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Falando de Amor Sax Tenor e Piano

This musical score is for the bossa nova song "Falando de Amor" by Tom Jobim. It is written for saxophone and piano and contains lyrics and musical notation across three pages. The song has a slow tempo and features melodic lines traded between the saxophone and piano accompanied by chordal structures in the piano.

Uploaded by

WandaBeatrizSilva
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
77 views2 pages

Falando de Amor Sax Tenor e Piano

This musical score is for the bossa nova song "Falando de Amor" by Tom Jobim. It is written for saxophone and piano and contains lyrics and musical notation across three pages. The song has a slow tempo and features melodic lines traded between the saxophone and piano accompanied by chordal structures in the piano.

Uploaded by

WandaBeatrizSilva
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Falando de Amor

Tom Jobim

   
 


 =106
Saxofone Tenor


        
          
3 3

             

    
Piano 3

 

             
         

  
  


 
5

     
Sax. Tn.

      
                    

           
         
Pno

          

                 



9


1.

    
Sax. Tn.


           
              
   
3


      
   


  
  
Pno

  
           

   
               


13
2.

  
Sax. Tn.

                 



3


     
   


      
 

  
Pno

   


     
           
2

   


17

      

Sax. Tn.

                 
           
        
     
      
     
      

Pno

        
  
  
           


21

      
Sax. Tn.

          
     
    
 
3 3

   
             
  
   
Pno

                      
           

   


24

        
Sax. Tn.

                             


            
         
     



Pno

            
               

   


28


     
Sax. Tn.

             


     
3

 
      
    
     
Pno

 

    
         

   
32


3

  
Sax. Tn.

        

 
      
3

 
          
   

Pno

       

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