989) resemble midsummer night dreams Presenting Kehinde Wiley’s hotly
of alternative masculinities. A graduate of the Yale School of Art, Shimoyama anticipated response to a legendary
embraces the pain and joy of Black and queer life in psychedelic day-glo colors. Gainsborough portrait
The majority of his works depict Black men transposed into allegorical scenes
from Greek mythology and tarot imagery (Shimoyama has stated that he wants This volume presents A Portrait of a Young
the figures in his work to be perceived as "both desirable and desirous"); for Gentleman, a new portrait by Kehinde Wiley
example, Abduction of Ganymede depicts a figure resembling the artist swept (born 1977), commissioned to mark the
up in the air by Zeus in the form of an eagle. The painting deploys Shimoyama’s centennial of the acquisition of Blue Boy by
signature materials: Ganymede’s eyes are rhinestones and costume jewelry, and Henry and Arabella Huntington. The Huntington
the eagle’s wings are gilt. Library, Art Museum, and Botanical Gardens
This lavishly designed catalog, produced for his first institutional solo exhibition in places Wiley's painting in conversation
Europe, provides an excellent introduction to Shimoyama’s electrifying art. with Thomas Gainsborough's 18th-century
HATJE CANTZ masterpiece. A deep connection exists
ISBN 9783775751698 u.s. $48.00 cdn $65.00 between the museum’s most famous painting
Hbk, 9.5 x 11 in. / 176 pgs / 90 color. and the artist who is known for creating one
February/Art/African American Art & Culture/LGBTQ/ of the most beloved presidential portraits of
our time. A native of Los Angeles, Wiley has
often spoken about his childhood visits to the
Huntington’s British portrait gallery and how
they inspired him to become an artist.
Richly illustrated with portraits by Wiley and by
18th-century masters such as Gainsborough,
Joshua Reynolds and Thomas Hudson, this
book offers insight into the evolving history of
portraiture and the representation of power. An
Sarah Cain: Enter the Center essay by Malik Gaines, Associate Professor of
Edited with interview by Ian Berry. Text by Andy Campbell, Lauren Haynes. Poem by Bernadette Mayer. Performance Studies at New York University’s
Tisch School of the Arts, investigates Wiley’s
The most comprehensive publication to date on Sarah Cain’s exuberant paintings and postmodern strategy of inserting Black
installations subjects into canonical European settings. An
essay by fashion historian Kimberly Chrisman-
Los Angeles–based painter Sarah Cain (born 1979) works on canvases of all sizes, often modifying Campbell situates Wiley’s work within the
them by cutting and braiding, painting on all sides and installing the canvas with the back of the traditions and trappings of 18th-century grand
painting facing the viewer. She also paints on other surfaces, including interior and exterior walls, manner portraiture.
floors and dollar bills. She uses vivid colors and shapes, and often includes found objects such as THE HUNTINGTON LIBRARY, ART MUSEUM,
jewelry, pompoms, hula hoops and other items she has a personal attachment to. AND BOTANICAL GARDENS
Cain’s process often involves altering and disfiguring a composition until the original image is no ISBN 9781646570201 u.s. $40.00 cdn $54.00
longer recognizable. The creation and destruction of her paintings is part of Cain’s process that, in Hbk, 7.5 x 9.5 in. / 72 pgs / 25 color.
part, revolves around self-discovery. Cain describes herself as a feminist painter, using elements March/Art/African American Art & Culture/
that are traditionally seen as feminine and “girly” as an act of nonconformity and antipathy to the
patriarchal hierarchies of painting. “Almost everything about Cain’s paintings—their speed, their
brashness, their noodling compositions, their splashes and spray-painted scribbles, their tacky
accouterments, their sense of absurdity—seems to undermine the gravitas that large-scale painting
traditionally projects,” wrote Jonathan Griffin, in the New York Times.
Sarah Cain: Enter the Center features new writings and previously unpublished photographs and
documentation of dozens of artworks with a focus on the last decade of Cain’s exuberant and unique
San Marino, CA: The Huntington Library, Art Museum, and Botanical Gardens, 10/02/21–01/03/22
paintings and installations.
DELMONICO BOOKS/TANG
ISBN 9781636810140 u.s. $39.95 cdn $53.95
June/Art/ ALSO AVAILABLE Kehinde Wiley:
Kehinde Wiley: The World Stage: Haiti
The World Stage: Israel ISBN 9780991488926
Saratoga Springs, NY: The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Hbk, u.s. $40.00 cdn $54.00
ISBN 9781427613752
07/10/21–01/02/22 Roberts & Tilton/
Hbk, u.s. $40.00 cdn $54.00
Roberts & Tilton

HIGHLIGHTS ■ ART
Robert Houle: Red Is Beautiful FACSIMILE EDITION
Edited with foreword and text by Wanda Nanibush. Text by Alanaise Mary Heilmann:
Onischin Ferguson, David Penney, Duke Redbird, Faye HeavyShield,
Gerald Vizenor, Jamelie Hassan & Ron Benner, Jessica L. Horton, Kay The All Night Movie
WalkingStick, Mark A. Cheetham, Michael Bell, Stephen Borys. Text by Jutta Koether.
Houle’s painting blends Western abstraction, ‘‘The All Night Movie is the story of my life told in words,
postmodernism and conceptualism with First Nations art painted images and photographs.” –Mary Heilmann
history and techniques, challenging expectations about
Indigenous aesthetics Created by Mary Heilmann in 1999, The All Night Movie beautifully
wraps a memoir inside a monograph, creating an artist’s book in
An extensive survey spanning more than 50 years, Robert which each page is designed as though it were a painting. The artist
Houle: Red Is Beautiful celebrates Houle’s ongoing career as an delicately utilizes color, text, candid photographs, reproductions
internationally recognized Indigenous artist, curator and writer, of paintings and song lyrics that unfold seamlessly to create an
calling attention to First Nations and settler-colonialist histories immersive visual experience. Across eight chapters, Heilmann
through the critical lens of his impressive oeuvre. Painful personal recounts her life, from her childhood in California through New York
experiences from the time he spent in residential school as a in the 1990s, providing intimate insight into the development of her
youth are brought into sharp relief through painting. Houle’s work, friendships and formative life experiences.
visual commentary tackles global topics including commercial Snapshots by the artist and others provide a portrait of Heilmann’s
appropriation, Indigenous resistance movements, land rights, evolving artistic community, which included Gordon Matta-Clark,
religion and war, among others. A leader in challenging systemic Pat Hearn, Dicky Landry, Jack Pierson, Keith Sonnier, Pat Steir,
racial biases, Houle has played a significant role at successfully William Wegman and Jackie Winsor, among others. And this is
introducing Indigenous art and its relationship to the contemporary just the first half of the book: included with the artist’s memoir
art world in Canada and beyond. Rare excerpts from the artist’s is an essay by Jutta Koether and a survey of paintings from 1972
archive are featured alongside major scholarly texts, poetic writings to 1999. This highly revered and extremely scarce publication
and personal anecdotes from fellow prominent Indigenous thinkers was codesigned with Mark Magill and is reproduced here as a
and creators, offering new insights about an artist ahead of his time. facsimile edition.
Robert Houle (born 1947) teaches at the OCADU and has Mary Heilmann was born in San Francisco in 1940. She studied
collaborated on projects that seek to establish awareness of First at the University of California at Santa Barbara, San Francisco
Nations contemporary art, such as the Land, Spirit, Power exhibition State University and the University of California at Berkeley before
at the National Gallery of Canada in 1992. He is represented by moving to New York in 1968. Heilmann began her career creating
Kinsman Robinson Galleries in Toronto. sculptures and moved into abstract painting once on the East
DELMONICO BOOKS/ART GALLERY OF ONTARIO Coast, experimenting with bright colors and unusual geometries
ISBN 9781636810379 u.s. $39.95 cdn $53.95
that bridge two-dimensional and three-dimensional elements.
Clth, 10.25 x 10.25 in. / 252 pgs / 200 color. She has been the recipient of the Anonymous Was A Woman
February/Art/ Foundation Award, as well as a Guggenheim Foundation award.
PRIMARY INFORMATION
ISBN 9781736534656 u.s. $24.00 cdn $33.00
Toronto, Canada: Art Gallery of Ontario (AGO), 12/03/21–04/03/22
Pbk, 9.25 x 12.25 in. / 148 pgs / 148 color.
Alberta, Canada: Contemporary Calgary, Summer 2022
April/Art/Artists' Books/Biography/
Winnipeg, Canada: Winnipeg Art Gallery, Fall 2022
Washington, DC: Smithsonian, National Museum of the
American Indian, 2023–24

Modernist painting HIGHLIGHTS ■ ART
Dalí – Freud: An Obsession Mark Rothko: 1968 Clearing Away

Edited with text by Stella Rollig, Jaime Brihuega Sierra. Text by Stephanie Auer, Juan Manuel Bonet, Ulrike Text by Eleanor Nairne, Christopher Rothko.
Kadi, Robert S. Lubar, Agustín Sánchez Vidal, Ingrid Schaffner.
A handsome introduction to Rothko’s rarely seen jewel-like paintings on paper
“Freud’s cranium is a snail! His brain is in the form of a spiral—to be extracted with a of the late ’60s
needle!” –Salvador Dalí
This volume brings together key paintings from Rothko’s (1903–70) renowned body of work
On July 19, 1938, Spanish painter Salvador Dalí (1904–89) traveled to the London home of Sigmund made in the late 1960s—a significant and prolific period in the artist’s life.
Freud, who had just arrived in the UK after escaping Nazi-occupied Vienna. Dalí brought with him a In the wake of a particularly difficult bout of ill health, Rothko was forced to reduce the scale
painting, The Metamorphosis of Narcissus, and a magazine article he had written on paranoia. This of his practice from his signature monumental canvas to more intimately sized paper. Despite
emissary of Surrealism had long hoped to meet Freud; he had read translations of Freud’s writings physical limitations, Rothko worked feverishly with a renewed enthusiasm for color, delighted
since the early 1920s and had studied them extensively. He asked their mutual friend, the Austrian by the effect of acrylic paint, which he had newly discovered.
author Stefan Zweig, to arrange the meeting. In an intimate introduction, Christopher Rothko writes of the artist's shift in scale and the
This famous encounter of two legends is the basis of this beautiful volume, bound in imitation red parallel between the viewer's experience with the paintings and his father's own creation
leather and featuring foldout plates of Dalí’s work. Dalí - Freud: An Obsession explores how the of them. Eleanor Nairne explores Rothko's trajectory, tracing his early works and experience
Surrealist was inspired by and used Freud’s theories to generate his compositions. A great variety of painting through the Seagram paintings and chapel commission to these works on paper. The
Dalí’s oeuvre is surveyed in this book, including his paintings, sculptures, photographs, films, books, book is produced on the occasion of the inaugural exhibition at Pace Gallery's new gallery
magazines, letters and other documents. In addition, this volume explores his encounters with other space in London's Hanover Square.
artists, such as Federico García Lorca, Luis Buñuel and Santiago Ramón y Cajal. Dalí - Freud: An
Obsession also crucially examines how psychoanalysis helped Dalí process his complex childhood and PACE PUBLISHING
use it in his paintings. ISBN 9781948701471 u.s. $45.00 cdn $61.00
Hbk, 9.5 x 12.5 in. / 96 pgs / 45 color / 3 b&w.
WALTHER KÖNIG, KÖLN January/Art/
ISBN 9783753301334 u.s. $49.95 cdn $67.95 FLAT40 ALSO AVAILABLE
Hbk, 6.5 x 9.5 in. / 332 pgs / 191 color. Oui: The Paranoid-Critical EXHIBITION SCHEDULE:
May/Art/ Revolution London, UK: Pace Gallery, 10/08/21–11/13/21
ISBN 9781878972224
Pbk, u.s. $13.95 cdn $19.95
Exact Change
FACSIMILE EDITION
Hilma af Klint and The Five’s Sketchbooks Françoise Gilot: The Years in France
No. S2, S6 and S13: 5 October 1896–10 January 1906
Edited by Elisa Farran, Annie Maïllis.
A three-volume slipcased facsimile of sketchbooks from Hilma af
Klint and her Spiritualist circle Portraits, abstraction and more from Gilot's neglected early years
Hilma af Klint (1862–1944) was a pioneer of modern abstract art who turned Françoise Gilot’s (born 1921) “French years” reveal an oeuvre that remains too
away from the visible, physical world to embrace a spiritual reality in both her life little known, especially in France: after all, Gilot had dared to leave Picasso, who
and work. In 1896, together with Anna Cassel (1860–1937), Cornelia Cederberg had instructed galleries and critics to reject her, and had told the story of her life
(1854–1933), Sigrid Hedman (1855–1922) and Mathilda Nilsson (1844–1923), af with him in a bestselling volume, and had migrated to the US. Published for the
Klint left the Edelweiss Society—a group which combined Christian concepts artist’s 100th birthday, this book attempts to correct this deliberate eclipse of her
with ideas of Theosophy and Spiritualism—and established The Five. The all- accomplishment as a painter.
female group, which met every Friday in Stockholm to practice group meditations “I don’t paint what I see but rather what concerns me”: whether in painting,
and séances, believed they could channel mystic beings whom they called the drawing or engraving, in her still lifes or in her portraits of Picasso and her
High Masters, with names such as Amaliel, Ananda and Gregor. In trancelike children, in her choice of figurative art or abstraction, this dictum holds true.
states, the women transcribed the messages from these High Masters via Throughout these shifts, an aptitude for pure, brilliant color would become her
automatic writings and drawings into a series of shared sketchbooks, resulting trademark, as in the Labyrinth Series, in which Theseus, her mythical alter ego,
in a kaleidoscope of collective and raw work that is firmly rooted in the loses his bearings in order to find himself. Containing more than 90 color images
spiritual realm. of her paintings and drawings, this hardcover book gives a complete overview of
Over the course of the group’s existence, up until 1908, they filled 15 such this formative moment in her career.
sketchbooks, three of which have been reproduced in facsimile form for the first SILVANA EDITORIALE
time and are presented in this sumptuous slipcased edition. The set includes ISBN 9788836649600 u.s. $35.00 cdn $47.00
sketchbook nos. 2, 6 and 13, dating from October 1896 to January 1906, and Hbk, 9.5 x 10.25 in. / 120 pgs / 90 color.
provides a rare look into the early influential years of af Klint’s artistic and spiritual April/Art/
practice.
BOKFÖRLAGET STOLPE
ISBN 9789189425415 u.s. $35.00 cdn $47.00 SDNR40
Slip, pbk, 3 vols, 10.25 x 12.25 in. / 108 pgs / 108 b&w.
March/Art/

Abstract Expressionism and its legacies in the Americas HIGHLIGHTS ■ ART
Arshile Gorky: Beyond The Limit

Text by Parker Field, Pepe Karmel.
The astounding story of a newly discovered Gorky painting
In 1946, Arshile Gorky (1904–48) spent the summer at Crooked Run Farm in Lincoln, Virginia. In this time he produced
almost 300 drawings, including a study for one of his most remarkable paintings, The Limit (1947)—which he described
as the outcome of being "so lonely, exasperated, and how to paint such empty space—so empty it's the limit." Also
among Gorky’s output that summer was a related series later referred to as the Virginia Summer drawings. During a
2020 treatment on The Limit, conservators discovered another work nested behind it—an expressively painted canvas
immediately recognizable by its relationship to the Virginia Summer drawings. Beyond The Limit reveals this newly
discovered painting, referred to as Untitled (Virginia Summer). A series of brushstroke details positions readers close to
both canvases, along with a plate section that presents both paintings, select drawings and reference works.
HAUSER & WIRTH PUBLISHERS

ISBN 9783906915678 u.s. $45.00 cdn $61.00
Leon Polk Smith: Mary Obering Maria Martins: NEW REVISED EDITION
February/Art/
Prairie Moon Introduction by Lynn Zelevansky. Text by
Tropical Fictions Mira Lehr:
Edited with text by Lynn Zelevanksy. Text
Matthew Levy.
Edited with text by Isabella Rjeille. Text Arc of Nature
by Elizabeth Buhe, Lawrence Alloway. by Alyce Mahon, Beverly Adams, Joanna Text by Eleanor Heartney, Irving Sandler,
Fifty years of Mary Obering’s deft Fiduccia, Veronica Stigger, Tirza True Thom Collins, Joseph Treaster.
blend of Old Master techniques
Helen Frankenthaler: Painterly Constellations A half century of hard-edged
abstraction: selected works by
and Minimalist principles
Latimer, Terri Geis, et al.
Text by Douglas Dreishpoon, Nadine Engel, Mary Gabriel, Peter Gorschlüter, Elizabeth Smith, Florian Steininger.
Images and allegories of
Polk Smith Eroticism and Amazonian ecological damage from “the
A historical overview of New York– mythologies in the sculpture of
A superbly curated dialogue between paintings and works on paper spanning Frankenthaler’s based painter Mary Obering (born godmother of Miami’s art scene”
While recognized as a forerunner of an overlooked Brazilian Surrealist
trailblazing career 1937) from 1972 to 2012, this volume
American hard-edge painting, whose At the age of 87, Brooklyn-born,
explores the artist’s geometric A leading figure in New York’s
innovative abstractions of the 1950s Miami-based artist Mira Lehr (born
In this volume, around 70 works on paper from the late 1940s to the early 2000s are juxtaposed with a selection abstraction that draws on Renaissance Surrealist circles and in Latin American
were highly influential, Leon Polk Smith 1936) continues to work every day
of paintings—around 10 key works—from each phase in the august career of Helen Frankenthaler (1928–2011). techniques. Born in Shreveport, modernism, the Brazilian artist Maria
(1906–96) often went unappreciated in her studio, creating ecologically
For example, the monumental work Salome (1978) is set alongside stylistically related paintings on paper from Louisiana, in 1937, Obering studied Martins (1894–1973) was known
during his lifetime. This publication informed images inspired by and
the same year. Similarly, the watercolor Great Meadows (1951), from the collection of the Museum of Modern experimental psychology at Hollins for her bronze sculptures of hybrid
chronicles the 2021 exhibition at Lisson depicting nature, on canvas and rice
Art, New York, functions as a decisive precedent for the staining and dripping procedures created the following College and Harvard University before and mythological figures. Through
Gallery, featuring works spanning paper. Lehr uses not only paint but
year, most famously Mountains and Sea (1952)—the key Abstract Expressionist painting in Frankenthaler’s pursuing an MFA at the University her marriage to a Brazilian diplomat,
nearly 50 years of his career, from his also explosives and fire; the resulting
oeuvre. In some phases the medium of paper dominates, especially in the later work—abstract landscapes with of Denver. The artist moved to SoHo Martins built a large part of her career
struggle with the legacy of Mondrian destruction is integral to the meanings
a horizon as well as polychrome color fields. in the early 1970s, where she was outside Brazil, having lived in New York
to his impact on the language of of these works, which seek to increase
The majority of the works depicted in the catalog come from the Helen Frankenthaler Foundation in New York, quickly included in exhibitions such as in the 1940s, when she was part of
abstraction and his acknowledgment, awareness about climate disaster. This
supplemented by private collections and institutions. a 1973 Carl Andre–curated exhibition the city’s expat Surrealist community.
later in life, of the influence on his concern has been a part of her thinking
EXHIBITION SCHEDULE: at Artists Space and the second This survey examines Martins’ central
WALTHER KÖNIG, KÖLN art of the rural prairies of Oklahoma, as far back as her young adulthood,
Vienna, Austria: Kunstmeile Krems, 2022 ever Whitney Biennial in 1975. This and active role in Surrealism (in a
ISBN 9783753301310 u.s. $45.00 cdn $61.00 FLAT40 Essen, Germany: Museum Folkwang, 2022–23 where he grew up, and the importance studying under Hans Hoffman with
publication celebrates nearly a half counterpart to the narratives about her
Hbk, 11.25 x 10 in. / 192 pgs / 90 color / 3 b&w. of his Cherokee heritage. Robert Motherwell. In 1969, she
century of the artist’s career, featuring romantic involvement with Duchamp),
July/Art/ This fully illustrated catalog features was chosen by Buckminster Fuller
the distinct series within her oeuvre. It her interpretation of Amazonian
new scholarship by curator and editor to participate in his World Game.
highlights developments in Obering’s mythologies and iconography from the
Lynn Zelevanksy and art historian Since the 1960s, she has been an
practice with materials, methods and outset of her career, and her female
Manoucher Yektai Elizabeth Buhe, and a reproduction of
a 1968 essay by the legendary critic
inspirations ranging from Italian Old
Masters to her studies of science.
perspective on themes of desire and
important voice in the Miami art scene,
co-founding the first artist co-op for
Text by Robert Slifkin, Media Farzin, Fereshteh Daftari, Biddle Duke. Conversation with Hadi Fallahpisheh, Tahereh Fallahzadeh. Lawrence Alloway. Representing three eroticism.
Mary Obering includes essays from women there. This updated monograph
generations, their diverse perspectives MUSEU DE ARTE DE SÃO PAULO/ collects work contained in the previous
curator Lynn Zelevansky and writer
The first thorough overview of a long-neglected Abstract Expressionist provide a rich and complex
Matthew Levy, as well as installation KMEC BOOKS 2014 edition (published by Hudson
discussion og the artist’s legacy, and ISBN 9786557770108 Hills), as well as new work created
documentation and photography of the
With decadent colors, loose brushstrokes and heavy-handed impasto, the paintings of the Iranian American artist unprecedented insight into his career. u.s. $60.00 cdn $82.00 between 2015 and 2021.
artist’s studio.
Manoucher Yektai (1921–2019) fuse Eastern and Western traditions, synthesizing a unique blend of abstraction and Hbk, 8 x 10.75 in. / 304 pgs /
LISSON GALLERY SKIRA EDITORE
figuration that owes as much to Franz Kline as it does to Cézanne and the poetry of Rumi. INVENTORY PRESS/KAYNE GRIFFIN/ 162 color / 49 b&w.
ISBN 9780947830830 BORTOLAMI GALLERY ISBN 9788857246321
Influenced by his early life in Iran and his visits to Paris, and by the New York School, Yektai is recognized as one of the few March/Art/Latin American/Caribbean
u.s. $50.00 cdn $68.00 u.s. $75.00 cdn $102.00
Abstract Expressionists who also continued working in the still-life genre. An accomplished poet, he approached the act of ISBN 9781941753491 Art & Culture/
Hbk, 9.25 x 11.5 in. / 128 pgs / 78 color. u.s. $40.00 cdn $54.00
Hbk, 10 x 11.75 in. / 420 pgs / 350 color.
painting with the melodic sensibility of his own free-verse poems. February/Art Hbk, 8 x 10.5 in. / 192 pgs / 120 color. EXHIBITION SCHEDULE:
March/Art/
This fully illustrated monograph, featuring essays by Robert Slifkin, Fereshteh Daftari, Media Farzin and Biddle Duke, as well
March/Art/ São Paulo, Brazil: Museu de Arte
as a conversation between Hadi Fallahpisheh and Tahereh Fallahzadeh, charts the artist's output over the course of the late
de São Paulo Assis Chateaubriand,
1950s to the early 2000s, spotlighting his novel consideration of form, color and space.
EXHIBITION SCHEDULE: 08/27/21–01/30/22
KARMA BOOKS, NEW YORK New York, NY: Bortolami Gallery, Rio de Janeiro, Brazil: Instituto Casa
ISBN 9781949172683 u.s. $60.00 cdn $82.00 01/07/22–02/12/22 Roberto Marinho Rio de Janeiro,
Hbk, 7.25 x 9 in. / 592 pgs / 500 color. 03/12/22–06/26/22
March/Art/

Contemporary figurative painting in the US and Europe HIGHLIGHTS ■ ART
Annette Messager: Tête à Tête Drawings

Interview by Hans Ulrich Obrist.
The first comprehensive collection of Annette Messager’s speculative,

mythical drawings
This is the first comprehensive collection of Annette Messager’s (born 1943)

drawings, including 142 works made over the last ten years, which constitute
an invaluable lexicon to the mind and work of a trailblazing iconoclast. Messager
redefined the role of women making art and the very nature of sculpture—
accomplishments that won her the coveted Golden Lion for best national pavilion at
the 51st Venice Biennale in 2005 and the Praemium Imperiale for sculpture in 2016.
Messager’s subjects range from animal to human, feminist activists to devotional
figures, skeletons to ghosts. She broaches the grand themes of love, life and death,
as well as the fairy tales, mythologies, superstitions and vanities that lie beneath.
The book includes a conversation between Messager and Hans Ulrich Obrist from
Ahmed Morsi: Nachume Miller: Frederic Tuten: Richard Estes: June 2021.
A Dialogic Behind the Painting On a Terrace in Voyages HENI PUBLISHING
Imagination Text by Danny Miller, Jil Cole, George

Leonidou.
Tangier Edited by Jason Beard. Text by Patterson
Sims. Interview by Hans Ulrich Obrist.
ISBN 9781912122493 u.s. $45.00 cdn $62.00
Hbk, 7.75 x 10.25 in. / 228 pgs / 142 color.
Edited by Hoor Al Qasimi, Salah M. Works on Cardboard March/Art/
Hassan.
A revelatory compilation Edited by Karen Marta. Interview by A concise selection of
Hans Ulrich Obrist. Text by Frederic ALSO AVAILABLE Annette Messager:
of sketchbook pages from Photorealist gems from a
A comprehensive introduction to Tuten. Annette Messager: Interdictions
a protagonist of 1970s New celebrated veteran of the genre
the diverse visionary oeuvre of a Mes Badges ISBN 9791090490567
York painting
nomadic polymath Charming, riotous paintings from Based in Maine and New York, Richard
ISBN 9791090490079 Pbk, u.s. $25.00 cdn $34.50
the celebrated, multitalented Pbk, u.s. $39.95 cdn $53.95 FLAT40
Nachume Miller (1949–98) was a Estes (born 1932) is a pioneer of Editions Dilecta Walther König, Köln
A painter, poet, printmaker and critic,
German-born Israeli painter who author of My Young Life and Photorealist painting and its most
New York–based Egyptian artist
became well known in the US after Tintin in the New World devoted and accomplished practitioner.
Ahmed Morsi (born 1930) has created
immigrating to New York City in 1974. His work is defined by a profound
a diverse body of work ranging from Working on cardboard and canvas, the
Miller’s first major exhibition was commitment to the quotidian truths
paintings and artist’s books to prints acclaimed New York–based novelist, NEW REVISED EDITION
the Guggenheim’s Young American of his depictions. Over the last half
and photographs. Coming of age in
the 1940s as part of the Alexandria
Artists: 1978 Exxon National Exhibition short story writer and essayist Frederic
Tuten (born 1936) creates dream-
century, the rare integrity of his Anita Albus: The Art of Seeing
(he was the youngest artist ever to creative process has unveiled a rich
School, a movement led by free like landscapes in places as far-flung Edited with text by Anette Hüsch. Text by Regina Göckede.
present work at the museum); he also understanding of the world around us,
thinkers and artists that marked as Tangier and Tuscany. His works,
exhibited at Exit Art, MoMA and the even as our cities, our landscapes and
the city’s emergence as a postwar which use recurrent motifs such as Art as natural science: gorgeous paintings of plants and animals, from the
E.M. Donahue Gallery. our rituals change—slowly and steadily,
Mediterranean cultural port city, Morsi sombreros and inverted cups, play host author of the bestselling The Art of Arts
Throughout his career, Miller kept then all at once.
spent time in Baghdad, where he to a parade of characters, objects and
an almost daily record of his creative Richard Estes: Voyages accompanies
benefited from the city’s vibrant literary shapes that converge in fascinating, The popular award-winning artist and writer Anita Albus (born 1942) creates detailed
process. This monograph compiles the artist's first UK retrospective at
renaissance of the 1960s, as an art often mysterious compositions. images of plants and animals using color pigments that she makes herself. Inspired by
pages from his sketchbooks spanning Newport Street Gallery, London, and
critic and translator, before settling This book compiles a vibrant selection the still lifes of the Old Masters, Albus nonetheless operates within the realm of the
the years 1976 to 1998, and provides presents a broad selection of more
in Cairo, and eventually immigrating of Tuten’s recent paintings and contemporary, at the intersection of meticulous nature research, creative work and high
insight into his life, work and inventive than 45 paintings made over the last
to New York in the mid-1970s. A drawings alongside short stories craftsmanship. Her famous 2000 publication, The Art of Arts (Norton), ostensibly a history
practices. Meticulously dated, the 30 years, from his timeless, pristine
Dialogic Imagination begins with the written by the artist to accompany of the birth and evolution of trompe-l'oeil painting in oils in the 15th to 17th centuries, is a
sketchbooks are filled with plans and depictions of New York City to his
artist’s books he created in Cairo and each and every picture, in addition to manifesto for her vision of art as synonymous with research and with science; her art is
ideas for potential paintings, expressive lesser-known paintings made following
ends with his latest body of work, his an interview with Hans Ulrich Obrist. the expression of this vision.
watercolors and drawings, diary entries trips to Europe, Asia, Africa and
photographs of Manhattan. In Tuten’s world, rendered in ink, In 2016, Kunsthalle Kiel purchased a collection of her works through the Karl-Walter
about family life, commentary on the Antarctica.
This volume highlights the rich colored pencil, crayon, pastel and, Breitling und Charlotte Breitling-Stiftung, and published the accompanying monograph
art world, notes to himself and simple The book includes a conversation
interplay between Morsi’s poetry, more recently, oil paint, imagination The Art of Seeing. This enchanting new edition of that (long unavailable) survey volume
to-do lists. between Estes and Hans Ulrich Obrist,
printmaking, photography and reigns supreme. invites the reader on a discovery tour of Albus’ tender, scrupulously rendered artistic
and features an essay by curator
paintings. KERBER research.
KOENIG BOOKS/KMEC Patterson Sims.
ISBN 9783735607768
SKIRA/THE AFRICA INSTITUTE/ ISBN 9783753301167 HATJE CANTZ
u.s. $65.00 cdn $88.00 OTHER CRITERIA BOOKS
SHARJAH ART FOUNDATION u.s. $40.00 cdn $54.00 FLAT40 ISBN 9783775751742 u.s. $48.00 cdn $65.00
Hbk, 6.5 x 9.75 in. / 176 pgs / ISBN 9781912613090
ISBN 9788857245652 Hbk, 8 x 9 in. / 128 pgs / 70 color. Hbk, 9 x 12 in. / 152 pgs / 65 color.
128 color / 48 b&w. u.s. $70.00 cdn $95.00
u.s. $59.00 cdn $80.00 April/Art/ April/Art/
January/Art/ Hbk, 9 x 12.25 in. / 150 pgs /
Hbk, 6.5 x 9.25 in. / 336 pgs / 172 color.
60 color / 7 b&w.
March/Art/Middle Eastern Art &
March/Art/
Culture/
London, UK: Newport Street Gallery,
10/09/21–12/12/21

Contemporary American figurative painting HIGHLIGHTS ■ ART
Jacqueline Humphries: jHΩ1:)

Text by Johanna Burton, Mark Godfrey, Courtney J. Martin, Jenny Nachtigall.
A maverick figure in New York’s downtown scene, Humphries has revitalized

the language of abstract painting over a career that has covered four decades
and multiple transformations in style
Published on the occasion of Jacqueline Humphries’ (born 1960) new exhibition at the
Wexner Center for the Arts and the Parrish Art Museum, this major catalog surveys the
artist’s work from the past seven years, including dozens of new paintings and her largest
multipanel installations to date.
Incorporating the QWERTY keyboard as a means of generating abstract forms, Humphries’
recent paintings integrate emoticons, emoji, CAPTCHAs and ASCII text as layers of mark-
making in dense and vivid works. Other new works explore the visual language of corporate
logos; black light paintings presented in darkened space; and a selection of protest sign
paintings that invoke the uprisings that shape our current political landscape.
Jill Mulleady: Hugo McCloud Becky Suss Marcelyn McNeil: jHΩ1:) is a CAPTCHA code invented by Humphries that brings together her initials, the
Fear of Fear Edited by Jeffrey Grove. Text by Richard

Klein, Lucy Mensah.
Text by Michelle Fischer, Pete L’Official.
Interview by Helen Molesworth.
Works last Greek letter in its alphabet, omega, which she uses to refer to the idea of the “end” of
painting and her continuing refusal of this end, the number 1, which stands for the idea of
Edited by Valérie Knoll, Julia Künzi. Text by Hesse McGraw. Interview by a beginning, and her favorite emoticon, :). Jacqueline Humphries: jHΩ1:) features essays by
Text by Philipp Kaiser, John Kelsey, Alison Hearst.
Valérie Knoll. McCloud's painting explores “Suss’ paintings attend to the exhibition curator Mark Godfrey, Courtney J. Martin, Jenny Nachtigall and former Wexner
labor, geopolitics and climate genealogy of caretaking and Center Director Johanna Burton. Designed by Studio Markus Weisbeck, this extensively
Lyrical and luminous post-Color
A painter of tremulous interior crisis, in both form and content the everyday shapes that care illustrated monograph offers an up-close view of Humphries’ continued evolution in painting.
Field abstractions from a leading
atmospheres in the tradition of takes: ordinary fabrics, simple GREGORY R. MILLER & CO.
Texas painter
Vallotton and Munch Brooklyn-based painter Hugo McCloud language, routine.” ISBN 9781941366370 u.s. $50.00 cdn $68.00
(born 1980) makes large-scale –The New Yorker Hbk, 10 x 10.5 in. / 256 pgs / 240 color.
Dallas-based painter Marcelyn McNeil Columbus, OH: Wexner Center for the Arts, 09/18/21–01/02/22
works depicting resilient laborers
Los Angeles–based Swiss Uruguayan (born 1965) creates large-scale oil April/Art/
Water Mill, NY: Parrish Art Museum, 05/07/22–08/07/22
and immigrants, as well as colorful Philadelphia-based artist Becky Suss
artist Jill Mulleady (born 1980) creates abstractions with brightly colored
abstractions. His figurative paintings (born 1980) explores ideas of intimacy,
critically acclaimed paintings whose forms—sometimes lozenge-like,
often feature subjects from behind, or domesticity and memory. Her large-
abiding mood suggests pent-up sometimes angular—that drip, bleed
with their faces otherwise obscured scale paintings of interiors are holistic
tensions between isolate figures in and fade into one another. Her recent
incongruously lush, sumptuously
chromatic landscapes and domestic
from the viewer. Finding beauty in
the everyday is central to McCloud’s
representations of the sensory and
remembered qualities of space,
paintings and site-specific installation N. Dash
works celebrate the power of color Text by John Giorno, Suzanne Hudson, Ajay Kurian, Ross Simonini, Michael Taussig.
vision: he regularly incorporates while her small paintings of objects
interiors. Recalling early modernist and simple, clear gestures. Inspired
unconventional and overlooked and books offer a library of charged
painters of intensely loaded psychic by artists such as Helen Frankenthaler,
atmosphere such as Félix Vallotton
industrial materials such as single-use personal items. “Dash combines sometimes unruly elements in highly
McNeil rejects the masculinity of
and Edvard Munch, and perhaps
plastic bags, black tar and sheets of Devoid of figures, Suss’ style uses controlled processes that nonetheless allow for the operation of
hard-edged abstract painting, instead
informed by her training in theater,
aluminum, along with bronze panels flattened architecture, exaggerated chance.” –Artforum
introducing a sort of lyricism into her
treated with acid. McCloud’s ingenious proportions and distorted perspective
Mulleady’s backdrops, rendered in her work with soft stains and blots of
approach to materiality is informed by to amplify the tension between the This monograph is the first comprehensive overview of the work of N. Dash (born
characteristic tones of gray, crimson pigment. Often experimenting with
a deep interest in social and political factual and the fictitious, mirroring 1980), exploring the paintings, drawings and photography of this New York– and
and absinthe green, are generally perspective and illusion in her work,
concerns, as evidenced by the keen the plasticity of memory, continually New Mexico–based American artist. N. Dash uses natural and manmade materials
invented, or may sometimes draw McNeil also resists the planar quality
focus on immigrant workers in his reformed and revised. Suss often such as earth, pigments, graphite, fabric, string and found objects to construct
on the contours of her immediate traditionally associated with abstract
paintings. Over the past 15 years, questions the stereotypes of conscious and intuitive abstractions, which draw on bodily movements and energy
environment, such as the parks of Los painting in favor of a more dynamic
McCloud’s art has evolved through domesticity as they relate to the lives meridians, ecological systems, and other subtle or intangible structures. This volume
Angeles; her figures, meanwhile, seem relationship to the canvas. With an
a rigorous process of inventive of women in America; she is fascinated includes major works from 2011 to 2021, and essays by Suzanne Hudson, Michael
lost in contemplation, alienated, even accompanying interview and essay that
experimentation, yielding a remarkable by American culture’s simultaneous Taussig and others, with a poem by John Giorno, which explore Dash's work in art
despairing at times. This beautifully provide a framework for engaging with
and unique oeuvre that is brought dismissal of and dependence on historical, anthropological and environmental contexts.
produced volume presents the artist’s the work, this volume explores the full
together for the first time in this homemaking and homemakers, N. Dash studied at New York University and Columbia University. Selected solo
paintings from 2015 to 2021, and breadth of this exciting artist’s quietly
stunning new survey. and is inspired by her own personal exhibitions have been held at venues including the Hammer Museum, Los
features a special cover design by subversive oeuvre, and introduces
Mulleady. heritage—the generations of women in Angeles, CA; the Aldrich Contemporary Art Museum, Ridgefield, CT; and White
HATJE CANTZ new ways to consider and experience
her family who managed the domestic Flag Projects, St. Louis, MO. Dash has been featured in group exhibitions at San
WALTHER KÖNIG, KÖLN ISBN 9783775751568 contemporary abstract painting.
sphere without recognition. This Francisco Museum of Modern Art, CA; S.M.A.K. Ghent; Sammlung Goetz, Munich;
u.s. $55.00 cdn $75.00
ISBN 9783753300146 hardcover volume surveys her work. RADIUS BOOKS the Art Gallery of New South Wales, Sydney; Berkeley Art Museum and Pacific Film
Clth, 8.75 x 10.75 in. / 224 pgs /
u.s. $40.00 cdn $54.00 FLAT40 ISBN 9781942185987 Archive, CA; the Jewish Museum, New York; and Palazzo Strozzi, Florence. In 2022,
110 color. SKIRA/JACK SHAINMAN GALLERY
Hbk, 8.25 x 11 in. / 188 pgs / 94 color u.s. $60.00 cdn $82.00 Dash will have a solo exhibition at S.M.A.K. Ghent.
February/Art/ ISBN 9788857246536
/ 9 b&w. Hbk, 9.25 x 12 in. / 208 pgs / 90 color.
February/Art/ u.s. $59.95 cdn $81.95 GREGORY R. MILLER & CO.
EXHIBITION SCHEDULE: May/Art/
Hbk, 9.5 x 12 in. / 200 pgs / 150 color. ISBN 9781941366363 u.s. $50.00 cdn $68.00
Ridgefield, CT: The Aldrich March/Art/ Hbk, 8.5 x 11 in. / 268 pgs / 123 color / 13 b&w.
Contemporary Art Museum,
January/Art/
06/07/21–01/02/22

International figurative painting HIGHLIGHTS ■ ART
Marlene Dumas: David Remfry: Norman Ackroyd: Adrian Ghenie: Liu Xiaodong: Daniel Richter: CB Hoyo: MadC:
Open-End Watercolour An Irish Notebook The Hooligans Borders Paintings from I Didn’t Know How Street to Canvas
Edited with text by Caroline Bourgeois.
Text by Élisabeth Lebovici, Ulrich Loock.
Edited by James Russell. Interview by
Irving Sandler.
Text by Norman Ackroyd. Text by Apsara DiQuinzio, Masha
Tupitsyn.
Text by Peter Doroshenko.
Early until Today to Name This Text by Luisa Heese.
Edited with text by Eva Meyer-Hermann. Edited by Cesare Biasini Selvaggi, Jack
A gorgeous sketchbook of Irish “As much a portrait of the Text by Verena Dengler, Roberto Ohrt, Kyle Franklin. Three decades of vibrant,
A concise and affordable A lively portrayal of city life on landscapes from the author of “Ghenie’s meditation on the idea transformed artist as it is a Cord Riechelmann, Max Hollein. graffiti-inspired murals and
overview of Dumas’ existential both sides of the Atlantic A Shetland Notebook of hooliganism, examining the collective rendering of those who canvases from MadC
role of rebellion in the artistic Words about masterpieces, on
portraiture, with previously call the border home.” A massive overview of Richter’s
process, is applied here toward masterpieces: the irreverent pop
unseen works Over his long career, David Remfry Norman Ackroyd (born 1938) has –Brooklyn Rail expressionistic subversions This monograph traces, for the first
(born 1942) has achieved a mastery an excavation of art history and art of an emerging Cuban painter
depicted the coastal landscapes of history painting across time, the career of the prolific artist
An engrossing compendium of more of watercolor that few have matched. of the British Isles for over half a European history.” –Art Observed For eight weeks, Chinese painter three decades and muralist Claudia Walde (born 1980),
Unusually for the medium, he works Since he first burst onto the scene in
than 100 works from 1984 to the century. Often traveling to remote and Liu Xiaodong (born 1962) embedded known as MadC. From her beginnings
on a large scale and often focuses on 2017, the prolific, self-taught Cuban
present day by South African painter weather-beaten outposts, he makes This book documents a selection of himself within Mexico–US border in the 1990s as a graffiti artist in the
The first thorough, chronological painter CB Hoyo (born 1995) has
Marlene Dumas (born 1954), Open- people, exploring the dance hall and watercolor sketches on various paper works by artist Adrian Ghenie (born communities such as Ciudad Juárez, local scene in Bautzen, Germany, to
examination of the artistic career of enjoyed an enormous popularity both
End offers a selective overview of the nightclub in images that are at stocks all cut to the same size and 1977) included in his exhibition The El Paso, Eagle Pass, Piedras Negras, large-scale public mural works on an
Berlin-based painter Daniel Richter online and in the art industry: he
her career to date, and a first look at once beautiful, intimate and edgy. clipped to a board so that he can work Hooligans. The artist's newest body of Laredo and Nuevo Laredo, to capture international scale in more than 35
(born 1962), this nearly 500-page has more than 500,000 Instagram
pieces created over the course of the This book is the first full-length in high winds and at sea. Many of work, these nine paintings and three the lives and trials of the people living countries, MadC has become one of
volume reproduces more than 200 followers and has held multiple solo
last few years. monograph devoted to Remfry’s these have been reproduced in two drawings continue Ghenie’s exploration there. A leading figure of Chinese Neo- the most sought-after mural artists of
paintings across three decades, in five shows throughout the world. Hoyo’s
Of her work, Dumas says: “I am watercolors. Its author, James bestselling publications, A Shetland of abstracting figures, layering shapes Realism, Liu, in loose brushstrokes, our time. Characterized by abstract
detailed chapters. work comprises “fakes” of works
an artist who uses second-hand Russell—well known for his writing Notebook and A Hebridean Notebook. and gestural painting techniques to paints everything from border agents compositions of sweeping lines and
Richter's large-scale oil paintings by canonical artists such as Warhol,
images and first-hand emotions.” on 20th-century British artists— This new group, which continues the create complex images intertwined on both sides carrying out their duties transparent layers of vivid colors, her
modernize German Expressionism Banksy, Matisse and Rothko, which
While in the early years of her career traces the evolution of a remarkable series, includes 40 watercolors from with art historical narratives. Influenced to Mexican families barbecuing on the work has its roots in graffiti art but
with an energetic, brightly colored and he paints over with his own irreverent
she was known for her collages and talent, looking at the most significant Ackroyd's journeys down Ireland's by Impressionist painters, as well banks of the Rio Grande. Also included constantly blurs the lines between
highly textured palette. “Contemporary commentary. In one painting, titled
accompanying texts, today Dumas works and placing Remfry in west coast. From Malin to Mizen as Turner, Van Gogh and Gauguin, in this clothbound volume are Liu’s street art and fine art.
culture has not only formed the basis It’s a Fake Magritte, Hoyo depicts
works chiefly in oil on canvas and the context of both the British via the cliffs of Inishmore, the rocky Ghenie’s meditation on the idea of reference photographs of these border Designed in close collaboration with
of his thinking but has continually Magritte’s famous The Treachery of
ink on paper. The majority of her watercolor tradition and international outcrops of Puffin Island and the “hooliganism” examines the role of communities; studies based on those the artist, the book features works
informed his works as they transcend Images complete with its well-known
production is made up of portraits of contemporary painting. emerald depths of Roaringwater Bay, rebellion in an artist’s process, working photographs showing how he builds on canvas and large-scale murals in
elements that make up today's pronouncement, “Ceci n’est pas une
people in states of suffering, ecstasy, Having spent 20 years living and Ackroyd records the Irish coast in all to reject or ignore traditionalism to his compositions; and pages of his settings around the world from London
landscape,” Felicity Carter wrote in pipe.” Above this, Hoyo has painted in
fear and despair. A crucial moment working at the legendary Chelsea Hotel its rugged beauty. The book concludes create the new. An art historical text by notes taken throughout his lengthy and Copenhagen to the Maldives
Forbes; “there's a nod to art history, red, “This is not a Magritte.” Hoyo’s
in the development of Dumas’ style in New York, Remfry has a following with a gazetteer by the artist, providing Apsara DiQuinzio traces the trajectory journey. Peter Doroshenko, director and Abu Dhabi, from early works to
mass media, politics and of course, the art, relying on blunt humor and
came with her use of images from on both sides of the Atlantic. New fascinating snippets of information of Ghenie's practice through to today. of the Dallas Contemporary, writes in recently made pieces.
overriding theme of desire and sex.” Dada-esque irreverence, embraces
newspapers and magazines, stills from Yorkers—often in party mode—feature about his locations and revealing the In her new text, Masha Tupitsyn an essay for the book: “every painting Richter’s paintings are included in the the new chaotic normality in which HENI PUBLISHING
films and Polaroids. in many of his paintings, and his extent of Ireland's geological diversity discusses the concept of the double, captures a decisive moment, locking collections of the Museum of Modern we live. This hardcover volume, the ISBN 9781912122431
Open-End brings together pieces from recollections of people and places add and ancient cultural traditions. looking at its history in philosophy, individual narratives down forever, Art, New York, the Denver Art Museum artist’s first monograph, contains 170 u.s. $40.00 cdn $54.00
international museums and private color to the text. literature, film and art. reflecting numerous cultural references
ROYAL ACADEMY OF ARTS and the National Gallery of Canada. reproductions. Hbk, 10 x 11.75 in. / 240 pgs / 230 color.
collections to provide new insight into that echo throughout his practice.”
ROYAL ACADEMY OF ARTS ISBN 9781912520619 PACE PUBLISHING February/Art/
Dumas’ work and methods. HATJE CANTZ SKIRA EDITORE
ISBN 9781912520886 u.s. $27.95 cdn $37.95 ISBN 9781948701426 MOUSSE PUBLISHING ISBN 9783775750882 ISBN 9788857245676
MARSILIO u.s. $35.00 cdn $48.00 Hbk, 11.5 x 5.75 in. / 96 pgs / 40 color. u.s. $40.00 cdn $54.00 EXHIBITION SCHEDULE:
ISBN 9788867494125 u.s. $75.00 cdn $102.00 u.s. $35.00 cdn $47.00
ISBN 9791254630099 Hbk, 9.5 x 11.5 in. / 160 pgs / 145 color. July/Art/Travel/ Hbk, 8.5 x 12 in. / 80 pgs / u.s. $29.95 cdn $39.95
London, UK: Heni Gallery,
Hbk, 10.25 x 11 in. / 496 pgs / 400 color. Hbk, 6.5 x 8.75 in. / 208 pgs / 170 color.
u.s. $35.00 cdn $48.00 May/Art/ 25 color / 3 b&w. Clth, 6.75 x 8.75 in. / 112 pgs / 54 color. 11/18/21–01/29/22
February/Art/ March/Art/Latin American/Caribbean
Pbk, 7.5 x 9.5 in. / 232 pgs / 150 color. January/Art March/Art/Asian Art & Culture/
Art & Culture/
July/Art/
London, UK: Royal Watercolour Society,
EXHIBITION SCHEDULE: 05/12/22–07/15/22
Venice, Italy: Palazzo Grassi,
03/27/22–01/08/23

International painting and multimedia HIGHLIGHTS ■ ART
Laura Owens & Marina Perez Simão Martin Margiela Prabhavathi Glenn Ligon: Royal Book Lodge Jennifer West: Mungo Thomson
Vincent van Gogh Text by Diana Campbell, Osman Can
Yerebakan.
at Lafayette Meppayil Work, Work, Work, By John C. Welchman.
Media Archaeology Edited by Clément Dirié. Text by
Donatien Grau, Sarah Lehrer-Graiwer,
Text by Bice Curiger, Mark Godfrey, Julia
Marchand.
Anticipations Text by Rosalind Krauss, Mami Kataoka.
Interview by Wells Fray-Smith.
Work, Work, Work Thirty years of collaboration and
Text by Norman Klein, Andy Campbell,
Chelsea Weathers. Interview by Stuart
Aram Moshayedi, Mungo Thomson.
Interview by Laura Owens.
A handsomely designed debut Edited by Martin Margiela, Guillaume Poem by Gregg Bordowitz. collectivity from the European Comer.
presentation of "one of the most Houzé and Rebecca Lamarche-Vadel. artist’s book network
Sumptuous wallpaper exciting painters working in Text by Chris Dercon, Balthazar Laury, "Meppayil’s is an artisanal Surveying three key series
installations in conversation with Rebecca Lamarche-Vadel, et al. practice executed in a A slipcased overview of Ligon’s West’s material experiments in spanning Thomson’s
Brazil" (Galerie) recent studio practice, including Renowned art historian John C. film and art explore Southern
Van Gogh’s final works contemporary South Asian investigations into mass culture
his painterly elaborations on a Welchman provides the first ever California’s changing geography
The first monograph on São Paulo– Superbly designed by Irma Boom, context, in dialogue with Western and everyday perceptual
James Baldwin essay monograph on the Royal Book Lodge
This catalog brings together works by
based painter Marina Perez Simão this book debut of Margiela’s art modernism from the 1950s and experience
(RBL), an international network of This debut monograph brings together
Los Angeles–based artist Laura Owens
(born 1981), this stunning clothbound exemplifies his fascination with ’60s." –Frieze
For four decades, New York–based artists that emerged in the late 1980s nearly a decade of “analogital”
(born 1970) and seven paintings by corporeality This first comprehensive monograph
volume guides the reader through her in Berlin, Paris and Marseille, initially
Vincent van Gogh, painted in the last Indian artist Prabhavathi Meppayil (born artist Glenn Ligon (born 1960) has experiments in film, sculpture and on the Los Angeles–based multimedia
riotously colorful visual journeys as spearheaded by the artists Juli Susin
years of his life. Confined to her studio 1965) makes wall-mounted panels explored America’s literature and installation by Jennifer West (born artist Mungo Thomson (born 1969)
she blends abstraction and figuration Published for his first solo show as
fraught racial history through works in and Véronique Bourgoin. Specializing 1966)—one of the most committed
in Arles during the months of lockdown an artist at Lafayette Anticipations and sculptural installations containing focuses on three series that embody
in depictions of abstract landscapes, in artists’ books, the Lodge is famous
in 2020, Owens immersed herself subtle gestures that heighten the a few signature mediums such as text- artists working on the West Coast his exploration of popular culture,
visions and memories. Here, alongside in Paris, this book presents, for the
based paintings and neon. This volume, for the vast scope of its activities: today. Saturated in a history of avant-
in the life and works of Van Gogh, first time, more than 40 artworks inherent qualities of her materials and time perception and everyday objects
a wealth of color plates, writers Diana its numerous collaborators over the
a process which left traces of his tools. The artist's integration of craft- through studio documentation and garde and Third World cinema (not to question what we most take for
Campbell and Osman Can Yerebakan by Belgian fashion designer Martin
a new text by fellow artist and New years have included Raisa Aid, Kai to mention HIV/AIDS activism and
sensibilities in the commissioned work Margiela (born 1957). Reproducing based labor and process-based art granted. In the Time series, person-
highlight the various references in Althoff, Abel Auer, Linda Bilda, André
that followed. Transforming the space positions her work in unique dialogue Yorker Gregg Bordowitz, focuses on the incipient Riot Grrrl movement) size silkscreened mirrors bearing the
Simão’s painting, drawn from fields images of installations, sculptures,
various aspects of Ligon’s art-making. Butzer, matali crasset, Dorota Jurczak, since she was an undergraduate
of the Fondation Vincent van Gogh in collages, paintings and films, the book with a complex history of material and red border and logo of the 100-year-old
such as journalism, literature and Bruce Kalberg, Jochen Lempert,
Arles, Owens created a monumental artistic production, invoking artisanal Glenn Ligon features newer works by at Evergreen State College, West’s magazine, pair a precise historical
philosophy, which help build the also advances the thesis that Martin
the artist, such as a monumental new Jonathan Meese, Roberto Ohrt, work today treads similar ground:
wallpaper using various handcrafted Margiela has always been an artist. legacies, affinities with Indian culture, moment with the viewer’s own
narratives that serve as the basis Raymond Pettibon, Jason Rhoades
and digital techniques. The motifs of and Minimalist and Postminimalist painting from Ligon’s ongoing Stranger challenging the utopianism of new reflection in the present. The Wall
for her art. Internationally renowned in the fashion
in the Village series, begun in 1997. and Gianfranco Sanguinetti, among media adoptees as well as the
these rooms, which draw a suspended world since the late 1980s, throughout concepts. This book explores the past Calendar series displays commercial
Simão’s critically acclaimed recent others. This substantial monograph,
universe between the premodern and six years of Meppayil's output and In the series, Ligon renders excerpts nostalgia of analog-only film adherents. calendar images as if held up to the
exhibition at Pace Gallery in New his career as a designer Margiela has
from novelist James Baldwin’s 1953 researched over a three-year period, The 11 projects reproduced in the
the contemporary, are inspired by the deliberately upended the conventions echoes the subtle qualities of her work sun, allowing the reverse side of the
York featured a series of paintings explores the central themes of the
works of the English designer Winifred through its considered typography and essay of the same name, which book, all produced between 2014 and page to show through. Printed on both
created during the isolation of the of fashion through his materials and his
describes the writer’s experiences as Royal Book Lodge, such as biographical 2021, fall under the heading of Media
How, and enter into a close dialogue runway shows. design. Semitransparent and colored sides of the fabric and stretched over a
COVID-19 pandemic, propelling her to construction, fiction, migration and
with Van Gogh’s paintings, which are pages are inserted between sections an African American in a small town in Archaeology, and reveal the historical light box, recto and verso are collaged
further acclaim in the US. This volume The works at the Lafayette
Switzerland. Measuring 45 feet long, political violence, and also examines its and material promiscuity of West’s
hung on the elaborately adorned walls. Anticipations exhibition, most of which to define the different exhibitions but together with light—the calendar grid
cements her reputation as a rising star Situationist antecedents.
also as another layer of materiality and this triptych will mark the first time experiments in film and art, often tied of a single month is superimposed
WALTHER KÖNIG, KÖLN/FONDATION of contemporary painting. were made in the Foundation’s studio,
counterpoise to the works. The layout Ligon has used the entire text from HATJE CANTZ to the changing geography of Los onto a photograph of a 40-million-
VINCENT VAN GOGH ARLES return to the artist’s obsessions.
CIRCLE BOOKS/MENDES WOOD DM of the inside pages balances the works Baldwin’s essay in a single work. Angeles and its surrounds. year-old mountain. The Snowman
ISBN 9783753301419 The body is very much in evidence ISBN 9783775751384
ISBN 9780578997568 here, from anatomies inspired by the and texts within a modernist grid, u.s. $62.00 cdn $84.50 series consists of trompe-l’oeil stacks
u.s. $95.00 cdn $129.00 FLAT40 HAUSER & WIRTH PUBLISHERS RADIUS BOOKS
u.s. $39.95 cdn $53.95 using the proportions of the page to Hbk, 9.5 x 13.5 in. / 320 pgs / 410 color. of Amazon boxes and other online
Hbk, 9.5 x 11 in. / 308 pgs / 600 color. academic tradition to hair and skin in ISBN 9783906915661 ISBN 9781942185949
Clth, 8.75 x 10 in. / 140 pgs / create harmony and breathing room July/Art/ retail shipping cartons cast in sturdy
February/Art almost abstract form. u.s. $55.00 cdn $75.00 u.s. $70.00 cdn $95.00
115 color / 9 b&w. around the works. patinated bronze.
The catalog was designed by Irma Slip, pbk, 8.25 x 10 in. / 304 pgs / Hbk, 9.25 x 13 in. / 172 pgs / 140 color.
April/Art/Latin American Art & Culture/
Boom in close collaboration with 227 color. April/Art/Film & Video/
PACE PUBLISHING JRP|EDITIONS
Margiela as a “making of” the show, March/Art/LGBTQ/
ISBN 9781948701419 ISBN 9783037645758
presenting both final and in-progress
u.s. $45.00 cdn $61.00 u.s. $48.00 cdn $65.00
pictures of the works. Pbk, 9.75 x 14 in. / 136 pgs / 85 color.
Hbk, 9.5 x 12.5 in. / 160 pgs / 120 color.
Zurich, Switzerland: Hauser & Wirth,
WALTHER KÖNIG, KÖLN April/Art/ June/Art/
09/17/21–12/23/21
ISBN 9783753301013 New York, NY: Hauser & Wirth, 11/10/21–
u.s. $80.00 cdn $109.00 FLAT40 12/23/21
Flexi, 9.25 x 12.5 in. / 346 pgs /
207 color.
April/Art/Fashion/

Pioneers of film and video art in the US and Britain HIGHLIGHTS ■ ART
Steve McQueen: Sunshine State

Edited with text by Vicente Todolí. Text by Paul Gilroy, Cora Gilroy-Ware, Solveig Nelson, Angela
Vettese, Hamza Walker.
A career-spanning introduction to the award-winning director of Small Axe,

with contributions from Paul Gilroy, Hamza Walker and more
Declared by Time "one of the most influential people in the world" in 2014, British filmmaker
Steve McQueen (born 1969) first presented his work in galleries and museums in the early
1990s, with installations and films influenced by Warhol and French New Wave. (An early
friendship with Okwui Enwezor was also formative.) His first major work was Bear (1993),
in which two naked men (one of them McQueen) exchange glances that can be interpreted
as either flirtatious or threatening. Today McQueen is best known for award-winning films
such as Widows (2018), Twelve Years a Slave (2013), Shame (2011) and Hunger (2008).
More recently, he directed the five-part film series Small Axe (2020), about London’s Black
community and the British Caribbean experience. In 2021, a three-part documentary series,
Uprising, Black Power: A British Story of Resistance and Subnormal: A British Scandal (2021)
were released as a companion to Small Axe, covering the Civil Rights Movement in the UK.
Published for McQueen’s solo exhibition at Pirelli HangarBicocca, this comprehensive survey
features several of the artist’s most iconic films from the past two decades, as well as an
in-depth exploration of his new work. It includes critical texts on McQueen’s oeuvre by art
historians and curators, among them Paul Gilroy and Solveig Nelson, as well as a conversation
between the artist and Hamza Walker.
MARSILIO
ISBN 9791254630082 u.s. $50.00 cdn $68.00
Pbk, 9.5 x 12 in. / 288 pgs / 150 color.
August/Film & Video/Art/
Milan, Italy: Pirelli HangarBicocca, 03/31/22–07/31/22
Dara Birnbaum: Reaction

Edited by Lauren Cornell, Elizabeth Chodos, Karen Kelly, Barbara Schroeder. Text by Erika Balsom,
Giampaolo Bianconi, Jordan Carter, Lauren Cornell, Alex Kitnick. Conversation with Elizabeth Chodos
and Legacy Russell.
Joan Jonas
Preface by Jessica Morgan. Introduction and text by Barbara Clausen. Text by Adrienne Edwards, André Lepecki, Kristin Poor,
Jeannine Tang. Interview with Douglas Crimp. Conversation with Heather Davis, Joan Jonas, Zoe Todd. Coda by Kelly Kivland.
Fifty years of media critique from the leading exponent of feminist video art
A conceptually innovative take on Jonas’ performances and installations
Throughout her five-decade career, New York–based artist Dara Birnbaum (born 1946) has
relentlessly dissected the process of watching and has argued against the passive absorption Published in conjunction with the first major US museum show of Joan Jonas’ art in nearly 15 years, this volume breaks
of mass media, information and ideology, through various techniques—many of which can be new ground by contextualizing and expanding understandings of Jonas’ body of work through three thematic approaches:
described as subversive reactions or reversals. As media itself has evolved over the years, from the critical notions of gender, being and otherness; the politics of landscape and ecology; and new conceptions of medium
the monolithic nature of TV broadcast networks to the Internet’s decentralization of information, specificity and un-specificity. These themes serve as a framework through which to address the rich vocabulary of Jonas’
Birnbaum’s work has remained consistently prescient and vital, incorporating new technologies performances, sculptures, drawings and installations from the early 1970s until today.
and providing a touchstone for generations of younger artists. Inspired by the format of a reader, the monograph presents new writing and scholarship, excerpts from Douglas Crimp's
Including original scholarship by leading critics and curators of moving image and media art, this final interview, as well as a selection of drawings and sketches from Jonas’ notebooks, including never-before-published
book examines Birnbaum's key works and concepts to illustrate how much her practice has to drawings created during the coronavirus lockdown.
teach in a technology and media laden culture that demands constant participation and response. Born and based in New York, Joan Jonas (born 1936) has taught at UCLA School of the Arts, in Stuttgart, Germany, and at
DANCING FOXES PRESS/CCS BARD/MILLER ICA the Massachusetts Institute of Technology, where she is a professor emerita. She has lived and worked in Greece, Morocco,
ISBN 9781954947016 u.s. $40.00 cdn $54.00 India, Germany, Holland, Iceland, Poland, Japan, Italy, Hungary and Ireland.
Hbk, 7.5 x 10.5 in. / 176 pgs / 100 color. DIA ART FOUNDATION
July/Art/Film & Video/
ISBN 9780944521977 u.s. $55.00 cdn $76.00
ALSO AVAILABLE August/Art/
Annandale-on-Hudson, NY: CCS Bard, 06/25/22–11/27/22
Pittsburgh, PA: Miller Institute of Contemporary Art, 08/22–12/22 In the Shadow a Shadow: The Work of
EXHIBITION SCHEDULE: ALSO AVAILABLE
Joan Jonas
Beacon, NY: Dia Beacon, 10/08/21–2023 Joan Jonas: They Come to Us Without a Word
ISBN 9780980024289
ISBN 9781941366073
Clth, u.s. $85.00 cdn $112.50
Clth, u.s. $50.00 cdn $67.50
Gregory R. Miller & Co./
Gregory R. Miller & Co./

Art, language and artists’ books | New books from MAMCO Geneva HIGHLIGHTS ■ ART
Concrete Poetry
Text by Paul Bernard, Gabriele Detterer, Maurizio Nannucci.
The concrete poetry collection of the legendary Bay Area book dealer and collector Steven Leiber—
with rare gems from the De Campos brothers, Ian Hamilton Finlay, Bob Cobbing and more
MAMCO has devoted a semipermanent exhibition space to concrete poetry since 2016, resulting in the acquisition of
a significant group of works falling under this label. This includes the purchase of the Steven Leiber collection. Leiber
was a pioneering San Francisco art dealer, collector and gallerist who specialized in the “dematerialized” art of the
1960s and 1970s and the ephemera and documentation spawned by Conceptual art and other postwar movements.
The collection features important figures such as Ian Hamilton Finlay, Augusto and Haroldo de Campos, Dom Sylvester
Houédard, John Furnival, Maurizio Nannucci, Franz Mon, Ruth Wolf-Rehfeldt, Natalie Czech, Julien Blaine, Jean-François
Bory, Pierre and Isle Garnier, Bob Cobbing and Richard Kostelanetz.
MAMCO GENEVA
ISBN 9781636810423 u.s. $29.95 cdn $39.95
John Baldessari: Paul Neagu David Horvitz: Hans Haacke: Pbk, 6.25 x 9 in. / 96 pgs / 30 color / 30 b&w.
June/Fiction & Poetry/
The Space Between Edited with text by Magda Radu, Georg
Schöllhammer. Text by Ivana Bago, David
Adjust the Level Swiss Institute
Text by Barbara Bloom, Russell
Ferguson, Hans Ulrich Obrist, David
Crowley, Tom Holert, André Lepecki,
Magda Radu, Georg Schöllhammer,
of the Sea Visitors Poll
Salle. Photographs by Catherine Opie. Kristine Stiles, et al.
One hundred and fifty-six
Edited with introduction by Simon
Castets, Alison Coplan. Text by Hans
Royden Rabinowitch
Haacke. Text by Sophie Costes, Alessandro Gallicchio.
On Baldessari's final painting The first monograph on the poetic actions in conversation
series, a perfect encapsulation influential Romanian artist with the sea
Complete documentation of the A career retrospective on the conceptually complex sculpture of the Canadian Postminimalist
of his lifelong exploration of and teacher
A book-length poem by Los Angeles– longest-running work from Hans
the chasms between words Compiling documentation of nearly 40 abstract steel sculptures, as well as drawings and paintings, this monograph
based conceptual artist David Horvitz Haacke's famous Poll series
and things This is the first comprehensive introduces the work of Canadian sculptor Royden Rabinowitch (born 1943). Rabinowitch’s approach to sculpture is
monograph on the Romanian-born, UK- (born 1982), Adjust the Level of the
German artist and institutional critique inspired by his admiration for mathematician Henri Poincaré and his distinction between abstract space and the space
The 30 paintings on canvas by John based artist Paul Neagu (1938–2004), Sea is composed of “156 waves of
pioneer Hans Haacke (born 1936) of ordinary human experience. Though the forms of his abstract metal and wooden sculptures recall the work of
Baldessari (1931–2020) compiled here whose oeuvre transcends traditional thoughts and actions to be realized in
is famed worldwide for examining Minimalists such as Richard Serra, his aims greatly diverge from theirs. Grease Cone, reproduced here, consists of
explore the gaps in meaning between artistic disciplines, and who was relation to or contact with the sea.”
museums by directly asking their a black metal cone covered in grease. The cone itself recalls the purity of form of the Minimalists, but the unevenly
word and image, foreground and for several decades an important Following in the vein of his previous
audiences questions. Hans Haacke: applied grease expresses Rabinowitch’s concern with human space insofar as it alters the shape of the sculpture, as a
background, photography and painting, source of inspiration for young artists, publications, this artist’s book features
Swiss Institute Visitors Poll documents whole, into a messier, asymmetrical form.
presence and absence. curators and intellectuals. Neagu's a vibrant but simplistic design and
layout. Each page contains a single the results of his longest ever poll MAMCO GENEVA
Quintessentially Baldessarian in their philosophical approach led him to push
instructive prompt in blue text over a work, which was conducted at Swiss ISBN 9781636810430 u.s. $29.95 cdn $39.95
witty, sometimes absurd pairings of the boundaries of the Western abstract
white background. Juxtaposed with Institute from June 21, 2018 to Pbk, 6.25 x 9 in. / 108 pgs / 30 color / 10 b&w.
objects and text, they feature imagery tradition, which he first discovered
the prompt on the opposite page, each October 24, 2019. June/Art/
from film stills and found photographs, clandestinely in Communist Romania.
instruction, such as “write a letter with Newly commissioned for this
partially covered by gestural fields of He continued to explore abstraction
the sea” or “change the sea from noun publication, Haacke's featured
white-and-black paint that direct our after relocating to London in 1971,
to verb,” seems to build on the last. essay outlines the history of his poll
attention to particular elements in each where he became an influential
Beginning with “Begin with the sea” works, discussing the context and
scene, while obscuring others. teacher at the Slade, Chelsea School of
and ending with “See the sea being,” development of this body of work
Certain themes reveal themselves Art and the Royal College (among his
over four decades—all leading up to
across the series, including body parts,
gestures and tools. Baldessari’s final
students were Antony Gormley, Anish
Kapoor and Rachel Whiteread).
Horvitz’s verbal fragments invoke
synchronization between humankind the Swiss Institute Visitors Poll. The Tatiana Trouvé
and nature, encouraging his audience book documents the results of the Text by Thierry Davila, Françoise Ninghetto.
series beautifully encapsulates the Neagu's practice included
to find comfort in, and harmony poll, including 652 pages of facsimile
thrust of his artistic project as a whole: performance, sculpture, drawing,
to explore the amorphous spaces painting, video, photography and with, the sea. index cards that were written by poll “Trouvé’s evident investment in tricks of the eye—and of the mind—paint her … as a 21st-century
between things, people and ideas. poetry. He often promoted physical
respondents in response to Question surrealist” –Artforum
JBE BOOKS #20: “What multiple-choice question
The book features essays by Russell engagement with his more tactile ISBN 9782365680554 would you also have liked to see in MAMCO’s collections include the complete set of Italian artist Tatiana Trouvé’s (born 1968) archive of drawings, as
Ferguson, curator, author and professor works, underlining one of his enduring u.s. $20.00 cdn $27.00
this poll?” well as a room, Prepared Space, painted blindingly white and transected by tiny thread-width gashes seemingly held
at University of California, Los Angeles; aims: to refute what he perceived as Pbk, 4 x 6.5 in. / 164 pgs.
Hans Ulrich Obrist, curator, critic and the primacy of visuality in art. open by pieces of bronze and wood wedged into the cuts, somewhat resembling the lines on an ancient map. The
April/Art/ SWISS INSTITUTE/KARMA
artistic director at Serpentine Galleries, goal of this volume, which is based around these two bodies of work, is to highlight the importance of drawing in the
ISBN 9780999505953
JRP|EDITIONS artist’s work—the way in which it structures both her vision and her sculpture. Each corpus is described in detail, but
London; and artists Barbara Bloom and u.s. $25.00 cdn $34.00
ISBN 9783037645833 is also situated within Trouvé’s oeuvre in a comprehensive way, thus opening up various possible readings of her work.
David Salle; along with a portrait by Pbk, 8 x 5.5 in. / 400 pgs / 380 b&w.
u.s. $40.00 cdn $54.00 This affordable introduction to Trouvé’s oeuvre contains 30 color images of her work and commentary by MAMCO’s
artist Catherine Opie. March/Art/
Hbk, 8.5 x 11 in. / 424 pgs / 250 color / curators.
WALTHER KÖNIG, KÖLN/SPRÜTH 80 b&w.
MAGERS June/Art/ MAMCO GENEVA
ISBN 9783960988304 ISBN 9781636810447 u.s. $29.95 cdn $39.95
u.s. $45.00 cdn $61.00 FLAT40 EXHIBITION SCHEDULE: Pbk, 6.25 x 9 in. / 104 pgs / 30 color.
Hbk, 9.75 x 9.25 in. / 108 pgs / 30 color. Graz, Austria: Neue Galerie, Spring 2022 June/Art/
February/Art/ Bucharest, Romania: The National
Museum of Art in Romania, Fall 2022
London, UK: Camden Arts Center, 2023
International multimedia art HIGHLIGHTS ■ ART
Liz Larner: Don’t Put It Back Like It Was

Edited by Karen Kelly, Barbara Schroeder. Text by Connie Butler, Ariana Reines, Catherine Liu. Conversation
by Mary Ceruti.
A long-overdue appreciation of the influential sculpture of Liz Larner and its radically
adventurous formal and conceptual vocabulary
Los Angeles–based sculptor and installation artist Liz Larner (born 1960) was originally a photographer:
in some of her earliest projects, she documented the volatility of bacterial cultures in petri dishes.
However, she soon realized that she was more compelled by the dishes themselves and how they
presented questions about what an art object can entail. Since then, she has continued to pursue her
interest in formal unpredictability through a focus on sculpture and architectural space. Composed of a
diverse variety of materials, her sculptures frequently function as optical illusions that seem to bend the
space around them. Sometimes rigidly technical in their geometry and at other times soft-edged and
amorphous, Larner’s sculptures are striking both for their fluctuation of form and for their representation
of spatial politics.
Mary Reid Kelley & Nevin Aladağ: Enrique Martínez Evelyn Taocheng Repositioning her enduring formal and material concerns alongside her relationship to a feminist
sculptural position, this monograph offers an opportunity to consider Larner’s artistic project within
Patrick Kelley: Sound of Spaces Celaya: Sea Sky Wang: Unintended today’s expanded discourses of embodiment, gender and posthumanism, and to recalibrate our
Blood Moon Edited by Michael Buhrs, Helena Pereña.
Text by Ulrike Draesner, Rachel Jans,
Land Experience understanding of it in relation to male-dominated Postminimalism and installation art, which have often
underpinned Larner’s critical reception. Poet Ariana Reines, cultural critic and theorist Catherine Liu, and
Foreword by Christina Vassallo. Text Sarah Kühner, Helena Pereña, Adam Towards a Map of Everything A Job in Amsterdam curators Connie Butler and Mary Ceruti consider the physical properties and sociopolitical implications
by Jackie Murray, Kathy Noble, Jenelle Szymczyk.
Porter, Robert Storr, Catherine Wood. Edited by Diana Clarke, Susan M. Edited by Antonia Carrara. of the materials present in Larner’s work, which range from ceramic to steel chain to surgical gauze to
Interview by Alec Unkovic. Anderson. Foreword by Selma Holo. human hair.
Installations and musical Text by Susan M. Anderson, Mark Irwin,
Alexander Nemerov, Elizabeth Prelinger, A humorous and perceptive
sculptures exploring the politics DANCING FOXES PRESS/SCULPTURE CENTER/ EXHIBITION SCHEDULE:
A fascinating insight into two Ed Schad, David St. John. record of the artist’s stint as Long Island City, NY: SculptureCenter,
of sound and cultural migration WALKER ART CENTER
genuinely original American an undercover transgender ISBN 9781733688956 u.s. $35.00 cdn $47.00 01/20/22–03/28/22
artists, whose combination Scenes of human frailty and masseuse in Amsterdam Clth, 9.5 x 11 in. / 96 pgs / 110 color. Minneapolis, MN: Walker Art Center,
Berlin-based Turkish artist Nevin Aladağ
of painting, photography, (born 1972) makes sculptures and global precarity from a famed July/Art/ 04/30/22–09/04/22
performance and poetry installations that explore social, urban physicist-turned-painter This volume gathers a collection
effortlessly reimagines the of diary-like texts, posted in 2015
and political borderlines. Inspired by
boundaries of contemporary art Internationally celebrated as a by Rotterdam-based Chinese artist
her multicultural upbringing, Aladağ
combines objects with disparate painter, author, professor, scientist Evelyn Taocheng Wang (born 1981) Evelyn Taocheng Wang: I. M. Personally
Mary Reid Kelley (born 1979) and and publisher, Cuban-born, Los on her Facebook page, recording the Edited by Eva Birkenstock. Text by Philipp Ekardt, Hendrik Folkerts, Philipp Gufler,
cultural origins to create pieces that
Patrick Kelley (born 1969) are Angeles–based artist Enrique aesthetic, intellectual and sentimental Alvin Li, Rory Pilgrim, Adele Schlombs, Yung Ma, Arnisa Zeqo. Interview by Monika
function as visual “scores,” both Baer, Eva Birkenstock, Henrik Olesen, Stewart Uoo.
celebrated for their visually arresting Martínez Celaya (born 1964) makes experiences she had as an undercover
reflecting and transcending their
video works, full of humorous somber, sometimes surreal images transgender masseuse in a massage
material components. In her fabric
wordplay and incisive critique, utilizing of the natural world, which probe at parlor in Amsterdam. The vignette-like How Evelyn Taocheng Wang’s nomadic life traversing cultures and
works, Aladağ collages segments
a distinctive black-and-white palette metaphysical and existential questions. chapters retrace the daily routine at continents has informed her explorations of identity
of carpets from across the globe to
and rhyming verse. Their recent two- A trained physicist, Martínez Celaya the parlor, incidents with clients and
create brightly patterned geometric
year residency at the Fabric Workshop turned to art as a more affirmative conversations with fellow workers, as This first comprehensive monograph on the work of China-born, Netherlands-based
tapestries which, from afar, appear
and Museum culminated in two new way of making sense of the world. well as personal reflections that deftly artist Evelyn Taocheng Wang (born 1981) unfolds along the path of her biography—
as abstract, modular paintings with
film works—Blood Moon and I’m His paintings depict colorful birds or mix bursts of humor with moments beginning with her early studies in Chengdu, China, her arrival in 2008 in Berlin
bold borders separating each distinct
Jackson Pollock. These films explore brightly painted young people encircled of tension, poetical notes and an and Bleckede, Germany, from China, followed by a move to Frankfurt am Main to
element. For her most acclaimed
the mechanics of power and its by the gloomy black of night or just acute sense of observation. Through attend the Städel Academy as a guest student; time in Amsterdam at De Ateliers,
piece, Music Room Athens, presented
fallibility, and were presented inside an before sunset, while his sculptures transcriptions of discussions between Rotterdam; and, most recently, stays in Germany.
at Documenta 14, she combined
installation of sculpture and drawings. transpose the mood of his paintings Chinese immigrant women working Wang’s multimedia art—from painting to video—synthesizes themes of class,
parts from various string, wind and
This expansive, fully illustrated catalog using unconventional materials such as together, the author proposes an gender, fashion, cultural identity, art history and popular culture. The publication
percussion instruments with found
is the artists’ first comprehensive tar, dirt and charred wood. unconventional portrait of the Chinese traces how the artist’s personal life experiences and encounters during these
furniture to create assemblage
monograph. It examines video works Sea, Sky, Land: Towards a Map of diaspora. Inaccuracies of language various stages interweave with her artistic research and practice. Richly illustrated,
sculptures that interrogate the
from throughout the artist's careers, as Everything brings together a selection are an integral part of the narrative. the book offers a comprehensive presentation of her drawings, paintings, collages,
role of sound in the making of an
well as the costume design, set design of these paintings and sculptures from A series of watercolors by Taocheng photography, video, narrative writing, installation, sewing and performance, set in
environment.
and writing that make their works both 2005 to the present. Wang accompanies and illustrates the dialogue with diverse text contributions by artist friends and colleagues. Essays
indelible and groundbreaking. HATJE CANTZ texts, interpreting her work anecdotes by a range of writers expand on aspects of Wang’s work, including its narrative
HATJE CANTZ in colorful visions. strategies, Western and East Asian art historical references, and its focus on cultural
ISBN 9783775751438
GREGORY R. MILLER & CO. u.s. $50.00 cdn $68.00
ISBN 9783775751483 identity, political imagery and performance.
ISBN 9781736014622 u.s. $50.00 cdn $68.00 AFTER 8 BOOKS
Hbk, 8.5 x 10.75 in. / 304 pgs / 200 color.
u.s. $50.00 cdn $68.00 Clth, 10 x 12.25 in. / 192 pgs / 104 color. ISBN 9782492650017 KUNSTVEREIN FÜR DIE RHEINLANDE UND WESTFALEN, DÜSSELDORF/
February/Art/
Hbk, 6.5 x 9.5 in. / 320 pgs / 110 color. February/Art/Latin American/Caribbean u.s. $18.00 cdn $24.00 DANCING FOXES PRESS
February/Art/Film & Video/ Art & Culture/ Pbk, 6.75 x 9.5 in. / 32 pgs / 9 color. ISBN 9781733688963 u.s. $45.00 cdn $61.00
March/Art/Asian Art & Culture/LGBTQ/ Hbk, 9 x 11 in. / 464 pgs / 240 color / 50 b&w.
Munich, Germany: Museum Villa Stuck,
EXHIBITION SCHEDULE: April/Art/Asian Art & Culture/LGBTQ/
10/28/21–02/20/22
Philadelphia, PA: The Fabric Workshop
and Museum, 09/24/21–02/20/22

Ian Strange: Anicka Yi: Anish Kapoor Jeff Koons: Shine Nicole Miller: Mika Tajima Paolo Canevari: Shahryar Nashat:
Disturbed Home Metaspore Edited with text by Taco Dibbits. Text
by Gil Anidjar, Linda Borean, Giuseppe
Edited with text by Arturo Galansino,
Joachim Pissarro. Text by Donatien Grau.
Michael in Black Introduction and interview by Mika
Yoshitake. Text by T’ai Smith.
Self-Portrait Keep Begging
Edited with text by Kevin Moore, Edited with text by Fiammetta Griccioli, Civitarese, Mario Codognato, Waldemar Edited with introduction by Lauren Text and interview by Robert Storr. Text Edited with text by Simon Castets, Laura
Britt Salvesen. Vicente Todolí. Text by Merlin Sheldrake, Januszczak, Carlo Rovelli, Michele Mackler, Nicole Miller. Text and image by Andrea Camilleri. Interview by Shirin McLean-Ferris. Introduction by Elena
Rachel Lee. Tavola. Conversation with Anish Kapoor A Jeff Koons overview contributions by Jared Sexton, Hannah Two decades of multimedia Neshat, Francesca Pietropaolo. Filopovic. Text by Negar Azimi, Jordan
and Homi K. Bhabha. thematizing “shine” as aesthetic Black, Pier Paolo Pasolini, Greg Tate, works and collaborations Carter, Elena Filipovic, Huw Lemmey,
The first comprehensive survey Ocean Vuong, Negar Azimi, Anna exploring the elusive edges of the Adam Linder, Aram Moshayedi, Hamza
Artificial intelligence, mushroom substance and motif across his On the "Baroque Minimalism" of
of Ian Strange's architectural Deveare Smith, Nikita Gale, Ligia Lewis, material and the immaterial Walker.
spores and peanut butter: on From the sublime to the five-decade career an acclaimed heir to Arte Povera
interventions exploring dislocation Jasper Marsalis. Interview with Bradford
and social catastrophe Anicka Yi’s unique brand of corporeal: an exquisite career Young, Nicole Miller, Yvonne Cagle,
This volume is published for Jeff Alonzo King. The sculptures, paintings, videos Variations on the textures
science-infused conceptualism survey of Anish Kapoor This volume explores 30 years of
Koons’ (born 1955) largest ever and installations of New York–based and limits of the body in video
multimedia works from New York–
This is the first comprehensive
exhibition in Italy, developed in close How Black bodies are embodied, artist Mika Tajima (born 1975) explore and sculpture
Korean American artist Anicka Yi Widely considered one of the most and Rome-based Italian artist Paolo
survey of Ian Strange’s (born
1982) architectural interventions, (born 1971) creates sculptures and influential sculptors working today, dialogue with the artist, and presenting deconstructed and objectified the embodied experience of ortho- Canevari (born 1963) through a
some of the most celebrated works architectonic control and computational Bodies function, fight and fail. People
installations that subvert the concepts British artist Anish Kapoor (born selection of sculptures, drawings and
including photographic and filmic bear witness to these processes every
1954) here constructs a career survey of this master who, from the mid- The first monograph on Los Angeles– life. From architectural systems to installations ranging from earlier pieces
interpretations of those works. of natural and synthetic, generating day, actively and passively, in the flesh
of his works within the exquisite 1970s until the present day, has based artist and filmmaker Nicole ergonomic design to psychographic influenced by Arte Povera to rubber
Highlighting projects from the past hybrid and symbiotic entities through and on-screen. But bodies are also
Renaissance architecture of the forged a reputation as one of the Miller (born 1982), this volume data, Tajima's works operate in the pieces made during the 1990s. Using
12 years and spanning geographies the employment of the bacteria and unruly: they desire and shapeshift and
Venetian Gallerie dell’Accademia. The most important figures of the global comprises a chorus of cultural criticism space between the immaterial and a variety of materials and mediums,
from Strange’s native Australia to New technological devices in her work. betray. This oscillation between the
full span of his oeuvre is appraised contemporary art scene. by contemporary thinkers in response the tangible to create heightened Canevari forges a vocabulary he
Zealand, Japan, Poland and the US, Yi has collaborated with a range of realities of mortal progression and
here, from his spare monochrome Responsible for countless works to Michael in Black, a bronze cast of encounters that target the senses and defines as “Baroque Minimalism.”
Strange’s provocative transformations professionals, including engineers, everything that transpires in those
sculptures that evoke sublimity and that have entered the collective Michael Jackson’s kneeling figure. emotions of the viewer. Celebrating the artist’s first
of damaged or abandoned homes chemists and other scientists, with indeterminate zones serves as the
awe to his more recent expressionistic imagination, Koons regards "shine" Poured from a mold made directly from This catalog includes full-color retrospective exhibition in the UK,
unlock themes of social upheaval whom she carries out ambitious basis for the visceral practice of Swiss
sculptures and paintings, often in as a key feature of his artwork—from his body around 1986, this talismanic reproductions of Tajima’s work at the held at the Cardi Gallery, London,
and geographic displacement caused projects aimed at investigating artist Shahryar Nashat (born 1975).
shades of red or blue, that call to the postmodern reinvention of the object comprises myriad aspects of 2019 Okayama Art Summit; her early the book includes his most recent
by economic blight, environmental new possibilities of exchange and This monograph surveys Nashat’s
mind dispersed bodies. Famous readymade to works in perfectly celebrity and image: the objecthood performances with Charles Atlas, Paesaggio and Constellation series,
disaster and migration. interaction between living organisms artistic output of the last eight years.
works include his 1992 Descent polished metal that resemble inflatable of the performer, the potency and Judith Butler and New Humans; and part of the ongoing project Monuments
Published on the occasion of and artificial intelligence. The book is copublished by Kunsthalle
into Limbo, which, in this iteration, toys. Indeed, "shine" is far more than perversity of objects, death, grief exhibitions at the Whitney Museum of of the Memory. It is enriched by a
exhibitions at the 2020 Perth Metaspore is the most extensive Basel and Swiss Institute, where
sets a black threatening void directly an ornament: it is the very substance and editing. American Art, the Hirshhorn Museum commissioned essay by Robert Storr,
Festival and the 2022 FotoFocus monograph ever devoted to the Nashat had solo exhibitions. But, while
into the gallery floor, as well as his of these works, as this reflective The artist’s first foray into sculpture, and Sculpture Garden, Palais de Tokyo, a short story by Andrea Camilleri,
Biennial, Disturbed Home features artist, published to coincide with her the two exhibitions are the occasion for
experiments with the blackest black property brings together appearance Michael in Black serves as a point Paris, and Borusan Contemporary, and two interviews with the artist,
lucid commentary and original solo exhibition of the same name at publishing this book, the contents here
paint, Vantablack. This monograph also and essence. of departure for exploring concerns Istanbul, among other international one led by Shirin Neshat and the
documentation of numerous distinct Pirelli HangarBicocca in Milan. The far surpass them: twelve of Nashat’s
includes new works created using Shine gathers paintings and sculptures throughout Miller’s practice in moving venues. Also included are texts and an other by Robert Storr and Francesca
projects. Also included are scholarly volume examines her practice in works made between 2012 and 2020
carbon nanotechnology, and recent on loan from international collections image: her recurring interest in the interview with the artist. Pietropaolo.
essays by FotoFocus artistic director detail, presenting a wide selection of are examined across six essays and
paintings that reflect the visionary and museums in order to explore the self-performance of her film subjects;
and curator Kevin Moore and Britt installations created by Yi from 2010 to INVENTORY PRESS/KAYNE GRIFFIN one conversation, each of which forges
thrust of Kapoor’s current trajectory. concept of "shine,” calling into question the dehumanizing effects of the SILVANA EDITORIALE
Salvesen, curator and head of the now. The catalog includes photographic ISBN 9781941753484 a new reading of what is at stake in the
our relationship with daily reality and mass gaze; the celebrity as a host ISBN 9788836649280
Wallis Annenberg Photography documentation of the exhibition along MARSILIO u.s. $55.00 cdn $75.00 artist’s oeuvre.
with the very concept of a work of art. u.s. $55.00 cdn $75.00
with critical essays and thematic object for contemporary projections; Hbk, 9 x 11 in. / 188 pgs / 120 color.
Department and the Prints and ISBN 9791254630075 Hbk, 7.5 x 9.75 in. / 308 pgs / 250 color.
analyses. the tactility of film and the sculptural February/Art/ SWISS INSTITUTE/KUNSTHALLE
Drawings Department at the Los u.s. $75.00 cdn $102.00 MARSILIO April/Art/
qualities of editing; and the potential BASEL/LENZ PRESS
Angeles County Museum of Art. MARSILIO EDITORI Hbk, 10.25 x 12.5 in. / 288 pgs / ISBN 9788829706686
for self-storytelling to reconstitute an EXHIBITION SCHEDULE: ISBN 9791280579058
Essays address Strange’s practice 200 color. u.s. $40.00 cdn $54.00
ISBN 9791254630037 individual’s wholeness. Los Angeles, CA: Kayne Griffin, u.s. $45.00 cdn $61.00
within traditions of street art, August/Art/ Hbk, 9.5 x 11.5 in. / 176 pgs / 150 color.
u.s. $40.00 cdn $54.00 Hbk, 8.5 x 11 in. / 259 pgs / 224 color
February/Art/ 01/22/22–03/12/22
photography, film, public sculpture Pbk, 6.75 x 9.5 in. / 208 pgs / 60 color. CARA/PUBLIC FICTION
/ 6 b&w.
and dance. March/Art/Asian Art & Culture/ EXHIBITION SCHEDULE: ISBN 9781954939004 February/Art/
Venice, Italy: Gallerie dell’Accademia & u.s. $25.00 cdn $34.00
DAMIANI Palazzo Manfrin, 04/20/22–10/09/22
EXHIBITION SCHEDULE: Pbk, 6.5 x 9.5 in. / 256 pgs / 46 color /
ISBN 9788862087339
Milan, Italy: Pirelli HangarBicocca, 42 duotone / 17 b&w.
u.s. $65.00 cdn $88.00
02/17/22–07/24/22 April/Art/
April/Art/

Multimedia art and politics | Postwar Italian painting and sculpture HIGHLIGHTS ■ ART
Tania Bruguera: Walid Raad: Diane Burko: Dawn DeDeaux: Burri: Carol Rama Lucio Fontana: Domenico Gnoli
Let Truth Be, Though Cotton under Seeing Climate The Space Between Material Poetry Edited with text by Brigitte Hausmann.
Text by Brigitte Reinhardt, Alexandra
The Conquest Conceived by Germano Celant. Edited
by Mario Mainetti. Foreword by Miuccia
the World Perish My Feet Change Worlds Edited by Bruno Corà. Wetzel. of Space Prada, Patrizio Bertelli. Text by Carlo
Barbatti, Italo Calvino, Germano
Edited with text by Diego Sileo. Edited with text by Eva Ebersberger, Foreword by Jack Rasmussen. Text by Edited with text by Katie Pfohl. Text by Text by Colin Huizing. Photographs by Celant, Giulia Lotti, André Pieyre de
Daniela Zyman. Text by Guillermo Bill McKibben, Diane Burko, Norma Debbora Battaglia, John M. Barry, Eva An affordable introduction to the Hedonistic, erotic and unsettling: Anuschka Blommers, Niels Schumm. Mandiargues, Salvatore Settis.
Solana, Francesca Thyssen-Bornemisza, Broude, Mary D. Garrard. Díaz, Walter Isaacson. Art Informel pioneer's poetical on Carol Rama’s late drawings
Key performances and new works and watercolors
Jalal Toufic. use of everyday materials An indispensable overview of A beautifully produced, definitive
from the Cuban activist and
Burko’s scientifically informed Art at the edge of the Fontana's innovative spatial survey of Gnoli’s unique painterly
artist famed for her courageous A semi-fictional performative Self-taught Italian painter Carol
abstractions extend the Anthropocene, from a pioneering A leading light of the Art Informel
interventions amalgam of Pop and Surrealism
defiance of governmental account of the lives and archives generation that also included Tàpies Rama (1918–2015) worked in relative
Romantic sublime to the era of multimedia artist
oppression of a legendary Spanish art and Dubuffet, Alberto Burri (1915–95) obscurity for decades, until curator
climate catastrophe Famed for his iconic monochrome Conceived by Germano Celant as a
collection From social inequality to population continues to exert a huge influence Lea Vergine included her in a 1980
canvases with violent vertical cuts, catalog for the largest exhibition ever
Over the past three decades, Cuban on artists today, as the popularity of exhibition that instigated her discovery
Painter, photographer and climate growth to climate change, New Italian artist Lucio Fontana (1899–1968) organized on Italian painter Domenico
performance artist Tania Bruguera (born his 2015 Guggenheim show and the by the art world. In 2003 she was
How does a private art collection activist Diane Burko (born 1945) has Orleans–based multimedia artist is one of the most important avant- Gnoli (1933–70), this publication
1968) has consistently and inventively perpetual scarcity of Burri monographs awarded the Golden Lion at the
become public? Who was Hans long been a prominent advocate Dawn DeDeaux (born 1952) does not garde artists of the 20th century unveils the cultural background and
blurred the line between art and attests. This volume—the most Venice Biennale for her life's work;
Heinrich Thyssen-Bornemisza? These for art’s role in addressing climate shy from exploring difficult topics. and he continues to inspire artists, production of an artist best known for
activism. She first gained notoriety comprehensive book on the artist retrospectives at the Stedelijk Museum
questions are at the heart of Cotton change. While continuing to engage One of the first American artists to designers and architects today. Lucio a relatively small number of paintings
for her 1997 solo performance The in print—explores the beauty and in Amsterdam and the New Museum
under My Feet, a new project by New the traditions of landscape painting, connect questions about social justice Fontana: The Conquest of Space depicting zoomed-in details of objects,
Burden of Guilt (El peso de la culpa), complexity of the creative process, in New York soon followed.
York–based Lebanese artist Walid her increasingly abstract and large- to environmental concerns, DeDeaux highlights Fontana's “Concetto architectural features, bodies and
a response to the mass suicide of “material poetry,” that undergirded all This hardcover volume focuses on the
Raad (born 1967) conceived for the scale images are layered with visual responds to a future imperiled by spaziale,” or “spatial concept,” and garments—drawn in precise miniatures
a group of Indigenous Cubans who of his work. drawings and watercolors that Rama
Museo Nacional Thyssen-Bornemisza, and scientific information about the runaway population growth, breakneck shows how these spatial notions took or painted at grander scales.
had consumed soil to demonstrate Burri worked with the most varied produced from the mid-1990s until
coinciding with the centennial of its urgent challenges posed to the planet. industrial development and the shape not only in his slashed canvases The volume, designed by Irma
resistance to Spanish occupation. materials with an inexhaustible her death. These include the Cadeau
original founder. This volume presents Burko’s large- looming threat of climate change. but also in his sculpture, jewelry and Boom, encompasses Gnoli’s work
Subsequent works have frequently creative energy: tar, paper, fabric, series, which depict scribbled orifices
From the depths of the museum’s scale paintings and serial groupings, Since the 1970s, she has been probing installations. as painter, stage designer and
put her in conflict with the Cuban jute sacks, combustions of plastic, multiplied down the page, or red
archives, Raad unearthed fragments including her never-before-exhibited, humanity’s present and future through For Fontana, there was no fundamental illustrator, and explores his links with
government: most notoriously, in wood and iron all found their way into swollen hooves; Tongues, from the late
of stories, fictional documents and 56-foot-long World Map series, videos, performances and installations. distinction between the visual arts, the international cultural scene of his
Tatlin’s Whisper #6, performed in her his picture plane, transfiguring the 1990s, which depict bright-red horned
puzzling artifacts. Brought to life which addresses glacier and coral This catalog, published for her first architecture and design: he was time. It includes essays by Germano
native Havana in 2009, she set up a vocabulary of painting for the postwar tongues wagging their way across the
through a slippery narrative—a lavishly reef changes across the globe. Also comprehensive museum exhibition a sculptor by trade and refused Celant and Salvatore Settis, texts
stage for audience members to speak sensibility. The titles of Burri’s various page; and works from the early 2000s
illustrated performance script forms featured are Burko’s videos and at the New Orleans Museum of Art, to be limited by disciplines in his by André Pieyre de Mandiargues
uncensored for one minute. series convey this “material poetry”: that feature thornlike breasts rendered
the centerpiece of the volume—Raad Lenticulars, which employ melting presents DeDeaux’s work spanning conception of space. He was one of and Italo Calvino, and an illustrated
Featuring a die-cut cover, Tania Gobbi (hunchbacks), Muffe (molds), in marker, nail polish and other
invites readers to follow him into and flowing imagery to express the five decades: from early multimedia the first visual artists to create spatial chronology featuring more than 1,000
Bruguera: Let Truth Be, Though the Bianchi (whites), Legni (woods), Ferri materials on found sheets of paper.
the tunnels of conjecture he has concept of climate change over time. works using radio and satellite to installations with floating sculptures images, that documents Gnoli’s life
World Perish includes her most (irons), Combustioni plastiche (plastic
constructed, offering a vertiginous The book features more than 120 color recent works from her MotherShip and neon lights, and to collaborate with and activities—from his early stage
significant performances and HATJE CANTZ
reflection on the potential legacy of illustrations; a new statement by the series, in which she imagines combustions), Cretti and Cellotex. This
installations, as well as a new work ISBN 9783775751629 architects and designers. This lavish and costume design for the Old Vic
the Thyssen-Bornemisza collections artist on the evolving nature of her humanity’s escape from a destroyed affordable volume introduces Burri’s
designed for Milan’s Padiglione d'Arte u.s. $32.00 cdn $43.00 catalog contains 100 reproductions of theater in London to his illustrations for
and their relation to the histories of studio practice; essays by each of the Earth. For DeDeaux, art is always poetical vocabulary of materials for a
Contemporanea. Hbk, 8 x 10 in. / 96 pgs / 45 color. his groundbreaking work. such magazines as Vogue, Horizon and
Western and non-Western art. curators, distinguished art historians closely intertwined with philosophy, new audience.
February/Art/ Sports Illustrated.
SILVANA EDITORIALE Mary D. Garrard and Norma Broude; science and new technologies. NAI010 PUBLISHERS
WALTHER KÖNIG, KÖLN SKIRA
ISBN 9788836645138 and an essay by the environmental ISBN 9789462086616 FONDAZIONE PRADA
ISBN 9783753301037 HATJE CANTZ ISBN 9788857246758 u.s. $40.00 cdn $54.00
u.s. $50.00 cdn $68.00 author and activist Bill McKibben. ISBN 9788887029819
u.s. $39.95 cdn $53.95 FLAT40 ISBN 9783775748032 u.s. $35.00 cdn $47.00
Hbk, 9 x 11 in. / 376 pgs / 400 color. Pbk, 6.75 x 9.5 in. / 176 pgs / 100 color. u.s. $105.00 cdn $143.00 SDNR30
Flexi, 8 x 10.25 in. / 160 pgs / AMERICAN UNIVERSITY MUSEUM u.s. $50.00 cdn $68.00 Pbk, 9.5 x 11 in. / 264 pgs / 125 color / March/Art/
April/Art/Latin American/Caribbean Art Hbk, 8.25 x 11 in. / 424 pgs / 871 color
150 color / 100 b&w. ISBN 9781734778830 Hbk, 9.5 x 11.5 in. / 240 pgs / 100 color. 38 b&w.
& Culture/ / 193 b&w.
April/Art/ u.s. $40.00 cdn $54.00 March/Art/ March/Art/ EXHIBITION SCHEDULE: February/Art
Hbk, 11.75 x 9 in. / 116 pgs / Hertogenbosch, Netherlands: Design
247 color / 1 b&w. EXHIBITION SCHEDULE: Museum Den Bosch, 10/02/21–01/23/22 EXHIBITION SCHEDULE:
February/Art/Sustainability/ New Orleans, LA: New Orleans Alba, Italy: Fondazione Ferrero,
Milan, Italy: Fondazione Prada,
Museum of Art, 10/22/21–01/30/22 10/09/21–01/30/22
10/28/21–02/27/22

Mary Ann Unger: Ken Matsubara: Dana Sherwood: My Name Is Maryan Kapwani Kiwanga Tomashi Jackson: Cooking Sections: A Rock, A River,
To Shape a Moon Utsusemi Animal Appetites & Edited with text by Alison M. Gingeras.
Foreword by Chana Sheldon. Text by Noa
Edited by Clément Dirié. Text by Vanessa
Agard-Jones, Omar Berrada, Amzat
The Land Claim Offsetted A Street
from Bone Text by Bettina Pelz. Other Encounters in Rosenberg, Piotr Słodkowski, Jamieson
Webster.
Boukari-Yabara, Emanuele Coccia,
Adrienne Edwards, Candice Hopkins,
Edited by Corinne Erni, Tomashi
Jackson, K. Anthony Jones, Martha
Edited by Jesse Connuck. Text by Nico
Alexandroff, Penny Allan, Adeniyi
By Steffani Jemison.
Edited with text by Horace D. Ballard.
Foreword by Pamela Franks, Allison On Matsubara's ephemeral Wildness Lesley Lokko, November Paynter,
Kathleen Ritter.
Schnee, Lauren Ruiz. Foreword by Kelly
Taxter. Introduction by Tomashi Jackson.
Asinyabi, Martin Bryant, Matthew
Darmour-Paul, Kristen Lyons, Mari An experimental novella about
Kauffman. Text by Eve Biddle, Zoe multimedia interrogations of Text by Jennifer Stettler Parsons, On the surreal figuration Text by Corinne Erni, Eric N. Mack. Margil, Hanna Rullman, Isabel the bounds of the self and
Dobuler, Sarah Montross, Roberta Smith. memory and time from the Tamar Adler, Amy Kurtz Lansing, Petra of an influential postwar Sandeman, Huhana Smith, Pablo Solón, the many forms of embodied
"Kiwanga seamlessly integrates
past decade Lange-Berndt, Celeste Olalquiaga, Dana artist, covering four decades "Jackson’s paintings synthesize
David Ssemwogerere, Irene Sunwoo, expression
Sherwood, Li Sumpter, Cary Wolfe. film, photography, performance, Paulo Tavares, Rosa Whiteley.
On the feminist sculpture and of paintings, sculptures, connections shared by local
ephemera and sculpture to play
interventions of the Guerilla Girl Japanese artist Ken Matsubara (born drawings and film residents of color around Where does your body end and the
This beautifully designed volume with the mutability of historical "From climate-resistant menus
member and veteran of New 1949) makes multimedia works that
narratives" –Artsy experiences of transportation, world begin? How do you locate the
explores Sherwood’s multimedia Working in the wake of postwar to colonial desserts, Cooking
York’s 1980s art scene incorporate video, photographs and housing, agriculture and labor" limit between your self and others?
found objects to investigate the
adventures in cross-species trauma and traversing the European Sections ask us to think A Rock, A River, A Street follows a
communication Published in parallel with the artist's –New York Times again about the ethics and
Rising to prominence in the downtown memories that reside deep within our and American avant-gardes, the prolific young, Black woman who lives at
first major exhibition in the US (at the economics of the food on our
New York art scene of the 1980s and consciousness. His flickering video Polish-born painter Maryan (né Pinchas the hazy border between Brooklyn
New Museum, summer 2022), this The first monograph on Tomashi
1990s, Mary Ann Unger (1945–98) images projected onto surfaces of
The first monograph on Dana Burstein, 1927–77) created a thrilling plates." –Frieze and Queens in the not so distant
Sherwood (born 1977), this book is the first monograph on Paris-based Jackson (born 1980), The Land Claim
was skilled in graphic composition, objects—shallow bowls filled with post-expressionist vocabulary that has present. As she rides the subway,
showcases the New York artist’s Canadian artist Kapwani Kiwanga (born illustrates the Cambridge- and New
liquid, broken mirrors, reflective never seemed so prescient. Established in London in 2013 by walks around her neighborhood, visits
watercolor, large-scale conceptual York–based artist's unique work and
pioneering experiments with cross- 1978). Unveiling the pervasive impact artists Daniel Fernández Pascual and
sculpture and environmentally vitrines—are dreamlike and ephemeral. My Name Is Maryan explores the the doctor, watches movies, attends
species communication. Her films, of power asymmetries by placing research methodology that focuses
Memories are often embodied in totality of Maryan’s career, including Alon Schwabe, and nominated for the dance class and tries to heal her body,
responsive, site-specific interventions. on the historic and contemporary lived
sculpture installations and paintings narratives from the past in dialogue 2021 Turner Prize, Cooking Sections
Unger was a member of the Guerrilla images, and can contain knowledge how his work was impacted by his we are brought into her conflicted
engage discussions around the with contemporary realities, Kiwanga's experiences of Indigenous, Black and
from the far-reaching past, extending firsthand experiences of the Holocaust; examines the systems that organize relationship with language, as she
Girls and is acknowledged as a Latinx families on the East End of Long
environment, global food chains, the work is research-driven, instigated by the world through food, exploring the
feminist pioneer of neo-expressionist beyond individual experience and his dialogue with peers, from CoBrA recalls formative experiences from
rapid growth of social media, feminism, marginalized or forgotten histories, and Island, and how the role of women, the
recollection. Though his works are artists such as Constant, Asger Jorn overlap between art, architecture, her childhood and absorbs the world
sculptural form. meaning of labor and the sacredness of
animal studies and spirituality. articulated across a range of mediums. ecology and geopolitics through site-
This monograph brings together 50 often site-specific, Matsubara often and Pierre Alechinsky to his American around her. Acutely conscious of the
Featuring a tipped-on cover image, This publication documents Kiwanga’s land link these communities. Jackson’s
creates variations on a core idea, circle of artists, particularly H.C. responsive installations, performances soft, responsive nature of her physical
images of the artist’s work, often intricately layered and boldly composed
metallic embossing and various entire body of work, highlighting her and videos. Their titular work, an
monumental sculpture formed into as in his Repetition–Book series, in Westermann, June Leaf and Leon self, and pushed and pulled by forces
page sizes and paper stocks, this most important fields of research, large-scale paintings are featured
which he uses found photographs Golub; his black-and-white works of immersive installation comprised of she cannot control, the narrator is
organic shapes. Taking the reprinting alongside transcribed interviews and
book expands upon these themes, from disciplinary architecture and bark, branches and other matter from
of Roberta Smith's 1999 obituary from various locations and makes new the 1950s; and a recreation of his vulnerable, terrifyingly open. Everything
with essays and documentation of Afrofuturism to her singular takes on archival images from her research.
photographs and videos in those same studio at the Chelsea Hotel, where he New York City trees, explores the and everyone leaves an impression.
for Unger as a starting point, the Jackson provokes an urgent discourse
paintings, film stills and recipe and Minimalism and political and spiritual forces that have both protected and
book’s essays provide the first full locations. By incorporating the found made his final works in the 1970s. Brooklyn-based artist Steffani
sketchbook facsimiles. Generously beliefs. Gathering contributions by art around historical narratives of labor,
antique photographs with his own new Maryan’s historically important single- displaced the city’s trees under the Jemison (born 1981) moves deftly
consideration of Unger, tracing her life, collective memory, educational
illustrated sections of plates are historians, art critics, philosophers, pressures of urbanization. In 2016 they
her studies and her network of artists images, he reveals a dialogue between figure Personnage paintings—highly across narrative genres and styles
followed by a chronology of the artist’s curators and anthropologists, it draws a access, transportation and land rights
past and present, poetically capturing influential on artists such as Caroll opened the Empire Remains Shop, a in this novella, as she interrogates
and mentors. This catalog also includes experienced by communities of color.
career to date and a checklist of works. multidisciplinary and polyphonic portrait platform to critically speculate on the
an interview with the artist’s daughter. moments in the passage of time. This Dunham and Eddie Martinez, and first the boundedness of the self, the
of Kiwanga’s practice and thinking. DELMONICO BOOKS/PARRISH ART implications of selling the remains
monograph offers an overview of his FLORENCE GRISWOLD MUSEUM shown in Paris in 1960—are included, possibilities of plurality and the limits of
WILLIAMS COLLEGE MUSEUM OF recreating the bulk of that exhibition for MUSEUM of Empire.
work from the last decade. ISBN 9781646570256 JRP|EDITIONS performance.
ART ISBN 9781636810331 Through these site-responsive
u.s. $70.00 cdn $95.00
the first time. ISBN 9783037645673
ISBN 9781646570263 MW EDITIONS u.s. $39.95 cdn $53.95 interventions, Offsetted traces the PRIMARY INFORMATION
Clth, 10 x 11.5 in. / 204 pgs / 140 color. u.s. $50.00 cdn $68.00
u.s. $34.95 cdn $46.95 ISBN 9781735762951 MUSEUM OF CONTEMPORARY ART, Pbk, 9.5 x 12 in. / 96 pgs / 41 color / emergence of the evaluation of nature, ISBN 9781736534663
May/Art/ Hbk, 9.5 x 11.75 in. / 224 pgs / 150 color.
Hbk, 9.5 x 10.5 in. / 104 pgs / 50 color. u.s. $45.00 cdn $61.00
NORTH MIAMI/KOENIG BOOKS 30 b&w. u.s. $16.00 cdn $21.00
June/Art/ contesting neoliberalism as a savior of
August/Art/ Hbk, 6.5 x 9.75 in. / 160 pgs / ISBN 9783753301426 January/Art/African American Art & Pbk, 4.5 x 7.25 in. / 132 pgs / 10 b&w.
EXHIBITION SCHEDULE: its own ecological contradictions.
79 color / 255 b&w. u.s. $50.00 cdn $68.00 FLAT40 Culture/ April/Fiction & Poetry/African American
Old Lyme, CT: Florence Griswold Hbk, 8.5 x 11 in. / 224 pgs / 250 color.
HATJE CANTZ
EXHIBITION SCHEDULE: June/Art/ New York, NY: New Museum, 06/22 Art & Culture/Artists’ Books
Museum, 05/14/22–09/18/22 June/Art/
Williamstown, MA: Williams College ISBN 9783775751995
Toronto, Canada: MOCA, Fall 2022
Museum of Art, 07/12/22–12/24/22 u.s. $40.00 cdn $54.00
Venice, Italy: 59th Venice Biennale,
EXHIBITION SCHEDULE: Pbk, 7.75 x 11 in. / 176 pgs / 120 color.
04/22–11/22
Miami, FL: Museum of Contemporary March/Art/
Art North Miami, 11/17/21–03/20/22
Tel Aviv, Israel: Tel Aviv Museum of Art,
134 artbook.com 04/23–09/23 artbook.com 135
Surveys and collections HIGHLIGHTS ■ ART
Greater New York 2021

Edited by Ruba Katrib with Jody Graf. Introduction by Kate Fowle, Ruba Katrib, Inés Katzenstein,
Moses Serubiri. Text by Yuji Agematsu, Diane Burns, Rotimi Fani-Kayode, Raque Ford, Robin
Graubard, Steffani Jemison, E’wao Kagoshima, Marie Karlberg, Rosemary Mayer, Ahmed Morsi,
Paulina Peavy.
A sourcebook, reader and document of the MoMA PS1 exhibition gathering an

intergenerational and international group of 47 artists and collectives with deep
ties to New York
Through images, artist writings, roundtable conversations and oral histories highlighting
key artists from the fifth edition of Greater New York at MoMA PS1, this book expands core
themes in the exhibition, such as the interrelation of the surrealistic and the documentary;
New York as site of Indigenous and diasporic cultural production; and the everyday challenges
of living as an artist in a rapidly changing city. Central to the book is a wide selection of primary
source materials: writings, poetry, notes, sketches and scripts by exhibition artists—offering,
Oil: Beauty and Art under Fire in Lifes Life and Limbs in their own words, a window into their interdisciplinary processes and approaches.
Artists include: Yuji Agematsu, Nadia Ayari, BlackMass Publishing, Diane Burns, Kristi
Horror in the Afghanistan Edited with text by Aram Moshayedi.
Foreword by Ann Philbin. Text by Fahim
Annual Architecture and Design Cavataro, Curtis Cuffie, Hadi Fallahpisheh, Rotimi Fani-Kayode, Raque Ford, Luis Frangella,
Series
Petrol Age Edited by Guilda Chahverdi, Agnès
Devictor.
Amir, Asher Hartman, Shannon Jackson,
Rindon Johnson, Adania Shibli, Greg Edited by Alison Coplan, Laura McLean-
Dolores Furtado, Julio Galán, Doreen Garner, Emilie Louise Gossiaux, Robin Graubard, Milford
Graves, Bettina Grossman, Avijit Halder, Bill Hayden, Steffani Jemison, G. Peter Jemison,
Edited with text by Andreas Beitin, Tate. Ferris. Introduction by Simon Castets. E’wao Kagoshima, Marie Karlberg, Matthew Langan-Peck, Las Nietas de Nonó, Athena
Alexander Klose, Benjamin Steininger. Text by Annie Godfrey Larmon, Philipp LaTocha, Carolyn Lazard, Sean-Kierre Lyons, Hiram Maristany, Servane Mary, Rosemary Mayer,
Text by Akintunde Akinleye, Leila Alieva, The first ever survey of Afghan Ekardt, Anna-Sophie Berger.
Dominic Boyer, Jan von Brevern, Heather contemporary art—across An anthology on the Alan Michelson, Ahmed Morsi, Nicolas Moufarrege, Marilyn Nance, Tammy Nguyen, Shelley
Davis, et al. mediums, genres and regimes interdisciplinary and the Niro, Kayode Ojo, Paulina Peavy, Freya Powell, Raha Raissnia, Andy Robert, Diane Severin
collaborative toward a total The body as flexible habitat, Nguyen, Shanzhai Lyric, Regina Vater, Stanley Wolukau-Wanambwa and Lachell Workman.
work of art from Arakawa and Gins to Lyle
From Ernst Haeckel to Wolfgang For 40 years, life in Afghanistan has MOMA PS1
Ashton Harris
Tillmans: how oil has fueled been shaped by wars, the destruction ISBN 9781636810485 u.s. $40.00 cdn $55.00 EXHIBITION SCHEDULE:
the imaginations of artists and of heritage, terrorist attacks and This volume anthologizes the textual Pbk, 9 x 12 in. / 180 pgs / 50 color / 10 b&w. Long Island City, NY: MoMA PS1,
Austrian artist and curator Anna-
photographers migrations. Today, artists in this contributions from the Hammer March/Art/ 10/07/21–04/18/22
Sophie Berger here assembles a
country—either self-taught, having exhibition titled Lifes. These texts
group of works that register the body
Like no other raw material, oil pervades grown up under a Taliban regime that formed the starting point from which
as a habitat that can be imaginatively
every area of our life. Oil is how we banned images, or trained formally in choreographers and composers,
stretched, altered, modified, adorned,
theater directors and dramaturgs, and
stay alive and how we get around. Oil:
Beauty and Horror in the Petrol Age
exile—have no heritage to negotiate
and no rules to break: anything performance, video and installation
replicated or destroyed. The starting
point for Berger were two designs
Hirshhorn Museum and Sculpture Garden:
approaches the vast complexity of oil’s
place in our lives by exploring how it
seems possible. Many of the works
included here directly confront the
artists contributed to the overall
project. The publication documents the
for necklaces by the Surrealist Meret The Collection
Oppenheim—one resembling a baby’s Edited by Stéphane Aquin and Anne Reeve with Sandy Gutmann.
has inspired art and artists. Surveying country's traumas—such as Latif exhibition’s fostering of interdisciplinary
legs wrapped around a neck, and
the work of 250 artists from antiquity Eshraq’s Farkhunda, which depicts conversation toward a “total
work of art.”
the other featuring a pendant with The biggest collection book on the Hirshhorn in almost 50 years, capturing
to today with 350 illustrations, this the mob lynching of Farkhunda
Malikzada, who was falsely accused of In addition to scholarly contextual
a grinning toothy mouth smoking a the full sweep of modern and contemporary art around the world
unique catalog captures the diversity of
cigarette, designed to hang at the
emotions that oil evokes. burning a Quran. essays by Shannon Jackson, Aram
softest part of the throat. In a similar Containing nearly 200 entries on individual artists, artworks and the richness and
Artists include: Monira Al Qadiri, This innovative survey brings together Moshayedi and Greg Tate, the book
spirit, each work in Life and Limbs strengths of the museum’s collection—and lavishly illustrated with approximately 500
Atelier Van Lieshout, Kader Attia, photography, calligraphy, drawing, includes texts commissioned for
was chosen for its ability to trouble full-color and black-and-white images—this comprehensive book is bolstered by three
Bernardo Bertolucci, Margaret Bourke- video, painting and installations by the exhibition and publication by
the limits of what a body can become: major essays and new scholarship on topics ranging from the museum's collection
White, Edward Burtynsky, the Center artists such as Kaveh Ayreek, Abdul philosopher and ecologist Fahim Amir;
from the metamorphosis that comes history and its future to the museum's unique building and Garden to the Hirshhorn's
for Land Use Interpretation, Christo, Wahab Mohmand, Latif Eshraq, Asar writer and director Asher Hartman;
from wearing a garment to complete groundbreaking conservation work.
Tony Cragg, Walter De Maria, Mark Laiq, Kubra Khademi, M. Mahdi Hamed artist and poet Rindon Johnson; and
transfigurations into surreal, new Delving into the museum’s prolific and far-reaching holdings—from 20th-century
Dion, William Eggleston, Sylvie Fleury, Hassanzada, Farzana Wahidy and novelist and poet Adania Shibli. An
beings. This volume includes works by sculptural masterworks to the trailblazing works of midcentury to the new-media works
Hans Haacke, Ernst Haeckel, Matt Zolaykha Sherzad, among others. oral history compiled and edited by
Arakawa and Madeline Gins, Moyra of the contemporary era—the book is an ambitious scholarly assessment of 20th- and
Kenyon, Tetsumi Kudo, Franz Nolde, Nicholas Barlow documents the many
ACTES SUD Davey, CoBrA, Sarah Charlesworth, 21st-century modern and contemporary art.
Kate Orff, Alex Prager, Alain Resnais, conversations among contributors; and
ISBN 9782330128302 Lyle Ashton Harris, Rosemarie Trockel Artists include: John Akomfrah, Josef Albers, Karel Appel, Ed Atkins, Robert Barry,
Martha Rosler, Ed Ruscha, Shirin illustrations by artist Olivia Mole are
u.s. $39.00 cdn $53.00 and more. Constantin Brancusi, Nicolas De Staël, Marcel Duchamp, Thomas Eakins, Nicole
Sabahi, Taryn Simon, Robert Smithson, interspersed throughout.
Pbk, 6.25 x 9 in. / 144 pgs / 80 color. Eisenman, Sam Francis, Paul Gauguin, Camille Henrot, Barbara Hepworth, Arthur Jafa,
Thomas Struth, Wolfgang Tillmans and SWISS INSTITUTE/LENZ PRESS
March/Art/Middle Eastern Art & DELMONICO BOOKS/HAMMER Jasper Johns, Jennie C. Jones, Donald Judd, On Kawara, Oskar Kokoschka, Alicja Kwade,
Erwin Wurm. Culture/ MUSEUM ISBN 9791280579096
Teresa Margolles, Henri Matisse, Joan Mitchell, Kent Monkman, Aliza Nisenbaum,
u.s. $30.00 cdn $40.00
WALTHER KÖNIG, KÖLN ISBN 9781636810478 Nicolas Party, Sondra Perry, Christina Quarles, Deborah Roberts, Auguste Rodin, Frances
Hbk, 8.5 x 11 in. / 180 pgs / 145 color /
u.s. $40.00 cdn $54.00
ISBN 9783753300962 25 b&w. Stark, Hito Steyerl, Paul Thek, Cy Twombly, Lee Ufan, Charline von Heyl and Kiyan
Pbk, 6.5 x 8.5 in. / 240 pgs / 3 color.
u.s. $69.95 cdn $94.95 FLAT40 April/Art/ Williams.
Pbk, 6.75 x 9.5 in. / 400 pgs / 350 color. March/Nonfiction Criticism/Art/
February/Art/
DELMONICO BOOKS/HIRSHHORN MUSEUM AND SCULPTURE GARDEN
Los Angeles, CA: Hammer Museum, Clth, 10 x 12.25 in. / 416 pgs / 510 color.
Wolfsburg, Germany: Kunstmuseum 02/13/22–05/08/22 April/Art/
Wolfsburg, 09/04/21–01/09/22

Surveys and collections HIGHLIGHTS ■ ART
Garmenting Lucas Cranach: A–Z

Costume as Contemporary Art By Teresa Präauer.
Edited with text by Alexandra Schwartz. Text by Lydia Brawner, Rhonda Garelick, Karin G. Oen, Jonathan
Michael Square. An affordable guide to the main themes and motifs of this much-loved genius of the
Northern Renaissance
How artists have used clothing as a sculptural medium and a tool to explore gender,
performance and more, from Louise Bourgeois to Andrea Zittel Lucas Cranach the Elder (1472–1553) created around 500 works during his lifetime. With his portraits
of Martin Luther and Philipp Melanchton, and in his position as court painter to Frederick the Wise,
Chronicling contemporary art’s engagement with costume, Garmenting: Costume as Contemporary Cranach quickly became one of the most sought-after painters of the Reformation. At the same time,
Art shows how visual artists around the globe are using garments to examine issues of subjectivity, Cranach was the first to translate the Italian Renaissance tradition of the life-size nude into art north of
identity and difference. Featuring 35 international artists, Garmenting is organized around five the Alps; his lascivious, barely veiled depiction of Venus, the goddess of love, bears witness to this.
interrelated themes: functionality, cultural difference, gender, activism and performance. On the occasion of the epochal Cranach exhibition at the Kunsthistorisches Museum in Vienna, the
Pioneered by artists such as Louise Bourgeois, garmenting as an artistic strategy emerged during the Austrian novelist Teresa Präauer explores the work of this busy prince of painters from A to Z. She
1960s and ’70s, and came to further prominence during the 1990s, with work by artists such as Nick focuses both on Cranach's art and on the society that surrounded him, the subjects he painted and the
Cave, Yinka Shonibare and Andrea Zittel, and has flourished in recent years. events that shaped his development.
Artists include: Xenobia Bailey, Raphaël Barontini, Sanford Biggers, Karina Bisch, Zoë Buckman, Nick
HATJE CANTZ
Cave, Enoch Cheng, Sylvie Fleury, Jeffrey Gibson, Annette Messager, Mark Newport, Raúl de Nieves,
ISBN 9783775751803 u.s. $22.00 cdn $30.00
Wanda Raimundi Ortiz, Jacolby Satterwhite, Devan Shimoyama, Yinka Shonibare, Mary Sibande, Franz
Hbk, 5.25 x 7.75 in. / 120 pgs / 40 color.
Erhard Walther and Saya Woolfalk.
August/Art/
MUSEUM OF ARTS AND DESIGN
ISBN 9781646570072 u.s. $59.95 cdn $81.95
Pbk, 8 x 12 in. / 136 pgs / 75 color. ALSO AVAILABLE ALSO AVAILABLE Paul Cezanne: A–Z
May/Art/Fashion/ Costume & Fashion Edward Hopper: A–Z ISBN 9783775749138
ISBN 9789462083394 ISBN 9783775746564 Hbk, u.s. $20.00 cdn $27.00
EXHIBITION SCHEDULE: Pbk, u.s. $50.00 cdn $67.50 Hbk, u.s. $20.00 cdn $28.00 Hatje Cantz/
New York, NY: Museum of Arts and Design, nai010 publishers/Rijksmuseum/ Hatje Cantz/
03/12/22–08/14/22
Allart van Everdingen:

Lightning Symbol and Snake Dance: Master of the Rugged Landscape
Aby Warburg and Pueblo Art Edited with text by Christi M. Klinkert, Yvonne Bleyerveld. Text by Ellis Dullaart, Erik
Edited with text by Christine Chávez, Uwe Fleckner. Text by Bruce Bernstein, Adam Duran, Lindsey Hinterding, Paul Knolle, Cynthia Osiecki, Marjan Pantjes.
Drury, Rainer Hatoum, Kelley Hays-Gilpin, Lea McChesney, Nancy J. Parezo, Barbara Plankensteiner,
Justin Richland, Erhard Schüttpelz, Sascha T. Scott, Bill Sherman, Matthew Vollgraff. The first English-language introduction to the evocative, detailed and
subversively artificial landscapes of a neglected Dutch master
The first presentation of Aby Warburg’s rarely seen Pueblo art collection, from his
famous 1895–96 visit to the US In 1644 the young Dutch artist Allart van Everdingen (1621–75) traveled in Norway. It
was an inspiring experience that set the course for his career. He went on to make
In 1895, the great German art historian and theorist Aby Warburg (1866–1929) came to the US, countless paintings, drawings and etchings of rugged landscapes with waterfalls,
where he spent the bulk of his time meeting with Indigenous Americans. The encounter produced log cabins and pine trees—a selection of which is presented in this first English-
two famous works: his 1923 lecture on the Hopi snake ritual, and a body of photographs—both of language monograph to be published in decades.
them much discussed by art historians. Almost unknown until now, however, was the collection Van Everdingen’s highly detailed, emotionally resonant paintings of Norwegian
of objects he acquired from Pueblo tribes throughout the American Southwest, which he later landscapes at first seem to be realistic depictions, but prove on closer examination
donated to the Museum für Völkerkunde (today the Museum am Rothenbaum) in Hamburg. to be artistic constructs, conceived and executed in the workshop. Van Everdingen
Following Warburg's transdisciplinary approach, this substantial publication examines his guiding forged a new style in Dutch art that was picked up by other artists, Jacob van
principles in assembling his collection, as well as his reading of Pueblo art and culture. The Ruisdael among them. In the 19th century, his impressive mountain views became
fascination of the Hopi snake ritual among Warburg’s contemporaries is highlighted, as is the an important inspiration for the Romantics. He also painted dramatic seascapes and
reception history of the text. Also represented here are the views and strategies of Hopi officials, river views, Dutch landscapes and illustrations for the Tale of Reynard the Fox.
which have previously been neglected in this context, to regain cultural sovereignty.
NAI010 PUBLISHERS
HATJE CANTZ ISBN 9789462086463 u.s. $40.00 cdn $54.00
ISBN 9783775752022 u.s. $62.00 cdn $84.50 Pbk, 9 x 10.5 in. / 208 pgs / 245 color.
Hbk, 9 x 11.75 in. / 400 pgs / 290 color. March/Art/
May/Art/ ALSO AVAILABLE
Aby Warburg: Bilderatlas EXHIBITION SCHEDULE:
Mnemosyne Alkmaar, Netherlands: Stedelijk Museum Alkmaar, 09/18/21–01/16/22

ISBN 9783775746939
Clth, u.s. $230.00 cdn $325.00
FLAT40
Hatje Cantz/

Renaissance masters and beyond HIGHLIGHTS ■ ART
Rembrandt, the Universal Artist An Evocation of the Basilica of St Francis of Assisi

Paintings from the Dutch Golden Age By Margaret Pont.
Edited with text by Arthur K. Wheelock, Jr, Jean-François Charnier. Text by Laila Al-Faddagh,
Thomas S. Kaplan, Lara Yeager-Crasselt. A beautiful homage to the influence of St Francis and the masterworks by Giotto, Cimabue and others
in the Basilica of Assisi
Key works by Rembrandt and Dutch painters from Hals to Vermeer, from a legendary
New York collection This richly illustrated hardcover volume focuses on the exquisitely detailed beauty of the artworks by Cimabue, Giotto,
Simone Martini and Pietro Lorenzetti that adorn the Basilica of St. Francis of Assisi and the town of Assisi in the
The Leiden Collection, created by Dr. Thomas S. Kaplan and his wife, Daphne Recanati Kaplan, and heart of Italy’s Umbria region, animating the profound humanism and affirmative energy that St Francis brought to
based in New York, has assembled over 250 paintings in the past 15 years, including masterpieces Umbria and Italy itself. Through an authoritative yet witty narrative, the book guides our attention across key themes
by Rembrandt and many of the finest artists from the 17th-century Dutch Golden Age. Surveyed in of the Franciscan phenomenon, which reflected a radical change in consciousness toward human relationships and
this volume, the collection has extraordinary depth and breadth with artists working in the city of humankind's relationship with nature. The resonance between Christ and Francis is evidenced, as is the less well-known
Leiden in the Netherlands—including early Rembrandt, but also outstanding works by Jan Lievens, supportive role of women in both periods.
Gerrit Dou and Frans van Mieris, who spent their entire lives in their native town. Following Containing detailed images of the paintings, this textured analysis documents the artistically rich and innovative
Rembrandt, who moved to Amsterdam, the collection also contains a trove of paintings by masters atmosphere and the complex medieval setting in which St. Francis and the painters of the basilica lived.
who worked there but also in Utrecht, and Antwerp in the Southern Netherlands, as well as the
SKIRA
Haarlem master Frans Hals and the famed Johannes Vermeer of Delft.
ISBN 9788857246437 u.s. $59.95 cdn $81.95
The collection’s primary focus is on portraits, genre subjects and history scenes, paintings in
Hbk, 9.5 x 11 in. / 240 pgs / 80 color.
which the human figure (whether singularly or in relationship to others) is the focus. Above all,
March/Art/
this richly layered collection, with Rembrandt at its core, allows one to examine the multifaceted
relationships that existed among artists working within and beyond the Netherlands throughout
the 17th century. The Tudors
SKIRA Passion, Power and Politics
ISBN 9788857246789 u.s. $45.00 cdn $61.00 ALSO AVAILABLE
Edited by Charlotte Bolland. Text by Michael I. Ohajuru, Kate O’Donoghue, Frederick E. Smith, Susan Doran, Monserrat Pis
Hbk, 9.5 x 11.5 in. / 216 pgs / 170 color. Rembrandt and Amsterdam Marcos, Gillian Kenny, Catherine MacLeod, Cassander Smith.
March/Art/ Portraiture, 1590–1670
ISBN 9788417173418
EXHIBITION SCHEDULE: On the Tudors and their legacy, from Henry VIII to Elizabeth I
Clth, u.s. $70.00 cdn $98.00
Riyadh, Saudi Arabia: The National Museum, 12/15/21–03/04/22
Museo Nacional Thyssen-
This illustrated volume shows how the Tudor monarchs of Britain engaged with the internationalism of court culture; the
Bornemisza/
tumultuous years of the Reformation; and the emergence of the transatlantic slave trade and English colonialism.
Taking a thematic and biographical approach, the book features some of the most famous royal and court figures from the
16th century, from Henry VIII and Catherine de’ Medici to Elizabeth I and Walter Ralegh.
Giorgione Artworks are arranged into the themes of court culture, religion, queenship, conflict, empire, piracy and trade, and
translation. The book features texts from a range of voices exploring the historical contexts of the works, new research on
Edited with text by Giovanni C.F. Villa. the topics and biographical sketches of key individuals whose role in Tudor history has often been overlooked, such as the
trumpeter John Blanke.
The most comprehensive overview in print on the Renaissance master of Venetian
sensuality NATIONAL PORTRAIT GALLERY, LONDON
Hbk, 6.75 x 8.75 in. / 168 pgs / 70 color. Bath, UK: Holburne Museum, 01/28/22–05/08/22
Famous for his enduringly popular and canonical masterpieces such as The Sleeping Venus
March/Art/ Liverpool, UK: Walker Art Gallery, 05/20/22–08/29/22
and The Tempest—often considered the first true landscape painting in Western art—Zorzi da
Castelfranco, known as Giorgione (1474 or 1478–1510) was, along with Titian, one of the greatest
masters of the Venetian Renaissance. Although his brief career lasted just over 10 years, the
handful of surviving paintings credited to Giorgione have established him as a major Renaissance
innovator; alongside his accomplishments in landscape, he also revolutionized portraiture with
Remember Me: Renaissance Portraits
his introduction of refined, highly nuanced facial renderings, and helped advance the Venetian Text by Sara van Dijk, Matthias Ubl.
style of heightened chromatic sensuality. Giorgione’s painting immerses bodies and landscape
into a soft and dense light, with the rich color palette established by Bellini, creating a keen How Renaissance Old Masters expanded the terms and vocabulary of portraiture
sense of harmony between man and nature.
This volume—the most comprehensive overview currently in print—chronicles Giorgione’s In the Renaissance, artists across Europe produced lifelike portraits with new virtuoso realism and exactitude,
life and career, reproducing and providing close readings of key works. Elucidating the stories immortalizing not only kings and noblemen but, increasingly, bankers, merchants and scholars. These paintings, busts,
surrounding Giorgione’s paintings, and placing them in conversation with his contemporaries, prints and drawings still bear witness to the power, status, ambitions, friendships and religious convictions of their
this publication provides audiences with fresh context for a great genius of the Venetian subjects. Whether they are lovers, celebrities or religious devotees, the people portrayed here implore the onlookers
Cinquecento. not to forget them. This compendium—innovatively designed by Irma Boom—includes more than 100 portraits from
collections around the world.
SILVANA EDITORIALE Artists include: Hans Holbein II, Albrecht Dürer, Hans Memling, Antonello da Messina, Petrus Christus, Titian, Jan
ISBN 9788836648771 u.s. $30.00 cdn $40.00 Borman the Younger, Renier van Thienen, Hans Holbein the Younger, Jan Gossart, Sofonisba Anguissola, Albrecht
Hbk, 9.5 x 12.75 in. / 272 pgs / 150 color. Dürer, Jan Jansz Mostaert, Petrus Christus, Lorenzo Lotto, Maerten van Heemskerck, Piero di Cosimo, Hans Memling
April/Art/ ALSO AVAILABLE and Paolo Veronese.
Caravaggio: The Complete Works
ISBN 9788836637133 NAI010 PUBLISHERS
Hbk, u.s. $60.00 cdn $79.00
Pbk, 9 x 11.5 in. / 268 pgs / 175 color. Amsterdam, Netherlands: Rijksmuseum, 10/01/21 –01/16/22
Silvana Editoriale/
March/Art

International art history HIGHLIGHTS ■ ART
My Mother Country: Aboriginal Dot Painting

Edited with text by Matthias Haldemann. Text by Joëlle Clément, Roberta Colombo Dougoud, Roland Dahinden, Joseph Egan,
Fritz Hauser, Janet Holt, Bethan Huws, Leonora Kugler.
On the great diversity of Australian aboriginal dot painting: key examples from a leading collection
Aboriginal Australians developed dot painting as a means to obscure and abstract images sacred to them. The style is
typified by intricate organic designs filled in by colorful “dots” of paint. Since its creation, dot painting’s popularity has
spread around the world. Exploring this rich and various genre, My Mother Country: Aboriginal Dot Painting features 80
works by 50 artists from the singular collection of Joëlle and Pierre Clément. With a special focus on the paintings of Emily
Kame Kngwarreye (1910–96), an early pioneer of the style, this catalog also includes works by Dorothy Napangardi, Gloria
Petyarre, Jimmy Kngale Motorcar, Joy Kngwarreye, Karen Cook Panaka, Kathleen Kngale, Johnny Warangkula Tjupurrula,
Junkata Wakula Napaltjarri aka Linda Syddick, Long Tom Tjapanangka and many others.
HATJE CANTZ
ISBN 9783775751544 u.s. $55.00 cdn $75.00
Pbk, 9 x 11.5 in. / 304 pgs / 191 color.
May/Art/ Inspirational Women Yoshitoshi: Renoir, Monet, Modern Paris
Rediscovering Stories in Art, One Hundred Gauguin: Images of 1840–1940
Science and Social Reform
By Lydia Miller.
Aspects of the Moon a Floating World Arts in Motion
Edited by Catherine Grenier, Caroline
Power and Prestige: The Art of Clubs in Oceania Edited with text by Bas Verberk.
Foreword by Adele Schlombs.
The Kojiro Matsukata and Karl Hancock. Text by Claire Bernardi, Roger
Edited by Steven Hooper.
Portraits of famous and Ernst Osthaus Collections Benjamin, Sophie Krebs, Cécile Bargues.
overlooked women from all walks Text by Nadine Engel, Francis Fowle,
of life, from the collection of the A full-color appreciation of Peter Gorschlüter, Rebecca Herlemann,
A fresh look at the many meanings and forms of the club across two centuries of Oceanic culture From Delacroix to Delaunay:
National Portrait Gallery, London this much-loved and canonical Megumi Jingaoka, Michelle Latta, et al.
Paris’ exhilarating golden age
ukiyo-e series
Featuring more than 150 clubs made in the 18th and 19th centuries from across a vast geographical and cultural Two early Post-Impressionist
This book focuses on the untold stories Perhaps no hundred-year period and
span, Power and Prestige explores a fascinating Oceanic object form that has long been misunderstood by Western Tsukioka Yoshitoshi (1839–92) was
of women who were pioneers in a collectors in dialogue place in art history has the appeal,
scholars. From Australia, Polynesia, Melanesia and New Zealand to Hawaii, Easter Island and the Marquesas Islands, the last great woodblock print master
variety of fields, aiming to broaden allure and romance of Paris between
carved clubs have played many roles beyond combat in Oceanic cultures. The range in the size of works presented of the ukiyo-e tradition. With his
the research into women in the French Impressionism was not only 1840 and 1940. Modern Paris: 1840–
here—from 15 inches to more than six feet, and made in materials ranging from nephrite and wood to whalebone— distinctive dramatic line and use of
National Portrait Gallery, London’s appreciated by Western collectors: it 1940 presents the breathtaking scope
points to this diversity of utility and form. In this abundantly illustrated volume, essays detail the clubs' use as gorgeous colors, Yoshitoshi was soon
collection as part of an ongoing project also found an early following in Japan. of this rich period with a generous
ritual and religious objects, mediums of exchange, status symbols and more. Other texts break down the specific recognized by his contemporaries as
in partnership with Chanel. Although In 2022, on the occasion of its 100th selection of paintings, sculptures,
function clubs performed within each culture, as well as the symbolic meaning of the beautiful images and patterns the most outstanding woodblock artist
the successes and achievements anniversary, the Museum Folkwang films, photographs and garments that
inscribed on them. of his time. One Hundred Aspects of
of many of these women have not presents its outstanding Post- showcase the extraordinary creativity
SKIRA the Moon is regarded as his greatest Impressionist collection, assembled
been celebrated historically, this in Paris from the mid-19th century to
EXHIBITION SCHEDULE: achievement. The series brings to life by Karl Ernst Osthaus—supplemented
ISBN 9788857246406 u.s. $66.00 cdn $90.00 new publication shines a light on the mid-20th century. This volume,
Hbk, 8.25 x 12 in. / 320 pgs / 308 color. Venice, Italy: Palazzo Franchetti, 10/15/21–03/13/22 the history and mythology of ancient here by Impressionist highlights from
their stories, achievements and in more than 200 images, traces the
March/Art/ Paris, France: Musée du Quai Branly, 06/07/22–10/09/22 Japan. In all 100 prints, the moon the Kojiro Matsukata Collection, which
contributions to history and culture development of artistic modernity and
figures prominently, either clearly laid the foundation for the National
both in Britain and internationally. its repercussions on Parisian and world
visible in the design itself, or else Museum of Western Art in Tokyo.
Inspirational Women features an society over the course of a century,
referred to in the beautiful poem in the Introducing these two collectors, the
introductory essay on the selection of highlighting the crucial role played by
text cartouche. catalog features about 120 paintings,
In the Name of the Image sitters in the book, as well as extended
captions throughout exploring the
The subjects of the prints range from drawings and sculptures by Paul
international cross influences such as
those from French colonial holdings
historical figures such as the novelist
Figurative Representation in Islamic and Christian Cultures stories behind their achievements. It Cézanne, Paul Gauguin, Édouard and the phenomenal cultural melting
and court lady Murasaki and samurai Manet, Claude Monet, Camille
Edited with text by Axel Langer. Text by Doris Behrens Abouseif, Dieter Blume, Christophe Erismann, Finbarr Barry Flood, Beate covers key themes and moments in pot that resulted.
Fricke, Christiane Gruber, Tobias Heinzelmann, Ahmad Milad Karimi, Hans Georg Majer, René Schurte, Daniel Spanke, Friedericke warlords such as Takeda Shingen to Pissarro, Pierre-Auguste Renoir and
history, showcasing both the famous Bringing together approximately 150
Weis. mythological creatures and scenes Auguste Rodin, among others—as well
and less well-known women in masterpieces, this book presents an
related to the Japanese theater forms as a new installation by Tabaimo and
fields including the arts, science and exceptional time and place, portrayed
The aesthetic and cultural intersections of Christian and Islamic art technology, social reform and politics.
kabuki, noh and kyōgen. Chiharu Shiota, and East Asian works through the work of around 100
Some of the sitters include Mary WALTHER KÖNIG, KÖLN from the collections of Matsukata artists, including Renoir, Gauguin,
The overlap between art and religion represents one of humanity’s most fundamental driving forces: a desire to interpret Beale, Gwen John, Maggie Aderin- and Osthaus. These are accompanied Monet, Cézanne, Matisse, Picasso,
ISBN 9783753300870
the world around us and to communicate that interpretation to others. The symbolism used in a specific society’s art is Pocock, Elizabeth Garrett Anderson, by a short story from the bestselling Giacometti, Delaunay, Brassaï, Chagall,
u.s. $55.00 cdn $75.00 FLAT40
reflective of its values, ideologies and self-image. Dorothy Hodgkin, Olive Morris and Flexi, 7.5 x 9.5 in. / 200 pgs / 108 color. Japanese author Sayaka Murata. Miró and Duchamp.
In the Name of the Image compares and contrasts Christianity and Islam through the lens of art history, examining the Laura Knight. February/Art/Asian Art & Culture/ HATJE CANTZ SKIRA/QATAR MUSEUMS
prevailing aesthetic traditions of each. Both religions have fluctuated between the extremes of idolatry and iconoclasm
NATIONAL PORTRAIT GALLERY, ISBN 9783775751278 ISBN 9788857245522
while simultaneously seeking a conciliatory balance, an endeavor that is expressed through their respective arts.
LONDON u.s. $62.00 cdn $84.50
Richly illustrated and thoroughly researched, In the Name of the Image provides perspective on these two major world u.s. $70.00 cdn $95.00
ISBN 9781855145337 Hbk, 9 x 11 in. / 416 pgs / 300 color. Pbk, 9 x 11 in. / 288 pgs / 250 color.
religions, exploring their surprising overlaps and their meaningful distinctions.
u.s. $24.95 cdn $33.95 April/Art/ May/Art/
HATJE CANTZ Hbk, 6.75 x 8.75 in. / 144 pgs / 45 color.
ISBN 9783775747332 u.s. $78.00 cdn $106.00 EXHIBITION SCHEDULE: May/Art/ EXHIBITION SCHEDULE:
Hbk, 6.25 x 9.5 in. / 384 pgs / 170 color. Zurich, Switzerland: Museum Rietberg, 02/03/22–05/22/22 Ingolstadt, Germany: Kunstverein
March/Art/Middle Eastern Art & Culture/ Ingoldstadt, 05/22

Politics and society, from practices of historiography to the COVID-19 pandemic HIGHLIGHTS ■ NONFICTION CRITICISM
Lastgaspism: Art and Survival in the Age of Pandemic

Edited by Anthony Romero, Daniel Tucker, Dan S. Wang. Text by Kimberly Bain, Sandra de la Loza, Cheryl Derricotte, DS4SI
(Kenneth Bailey and Lori Lobenstine), Erin Genia, Pato Hebert, Damon Locks, Kelli Morgan, Karthik Pandian.
At a time of ubiquitous crisis, this multidisciplinary anthology explores “breath” as an allegory and
expression of the need for social transformation
Collecting interviews, critical essays and artist portfolios, Lastgaspism considers matters of life and death in relation to
breath, both allegorical and literal. Bringing into mutual proximity the ecological, political, public health and spiritual crises
of our time, this book considers the compounding nature of these events and their impact upon one another, illuminating
how the act of gasping for breath is starkly exposing the either/or that stands before us: either we breathe or we die.
Through aesthetic and socially engaged strategies of all kinds, cultural workers are responding to the most urgent issues
in contemporary life. Lastgaspism offers a framework to help us make sense of the interlocked crises of the unfolding
present and asks with critical optimism what can happen in this time of transition.
SOBERSCOVE PRESS
Classics of The Return of Nation, State City, Civility ISBN 9781940190310 u.s. $25.00 cdn $34.00
Applied History Geopolitics and Empire and Capitalism March/Nonfiction Criticism/Art/
Lessons of the Past A Global Quest for the Right Belonging in a Globalised World A Historical Perspective
Edited by John Bew, Mattias Hessérus, Side of History Edited by Kurt Almqvist. Edited by Kurt Almqvist, Mattias
Georg Iggers, Konrad von Moltke, John
Neville Figgis, Reginald Vere Laurence,
Edited by Kurt Almqvist, Alexander
Linklater. From Augustine’s City of God to
Hessérus.
There Is No Society? Individuals and Community in Pandemic Times
Hal Brands, Jeremi Suri. Edited by Ekaterina Degot, David Riff.
Trump, the forms of nationalism How architecture and trade
From Mongol invasions to across history foster civic and urban health,
How history is written: an Leading theorists from Silvia Federici to Eva Illouz address the pandemic’s intensification of neoliberal alienation
modern US–Russia relations— from the Renaissance to Brexit
anthology of classic texts from
how global geopolitics shift in With the end of the Cold War and the
Thucydides and Machiavelli to The success of “social distancing” as a strategy against the COVID-19 pandemic resonates acutely with neoliberalism’s destruction
unforeseeable ways triumph of globalization, many believed What role does architecture and trade
Nietzsche and E.H. Carr play in creating civilized societies? How of the very notion of society itself. This was most famously expressed by Margaret Thatcher’s dictum “there is no society,” which
that nationalism was now a thing
can we create urban environments supplies the title of this anthology—with a question mark added. How can we deal with the paradoxical mix of solitude and common
It has been almost 30 years since of the past: instead, the opposite is
The admonition that we should learn experience that the pandemic entails? How can culture and critical discourse even continue when public space has been shut down
Francis Fukuyama proposed that we true. The essays in this anthology are where the individual can flourish?
from history is a well-known truism, upon the advice of epidemiologists? Such are the questions tackled by the authors of this anthology—some of today’s leading
were entering into an era of triumph for based on the Engelsberg Seminar in These questions have taken on a
but what does that actually mean? theorists of capitalist affect and experience.
Western liberalism he called “the end 2017, where different kinds of identity new significance as COVID-19 has
In other words, what is history? Contributors include: Fahim Amir, Franco “Bifo” Berardi, Nika Dubrovsky, Silvia Federici, Srećko Horvat, Eva Illouz, Achille Mbembe &
of history.” Today this notion seems formation were considered. How reshaped the way cities operate. This
This anthology compiles the best- Milo Rau, Robert Pfaller, Renata Salecl, Natascha Strobl and Ece Temelkuran.
absurd. Political and military “strong does a nation emerge? How is unity collection of essays examines the
known discussions of the topic.
men” once again hold sway over large achieved in an empire with a diverse history of urbanism and trade in order WALTHER KÖNIG, KÖLN
From Thucydides’ History of the
portions of the globe; emerging world population? These wide-ranging essays to shed perspective on the future of ISBN 9783753300467 u.s. $29.95 cdn $39.95 FLAT40
Peloponnesian War, Machiavelli’s
superpowers revive “Great Game”– consider the issue from a number of the city. Nine contributors discuss how Pbk, 4.75 x 8.75 in. / 216 pgs.
Discourses and Friedrich Nietzsche’s
style geopolitics; and worldwide vantage points, touching upon figures architecture, urban planning and trade February/Nonfiction Criticism/
“The Use and Abuse of History” to
catastrophes destabilize what were as diverse as Garibaldi, Trump, Hitler, have contributed to civility and political
more contemporary studies on the
once thought stable borders. The Napoleon and more. order. The authors cover historical
subject such as E.H. Carr’s What Is
essays in this volume give the reader Contributors include: Philip Bobbitt, topics from Florentine frescos and
History?, the excerpts gathered here
purchase on the seemingly quickening Gillian Clark, Christopher Coker, Carlos churches to ideas on citizenship and
offer a comprehensive overview of
how history is created and recorded.
pace of history by considering specific
areas of geopolitics today, as well as
Escudé, Richard J. Evans, Jonathan
Fenby, Robin Lane Fox, Jessica Frazier,
statehood from Rosseau, Hobbes
and Machiavelli, as well as more Resistance Anew
Contributors include: Lord Acton, Edited with text by Bernard Fibicher.
historical moments when the global David Goodhart, Freddy Gray, Steven contemporary issues such as the
Graham Allison, Carl Becker, J.B. Bury,
situation seemed to shift decisively. Grosby, Tom Holland, Lawrence impact of global capital on the
Herbert Butterfield, E.H. Carr, Johann
Contributors include: Jeremy James, Jeremy Jennings, Josef Joffe, functioning of public space. A critical reader on art, democracy and resistance today
Gustav Droyson, Niall Ferguson, John
Black, Philip Bobbitt, Michael Broers, Rob Johnson, Charles S. Maier, Tim Contributors include: Yolande Barnes,
Lewis Gaddis, Pieter Geyl, J.H. Hexter,
Roger Crowley, Gregory Feifer, Noah Marshall, Iain Martin, Janne Haaland Erica Benner, Anne Fairfax, Antony This volume of essays by leading international philosophers, cultural theoreticians and art historians offers new ideas and
Michael Howard, Niccolo Machiavelli,
Feldman, Jonathan Fenby, David Frum, Matláry, Simon Mayall, Lucy Riall, Larry Molho, Kjell A. Nordström, Juliet practices for resistance today. From case studies on artists (Nalini Malani) and recent events (StrikeMoMA, “artwashing”)
Margaret MacMillan, Ernest May,
Gabriel Gorodetsky, Peter Heather, Siedentop, Lars Trägårdh, Maurizio Samuel, John Simpson, Nicholas Boys to philosophical essays on the relationship between art and democracy and resistance as value creation, this book offers a
Richard Neustadt, Friedrich Nietzsche,
Josef Joffe, Anna-Lena Laurén, John Viroli, Harvey Whitehouse, Peter H. Smith and Maurizio Viroli. polyphonic take on our complex global world.
Polybius, John Robert Seeley, Benjamin
H. Maurer, Sean McMeekin, Walter Wilson and Martina Winkelhofer. Contributors include Dutch cultural theorist and video artist Mieke Bal; Belgian philosopher Pascal Chabot; museum director
F. Shambaugh, Thucydides, Leopold BOKFÖRLAGET STOLPE
Russell Mead, Richard Miles, Fraser Bernard Fibicher; German philosopher Markus Gabriel; German art historian Isabelle Graw; American curator and writer Mary
von Ranke and Philip Zelikow. BOKFÖRLAGET STOLPE ISBN 9789189069145
Nelson, Richard Overy, Lincoln Paine, Jane Jacob; French philosopher Plínio Prado; American activist Andrew Ross; American artist and activist Gregory Sholette;
ISBN 9789189069831 u.s. $25.00 cdn $34.00
BOKFÖRLAGET STOLPE Andrew Preston, Morris Rossabi, German philosopher Markus Steinweg; and Swiss art historian Michel Thévoz.
u.s. $25.00 cdn $34.00 Clth, 7 x 9.75 in. / 140 pgs /
ISBN 9789189425064 Charly Salonius-Pasternak, Norman 19 color / 6 b&w.
Clth, 7 x 9.75 in. / 381 pgs / 85 color. JRP|EDITIONS
u.s. $35.00 cdn $47.00 Stone, Barry Strauss and Mikael Wigell. March/Nonfiction Criticism/
March/Nonfiction Criticism/ ISBN 9783037645802 u.s. $29.95 cdn $39.95 EXHIBITION SCHEDULE:
Hbk, 8.75 x 10.75 in. / 200 pgs.
BOKFÖRLAGET STOLPE Pbk, 6 x 8.25 in. / 176 pgs / 10 b&w. Lausanne, Switzerland: Musée cantonal des Beaux-Arts,
May/Nonfiction Criticism/
ISBN 9789189069725 April/Nonfiction Criticism/ 02/18/22–05/15/22
u.s. $25.00 cdn $34.00
Clth, 7 x 9.75 in. / 312 pgs / 50 color.
March/Nonfiction Criticism/

Multimedia, film and music HIGHLIGHTS ■ MUSIC
The Practice of I AM HERE: Home Peter Greenaway: Marfa Sounding Boris Blank, Philipp Mueller: The World of Techno Globalization
Art and AI Movies and Everyday Lucca Mortis Edited by Jennifer Burris, Ida Soulard. Dieter Meier: 120 bpm Music Video Pandemic
European ARTificial Masterpieces The script for Peter Greenaway’s Composers, artists and writers Oh Yeah—Yello 40 Text by Philipp Anz, Biørn Schaeffner. Text by Daniel Bauer, Ralf Beil, Jeanette
Dittmar, Sonja Eismann, Dominique
Edited by Bart van der Heide.
Intelligence Lab Edited with text by Jim Shedden, Alexa highly anticipated 2022 film from Alvin Lucier and Charles Text by Boris Blank, Dieter Meier, Haensell, Rinko Heidrich, et al.
Greist, Rick Prelinger, Robyn Lew. Text Hanspeter Kuenzler. The dawn of Zurich’s 1990s A critical anthology on techno
Edited by Andreas J. Hirsch, Markus starring Morgan Freeman Curtis to Claudia La Rocco and
Jandl, Gerfried Stocker. Text by Andreas by Stephen Broomer, Lynn Crosbie, techno scene, in photographs, music as a transformative
James Fei discuss the lineages An unprecedented panoramic
J. Hirsch. Jordan Fee.
A documentary history of the ephemera and testimonials political platform
British director Peter Greenaway (born and politics of Minimalist music history of the music video
1942) teams up with the great actor great Swiss electronic music duo from “Bohemian Rhapsody” to
Multidisciplinary explorations of Multimedia expressions of a Yello, famed for their ’80s hits Titled after the number of beats per Examining techno music and its
Morgan Freeman for Lucca Mortis, Focusing on “phase shifting” in music Billie Eilish
AI and its implications for art universal human impulse: the “The Race” and “Oh Yeah” minute on a club track, 120 bpm tracks cultural life through the lens of
a new film releasing in 2022, set in (i.e. where two or more versions
desire to record our daily lives, techno’s meteoric rise in Switzerland, current social issues, the essays in
Lucca, Italy, and New York City. Lucca of a sound or motif are played Music videos are signs of our time, and
In this multidisciplinary volume, from cave paintings to TikTok simultaneously but slightly out of Forty years ago, armed with tape,
where it became one of the country’s this publication argue that techno can
Mortis tells the story of an aging man a nucleus of the global entertainment
European ARTificial Intelligence Lab, last great youth movements, leaving serve as a platform for socio-critical
living in Little Italy who feels compelled sync), particularly as it relates to artists scissors and a hefty dose of wit, Zurich industry. Bringing together 90 music
in partnership with Ars Electronica, Home movies capture everything from a massive imprint on the nightlife, discourse as well as an ecstatic
to reconnect with his roots and travels whose practices run from the 1960s band Yello—aka Boris Blank, Dieter videos from more than 30 countries,
considers the incredibly rapid mundane events to rites of passage: a clubs and ongoing innovation in and collective experience. How can
to Lucca, Italy, to do so. Known for into the present, Marfa Sounding Meier and, initially, Carlos Perón—set this volume charts the history of the
development of Artificial Intelligence child’s first steps, a family vacation or a electronic dance music to this day. identities be experienced and how do
his elaborate mise-en-scènes inspired gathers writers, composers, sound out to write their very own chapter medium, examining its formal qualities
in the context of the cyber-arts. birthday party. These everyday subjects Swiss photographer Philipp Mueller, they intertwine in techno culture? The
by Italian and Dutch paintings of the theorists, art critics, dance historians, of music history. In no time at all and its treatment of contemporary
Bringing together 13 cultural and six that fascinate amateur filmmakers who has shot for Vogue, GQ and authors of this anthology offer tools
16th and 17th centuries, Greenaway filmmakers, students, curators they found themselves playing the issues, such as climate change or
scientific institutions from across have also long inspired visual artists. Playboy, covered the dawn of the and discourse strategies on the political
has made such acclaimed films as The and archivists thinking through the Roxy club in New York. Today, thanks AI. Examples in this book range from
Europe, this publication explores the I AM HERE presents home movies Swiss techno scene in the early 1990s, uses of subcultural platforms. From
Draughtsman's Contract, The Cook, intersection of music, Minimalism and to albums such as Solid Pleasure, early forms of short music film to
interdisciplinary exchange between alongside art by Njideka Akunyili in raw photographs of Zurich’s first the role of the club in a post-pandemic
The Thief, His Wife & Her Lover and the political. You Gotta Say Yes to Another Excess Queen’s 1975 Bohemian Rhapsody to
art and science and summarizes the Crosby, Nicole Eisenman, Keith street parades, underground raves world to the interconnections between
Drowning by Numbers. Lucca Mortis is Artists include: Alvin Lucier and Éliane and Flag, and singles like “Oh Yeah” empowerment scenes of the 2020s
accomplishments of the AI Lab since Haring, David Hockney, Arthur Jafa, Ed and parties—whether backstage in techno music and social liberation, this
his 15th movie. Radigue with Charles Curtis; Anna (famously included in the soundtracks by Lady Gaga, Beyoncé and the
its opening. This guide to the events Ruscha and others, as well as personal clubs or in the intimacy of private revelatory publication functions as a
As with previous Greenaway books, Halprin with Phillip Greenlief, Rashaun to American films Ferris Bueller’s Day Carters. Also included are works from
and exhibitions for this project includes artifacts including family photo albums, venues—for various magazines. celebratory call to action in an era of
this compact and affordable companion Mitchell, Silas Riener, Nina Martin, and Off and The Secret of My Success), musicians and artists such as Laurie
more than 500 reproductions, profiles mixtapes, time capsules, postcards Mueller’s photographs are interleaved ever-intensifying social atomization.
volume contains the film’s script and Stephen Petronio; Tarek Atoui with Yello are enshrined among the Anderson, Roger Ballen, Joseph Beuys,
on featured exhibitors and essays. In and home movies. This book embraces here with facsimile clippings from rave Contributors include: Bart van der
stills, as well as Greenaway’s drawings. Amma Ateria, Jad Atoui and Robert pantheon of electropop pioneers. David Bowie, Björk, Childish Gambino,
keeping with the project’s focus on the a more-is-more visual approach with magazines and fanzines, as well as Heide, Caroline Busta & Lil Internet,
Aiki Aubrey Lowe. For Oh Yeah—Yello 40, the two original Chris Cunningham, Daft Punk, Billie
interplay between art and technology, reproductions of art and film stills, plus DIS VOIR firsthand accounts from some of the Matthew Collin, Anna Greenspan,
Authors include: James Fei, Jennifer members dug deep into their archives Eilish, Romain Gavras, Michel Gondry,
the book includes QR codes which link an eye-popping cover by Toronto-based ISBN 9782381620046 ravers who made the nascent scene. Matthew Herbert and Alberto Troia
Burris, Erik DeLuca, Ida Soulard, Maria to come up with an intriguing haul Spike Jonze, Leningrad, Little Big,
the reader to video lectures and other artist Fiona Smyth. u.s. $24.95 cdn $33.95 (Kyselina).
Chávez, Janice Ross, Wendy Vogel and of Polaroids, posters, letters, fanzine EDITION PATRICK FREY Massive Attack, Nuka, Yoko Ono, Pussy
supplementary materials. Pbk, 8.25 x 7 in. / 136 pgs. Claudia La Rocco. reviews, sketches, pictures of their HATJE CANTZ
DELMONICO BOOKS/ART GALLERY ISBN 9783907236260 Riot, Rammstein, Stromae, Vaundy,
Artists and researchers include: Eva OF ONTARIO February/Film & Video/ Conversations include: Andrew trip to Cuba and even the handwritten u.s. $55.00 cdn $75.00 Andy Warhol, Yello, Zoot Woman and ISBN 9783775751667
Smrekar, Eduardo Reck Miranda, Ian ISBN 9781942884910 Abrahams with Cate Cole Schrim and sheet music to "Bostich,” their seminal Hbk, 9 x 12.25 in. / 200 pgs / u.s. $26.00 cdn $35.50
many more.
Gouldstone, Aarati Akkapeddi, Cecilie u.s. $39.95 cdn $53.95 Ian Lewis; Amma Ateria with Caitlin early single. 100 color / 100 b&w. Pbk, 4.25 x 6 in. / 212 pgs / 8 color.
Waagner Falkenstrøm, Tega Brain, Sam Hbk, 10.25 x 10.25 in. / 240 pgs / Murray; Jad Atoui with Claire Amiot; April/Photography/Music/ HATJE CANTZ February/Nonfiction Criticism/Art/
Lavigne, Hannah Jayanti, Sarah Petkus, EDITION PATRICK FREY ISBN 9783775751902
300 color. and Robert Aiki Aubrey Lowe with Music/
Mark J. Koch, Mimi Onuoha, Caroline May/Art/Film & Video/ ISBN 9783907236352 u.s. $62.00 cdn $84.50
Anthony Elms.
Sinders, LaJuné McMillian, Victoria u.s. $55.00 cdn $75.00 Pbk, 9.5 x 12.75 in. / 448 pgs / 530 color. EXHIBITION SCHEDULE:
Vesna and many more. EXHIBITION SCHEDULE: MOUSSE PUBLISHING Hbk, 8.25 x 11.75 in. / 452 pgs / April/Music/Art/Film & Video/ Bolzano, Italy: Museion Bozen,
Toronto, Canada: Art Gallery of Ontario ISBN 9788867494460 580 color / 130 b&w. 01/21/22–10/16/22
HATJE CANTZ u.s. $25.00 cdn $34.00 April/Music/Art/ EXHIBITION SCHEDULE:
(AGO), 04/16/22–08/14/22
ISBN 9783775751421 Pbk, 5.5 x 8.5 in. / 200 pgs / 24 color / Völklingen, Germany: World Cultural
u.s. $40.00 cdn $54.00 44 b&w. Heritage Site Völklingen Ironworks,
Pbk, 6.5 x 9.5 in. / 307 pgs / 500 color. March/Art/ 11/14/21–07/24/22
February/Art/

Writings by artists and art theory HIGHLIGHTS ■ NONFICTION CRITICISM
FACSIMILE EDITION
At Home in the The Glorious Lie / Fundamental Realty Bande à part: Mix & Stir The Auto-Ethnographic
Doggerel Life World: A Memoir The Glory of the Lie Painting Beyond the Traditional On Independent New Outlooks on Contemporary Turn in Design
Stories of a Los Angeles Griot Blueprints of Art & Art from Global Perspectives
By Ulysses Jenkins.
By Ibrahim El-Salahi. A Card Game Inspired by Lessons in Minimalist Painting
Gentrification Art Institutions Edited with text by Helen Westgeest,
Edited with text by Louise
Schouwenberg, Michael Kaethler.
Introduction by Salah M. Hassan. Stéphane Mallarmé’s The Book By Claudia Rajlich. Text by Chris Sharp, Rhea Dall, Prem Kitty Zijlmans.
Edited by Tirdad Zolghadr.
Conceived by Holly Cundiff. Krishnamurty, Stian Eide Kluge and
A firsthand account of the An intersectional approach to
The nomadic life story An illustrated account of the Steffen Håndlykken, Koichiro Osaka,
Ingredients for a true "world
1980s Los Angeles art scene Theorists and artists ask: how Thomas Boutoux, João Mourão and Luís design that incorporates one’s
of a polymathic icon of Mallarmé’s magnum opus origins and legacy of Minimalist art studies"
by groundbreaking artist can art ends its complicity with Silva, Yana Foqué and Maxine Kopsa, Ina context and self
African modernism rendered as an open-ended painting in the US and Europe Hagen and Daisuke Kosugi, Calla Henkel
Ulysses Jenkins gentrification?
Tarot-esque card game through the lens of a landmark and Max Pitegoff, Fernanda Brenner, Aiming to encourage the study of art
Kristine Siegel, Raw Team, Elena Tzotzi, The "auto-ethnographic turn" in design
Written in 1990 and published as
For more than a half century, Sudanese Stedelijk exhibition beyond national constraints and cultural
Based on a long-term program led by Geir Thore Holm and Søssa Jørgensen, is emerging from a growing recognition
artist Ibrahim El-Salahi (born 1930) Upon his death, Stéphane Mallarmé domination, Mix & Stir proposes
a limited-edition artist’s book in KW Berlin curator and writer Tirdad Anthony Huberman, Jenny Jaskey, of design’s capacity to make sense of
has been at the forefront of African (1842–98) left hundreds of notes on The term “Fundamental Painting” Christine Tohme, Chris Kraus. a voyage similar to that of culinary
collaboration with Rosanna Albertini Zolghadr, Realty promotes strategies one’s world. This book’s first section,
modernism. A renowned artist, writer, an unrealized great work he called The was coined by the Stedelijk Museum discovery, to arrive at a true “world art
in 2018, this memoir by video artist to overcome contemporary art’s Ideas and Dialogues, compiles
critic and teacher, El-Salahi continues Book. This card-deck conception of as the title of a 1975 exhibition that Art institutions around the studies.” Contributions are structured
Ulysses Jenkins (born 1946) details complicity with gentrification, and reflections and conversations between
to refine his unique modernist vision, his project draws from that material, sought to highlight a new kind of world discuss their mission in seven themes: Undecidability
his family history, his formative years to instead put the massive leverage theorists, educators and practitioners
which combines and challenges and from other writings alluding to its painting emerging on both sides of the and struggles and Spectatorship, Collectives,
as a muralist in the 1970s and his and wealth now circulating in the art on conceptions of auto-ethnography
Islamic, African and Western paradigms possible forms. The title of this game Atlantic. The show was built around Circulations, Exhibitions, Artists at
experiments as an early practitioner of industry to positive use. With the help and the self. The second section,
of modernism in the visual arts. derives from a letter in which Mallarmé Robert Ryman, and included 18 artists In Bande à part, nine recently formed Work, Postcolonial Perspectives, and
performance and video art. of numerous artists and experts who Projects and Practices, demonstrates
In this engaging memoir, El-Salahi writes, “perhaps the title of my volume from Europe and the US, such as independent art institutions discuss Deep Art History.
Doggerel Life also captures the have contributed to Zolghadr’s program auto-ethnographic approaches.
recalls some of the most formative of lyric poetry will be The Glory of the Robert Mangold, Brice Marden, Agnes the missions, means and layout of their Contributors include: Thomas J.
flourishing artist communities of between 2017 and 2020, this reader Contributors include: Anna Aagaard
experiences of his career. From Lie, or The Glorious Lie.” Each deck Martin, Gerhard Richter and Stephen respective spaces, which often operate Berghuis, Elisabeth de Bièvre, John
Los Angeles, including Jenkins’ examines how contemporary art can Jensen, Gijs Assmann, Bruno Baietto,
Khartoum to London to São Paulo to contains 48 cards: three with artwork Rosenthal. The then director of the on a small budget while making Clark, Thomas DaCosta, Kaufmann,
collaborations with the influential contribute to decisive conversations on Jurgen Bey, Joel Blanco, Théophile
New York to Doha, and many places on each side, and 45 with words or Stedelijk, Edy de Wilde, called their considerable impact in their respective Parisa Damandan, Wilfried van
Studio Z (alongside figures such as urbanism. The book thereby eschews Blandet, Jan Boelen, Hsin Min Chan,
in between, El-Salahi shares his phrases on each side. The size of work “a reflection on the foundations cities. The book shows how small to Damme, Sophie Ernst, Angèle Etoundi
David Hammons, Senga Nengudi the rabbit hole of infinite critique Chongjin Chen, Meghan Clarke,
wide-ranging intellectual curiosity as the cards, their gold edging and the of painting.“ Fundamental Painting mid-scale institutional models depart Essamba, Paul Faber, Claire Farago,
and Maren Hassinger); his founding that typically dogs this subject, in Adelaide Di Nunzio, Billy Ernst, Hi
he seeks out significant artists and physical housing of the decks reflect looks back on the impact of the 1975 from the traditional format of the white Anne Gerritsen, Jacqueline Hoàng
of the media collective Video Venice favor of presenting ideas for practical Kyung Eun, Teresa Fernández-Pello,
interlocutors on several continents. He descriptions and clues in Mallarmé’s show then and now, including an cube. Each of the institutions offers Nguyễn, Isabel Hoving, Stijn Huijts,
News; and his time studying at Otis positive change. Andrea Gaspar, Konstantin Grcic,
introduces the reader to his encounters notes. The manner of playing the game appendix of installation shots. The a statement of purpose for its space Joo Yun Lee, Nancy Jouwe, Remy
Art Institute with Charles White, Chris Contributors include: Marwa Metincan Güzel, Jing He, Aurelie
with figures such as the African is left open, but quotes and diagrams author, Claudia Rajlich, engages in a and answers a questionnaire about Jungerman, Sonja van Kerkhoff,
Burden and Betye Saar. Arsanios, Khaldun Bshara, Laura Calbet Hoegy, Hicham Khalidi, Žan Kobal,
American modernists Hale Woodruff, by Mallarmé in the accompanying detailed description of the featured topics such as its imagined audience, Meta Knol, Frans-Willem Korsten,
Elias, Marco Clausen, Simone Hain, Lorraine Legrand, Gabriel A. Maher,
INSTITUTE OF CONTEMPORARY ART, Jacob Lawrence and members of booklet point to the idea of pulling works and their execution, using this the type of art it aims to exhibit, digital Katja Kwastek, Sybille Lammes,
UNIVERSITY OF PENNSYLVANIA/ Maria Hetzer, Sabine Horlitz, Suhail Micheline Nahra, Thomas Nathan,
the Spiral Group; the legendary cards from each of the four decks and as a jumping-off point to survey 20th- presence and other resources. As Charl Landvreugd, Gregor Langfeld,
HAMMER MUSEUM Malik, Bahar Noorizadeh, Marion von Miguel Parrrra, Timo de Rijk, Marie
leader of the Nation of Islam, Elijah laying them out for one reading, then century abstract and nonobjective the founders and supporters of these Chris Lee, Christa-Maria Lerm Hayes,
ISBN 9780884541561 Osten, Kristel Raesaar, Penny Rafferty, Rime, Sjeng Scheijen, Bianca Schick,
Muhammad; and the Mexican painter flipping the cards over for a second painting in relation to the development spaces from around the globe discuss Virginia MacKenny, Sarat Maharaj, Tirzo
u.s. $15.00 cdn $20.00 Christopher Roth, Katya Sander and Carlos Sfeir Vottero, Weixiao Shen,
Rufino Tamayo. reading. The readings might be used to of Minimalist painting. the specific challenges they face, it Martha, Kyveli Mavrokordopoulou,
Pbk, 6 x 9 in. / 104 pgs / Paul Seidler. Matilde Stolfa, Oli Stratford, Marianne
create poetry or, like Tarot, to divine or becomes clear that such institutions Larissa Mendoza Straffon, Ni Haifeng,
22 color / 15 b&w. SKIRA/THE AFRICA INSTITUTE KANT Theunissen, Goda Verikaitė, Erik
illuminate. HATJE CANTZ can be uniquely responsive to the Stéphanie Noach, Anja Novak, John
February/Biography/Art/ ISBN 9788857246529 ISBN 9788074373367 Viskil, Barbara Visser and Ben Shai
u.s. $45.00 cdn $61.00 u.s. $29.95 cdn $39.95
ISBN 9783775751711 interests of their communities. Spaces Onians, Rob Perrée, Georges Petitjean, van der Wal.
LUCIA|MARQUAND
u.s. $26.00 cdn $35.50 discussed include the Artist’s Institute Rosalien van der Poel, Jennifer
EXHIBITION SCHEDULE: Hbk, 6.5 x 9.5 in. / 256 pgs / 100 color. ISBN 9781646570249 Pbk, 6.25 x 9 in. / 264 pgs / 13 b&w.
March/Nonfiction Criticism/Middle East- Pbk, 5.5 x 8.25 in. / 220 pgs / 15 color. in New York; Lulu in Mexico City; the Pranolo, Lize van Robbroeck, Pippa VALIZ
Philadelphia, PA: Institute of u.s. $49.95 cdn $67.95 SDNR40 March/Nonfiction Criticism/Art/
ern Art & Culture/ May/Nonfiction Criticism/Art/ New Theater in Berlin; P! in New York; Skotnes, Henk Slager, Rudi Struik and ISBN 9789493246041
Contemporary Art, University of Other Media, 4.5 x 7.75 in. /
and others. many more. u.s. $35.00 cdn $47.00
Pennsylvania 09/17/21–12/30/21 20 pgs / 24 color.
Los Angeles, CA: Hammer Museum, Pbk, 6.75 x 9.5 in. / 336 pgs /
May/Fiction & Poetry/Art/Artists’ MOUSSE PUBLISHING VALIZ
02/06–05/15/22 150 color / 30 b&w.
Books/
ISBN 9788867494828 ISBN 9789493246058 February/Design/
u.s. $20.00 cdn $27.00 u.s. $39.95 cdn $53.95
Pbk, 4.75 x 7.5 in. / 220 pgs / 17 b&w. Pbk, 6.25 x 9 in. / 432 pgs / 90 b&w.
March/Nonfiction Criticism/Art/ February/Nonfiction Criticism/Art/

HIGHLIGHTS ■ DESIGN
Plastic: Remaking Our World Baranger Motion Displays

Edited by Mateo Kries, Jochen Eisenbrand, Mea Hoffman. Text R.F. Collection
by Susan Freinkel, Mark Miodownik, Nanjala Nyabola. Interviews
with Jane Atfield, Dianna Cohen, Dave Hakkens, John McGeehan, Edited by Rolf Fehlbaum, Fifo Stricker.
Klarenbeek & Dros, The Shellworks, Peter Ghyczy.
A stupendously produced introduction to the
The complex life of plastic, from global success story to “Motion Display” machines of midcentury America
ecological conundrum and beyond
This gorgeous, oversize volume documents the Baranger
Plastic has shaped our daily lives like no other material. Originally Motion Displays of the R.F. Collection housed at the Vitra
associated with convenience, progress and even revolution, today Design Museum. “Motion Displays,” as they were known,
plastic seems to have lost its utopian appeal. Plastic is everywhere, were conceived as eye-catching and novel moving objects,
yet most conspicuous as waste and as a key factor in the global which were used in jewelers’ shop-window displays—
environmental crisis. primarily in the US—to attract customers. The Baranger
This book examines the success story of plastic in the 20th Motion Displays were produced by Baranger Studios in South
century and at the same time presents the different discourses Pasadena, CA, between 1937 and 1957 and were lent to
on how we should manage the waste the material produces and thousands of jewelers’ shops over the years. Primarily during
also find solutions that take into account its entire life cycle in the 1990s, Rolf Fehlbaum, Vitra Chairman Emeritus and
the future. Mark Miodownik, Susan Freinkel and Nanjala Nyabola founder of the Vitra Design Museum, worked to assemble
each contribute an essay that sheds light on the history of plastics a carefully selected and comprehensive collection of these
from 1850 to today. A material-rich visual chronology illustrates objects in Weil am Rhein.
how consumers’ perception of plastics has changed over the With large-scale illustrations of the Motion Displays and an
decades; brief descriptions of a selection of 50 objects examine atmospheric photo essay featuring black-and-white details
the importance of plastics for material culture; and reprints of of the objects, the book provides an unprecedented and in-
fundamental texts about the history of plastics—for example, by depth view into this collection. In an accompanying essay,
Alexander Parkes and Roland Barthes—provide a context from the Bill Shaffer traces the success story of the displays and
history of ideas. sheds light on the significance of the red cases in which they
The book juxtaposes the current discourse and state of research were delivered to the jewelers. In order for readers to be
on plastic with numerous individual interviews and panel able to experience the wonders of these moving objects for
discussions that were held with designers, representatives from themselves, each Motion Display has been given a QR code
industry, researchers and environmental activists. Underpinning in the book which links to an entertaining video clip of the
these conversations are comprehensive data visualizations on display in action.
plastic production, consumption and the spread of plastic around
VITRA DESIGN MUSEUM
the world.
ISBN 9783945852484 u.s. $75.00 cdn $102.00
VITRA DESIGN MUSEUM Hbk, 13.5 x 12.75 in. / 140 pgs / 60 color / 16 b&w.
ISBN 9783945852477 u.s. $93.00 cdn $129.00 February/Design/
Pbk, 7.75 x 10.5 in. / 254 pgs / 250 color.
June/Design/
Weil am Rhein, Germany: Vitra Design Museum, 03/26/22–09/04/22
Dundee, Scotland: Victoria & Albert Dundee, 10/29/22–02/05/22
Lisbon, Portugal: MAAT - Museum of Art, Architecture and
Technology, 03/23–09/23

HIGHLIGHTS ■ DESIGN
1000 Vases
Edited by Pier Paolo Pitacco.
A chunky, giftable compendium of

beautiful vases by emerging designers from
around the world
A vase is never merely a container. As Georges

Braque once said, "the vase gives form to
emptiness": ever since the earliest human
civilizations, this object has had a purpose that is
greater than its function and it perennially invites
experimentation in shape and expression.
The 1,000 vases presented in this book offer an
eloquent demonstration of this fact. They come
from 35 different countries and more than 80% of
them have been made by women or independent
designers and artists born between 1988 and
1993—each of whom was invited to create a free
interpretation of the same archetype, resulting in
a spectrum of the infinite creativity inspired by the
many possible versions of a single item. Made from
an enormous range of materials (ceramic, terracotta,
porcelain, metal, wood and glass, as well as natural
fibers, industrial waste and recycled plastic), using
techniques both ancient and ultramodern (3D
printing) and belonging to different categories (from
amphora to jar, jug to carafe), almost all sit on the
borderline that simultaneously unites and separates
art, design and craftsmanship.
Designers include: Yuta Segawa, Zhu Ohmu, Yonobi
Studio, Angelika Kogevina, Anbar El Mokri, Andrea
Maestri, Angelina Guez, Anna Jukova, Ariaana de
Luca, Carey Lowell, Coco Brun, E Jockel, Gabriela
Flores and many more.
SKIRA
ISBN 9788857246734 u.s. $60.00 cdn $82.00
Hbk, 6.5 x 8.25 in. / 904 pgs / 1000 color.
March/Design/
Sottsass: Poltronova 1958–1974

Edited by Ivan Mietton.
The decade that forged the Sottsass look: on the legendary designer’s ’60s collaboration with the
Poltronova company
The decade of collaboration between the Italian designer and architect Ettore Sottsass (1917–2007) and Tuscan furniture
company Poltronova from 1960 to 1970 marked a phase of almost total freedom for the designer. The breadth of this era,
both rich in creations and decisive in establishing the designer's style, is now accessible in this analysis of Sottsass' work,
augmented with advertising photos from the period, annotated sketches and his personal photographs.
In 1956, at the request of the painter and sculptor Sergio Camilli, Sottsass became the artistic director of Poltronova,
Camilli’s new furniture company. Sottsass then created Poltronova’s logo and produced its first catalogs. The vibrant, playful
Poltronova catalogs express his experimentation with geometric shapes, mixes of materials and vibrant colors.
The brand became a true standard bearer of Italian creation, collaborating with renowned artists such as Max Ernst. This
beautiful catalog, designed in a characteristic Sottsass style, serves as both a guide to all the pieces that he designed with
Poltronova and also a celebration of the master’s playful spirit in wood, steel, marble and every material he could implement
to construct his iconic chairs, cabinets, mirrors and more.
SKIRA
ISBN 9782370741684 u.s. $54.00 cdn $73.00
Hbk, 9.5 x 12 in. / 208 pgs / 200 color.
March/Design/

Graphic design and product design HIGHLIGHTS ■ DESIGN
The Society of Signs: Graphic Events Ruida Si: Niklaus Troxler:

Pictograms, Signs of A Realist Account of Visual Philosophy Poster Collection 34
Graphic Design
Life, Emojis Edited by James Dyer, Nick Deakin.
Thoughts on I and We Edited by Bettina Richter. Text by Daniel
Martin Feige.
Text by Anja Dorn, Isabel Herda, Foreword by Alex Coles. Text by James Foreword by Kenya Hara.
Christine Litz, Philipp Nielsen, Michaela Williams, Patrick Thomas, Fraser
Muggeridge, DR.ME, Teal Triggs. An introduction to the avant-
Stoffels, Maxim Weirich, Lukas R.A. A charming but clear-eyed
Wilde. Afterword by Johanna Drucker. garde jazz posters of a leading
manifesto for a new era of “we”
Swiss graphic designer
in the face of ecological collapse
The life of signs: a century Essays and interviews
of pictograms by artists and on the precarious life of One of Europe’s leading poster
This small but substantial pocket-size
designers from Otto Neurath to designed objects designers, Niklaus Troxler (born 1947)
book is an attempt to think through
Harun Farocki has devoted himself primarily to jazz
life and the universe in graphic-design
Once an object of graphic design posters. In 1966, the Swiss designer
terms. With concise drawings and brief
What are the broader aims and leaves the designer’s computer, it organized the first jazz concert in his
texts, Japanese illustrator and designer
aspirations implied by the development enters an unpredictable and precarious hometown of Willisau, Lucerne. In
Ruida Si quietly shows humanity in the
of icons and emojis since the existence in the world. Posters, 1975 he founded an annual jazz festival
grip of a dawning realization about its
modernist era? What historical issues packaging and flyers may be ripped that has since brought both established
own collectivity. Facing the imminent
inform them? Do they expand our from walls, littered on streets or and younger artists to the stage.
collapse of the ecosystem, humanity
possibilities of expression or do they left to fade in shop windows. This Troxler designed countless posters
must prepare to replace “I” with
limit them with stereotypes? The chasm between the conception and for these festivals, as well as for the
“we”—“we” defined in a utopian spirit
Society of Signs examines lexicons the material life of designed objects individual concerts. His early designs
as a subject transcending generations
and systems of pictorial signs devised is familiar and apparent to all, but is embraced an illustrative style from
and individuals.
by designers and artists such as Gerd curiously under-theorized within the which he soon emancipated himself,
At first glance, the visuals are as
Arntz, Marie and Otto Neurath, Otl discipline.
Graphic Events calls on graphic
simple and clear as those of a
eventually translating the character of
experimental music and taking up its
Only on Saturday:
Aicher, Yukio Ota and others, examining
the ideologies and cultural factors at designers to embrace the uncertainty
children’s picture book, but they
are the product of Si's extensive
improvisational gestures. The Wood Type Prints of Jack Stauffacher
play in their respective oeuvres. their designs face as they circulate On the occasion of Troxler’s 75th Edited with text by Chuck Byrne. Text by Kristina Bell, John D. Berry, Chuck Bigelow, Matthew Carter, Stephen Coles,
and sophisticated knowledge of
Designers and artists include: Otl in the world. It proposes that, rather birthday, this publication presents Jennifer Dunlop Fletcher, Jim Faris, Nathan Garland, Dennis Letbetter, Staci Steinberger, Michael Taylor, Pino Trogu.
information, pattern and rhythm, and
Aicher, Moritz Appich, Jonas Grünwald, than ignore the fact or to attempt to a selection of his jazz posters,
deliver her message with tremendous
Bruno Jacoby, Gerd Arntz, Johannes “solve” the problem, designers should clarity and simplicity. Muji art director
juxtaposing them with sociopolitical A stunning tribute to the experimental letterpress prints of the revered scholar-printer and AIGA
Bergerhausen, Ilka Helmig, Karsten de play with this unpredictable process. Kenya Hara, with whom Si studied,
manifestos in poster form, mostly medalist Jack Stauffacher
Riese, Antje Ehmann, Harun Farocki, This volume contains interviews with commissioned by himself, as well as
provides a foreword.
Juli Gudehus, Pati Hill, Heinrich Hoerle, and essays by philosophers, graphic public commissions, including those Created in his off-hours on the weekend and in part inspired by the modern artists of his day, Jack Stauffacher’s
Timothée Ingen-Housz, Shigetaka designers, photographers and artists, LARS MÜLLER PUBLISHERS for the Olma agricultural fair, the Knie exquisite prints demonstrate what wood type can do when released from its role in traditional communication and
Kurita, Warja Lavater, Marie Neurath, as well as a poem by Philip Larkin and ISBN 9783037786888 circus and the Geneva International instead used to explore letters as pure form. In the resulting abstract, dynamically composed, often lushly layered
Otto Neurath, Yukio Ota, Wolfgang an excerpt from a memoir by Patti u.s. $30.00 cdn $40.00 Motor Show. prints, Stauffacher reclaims typography as a subject fit for the gallery wall.
Schmidt, Franz Wilhelm Seiwert, Lilian Smith that engage with graphics in the Pbk, 4.75 x 6.25 in. / 304 pgs / 160 b&w. Featuring 500 images (most of which have never appeared in a publication before) and essays by collaborators from the
LARS MÜLLER PUBLISHERS
real world. March/Design/ worlds of art and typography, Only on Saturday is the first trade book to document the work of one of the past century’s
Stolk, Augustin Tschinkel and Edgar ISBN 9783037786871
Walthert. u.s. $25.00 cdn $34.00
great typographers and printers—and offer the compelling backstory behind its creation.
ONOMATOPEE PROJECTS
Pbk, 6.5 x 9.5 in. / 96 pgs / 109 color. Born in 1920 in San Mateo, California, Jack Stauffacher was a printer, typographer and fine-book publisher whose
WALTHER KÖNIG, KÖLN ISBN 9789493148666
August/Design/ delicate yet graphic sensibility landed his work first in library rare book collections and then in museums such
ISBN 9783753300450 u.s. $25.00 cdn $34.00
as SFMOMA and LACMA, who sought out his typographic prints. A printer of exceptional skill who began his
u.s. $59.95 cdn $81.95 FLAT40 Pbk, 4.5 x 7.25 in. / 250 pgs /
apprenticeship at the age of 16, Stauffacher created books for his Greenwood Press off and on for eight decades. He LETTERFORM ARCHIVE BOOKS
Pbk, 9.5 x 12.5 in. / 272 pgs / 34 color / 8 b&w.
taught typography at Carnegie Mellon and the San Francisco Art Institute, and served as typographic director at Stanford ISBN 9780998318066
130 color / 74 b&w. March/Nonfiction Criticism/Design/
University Press. But it was his later wood type prints that ushered his career into the realm of fine art. Stauffacher u.s. $70.00 cdn $95.00 FLAT40
February/Design/
created these innovative and elegant prints from 1966 until his death in 2017 at the age of 96. In recognition of his Hbk, 10 x 14 in. / 224 pgs / 425 color / 40 b&w.
contributions to typography and design, he was awarded an AIGA Medal in 2004. March/Design/

Glassware, jewelry and product design HIGHLIGHTS ■ DESIGN
The New Fashion Czech Glass

Container Project Quo Vadis ?!
Edited with text by Linda Loppa. Text by Mária Gálová.
Ducati: Rule All Roads Sixty years of diverse approaches to glass
Toni Zuccheri Tapio Wirkkala Venetian Glasses Bulgari: Serpenti
Eleven concepts for a new fashion vocabulary
A Journey across the Italian Beauty on the at Venini at Venini The Carla Nasci and Ferruccio The Power of Metamorphosis
Multistrada V4 The New Fashion Container project was born in 2020 This volume introduces an international audience to Edited by Marino Barovier and Carla Edited by Marino Barovier and Carla Franzoia Collection Edited with text by Alba Cappellieri.
Foreword by Claudio Domenicali. as the fashion industry was undergoing seismic 10 Czech artists working with glass today. Artists Sonego. Sonego. Edited by Tiziana Casagrande, Ferruccio
include Luba Bakičová, Klára Horáčková, Martin
Franzoia. The legendary Italian jeweler
transformations. Based on 11 concepts proposing a
A scenic introduction to the new Ducati new language for fashion, this volume brings together Janecký, Vladimíra Klumpar, Tomáš Krejčí, Zdeněk On the virtuoso creator of The latest installment in Skira's explores the power and mystique
Multistrada V4 motorbike 22 industry professionals from across the world. Lhotský, Michal Macků, Jaroslav Róna, Petr Stanický menageries in glass superb glass series explores the Trace the history of 20th-century of the serpent
and Michaela Spružinová. Finnish designer's work for Venini Venetian glassmaking through
Put the new Ducati Multistrada V4 through its POOL PUBLISHING The latest in Skira’s exhaustive series more than 600 full-color images In this luxurious clothbound volume,
ISBN 9783903572355 u.s. $30.00 cdn $40.00 FLAT40 KANT the house of Bulgari meditates on
paces across 1,800 miles of some of the most on the great Italian glassmakers, This substantial overview explores
Pbk, 8 x 6.5 in. / 408 pgs / 24 color. ISBN 9788074373527 u.s. $39.95 cdn $53.95 FLAT40 Glassmaking has been a tradition in the theme of metamorphosis and an
beautiful parts of Italy with this breathtaking book. Toni Zuccheri at Venini documents Finnish designer and sculptor Tapio
February/Fashion Pbk, 8 x 8 in. / 168 pgs / 55 color. Venice since the Middle Ages, with ancient symbol of regeneration, the
Documented in thrilling color images, this new feat the career of Italian artist, architect, Wirkkala (1915–85) and his output for
March/Design most glassmakers concentrated
of engineering travels through the costal roads of designer, sculptor and poet of glass the famous Murano glass company serpent. The snake has been an icon
Sardinia, the rocky dirt paths around perilous craters and nature, Toni Zuccheri (1936–2008). Venini. Creator of the Finlandia vodka on the island of Murano. Venetian for the Roman fashion house from the
in Sicily and the snow-capped peaks of Abruzzo. The son of painter Luigi Zuccheri, bottle and designer for companies glassmakers have continued to 1940s to the present. Bulgari: Serpenti
Alongside the scenery, the engineers of the he inherited his father’s passion for such as Ittala, Wirkkala’s activities innovate down to the present day with displays some of the opulent bags,
Multistrada walk us through the innovations built portraying animals, which feature with Venini represented a transitional the rise in the 20th century of now- watches and jewelry that the house
into this marvelous machine, such as its first-of-its- frequently in his creations, especially phase in his versatile career and had legendary glassmaking companies has produced over its storied history
kind front and rear radar system. Speed and control, in the form of intricate fantastical a profound influence on the Murano such as Vetri Soffiati, Muranesi, relating to these themes. In order to
power and balance—the result of an ambitious glass birds. glassmaking industry. Most famous of Cappellin and Venini & Co. illuminate the wealth of influence and
project that marks a turning point not only for Ducati In the 1960s, Zuccheri began working his works for Venini are his particolored Venetian Glass picks up this story in artifice that goes into each piece, this
but for the entire motorcycle industry—merge with with renowned Murano glassmakers bottles: clean, simple forms the 1920s when Vittorio Zecchin was volume brings together images of the
the natural surroundings for the kind of trip that has Venini. Fashioning animals in distinguished by seamless transitions artistic director, inspired by the Art serpent through art history and fashion
only one destination in mind: the road itself. polychrome glass, Zuccheri mastered in solid color. This was achieved with Nouveau and Art Deco styles blazing history from ancient Egyptian jewelry
many Venetian glass techniques. In the incalmo technique, an ancient across Europe. The narrative moves on to Alexander McQueen, Michelangelo
SILVANA EDITORIALE to Carlo Scarpa and his followers, who to Mapplethorpe.
1965, he started collaborating with Gio glassblowing method promoted by
ISBN 9788836647903 would once again innovate Venetian For this publication, Bulgari asked five
Ponti, with whom he designed a new Wirkkala. He often combined this
u.s. $40.00 cdn $54.00
style of window, the vetrate grosse. with the mezzafiligrana and murrine glassmaking with their bold modernist artists to represent their own idea
Hbk, 9.5 x 11 in. / 160 pgs / 100 color. Expansive Bodies: Contesting Dutch Designers Yearbook 2021 This comprehensive monograph, a techniques for which Murano style. Finally, this fascinating story of metamorphosis, including Refik
April/Design/
Design at Het Nieuwe Instituut Horizons must-have for collectors and Venetian glass is famed. also includes many of the artists that
Venetian glass firms invited to develop
Anadol, Ann Veronica Janssens, Azuma
Edited with text by Freek Kroesbergen. glass lovers, covers Zuccheri’s The latest in Skira’s essential series Makoto, Daan Roosegaard and Vincent
Edited with text by Brendan Cormier.
glassmaking career in 400 color on Italian glassmaking, Tapio Wirkkala their own works, such as Massimo Van Duysen. Their responses are
images and detailed descriptions of the at Venini covers all of Wirkkala’s Venini Vignelli and Tapio Wirkkala. included.
An oral history of one of Europe’s leading sites The present and future of Dutch design
various phases of his work. output in more than 500 color images
for design and architectural research SILVANA EDITORIALE SILVANA EDITORIALE
This year’s yearbook theme, Horizons, summarizes and detailed descriptions of his work. ISBN 9788836648399
SKIRA ISBN 9788836649471
For eight years, Het Nieuwe Institute, a cultural center design in 2021 and looks to the future. The book ISBN 9788857246659 SKIRA u.s. $55.00 cdn $75.00 u.s. $45.00 cdn $61.00
in Rotterdam, has been dedicated to the study of offers a candid take on what designers are thinking u.s. $69.95 cdn $94.95 ISBN 9788857246666 Hbk, 11 x 11 in. / 552 pgs / 670 color. Clth, 6.75 x 9.75 in. / 248 pgs / 190 color.
architecture, design and digital culture. This book and making now, through essays and interviews, Hbk, 11 x 12 in. / 264 pgs / 400 color. u.s. $69.95 cdn $94.95
April/Design/ April/Design/
comprises an oral history of the institute as recounted remarkable graduation projects from Dutch design March/Design/ Hbk, 11 x 12 in. / 272 pgs / 560 color.
by 15 practitioners, as well as an illustrated account of schools, award-winning work and portraits of March/Design/
the institute’s exhibition history. design heroes.
NAI010 PUBLISHERS NAI010 PUBLISHERS

ISBN 9789462086654 u.s. $55.00 cdn $75.00 FLAT40 ISBN 9789462086579 u.s. $40.00 cdn $54.00 FLAT40
Pbk, 8.5 x 11.25 in. / 312 pgs / 285 color. Hbk, 8.25 x 10.25 in. / 192 pgs / 192 color.
March/Design/ March/Design/

Architecture and urbanism HIGHLIGHTS ■ ARCHITECTURE & URBAN
The Layman’s Guide to Classical Architecture Back to the Office

By Quinlan Terry. 50 Revolutionary Office Buildings and How They Sustained
Preface by Prince Charles. Edited by Stephan Petermann, Ruth Baumeister. Text by Rem Koolhaas, Herman Hertzberger, Keigo
Koyabashi Lab, Manfredo di Robilant, Shaun Fynn.
Acclaimed British architect Quinlan Terry’s guide to more than 2,000 years of
classicism in architecture A massive visual history of classic offices by Mies, Ponti, Le Corbusier, SOM and more
In this beautiful illustrated survey, British architect Quinlan Terry (born 1937) presents his Now that technology has made it possible to work almost anywhere—and since the COVID-19
ultimate guide to classical architecture. With intricate and lively sketches, he explains the pandemic forced so many to work from home—we have a conflicted relationship with the office.
classical orders of architecture that were created by Vitruvius around 100 AD. The tradition Desperate to work again in physically shared spaces, we are also now questioning whether
of building using these orders was maintained well into the 20th century, until modernism offices—and the demanding, alienating rhythms they may impose—are needed at all. Offices
began to dominate architecture. With this book, Terry, a strong proponent of classical themselves are also subject to intolerable forces: 21st-century building regulations suggest
architecture, aims to place focus on the kind of architecture that dominated the field for redesigning them every seven to ten years; managerial strategies typically shift every five years;
almost 2,000 years in the West—the vocabulary and heritage of which is known by few and offices are torn down, stripped out, rethought and renewed with alarming frequency.
today. The book contains a large number of Terry’s drawings and sketches from travels, as With the future of our workspaces so uncertain, Back to the Office looks to both past and future,
well as linocuts. Also included are his drawings of such quintessential examples of the use of revisiting the revolutionary offices of the 20th century, and asking what endures from their
classical orders as St. Mark’s Square and San Giorgio Maggiore in Venice and Inigo Jones’ St. architecture, their materials and the ideologies of work they embody.
Paul’s Cathedral in London, alongside drawings of Terry’s own structures, such as Brentwood Compiling before-and-after photography, archival documents, contemporary interviews and critical
Cathedral in Essex, England. In addition, Terry compares his own studies with those of essays, this book engages corporations, architects, workers, building managers, regulators and
Andrea Palladio and Vincenzo Scamozzi. others, in search of the lessons we need to learn for the future of office life.
Prince Charles, another advocate for classical architecture, who holds Quinlan Terry as his Back to the Office looks at the development of iconic office projects by SOM, Ludwig Mies van der
favorite among contemporary architects, provides the preface. Rohe, Arne Jacobsen, Herman Hertzberger, Oscar Niemeyer, Gio Ponti, Le Corbusier, Kenzo Tange
and many others, spread across four continents. Includes contributions by Rem Koolhaas, Herman
BOKFÖRLAGET STOLPE Hertzberger, Keigo Koyabashi Lab, Manfredo di Robilant and Shaun Fynn, among others.
ISBN 9789189069817 u.s. $38.00 cdn $52.00
Hbk, 8.75 x 10.75 in. / 250 pgs / 20 color / 20 duotone / 180 b&w. NAI010 PUBLISHERS
March/Architecture & Urban/ ISBN 9789462086524 u.s. $99.00 cdn $135.00
Hbk, 9.5 x 12.5 in. / 500 pgs / 300 color.
March/Architecture & Urban/Design/
Conceiving the Plan: In Honor of Diane Lewis Fairmont: Grand by Nature

Edited by Yael Hameiri Sainsaux. Text by Barry Bergdoll, Dan Graham, Merrill Elam, Peter Foreword by Susan Sarandon. Text by Claire Wrathall, Claire-Marie Angelini-Thiennot.
Hitchcock, Michela Rosso, Peter Schubert, Daniel Sherer, Anita Sieff, et al. Interview with
Daniel Sherer, Fran Lebowitz.
A guided tour through the elegant and historic properties of Fairmont hotels
and resorts
Projects and dialogues in homage to the influential New York architect
and educator Celebrating the architecture of the beloved Fairmont hotels and resorts, this volume presents
both historic gems and innovative, avant-garde structures. It includes many of Fairmont’s
Combining civic architecture projects with contributions by writers, historians and
famous château-style resorts such as the Plaza in New York, Fairmont Banff Springs, Chateau
artists ranging from Dan Graham to Fran Lebowitz, Conceiving the Plan constructs a
Lake Louise and Montreal’s iconic Château Frontenac, as well as palatial hotels such as
dialogue with the legacy of the late architect and longtime Cooper Union professor
Fairmont Peace Hotel, Shanghai, Fairmont Hotel Kiev, the Fairmont Royal York, Toronto (once
Diane Lewis (1951–2017).
known as the tallest tower in the British Empire), and Hamburg’s Fairmont Vier Jahrezeiten.
Lewis’ pedagogy defined Cooper Union’s architecture departure from the 1970s to the
The new crop of Fairmont hotels is represented by the Arabic-inspired Fairmont Nile City,
mid-2000s. Here, architectural historians Barry Bergdoll and Daniel Sherer converse
Cairo, and Fairmont The Palm, Dubai, the evocative Flame Towers in Baku, Azerbaijan, and the
about the themes and approach in her pedagogical style and thinking. Architects,
Fairmont Austin in Texas.
former students, colleagues and friends generate projects as a continuous discourse
Fairmont has a long history of hosting royalty, actors and politicians. The book is illustrated
with Lewis’ pedagogy, carrying her legacy into contemporary dialogues.
with images of famous guests at Fairmont hotels, among them Martin Luther King, Jr, James
Conceiving the Plan includes more than 250 images and diagrams of projects
Baldwin, Marilyn Monroe and Christian Dior.
pertaining to Lewis’ legacy by Georg Windeck, Preston Scott Cohen, Dorian
Wiszniewski, Pippo Ciorra and Peter Lynch. SKIRA
ISBN 9782370741714 u.s. $110.00 cdn $150.00
SKIRA
ISBN 9788857246543 u.s. $45.00 cdn $61.00 March/Architecture & Urban/
Hbk, 12 x 12 in. / 208 pgs / 175 color.
March/Architecture & Urban/

Architecture monographs HIGHLIGHTS ■ ARCHITECTURE & URBAN
MODU: Field Guide Lacaton & Vassal: 2G: Smiljan Radić 2G: MOS Manuel Cervantes Teresa Moller: Julio Cano Lasso: Sordo Madaleno:
to Indoor Urbanism Free Space, Edited with text by Moisés Puente. Text
by Enrique Walker, Smiljan Radić.
Edited by Moisés Puente. Text by
Stan Allen, Giovanna Borasi, Michael
Estudio and Macías Reflections in the Natures Urban
Text by Phu Hoang, Rachely Rotem. Transformation, Meredith, Hilary Sample.
Peredo Arquitectos: Landscape Foreword by Iñaqui Carnicero Alonso-
Colmenares. Text by William J.R Curtis,
Transformation
Fourteen exquisite innovations in
Where does the "indoors" begin? Habiter domestic architecture from the Homes, cultural centers and Avancer Tower Text by Jimena Martignoni. Juhani Pallasmaa, Iwan Baan, Iñaki
Ábalos, Ángel Martínez García-Posada,
Edited by Barry Bergdoll.
On architecture at the threshold Edited by Moisés Puente. Text by Enrique acclaimed Chilean virtuoso more from the Harlem firm famed Text by Miquel Adrià, Manuel Cervantes, Juan Navarro Baldeweg, Atxu Amann
A leading Chilean landscape Celebrating 85 years of the
Walker, Anne Lacaton, Jean-Philppe for its combinatorial approach to Salvador Macías, Magui Peredo, Oscar & Andrés Cánovas, Josep Llinàs, José
Vassal. Ramírez. architect elucidates her guiding Manuel Sanz, Luis Suárez Mansilla. leading Mexican firm's buildings
Authored by the interdisciplinary The work of Chilean architect architectural form
Brooklyn-based design studio MODU,
compositional principles and and urban design
Smiljan Radić (born 1965) has found
this reader explores the space The winners of the 2021 Pritzker This 2G monograph celebrates the Thoroughly avant-garde, offers personal reflections The first English-language
international acclaim following his
between the interior and the exterior Prize present their architectural craft and ingenuity of MOS, the thoroughly Mexican: two on her craft monograph on the leading light After 85 years of creating nationally
superb 2014 Serpentine Gallery pavilion
ethos through nine examples firms collaborate on a new of postwar Spanish rationalist iconic architecture, the Mexico
in architecture. How does the design in London. This 2G issue features a Harlem-based architecture and design
office building Chilean landscape architect Teresa architecture City–based firm Sordo Madaleno
of interior spaces align with the world selection of the houses built by Radić studio founded by Hilary Sample and
The French firm Lacaton & Vassal, Moller (born 1959) looks back at her Arquitectos—founded in 1937 by a
“outside,” and vice versa? Where can throughout his nearly three-decade Michael Meredith in 2005. Recipient of
established in Paris in 1987 by Anne The Avancer Tower, an office building most significant projects of the last Spanish architect Julio Cano Lasso very young Juan Sordo Madaleno—
the boundaries between the interior career, from his extension to the the 2015 Cooper Hewitt, Smithsonian
Lacaton (born 1955) and Jean-Philippe in San Luis Potosí, is a collaboration decade, in this very personal volume (1920–96) was celebrated for his publishes this retrospective monograph
and the urban be drawn? What role Charcoal Burner’s House (Cupliprán, Design Museum National Design
Vassal (born 1954), has designed between two Mexican architectural containing her reflections on her rational and austerely engineered compiling its most ambitious projects,
does the environment play in this? Led 1997–98) and his Small House (Vilches, Award in Architecture, MOS is
private and social housing, cultural firms, Manuel Cervantes Estudio and craft and nature. Reflections in the buildings as well as his commitment both built and unbuilt.
by Phu Hoang and Rachely Rotem, 1995–96) to his last Wooden House responsible for a variety of international
and academic institutions and public Macías Peredo Arquitectos, each of Landscape is organized around two to designing social housing and urban The work of Sordo Madaleno reflects
MODU focuses on the marriage of (Lake Colico, 2014–15) and Prism projects, from private residences to art
spaces that reflects its advocacy of whom takes differing approaches concepts. The first is dedicated to infrastructure. Lasso’s buildings—such the evolution of the urban and rural
urbanism and nature in its architectural House (Coinguillio, 2017–18). studios and community centers, which
social justice and sustainability. toward the same end—to create the fundamental components of her as his Madrid apartment blocks and landscape of 20th- and 21st-century
and interior design projects, leaving In addition to the 14 houses featured, draw on and combine a consistent
Here, the winners of the 2021 architecture that blends modern landscape architecture: earth, water, the Spanish pavilion he designed post-revolutionary Mexico. From their
behind the binary of inside and a text by Enrique Walker explains vocabulary of readily identifiable
Pritzker Prize present their oeuvre of architecture with the Mexican trees, fruits and stone; the second, for the 1992 Seville Universal very first projects, the firm has helped
outside, and instead understanding the keys to understanding Radić’s shapes from its own architectural
four decades through three guiding landscape and centuries-old building comprised of sections such as Trails, Exposition—are practical, modern define the construction of a modern
architecture as an extension of the domestic oeuvre; another, by Moisés catalog—chimneys, corridors,
concepts. Free Space signifies their traditions in Mexico. The Avancer Signs, Essence and Silence, describes and immediately recognizable for Mexico, from individual structures
environment, imagining a hybrid of Puente, describes the interventions courtyards, roofs, windows. Recent
concern to achieve a generosity Tower achieves this in its color and her essential compositional principles. their bare-bones aesthetic. Through to the planning of large urban areas
urban space, architecture and interior that Radić created at an estate in projects include the Huyghe + Le
of scale; Transformation expresses form, mirroring the red of the soil, the In collaboration with architecture writer previously unpublished texts by conceived to incorporate designs of
space. For this volume, Hoang and Vilches for Puente and his family. Two Corbusier Puppet Theater at Harvard’s
their adage “never demolish, always rock and the rusted steel of the mines and curator Jimena Martignoni, Moller authors such as William J.R. Curtis, varying scales. Over the firm’s long
Rotem look to three major cities on texts by Radić himself discuss Chilean Carpenter Center; Artist Studio in
add, transform, extend”; and Habiter in the area. offers her thoughts behind the creation Juhani Pallasmaa, Iñaki Ábalos and history, it has shown an ability to
different continents—New York, Rome domestic architecture and the role of Ancram, New York; the Floating House
describes their insistence on making This book documents the project, the of some of her renowned projects, Juan Navarro Baldeweg, as well as adapt a myriad of styles to the project
and Tokyo—and consider examples “repair” (rather than mere restoration in Lake Huron, Ontario; the Welcome
space one’s own. construction process and the finished such as Punte Pite in Chile, a dramatic recent photographs by Iwan Baan, at hand, from Miesian modernism
from each of indoor urbanism and or preservation) in architecture and Education Center, Apan Housing
Accordingly, this volume presents nine building, guided by themes such as staircase and footpath that descends Natures presents the legacy of this to the bright playful spaces of Luis
architectural climate adaptation. generally. Laboratory in Apan, Mexico; and the
built works by the architects, showing materiality, spatial relationships and to Chile’s rocky coast, or Catch the great architect. It combines texts Barragán. With over 300 images, this
IVY Coathook System. This volume
HATJE CANTZ the life and inhabitants of each building WALTHER KÖNIG, KÖLN scale. The book also demonstrates the Landscape, a series of travertine and photographs made specially for book captures the range of Sordo
looks at a representative sampling of
ISBN 9783775751186 so as to convey its animation and ISBN 9783960989639 contributions of the Avancer Tower and blocks that serve as benches along this edition with a careful selection Madaleno, collecting its hotels,
its acclaimed projects from the past
u.s. $44.00 cdn $60.00 u.s. $55.00 cdn $75.00 FLAT40 the Venetian waterfront. Also included houses, restaurants, urban spaces and
adaptation as a tenanted structure. two decades. other buildings to the cultural life and of archival images by renowned
Pbk, 7 x 10 in. / 208 pgs / 120 color. Flexi, 9 x 11.75 in. / 160 pgs / are projects in China, Italy, Morocco, photographers such as Paco Gómez real estate developments.
value of San Luis Potosí.
June/Architecture & Urban/ WALTHER KÖNIG, KÖLN 155 color / 54 b&w. WALTHER KÖNIG, KÖLN Germany and more. and Carlos Pérez Siquier, as well as TURNER
ISBN 9788412198188 April/Architecture & Urban/ ISBN 9783960989646 ARQUINE
ARQUINE texts and photographs by Julio Cano ISBN 9788418428845
u.s. $45.00 cdn $61.00 FLAT40 u.s. $55.00 cdn $75.00 FLAT40 ISBN 9786079489908
Lasso himself. u.s. $50.00 cdn $68.00
Pbk, 8.5 x 11.5 in. / 208 pgs / Flexi, 9 x 11.75 in. / 160 pgs / 100 color. u.s. $30.00 cdn $42.00 ISBN 9786079489823
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American/Caribbean Art & Culture/ March/Architecture & Urban/

Urbanism and single buildings HIGHLIGHTS ■ ARCHITECTURE & URBAN
Carmody Groarke / World Culture Beirut Bereft: Mãe Luíza: BACK IN PRINT
Deichman Bjørvika: Imagination and Glass Design
Charles Rennie Districts Architecture of the Building Optimism Clyfford Still Oslo Public Library Participation Innovations in
Mackintosh: Edited with text by Christian Strasser, Forsaken and Map of Edited with text by Ion de Andrade, Museum Edited by Lund Hagem Arkitekter and Next Steps in Public Library Architecture
Irene Preissler, Erwin Uhrmann. Text Tomislav Dushanov, Nicole Miescher, Atelier Oslo. Text by Niklas Maak, Liv
Allied Works Architecture Architecture
The Hill House – by Adrian Ellis, Gail Lord, Matthias
Sauerbruch & Louisa Hutton, Vitus H.
the Derelict Lars Müller. Text by Loyse de Andrade,
Dulce Bentes, Mô Bleeker, Nicholas Fox Text by Brad Cloepfil, Dean Sobel,
Sæteren, Elif Shafak. Photographs by
Iwan Baan, Hélène Binet. By Joyce Sternheim & Rob
Text by Mick Eekhout.
Not Forever Weh. Text by Rasha Salti. Photographs by Ziad

Antar.
Weber, Herzog & de Meuron, Erminia
Maricato, Verner Monteiro, Raymund
Robert McCarter.
Bruijnzeels. How to design architectural glass
Edited with text by Rik Nys. Text by Ryan, Andrea Scartazzini, Robério The story of a dazzling new public components, from wild avant-
The first ever examination of the The story of one of the world's library in Norway—a triumph of A manifesto for the future of the
Bryan Dickson, Patrick Duffy, Andy
A visual index of Lebanon's Camilo da Silva, Paulo Lins. garde ideas to practical solutions
Groarke, Samantha Hardingham, Mel cultural districts transforming most comprehensive single-artist crystalline, sculptural grandeur library, featuring conversations
Houston, Rory Olcayto, Suzanne Reid, cities internationally, from MASS urban ruins museums, from conception to
On the transformation of a with leading architects In this heyday of glass architecture,
Sally Stewart. MoCA to Montreal's Quartier des realization
favela—an urban success story Deichman Bjørvika, Olso’s new public and designers many architects rely on pre-
Perched on the edge of the
spectacles on the Brazilian coast library, was completed and opened in manufactured standardized glass
An affordable introduction to a Mediterranean, the city of Beirut The Clyfford Still Museum in summer 2020 after a lengthy period In Imagination and Participation, Dutch components for their buildings. Dutch
Scottish modern masterpiece of “Cultural districts”—unified civic areas was once a bustling site of modern Denver was created as a home for of planning and construction. Located librarians Rob Bruijnzeels and Joyce
This illustrated volume documents architect and engineer Mick Eekhout
residential design housing multiple arts venues—offer an architecture. Since the Lebanese Civil the vision of American Abstract opposite the city’s Opera House and Sternheim examine the most important
War, which broke out in 1975 and the transformation of the favela Mãe (born 1950), principal and founder of
incomparable density of art and culture, Expressionist painter Clyfford Still. the Munch Museum, this imposing recent changes in public library design
claimed over 120,000 lives before its Luíza, as an example of how to build Dutch engineering firm Octatube,
Charles Rennie Mackintosh’s (1868– and have proven to have a profound Though acknowledged as one of the building fits into the ensemble in the
community, create citizenship and through conversations with experts wishes to revive what was once a
1928) residential masterpiece, Hill influence on the development of cities cessation in 1990, many of Beirut’s country’s most significant artists, his
identity, and promote initiative and new cultural quarter of the Norwegian and architects who have designed standard practice: architectural glass
House was designed and built for and regions. World Culture Districts modernist gems have lain abandoned work has long been difficult to access.
participation. Alongside a story by capital. The project, designed by Lund public libraries in the Netherlands and components designed specifically for
the publisher Walter Blackie between presents the first ever overview of or ruined. Beirut Bereft profiles 57 Opening its doors to the public in
Brazilian author Paulo Lins, short Hagem Architects and Atelier Oslo abroad. These conversations and the the project they are intended to adorn.
1902 and 1904. Mackintosh and his this phenomenon, featuring 15 of of these structures as indicative of 2011, the two-story museum—one of
articles and essays trace the history following an international architectural authors’ insights and experiences offer Illustrated with numerous examples,
wife Margaret created everything from the most important cultural districts the wider fragmentation of Lebanon. the most comprehensive single-artist
of Mãe Luíza from the point of view competition, was conceived around a vision for future library buildings this book covers product development
the building itself to the furniture and on six continents. The districts Lebanese writer Rasha Salti and museums in the world—houses the
of local activists, as well as invited a radical paradigm of the library as a that respond to the needs of the for glass facades, glass roofs and
textiles within. explored include Alserkal Avenue, photographer Ziad Antar generated vast majority of Still’s creative output:
authors from various fields. place for conviviality and substantial communities they serve. applications of cold-bent double-
A prominent example of the Modern Dubai; LAC Lugano Arte e Cultura, a visual, textual and cartographic 2,400 paintings, drawings, prints and
With roughly 15,000 inhabitants, Mãe multimedia platforms in a conducive, Imagination and Participation lays laminated glass. Eekhout shows how
Style (British Art Nouveau), this iconic Lugano; the Museumsinsel, Berlin; vocabulary to profile the skeletons of sculptures spanning over 60 years.
Luíza, located near the ocean in the unobtrusive environment. out a manifesto guided by what to design new glass components and
building was suffering prolonged Quartier des spectacles, Montreal; office towers, hotels and apartment Designed by the leading architectural
Brazilian city of Natal, is a favela with all The publication documents in detail the the authors believe visitors should their step-by-step development, from
decay from more than a century of the GoDown Arts Centre, Nairobi; blocks that overlook the serene practice Allied Works and its founder,
the familiar grievances. In 1984, Italian planning and building process, from experience when they visit a library. adventurous avant-garde projects
weather damage. London-based Gorky Park and Garage Museum Mediterranean. One such building, the Brad Cloepfil, the museum draws
transplant Padre Sabino Gentili founded the first draft to the opening. Essays by Libraries featured include the to certified building components
architectural practice Carmody Groarke of Contemporary Art Moscow; M9, Murr Tower, has become something inspiration from the work of Still and
the Centro Sócio. With community the novelist Elif Shafak and the library’s Birmingham Library in Alabama, that enhance the specific character
has built an innovative stainless steel Mestre; MuseumsQuartier Vienna; of an emblem of the destruction and from its monumental surroundings: an
participation, the Centro created much- long-term director Liv Sæteren explain Mies van der Rohe’s Martin Luther of a building. Examples include the
chainmail mesh known as “The Box,” the Southbank Centre, London; lost hopes of Beirut. Begun in 1974 intersection of prairie and mountains
needed social infrastructure. After the significance of the institution as an King Library in Washington, DC, Victoria & Albert Museum, London,
to temporarily encase Hill House. This Töölönlahti, Helsinki; Instituto Inhotim, and incomplete at the beginning of the within an urban district of major
Padre Sabino’s death, the Ameropa integrative social force, while Niklas and the New York Public Library’s the Van Gogh Museum, Amsterdam,
structure is intended to halt the decay Brumadinho; MASS MoCA, North war, this Corbusier-inspired structure cultural buildings, vacant lots, historic
Foundation further invested in the Maak pays tribute to the building Stephen A. Schwarzman Building; Santander’s Glass Cube in Madrid and
of Hill House while maintaining access Adams, Massachusetts; Poblenou now looms over a city trying to find its housing and new development. This
infrastructure—efforts that culminated from the perspective of architectural architects and designers interviewed many others.
for visitors and providing time for the District, Barcelona; the Arts Centre Te way again. publication presents the full story of
in the construction of a sports arena criticism. Iwan Baan and Hélène include Jo Coenen, Chris van Duijn,
restoration of this gem in Scotland’s Matatiki Toi Ora Ōtautahi, Christchurch; the museum, with stories, artifacts, Binet capture the architecture and its NAI010 PUBLISHERS
SHARJAH ART FOUNDATION and a music school designed by Swiss Francine Houben, Winy Maas, Vincent
architectural heritage. and the West Kowloon Cultural District, documents and conversations. atmosphere in exquisite photographs. ISBN 9789462086722
ISBN 9789948024835 architects, facilities usually lacking on Panhuysen, Michael Riedijk and more.
Hong Kong. u.s. $60.00 cdn $82.00
WALTHER KÖNIG, KÖLN u.s. $28.00 cdn $38.00 the Brazilian peripheries. HATJE CANTZ LARS MÜLLER PUBLISHERS NAI010 PUBLISHERS Pbk, 8.25 x 11.75 in. / 192 pgs /
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February/Architecture & Urban/Latin
American/Caribbean Art & Culture/

Architecture monographs, urbanism and single buildings HIGHLIGHTS ■ ARCHITECTURE & URBAN
Zdenek Zavřel: Three Lives Luca Meda: Architect and OSRAM Munich: Forum Groningen
of an Architect Designer Residual Light Building, Square, City
Edited with text by Nicola Braghieri, Serena Maffioletti. Foreword and text by Gunter Henn. Text by Ursula Baus, Edited by Niek Verdonk, Kamiel Klaasse, Pieter
Michele De Lucchi & An illustrated autobiography of the itinerant
Czech architect
Text by Alberto Ferlenga, Sofia Meda, et al. H.G. Esch, Rolf Sachsse, et al. Bannenberg, Erik Dorsman.
Trix + Robert Haussmann:
AMDL Circle: Earth Sketches for furniture and more from a The story of Walter Henn’s legendary building A new building type emerges in the Dutch city A Life with Art and Artists
of Groningen
Stations Czech architect Zdenek Zavřel (born 1943) reflects
on his career in the former Czechoslovakia and the
protagonist of postwar Italian design across two generations Interview by Dieter Schwarz.
Future Sharing Architectures Czech Republic in this monograph-cum-memoir. Throughout his long career, most of it spent working This book traces in text and photographs the Groningen’s new and stunning public structure, the “These architects, working into their ’80s,
Text by Michele De Lucchi, Donatella Caprioglio, Zavřel’s reminiscences provide a unique chronicle with furniture company Molteni & C, the Italian conversion of Europe's first open-plan office building Forum Groningen, built by NL Architects, which opened should be famous.” –New York Times
Alberto Cavalli, Claudia Giudici, Ugo Morelli, Telmo of architecture’s progression in postwar Europe. The designer Luca Meda's (1936–98) preferred designing from the headquarters for one of Munich's largest in 2019, is examined here through photography, articles,
Pievani, Giuseppe Varchetta, Maria Alejandro book contains photo-documentation of all of Zavřel’s design sketches and more. This civic structure houses a
tool was the pencil. This volume collects Meda’s employers to a refugee shelter, before its eventual Internationally renowned Swiss architects and
Venerandi.
built projects alongside archival photographs. designs of chairs, bookcases, sofas and more, demolition in 2018. museum, library, cinema and public spaces. designers Trix (born 1933) and Robert (born 1931)
alongside images of the finished products. Haussmann are well known both in Switzerland and
A former Memphis designer’s visionary KANT WASMUTH & ZOHLEN NAI010 PUBLISHERS
new architecture ISBN 9788074373473 u.s. $39.95 cdn $53.95 FLAT40 SILVANA EDITORIALE ISBN 9783803022172 u.s. $54.00 cdn $73.00 FLAT40 ISBN 9789462086760 u.s. $55.00 cdn $75.00 FLAT40 internationally for their vast contribution to design and
Pbk, 6.75 x 9.5 in. / 184 pgs / 58 color / 36 duotone. ISBN 9788836645626 u.s. $40.00 cdn $55.00 FLAT40 Hbk, 8.25 x 10.25 in. / 168 pgs / 61 color / 48 b&w. Hbk, 8.25 x 10.75 in. / 240 pgs / 230 color / 20 b&w. interiors. Living and working together since the 1960s,
This book looks at the Earth Stations of the March/Architecture & Urban Hbk, 9.5 x 11 in. / 352 pgs / 400 color. March/Architecture & Urban July/Architecture & Urban/ symbiotically creating wonderful interiors filled with
legendary Italian designer and architect Michele April/Design/ works of art and beautiful objects, the Haussmanns
De Lucchi (born 1951) and his multidisciplinary have had close ties to the avant-garde of their time
studio AMDL Circle. The Earth Stations are a new and have actively participated in the local scenes of
typology of building conceived to foster productive Zurich and Bern.
human relationships—living monuments created Documenting their numerous exchanges and
to celebrate the importance of humanity, where conversations with artists, dealers and creative
people can experience meaningful collective kindred spirits, this book is a testimony to their
existence. The book puts this new building lifelong interest in the visual arts and their
typology in dialogue with experts from a variety of involvement with the Swiss art scene. A conversation
disciplines, who reflect on the ways that spaces with Swiss author and curator Dieter Schwarz reveals
are designed. a number of events and anecdotes that also attest
“What can we as architects do for the world to to the couple’s fascinating life with art. The abundant
come?” asks De Lucchi here. “If we do not get photographic documentation of their exuberant
used to thinking with a sustainability mindset, The National Museum of Oslo interiors spanning almost five decades shows the
building the greenest house in the world will not Barozzi Veiga DFLA Giovanna Silva & Paolo Rosselli: The Construction of a Landmark distinctive way in which Trix and Robert Haussmann
welcome works of art into their everyday lives
make the slightest difference, because inside
we will be continuing to behave like irresponsible
Edited by Diletta Trinari. Text by Fabrizio Barozzi,
Alberto Veiga.
Chronologies of Practice at Dermot Foley Islamabad Today Photographs and foreword by Ken Opprann. Text by
Nicolai Strøm-Olsen. alongside their furniture and various artifacts.
consumers. Consequently, we must intervene Landscape Architects Text by Paolo Rosselli.
EDITION PATRICK FREY
with a new way of thinking, through the qualities Edited with text by Dermot Foley, Teodora Karneva. Text A unique portrait of Oslo’s new national
A survey on the Spanish firm designing the Art by Mauro Baracco, Luke Byrne, Simon Canz. ISBN 9783907236383 u.s. $30.00 cdn $42.00 FLAT40
of the space we can foster that mutually beneficial Institute of Chicago’s new campus A documentary account of the 1962 museum and the people who built it Pbk, 5.5 x 7 in. / 168 pgs / 62 color / 10 b&w.
behavior that enables people to get along well construction of Pakistan’s government April/Architecture & Urban/Art
together.” Ten years of landscape innovations from the headquarters Photographer Ken Opprann has followed the
This monograph on the Barcelona-based architectural
acclaimed Irish firm construction of Oslo’s new National Museum, taking
SILVANA EDITORIALE firm Barozzi Veiga presents about 30 projects from
In 1962, the architect firm of Ponti Fornaroli Rosselli over 115,000 photographs documenting all phases of
ISBN 9788836649174 2004 to the present—a selection of the most
From Boston to Shanghai, Dublin-based architectural was commissioned to design the government the construction project. Interviews with architects,
u.s. $50.00 cdn $68.00 FLAT40 important works developed around the world in places
firm Dermot Foley Landscape Architects (DFLA) has ministries for Pakistan’s new capital, Islamabad. Here, contractors, subcontractors and construction workers
Hbk, 8.25 x 10.5 in. / 256 pgs / 73 color. such as Spain, Belgium, Switzerland, China and more.
created spaces intended to evolve over years. This Italian photographer Giovanna Silva (born 1980) travels provide a full portrait of the labor involved.
August/Architecture & Urban Barozzi Veiga contains digital and handmade drawings,
volume collects their work since 2012. to this site with Paolo Rosselli, the son of the project
images of finished works and texts. FORLAGET PRESS
HATJE CANTZ manager, to show how these structures perform their
WALTHER KÖNIG, KÖLN functions of state today. ISBN 9788232804054 u.s. $60.00 cdn $82.00 FLAT40
ISBN 9783775751353 u.s. $50.00 cdn $68.00 FLAT40 Hbk, 11.75 x 8.75 in. / 288 pgs / 197 color / 1 b&w.
ISBN 9783753301235 u.s. $65.00 cdn $88.00 FLAT40 Hbk, 11.75 x 11.75 in. / 176 pgs / 160 color. MOUSSE PUBLISHING March/Architecture & Urban/Photography
Clth, 9.5 x 11.75 in. / 384 pgs / 225 color / 175 b&w. May/Architecture & Urban/
April/Architecture & Urban/ ISBN 9788867494576 u.s. $29.95 cdn $39.95 FLAT40
March/Architecture & Urban/Middle Eastern Art &
Culture
Urbanism and architecture journals HIGHLIGHTS ■ ARCHITECTURE & URBAN
Taking the Country’s Side Natural Beauty Urban Oases V8: Raining Stories Cosmetic Techniques
Agriculture and Architecture Edited by Laurent Esmilaire, Tristan Chadney. Dutch Hofjes as Hidden Architectural Gems Netherlands Pavilion, Dubai World Expo Quaderns #272
Photographs by Tatiana Macedo.
Edited by Sébastien Marot. By Willemijn Wilms Floet. Text by Marie-Thérèse van Thoor, Jaap Huisman, et al. Edited by Ferran Grau, Nuria Casais. Text by Pep Avilés,
BiodiverCity: An argument for the cross-fertilization of
How the parts relate to the whole: an essayistic The inspiring history of a medieval Dutch V8 Architects’ self-sustaining pavilion
André Bideau, David Bestué, Matilde Cassani, et al.
A Matter of Vital Soil! agriculture and architecture

exploration of architectural coherence architectural typology blossoms in the desert On architectural ornament and its
Creating, Implementing and Upscaling contradictions
This two-part book contains a series of statements
Making the case for situating agriculture as the twin A medieval Dutch phenomenon, a hofje is a courtyard The Netherlands pavilion for the World Expo in Dubai,
Biodivercity-based Measures in Public on architecture, construction, rationality and This edition of the Catalan architecture magazine
of architecture, Taking the Country’s Side looks back or garden surrounded by almshouses or some form designed by V8 Architects, contains a circular climate
Space photography—which informs the second part of
of public housing. This guide takes readers through Quaderns considers architectural ornament at three
on the 10,000-year history of these two disciplines system that produces water from the desert air,
Edited with text by Joyce van der Berg, Hans van the book, a photographic essay by Portuguese scales: the architectural detail, the architectural
in order to show a path forward for their mutual 20 Dutch hofjes built between 1395 and 2007, generates its own energy and grows its own food.
der Made, Ingrid Oosterheerd. Edited by Alessandra photographer Tatiana Macedo on the beauty of
Riccetti. Text by Vincent Merckx, Sylvia Mota de cooperation. This volume argues that the concept of and explores how this structure can serve today’s This book documents the structure. structure and the urban.
architectural fragments.
Oliviera, Jorinde Nuytinck, Marco Roos, Menno permaculture could inform urban design today. urban needs. POLÍGRAFA
Schilthuizen, Michael Stech, Renée Zijlmans, Johan NAI010 PUBLISHERS
POLÍGRAFA ISBN 9788434314016 u.s. $39.00 cdn $53.00 FLAT40
van Zoest. POLÍGRAFA NAI010 PUBLISHERS ISBN 9789462086692 u.s. $45.00 cdn $61.00 FLAT40
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Pbk, 5.5 x 8.5 in. / 88 pgs / 42 b&w. March/Architecture & Urban
How dirt matters to the future of cities Pbk, 5.5 x 8.5 in. / 212 pgs / 124 color / 73 b&w.
March/Architecture & Urban
Pbk, 8.25 x 10.25 in. / 208 pgs / 220 color. March/Architecture & Urban/
March/Architecture & Urban March/Architecture & Urban
There is a world full of life beneath our feet. Hidden
in the soil, up to 100 million species of micro-
organisms work together with fungi and plant
roots to form networks that ensure a healthy living
environment. Without soil, we cannot survive.
Yet in the city we treat our living environment
inattentively, even as patterns of migration from
country to city continue to increase, annexing
surrounding areas and literally squeezing the life out
of the soil.
The urban climate, urbanized environment
and urban water balance are detrimental to
healthy soil life: soil is largely sealed off in urban
circumstances, resulting in extreme flooding, heat
and drought exhaustion, soil compaction and habitat The MOSE Effect Rotterdam Architecture City Writingplace Journal for OASE 110 Archiprix International 2021,
fragmentation.
BiodiverCITY represents a quest for biodiversity
The Challenges of a Project for the Future The 100 Best Buildings Architecture and Literature 6 The Project of the Soil Addis Ababa
Text by Elisabetta Spitz, Milva Andriolli, Stefano Text by Paul Groenendijk, Piet Vollaard. Photographs by Meaningfulness, Appropriation and Text by David Peleman, Paola Viganò, Martina Barcelloni The World’s Best Graduation Projects:
in the city. How do you design a public space that Libardo, Alvise Papa, Davide Sernaglia, Elena Svalduz, Ossip van Duivenbode. Corte, Elsbeth Ronner.
is anchored in healthy soil? The contributors to Pier Vellinga, Anja Visini. Integration in/of City Narratives Architecture, Urban Design, Landscape
this volume formulate measures that can produce A concise guide to Rotterdam’s architectural Edited by Sonja Novak, Angeliki Sioli, Susana Oliveira, Soil as an ecological design tool in urban By Henk van der Veen.
healthy soil life. A layperson’s guide to one of the greatest Klaske Havik. Text by Giuseppe Resta, Saskia de Wit.
highlights environments
engineering projects of our time The 2021 edition of the leading architectural
NAI010 PUBLISHERS
Community integration is the theme of the competition
ISBN 9789462086562 This compact, up-to-date guide to Rotterdam presents Inspired by Bernardo Secchi’s 1986 text “Progetto di
In an effort to preserve endangered Venice, the Italian journal's sixth edition
u.s. $45.00 cdn $61.00 FLAT40 the highlights of the Netherlands’ number-one city Suolo,” this issue of Oase offers critical analyses of
government has constructed a world wonder known of architecture: the latest high-profile buildings, how soil, as an intermediary entity between surface This edition of Archiprix presents the most recent
Pbk, 9.5 x 11.75 in. / 114 pgs / 300 color.
as the MOSE—a vast and intricate series of gates The sixth edition of Writingplace—the open-access generation of promising young architects, urban
March/Architecture & Urban/ illustrious icons and hidden jewels. In addition to the and subsurface, can further the practices of urbanism
built to protect Venice during extreme high tides. This journal of architecture and literature— attempts designers and landscape architects, selected based
100 best buildings, this guide also directs visitors to and urban design.
volume lays out the complexity of this project. to define and illustrate acts of appropriation and on their final-year projects at Dutch institutions
EXHIBITION SCHEDULE: the city’s must-see locales.
Amsterdam, Netherlands: ARCAM
integration in midsize European cities. NAI010 PUBLISHERS for design.
MARSILIO NAI010 PUBLISHERS ISBN 9789462086555 u.s. $40.00 cdn $54.00 FLAT40
10/01/21–02/06/22 NAI010 PUBLISHERS
ISBN 9788829713349 u.s. $70.00 cdn $95.00 FLAT40 ISBN 9789462086746 u.s. $29.95 cdn $39.95 FLAT40 Pbk, 6.75 x 9.5 in. / 128 pgs / 50 b&w. NAI010 PUBLISHERS
Hbk, 9.5 x 11.5 in. / 240 pgs / 150 color. ISBN 9789462086531 u.s. $40.00 cdn $54.00 FLAT40 ISBN 9789462086517 u.s. $45.00 cdn $61.00 FLAT40
Pbk, 5 x 9 in. / 128 pgs / 200 color. March/Architecture & Urban/
February/Architecture & Urban/ Pbk, 6.5 x 9.5 in. / 144 pgs / 60 b&w. Pbk, 9.5 x 11.75 in. / 160 pgs / 300 color.
May/Architecture & Urban/
March/Architecture & Urban/ July/Architecture & Urban

Specialty
Books
Jean-Michel Othoniel,
installation view. © Adagp,
Paris 2021. Photography by
Claire Dorn, Galerie Perrotin.
From Jean-Michel Othoniel:
Narcissus Theorem, published
by Actes Sud. See page 179.
168 artbook.com
Spector’s The New Alphabet/Das Neue Alphabet (DNA) series SPECIALTY ■ NONFICTION CRITICISM
The New Alphabet Listen to Lists Counter_Readings of the Body Making Looking at Music
DNA #1 DNA #2 DNA #3 DNA #7 DNA #8
Edited with text by Bernd Scherer. Text by Ann Cotten, Edited by Lina Brion, Detlef Diederichsen. Text by Edited by Daniel Neugebauer. Text by Olympia Bukkakis, Edited by Katrin Klingan, Nick Houde, Johanna Edited by Lina Brion, Detlef Diederichsen. Text by
Yuk Hui, Ben Lerner. Illustrated by Kanako Tada,
Wolfgang Tillmans.
Kristoffer Cornils, Maria Eriksson, Jasmine Guffond, et al. María do Mar Castro Varela, Rain Demetri, Sabine
Mohamed, Bonaventure Soh Bejeng Ndikung, Olave
Schindler. Text by Luis Campos, Maria Chehonadskih,
Ana Guzmán, Hao Liang, Hu Fang, Elizabeth Povinelli,
Stefanie Alisch, Peter Kirn, Mari Matsutoya, Adam
Parkinson, Terre Thaemlitz, TOPLAP. A Kind of World War
Nduwanje, Jules Sturm, Julius Thissen. Sophia Roosth, Kaushik Sunder Rajan. DNA #9
How the playlist has colonized our
The first in a new series on evolving forms of listening habits On the implications of computer-generated Edited with text by Anselm Franke, Erhard Schüttpelz.
communication Intersectional readings of the body as screen An anthology on the politics of production in music for live performance
Today, the playlist structures how people listen,
for interpretation an age of global crisis On the image politics of Aby Warburg’s
This book tracks the relationship between binary as well as how companies collect their data. This In the performance of computer-generated music, a legendary lecture on the Hopi snake ritual
code and Leibniz’s Monadology; the technological Inverting the notion of “body language,” the essays in Conversations, essays and artist contributions focus tangibly causal relationship between action and sound
volume examines how the playlist has spawned new
and cosmological aspects of non-Western writing this volume draw attention to the process of “reading on the practices and politics of production as a has been cut. Looking at Music asks: how important
categories, aesthetic tendencies and behaviors. Aby Warburg’s famous lecture on the Hopi snake
systems; and the power of the alphabet song. bodies,” using the body as semiotic system, a fiction, response to our contemporary processes of planetary is live action to the future of musical performance? ritual in Arizona is one of the most commented-upon
SPECTOR BOOKS an archive or alphabet. transformation.
SPECTOR BOOKS SPECTOR BOOKS art history documents of the 20th century. But while
ISBN 9783959054553 u.s. $15.00 cdn $20.00 FLAT40
ISBN 9783959054539 u.s. $15.00 cdn $20.00 FLAT40 SPECTOR BOOKS SPECTOR BOOKS ISBN 9783959054928 u.s. $15.00 cdn $20.00 FLAT40 Warburg’s essay is firmly anchored in the canon of
Pbk, 6 x 9 in. / 88 pgs / 17 color.
Pbk, 6 x 9 in. / 88 pgs / 19 color. ISBN 9783959054591 u.s. $15.00 cdn $20.00 FLAT40 Pbk, 6 x 9 in. / 80 pgs / 10 color. art history, to a wider public—especially in Europe—
February/Nonfiction Criticism/Music ISBN 9783959054652 u.s. $15.00 cdn $20.00 FLAT40
February/Nonfiction Criticism Pbk, 6 x 9 in. / 80 pgs / 12 color. Pbk, 6 x 9 in. / 84 pgs / 1 color. February/Nonfiction Criticism/Music little is known about its source, the snake ritual and
February/Nonfiction Criticism February/Nonfiction Criticism its history.
A Kind of World War addresses what Warburg largely
ignored himself: that not only the ritual, but also the
images of the ritual—to whose global distribution
Warburg contributed—have a political history. The
volume seeks to demonstrate that Warburg’s art
history, insofar as it outlines an internal history of the
European psyche, must be read in conjunction with its
external counterpart, the history of colonization, war
and cultural entanglement.
SPECTOR BOOKS
ISBN 9783959054942
u.s. $15.00 cdn $20.00 FLAT40
Pbk, 6 x 9 in. / 88 pgs / 110 color.
Echo Skin and Code Carrier Bag Fiction Re_Visioning Bodies What Is Life? February/Nonfiction Criticism
DNA #4 DNA #5 DNA #6 DNA #10 DNA #11

Edited by Nick Houde, Katrin Klingan, Johanna Edited by Daniel Neugebauer. Text by Alyk Blue, Edited by Sarah Shin, Mathias Zeiske. Text by Sophia Edited by Daniel Neugebauer. Text by Maaike Bleeker, Edited by Katrin Klingan, Nick Houde. Text by Stefan
Schindler. Text by Louis Chude-Sokei, Maya Indira Johanna Burai, Luce deLire, i-Päd, Rhea Ramjohn, Calah Al-Maria, Season Butler, Federico Campagna, Dorothee Ayşe Güleç, Carmen Mörsch, Eliza Steinbock. Helmreich, Natasha Myers, Sophia Roosth, Michael
Ganesh, Wesley Goatley, Xavier Le Roy, Luciana Parisi, P. Toussaint-Amat, Anne Kaun, et al. Elmiger, Ursula K. Le Guin, Laurel Halo, et al. Rossi.
Sascha Pohflepp, Sophia Roosth, Gary Thomlinson.
On the coding and decoding of bodily surfaces Writers respond to an Ursula K. Le Guin essay
New paradigms of the body and its histories
A collation of first pages of books posing the Spector’s The New Alphabet/
How today's technologies are encoded with
the beliefs of the past Just as physical violence leaves its marks on the Ursula K. Le Guin’s 1986 essay “The Carrier Bag
This volume calls for a new visibility of non-normative titular question Das Neue Alphabet (DNA)
bodies, moving away from enforced categorizations
skin, conceptual violence is written into interfaces— Theory of Fiction” presents a feminist story of and toward respect and care. Essays touch on In this book, the collective Biogroop selects and series provides speculative
Drawing on Louis Chude-Sokei's political and in the form of biases in machine automation, as technology centering on the collective sustenance of speculates upon a compilation of first pages of
technopoetic writings, this volume shows how past discrimination implanted in memes. The essays in this life, and reimagines the carrier bag as a tool for telling
everything from The Matrix to migration, from
wedding photography to the Lili Elbe Archive. publications from 1829 to 2020 containing “What Is suggestions for new approaches
ideas have produced the technologies and lifestyles of
the world today—for example, how AI today contains
volume explore how fluctuating norms determine the
ways skin is coded and decoded into culture.
strangely realistic fictions. Here, new writings and
images respond to her narrative practice of world SPECTOR BOOKS
Life?” in their titles. Replies to the question range
from “the sum of the functions that resist death” to
to and systems of organization
within it the biases of its creators, which in turn shape
SPECTOR BOOKS
making through gathering and holding. ISBN 9783959054966 u.s. $15.00 cdn $20.00 FLAT40
Pbk, 6 x 9 in. / 80 pgs / 19 color.
“edible, lovable, lethal.” for capturing the global breadth
our present.
SPECTOR BOOKS
ISBN 9783959054614 u.s. $15.00 cdn $20.00 FLAT40 SPECTOR BOOKS February/Nonfiction Criticism SPECTOR BOOKS of knowledge, from Chinese
Pbk, 6 x 9 in. / 88 pgs / 23 color. ISBN 9783959054638 u.s. $15.00 cdn $20.00 FLAT40 ISBN 9783959054980 u.s. $15.00 cdn $20.00 FLAT40
ISBN 9783959054577 u.s. $15.00 cdn $20.00 FLAT40 February/Nonfiction Criticism Pbk, 6 x 9 in. / 96 pgs / 32 color. Pbk, 6 x 9 in. / 130 pgs / 20 color. pictograms to music playlists.
Pbk, 6 x 9 in. / 76 pgs / 10 color. February/Nonfiction Criticism February/Nonfiction Criticism
February/Nonfiction Criticism

Artist’s books | Arts, language & culture SPECIALTY ■ ART
Dreamtime X Dead People Whispering to Us Wandering Echoes Deprived of Rights and Property: The Healthy Times 2 Where Art Lives in Latin America
By Brandon LaBelle. By Israel Martínez. Handbook of Operative Losses The Art Dealer Max Stern FUck N Forever Text by Fernando Ticoulat, João Paulo Siqueira Lopes.
By Luis Guerra. Text by Andrea Bambi, Jeanne Valérie Beckmann, Kim Text by Nicolas Bourriaud, Anna Burghardt, Severin
Writing against confinement and uncertainty: A poetic, "necropolitical" view of Bures-Kremser, Ute Haug, et al. Corti, Andrea Petrini, et al. A celebration of Latin America's leading
LaBelle reflects on lockdown sociality in Mexico An experimental essayistic engagement with contemporary art spaces
a French philosopher’s study of movement in A tribute to the life of a German Jewish gallery The second magazine from a collective
Articulated in the form of 100 short poetic entries, Israel Martínez (born 1979) writes his own book autistic children owner, from dispossession to success in Canada working at the juncture of gastronomy and This book surveys 35 spaces for creation and
Dreamtime X is a diary written between March of the dead, chronicling the necropolitical reality in performance art exhibition in Latin America—museums, foundations,
2020 and March 2021, capturing the conditions of Mexico through a persistent belief in social change Veering between philosophical thought and poetic In 1934, the art dealer Max Stern (1904–86) took over residencies, independent art spaces and sculpture
the lockdown as experienced by Berlin-based artist, realized between friends and strangers. The dead, experimentation, in Wandering Echoes the Barcelona- Galerie Stern, which was founded by his father on The Healthy Boy Band is an Austrian cooking/art parks, among others. Featured here are Casa Wabi,
musician and writer Brandon LaBelle (born 1969). for Martínez, become guides toward a form of poetic based Chilean poet and artist Luis Guerra (born 1974) Königsallee in Düsseldorf. This publication follows collective founded by top cooks Lukas Mraz (two Mexico; Amparo Museo, Mexico; MASP, Brazil; Beta
activism. engages with the French philosopher Fernand Deligny, Stern’s extraordinary life, from being forced to Michelin Stars), Philip Rachinger (four of five Gault & Local, Puerto Rico; MALBA, Argentina; Museo de Arte
LES PRESSES DU RÉEL/ERRANT BODIES PRESS
whose work with autistic children in the late 1960s abandon his business to the Nazis, to becoming one Millau toque) and Felix Schellhorn. This second edition Moderno, Argentina; MUAC, Mexico; and more.
ISBN 9782378962715 u.s. $18.00 cdn $24.00 FLAT40 ERRANT BODIES PRESS
challenged understandings of the diversely abled. of Canada’s most influential gallery owners. of their magazine collects their performances.
Hbk, 5.5 x 8.5 in. / 106 pgs / 5 b&w. ISBN 9783982316604 u.s. $18.00 cdn $24.00 FLAT40 ART CONSULTING TOOL/TURNER
March/Nonfiction Criticism Pbk, 6 x 9 in. / 128 pgs / 14 b&w. ERRANT BODIES PRESS WALTHER KÖNIG, KÖLN VERLAG FÜR MODERNE KUNST ISBN 9788418895197 u.s. $55.00 cdn $75.00 FLAT40
March/Nonfiction Criticism/Art/Latin American/ ISBN 9783753300214 u.s. $39.95 cdn $53.95 FLAT40 ISBN 9783903796997 u.s. $25.00 cdn $34.00 FLAT40 Hbk, 8.75 x 12.25 in. / 448 pgs / 450 color.
ISBN 9783982316611 u.s. $19.00 cdn $26.00 FLAT40
Caribbean Art & Culture Flexi, 8.25 x 10.5 in. / 244 pgs / 24 color / 80 b&w. Pbk, 12 x 9 in. / 564 pgs. June/Art/Latin American/Caribbean Art & Culture/
Pbk, 6 x 9 in. / 204 pgs / 47 b&w.
March/Nonfiction Criticism/Art February/Art February/Art/Cookbook
Armin Lorenz Gerold: Christiane Fichtner: Andreas Dobler: St Elsewhere Ingo Gerken: Open Book Marco Mazzi & Elisabetta Aesthetics of Globalization
Manuel or a Hint of Evil The Loose Leaf Archive Text by Andreas Dobler, Birgit Kempker, Kevin Muster,
Olivier Petignat, Oliver Ross, Stella.
Text by Eva May. Porcinai: Industrial Edited with text by Norbert M. Schmitz. Text by Hans
Ulrich Reck, Jürgen Wasim Frembgen, Sarah Khan,
Text by Armin Lorenz Gerold, Shahin Zarinbal, Alejandro Text by Katharina Fink, Arie Hartog, Thomas Köllhofer, On Hacking Consciousness and Bazon Brock, Regina Höfer, Marc Augé.
Alonso Díaz, Anna Barfuss, Lori E. Allen. Christina Vogelsang. Poetry by Diana Garza Islas, The open art book as platform for sculptural
Sharmila Ray. A multifaceted artist’s book about an wit and ingenuity Reprogramming Language
imaginary school, featuring unique hand- On the East/West crosscurrents of
A sound artist’s tale of a failed flirtation An ingenious interrogation of authorship and globalization in art
A glimpse into an artist's working archive bleached linen binding A monograph on German artist Ingo Gerken’s (born
mechanical production
In this artist’s book, German sound artist Armin 1971) latest series is a decidedly “meta” proposition:
Swiss artist Andreas Dobler's (born 1963) third Focusing on South, Central and East Asia, this series
Lorenz Gerold tells the story, in text and photographs, Since 1999, German artist Christiane Fichtner (born his Bibliosculptures, presented here, use open art
artist's book showcases the diversity of his oeuvre, Italian artists Marco Mazzi (born 1980) and Elisabetta of essays examines how art has become globalized
of an unnamed protagonist visiting the Olympic 1974) has maintained scrapbooks of her ideas, monographs and magazines as material for sculpture,
which includes wild, colorful visual poems, paintings, Porcinai (born 1987) use a machine translator to and a force of globalization. The book demonstrates
swimming pool in West Berlin during the summer of sketches, drawings, photographs, quotations, in a play of connotations between text, object
drawings, collages and objects. The book, illustrated transform an original text into a work authored by how Western technology and Western tastes have
2020, and a young man who catches his attention. concepts, materials, research and collections. The and image.
full-bleed from cover to cover, opens a window on the the machine. Here, essays contextualize the work trickled down into popular art in Asian countries but
Loose Leaf Archive presents an overview of this open-
MOUSSE PUBLISHING artist's intensive working habits. HATJE CANTZ alongside precedents such as Alvin Lucier’s I Am also how Asian art has proliferated in the West, and
ended collection.
ISBN 9788867494767 u.s. $20.00 cdn $27.00 FLAT40 ISBN 9783775751612 u.s. $46.00 cdn $62.00 FLAT40 Sitting in a Room and Walter Benjamin’s “The Task of the ambiguous results of these crosscurrents.
Pbk, 7.5 x 9.5 in. / 112 pgs / 65 color / 5 b&w. VERLAG FÜR MODERNE KUNST EDITION PATRICK FREY Hbk, 9 x 11.25 in. / 164 pgs / 80 color. the Translator.”
ISBN 9783907236215 u.s. $70.00 cdn $95.00 FLAT40 June/Art
VERLAG FÜR MODERNE KUNST
March/Art ISBN 9783903796904 u.s. $35.00 cdn $47.00 FLAT40
Hbk, 8.25 x 10.5 in. / 275 pgs / 250 color. MOUSSE PUBLISHING ISBN 9783903796959 u.s. $40.00 cdn $54.00 FLAT40
Pbk, 6.5 x 9.25 in. / 148 pgs / 97 color.
April/Art ISBN 9788867494675 u.s. $29.95 cdn $39.95 FLAT40 Pbk, 10 x 7.5 in. / 256 pgs / 127 color.
February/Art
Pbk, 6.75 x 9.5 in. / 240 pgs. February/Art
March/Nonfiction Criticism

Contemporary abstract painting SPECIALTY ■ ART
Albert Oehlen: “Big paintings Yafeng Duan Veronika Hilger Tomáš Lahoda: Voilá! Tomas Rajlich: Carola Ernst
by me with small paintings Edited with interview by Alexander Ochs. Text by Harald
F. Theiss.
Edited by Friederike Schuler, Jurriaan Benschop. Text by
Jana Baumann, Jurriaan Benschop.
Text by Inge Mertte Kjeldgard, Kaliopi Chamonikola,
Jiří Zemánek, Morris Gyrros, Jiří Ptáček, Elmer, Ursula
100 Small Pantings Text by Rosa Bindernagel, Yannick Courbès, Oliver
Zybok.
by others” Panhans-Büuchler.
Adventures in the infinite permutations of
Edited with text by Francesca Benini. Text by Tobia Duan reinvents the painterly language of A body is a stone, a stone a pillow, in Hilger's the grid, in the tradition of Ryman, Mangold Ernst's painting explores illusions,
Bezzola, Christian Dominguez. spirituality in abstraction blend of figuration and abstraction Lahoda alternates between virtuoso realism hallucinations and the habits of sight
and Martin
and abstraction
Oehlen's art constellated among works by The expressionistic, brightly spacious abstractions German artist Veronika Hilger (born 1981) combines This book collects works from the past decade by
This monograph brings together 100 small-scale
others from his private collection of Chinese-born, Berlin-based painter Yafeng Duan the genres of still life, landscape and portraiture The paintings of Czech artist Tomáš Lahoda (born German painter Carola Ernst (born 1981), including the
paintings by Czech painter Thomas Rajlich (born
(born 1973) testify to her notion of a breath of energy with a visual language that skirts the line between 1954) range from bright, energetic abstractions to series Axes of Psychophysics, which she has been
1940). His monochromatic canvases, based on the
Here, colorful abstractions by Albert Oehlen (born that spreads out into a great void. This is the first figuration and abstraction. This monograph collects figurative critiques of contemporary consumer society, working on for more than ten years. Shifting between
Minimalist grid, explore the gestural, the impersonal
1954) are seen alongside works owned by the artist, monograph on her work. ceramics, sculptures and paintings made between varieties of kitsch or interpretations of advertising. borrowings from Expressionism and Art Informel,
and the creative effects of light.
including pieces by Mike Kelley, Hans Bellmer, 2016 and 2021. This volume reproduces more than 300 works. Ernst also draws on music from classical to breakcore.
Christina Ramberg, Paul McCarthy and others. KERBER KANT
ISBN 9783735608000 u.s. $65.00 cdn $88.00 FLAT40 VERLAG FÜR MODERNE KUNST KANT KERBER
ISBN 9788074373428 u.s. $55.00 cdn $75.00 FLAT40
MOUSSE PUBLISHING Hbk, 8.5 x 10.75 in. / 96 pgs / 51 color. ISBN 9783903572270 u.s. $39.00 cdn $53.00 FLAT40 ISBN 9788074372919 u.s. $65.00 cdn $88.00 FLAT40 ISBN 9783735607980 u.s. $50.00 cdn $68.00 FLAT40
Hbk, 9.5 x 11 in. / 116 pgs / 100 color.
ISBN 9788867494613 u.s. $35.00 cdn $47.00 FLAT40 February/Art/Asian Art & Culture Hbk, 7.25 x 10 in. / 176 pgs / 96 color. Hbk, 12 x 9.5 in. / 304 pgs / 327 color. Hbk, 9.5 x 12 in. / 128 pgs / 40 color.
March/Art
Hbk, 8 x 11.25 in. / 120 pgs / 64 color / 1 b&w. February/Art March/Art July/Art
March/Art/
Vivian Suter: Bonzo, Tintin & Nina Elín Jakobsdóttir: Franziska Maderthaner: Niele Toroni Paul Fägerskiöld: Blue Marble Patrick Kaufmann: Frequencies
The first survey of drawings, paintings and
In the First Place Abstrock 2 Preface and text by Stéphane Ibars. Interview by Yvon
Lambert.
Edited with preface and conversation by Helen Hirsch.
Text by Katrin Sperry, John Tremblay.
Text by Judith Annaheim.
Edited with text by Christine Nippe. Text by Elín Text by Christian Bauer, Alexandra Schantl.
more from an eco-art pioneer Jakobsdóttir, Eva Scharrer. Documenting Kaufmann’s painting cycles on
The “travail-peinture” pioneer at the Lambert Fägerskiöld's majestic abstractions evoke the theme of space and the color blue
Edited with text by Fanni Fetzer. Text by César García- Old Master figuration meets abstraction in Collection cosmic wonder
Alvarez, Roman Kurzmeyer, Anne Pontégnie, Adam Jakobsdóttir’s biomorphic abstractions Maderthaner's most recent paintings
Szymczyk. are characterized by powerful This book traces the development of Lichtensteiner
This book spotlights works by Swiss artist Niele Toroni Swedish-born, New York–based painter Paul artist Patrick Kaufmann’s (born 1971) art over several
This comprehensive monograph surveys four decades
evocations of nature Collecting the work of Austrian painter Franziska
(born 1937) produced for the Lambert Collection in Fägerskiöld (born 1982) creates semiotic hyper- cycles of paintings, all of which revolve around the
of work by Swiss Argentine artist Vivian Suter (born Maderthaner (born 1962) from 2018 to 2021, this
2000: a series of paintings on paper, tracing paper, landscapes full of metaphors, symbols and references theme of space. This comprehensive monograph also
Icelandic artist Elín Jakobsdóttir (born 1968) creates luxuriously illustrated volume presents her lush and
1949), from early drawings and her painterly wall canvas, wood and even on a school blackboard. This from popular culture, literature and science. These
lively biomorphic abstractions in gouache, paper and reflects his study of the color blue and its aspects,
reliefs of the 1980s to her recent outdoor installations. colorful paintings that mix radical abstraction with
book of the exhibition contains gallery views and an deceptively simple canvases, like the book's title, from ultramarine to cobalt.
ink that reference places such as Iceland, Scotland depictions of flowers and icons of Western art history
HATJE CANTZ interview between Toroni and Yvon Lambert. evoke questions about humanity’s place in the
and Berlin. Elín Jakobsdóttir: In the First Place in a dynamic blend. This virtuoso painter confronts KERBER
ISBN 9783775751933 u.s. $65.00 cdn $90.00 FLAT40
universe.
meditates on the roots of these forms in nature. historical epochs with wit and irony. ACTES SUD ISBN 9783735607706 u.s. $69.95 cdn $96.95 FLAT40
Pbk, 8.75 x 11 in. / 352 pgs / 235 color. ISBN 9782330147327 u.s. $23.00 cdn $31.00 FLAT40 VERLAG FÜR MODERNE KUNST
KERBER Hbk, 9.5 x 11.5 in. / 216 pgs / 224 color.
February/Art VERLAG FÜR MODERNE KUNST
Pbk, 6.75 x 9.5 in. / 80 pgs / 120 color. ISBN 9783903796973 u.s. $49.95 cdn $67.95 FLAT40 February/Art
ISBN 9783735607973 u.s. $40.00 cdn $54.00 FLAT40 ISBN 9783903572065 u.s. $50.00 cdn $68.00 FLAT40 March/Art Pbk, 9.5 x 11 in. / 215 pgs / 116 color.
Hbk, 6.75 x 9.25 in. / 96 pgs / 131 color / 10 b&w. Hbk, 11.75 x 9.5 in. / 208 pgs / 136 color.
February/Art
February/Art February/Art

Figurative painting & portraiture SPECIALTY ■ ART
>1000 Words The Origin of Mark Flood Yan Pei-Ming: Tigres & Vautours Anna Meyer: Hopesters Fabrice Samyn: Christopher Winter:
Text by Annekathrin Kohout, Ina Peter, Jörk Rothamel,
Christian Weihrauch, Alexander Wendt.
By Adam Marnie.
A dual presentation of history paintings at
Edited with text by Marc Wellmann. Text by Patricia
Grzonka, Raimar Stange, Barbara Steiner, Luisa Ziaja.
To See with Ellipse Archipelago of the Mind
Text by Michel Draguet, Laurent Dubreuil, Donatien Grau. Text by Amrita Dhillon, Mark Gisbourne, et al.
On the face and the self in Mark Flood's two august French venues
On the return to figuration in a new generation early work An epic painterly portrait of the need for hope
of painters Popes, politicians, actors and historical figures in blighted times A multimedia conversation with European “To enter into the world of Winter's art is to
populate the canvases of Chinese painter Yan Pei- art history actively accept constant flux.” –Huffington Post
This book investigates a crucial period for the
This book explores how young painters are flouting Houston-based artist Mark Flood (born 1957), from Ming (born 1960), in an ongoing dialogue with art and In brightly hued paintings, Swiss-born, Vienna-based
cultural history. This volume documents his recent Belgian artist Fabrice Samyn (born 1981) enters into The colorful, surrealistic paintings of Berlin-based
the taboos of modernism and embracing figuration, 1987 to 1992, during which he was still making and artist Anna Meyer (born 1964) portrays an era beset
exhibition at the Grande Chapelle Avignon and the dialogue with the Old Masters at the Royal Museums Christopher Winter (born 1968) draw on literature,
profiling the work of Ellen Akimoto, Undine Bandelin, exhibiting work using his birth name, John Peters. by climate change, globalization and the rise of the far
Lambert Collection. of Fine Arts in Brussels, and with Magritte at the film, politics and folk rituals. This monograph arranges
Ivana de Vivanco, Jonathan Kraus, Nguyen Xuan Huy Artist and editor Adam Marnie explores Flood’s motif right. Meyer ambivalently imagines Hopesters, a mix
Musée Magritte. Saymn uses photography, sculpture, his work in themes such as “Libertine Island,” “Reality
and Marten Schädlich. of the face and his use of personae, aliases and of “hope” and “hipsters”: those who must face our
ACTES SUD performance and drawing to translate elements of Island” and “Deep Forest Island.” A map guides
surrogates. crisis-ridden present.
KERBER Text by Henri Loyrette, Stéphane Ibars, Cécile Debray, great works. readers through this archipelago.
ISBN 9783735607812 u.s. $59.95 cdn $81.95 FLAT40 KARMA BOOKS, NEW YORK Dominique Vingtain. Interview with Yvon Lambert. VERLAG FÜR MODERNE KUNST
HATJE CANTZ KERBER
Hbk, 9.5 x 12 in. / 72 pgs / 33 color. ISBN 9781949172713 u.s. $25.00 cdn $34.00 FLAT40 ISBN 9782330150891 u.s. $38.00 cdn $52.00 FLAT40 ISBN 9783903572119 u.s. $39.95 cdn $53.95 FLAT40
February/Art Hbk, 8.75 x 11.5 in. / 176 pgs / 120 color. Pbk, 9.25 x 11.75 in. / 224 pgs / 270 color. ISBN 9783775751445 u.s. $40.00 cdn $54.00 FLAT40 ISBN 9783735608079 u.s. $60.00 cdn $82.00 FLAT40
June/Art/Asian Art & Culture February/Art Hbk, 8.25 x 10 in. / 128 pgs / 50 color. Hbk, 9.5 x 12 in. / 96 pgs / 103 color / 13 b&w.
February/Art
March/Art February/Art
Erika Bornová: Madness Is the Armin Mueller-Stahl: Dominik Schmitt: Ironic Iconic Georg Baselitz: Andrzej Wróblewski: Exhibiting Oskar Gawell:
Guard of the Night Jewish Portraits Text by Ingrid Walter. Vedova accendi la luce Edited with text by Magdalena Ziólkowska, Wojciech
Grzybala. Text by Noit Banai, Marek Bieńczyk, Adam
The Lyrical Expressionist
Text by Martina Pachmanová, Otto M. Urban. Fates, Companions, Friends Schmitt’s recent mixed-media paintings draw
Edited with text by Phylip Rylands, Fabrizio Gazzarri. Boniecki, Owen Hatherley, et al. Edited by Wolfgang Schwägerl. Text by Agnes
Waldstein, Christian Bauer, Nikolaus Kratzer.
Text by Hans-Christoph Blumenberg, Björn Engholm,
On the tender surrealism of a leading Czech Walter Grünzweig, Daniel Hope, Herwig Guratzsch. on biological illustration to blur the borders of Two new series from the great champion of The reception history of an early Polish Soviet
artist’s dreamlike paintings and sculptures the human and the animal European figurative painting An introduction to the oeuvre of a long-
Realist painter
Portraits of heroes and inspirational figures overlooked German Expressionist
Using acrylics, oils and pencils on collaged canvas,
Featuring a sculptural cycle dedicated to Alma Mahler, from the German actor and creative polymath During 2020, German artist Georg Baselitz (born Throughout his life, Polish painter Andrzej Wróblewski
German artist Dominik Schmitt (born 1983) depicts A student of Corinth and friend to Die Brücke and the
captivating acrylic self-portraits and drawings of 1938) created two bodies of work, documented here: (1927–57) moved on the fringes of society;
the human and the animal in the style of biological Vienna Secession, the Prussian artist Oskar Gawell
plants and aquatic creatures, this volume conveys the German artist, actor and author Armin Mueller-Stahl the first series is a tribute to his departed friend and contemporaries described him as a “painter of a tragic
illustrations, with a dark, gloomy palette. (1888–1955) made expressionistic, otherworldly
tremendous range of Czech painter and sculptor Erika (born 1930) is well known for his roles in movies such Italian icon of Arte Informale, Emilio Vedova; the other generation.” This publication explores the reception
Bornová (born 1964). as Night on Earth and Shine. This volume presents his is dedicated to, and named for, his wife, Elke. paintings of small towns, landscapes, domestic
KERBER of his work—somber portraits and images of city life
most recent painting series, Jüdische Freunde und scenes and portraits. This volume reintroduces his
KANT ISBN 9783735607843 u.s. $45.00 cdn $61.00 FLAT40 MARSILIO rendered in a cool, muted palette.
Weggefährten. These portraits of famous German and work to an English-language audience.
ISBN 9788074373510 u.s. $49.95 cdn $67.95 FLAT40 ISBN 9788829712786 u.s. $35.00 cdn $47.00 FLAT40 HATJE CANTZ
American personalities are both character studies and February/Art VERLAG FÜR MODERNE KUNST
Hbk, 11 x 8.25 in. / 124 pgs / 191 color. Hbk, 9 x 11.5 in. / 96 pgs / 38 color. ISBN 9783775751537 u.s. $44.00 cdn $60.00 FLAT40
personal homages. ISBN 9783903796089 u.s. $45.00 cdn $61.00 FLAT40
March/Art February/Art/ Hbk, 8.75 x 11 in. / 500 pgs / 220 color.
HATJE CANTZ Hbk, 8.75 x 11.25 in. / 312 pgs / 180 color.
May/Art
February/Art
ISBN 9783775751834 u.s. $44.00 cdn $60.00 FLAT40
Hbk, 8.75 x 12.25 in. / 160 pgs / 99 color.
March/Art
Landscape and mixed-media painting | Public art and earthworks SPECIALTY ■ ART
Pia Ferm: Bread and Butter Szilard Huszank: Pablo Bronstein: Hell in Its Heyday Pablo Atchugarry: Earthworks Public Art for Public Life:
Text by Johanna Laub, Maximilian Wahlich. I Just Keep Painting Edited with text by Pablo Bronstein, Louise Stewart.
Text by Bruce Boucher.
The Life of Matter Edited with text by Pedro Donoso. Text by Jens
Andermann, Valentina Montero, Bárbara Saavedra, Juan
Learnings from Observatorium
Ferm creates tapestries and marble works at
Edited by Robert Drees. Text by Katharina Hoins, An Exhibition for Milan Carlos Skewes, Catalina Valdés. Edited by Sandra Smets. Text by Geert van de Camp,
Hajo Schiff. et al.
the border of sculpture and painting Fantastic and phantasmagorical watercolors Edited by Marco Meneguzzo.
of hell’s must-see sites Three generations of land art in Chile
Vivid colors and cascading liquid gestures On the Dutch collective working at the
The first monograph on Swedish artist Pia Ferm (born A garden of marble for Milan’s Palazzo Reale
in the landscape painting of a leading Focusing primarily on land art from Chile, Earthworks intersection of architecture, sculpture
1986), this book provides a comprehensive overview In these large-scale watercolors, London-based
Hungarian artist Uruguayan sculptor Pablo Atchugarry (born 1954) presents works by artists such as Julen Birke, and landscape
of both her marble sculptures and tapestries. The Argentinian artist Pablo Bronstein (born 1977)
imagines hell as a city built up out of the architectural creates monumental marble sculptures that appear to Marcela Correa, Hamish Fulton, Alfredo Jaar, Cecilia
latter are created from sketches and watercolor The landscape paintings of Hungarian artist Szilard The Observatorium collective creates contemplative,
and technological fantasies of the last two centuries. have the delicacy of paper or cloth. For an exhibition Vicuña and Raúl Zurita; and collectives such as Ciudad
drawings, though their drawing origins remain visible Huszank (born 1980) expand the genre through an building-like structures that dialogue with their sites
Bronstein guides us through hell’s concert halls, at the Palazzo Reale in Milan, he has created an Abierta and Colectivo Impermanentes, among others.
in the handworked wool surfaces. inimitable color palette inspired by classic modernism, and inhabitants. This monograph surveys their work
casinos, botanical gardens and car factories. immersive sculpture garden designed to enhance the
and a formal abstraction. POLÍGRAFA across Europe and the world over the past 30 years.
HATJE CANTZ architecture of the palazzo.
WALTHER KÖNIG, KÖLN ISBN 9788434314078 u.s. $45.00 cdn $61.00 FLAT40
ISBN 9783775751650 u.s. $40.00 cdn $54.00 FLAT40 KERBER NAI010 PUBLISHERS
ISBN 9783753301198 u.s. $45.00 cdn $61.00 FLAT40 SKIRA Pbk, 9.5 x 10 in. / 296 pgs / 254 color.
Hbk, 9.5 x 12.25 in. / 128 pgs / 47 color. ISBN 9783735607485 u.s. $60.00 cdn $82.00 FLAT40 ISBN 9789462086685 u.s. $60.00 cdn $82.00 FLAT40
Pbk, 8.25 x 10.75 in. / 160 pgs / 119 color. ISBN 9788857246697 u.s. $50.00 cdn $68.00 FLAT40 March/Art
February/Art Hbk, 8.5 x 11.25 in. / 120 pgs / 96 color. Pbk, 6.5 x 9.5 in. / 320 pgs / 150 color.
February/Art/ Hbk, 9.5 x 11 in. / 280 pgs / 215 color.
February/Art March/Art/
March/Art
Jiří Hauschka: The World Has Agostino Bonalumi: Small Gems Emily Gernild: Black Lemons Ulrich Vogl: Alexandre da Cunha & Jean-Michel Othoniel:
No Order, But Each Story Has One Edited with text by Antonella Soldaini. Text by Veronica
Locatelli.
Text by Milena Høgsberg, Grant Klarich Johnson. Cutting the Sky with Scissors Samara Scott: London Narcissus Theorem
Text by Edward Lucie-Smith, Martin Dostál.
Luminous, colorful still lifes from an emerging
Text by Sina Ness, Helga Sandl, Valeria Schulte-
Fischedick, Christoph Tannert.
Underground Extension Conversation with Christophe Leribault.
On the small-format works of a pioneer of the Danish painter New Works for the Northern Line
Prismatic, dreamy landscapes from a shaped canvas A dazzling intervention at the Beaux-Arts Petit
Subtle transformations of the ordinary: on Text by Eleanor Pinfield.
protagonist of the Stuckist movement Palais from the author of The Secret Language
Focusing on recent works, Black Lemons provides Vogl's art of cognitive dissonance
In 1959, Italian artist Agostino Bonalumi (1935–2013) of Flowers
The enigmatic, colorful landscapes of “Stuckist”
an introduction to the work of Danish painter Emily New public works adorning two recently
began to create a new kind of sculptural painting, Gernild (born 1985). In conversation with editor and opened stations on the London Underground
Czech painter Jiří Hauschka (born 1965) hark back to The playful wall pieces, sculptures, installations and French artist Jean-Michel Othoniel (born 1964)
positioning wooden or steel elements behind the curator Milena Høgsberg, the artist explores how
the Symbolism of turn-of-the-century painters such as public works of Berlin-based German artist Ulrich installed his opulent sculptures in the gardens and
canvas to create protrusions, folds and other shapes. she builds her assertive, textured, colorful paintings, For the Tube stop at London’s Battersea Power
Canadian painter Tom Thomson, German Expressionist Vogl (born 1973) celebrate and transform mundane halls of Paris’ Beaux-Arts Petit Palais in Le Théorème
This catalog collects Bonalumi’s smaller-format works drawing from everyday life, dreams and still-life Station, Brazilian artist Alexandre de Cunha (born
Franz Marc, or, more recently, Daniel Richter and objects and places. This catalog collects his work from de Narcisse. This volume documents his monumental
in this style, a scale that allowed him to experiment painting. 1969) created a monumental kinetic sculpture, while
Peter Doig. This monograph surveys his engagement 2008 to 2020. water lilies, gold necklaces and glass bricks.
with shape and material. at Nine Elms station, British artist Samara Scott (born
with these lineages of landscape painting. KERBER HATJE CANTZ
SILVANA EDITORIALE 1985) installed a network of richly colored pools. This ACTES SUD
KANT book documents both projects. ISBN 9782330156459 u.s. $30.00 cdn $40.00 FLAT40
ISBN 9788836650156 u.s. $65.00 cdn $90.00 FLAT40 Hbk, 8.5 x 10.75 in. / 80 pgs / 55 color.
ISBN 9788074373503 u.s. $65.00 cdn $88.00 FLAT40 Pbk, 8.25 x 10.75 in. / 224 pgs / 120 color. Pbk, 6.75 x 9 in. / 48 pgs / 30 color.
Pbk, 7.25 x 9.75 in. / 384 pgs / 395 color. February/Art KERBER
Hbk, 9 x 11 in. / 232 pgs / 84 color / 6 b&w. February/Art March/Art/
April/Art
Hbk, 8.5 x 10 in. / 180 pgs / 200 color.
May/Art

Installation and sculpture, from dioramas to found objects SPECIALTY ■ ART
Steinbrener/Dempf & Huber: Sabine Gross: Show Time Benedikte Bjerre: Let It Go Peter Sandbichler: Vasily Klyukin: Civilization Thomas Hirschhorn: V.C.R.T.
Heaven Can Wait Edited with text by Andrea Jahn. Text by Sabine Gross,
Thomas Martin.
Edited by Benedikte Bjerre, Tomke Braun. Text by Tomke
Braun, Rhea Dall.
Builder of Images The Island of the Day Before
A logbook of texts, drawings, letters, emails
Edited by Alfred Weidinger, Michaela Seiser. Text by Edited by Klaus Thoman. Text by Kathrin Aste, Thomas Edited with text by Anne Avramut. Text by Ingried
Petra Lange-Berndt, Nora Pierer, Michaela Seiser. Miessgang, Margareta Sandhofer, Angela Stief, Florian Brugger, Chris Fite-Wassilak, Dennis Ioffe, Angela Stief. and notes tracking the development of
Practicing an “archaeology of the future,” Gross A sculptural constellation of commodities Waldvogel. Hirschhorn’s thinking
Visionary dioramas of a better future from an presents art as potential archaeological artifact The geometric and the organic unite in
Shelves, balloons, candy, photographs, currency, The monumental and the humble: a career Klyukin's magisterial sculptures This beautifully designed 400-page volume compiles
Austrian collective
Archaeological finds meet contemporary art in the children’s toys, IKEA furniture, LED lights: in this survey of the Austrian sculptor writings by Swiss artist Thomas Hirschhorn (born
sculptures of German artist Sabine Gross (born 1961). volume, German artist Benedikte Bjerre (born 1987) Based on mathematical formulas and geographical 1957) from the start of his career to the present,
Utopian, humorous and sometimes grotesque,
Items such as cardboard boxes and structural columns presents sculptural arrangements of these and other Austrian artist Peter Sandbichler (born 1964) makes coordinates, the imposing abstract sculptures of Vasily arranged chronologically.
Austrian artist collective Steinbrener/Dempf & Huber
are put through the seeming transformation of time, commodities, excavating their history. monumental sculptures out of humble materials such Klyukin (born 1976) combine the precision of physical
(founded in 2001) stages visions of the future in huge LA FÁBRICA
dioramas using unusual materials such as taxidermied water damage and fire, to become the relics of today. as newspaper and cardboard. Builder of Images gives laws with aesthetic gestures and anthropological
MOUSSE PUBLISHING ISBN 9788417769970 u.s. $45.00 cdn $61.00 FLAT40
animals. This volume takes stock of their work to date. KERBER ISBN 9788867494651 u.s. $29.95 cdn $39.95 FLAT40 an overview of his three-decade career as a leading considerations. This monograph presents his painted Pbk, 8.5 x 11.75 in. / 400 pgs / 400 b&w.
ISBN 9783735607881 u.s. $55.00 cdn $75.00 FLAT40 Pbk, 5.25 x 7.75 in. / 128 pgs / 60 color / 28 b&w. European sculptor. metal structures. April/Art
Pbk, 8.25 x 10.75 in. / 120 pgs / 78 color. March/Art VERLAG FÜR MODERNE KUNST VERLAG FÜR MODERNE KUNST
ISBN 9783903572287 u.s. $25.00 cdn $34.00 FLAT40
February/Art ISBN 9783903796867 u.s. $50.00 cdn $68.00 FLAT40
Hbk, 7.75 x 10 in. / 130 pgs / 38 color. ISBN 9783903572225 u.s. $55.00 cdn $75.00 FLAT40
February/Art Hbk, 12 x 9 in. / 232 pgs / 245 color. Hbk, 14.25 x 11.5 in. / 200 pgs / 177 color.
February/Art February/Art
Peter Sandbichler: Unpredictable Michael Johansson: Flip Martín Soto Clíment David Eisl: Green Screen Weeds Erika Verzutti: Mihai Olos
Text by Thomas D. Trummer, David Schalko. Interview
by Thomas Häusle, Andrea Fink. Photographs by Günter
Text by Mika Hannula. Edited with text by Giorgia von Albertini. Text by Susan
L. Aberth, Veit Loers, Chris Sharp.
and Dreaming Grids The Indiscipline of Sculpture Text by Călin Dan, Helga Fessler, Julian Heynen, Anca
Mihulet, Ileana Pintilie, Magda Predescu, Liviu Rata.
Richard Wett. Text by Stephanie Damianitsch, Christa Benzer, et al. Edited with text by Adriano Pedrosa, André Mesquita.
A lively monograph on Johansson’s vibrant, Text by Dorota Biczel, Paulo Herkenhoff, Ruba Katrib,
Tetris-like sculptures Everyday objects are inverted and et al. The first monograph on the life and work of
Cardboard becomes monumental in the transformed by a virtuoso Mexican Misadventures in perception and the Romanian utopian conceptualist
massive sculptures of this Austrian artist conceptualist contradiction from a playful craftsman
Swedish artist Michael Johansson (1975) is best Sensuous biomorphic forms steeped in
known for his color-coordinated interlocking sculptures Brazilian history and culture This publication compiles artworks—painting,
Using recycled packing material such as cardboard, Mexican artist Martín Soto Climént (born 1977) mines Austrian artist David Eisl (born 1985) reveals the sculpture, happenings, land art and literature—by
and installations made out of everyday objects, with
Austrian artist Peter Sandbichler (born 1964) filled the lyrical potential of found objects and images, fragility of human perception through playful Romanian artist Mihai Olos (1940–2015), a leading
results ranging from smaller, free-standing sculptures Using materials such as bronze, concrete, stone
the Kunstraum Dornbirn in Austria with two massive in works ranging from object-based sculptures sculptures and collages using wood inlay, dead figure of 1970s art in Eastern Europe. Olos was famed
to larger, site-specific installations. This catalog and papier-mâché, Brazilian artist Erika Verzutti (born
sculptures, the spiraling TWIST #3 and SKULL #6. This and installations to photography and, recently, leaves and other unusual materials. These works are for his utopian “universal city” of Olospolis.
focuses on his more recent work. which has aimed 1971) creates works that evoke animals and plants,
catalog documents the creation of these monumental painting. This monograph constitutes the first major presented in this equally playful book, in which the
for more repetitive effects. landscapes and minerals, everyday items and objects KERBER
works, and includes an interview with the artist. assessment of Soto Climént's art. title has wandered from the spine to the book block.
from art history. This monograph spans her entire ISBN 9783735607836 u.s. $115.00 cdn $156.00
KERBER
VERLAG FÜR MODERNE KUNST MOUSSE PUBLISHING VERLAG FÜR MODERNE KUNST career since 2003. FLAT40
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ISBN 9783903572003 u.s. $25.00 cdn $34.00 FLAT40 ISBN 9788867494552 u.s. $50.00 cdn $68.00 FLAT40 ISBN 9783903796751 u.s. $30.00 cdn $40.00 FLAT40 Hbk, 9.25 x 11.25 in. / 256 pgs / 180 color.
Hbk, 6.75 x 9.5 in. / 152 pgs / 65 color. MUSEU DE ARTE DE SÃO PAULO/KMEC BOOKS
Pbk, 9 x 12 in. / 96 pgs / 51 color. Hbk, 7.75 x 10.5 in. / 288 pgs / 175 color / 188 b&w. Pbk, 6.5 x 9.5 in. / 136 pgs / 105 color / 18 b&w. February/Art
February/Art March/Art/Latin American/Caribbean Art & Culture February/Art
Hbk, 7.25 x 10.25 in. / 256 pgs / 168 color.
March/Art

International sculpture and installation SPECIALTY ■ ART
Jiří Příhoda: 2021, 2011 Nina Malterud Claire Morgan: Joy in the Pain Nilbar Güreş: Sour as a Lemon Zilla Leutenegger: Zillagorilla Miguel Rothschild: Premonition
Edited with text by Andrea Jahn. Text by Chris Fite-
Austin, Texas Edited with text by Jorunn Veiteberg. Text by Glenn
Adamson, Anne Britt Ylvisåker. Wassilak, George Vasey.
Text by Pierre Bal-Blanc. Conversation with Felicity Lunn. Edited with text by Stephan Kunz. Text by Elisabeth
Bronfen, Patrick Frey, Max Küng, Juri Steiner.
Text by Helen Adkins.
Text by Christopher Long.
Morgan’s ecopoetical sculptures mingle the “Güreş proposes a reckoning with the Rothschild’s burned, punctured photographs
The debut monograph on a leading patriarchal straitjacket placed on our capacity An overview of the renowned Swiss artist’s of earth and sky evoke mystical energies
Buildings and pavilions between architecture Scandinavian ceramicist artificial and the organic resonant spaces of memory
and art, by a leading Czech sculptor for desire and joy.” –Artforum
In Premonition, Argentinian artist Miguel Rothschild
The sculptures of British artist Claire Morgan (born
With textures reminiscent of plant and root parts, Vienna-based Turkish artist Nilbar Güreş (born 1977) In installations, projections and other works, Swiss (born 1963) takes photographs of the sky and the
While living in Austin, Texas, the Czech sculptor/ 1980) allow nature into art by creating minimalist
the ceramics of Norwegian artist Nina Malterud (born works in painting, photography, film, performance, artist Zilla Leutenegger (born 1968) explores the forest, and burns them to puncture and divide the
designer/architect Jiří Příhoda (born 1966) produced arrangements of plastic, seeds and corpses. Joy in
1951) take traditional forms such as bowls and plates collage and drawing. The colorful sculptures significance of spaces as reservoirs of memory. This image, adding an eerie, mystical dimension to the
a series of large architectonic structures in wood the Pain collects her poetic sculptures.
as a starting point for experiments in abstraction and and paintings in this catalog playfully question volume documents her immersive exhibition at the image. This hardcover monograph compiles 50 of
and metal, designed for various kinds of habitation.
expression. This is the first monograph on one of KERBER gender conventions and suggest possibilities for Art Museum Graubünden. these color images.
Documenting these pieces, the book includes an
Norway’s most prominent ceramicists. ISBN 9783735607904 u.s. $65.00 cdn $88.00 FLAT40 strengthening queer identities.
essay by Christopher Long. VERLAG FÜR MODERNE KUNST KERBER
HATJE CANTZ VERLAG FÜR MODERNE KUNST ISBN 9783903572089 u.s. $55.00 cdn $75.00 FLAT40 ISBN 9783735608161 u.s. $75.00 cdn $105.00 FLAT40
KANT February/Art
ISBN 9783775751636 u.s. $46.00 cdn $62.00 FLAT40 ISBN 9783903320642 u.s. $45.00 cdn $61.00 FLAT40 Pbk, 6.75 x 9.5 in. / 312 pgs. Hbk, 8.5 x 11.25 in. / 128 pgs / 50 color.
ISBN 9788074373497 u.s. $45.00 cdn $61.00 FLAT40 Hbk, 9.5 x 10.25 in. / 144 pgs / 120 color. February/Art
Hbk, 8.25 x 11.75 in. / 116 pgs / 64 color. May/Art
Flexi, 9 x 11 in. / 104 pgs / 91 color. July/Art February/Art
March/Art/
Heinz Mack Conceição dos Bugres: Morten Løbner Espersen: Leonor Antunes: Ritzwirth: Anderswar Magdalena Abakanowicz:
Foreword by Anthony Cragg. Text by Heinz-Norbert
Jocks, Norman Rosenthal, Corinna Thierolf, Jon Wood.
The Nature of the World Triumph and Catastrophe Joints, Voids and Gaps Preface by Felicity Lunn. Text by Victoria Easton, Tido
von Oppeln, Antonia Steger.
Writings and Conversations
Contribution by Thomas A. Lange. Edited with text by Amanda Carneiro, Fernando Oliva. Text by Glenn Adamson, Jan de Bruijn, Morten Espersen. Edited with text by Adriano Pedrosa, Amanda Carneiro. Edited by Mary Jane Jacob, Jenny Dally.
Text by Julia Bryan-Wilson, Fernanda Pitta, Naine Text by Briony Fer, Clara Kim, Grant Watson, et al.
Terena, et al. Interview by Aline Figueiredo. Sculpture and architecture merge in the
A career survey of the light sculptor and ZERO Twenty years of abstraction in clay from playful interventions of this Swiss duo Prose poems, talks, conversations and more
cofounder on his 90th birthday Denmark’s leading ceramicist On the intricate sculptures of Leonor Antunes, from the leading postwar sculptor
Bugres' career proposes a more plural history with meditations on her influences from Anni
of Brazilian sculpture Swiss duo Ritzwirth bring together expertise
One of the founders of the ZERO art movement, For Danish ceramicist Morten Løbner Espersen (born Albers to Lygia Clark Spanning her lengthy career, this compendium of
from their individual practices as an architect and
German artist Heinz Mack (born 1931) has created 1965), artistic triumph is as much about failing as Polish sculptor Magdalena Abakanowicz’s (1930–2017)
This is the first monograph on the Brazilian sculptor an industrial designer to produce architectural
catastrophe is about finding beauty in the unplanned. Often built out of wire, rope or leather, the sculptures writings is the first to bring together her prose poems,
sculptures distinguished by their relationship to interventions and installations. Their works in spaces
Conceição dos Bugres (1914–84)—best known for of Portuguese artist Leonor Antunes (born 1972)
light and movement. This monograph examines his Triumph and Catastrophe, the first comprehensive her lectures, correspondence with other artists
her “bugres,” wood sculptures covered in wax and as diverse as galleries and train stations from Japan
view of Espersen’s 20-year exploration of the vessel, establish complex relationships between texture, light and interviews (including a previously unpublished
sculptures in diverse mediums such as stone, metal, to the US are collected in this comprehensive
paint resembling minimalist human forms, which she and the body. This overview of her work also includes
wood, glass and ceramics. offers a good measure of both. interview with art historian Barbara Rose).
produced prolifically for three decades. monograph.
selected texts on her key influences.
HATJE CANTZ NAI010 PUBLISHERS SKIRA EDITORE
MUSEU DE ARTE DE SÃO PAULO/KMEC BOOKS VERLAG FÜR MODERNE KUNST
ISBN 9789462086791 u.s. $45.00 cdn $61.00 FLAT40 MUSEU DE ARTE DE SÃO PAULO/KMEC BOOKS ISBN 9788857246390 u.s. $49.95 cdn $67.95 FLAT40
Hbk, 9.5 x 12.25 in. / 160 pgs / 98 color. Hbk, 6.75 x 8.75 in. / 160 pgs / 80 color. Pbk, 6.5 x 9.5 in. / 320 pgs / 60 color.
Hbk, 6.5 x 9.5 in. / 232 pgs / 163 color. Pbk, 11 x 7.75 in. / 224 pgs / 318 color.
February/Art March/Art Hbk, 7.25 x 10 in. / 280 pgs / 178 color. March/Art
March/Art/Latin American/Caribbean Art & Culture February/Art
March/Art

Installation and multimedia works SPECIALTY ■ ART
Maruša Sagadin: A Happy Hippie Ulrike Flaig: Listen to the Space Sofie Thorsen: Chalk Lines Tatjana Danneberg: Caught Up Maryam Jafri: Independence Days Michael Hirschbichler:
Edited by Christian Hoffelner. Text by Paul Knight,
Miriam Stoney.
Edited by Elke von der Lieth. Text by Dorothée Bauerle-
Willert, Angela Lammert.
Preface by Jasper Sharp. Text by Christina Nägele,
Christian Teckert, Verena Gamper, Ilse Lafer.
Text by Attilia Fattori Franchini, Séamus Kealy, Vanessa
Joan Müller.
Edited by Maryam Jafri, Nina Tabassomi. Text by Ariella
Aïsha Azoulay, Paul O’Neill, Nina Tabassomi.
Spirit Grounds
A multimedia hauntology: Hirschbichler
This inventive take on the monograph Making images audible: the art of Ulrike Flaig Recent experiments in the permutations of Moments of friendship monumentalized in Documenting the first independence days of traces the mythic in the urban fabric
combines Sagadin's art with literary responses the line, in mediums from chalk to steel massive paintings former colonies
German artist Ulrike Flaig (born 1962) unites drawing, Using photographic and filmic works, experimental
This monograph on Vienna-based artist Maruša installation, performance and experimental music Danish artist Sofie Thorsen (born 1971) explores the Viennese photographer-painter Tatjana Danneberg In this artist's book, New York– and Copenhagen- painting and texts, Vienna-born artist Michael
Sagadin (born 1978) is divided into two interlocking “to make images audible.” As documented in this many forms of “the line,” using steel poles, wire and, (born 1991) transforms lo-fi color photographs of based American artist Maryam Jafri (born 1972) Hirschbichler (born 1983) explores the mythic
narratives. In the first part, English author Miriam monograph, Flaig translates paintings into installations above all, drawn lines in chalk. This monograph charts friends and acquaintances into massive paintings, presents an expanded version of her photo installation substrates of everyday life. His Spirit Cloths, for
Stoney looks at the artist’s drawings, sketches, by making the structure of the painting the basis for her experiments from 2013 to 2019. comprised of the printed images brushed over with Independence Day 1934–1975, juxtaposing 234 example, incorporate the natural traces of haunted
collages and photos of models. In the second part, musical notation. gesso. Caught Up contains over 50 images of her photographs sourced over 10 years of research in 40 places in Kyoto on printed cloth.
photographs of installations, sculptures and objects works and three essays. archives across Asia, Africa and the Middle East.
HATJE CANTZ ISBN 9783903572232 u.s. $40.00 cdn $55.00 FLAT40 VERLAG FÜR MODERNE KUNST
are accompanied by a short story by Paul Knight.
ISBN 9783775751513 u.s. $46.00 cdn $62.00 FLAT40 Hbk, 8 x 10.5 in. / 184 pgs. MOUSSE PUBLISHING WALTHER KÖNIG, KÖLN ISBN 9783903796843 u.s. $39.95 cdn $53.95 FLAT40
SPECTOR BOOKS Pbk, 8.5 x 11 in. / 220 pgs / 80 color. February/Art ISBN 9788867494811 u.s. $20.00 cdn $27.00 FLAT40 ISBN 9783753300825 u.s. $45.00 cdn $61.00 FLAT40 Hbk, 6.75 x 9.5 in. / 206 pgs / 80 color.
ISBN 9783959055178 u.s. $40.00 cdn $54.00 FLAT40 May/Art Pbk, 8.75 x 13.5 in. / 80 pgs / 57 color. Flexi, 10.25 x 11.75 in. / 224 pgs / 234 b&w. February/Art
Pbk, 6.25 x 8.25 in. / 265 pgs / 200 color. March/Art February/Art
February/Art
Daniel Buren: Criss-Cross Birgit Brenner Ibrahim Mahama: Lisa Klein: I Look until It Marta & Slava: Serena Ferrario
Edited by Helene Gamst. Text by Sophie Calle, Jean-
Louis Froment, Rudi Fuchs, Hans Haacke, Garry Neill
Edited with text and conversation by Susanne Pfleger.
Text by Susanne Kleine, Anke Sterneborg.
Vanishing Points 2014–2020 Looks Beautiful Selected Projects 2009–2020 Horst-Janssen-Grafikpreis der Claus
Kennedy, Kasper König, Yvon Lambert, Paul Maenz, Edited by Torsten Reiter, Alexander Bär. Text by Ibrahim Text by Anton Herzl, Lisa Klein. Text by Guus Beumer, Stijn Huijts, Floor van Luijk, et al. Hüppe-Stiftung
Massimo Minini, Naomi Spector, et al. Mahama, Dominikus Müller. Edited with text by Petra Roettig and Leona Marie
Themes of political conflict and state violence Ahrens. Text by Alexandra Wach.
in new video works and installation from Depictions of sculptural tactility in recent A decade of multimedia excavations of Soviet
Five decades of Buren, with responses from Documenting two installations that explore photography by Lisa Klein myths and histories
Birgit Brenner Ghana’s material culture and history Graphic works, collages, installations and
his admirers
This volume highlights two photographic series Russian-born artists Marta Volkova (born 1955) and films from the winner of the renowned Horst
Through text collages, large-scale installations and
French conceptual artist Daniel Burn (born 1938) is This volume documents two projects by Ghanaian by Vienna-based multimedia artist Lisa Klein (born Slava Shevelenko’s (born 1953) multimedia projects Janssen Graphic Prize
videos, Berlin artist Birgit Brenner (born 1964) creates
famous for his “works in situ,” often transforming artist Ibrahim Mahama (born 1987): Vanishing 1958) from the past ten years. In Vorhandene Dinge draw on popular myths around, for example, the
socially critical works that address topics of violence,
buildings through colorful glass and stripes placed on Points, for which the artist filled a gallery with the (Things Available) everyday objects are isolated and yeti or the Tunguska meteorite in Siberia, to create Published for her exhibition at the Kunsthalle
injustice and surveillance with irony and black humor.
columns or walls. This career-spanning monograph wheelbarrows of Ghananian workers; and Parliament scrutinized; Körperumkreisungen (Body Circling) provocative installations, drawings and sculpture. This Hamburg, this volume documents the various facets
This catalog collects a selection of her work from
includes appraisals by curators, gallerists and fellow of Ghosts, a “parliament chamber” built with seats depicts interactive sculptures. volume collects works from 2009 to 2020. of Serena Ferrario’s (born 1986) work, from large-scale
2014 to 2020.
artists such as Sophie Calle, Hans Haacke and more. from Ghana’s defunct train line. installations to her graphic works, collages and films.
KERBER KERBER
WALTHER KÖNIG, KÖLN KERBER ISBN 9783735608086 u.s. $65.00 cdn $88.00 FLAT40 ISBN 9783735607850 u.s. $65.00 cdn $88.00 FLAT40 KERBER
ISBN 9783903320994 u.s. $55.00 cdn $75.00 FLAT40
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Hbk, 9 x 13.75 in. / 184 pgs / 72 color.
Hbk, 10.25 x 12.25 in. / 448 pgs / 500 color / 100 b&w. Hbk, 8.5 x 12 in. / 88 pgs / 44 color. February/Art February/Art Pbk, 9.5 x 11.5 in. / 120 pgs / 37 color / 38 b&w.
February/Art
June/Art/ February/Art/African Art & Culture February/Art

Digital & video art | Performance art SPECIALTY ■ ART
Francesco Bertocco: Historia A Contemporary Journey into Paranoia TV Marie Cool Fabio Balducci Simone Zaugg: Thoughts to Go Paweł Althamer: Cosmic Order
Text by Rodolfo Andaur, Francesco Bertocco, Alessandro
Castiglioni, Cecilia Vicuña, et al.
Video Art Edited by Ekaterina Degot, David Riff. Edited with text by Laurence Schmidlin. Text by Pierre
Bal-Blanc, Connie Butler, Adam Szymczyk.
Text by Deborah Keller, Bernard Vienat, Simone Zaugg. Text by Massimiliano Gioni, Hemma Schmutz, et al.
On the Fringes of Identity A guide to the 2020 iteration of the Austrian Multimedia interventions in the sphere of On a collaborative installation inspired by
On the complex relationship of control and Edited by Giacomo Zaza. Subtle interventions with humble materials:
contemporary arts festival work and the everyday Dogon culture
care in Chile’s medical system 25 years of performance art from the
Surveying international video art today For the 54th edition of the Steirischer Herbst European duo The films, installations and performances of The renowned Polish artist Paweł Althamer (born
In this publication, Italian filmmaker and artist festival in Austria, the festival transformed into a Swiss artist Simone Zaugg (born 1968) explore 1967) is known for his participatory art projects,
Francesco Bertocco (born 1983) investigates the This fully illustrated catalog appraises the diversity semi-fictitious media company, Paranoia TV. Artists This volume provides insight into the collaborations the negotiations between everyday life and work. sculptures and self-portraits. This monograph
history of Chilean medicine through video works and of video art today. Artists include Ramin Haerizadeh, contributed films, serial shows and online discussions of French artist Marie Cool (born 1961) and Italian This monograph includes QR codes to podcasts on documents a large-scale installation, created with
a photographic series. This work emphasizes the Arash Nassiri, Shirin Neshat, Erkan Özgen, Maya around the thesis that television is both a celebration artist Fabio Balducci (born 1964), offering the first Zaugg’s work. Bruno Althamer, Youssouf Dara, Jonathan Dellago and
passage from ancestral knowledge to science, from Watanabe, Adrián Balseca, Javier Castro, Jonathas de of reality as well as that reality’s absence. comprehensive overview of the performance duo’s several others, inspired by Dogon culture in Mali.
collective care to individual salvation. Andrade, Pipilotti Rist, Bill Viola, Thao Nguyen Phan, action-oriented works since 1995. KERBER
Aziz Hazara and more. WALTHER KÖNIG, KÖLN ISBN 9783735607737 u.s. $65.00 cdn $88.00 FLAT40 VERLAG FÜR MODERNE KUNST
MOUSSE PUBLISHING ISBN 9783960989981 u.s. $50.00 cdn $68.00 FLAT40 JRP|EDITIONS Hbk, 6.75 x 9.5 in. / 224 pgs / 178 color. ISBN 9783903572072 u.s. $29.95 cdn $39.95 FLAT40
ISBN 9788867494941 u.s. $25.00 cdn $34.00 FLAT40 SILVANA EDITORIALE Pbk, 9.5 x 13.5 in. / 340 pgs / 170 color / 10 b&w. ISBN 9783037645710 u.s. $38.00 cdn $52.00 FLAT40 February/Art Pbk, 11.75 x 9 in. / 80 pgs / 78 color.
Pbk, 5.5 x 9 in. / 184 pgs / 188 color / 9 b&w. ISBN 9788836641871 u.s. $30.00 cdn $40.00 FLAT40 February/Art/ Pbk, 8.5 x 11 in. / 168 pgs / 300 color / 50 b&w. February/Art
March/Film & Video/Photography Hbk, 6.75 x 9.5 in. / 144 pgs / 148 color. April/Art
April/Art/Film & Video
atelierJAK: Faulty Reveries Simon Moretti: Crocodile Cradle Laurent Montaron Stefanie Trojan: Abnormal Jari Silomäki: Atlas of Emotions João Onofre: Once in a Lifetime
Edited with text by Isabelle Lesmeister. Text by Annika
Schoemann, Mathias Listl.
Text by John Armleder, David Austen, Erica Baum,
Andrea Bowers, et al.
Text by Philippe-Alain Michaud, Mike Sperlinger. Text by Friederike Fast, Ulrike Groos. Edited by Asia Persons. Text by Saara Haclin, Pauliina
Pasanen, Andrey Shabanov, Liz Wells.
[Repeat]
Text by Jacinto Lageira, Nicolas de Oliveira, Nicola
A multimedia exploration of how technology Documenting the German performance artist's Oxley, Delfim Sardo. Interview by Benjamin Weil.
Art as props for film: an ongoing A multiauthored account of the present from transforms what we see subtle disruptions of the everyday A Finnish photographer imagines the lives of
documentation artists across the world online-forum habitués Onofre’s humorous videos use pop music to
French artist Laurent Montaron’s (born 1972) German artist Stefanie Trojan (born 1976) intervenes reveal societal truths
This monograph documents the making of German For his multimedia project involving an online practice—spanning film, staged photography, in everyday situations to subvert people’s habits Finnish photographer Jari Silomäki (born 1975)
artist duo atelierJAK’s experimental film Soul performance, a text collage and this book, London- installation, sound and performance—investigates and expectations—usually in the form of a simple wondered what many people who frequent online
Portuguese artist João Onofre (born 1976) is known
Blindness. The film itself develops out of the duo’s based artist Simon Moretti (born 1974) invited how technological innovations have given rise to new action or question—which are documented in forums wonder: “who are these people?” For Atlas
for his video works featuring performances of pop
exhibitions and artworks, thus incorporating sculpture, 51 artists to supply a text that they had written ways of observing and understanding the world. This videos and photographs. This catalog collects her of Emotions, Silomäki researched the stories of forum
songs. For example, in Untitled (zoetrope), rugby
drawing, writing and digital art, and is constituted of or found to represent their thoughts about our slipcased overview explores the diversity of his work provocative oeuvre. posters and staged what he imagined their lives to be.
players attempt to sing a Foreigner song before being
30 three-minute sections. charged moment in history. Artists include Tacita with over 90 images.
VERLAG FÜR MODERNE KUNST HATJE CANTZ tackled by an opposing team. This and other works are
Dean, Lubaina Himid, Joan Jonas, Christian Marclay
KERBER MOUSSE PUBLISHING ISBN 9783775751582 u.s. $44.00 cdn $60.00 FLAT40 included here.
and more. ISBN 9783903796935 u.s. $55.00 cdn $75.00 FLAT40
ISBN 9783735608055 u.s. $50.00 cdn $68.00 FLAT40 ISBN 9788867494484 u.s. $30.00 cdn $40.00 FLAT40 Pbk, 8.75 x 6.5 in. / 392 pgs. Hbk, 7.75 x 10.5 in. / 224 pgs / 150 color.
MOUSSE PUBLISHING
Pbk, 8.75 x 10.25 in. / 80 pgs / 25 color. MOUSSE PUBLISHING Slip, pbk, 8.75 x 10.5 in. / 232 pgs / 82 color / 16 b&w. February/Art June/Photography
ISBN 9788867494538 u.s. $30.00 cdn $40.00 FLAT40
February/Art ISBN 9788867495030 u.s. $20.00 cdn $27.00 FLAT40 March/Art Clth, 8.5 x 11.75 in. / 224 pgs / 376 color / 24 b&w.
Pbk, 6.5 x 8 in. / 72 pgs / 5 b&w.
March/Art
March/Art

Body-centric art | Political & feminist art SPECIALTY ■ ART
Gonçalo Pena: Barber Shop Eja Siepman van den Berg Ella Littwitz: Facts on the Ground Diana Policarpo: Nets of Hyphae
Edited with text by João Maria Gusmão. Text by Gabriel Edited with text by Antoon Melissen. Text by Edited with text by Nicola Trezzi. Text by Sergio Edited with text by Stefanie Hessler. Text by Guilherme
Abrantes, Alexandre Estrela, et al. Huub Mous. Edelsztein, Philippe Van Cauteren. Blanc, Emmy Beber, Rune Blix Hagen, Margarida
Mendes, Katrine Elise Pedersen.
Corpus Domini Pena's drawings explore diverse cultural The first overview of the leading Dutch A sculptural inventory of Israel’s history Mindbombs
From the Glorified Body to the Ruins expressions of the body sculptor's variations on the human form through the traces of its conflicts A multimedia investigation of the history of Visual Cultures of Political Violence
of the Soul ergot and its feminist implications Edited with text by Johan Holten, Sebastian Baden,
Edited with text by Francesca Alfano Miglietti. Text by Working since 1993, Portuguese artist Gonçalo Since the early 1970s, the Dutch sculptor Eja Siepman Israeli artist Ella Littwitz’s (born 1982) sculptures and Larissa D. Fuhrmann, Katharina Jörder. Text by Robert
Vincenzo Argentieri, Franco Berardi, Furio Colombo, Pena (born 1967) has now amassed a vast oeuvre of van den Berg (born 1943) has created representations installations, often built out of the traces of regional Portuguese artist Diana Policarpo (born 1986) Dörre, Sebastian Gräfe, Christoph Günther, Daniel
Francesca Giacomelli, Gianfranco Ravasi, Massimo considers the cultural history of ergot, a fungus Hornuff, Maryam Kirchmann, Charlotte Klonk, Farhad
drawings themed around the human figure in religion, of the human body in bronze and stone that and political conflict such as border markers and Khosrokhavar, W.J.T. Mitchell, Simone Pfeifer, Sylvia
Recalcati, Chiara Spangaro, Gino Strada. history and ancient mythology. Here, in his third synthesize influences from Greek kouroi to Brancusi minefield indicators, investigate the tangle of religion, that was used to induce abortions as well as Schraut, Verena Straub.
monograph, Pena arranges his works into a narrative and Judd. This is the first English-language survey of geography and conflict that makes up the landscape hallucinogenic states, through installations and video
From the hyperreal to the fragmentary: the continuity across the decades. her work. and border of Israel. works that feature anatomical diagrams, shamanic
On political violence and visual culture
body in contemporary art drawings, reproductions of art and more.
MOUSSE PUBLISHING KERBER MOUSSE PUBLISHING
ISBN 9788867494668 u.s. $35.00 cdn $47.00 FLAT40 ISBN 9783735607928 u.s. $75.00 cdn $102.00 FLAT40 MOUSSE PUBLISHING This catalog considers the history and political
This thematic catalog contains more than 110 ISBN 9788867494743 u.s. $25.00 cdn $34.00 FLAT40
Pbk, 6.5 x 8.75 in. / 416 pgs / 141 color / 154 b&w. Hbk, 9 x 11.25 in. / 288 pgs / 200 color. Pbk, 9.25 x 6.75 in. / 112 pgs / 52 color / 3 b&w. ISBN 9788867494378 u.s. $22.00 cdn $30.00 FLAT40 iconography of modern terrorism, focusing on the
works by 34 international artists exploring new
March/Art May/Art March/Art/Middle Eastern Art & Culture Hbk, 7 x 9.25 in. / 130 pgs / 69 color / 35 b&w. influence of terrorism on visual culture. Some of the
frontiers in depictions of the human body, exploring
March/Art terrorist organizations considered include the Red
themes of life and death, youth and old age, work
Army Faction (RAF), ISIS and the National Socialist
and migration, loss of balance and bodily life in
Underground (NSU). Divided into three sections, this
the time and space of the present. From works by
revelatory publication provides the first comparative
well-known hyperrealists such as Duane Hanson,
examination of social revolutionary, far-right and
John DeAndrea and Carole Feuerman, it proceeds
jihadist terrorism. Twenty years after September 11,
to other types of narration where the body is
and ten years after the discovery of the NSU in the
evoked rather than represented. In works such as
fall of 2011, Mindbombs explores the question of
Christian Boltanski’s Prendre la Parole (Speaking
how acts of political violence affect cultural memory
Up), Ibrahim Mahama’s John B B, Chiharu Shiota’s
through the media.
Over the Continents, Dayanita Singh’s Suitcase
Artists include: Hiba Al Ansari, Khalid Albaih,
Museum and Charles LeDray’s Mens Suits, the
Morehshin Allahyari, Francis Alÿs, Kader Attia, Walter
body seems to have vanished, leaving behind only
Dahn, Jacques-Louis David, Jiří Georg Dokoupil,
traces. Fragments of the body and its mutation, and
Christoph Draeger, Hans-Peter Feldmann, Forensic
even the mutable conditions of society, are present
Architecture, Chloé Galibert-Laîné, Gregory Green,
in the works of Oscar Munoz, AES + F Group, Yael
Bartana, Alfredo Jaar, Janine Antoni, Robert Gober,
Throwing Gestures: Protest, Histories of Dance Niina Lehtonen Braun: Natalia LL: The Mysterious World Johan Grimonprez, Richard Hamilton, Omar Imam,
Marc Quinn, Andres Serrano, Robert Longo, Economy and the Imperceptible Edited with text by Adriano Pedrosa, Julia Bryan-
Wilson, Olivia Ardui.
Let Go Girl Edited by Alfred Weidinger, Nathalie Hoyos, Rainald
Schumacher. Text by Zofia Krawiec, Anna Kutaj-
Christof Kohlhöfer, Susanne Kriemann, Jean-Jaques
Lebel, Kevin B. Lee, Almut Linde, Georg Lutz, Édouard
Michel Rovner and Franko B. Edited with text by Florian Bettel, Irina Kaldrack, Text by Christine Nippe. Markowska, Marika Kuźmicz.
Konrad Strutz. Text by Dina Boswank, Justine A. Manet, Paula Markert, Olaf Metzel, Henrike Naumann,
MARSILIO EDITORI Chambers, et al. Images of dance in art, from Hieronymus Wolf Pehlke, Ariel Reichman, Gerhard Richter,
Bosch to Keith Haring Collage portraits exploring the pressures of A career retrospective on a neglected feminist Thomas Ruff, Ivana Spinelli, Klaus Staeck and Johann
ISBN 9788829713950
contemporary womanhood conceptualist Michael Voltz.
u.s. $40.00 cdn $54.00 FLAT40 On the protest gesture as viral signifier
Pbk, 9 x 11.5 in. / 272 pgs / 200 color. This volume gathers 250 works of art that depict
Between 2017 and 2021, Finnish artist Niina Lehtonen Polish conceptualist Natalia LL (born 1937) broke with KERBER
March/Art/ Fourteen contributors from the visual and performing dancing and its attendant cultures. Artists include
Braun (born 1975) made over 500 collages depicting the cool rationalism of Conceptual art in the 1970s ISBN 9783735608062
arts, cultural studies, media theory and political Adrian Piper, Alexander Calder, Ana Mendieta, Edgar
the various roles and tasks of women and the u.s. $59.95 cdn $82.95 FLAT40
EXHIBITION SCHEDULE: Degas, Faith Ringgold, Hélio Oiticica, Toulouse- with her humorous, performative feminism. This
science tackle the subject of the gesture, especially Pbk, 6.75 x 9.5 in. / 336 pgs / 93 color / 72 b&w.
Italy, Milan: Palazzo Reale, 10/28/21–01/30/22 enormous pressure they bring with them. Let Go Girl overview of her career includes her series Consumer
as it is used in protest movements and in political Lautrec, Hieronymus Bosch, Keith Haring, Leonardo
presents a selection of these pieces. February/Art
da Vinci, Luchita Hurtado, Lygia Pape, Lynette Yiadom- Art, which features images of young women eating
discourse, discussing, for example, how it can pass
Boakye, Poussin, Kandinsky and more. KERBER bananas, sausages or ice cream with relish in self-
from person to person within a protest or across the EXHIBITION SCHEDULE:
confident stances.
internet thousands of miles away. MUSEU DE ARTE DE SÃO PAULO/KMEC BOOKS ISBN 9783735607898 u.s. $48.00 cdn $65.00 FLAT40 Mannheim, Germany: Kunsthalle Mannheim,
Pbk, 6.5 x 9.5 in. / 112 pgs / 90 color. VERLAG FÜR MODERNE KUNST 09/10/21–04/24/22
VERLAG FÜR MODERNE KUNST ISBN 9786557770016 u.s. $49.95 cdn $67.95 FLAT40
February/Art ISBN 9783903572133 u.s. $35.00 cdn $47.00 FLAT40
ISBN 9783903572256 u.s. $35.00 cdn $48.00 FLAT40 Hbk, 7.25 x 10.25 in. / 320 pgs / 62 color.
March/Performing Arts/Art/History/Latin American/ Hbk, 7.75 x 10 in. / 128 pgs / 85 color.
Caribbean Art & Culture February/Art
February/Art

Drawing and illustration | Surveys and group shows SPECIALTY ■ ART
Peter Phobia: Facts & Fiction Pedro Barateiro: Aldo Giannotti: Ruttkowski;68 – 10 Years One Hundred Works Expo 2020 Dubai
A limited-edition presentation of drawings by
Just a Wound Welcome & Goodbye The story of a leading Cologne contemporary
Text by Mónica Amieva, Andrea de Caso, Pilar García,
Julio García Murillo, Amanda de la Garza, et al.
On the Book of Sceneries
Text by Lorenzo Balbi, Emanuele Guidi, et al. Edited by Tarek Abou El Fetouh, Ala Younis. Text by
a leading New Yorker illustrator A Portuguese artist’s scrapbook portrait of art gallery on its tenth anniversary Abdulkhaley Abdulla & Stephanie Bailey, Homi K. Bhaba
studio life Mexican art from Siqueiros to Orozco, from & Sultan Sooud Al-Qassemi, et al.
With Facts and Fiction, New York–based artist Giannotti's multimedia works seek to turn Nils Müller founded the Ruttkowski;68 gallery at the collection of MUAC
and illustrator Peter Phobia, best known for his society on its head—sometimes literally Bismarckstrasse 68 in Cologne, in 2010. The gallery Artists explore themes of vision and cognition
Architectural details of Lisbon, downloaded images
illustrations of city life in warm pinks and blues for quickly expanded and now also has a space in Paris. Presenting 100 works in the collection of Museo for the global expo
of politicians and internet heroes, abstract doodles: Combining video, installation, performance,
the New York Times and the New Yorker, presents a This book tells the story of the gallery and surveys its Universitario Arte Contemporáneo, Mexico, this book
Portuguese artist Pedro Barateiro (born 1979) gathers photography and drawing, Italian artist Aldo Giannotti
carefully selected overview of his fine art works and most exciting exhibitions, by Hendrik Beikirch, Jenny includes works by David Alfaro Siqueiros, Francis Alÿs, Works by Hamra Abbas, Asma Belhamar, Afra al
these images and more in a scrapbook-like volume. (born 1977) deconstructs the rules of architectural
solo exhibitions in a limited edition of 200. Brosinski, Asger Carlsen, Lars Eidinger, Philip Emde, Maris Bustamante, Arnaldo Coen, Ximena Cuevas, Dhaheri, Olafur Eliasson, Nadia Kaabi-Linke, Shaikha
Like his artist-run space Spirit Shop, photographed space and institutions. This catalog offers an overview Jårg Geismar and Stefan Marx, among others. Helen Escobedo, Graciela Iturbide, Leandro Katz, al Mazrou, Monira al Qadiri, Khalil Rabah, Abdullah al
POOL PUBLISHING in this book, Just a Wound embodies a spirit of of the artist’s anarchic subversions.
openness and dialogue. Gabriel Orozco, Kazuya Sakai and many more. Saadi, Yinka Shonibare and Haegue Yang respond to
ISBN 9783903572034 u.s. $24.95 cdn $33.95 FLAT40 HATJE CANTZ
Pbk, 8.75 x 7.25 in. / 180 pgs / 108 color. MOUSSE PUBLISHING the Arab scholar Ibn al Haytham’s 1021 text The Book
ISBN 9783775752008 u.s. $50.00 cdn $68.00 FLAT40 RM/MUAC
MOUSSE PUBLISHING ISBN 9788867494514 u.s. $29.95 cdn $39.95 FLAT40 of Optics.
February/Art Clth, 7.5 x 10.5 in. / 240 pgs / 100 color. ISBN 9788417975630 u.s. $28.00 cdn $38.00 FLAT40
ISBN 9788867494637 u.s. $20.00 cdn $27.00 FLAT40 Pbk, 6.5 x 9.25 in. / 304 pgs / 123 duotone / 210 b&w. March/Art Hbk, 6.5 x 8.75 in. / 216 pgs / 168 color / 13 b&w. HATJE CANTZ
Pbk, 8.25 x 11.5 in. / 112 pgs / 70 color / 21 b&w. March/Art
March/Art March/Art/Latin American/Caribbean Art & Culture ISBN 9783775750486 u.s. $50.00 cdn $68.00 FLAT40
Hbk, 8.25 x 10.25 in. / 280 pgs / 150 color.
March/Art
Re-Art Abdelkder Benchamma: Ruby Onyinyechi Amanze: In Medias Res #1: O Sole Mio The Strangeness of Beauty
Readymade Recycled Egregore How to Be Enough Histories Read Across Edited by Ziba Ardalan. Edited by Ziba Ardalan. Text by Maria Theresa Alves,
Carla Arocha, Stéphane Schraenen, et al.
Text by Louis Bindernagel, Dave Hakkens, Florian Edited by Stéphane Ibars. Text by Mario Diacono. Interview by Gaia Clotilde Edited with text by Dennis Brzek, Junia Thiede. Text by
Hamer, et al. Chernetich. Noah Barker, Lutz Budrass, Stefanie Eisenhuth, et al. A timeless Naples anthem reinterpreted by
contemporary artists as a message of hope Artists and writers on the aesthetic appeal of
On the literary, philosophical, scientific and the unexpected
A Dutch designer finds creative ways to esoteric influences of a leading illustrator Amanze's drawing installation creates an On the many lives of a Berlin building, from
collaboratively reuse and redeem plastic immersive architectural universe Nazi compound to art museum Attempting to focus on the positive at the height of
the pandemic, an international collection of artists First presented in 2021 as a digital magazine in 12
This in-depth journey into French artist Abdelkader
In this unusual and inspiring project, Dutch designer created responses to the Neapolitan song, "O Sole issues, The Strangeness of Beauty was, after O
Benchamma’s (born 1975) disturbing and fascinating This catalog presents 15 massive drawings by This inaugural edition of a new journal on
Dave Hakkens (born 1988) invited artists to design Mio." Artists include Adel Abdessemed, Darren Sole Mio, the second digital project curated by Ziba
world examines his latest drawings in the context Brooklyn-based Nigerian British artist Ruby Onyinyechi historiographic inquiry examines the history of the
unique plastic objects to be manufactured by his Almond, Julian Charrière, Ludovica Colacino, Shezad Ardalan during the repeated pandemic lockdowns.
of his literary, scientific and esoteric inspirations. Amanze (born 1982), installed in the rooms of structure that houses the Fluentum museum in Berlin.
small-scale, open-source, plastic recycling machines. Dawood, Layla Diba, Ana Elisa Egreja, Jerónimo In it, artists and other art professionals consider how
Benchamma is a leading figure in contemporary Collezione Maramotti, Reggio Emilia. Amanze’s floor- Originally a Nazi compound, it became the US military
Visitors were also invited to make their own objects. Elespe, Adrian Esparza, Ana Gallardo, Kate Gilmore, “strangeness” often produces beauty.
drawing, using pen, ink or gouache marker to create to-ceiling drawings depict bodies dancing and diving headquarters in Berlin and is now a museum focused
through abstracted architectural space. on time-based works. Christopher P. Green and more. MOUSSE PUBLISHING
KERBER his intricate works.
ISBN 9783735607997 u.s. $65.00 cdn $88.00 FLAT40 MOUSSE PUBLISHING ISBN 9788867494910 u.s. $29.95 cdn $39.95 FLAT40
ACTES SUD MOUSSE PUBLISHING MOUSSE PUBLISHING
Hbk, 9.5 x 12 in. / 128 pgs / 60 color. ISBN 9788867494583 u.s. $29.95 cdn $39.95 FLAT40 Hbk, 6.75 x 9.5 in. / 128 pgs / 75 color.
ISBN 9782330144999 u.s. $42.00 cdn $57.00 FLAT40 ISBN 9788867494590 u.s. $30.00 cdn $40.00 FLAT40 ISBN 9788867495160 u.s. $10.00 cdn $13.00 FLAT40
February/Design Hbk, 6.75 x 9.5 in. / 192 pgs / 113 color / 16 b&w. March/Art
Hbk, 8.75 x 11 in. / 176 pgs / 120 color. Pbk, 9.5 x 13.5 in. / 80 pgs / 23 color / 8 b&w. Pbk, 8.25 x 11.75 in. / 82 pgs / 22 color / 4 duotone /
March/Art/African Art & Culture/ 52 b&w. March/Art
March/Art
February/Art

Group shows, biennales, fairs and more SPECIALTY ■ ART
Kinetismus: 100 Years of TNoA Ways of Seeing Abstraction Ars Electronica 2021 CyberArts 2021 Alchemists of the Future
Electricity in Art The Nature of Abstraction Text by Anna Herrhausen, Friedhelm Hütte, Jan Kedves,
Oliver Koerner von Gustorf.
Festival for Art, Technology, and Society International Compendium Prix Ars Ars Electronica Futurelab:
Edited by Peter Weibel, Lívia Nolasco-Rózsás, Text by Jan Holthoff. Edited by Markus Jandl, Gerfried Stocker. Electronica The First 25 Years and Beyond
Christelle Havranek. Edited by Markus Jandl, Gerfried Stocker. Edited by Horst Hörtner, Roland Haring, Hideaki Ogawa.
Trailblazing abstraction from the last 60 years Documenting the 42nd iteration of the
Seven German painters in the lineage of Art Text by Andreas J. Hirsch.
The kinetic century, from Takis to Kentridge Informel and Abstract Expressionism festival, in hybrid format The award-winning works from a lively year
This impressive catalog contains abstract works in
in media art A quarter century of groundbreaking research
the Deutsche Bank collection made between 1959
Artists have long been fascinated by the creative This hardcover volume presents the work of seven For only the second time in its 40 years, the Ars into the future of technology
and 2021, from 51 countries and by artists such as
possibilities of electricity. This catalog gathers works painters from Germany’s Rhineland region who have Electronica Festival migrated to a hybrid format for Since 1987, the Prix Ars Electronica has been one
Günther Förg, Katharina Grosse, Jennie J. Jones,
from 1920 to the present, in video, sound, mechanical dedicated themselves to expanding the tenets of Art its annual proceedings. The theme of this festival of the most prestigious prizes in media art. The jury Founded in 1996, the Ars Electronica Futurelab is a
Kapwani Kiwanga, Imi Knoebel, Albert Oehlen, Blinky
sculpture and computer-based art by Mary Ellen Informel, Tachism and Abstract Expressionism: Laura was: “how can artistic and scientific research make includes experts in the fields of Computer/Film/VFX, laboratory and atelier for future systems. This volume
Palermo, Jorge Pardo, Charlotte Posenenske, Gerhard
Bute, William Kentridge, Christina Kubisch, Zdeněk Aberham, Max Frintrop, Ina Gerken, Jan Holthoff, Jan connections between technology, art and society Digital Music, Sound Art, Artificial Intelligence and looks back on 25 years of projects and programming
Richter, Fred Sandback, Richard Serra and more.
Pešánek, Anna Ridler, Takis, Steina, Woody Vasulka Kolata, Becker Schmitz and Sabine Tress. visible?” Life Art. with images, profiles and essays.
and others. KERBER
KERBER HATJE CANTZ HATJE CANTZ HATJE CANTZ
ISBN 9783735607751 u.s. $68.00 cdn $92.50 FLAT40
HATJE CANTZ ISBN 9783735607775 u.s. $60.00 cdn $82.00 FLAT40 ISBN 9783775751407 u.s. $40.00 cdn $54.00 FLAT40 ISBN 9783775751414 u.s. $40.00 cdn $54.00 FLAT40 ISBN 9783775751391 u.s. $40.00 cdn $54.00 FLAT40
ISBN 9783775751971 u.s. $55.00 cdn $75.00 FLAT40 Hbk, 8 x 12 in. / 84 pgs / 73 color. Pbk, 6.5 x 9.5 in. / 430 pgs / 500 color. Pbk, 6.5 x 9.5 in. / 272 pgs / 532 color. Pbk, 6.5 x 9.5 in. / 288 pgs / 200 color.
February/Art
Pbk, 9.25 x 12.5 in. / 350 pgs / 300 color. February/Art February/Art February/Art February/Art/
April/Art
20 in 2020 The Architecture of: Deception, Don’t Call It Art! Momenta Biennale de l’image Vienna Biennale for Change 2021: KÖR #5: Vienna
The Artists of the Next Decade Confinement, Transformation Contemporary Art in Vietnam 1993–1999 Sensing Nature Planet Love Text by Kathrin Gaál, Veronica Kaup-Hasler, Ulli Sima,
et al.
By Fernando Ticoulat, João Paulo Siqueira Edited with text by Sam Bardaouil, Till Fellrath. Text Edited with text by Annette Bhagwati, Veronika Text by Jen Bervin, Anne-Marie Dubois, et al. Climate Care in the Digital Age
by David Adjaye, Nikolaus Hirsch, Isabelle Doucet, Radulovic. Text by Eva Bentcheva, Pamela N. Corey.
Lopes. Edited by Christoph Thun-Hohenstein. Preface by Showcasing Vienna’s commitment to
Madeleine Freund. A companion to the 17th edition of the Leonore Gewessler, Veronica Kaup-Hasler, Werner
A primer on Latin America’s emerging voices On the explosion of art in 1990s Hanoi Montreal biennale Kogler, Andrea Mayer. Text by Gerald Bast, et al. public art
in contemporary art Artists respond to the storied history of a
Munich exhibition space Populated with imagery of karaoke bars, motorbikes, This fifth volume in a series on KÖR Kunst im
For the 17th iteration of Montreal’s contemporary art This iteration proposes a multidisciplinary
AIDS, Western consumerism and more, the öffentlichen Raum (Public Art Vienna) shows the
This volume brings together 20 Latin American artists biennale, the organizers and curators turned to art approach to climate change
This catalog chronicles three exhibitions at BNKR, installations and performances of Vietnamese artists projects implemented by Public Art Vienna between
who will redefine the artistic and cultural horizon in that considered nonhuman life and our environment.
Munich—a WWII air-raid bunker turned internment Truong Tan, Nguyen Minh Thanh, Nguyen Quang 2017 and 2019. Artists include Club Fortuna, Monica
the decade to come. Artists include Adriano Amaral, Artists include Abbas Akhavan, Carolina Caycedo, Here, artists, designers, architects, scientists,
camp turned exhibition space. The artworks exhibited Huy and Nguyen Van Cuong have established them Bonvinci, Jessica Stockholder, Alexandra Bircken,
Carolina Caycedo, Frieda Toranzo Jaeger, Jill Mulleady, Anne Duk Hee Jordan, Thao Nguyen Phan, Sabrina activists and authors demonstrate the potential of
relate to architecture and deception, confinement or as protagonists in Hanoi’s art scene since the early Yves Netzhammer, Sebastian Doringer, Claudia Bosse
Reynier Leyva Novo, Gala Porras-Kim, Naufus Ratté, Jamilah Sabur, Beatriz Santiago Muñoz, Tejal their disciplines to tackle ecological crisis.
transformation. Artists include Hans Op de Beeck, 1990s. This book tells their story. and more.
Ramírez-Figueroa and more. Shah, Miriam Simun and others.
Bettina Pousttchi, Gregor Sailer and others. VERLAG FÜR MODERNE KUNST
KERBER VERLAG FÜR MODERNE KUNST
ART CONSULTING TOOL/TURNER KERBER ISBN 9783903796829 u.s. $19.95 cdn $26.95 FLAT40
SILVANA EDITORIALE ISBN 9783735607911 u.s. $75.00 cdn $102.00 FLAT40 ISBN 9783903796911 u.s. $29.95 cdn $39.95 FLAT40
ISBN 9788418895203 u.s. $45.00 cdn $61.00 FLAT40 ISBN 9783735607874 u.s. $65.00 cdn $88.00 FLAT40 Pbk, 6.5 x 9.5 in. / 172 pgs / 108 color.
ISBN 9788836649204 u.s. $35.00 cdn $47.00 FLAT40 Hbk, 7 x 9.25 in. / 432 pgs / 1222 color / 94 b&w. Hbk, 7.25 x 9.5 in. / 303 pgs / 189 color.
Hbk, 9 x 12.25 in. / 272 pgs / 199 color / 39 b&w. Hbk, 8.5 x 11.5 in. / 164 pgs / 66 color / 6 b&w. February/Art/Sustainability
Hbk, 6.5 x 9.5 in. / 184 pgs / 150 color. February/Art/Asian Art & Culture February/Art
March/Art/Latin American/Caribbean Art & Culture February/Art
April/Art

Art photography and conceptual photography SPECIALTY ■ PHOTOGRAPHY
Tobias Zielony: The Fall Philotheus Nisch: B-Sides Bård Breivik: War Paint Andrea Wilmsen: B.ODE Julien Gester & Jakuta Alikavazovic: Ludwig Nikulski:
Edited by Thomas Seelig. Text by Sophia Eisenhut,
Joshua Gross, Dora Koderhold, Enis Maci, Mazlum A compilation of outtakes and B-sides from
Afterword by Sune Nordgren. Text by Matthias Harder, Jennifer Murray. The End of the World Will Have Hello I Love You
Nergiz, Jakob Nolte. Nisch’s commercial photography Self-portraits in war paint: an artist’s Wilmsen’s photographic portrait of the
Given Us Some Beautiful Sunsets An award-winning travelogue through Japan
combative response to cancer Bode Museum defamiliarizes the staging of Text by Jakuta Alikavazovic.
in search of love
A six-volume slipcased retrospective of Gathering outtakes, leftovers and variations on art objects
Zielony’s photography and video from the motifs, this book tracks the process behind German After Norwegian artist Bård Breivik (1948–2016) A text-image travelogue across continents For Hello I Love You, Berlin-based German
past 20 years photographer Philotheus Nisch's (born 1990) work for learned he had terminal cancer, he conceived these Berlin- and Chicago-based photographer Andrea photographer Ludwig Nikulski (born 1989) traveled
various newspapers, magazines and brands such as photographic self-portraits in an act of creative Wilmsen subverts our perception of the museum French photographer Julien Gester’s images from through Japan carrying a love letter. From Tokyo to the
Published for Tobias Zielony’s (born 1973) exhibition at Apple, Der Spiegel, Frieze, Reebok, Vogue and more. defiance. In War Paint Breivik confronts the viewer travels in Western and Eastern Europe, Asia and
interior in her photographs of overlooked spaces and east coast, through the deserted region of Fukushima,
Museum Folkwang in Essen, this box set surveys his with his face covered in different colors and designs. Africa, and North and South America are here
POOL PUBLISHING stray architectural details in Berlin’s Bode Museum. the west coast and back to Tokyo, he showed
various documentations of youth culture. The publication includes a book, two posters and accompanied by writing from the novelist Jakuta
ISBN 9783903572010 u.s. $30.00 cdn $40.00 FLAT40 the letter to the people he met and documented
KERBER Alikavazovic.
SPECTOR BOOKS Pbk, 12.25 x 9 in. / 136 pgs / 280 color. other documents in a box. his search.
ISBN 9783735608123 u.s. $60.00 cdn $82.00 FLAT40
ISBN 9783959055321 u.s. $75.00 cdn $102.00 February/Photography ACTES SUD
FORLAGET PRESS Hbk, 8.5 x 11.5 in. / 72 pgs / 34 color. POOL PUBLISHING
SDNR40 Slip, pbk, 6 vols, 4.75 x 7 in. / 948 pgs / February/Photography ISBN 9782330156442 u.s. $30.00 cdn $40.00 FLAT40
360 color. Hbk, 8.25 x 11.75 in. / 56 pgs / 48 color.
Special edition, 10.5 x 13.5 in. / 52 pgs / 25 color. Hbk, 11 x 7.25 in. / 112 pgs.
February/Photography June/Photography/
March/Photography February/Photography
Tomoko Kawai: Fountain’s Edit: Exposed Roberto Polillo: Between the Hannah Villiger: Erle Kyllingmark: You Don’t
Intimacy of Paradise Disziplin 170 Years of Photography from the Møller Visible and the Invisible Roma and Afterwards Actually See the Shape of Anything
Text by Erli Grünzweil, Susanna Hofer, Martina Lajczak, Collection Exploring the World through Intentional Edited with text by Gioia Dal Molin. Text by Elizabeth Photographs
A Japanese photographer’s meditation on the Marlene Mautner, Nadia Morozewicz, Stefan Pani, Alicia Foreword by Tone Hansen. Conversation between Bronfen, Quinn Latimer, Thomas Schmutz.
alienated spaces we build for animals Pawelczak. Harald Møller and Jonas Bendiksen.
Camera Movement Photography Preface by Erle Kyllingmark. Text by Lillian Smestad,
Kjetil Røed.
Impressionistic images of world cities Looking back at a pioneer of 1970s self-
Tomoko Kawai (born 1977) is a Japanese artist based A photographic treatment of the concept of Writers from Edmund de Waal to Judith portraiture, with unpublished diaries Kyllingmark's analog experiments evoke
in Berlin. In this series of photographs, she captures discipline Schalansky on an acclaimed photography and sketches
For 15 years, Italian photographer Roberto Polillo (born cosmic structures both large and small.
zoos and other environments in which animals and collection 1946) has traveled from Venice to Havana, using long
plants are staged, highlighting their contradictions and The Vienna-based photo collective Fountain’s This catalog compiles the self-portraits, working
exposures to capture the energy and spirit of these Norwegian photographer Erle Kyllingmark (born 1974)
eeriness. Edit explores the concept of discipline across six Celebrating the titular collection, Exposed gathers diaries and sketches of Swiss photographer Hannah
cities. Between the Visible and the Invisible collects works with analog cameras and multiple exposures,
photographic series and an accompanying glossary. responses to some of its legendary holdings. Included Villiger (1951–97), best known for her large-format
VERLAG FÜR MODERNE KUNST 65 of these images. whose accumulation merges into one image,
This paperback volume underlines and emphasizes are writers such as Ian Buruma, Jon Fosse, Edmund photographs of her own body, arranged into blocks of
ISBN 9783903796652 u.s. $36.80 cdn $50.00 FLAT40 expressing patterns found both in the smallest and in
their different photographic styles by using a different de Waal and others, on Nan Goldin, Shomei Tomatsu, MOUSSE PUBLISHING fragmented and abstracted body parts.
Hbk, 9.5 x 12 in. / 50 pgs / 30 color. the largest structures in the universe.
kind of paper for each series. Robert Doisneau, Henri Cartier-Bresson, Daido ISBN 9788867494804 u.s. $25.00 cdn $34.00 FLAT40
February/Photography MOUSSE PUBLISHING
Moriyama and many more. Pbk, 6.5 x 8.75 in. / 112 pgs / 65 color. FORLAGET PRESS
POOL PUBLISHING ISBN 9788867494644 u.s. $29.95 cdn $39.95 FLAT40
March/Photography ISBN 9788232803873 u.s. $50.00 cdn $68.00 FLAT40
ISBN 9783903572027 u.s. $24.95 cdn $33.95 FLAT40 FORLAGET PRESS Pbk, 6.5 x 8.75 in. / 168 pgs / 45 color / 17 b&w. Hbk, 10.5 x 9.5 in. / 160 pgs / 66 color.
Pbk, 9 x 6.25 in. / 208 pgs / 190 color. ISBN 9788232804412 u.s. $65.00 cdn $88.00 FLAT40 March/Photography March/Photography/
February/Photography Hbk, 9.5 x 11.75 in. / 434 pgs / 305 color.
March/Photography

Travel and architectural photography SPECIALTY ■ PHOTOGRAPHY
Roberto Huarcaya Alexander Apóstol: PHotoBolsillo Pablo López Luz: Baja Moda Cornelia Mittendorfer: Mario Peliti: Hypervenezia Stefano Graziani:
Text by Joan Fontcuberta, Victor Vich, Carlo Trivelli. Text by Diana López. Text by David Campany. wissen . sapere Edited with introduction by Matthieu Humery. Text by
Alain Fleischer, Franco Mancuso.
Documents on Raphael
Edited with text by Rolf Sachsse. Text by Cornelia Edited with text by Francesco Zanot. Text by Guido
An ingenious photographic mapping of Peru as Apóstol portrays the construction of identity Identity and resistance: portraits of Mittendorfer. Beltramini, Frank Boehm, Bruce Boucher, et al.
one continuous image and gender in Venezuela storefronts throughout Latin America A ghostly portrait of an untenanted Venice
A photographic tour of the archives and A photographic study of Raphael’s lesser-
Peruvian photographer and artist Roberto Huarcaya’s Part of La Fábrica’s PHotoBolsillo series on (primarily) Amid the proliferation of global brand stores in Latin In these stark black-and-white photographs, gallerist
libraries of Rome known architectural oeuvre
(born 1959) artist’s book is comprised of one image Latin American and Spanish photographers, this American cities, Mexico City–based photographer and photographer Mario Peliti (born 1958) transforms
built up out of 16 combined photographic negatives, affordable introduction to Venezuelan photographer Pablo López Luz (born 1979) documented the humble our perceptions of Venice. All the pictures were taken
Austrian photographer Cornelia Mittendorfer (born Here, luscious color photographs of Raphael’s
a process that the artist took eight years to develop. and artist Alexander Apóstol (born 1969) tracks his storefronts of small businesses, enduring bulwarks under the same lighting conditions, with no people.
1953) portrays Rome's libraries and archives in black- architectural works by Italian photographer Stefano
The resulting fragmented work attempts to map his career as he dismantles constructions of masculinity, against ever-advancing capitalism. The lack of human presence induces the viewer to
and-white photos capturing the people and spaces Graziani capture the rich pinks, blacks and ochres of
equally fragmented homeland of Peru. identity and gender in Venezuela. reflect on the city’s possible fate as a city with no
RM that hold the history of a city and a civilization. the Chigi Chapel, the Villa Farnesina and more.
inhabitants.
RM LA FÁBRICA ISBN 9788417975883 u.s. $50.00 cdn $68.00 FLAT40 VERLAG FÜR MODERNE KUNST MOUSSE PUBLISHING
ISBN 9788417975852 u.s. $50.00 cdn $68.00 FLAT40 ISBN 9788417769956 u.s. $18.00 cdn $24.00 FLAT40 Hbk, 11.5 x 12.25 in. / 98 pgs / 55 color. MARSILIO
Pbk, 8 x 12 in. / 160 pgs / 18 color. Pbk, 5.25 x 7.25 in. / 126 pgs / 43 color / 41 b&w. March/Photography/Latin American/Caribbean ISBN 9788829711697 u.s. $40.00 cdn $54.00 FLAT40
Hbk, 9.5 x 11 in. / 180 pgs / 90 color. Pbk, 9.5 x 11.75 in. / 80 pgs / 49 color / 22 duotone.
March/Photography/Latin American/Caribbean April/Photography/Latin American/Caribbean Art & Art & Culture Hbk, 6 x 7 in. / 432 pgs / 400 duotone.
February/Photography March/Photography/Architecture & Urban Studies/
Art & Culture Culture/LGBTQ February/Photography/
Hans Georg Berger: Gisela Erlacher: Superblocks Michael Tewes: Auto Land Scape Gabriele Basilico: Thomas Kneubühler: Walter Niedermayr:
Discipline and Senses Text by Franz Schuh. Edited by Nadine Barth. Text by Marietta Schwarz,
Thomas Zeller.
Spaces in Between Alpine Signals Transformations
Photographs 1972–2020 Photographs of “Red Vienna" public housing
Edited with text by Filippo Maggia. Text by Luca Twentysix Cell Towers in the Engadin Edited with text by Walter Guadagnini. Text by
Molinari. Catherine Grout, Stefano Chiodi.
Edited by Francesco Paolo Campione. The highway as location and not merely Text by Romana Ganzoni, Rebecca Duclos.
and the people who live there
conduit: a photographic typology Previously unpublished city scenes from the Alpine and architectural depictions from the
Images of Italy, Laos and Iran from the past Cited often as examples of ideal public housing, the A photographic subversion of the romance
postwar Italian photographer revered Italian photographer
half century housing built between 1918 and 1934, during Vienna’s Over a six-year span, German photographer Michael of the Alps
“Red Vienna” period, continues to be in use today. Tewes (born 1973) documented the autobahns that
This beautiful photobook collects 131 photographs This book covers the last 20 years of work by the
This beautiful monograph surveys the sensual and rich Austrian photographer Gisela Erlacher (born 1956) famously traverse Germany, revealing the motorway An unusual portrait of the Alps, Alpine Signals features
produced by Italian photographer Gabriele Basilico leading Italian photographer Walter Niedermayr
black-and-white photographs of Hans Georg Berger captures the lives of the residents of now-legendary as an architectural form with its own variations and photographs of 26 cell towers in the idyllic Engadin,
(1944–2013) over the course of his career, from (born 1952). In the recurring themes of his work,
(born 1951). These photographs, whether personal buildings such as the Karl-Marx-Hof, Goethe-Hof, properties. a high valley in the southeast part of Switzerland. In
the late 1980s to the 2000s—most previously such as Alpine landscapes, architecture and the
or cultural, strive for a sensitivity to the identity of Sandleiten-Hof and others. these photographs, Swiss artist Thomas Kneubühler
HATJE CANTZ unpublished. It focuses on Basilico’s depictions of relationship between public and private spaces, the
the place or subject. Locations include Elba, Laos (born 1963) challenges the romantic image of
KERBER ISBN 9783775751704 u.s. $62.00 cdn $84.50 FLAT40 architectural space. artist’s interest in the geographical and the social is
and Iran. the Alps.
ISBN 9783735608109 u.s. $65.00 cdn $88.00 FLAT40 Hbk, 12 x 11.5 in. / 180 pgs / 120 color. highlighted.
SKIRA
SKIRA Hbk, 9.25 x 12.25 in. / 128 pgs / 81 color. May/Photography VERLAG FÜR MODERNE KUNST
ISBN 9788857246840 u.s. $54.00 cdn $73.00 FLAT40 SILVANA EDITORIALE
ISBN 9788857246642 u.s. $60.00 cdn $82.00 FLAT40 February/Photography ISBN 9783903796980 u.s. $35.00 cdn $47.00 FLAT40
Hbk, 9.5 x 11 in. / 160 pgs / 133 b&w. ISBN 9788836648986 u.s. $50.00 cdn $68.00 FLAT40
Hbk, 8.75 x 10.5 in. / 400 pgs / 215 b&w. Hbk, 8 x 10.25 in. / 88 pgs / 26 color.
March/Photography/ Hbk, 9.75 x 11 in. / 152 pgs / 62 color.
March/Photography/ February/Photography
April/Photography/

Documentary photography
Back in Stock &
Previously Announced
Jan Dirk van der Burg: Al Shaqab: The Legacy of Jorquera: Wuhan before Wuhan
Typical Dutch Champion Arabian Horses Text by Mireia A. Puigventós.
COME ALIVE!: THE SPIRITED FILM NOIR PORTRAITS
According to Jan Dirk van der Burg Edited with text by Judith Forbis.
A pre-COVID portrait of daily life in the ART OF SISTER CORITA ISBN 9781909526815
Chinese city ISBN 9780954502522 Hbk, u.s. $59.95 cdn $83.95
A photographic homage to the uniquely On the Qatari stable that has dominated Reel Art Press/
Pbk, u.s. $29.95 cdn $39.95
everyday weirdness of the Netherlands horse racing Four Corners Books/
This book shows Wuhan before the city became
known worldwide under COVID. Spanish
Dutch photographer Jan Dirk van der Burg (born Featuring breathtaking color photography, this book
photographer Jorquera (born 1972) took these photos
1978) captures the little oddities of the Netherlands, traces the extraordinary story behind the success of
between 2007 and 2016, capturing Wuhan in a lyrical
from eccentrically disguised wheelie bins to comical Qatari stable Al Shaqab, which set new world records
black-and-white style.
gardens. This photobook collects over 200 color with three champion stallions.
photos of typical suburban scenes. LA FÁBRICA
SILVANA EDITORIALE
NAI010 PUBLISHERS ISBN 9788417769994 u.s. $45.00 cdn $61.00 FLAT40
ISBN 9788836642083 u.s. $60.00 cdn $82.00 FLAT40
Hbk, 8 x 10.75 in. / 208 pgs / 55 color / 139 b&w.
ISBN 9789462086678 u.s. $40.00 cdn $54.00 FLAT40 Hbk, 9.5 x 12 in. / 208 pgs / 180 color.
April/Photography/Asian Art & Culture
Pbk, 8.5 x 10.5 in. / 256 pgs / 200 color. May/Photography
July/Photography
HELENE SCHJERFBECK JOHN CAGE: LEONARD FREED: MARCEL DUCHAMP

ISBN 9781912520039 A MYCOLOGICAL FORAY POLICE WORK ISBN 9783906915517
Hbk, u.s. $40.00 cdn $55.00 ISBN 9781733622004 ISBN 9781909526709 Slip, hbk, 2 vols, u.s. $125.00 cdn $172.00
Royal Academy of Arts/ Slip, pbk, 2 vols, u.s. $55.00 cdn $77.00 Hbk, u.s. $59.95 cdn $84.95 Hauser & Wirth Publishers/
Atelier Éditions/ Reel Art Press/
Facing Britain
Enrico Cattaneo: British Documentary Photography Marco Anelli:
Studio Marconi 1968–78 since the 1960s Tino Nivola in America
Edited with text by Ralph Goertz. Text by Graham Text by Stefano Salis, Kevin Moore.
A photo-portrait of a legendary Milan gallery Harrison.
Photo-documentation of Nivola’s numerous
For 50 years, Studio Marconi, founded by Giorgio A fascinating glimpse into Britain's rich public sculptures for New York
Marconi, has exposed Milan and Italy to emerging documentary traditions
international and domestic artists. This book Photographer Marco Anelli documents the public
documents Studio Marconi’s activities from 1968 This comprehensive view of an overlooked subject works of Italian sculptor Costantino “Tino” Nivola
to 1978 through the photographs of Milanese brings together leading postwar British documentary (1911–88) scattered throughout New York City in this
photographer Enrico Cattaneo. photographers, including Mike Abrahams, Meredith beautiful hardcover volume. Black-and-white photos
MOUSSE PUBLISHING Andrews, Rachel Louise Brown, John Davies, Ken capture Nivola’s modernist reliefs and sculptures in
ISBN 9788867495061 u.s. $40.00 cdn $54.00 FLAT40 Grant, Daniel Meadows, Roy Mehta, Peter Mitchell, the Upper West Side, the Rockaways, the West Bronx
Pbk, 6.75 x 9.5 in. / 688 pgs / 338 b&w. David Moore, Tish Murtha, John Myers, Martin Parr and elsewhere. SLOW READER SOPHIE CALLE: TARYN SIMON: VINCENT VAN GOGH:
and many more.
March/Photography
SILVANA EDITORIALE ISBN 9789492095015 SUITE VÉNITIENNE THE INNOCENTS STARRY NIGHT
WALTHER KÖNIG, KÖLN Pbk, u.s. $29.95 cdn $39.95 ISBN 9781938221095 ISBN 9781633450837 ISBN 9781633450424
ISBN 9788836649969 u.s. $40.00 cdn $54.00 FLAT40
ISBN 9783753300627 u.s. $49.95 cdn $67.95 FLAT40 Valiz/ Hbk, u.s. $34.95 cdn $45.95 Hbk, u.s. $85.00 cdn $119.00 Hbk, u.s. $19.95 cdn $27.95
Hbk, 8.75 x 11.75 in. / 128 pgs / 100 duotone.
Flexi, 8.75 x 9 in. / 220 pgs / 75 color / 90 b&w. April/Art/ Siglio/ The Museum of Modern Art, New York/ The Museum of Modern Art, New York/

ART BACKLIST HIGHLIGHTS
Backlist
Highlights
AFRO-ATLANTIC HISTORIES AGNES MARTIN HILMA AF KLINT: JEAN-MICHEL BASQUIAT JUDD MARCEL DUCHAMP
ISBN 9781636810027 ISBN 9781938922763 PAINTINGS FOR THE FUTURE ISBN 9783775725934 ISBN 9781633450325 ISBN 9783906915517
Hbk, u.s. $69.95 cdn $84.95 Hbk, u.s. $55.00 cdn $72.50 ISBN 9780892075430 Hbk, u.s. $65.00 cdn $87.00 Clth, u.s. $75.00 cdn $108.00 Slip, hbk, 2 vols, u.s. $125.00 cdn
DelMonico Books/Museu de Arte de São D.A.P./Tate/ Hbk, u.s. $65.00 cdn $87.00 Hatje Cantz/ The Museum of Modern Art, New York/ $172.00
Paulo/ Guggenheim Museum Publications/ Hauser & Wirth Publishers/
AN ILLUSTRATED CATALOG OF ANOTHER WORLD: BARBARA KRUGER: THINKING OF DAMIEN HIRST: MERET OPPENHEIM: PHILIP GUSTON NOW SOPHIE CALLE: SOPHIE TAEUBER-ARP:
AMERICAN FRUITS & NUTS THE TRANSCENDENTAL YOU. I MEAN ME. I MEAN YOU CHERRY BLOSSOMS MY EXHIBITION ISBN 9781942884569 THE HOTEL LIVING ABSTRACTION
PAINTING GROUP ISBN 9781942884774 ISBN 9782869251595 ISBN 9781633451292 Clth, u.s. $60.00 cdn $85.00 ISBN 9781938221293 ISBN 9781633451070
ISBN 9781733622042
ISBN 9781942884873 Hbk, u.s. $60.00 cdn $84.00 Clth, u.s. $65.00 cdn $91.00 Hbk, u.s. $45.00 cdn $58.00 D.A.P./National Gallery of Art/ Hbk, u.s. $39.95 cdn $49.95 Clth, u.s. $75.00 cdn $105.00
Hbk, u.s. $50.00 cdn $70.00
Atelier Éditions/ Hbk, u.s. $60.00 cdn $84.00 DelMonico Books/Los Angeles Fondation Cartier pour l’art contempo- The Museum of Modern Art, New York/ Siglio/ The Museum of Modern Art, New York/
DelMonico Books/Crocker Art Museum/ County Museum of Art/ rain, Paris/
DAVID HOCKNEY: FABRIC OF A NATION FRIDA KAHLO: HER UNIVERSE GEORGIA O’KEEFFE TAUBA AUERBACH — S V Z THE LITTLE MERMAID BY VASILY KANDINSKY: YOUNG, GIFTED AND
THE ARRIVAL OF SPRING ISBN 9780878468768 ISBN 9788417975531 ISBN 9788417173494 ISBN 9781942884552 HANS CHRISTIAN ANDERSEN AROUND THE CIRCLE BLACK: A NEW GENERATION
IN NORMANDY, 2020 Hbk, u.s. $45.00 cdn $63.00 Hbk, u.s. $65.00 cdn $83.00 Hbk, u.s. $65.00 cdn $91.00 Hbk, u.s. $50.00 cdn $69.95 & YAYOI KUSAMA ISBN 9780892075591 OF ARTISTS
ISBN 9781912520640 MFA Publications, Museum of Fine Arts, RM/Museo Frida Kahlo – Casa Azul/ D.A.P./Museo Nacional D.A.P./SFMOMA/ ISBN 9788792877598 Hbk, u.s. $45.00 cdn $61.00 ISBN 9781942884590
Hbk, u.s. $29.95 cdn $41.95 Boston/ Thyssen-Bornemisza/ Hbk, u.s. $45.00 cdn $60.00 Guggenheim Museum/ Hbk, u.s. $49.95 cdn $69.95
Royal Academy of Arts/ Louisiana Museum of Modern Art/ D.A.P./

POPULAR CULTURE BACKLIST HIGHLIGHTS PHOTOGRAPHY BACKLIST HIGHLIGHTS
A SMALL BOOK OF CUBA: MUSIC AND GET OUT HAYAO MIYAZAKI DOROTHEA LANGE: WORDS FRED HERZOG: FRIDA KAHLO: HER PHOTOS GODLIS: MIAMI
JEWISH COMEDIANS REVOLUTION ISBN 9781941753286 ISBN 9781942884811 & PICTURES MODERN COLOR ISBN 9788492480753 ISBN 9781909526846
ISBN 9781909526839 ISBN 9781916359802 Pbk, u.s. $19.95 cdn $29.95 Hbk, u.s. $55.00 cdn $74.00 ISBN 9781633451049 ISBN 9783775741811 Hbk, u.s. $45.00 cdn $60.00 Hbk, u.s. $39.95 cdn $53.95
Hbk, u.s. $29.95 cdn $39.95 Hbk, u.s. $50.00 cdn $70.00 Inventory Press/ DelMonico Books/Academy Museum of Clth, u.s. $55.00 cdn $77.00 Hbk, u.s. $45.00 cdn $60.00 RM/ Reel Art Press/
Reel Art Press/ Soul Jazz Books/ Motion Pictures/ The Museum of Modern Art, New York/ Hatje Cantz/
LED ZEPPELIN BY LED ZEPPELIN VINYL MEXICO: THE QUEEN: THE NEAL PRESTON JOEL MEYEROWITZ: LEE FRIEDLANDER: MASAO YAMAMOTO: ROBERT FRANK:
LED ZEPPELIN ISBN 9781909526808 LAND OF CHARM PHOTOGRAPHS WILD FLOWERS THE PEOPLE’S PICTURES SMALL THINGS IN SILENCE THE AMERICANS
ISBN 9781909526501 Hbk, u.s. $59.95 cdn $83.95 ISBN 9788417975517 ISBN 9781909526716 ISBN 9788862087308 ISBN 9780871300881 ISBN 9788417975012 ISBN 9783865215840
Clth, u.s. $69.95 cdn $92.50 Reel Art Press/ Clth, u.s. $35.00 cdn $47.00 Hbk, u.s. $59.95 cdn $83.95 Hbk, u.s. $55.00 cdn $77.00 Clth, u.s. $65.00 cdn $88.00 Clth, u.s. $60.00 cdn $84.00 FLAT40 Clth, u.s. $40.00 cdn $54.00
Reel Art Press/ RM/ Reel Art Press/ Damiani/ Eakins Press Foundation/ RM/Seigensha/ Steidl/
RUSSIAN CRIMINAL TATTOO THE SPECTACLE OF ILLUSION TIM BURTON WE GO TO THE GALLERY SAUL LEITER: SUE KWON: RAP IS RISEN WILLIAM WILLIAM MULLAN:
ENCYCLOPAEDIA VOLUME I ISBN 9781942884378 ISBN 9780870707605 ISBN 9780992834913 ALL ABOUT SAUL LEITER ISBN 9781732062917 EGGLESTON’S GUIDE ODD APPLES
ISBN 9780955862076 Hbk, u.s. $35.00 cdn $49.95 Pbk, u.s. $19.95 cdn $27.95 Hbk, u.s. $14.95 cdn $19.95 ISBN 9788417047498 Hbk, u.s. $50.00 cdn $68.00 ISBN 9780870703782 ISBN 9783775751124
Hbk, u.s. $32.95 cdn $43.95 D.A.P./ The Museum of Modern Art, New York/ Dung Beetle Ltd/ Pbk, u.s. $29.95 cdn $39.95 Testify Books/ Pbk, u.s. $45.00 cdn $60.00 Hbk, u.s. $20.00 cdn $27.00
FUEL Publishing/ RM/Seigensha/ The Museum of Modern Art, New York/ Hatje Cantz/

ARCHITECTURE & DESIGN BACKLIST HIGHLIGHTS ARCHITECTURE & DESIGN BACKLIST HIGHLIGHTS
5 YEAR DIARY: BLACK COVER A BESTIARY OF THE A NEW PROGRAM FOR A PASSION FOR HERMÈS POP UP IMMERSION: LIVING MOIRÉMOTION NERI OXMAN:
ISBN 9780977648139 ANTHROPOCENE GRAPHIC DESIGN JEAN PROUVÉ ISBN 9782330106485 AND LEARNING IN AN ISBN 9783037786574 MATERIAL ECOLOGY
Hbk, u.s. $24.95 cdn $33.95 SDNR50 ISBN 9789493148444 ISBN 9788890539411 Hbk, u.s. $35.00 cdn $47.50 SDNR50 OLMSTED GARDEN Hbk, u.s. $28.00 cdn $39.00 ISBN 9781633451056
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INDEX
WRITINGS BACKLIST HIGHLIGHTS
>1000 Words
1000 Vases
176
153 Cain, Sarah 108
Flaig, Ulrike
Flood, Mark
184
176
Kawai, Tomoko
Kelley, Mary Reid
194
128
Mix & Stir
Modern Paris 1840–1940
149
143
20 in 2020 192 Calle, Sophie 52 Fontana, Lucio 133 Kelley, Patrick 128 MODU 160
2G 160 Canevari, Paolo 131 Forum Groningen 165 Kentridge, William 60 Moller, Teresa 161
Carrier Bag Fiction 170 Fountain’s Edit: Disziplin 194 Kim Jong Il Looking at Things 100 Momenta Biennale de l’image 193
A Rock, A River, A Street 135 Cattaneo, Enrico
Cattelan, Maurizio
198
89
Fragments of Epic Memory 73 Kind of World War, A 171 Monet, Claude 143
Abakanowicz, Magdalena 183 Frankenthaler, Helen 48, 114 Kinetismus 192 Monobloc 88
Acker, Kathy 55 Cave, Nick 21 Freund, Gisèle 96 Kiwanga, Kapwani 135 Montaron, Laurent 186
Ackroyd, Norman 120 Central Laboratory, The 87 Fulford, Jason 88 Klein, Lisa 185 Morandi, Giorgio 47
Adams, Robert 92 Chambi, Martín 106 Fundamental Painting 148 Klich, Lynda 34 Moretti, Simon 186
Aesthetics of Globalization 173 City of Cinema 67 Klyukin, Vasily 181 Morgan, Claire 182
af Klint, Hilma 112 City, Civility and Capitalism
Classics of Applied History
144
144
G adsden, Nonie 27 Kneubühler, Thomas 197 Morsi, Ahmed 116
Al Shaqab 198 Garmenting 138 Kohout, Annekathrin 176 MOS 160
Aladağ, Nevin 128 Clyfford Still Museum 163 Gauguin, Paul 143 Koons, Jeff 130 MOSE Effect, The 166
Albers, Josef 51 Collecting Nature 71 Gawell, Oskar 177 KÖR #5: Vienna 193 Mueller, Philipp 147
Albus, Anita 117 Colombo, Ercole 42 Gerken, Ingo 173 Kunhardt, Dorothy 58 Mueller-Stahl, Armin 176
Alchemists of the Future 193 Conceiving the Plan 158 Gernild, Emily 178 Kyllingmark, Erle 195 Mulder, Martien 104
Alfonso 106 Concrete Poetry 127 Gerold, Armin Lorenz 172 Kyōsai, Kawanabe 63 Mulleady, Jill 118
Alfred, Brian 82 Contemporary Journey into Gester, Julien 195 Murakami, Takashi 76
Alikavazovic, Jakuta 195 Video Art, A
Cooking Sections
186
135
Ghenie, Adrian 120 L aBelle, Brandon 172 Muscle Memory 85
Allied Works Architecture 163 Giannotti, Aldo 190 Lacaton & Vassal 160 My Mother Country 142
Almodóvar, Pedro 68 Cool, Marie 187 Gilot, Françoise 113 Lahoda, Tomáš 175 Mynona 86
AMY SILLMAN: FAUX PAS BRIEF LIVES OF IDIOTS EECCHHOOEESS LAST OF HER NAME Althamer, Paweł 187 Corpus Domini 188 Gilroy, Paul 75, 124 Larner, Liz 129
ISBN 9782955948651 ISBN 9781939663535 ISBN 9781734681703 ISBN 9781885030610 Altschul, Gertrudes 97 Cosmetic Techniques
Counter_Readings of the Body
167
170
Giorgione 140 Lasso, Julio Cano 161 Nakashima, George 25
Amanze, Ruby Onyinyechi 190 Glass Design Innovations 163 Lastgaspism 145 Nashat, Shahryar 131
Pbk, u.s. $24.95 cdn $34.95 Pbk, u.s. $14.95 cdn $20.95 Clth, u.s. $24.00 cdn $34.00 Pbk, u.s. $16.95 cdn $24.95 America Goes Modern 27 Courtney-Clarke, Margaret 107 Glorious Lie, The 148 Layman’s Guide to Classical Nation, State and Empire 144
After 8 Books/ Wakefield Press/ Kaya Press/ Anatsui, El 78 Cranach, Lucas 139 Gnoli, Domenico 133 Architecture, The 158 National Museum of Oslo, The 165
DABA/
Anderson, Emily 80 CyberArts 2021 193 Gorky, Arshile 114 Lehr, Mira 115 Natural Beauty 166
Anelli, Marco 198 Czech Glass 156 Grace, Arthur 100 Leifheit, Matthew 39 Neagu, Paul 126
Antunes, Leonor
Apóstol, Alexander
183
196 D a Cunha, Alexandre 179
Graphic Events
Gray, Eileen
154
26
Leutenegger, Zilla
Lewis, Diane
183
158
New Alphabet, The
New Fashion Container
170
Archiprix International 2021 167 Dali – Freud: An Obsession 112 Graziani, Stefano 197 Life and Limbs 136 Project, The 156
Architecture of, The 192 Dalí, Salvador 112 Greater New York 2021 137 Lifes 136 Niedermayr, Walter 197
Archive of the World 73 Danneberg, Tatjana 185 Greenaway, Peter 146 Lightning Symbol & Snake Dance 138 Nikulski, Ludwig 195
Ars Electronica 2021 193 Dash, N. 119 Groarke, Carmody 162 Ligon, Glenn 123 Nisch, Philotheus 194
Art under Fire in Afghanistan 136 De Lucchi, Michele 164 Gross, Sabine 180 Liou, Jenny 85 Nivola, Tino 198
Aslet, Clive 71 Dead People Whispering to Us 172 Gudzowaty, Tomasz 107 Listen to Lists 170 Nixon, Nicholas 92
At Home in the World 148 Decisive Moments 106 Guerra, Luis 172 Littwitz, Ella 189
Atchugarry, Pablo 179 DeDeaux, Dawn
DeJong, Constance
132
54
Güreş, Nilbar 183 LL, Natalia 189 O Sole Mio 191
atelierJAK 186 Gysin, Brion 85 Looking at Music 171 OASE 110 167
Ault, Julie 81 Demoule, Jean-Paul 52 Lukin, Aimé Iglesias 82 Obering, Mary 115
Auto-Ethnographic Turn, The 149 Deprived of Rights and Property 173
Design as an Attitude 28
Haacke, Hans 126 Luz, Pablo López 196 Observatorium 179
A–Z of Record Shop Bags 30 Hauptman, Michael 105 Oehlen, Albert 174
Designing Peace 23 Hauschka, Jiří 178 M acías Peredo Arquitectos 161 Of Our Spiritual Strivings 74
Back to the Office 159 DFLA
Dior, Christian
164
69
Healthy Times 2, The 173 Mack, Heinz 182 Oil 136
Baldessari, John 126 Heilmann, Mary 111 Mackintosh, Charles Rennie 162 Okeke-Agulu, Chika 78
Balducci, Fabio 187 DNA series 170, 171 Hidden in Plain Sight 81 MadC 121 Olos, Mihai 181
Bande à part 149 Dobler, Andreas 172 Higa, Karin 81 Maderthaner, Franziska 174 One Hundred Works 191
Baranger Motion Displays 151 Doggerel Life 148 Hilger, Veronika 174 Madrid 106 Only on Saturday 155
Barateiro, Pedro 190 Doisneau, Robert 96 Hirschbichler, Michael 185 Mãe Luíza 162 Onofre, João 187
Barozzi Veiga 164 Donatello 64 Hirschhorn, Thomas 181 Mahama, Ibrahim 184 Opéra, The 105
ON THE ORIGIN OF SPECIES ORGANIC MUSIC SOCIETIES THE EXTREME SELF THE FUTURE OF THE Don’t Call It Art! 192
Barton, Rick 57 Hirshhorn Museum 137 Making 171 Opprann, Ken 165
AND OTHER STORIES ISBN 9781733723589 ISBN 9783960989738 MUSEUM: 28 DIALOGUES Baselitz, Georg 177 dos Bugres, Conceição 182 Histories of Dance 188 Mallarmé, Stéphane 148 Orbital Planes 43
Pbk, u.s. $20.00 cdn $28.00 Pbk, u.s. $18.00 cdn $24.50 Basilico, Gabriele 197 Dreamtime X 172 Hobbs, Robert 13 Malterud, Nina 182 OSRAM Munich 165
ISBN 9781885030719 ISBN 9783775748278
Beirut Bereft 162 Du Bois, W.E.B. 74 Holzer, Jenny 12 Manuel Cervantes Estudio 161 Othoniel, Jean-Michel 179
Pbk, u.s. $19.95 cdn $27.95 Blank Forms Editions/ Walther König, Köln/ Pbk, u.s. $25.00 cdn $34.50
Benchamma, Abdelkder 190 Duan, Yafeng 174 Home Made Russia 31 Marfa Sounding 146 Our Selves 14
Kaya Press/ Hatje Cantz/ Berger, Hans Georg 196 Ducati 156 Horvitz, David 126 Margiela, Martin 122 Owens, Laura 122
Bertocco, Francesco 186 Dumas, Marlene 120 Houle, Robert 110 Marnie, Adam 176
Bey, Dawoud 18 Dutch Designers Yearbook 2021 156
Dutton, Danielle 83
Hoyo, CB 121 Marta & Slava 185 P aranoia TV 186
Bhaumik, Sita Kuratomi 83 Huarcaya, Roberto 196 Martin, Agnes 49, 50 Parekh, N.V. 101
BiodiverCity
Birnbaum, Dara
166
124 E ames, Charles and Ray 26
Hugo, Pieter
Humphries, Jacqueline
102
119
Martínez Celaya, Enrique
Martínez, Israel
128
172
Paris, Helga
Parks, Gordon
107
17
Bjerre, Benedikte 180 Earthworks 179 Huszank, Szilard 178 Martins, Maria 115 Pei-Ming, Yan 176
Bjørvika, Deichman 163 Echo 170 Maryan 134 Peliti, Mario 197
Black Phoenix 74 Eisl, David
El-Salahi, Ibrahim
181
148
I AM HERE 146 Matisse, Henri 3 Pena, Gonçalo 188
Black–White–Red 86 Imagination and Participation 163 Matsubara, Ken 134 Permutations 85
Blank, Boris 147 Enwezor, Okwui 78 In Medias Res #1 191 Mayer, Bernadette 84 Perriand, Charlotte 26
Bodin, Céline 104 Erlacher, Gisela 196 In the Name of the Image 142 Mayer, Rosemary 84 Pfeiffer, Walter 102
Bonalum, Agostino 178 Ernst, Carola 175 In the Temple of the Self 70 Mazzi, Marco 173 Phobia, Peter 190
Boom, Irma 28 Espersen, Morten Løbner 182 Inspirational Women 143 McCloud, Hugo 118 Photobooks & 105
Bornová, Erika 176 Estes, Richard 116 Iturbide, Graciela 37 McNeil, Marcelyn 118 Picture Held Us Captive, A 83
Bouabré, Frédéric Bruly 61 Everyday Play 32 McQueen, Lee Alexander 5 Plastic: Remaking Our World 150
Bourgeois, Louise 11, 12 Everything Must Go!
Evocation of the Basilica of
88 J ackson, Tomashi 135 McQueen, Steve 124 Policarpo, Diana 189
Brassaï 97 Jacob, Max 87 Meda, Luca 164 Polillo, Roberto 195
Braun, Niina Lehtonen 189 St Francis of Assisi, An 141 Jafri, Maryam 185 Meek, Nick 99 Poltronova 152
Breivik, Bård 194 Expansive Bodies 156 Jakobsdóttir, Elín 174 Meier, Dieter 147 Pont, Margaret 141
Brenner, Birgit 184 Expo 2020 Dubai 191 Jemison, Steffani 135 Meppayil, Prabhavathi 122 Porcinai, Elisabetta 173
Bronstein, Pablo 178 Exposed 194 Jenkins, Ulysses 148 Messager, Annette 117 Portable Universe, The 72
THE MAYOR OF LEIPZIG THE SACRED CONSPIRACY WICKED ARTS ASSIGNMENTS WRITINGS ON ART 1980–2005
Brookes, Matthew
Bruges-la-Morte
40
86 F1 Heroes 42
Johansson, Michael
Johnston, Matt
180
105
Meyer, Anna
Meyerowitz, Joel
177
38
Power and Prestige
Präauer, Teresa
142
139
Bruguera, Tania 132 Facing Britain 198 Jonas, Joan 125 Miller, Lydia 143 Practice of Art and AI, The 146
ISBN 9781949172478 ISBN 9781900565950 ISBN 9789492095756 ISBN 9781912122288
Bruijnzeels, Rob 163 Fägerskiöld, Paul 175 Jorquera 198 Miller, Nachume 116 Příhoda, Jiří 182
Hbk, u.s. $20.00 cdn $28.00 Hbk, u.s. $39.95 cdn $53.00 Pbk, u.s. $25.00 cdn $35.00 Hbk, u.s. $45.00 cdn $62.00 Fairmont: Grand by Nature 159
Bulgari 157 Joy, Kate 27 Miller, Nicole 131 Project of Independence, The 24
Karma Books, New York/ Atlas Press/ Valiz/ HENI Publishing/ Buren, Daniel 184 Female View 105 Julien, Isaac 75 Miller, Roland 43 Public Art for Public Life 179
Burko, Diane 132 Ferm, Pia 178 Mindbombs 189
Burri, Alberto 133 Ferrario, Serena
Fichtner, Christiane
185
172
Kapoor, Anish 130 Misrach, Richard 44 Quarles, Christina 74
Kaufmann, Patrick 175 Mittendorfer, Cornelia 197

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191
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West, Jennifer
123
123
Rabinowitch, Royden 127 Ruwedel, Mark 103 Suss, Becky 118 Unger, Mary Ann 134 What Is Life? 171
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floral dress and pink corsage], 1960s–1990s. Color instant print [Polaroid SX 70], 4.25 x 3.5". Art Gallery of Ontario. Fade Resistance Collection, purchase, with funds donated by Martha LA McCain, 2018. 2018/761. Artbook | D.A.P. Shopworn
Digital image: © Art Gallery of Ontario. (Lower Right) Zun Lee, 10 15 71 [Three girls sitting on couch wearing matching white Compton crewnecks, girl in middle holding baby], October 15, 1971. Colour instant prints,
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cocktail set, 1934. Museum of Fine Arts, Boston, Gift of John Axelrod, 2014.1262.1–8; Donald Deskey, desk lamp, c. 1928. Museum of Fine Arts, Boston. Gift of John Axelrod, 2014.1382; Manning Bowman Company,
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of Fine Arts, Boston; Man in Uncle Sam Costume, postmarked 1908. Chapman Bros., Photographers, the Leonard A. Lauder Postcard Archive, a promised gift to the Museum of Fine Arts, Boston; Warren, age 10, E: sonya@manic.com.au
1917 or later. The Leonard A. Lauder Postcard Archive, a promised gift to the Museum of Fine Arts, Boston; Flood at H.H. Miller's Palace Sample Room, 1911. The Leonard A. Lauder Postcard Archive, a promised gift F: + 44 (0) 1235-465555 or after 18 months from Manager, Artbook @ MoMA PS1
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to the Museum of Fine Arts, Boston. PAGE 36: © Woodman Family Foundation / Artists Rights Society (ARS), New York. PAGE 46: Andrew Wyeth, Spring, 1978, tempera on panel. © 2021 Andrew Wyeth/Artists Rights Non-UK Orders & Inquiries purchase. Returns credits
Society (ARS). Brandywine River Museum of Art. Gift of George A. Weymouth and his son in memory of Mr. and Mrs. George T. Weymouth, 1987. PAGE 54: (Upper) Constance DeJong & Tony Oursler, Relatives ASIA apply against future Elisa Nadel
(performance view), The Kitchen, New York, NY, 2018. (Lower) Constance DeJong, ALLY, 1989. Computer animation, Spectacolor lightboard. Messages to the Public, One Times Square, The Public Art Fund, New York,
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1962. Pen and ink, 14.5 × 10.25". Rick Barton papers (Collection 2374), UCLA Library Special Collections, Charles E. Young Research Library, University of California, Los Angeles. PAGE 59: Tomi Ungerer, Drawing for F: + 44 (0) 1235-465575 Edison Garcia Publisher Services
Otto, 1999. Black pencil, watercolor and ink, 11.5 x 8", Collection Tomi Ungerer Museum - International Center for Illustration. © Diogenes Verlag AG, Zurich / Tomi Ungerer Estate Photo: Musées de la Ville de Strasbourg E: Edison.Garcia@ingramcontent.com enadel@dapinc.com
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T H E D. A . P.

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