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Trombone Music Transcription

The document appears to be a series of musical notation symbols without text or labels. It contains various combinations of symbols such as quarter notes, half notes, whole notes, and rests arranged on a musical staff over several lines spanning from measure 12 to measure 94.

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Francisco Tiago Souza de Oliveira
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© © All Rights Reserved
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Download as PDF, TXT or read online on Scribd
109 views2 pages

Trombone Music Transcription

The document appears to be a series of musical notation symbols without text or labels. It contains various combinations of symbols such as quarter notes, half notes, whole notes, and rests arranged on a musical staff over several lines spanning from measure 12 to measure 94.

Uploaded by

Francisco Tiago Souza de Oliveira
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Trombone Umbrella

               


Transcrição: Tiago Oliveira

       

 = 100 A

                         

      
12

  
                          
       
16
B

 
               
  

    
21

                  
      

C

   
25

             
               
  
3

       
28

                              

D 

    
32

  
                       

     
37

       
                  
    
 
41
E

          F      
 
          

   
46
                             
    
50

                             
 
G

   
54

       
                        
    
  
 

  
59

                       
    

64

                            


67

                   
          

70

                   
     
73


                            

    
80

         

                   



  
85

                              
        
89

                 

   
94

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