User Manual

EURORACK PRO RX1202FX

Premium 12-Input Mic/Line Rack Mixer with
XENYX Mic Preamplifiers, British EQ's and Multi-FX Processor
2 EURORACK PRO RX1202FX User Manual

Table of Contents
Thank you........................................................................ 2
Important Safety Instructions....................................... 3
Legal Disclaimer.............................................................. 3
Limited Warranty............................................................ 3
1. Introduction................................................................ 5
1.1 General mixing console functions ................................ 5
1.2 The user’s manual................................................................ 6
1.3 Before you get started....................................................... 6
2. Control Elements and Connectors ........................... 6
2.1 Mono channels..................................................................... 6
2.2 Stereo channels.................................................................... 7
2.3 Connector array of the main section............................ 8
2.4 Main section.......................................................................... 9
2.5 Digital effects processor................................................. 10
2.6 Voltage supply,
phantom power supply and fuse........................................ 10
3. Applications.............................................................. 11
3.1 Recording studio................................................................ 11
3.2 Live sound............................................................................ 12
4. Installation................................................................ 13
4.1 Mains connection.............................................................. 13
4.2 Audio connections............................................................ 13
5. Specifications............................................................ 14

Thank you
Congratulations! In purchasing our EURORACK PRO RX1202FX you have
acquired a mixing console whose small size belies its incredible versatility
and audio performance.
3 EURORACK PRO RX1202FX User Manual

Important Safety 9. Do not defeat the safety purpose of the polarized UNDERTAKING OR REPRESENTATION. THIS MANUAL
Instructions or grounding-type plug. A polarized plug has two blades IS COPYRIGHTED. NO PART OF THIS MANUAL MAY
with one wider than the other. A grounding-type plug BE REPRODUCED OR TRANSMITTED IN ANY FORM
has two blades and a third grounding prong. The wide OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,
blade or the third prong are provided for your safety. If the INCLUDING PHOTOCOPYING AND RECORDING OF ANY
provided plug does not fit into your outlet, consult an KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS
electrician for replacement of the obsolete outlet. WRITTEN PERMISSION OF MUSIC GROUP IP LTD.
10. Protect the power cord from being walked on or
ALL RIGHTS RESERVED.
pinched particularly at plugs, convenience receptacles,
Terminals marked with this symbol carry © 2012 MUSIC Group IP Ltd.
and the point where they exit from the apparatus.
electrical current of sufficient magnitude Trident Chambers, Wickhams Cay, P.O. Box 146,
to constitute risk of electric shock. 11. Use only attachments/accessories specified by Road Town, Tortola, British Virgin Islands
Use only high-quality professional speaker cables with the manufacturer.
¼" TS or twist-locking plugs pre-installed. All other 12. Use only with the
installation or modification should be performed only LIMITED WARRANTY
cart, stand, tripod, bracket,
by qualified personnel. or table specified by the § 1 Warranty
This symbol, wherever it appears, manufacturer, or sold with (1) This limited warranty is valid only if you purchased
alerts you to the presence of uninsulated the apparatus. When a cart the product from a MUSIC Group Authorized Reseller in
dangerous voltage inside the is used, use caution when the country of purchase. A list of authorized resellers can
enclosure - voltage that may be sufficient to constitute a moving the cart/apparatus be found on BEHRINGER’s website behringer.com under
risk of shock. combination to avoid “Where to Buy”, or you can contact the MUSIC Group office
injury from tip-over. closest to you.
This symbol, wherever it appears,
13. Unplug this apparatus during lightning storms or (2) MUSIC Group* warrants the mechanical and
alerts you to important operating and
when unused for long periods of time. electronic components of this product to be free of defects
maintenance instructions in the
14. Refer all servicing to qualified service personnel. in material and workmanship if used under normal
accompanying literature. Please read the manual.
Servicing is required when the apparatus has been operating conditions for a period of one (1) year from
Caution damaged in any way, such as power supply cord or plug the original date of purchase (see the Limited Warranty
To reduce the risk of electric shock, do not is damaged, liquid has been spilled or objects have fallen terms in § 4 below), unless a longer minimum warranty
remove the top cover (or the rear section). into the apparatus, the apparatus has been exposed period is mandated by applicable local laws. If the product
No user serviceable parts inside. Refer servicing to to rain or moisture, does not operate normally, or has shows any defects within the specified warranty period
qualified personnel. been dropped. and that defect is not excluded under § 4, MUSIC Group
shall, at its discretion, either replace or repair the product
Caution 15. The apparatus shall be connected to a MAINS socket
using suitable new or reconditioned product or parts.
To reduce the risk of fire or electric shock, outlet with a protective earthing connection.
In case MUSIC Group decides to replace the entire product,
do not expose this appliance to rain and 16. Where the MAINS plug or an appliance coupler is this limited warranty shall apply to the replacement
moisture. The apparatus shall not be exposed to dripping used as the disconnect device, the disconnect device shall product for the remaining initial warranty period, i.e.,
or splashing liquids and no objects filled with liquids, remain readily operable. one (1) year (or otherwise applicable minimum warranty
such as vases, shall be placed on the apparatus.
period) from the date of purchase of the original product.
Caution (3) Upon validation of the warranty claim, the repaired
These service instructions are for use or replacement product will be returned to the user
by qualified service personnel only. freight prepaid by MUSIC Group.
To reduce the risk of electric shock do not perform any
(4) Warranty claims other than those indicated above
servicing other than that contained in the operation
are expressly excluded.
instructions. Repairs have to be performed by qualified
service personnel. PLEASE RETAIN YOUR SALES RECEIPT. IT IS YOUR PROOF
OF PURCHASE COVERING YOUR LIMITED WARRANTY.
1. Read these instructions. THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF
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2. Keep these instructions. OF PURCHASE.
TECHNICAL SPECIFICATIONS AND APPEARANCES
3. Heed all warnings.
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND § 2 Online registration
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5. Do not use this apparatus near water. PART OF THE MUSIC GROUP (MUSIC-GROUP.COM). equipment right after your purchase at behringer.com
6. Clean only with dry cloth. ALL TRADEMARKS ARE THE PROPERTY OF THEIR under “Support” and kindly read the terms and conditions
RESPECTIVE OWNERS. MUSIC GROUP ACCEPTS NO of our limited warranty carefully. Registering your
7. Do not block any ventilation openings. Install in
LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED purchase and equipment with us helps us process
accordance with the manufacturer’s instructions.
BY ANY PERSON WHO RELIES EITHER WHOLLY OR your repair claims quicker and more efficiently.
8. Do not install near any heat sources such as IN PART UPON ANY DESCRIPTION, PHOTOGRAPH Thank you for your cooperation!
radiators, heat registers, stoves, or other apparatus OR STATEMENT CONTAINED HEREIN. COLORS AND
(including amplifiers) that produce heat. SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT. § 3 Return materials authorization
MUSIC GROUP PRODUCTS ARE SOLD THROUGH (1) To obtain warranty service, please contact the
AUTHORIZED FULLFILLERS AND RESELLERS ONLY. retailer from whom the equipment was purchased.
FULLFILLERS AND RESELLERS ARE NOT AGENTS OF Should your MUSIC Group Authorized Reseller not be
MUSIC GROUP AND HAVE ABSOLUTELY NO AUTHORITY located in your vicinity, you may contact the MUSIC Group
TO BIND MUSIC GROUP BY ANY EXPRESS OR IMPLIED Authorized Fulfiller for your country listed under
4 EURORACK PRO RX1202FX User Manual

“Support” at behringer.com. If your country is not • connection or operation of the unit in any way (3) This warranty does not detract from the seller’s
listed, please check if your problem can be dealt with that does not comply with the technical or safety obligations in regard to any lack of conformity of the
by our “Online Support” which may also be found under regulations applicable in the country where the product and any hidden defect.
“Support” at behringer.com. Alternatively, please submit product is used;
an online warranty claim at behringer.com BEFORE § 9 Amendment
• damage/defects caused by acts of God/Nature
returning the product. All inquiries must be accompanied (accident, fire, flood, etc) or any other condition that Warranty service conditions are subject to change without
by a description of the problem and the serial number is beyond the control of MUSIC Group. notice. For the latest warranty terms and conditions
of the product. After verifying the product’s warranty and additional information regarding MUSIC Group’s
(7) Any repair or opening of the unit carried out by
eligibility with the original sales receipt, MUSIC Group limited warranty, please see complete details online at
unauthorized personnel (user included) will void the
will then issue a Return Materials Authorization behringer.com.
limited warranty.
(“RMA”) number.
(8) If an inspection of the product by MUSIC Group * MUSIC Group Macao Commercial Offshore Limited of
(2) Subsequently, the product must be returned in Rue de Pequim No. 202-A, Macau Finance Centre 9/J, Macau,
shows that the defect in question is not covered by the
its original shipping carton, together with the return including all MUSIC Group companies
limited warranty, the inspection costs are payable by
authorization number to the address indicated by
the customer.
MUSIC Group.
(9) Products which do not meet the terms of this
(3) Shipments without freight prepaid will not
limited warranty will be repaired exclusively at the buyer’s
be accepted.
expense. MUSIC Group or its authorized service center will
§ 4 Warranty Exclusions inform the buyer of any such circumstance. If the buyer
fails to submit a written repair order within 6 weeks after
(1) This limited warranty does not cover consumable
notification, MUSIC Group will return the unit C.O.D. with
parts including, but not limited to, fuses and batteries.
a separate invoice for freight and packing. Such costs will
Where applicable, MUSIC Group warrants the valves or
also be invoiced separately when the buyer has sent in a
meters contained in the product to be free from defects
written repair order.
in material and workmanship for a period of ninety (90)
days from date of purchase. (10) MUSIC Group Authorized Resellers do not sell new
products directly in online auctions. Purchases made
(2) This limited warranty does not cover the product
through an online auction are on a “buyer beware” basis.
if it has been electronically or mechanically modified
Online auction confirmations or sales receipts are not
in any way. If the product needs to be modified or
accepted for warranty verification and MUSIC Group will
adapted in order to comply with applicable technical
not repair or replace any product purchased through an
or safety standards on a national or local level, in any
online auction.
country which is not the country for which the
product was originally developed and manufactured, § 5 Warranty transferability
this modification/adaptation shall not be considered a
This limited warranty is extended exclusively to the
defect in materials or workmanship. This limited warranty
original buyer (customer of authorized reseller) and is
does not cover any such modification/adaptation,
not transferable to anyone who may subsequently
regardless of whether it was carried out properly or not.
purchase this product. No other person (reseller, etc.)
Under the terms of this limited warranty, MUSIC Group
shall be entitled to give any warranty promise on behalf
shall not be held responsible for any cost resulting from
of MUSIC Group.
such a modification/adaptation.
(3) This limited warranty covers only the product § 6 Claim for damage
hardware. It does not cover technical assistance for Subject only to the operation of mandatory applicable
hardware or software usage and it does not cover local laws, MUSIC Group shall have no liability to the buyer
any software products whether or not contained in under this warranty for any consequential or indirect
the product. Any such software is provided “AS IS” loss or damage of any kind. In no event shall the liability
unless expressly provided for in any enclosed software of MUSIC Group under this limited warranty exceed the
limited warranty. invoiced value of the product.
(4) This limited warranty is invalid if the
factory-applied serial number has been altered or § 7 Limitation of liability
removed from the product. This limited warranty is the complete and exclusive
(5) Free inspections and maintenance/repair work warranty between you and MUSIC Group. It supersedes
are expressly excluded from this limited warranty, all other written or oral communications related to this
in particular, if caused by improper handling of the product. MUSIC Group provides no other warranties for
product by the user. This also applies to defects caused this product.
by normal wear and tear, in particular, of faders,
§ 8 Other warranty rights and
crossfaders, potentiometers, keys/buttons, guitar strings,
national law
illuminants and similar parts.
(1) This limited warranty does not exclude or limit the
(6) Damage/defects caused by the following conditions
buyer’s statutory rights as a consumer in any way.
are not covered by this limited warranty:
(2) The limited warranty regulations mentioned herein
• improper handling, neglect or failure to operate the
are applicable unless they constitute an infringement of
unit in compliance with the instructions given in
applicable mandatory local laws.
BEHRINGER user or service manuals;
5 EURORACK PRO RX1202FX User Manual

1. Introduction 1.1 General mixing console functions

With 8 phantom-powered microphone inputs as well as 4 high-headroom line A mixing console fulfils three main functions:
inputs, the RX1202FX comprises a total of 12 channels. All channels come with
• Signal processing:
60-mm faders and the extremely musical 2-band EQ, the clip LEDs, as well
as the 2 aux sends enable an uncompromising functionality of the console. Preamplification
An integrated power supply guarantees optimal flexibility through worldwide
Microphones convert sound waves into voltage that has to be amplified
independence of any mains connection. Additionally, it offers an absolutely
several-fold; then, this voltage is turned into sound that is reproduced
noiseless audio signal as well as an outstanding transient response by minimal
in a loudspeaker. Because micro­phone capsules are very delicate in their
power consumption. With first-class “Invisible“ Mic Preamps, the ultra-low
construction, output voltage is very low and therefore susceptible to
noise circuitry, the 24-bit effects processor as well as the separate control room,
interference. Therefore, mic signal voltage is amplified directly at the mixer
headphones and CD/tape outputs, the RX1202FX has all the features that also
input to a higher signal level that is less prone to interference. This higher,
distinguish our UB mixers.
interference-safe signal level has to be achieved through amplification
As sub-mixer, monitor mixer or as line mixer for audio/video installations, using an amplifier of the highest quality in order to amplify the signal
the RX1202FX is the first choice for demanding fixed installations and mobile use. and add as little noise to it as possible. The IMP “Invisible” Mic Preamp
performs this role beautifully, leaving no traces of noise or sound coloration.
IMP “INVISIBLE” MIC PREAMP Interference that could take place at the preamplification level could affect
signal quality and purity, and would then be passed on to all other devices,
The microphone channels are fitted with BEHRINGER’s premium quality
resulting in inaccurate sounding program during recording or playback.
IMP invisible mic preamps that boast the following features:
Level-setting
• 130 dB dynamic range for an incredible amount of headroom
Signals fed into the mixer using a DI box (Direct Injection) or the output of a
• A bandwidth ranging from below 10 Hz to over 200 kHz for crystal-clear
sound card or a keyboard, often have to be adjusted to the operating level of
reproduction of even the finest nuances
your mixing console.
• The extremely low-noise and distortion-free circuitry gua­rantees absolutely
Frequency response correction
natural and transparent signal repro­duction
Using the equalizers found in each channel strip, you can simply,
• They are perfectly matched to every conceivable micro­phone with up to
quickly and effectively adjust the way a signal sounds.
60 dB gain and +48 volt phantom power supply
• Signal distribution:
• They enable full utilization of the greatly extended dynamic range of your
24-bit/192 kHz HD recorder, thereby main­taining optimal audio quality. Individual, processed signals from the channel strips are compiled on busses
and are fed into the main section for further processing. Connections for
MULTI-EFFECTS PROCESSOR recording equipment, power amplifiers, headphones as well as CD/tape
connectors are available here. The mix is sent to the internal FX processors or
In addition, the RX1202FX offers an effects processor equipped with 24-bit
external effects processors via aux sends and returns. Similarly, a mix can be
A/D and D/A converters. The FX processor puts at your disposal 100 presets
created for the musicians on the stage (monitor mix).
with first-class room simulations, delay and modulation effects, and many
multi-effects in outstanding audio quality. • Mix:
All other mixing console functions fall under this vital category. Creating a

!! Caution!
◊ We would like to inform you that high volume can damage your
mix means primarily adjusting the volume levels of individual instruments
and voices to one another as well as giving them the appropriate weight
within the overall frequency spectrum. Likewise, you’ll have to sensibly
spread individual voices across the stereo image of a signal. At the end of
hearing and/or the headphones or loudspeakers. Before turning on this process, adjusting the level of the entire mix to other equipment in
the device, please move the MAIN MIX fader of the main section all the signal path is required (e. g. recorder/crossover/amplifier).
the way down. Always take care to keep an appropriate volume level.
The interface of BEHRINGER mixing consoles is optimized for these tasks,
enabling you to easily keep track of the signal path.
6 EURORACK PRO RX1202FX User Manual

1.2 The user’s manual 1.3.3 Online registration

The user’s manual is designed to give you both an overview of the controls, Please register your new BEHRINGER equipment right after your purchase
as well as detailed information on how to use them. In order to help you by visiting http://behringer.com and read the terms and conditions of our
understand the links between the controls, we have arranged them in groups warranty carefully.
according to their function. If you need to know more about specific issues,
Should your BEHRINGER product malfunction, it is our intention to have it
please visit our website at http://behringer.com. Additional information and
repaired as quickly as possible. To arrange for warranty service, please contact
explanations about various music industry/audio technology terminology
the BEHRINGER retailer from whom the equipment was purchased. Should your
can be found on individual product pages as well as in the glossary area
BEHRINGER dealer not be located in your vicinity, you may directly contact
of behringer.com.
one of our subsidiaries. Corresponding contact information is included in
◊ The block diagram supplied with the mixing console gives you the original equipment packaging (Global Contact Information/European
an overview of the connections between the inputs and outputs, Contact Information). Should your country not be listed, please contact the
as well as the associated switches and controls. distributor nearest you. A list of distributors can be found in the support area
of our website (http://behringer.com).
For the moment, just try and trace the signal path from the microphone input
to the FX SEND connector. Don’t be put off by the huge range of possibilities; Registering your purchase and equipment with us helps us process your repair
it’s easier than you think! If you look at the overview of the controls at the same claims more quickly and efficiently.
time, you’ll be able to quickly familiarize yourself with your mixing console and
Thank you for your cooperation!
you’ll soon be making the most of all its many possibilities.

1.3 Before you get started 2. Control Elements and Connectors

1.3.1 Shipment This chapter describes the various control elements of your mixing console.
All controls, switches and connectors will be discussed in detail.
Your mixing console was carefully packed in the factory to guarantee safe
transport. Nevertheless, we recommend that you carefully examine the
packaging and its contents for any signs of physical damage that may
2.1 Mono channels
have occurred during transit.
◊ If the unit is damaged, please do NOT return it to us, but notify your
dealer and the shipping company immediately, otherwise claims for
damage or replacement may not be granted.
◊ To assure optimal protection of your EURORACK during use or transport,
we recommend utilizing a carrying case.
◊ Please always use the original packaging to avoid damage due
to storage or shipping.
◊ Never let unsupervised children play with the EURORACK or
with its packaging.
◊ Please dispose of all packaging materials in an
environmentally-friendly fashion.

1.3.2 Initial operation

Be sure that there is enough space around the unit for cooling purposes and to
avoid overheating please do not place your mixing console on high-temperature
equipment such as radiators or power amps.
◊ Never connect the EURORACK to the power supply unit when the latter Fig. 2.1: Connectors and controls on the mono channels
is connected to the mains! First connect the power supply unit to the
console, then connect the power supply unit to the mains.
MIC
◊ Please make sure that all units have a proper ground connection.
Each mono input channel offers a balanced microphone input via the
For your own safety, never remove or disable the ground
XLR connector and also features a switchable +48 V phantom power supply
conductor from the unit or on the AC power cord. The unit should
for condenser microphones.
always be connected to a mains socket outlet with a protective
earthing connection. ◊ Please mute your playback system before you activate the
phantom power supply to prevent switch-on thumps being
◊ When installing the product, ensure the appliance coupler or
directed to your loudspeakers. Please also note the instructions
power cord is easily accessible for disconnecting the unit from mains.
in chapter 2.4 “Main section”.
7 EURORACK PRO RX1202FX User Manual

LINE IN The MON path—as the name already implies—is meant to be used as monitor
signal path. For this application, it is important that the controller works as
Each mono input also features a balanced line input on a 1/4" connector.
pre-fader, which means it does not rely on the fader position. For this reason the
Unbalanced devices (mono connectors) can also be connected to these inputs.
AUX send path is unsuitable for the connection to effects devices. By using the
◊ Please remember that you can only use either the microphone MON controller, you can produce a mono mix of individual signals that can be
or the line input of a channel at any one time. You can never use routed over the MON plug, located on the backside, to a headphones amplifier
both simultaneously! (e.g. MINIAMP AMP800) or a power amplifier for monitoring.

INSERT PAN
The INSERT connector is input and output at the same time. This allows you The PAN control determines the position of the channel signal within the
to insert external signal processors (compressors, gate, etc.) in the channel. stereo image. This control features a constant-power characteristic, which means
The signal retrieval occurs after the TRIM and is practically a diversion of the signal is always maintained at a constant level, irrespective of position in
the signal. The input signal of the connected signal processor is diverted, the stereo panorama.
processed and led back to the channel for further processing.
CLIP
TRIM
The CLIP LEDs of the mono channels illuminate when the input signal is driven
Use the TRIM control to adjust the input gain. This control should always be too high, which could cause distortion. If this happens, use the TRIM control to
turned fully counterclockwise whenever you connect or disconnect a signal reduce the preamp level until the LED does not light anymore.
source to one of the inputs.
Channel fader
The scale has 2 different value ranges: the first value range (+10 to +60 dB)
refers to the MIC input and shows the amplification for the signals fed in there. The channel fader determines the level of the channel signal in the Main Mix.
The second value range (+10 to -40 dBu) refers to the line input and shows ◊ Caution: The channel fader needs to be open so that the effects
its sensitivity. The settings for equipment with standard line-level signals processor receives a signal from this channel because the FX bus
(-10 dBV or +4 dBu) look like this: While the TRIM control is turned all the way to the effects processor is switched to post-fader!
down, connect your equipment. Set the TRIM control to the external devices’
standard output level. If that unit has an output signal level display, it should 2.2 Stereo channels
show 0 dB during signal peaks. For +4 dBu, turn up TRIM slightly, for -10 dBV a
bit more. Tweaking is done using the CLIP LED.

HIGH/LOW
All mono input channels include a 3-band equalizer. All bands provide boost
or cut of up to 15 dB. In the central position, the equalizer is inactive.
The upper (HIGH) and the lower band (LOW) are shelving filters that increase
or decrease all frequencies above or below their cut-off frequency. The cut-off
frequencies of the upper and lower band are 12 kHz and 80 Hz respectively.

MON/FX
FX send buses (or AUX send buses) enable you to extract signals from one or
more channels and collect these on a bus. You can retrieve the signal at the send
connector to direct it to an external effects device, for example. The AUX return
input is used as the return path. The send buses of the RX1202FX are mono buses.
As the name suggests, the FX sends of the EURORACK mixing consoles are
intended to drive effects devices (reverb, delay, etc.) and are therefore configured
post-fader. This means that the mix between dry signal and effect remains at
the level determined by the channel’s aux send, irrespective of the channel fader
Fig. 2.2: Connectors and controls on the stereo channels
setting. If this were not the case, the effects signal of the channel would remain
audible even when the fader is lowered to zero.
LINE IN
In the RX1202FX, the FX send is routed directly to the built-in effects processor.
To make sure that the effects processor receives an input signal, you shouldn’t Each stereo channel has two balanced line level inputs on 1/4" connectors
turn this control all the way to the left (-∞). for left and right channels. If only the connector marked “L” (left) is used,
the channel operates in mono. The stereo channels are designed to handle
typical line level signals. Both inputs will also accept unbalanced connectors.
8 EURORACK PRO RX1202FX User Manual

TRIM MAIN OUT

The controller works the same as the one for the mono channels. The MAIN OUT connectors are balanced and laid out as XLR
However, the level control range is limited from +20 to -20 dBu connectors. Here the summed signal of the main mix has a level of
because the stereo channels only process line signals. 0 dBu. According to the way you want to use the mixer and which
equipment you have, following devices can be connected:
HIGH/LOW
Live PA systems:
The stereo-channel equalizer features 2 bands like the one used for the
mono channels. A stereo dynamics processor (optional), stereo equalizer (optional) and the
stereo power amplifier for full-range loudspeakers with passive crossovers.
MON/FX
If you wish to use multi-way loudspeaker systems without an integrated
The MON/FX buses of the stereo channels work like those of the mono channels. crossover, you have to use an active crossover and several power amplifiers.
Since both paths are mono, the signal of a stereo channel is initially mixed to a Often, limiters are already built into active crossovers (e.g. BEHRINGER SUPER-X
summed mono signal before reaching the MON/FX bus. PRO CX2310 and ULTRADRIVE PRO DCX2496). Active crossovers are implemented
directly before the power amplifier, and they divide the frequency range into
BAL several segments that are first amplified in the amplifiers and then passed on
to the corresponding loudspeakers.
The BAL(ANCE) control determines the levels of left and right input signals
relative to each other before both signals are then routed to the main stereo
Recording:
mix bus. If a channel is operated in mono via the left line input, this control
has the same function as the PAN control used in the mono channels. For mastering, using a stereo compressor such as the COMPOSER PRO-XL
MDX2600 can be recommended. Use it to custom-tailor the dynamic
CLIP characteristics of your signal to the dynamic range of the recording equipment
you are using. The signal is in this case passed on from the compressor into
The CLIP LEDs of the stereo channels light up when the input signal’s level is too
the recorder.
high. In this case, reduce the preamplification with the TRIM controller until the
LED goes out.
CTRL OUT
Channel fader The CTRL OUT connectors are used for controlling the summed signal
(effects mix and main mix) as well as for individual signals over studio monitor
As with the mono channels, the channel fader determines the level of the
speakers. By using the PHONES/CONTROL ROOM controller in the main section,
channel strip for the stereo channels in the main mix.
you can control the level of both outputs.
2.3 Connector array of the main section CD/TAPE IN
The CD/TAPE INs are used to bring an external signal source (e.g. CD player,
tape deck, etc.) into the console. They can also be used as a standard stereo line
input, so the output of a second EURORACK or BEHRINGER ULTRALINK PRO MX882
can be connected. Alternatively, the line or tape output of a hi-fi amplifier with
source selection switch could also be hooked up here, allowing you to easily listen
to additional sources (e.g. cassette recorder, minidisk player, sound card etc.).

CD/TAPE OUT
These connections are laid out as RCA connectors and are wired parallel to
MAIN OUT. Connect the inputs of a computer sound card or a recorder here.
The output signal level is set up using the highly accurate MAIN MIX fader.

AUX SENDS
The FX connector routes the signal, which you have extracted from the individual
channels by using the FX controller; the MON plug does the same to the signal
Fig.2.3: Connectors of the main section that has been extracted by using the MON controller. Connect the input of
an external effects processor to the FX plug, with which you want to modify
the signal sum of the FX bus. Then, route the effects signal back to the mixer
over the AUX RETURN connectors. With the MON outputs, you can connect an
amplifier/headphones amplifier for the musicians to monitor.
9 EURORACK PRO RX1202FX User Manual

◊ When the connected effects device does not receive an input signal, POWER
none of the FX controllers are probably turned up, which also applies
The blue POWER LED indicates that the console is powered on.
to the integrated effects -processor.
◊ Adjust your external effects processor to 100% wet (effects signal LEVEL INDICATOR
only), because the effects signal is added to the main mix along with
The 4-segment display accurately displays the relevant signal level.
the “dry” channel signals.
Level Control:
AUX RETURN
To level the signal, you should set the channel fader of the input channels to 0 dB
You can connect the outputs of an external effects device to the AUX RETURN
and raise the input amplification with the TRIM controller to the extent that a
connectors. In this case, the effects signal is routed directly to the main mix bus
level of maximal 0 dB is displayed.
and is then mixed with the “dry” signal. It is also possible to route the effects
signal as mono by using the L connector. When recording to digital recorders, the recorder’s peak meter should not go into
overload. While analog recorders can be overloaded to some extent, creating only
◊ You can also use the AUX RETURN connectors as additional stereo input
a certain amount of distortion, digital recorders distort quickly when overloaded.
channels, although, in this case, there are no possibilities to control the
In addition, digital distortion is not only undesirable, but also renders your
level, timbre and panning.
recording completely useless.
2.4 Main section When recording to an analog device, the VU meters of the recording machine
should reach approx. +3 dB with low-frequency signals (e.g. kick drum). Due to
their inertia VU meters tend to display too low a signal level at frequencies
above 1 kHz. This is why, for example, a Hi-Hat should only be driven as
far as -10 dB. Snare drums should be driven to approx. 0 dB.
◊ The CLIP LEDs of your EURORACK display the level virtually
independent of frequency. A recording level of 0 dB is
recommended for all signal types.

MAIN MIX
Use the MAIN MIX fader to adjust the volume of the main out.

PHONES
The connector is used to connect a pair of headphones. The volume level
is changed with the PHONES/CONTROL ROOM controller.

PHONES/CONTROL ROOM
Fig. 2.4: Control elements of the main section Use the PHONES/CONTROL ROOM control to adjust the signal level of the
CTRL OUT and PHONES outputs.
+48 V
FX SOLO
The red “+48 V”-LED lights up when the phantom power supply is switched on.
If you want to only listen to the effects signal with your headphones or monitor
Phantom powering is necessary to use condenser microphones and is activated
speakers, then press the FX SOLO switch. The signal of the effects device can
with the PHANTOM ON switch found on the backside.
then be heard individually; the main mix or CD/tape signal is inaudible at the
◊ Connect microphones before you switch on the phantom power supply. PHONES and CTRL OUT outputs.
Please do not connect microphones to the mixer (or the stagebox/
wallbox) while the phantom power supply is switched on. In addition, CD/TAPE TO CTRL
the monitor/PA loud­speakers should be muted before you activate the
Press the CD/TAPE TO CTRL switch if you want to monitor the CD/TAPE IN via
phantom power supply. After switching on, wait approx. one minute to
the CTRL OUT and PHONES outputs. A typical studio application of this function
allow for system stabilization.
is recording music into a digital audio workstation (DAW) with simultaneous
◊ Caution! You must never use unbalanced XLR connectors (PIN 1 and reproduction (see ch. 3.1).
3 connected) on the MIC input connectors if you want to use the
◊ When you are recording a signal over the CD/TAPE OUT and
phantom power supply.
simultaneously want to monitor over the CD/TAPE IN, the CD/TAPE
TO MIX switch is not allowed to be pressed. Otherwise a feedback loop
would occur because this signal would be sent over the Main Mix back
to the CD/TAPE OUT. In case of such an application, you should send the
CD/TAPE signal to the monitor speakers or headphones by using the
CD/TAPE TO CTRL switch. In contrast to the main mix, this signal is not
sent to the CD/TAPE OUT.
10 EURORACK PRO RX1202FX User Manual

CD/TAPE TO MIX 2.6 Voltage supply, phantom power supply

When the CD/TAPE TO MIX switch is pressed, the CD/tape input is assigned to and fuse
the main mix providing an additional input for tape machines, MIDI instruments
FUSE HOLDER/IEC MAINS RECEPTACLE
or other signal sources that do not require any processing.
The mains connection is made via a cable with an IEC mains connector and
2.5 Digital effects processor meets the required safety standards. An appropriate mains cable is supplied
with the equipment. Blown fuses must only be replaced by fuses of the same
type and rating.

Fig. 2.6: Voltage supply and fuse

Fig. 2.5: Effects section POWER switch

Use the POWER switch to turn on the mixing console. The POWER switch
100 FIRST-CLASS EFFECTS should always be in the “Off” position when you are about to connect your unit
to the mains.
The EURORACK RX1202FX features a built-in digital stereo effects processor.
This effects processor offers a large number of standard effects such as Hall, To disconnect the unit from the mains, pull out the main cord plug.
Chorus, Flanger, Delay and various combination effects. Using the FX control, When installing the product, ensure that the plug is easily accessible.
you can feed signals into the effects processor. The integrated effects If mounting in a rack, ensure that the mains can be easily disconnected
module has the advantage of requiring no wiring. This way, the danger of by a plug pull or by an all-pole disconnect switch on or near the rack.
creating ground loops or uneven signal levels is eliminated at the outset,
◊ Attention: The POWER switch does not fully disconnect the unit from
completely simplifying the handling.
the mains. Unplug the power cord completely when the unit is not
used for prolonged periods of time.
SIG and CLIP LED
The SIG LED on the effects module shows the presence of a signal whose level PHANTOM switch
is high enough. This LED should always be on. However, make sure that the
The PHANTOM switch activates the phantom power (necessary to operate
CLIP LED lights up only sporadically. If it is lit constantly, you are overdriving
condenser microphones) on the XLR sockets of the mono channels.
the effects processor, which leads to unpleasant distortion. If this occurs,
The red +48 V LED illuminates when phantom power is on. As a rule,
turn the FX controls down somewhat.
dynamic microphones can still be used with phantom power, provided that
they are wired in a balanced configuration. In case of doubt, contact the
PROGRAM
microphone manufacturer!
The PROGRAM control has two functions: by turning the PROGRAM control,
◊ Connect microphones before you switch on the phantom power supply.
you dial the number of an effect. The number of the preset you just dialed up
Please do not connect microphones to the mixer (or the stagebox/
blinks in the display. To confirm your selection, press the PROGRAM control;
wallbox) while the phantom power supply is switched on. In addition,
the blinking stops.
the monitor/PA loud-speakers should be muted before you activate the
phantom power supply. After switching on, wait approx. one minute to
FX TO MAIN
allow for system stabilization.
By using the FX TO MAIN controller, the effects signal is sent to the main mix.
◊ Caution! Please also note the information given in chapter 4.2
No effects signal is to be heard in the summed signal of the mixer when the
“Audio connections”.
controller is positioned entirely to the left. Choose this position if you want to
use an external effects device for the FX output.
SERIAL NUMBER
An overview of all the multieffect processor’s presets are to be found in
Please note the important information on the serial number given in
the appendix.
chapter 1.3.3.
11 EURORACK PRO RX1202FX User Manual

3. Applications
3.1 Recording studio

TRUTH B200A Keyboard

HPS3000 MIDI sound module

B-2 Pro

MD Recorder

HPS3000

V-Amp 3
Laptop F-Control FCA202 Mini Amp Amp 800
Electric Guitar

Fig. 3.1: The RX1202FX in a recording studio

Even though most of the tasks in a studio can nowadays be accomplished using Record and playback:
a computer, a mixing console remains an unavoidable piece of equipment that
The recording signal is preamplified in a mixer’s channel, processed with the
lets you effectively manage audio inputs and outputs: microphone signals
EQ and routed back to the main bus. Determine the recording level with the
need to be pre-amplified prior to being recorded, and the quality of microphone
LEVEL fader. The entire level to the computer is adjusted with the MAIN MIX
sound is often worked on; recording and playback signals must be routed to the
fader. To ensure that the signal is really being recorded, you should not listen
appropriate connectors or integrated into the mix; the volume of headphones
in to the main mix signal (i.e. the output signal of the console, prior to recording)
and studio monitors needs to be adjusted, and so on. The well-equipped main
of the phones or control room bus. Instead, listen in to the returned signal
section of the RX1202FX is extremely useful in this case.
of the soundcard that is connected to the CD/TAPE inputs, in which case you
have a kind of read-after-write control. In this case, press the CD/TAPE TO CTRL
Cabling:
switch and adjust the volume level with the PHONES/CONTROL ROOM controller.
Connect your sound sources to the mic or line inputs of the mixer. Join your This way you can record further tracks to an existing playback (so-called
master machine (DAT/MD recorder) to the main outputs. Your monitor speaker overdubs). In the process, use the Direct Monitoring function of your DAW
is connected to the CTRL OUT connector, the headphones to the PHONES (Digital Audio Workstation).
output. Now attach the CD/TAPE outputs with the inputs of the sound
Determine the amount of the input signals (keyboard, guitar, sound module
card of your Digital Audio Workstation (DAW). Hook up the outputs of the
and microphone) in the mono and stereo channels that are to be sent to the
computer’s soundcard to the CD/TAPE inputs. Connect a headphone amplifier
MON output by using the MON controller of the corresponding channel.
to the MON connector to be able to provide performing musicians with a
monitoring signal. ◊ With this application, the CD/TAPE TO MIX switch should not be pressed;
otherwise, the playback signal from the sound card output would be
routed back to the computer and would be added to the recording.
This would not only be undesirable, it would also create a feedback loop.
12 EURORACK PRO RX1202FX User Manual

3.2 Live sound

VP1520 Keyboard

Electric Guitar

VIRTUE VT250FX

Drum Machine

EP2000

COMPOSER PRO-XL MDX2600 HPS3000

CD Player

MD Recorder

XM8500
EP2000 VIRTUALIZER 3D FX2000 BX4500H

EUROLIVE F1220A
Electric Bass BB410

Fig. 3.2: Live application of the RX1202FX

13 EURORACK PRO RX1202FX User Manual

This illustration shows a typical arrangement for a live setup. Two vocal
microphones and the line outputs of a guitar and a bass amplifier are connected
to the mono channels of the RX1202FX. A keyboard and a drum computer are 2 1
1 2

connected to the stereo channels. The power amplifier in your sound system is 3 3

connected to the main outputs; equipment such as compressors, equalizers or

input output
crossovers are located between the mixer and the amp in the signal path. If you
wish to make a live recording, you can connect your recording equipment 1 = ground/shield
2 = hot (+ve)
(in this case, a minidisk recorder) to the CD/TAPE outputs. A CD player that is 3 = cold (-ve)
playing during intermissions is connected via the CD/TAPE inputs. If you connect For unbalanced use, pin 1 and pin 3 have to be bridged

a recorder/player combo (e. g. a tape deck recorder), the CD/TAPE TO MIX switch
should not be pressed during a recording because this way the signal intended Fig. 4.1: XLR connections
for recording would be directly re-routed back to the mixing console, and then
back to the recorder... this would cause a feedback loop as soon as you hit the
record button. A loud, unpleasant, even painful sound would result. Unbalanced ¼" TS connector
strain relief clamp
Connect two monitor speakers over a power amplifier to the MON output which
sleeve
musicians can then use on stage. Determine the amount of the input signals
(microphone, bass, keyboard, drum computer and guitar) in the mono and stereo tip
channels that are to be sent to the MON output by using the MON controller of
the corresponding channel.
sleeve

4. Installation
(ground/shield)

4.1 Mains connection tip

(signal)

AC POWER IN
Fig. 4.2: 1/4" mono plug
The power supply is delivered through the power supply line to be found on
the backside. The connection complies with the required security regulations.
◊ Never connect the EURORACK to the power supply line while the latter Balanced ¼" TRS connector
is already connected to the mains! Rather connect the console with the strain relief clamp
power supply line before plugging it into the mains. sleeve
ring
◊ Please note that the mixer warms up when in operation. tip
This is absolutely normal.

4.2 Audio connections

sleeve
ground/shield
You will need a large number of cables for different applications.
The illustrations below show how the connectors should be wired. ring
Be sure to use only high-grade cables. cold (-ve)
tip
Please use commercial RCA cables to connect the CD/tape inputs and outputs. hot (+ve)
For connection of balanced and unbalanced plugs,
You can, of course, also connect unbalanced equipment to the balanced ring and sleeve have to be bridged at the stereo plug.
inputs/outputs. To do this, use either mono plugs or stereo plugs with the
ring and sleeve bridged (pins 1 and 3 in the case of XLR connectors). Fig. 4.3: 1/4" stereo plug

◊ Caution! Never use unbalanced XLR connectors (PIN 1 and 3 connected)

on the MIC input connectors when using the phantom power supply. ¼" TRS headphones connector
strain relief clamp
sleeve
ring
tip

sleeve
ground/shield

ring
right signal
tip
left signal

Fig. 4.4: Stereo plug for headphones connection

14 EURORACK PRO RX1202FX User Manual

5. Specifications
Mono Inputs Outputs

MIC (IMP Invisible Mic Preamp) AUX SENDS (FX)

Type XLR, electr. balanced Type ¼" TRS connector, impedance balanced
Mic E.I.N. (20 Hz – 20 kHz) Impedance approx. 240 Ω balanced
approx. 120 Ω unbalanced
@ 0 Ω source resistance -132 dB / -134 dB A-weighted
Max. output level +22 dBu
@ 50 Ω source resistance -130 dB / -132 dB A-weighted
@ 150 Ω source resistance -128 dB / -130 dB A-weighted Aux Sends (MON)
Frequency response <10 Hz – 200 kHz
Type ¼" TRS connector, impedance balanced
Gain range +10 to +60 dB
Impedance approx. 240 Ω balanced
Max. input level +12 dBu @ +10 dB gain approx. 120 Ω unbalanced
Impedance approx. 2.6 kΩ balanced Max. output level +22 dBu
Signal-to-noise ratio -110 dB / -112 dB A-weighted
Main Out
Distortion (THD+N) 0.003%, A-weighted
Type XLR connectors, balanced
Line In Impedance approx. 240 Ω balanced
approx. 120 Ω unbalanced
Type ¼" TRS connector, electronically balanced
Max. output level +28 dBu balanced
Impedance approx. 20 kΩ balanced
+22 dBu unbalanced
approx. 10 kΩ unbalanced
Gain range -10 dB to +40 dB Ctrl Out
Max. input level +22 dBu @ 0 dB gain
Type ¼" TRS connector, impedance balanced
Stereo Inputs Impedance approx. 240 Ω balanced
approx. 120 Ω unbalanced
Type ¼" TRS connector, electronically balanced
Max. output level +22 dBu
Impedance approx. 20 kΩ balanced
approx. 10 kΩ unbalanced CD/Tape Out
Max. input level +22 dBu
Type RCA connectors, unbalanced
Insert Impedance approx. 1 kΩ
Max. output level +22 dBu
Type ¼" TRS connector
(Tip=Send, Ring=Return)
Phones
Auxiliary Inputs Type ¼" TRS connector
CD/TAPE IN Max. output level +19 dBu / 150 Ω (316 mW)
Type RCA connectors, unbalanced
EQ
Impedance approx. 20 kΩ
Low 100 Hz / ±15 dB
Max. input level +22 dBu
High 12 kHz / ±15 dB
Aux Return

Type ¼" TRS connector, balanced

Impedance approx. 20 kΩ balanced
approx. 10 kΩ unbalanced
Max. input level +22 dBu
15 EURORACK PRO RX1202FX User Manual

Main Mix System Data1

Noise
Main mix @ -∞, -98 dB / -101 dB A-weighted
Channel fader -∞
Main mix @ 0 dB, -85 dB / -88 dB A-weighted
Channel fader -∞
Main mix @ 0 dB, -77 dB / -80 dB A-weighted
Channel fader @ 0 dB

Fade Attenuation2

(Crosstalk attenuation)
Main fader closed 90 dB
Channel fader closed 90 dB

Frequency Response

Microphone input to Main Out

<20 Hz – 105 kHz +1 dB / -1 dB
<10 Hz – 170 kHz +3 dB / -3 dB

Effects Section

Converter 24-bit Sigma-Delta

Frequency rate 40 kHz
Presets 100

Power Supply

Power consumption 18 W
Voltage 100 – 240 V~, 50/60 Hz
Fuse 100 – 240 V~: T 1.6 A H 250 V
Mains connection IEC (power) cable

Dimensions/Weight

Dimensions (H x W x D) approx. 5 1/5 x 19 x 5 9/10"

approx. 133 x 482 x 150 mm
Weight (net) approx. 6.7 lbs / 3.04 kg

Measuring conditions:

1: 20 Hz – 20 kHz; measured at main output. Channels1 – 8 gain @ unity; EQ flat; all channels on main mix;
channels 1/3/5/7 leftmost, channels 2/4/6/8 rightmost. Reference = +6 dBu.

2: 1 kHz relative to 0 dBu; 20 Hz – 20 kHz; line input; main output; gain @ unity.
17 EURORACK PRO RX1202FX User Manual

FEDERAL COMMUNICATIONS
COMMISSION COMPLIANCE
INFORMATION

EURORACK PRO RX1202FX

Responsible Party Name: MUSIC Group Services US Inc.

Address: 18912 North Creek Parkway,
Suite 200 Bothell, WA 98011,
USA
Phone/Fax No.: Phone: +1 425 672 0816
Fax: +1 425 673 7647

EURORACK PRO RX1202FX

complies with the FCC rules as mentioned in the following paragraph:
This equipment has been tested and found to comply with the limits for a Class B
digital device, pursuant to part 15 of the FCC Rules. These limits are designed
to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses and can radiate radio frequency
energy and, if not installed and used in accordance with the instructions, may cause
harmful interference to radio communications. However, there is no guarantee that
interference will not occur in a particular installation. If this equipment does cause
harmful interference to radio or television reception, which can be determined
by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the
receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC rules. Operation is subject to the
following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may
cause undesired operation.

Important information:
Changes or modifications to the equipment not expressly approved by MUSIC Group
can void the user’s authority to use the equipment.
We Hear You