‘coms-85026 Arirang and Akatonbo Korean Folk Song / Kosaku Yamada (arr. by Chang Su KOH) #3 Ab att INSTRUMENTATION Piccolo (3rd Flute) (1) Ist & 2nd Homs in F @) Timpani © Ist & 2nd Flutes (4) 3rd & 4th Homs in F Oa. @ Oboe (1) 1st & 2nd Trumpets in B> (6) Tonge, Tambourine, Sore Drum Bassoon (1) 3rd Trumpet in B > @) Basen, Tamm) Clarinet in Eb (1) st& 2nd Trombones (4). 2nd Percussion ® Ist Clarinet in B > @) Bass Trombone (Guspended Cymbal, Tange 2nd Clarinet in B> @ in CIB b(G 19") (2) Cash Cymbals, Glckenspie) 3rd Clarinet in BP @) Euphonium @) 3rd Percussion ‘Bass Clarinet in B > (Tuba ©) rlophone, Gockenpiet Ist 2nd Alto (4) String Bass w Saxophones in E> ‘Tenor Sexophone in BP (2) Baritone Saxophone inE> (1) European Extra Parts Ist & 2nd Homs in E> @ Euphnium in BY ($/9:) @ 3rd & 4th Homs in Eb Q) Tuba in Eb ($/9°) a Ist & 2nd Trombones in Bb ($/9) @) Tuba in B» ($ /9:) o 31d Trombone in B (4/9) o F BRAIN Company, LimitedArirang and Akatonbo Korean Folk Song / Kosaku Yamada (arr. by Chang Su KOH) TIPLEMEAAL/ PRE EE HEU ies EID al Gr3 © Composer's Notes ‘Chang Su Koh (b. 1970) was bom in Osaka, Japan. He received his master's degre from the Musik-Akademie der Stadt Base! and has won numerous composition contests including the 12th Asahi Composition Award for Wind Orchestra (‘Lament for Wind Orchestra”, a 2002 AJBC test piece). Leading works for band include Mindscape for Wind Orchestra and Korean Dances. Chun Shin Yun, director of East Osaka Korean Middle School Band, commissioned this arrangement to ‘commemorate the 20th anniversary ofthe band’s membership in the Osaka Prefecture All Japan Band Associaton. It was premiered in May 2003 at “Brass Expo 2003” by Kansai Korean Gakuen Junior High Joint Band ‘The piece opens with Akatonbo, then introduces the song Avirang. Significant about this arrangement i its use of traditional Korean folk rhythms. The drirang melody is accompanied by “Chang Dan of Chung Mori, 12/8 rhythm. pattem characterized by an accented 9th beat. In this particular work, the pater is expressed within 4 bars of 3/4 time. After a transitional section, the Aaonbo melody appears again in an arranged “Chang Dan of Pan Sar Pui” rhythm, ‘This is atypically fast temary chythm with an accent behind the 2nd beat. Here a syncopated “Chang Dan of Pan Sar Pari is adapted to the wind band, al inthis unique opportunity to expericace colorful Korean folksong traditions Following detailed research by a late 19th century American musicologist, the original Arirang folksong is now ‘known to have possessed a variety of melodies and rhythms throughout the Korean peninsula. The melody used inthis ‘work is the most famous amongst them. Its futher celebrated in the John Barnes Chance (1932-1972) wind band work Variations on a Korean Folk Song (1965), On the other hand, Akstonbo was composed by Kosaku Yamada (1886-1965) forthe 1927 poetry of Rafi Miki (1889-1964) reflecting upon his childhood memories, This deeply nostalgic music is considered tobe one of Japan's ‘most beloved and famous folksongs. (Dee, 2012, Brain & Bravo Music) © Reference recordin, ‘Toward Higher Mountains ( BRAIN MUSIC Concert & Mareh Collection BOCD-1547 (Brin Musi) ) ons CORRE, SHORAMMNSMEREAABEMFSH (175272 KORE T AAR ARNMCOMER ALTA ‘an. w)m820035817 3214 ArtZ003I CCRT REA CKORRTHDNELI (REND ORACHEST.OREOMADBNS, HFROUTL IO EMAAR CUBCETT MERIC RET SPIE DOWN. "FEY FH/FY EUIOREKT IC NOBBAN2/BFOIZL (RM LCRS/ ADEA) CROAT ART. SSC BHBEMCRURETS REA OUAD IO ILIU FIT EMENEAIRTT. AAUOMET CI ISEOFE YI YaLICPLPIUTALICURY CSUR ERORDGERERLOSOETFROAETRD—DEBASTLES iBO(PUDI)18 SHR REC AUDA AOREAN TOSTRING RAN RACH CMB MEPIS ‘SRE CHECL DDI TR CURT. COPA RONLIRURENSNTSUOT MRC EF YR (1992-1972) 0HL RGHRLORELS TERM) (OES)ICCORMEIMLSNTLET. A. GREAIS. SAMM(1889-1964) HR ROMDROBLERL CHI 10275 UNEHE( 286-1 965)ICA TERETE. SUEMORECHMG. Geeta SRMELTRMEN TORS, (elem i28 2—vea-¥9) O88: IL-7 —hae—F ILIV THEIL. HAIIIA) 900079870.» 0) oma BE (39 F772) 1970 AMEERN. ARATE 242) ULERP DIS —WP. CECB DAE AS. 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